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1977

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Tanglewood

The Berkshire Music CenterGunther Schuller, Artistic Director

Joseph Silverstein, Chairman of the Faculty

Aaron Copland, Chairman of the Faculty Emeritus

Phyllis Curtin, Artist-in-Residence for Vocal MusicJohn Oliver, Head of Vocal Music Activities

Gilbert Kalish, Head of Keyboard Activities

Dennis Helmrich, Head Vocal CoachDaniel R. Gustin, Administrator

Richard Ortner, Assistant AdministratorHarry Shapiro, Orchestra Manager

James Whitaker, Chief CoordinatorCarol Woodworth, Carol Doty, Secretaries to the Faculty

Lawrence Tarlow, Elizabeth Burnett, Librarians

Festival of Contemporary Musicpresented in cooperation with

The Fromm Music Foundation at Harvard

Fellowship ProgramContemporary Music Activities

Gunther Schuller, Director

Theodore Antoniou, Assistant Director

Betsy Jolas, Jacob Druckman,Yehudi Wyner, Cuest Teachers

The Berkshire Music Centeris maintained for advanced study in music.

Sponsored by the

Boston Symphony OrchestraSeiji Ozawa, Music Director

Thomas D. Perry, Jr., Executive DirectorThomas W. Morris, ManagerMichael Steinberg, Director of Publications

Festival of

ContemporaryMusic

The Berkshire Music CenterIn 1940, the Berkshire Music Center

was established at Tanglewood by the

Boston Symphony Orchestra in fulfill-

ment of the dream of Serge Kousse-

vitzky, its Music Director, to provide an

environment in which young musicians

could continue their professional train-

ing and add to their artistic experience

through the guidance of eminent mu-sicians. The Center was developed un-

der Koussevitzky's leadership until his

death in 1951, when he was succeeded

by Charles Munch. Erich Leinsdorf be-

came the next Music Director in 1963, to

be succeeded in 1970 by a tripartite

directorship comprising two Artistic Di-

rectors, Seiji Ozawa and Gunther Schul-

ler, and Leonard Bernstein as Advisor.

Seiji Ozawa became Music Director of

the Boston Symphony in 1973, and nowhe and Gunther Schuller share respon-

sibilities for the artistic direction of the

Music Center.

Since the founding of the Center, oneof the principal sponsors of composersand contemporary music at Tangle-

wood has been the Koussevitzky MusicFoundation established in 1942 by Serge

Koussevitzky, then Music Director of

the Boston Symphony Orchestra, in

memory of his wife, Natalie.

Twenty Years at Tanglewood

In 1957, when at the invitation of

Aaron Copland, we first came to Tangle-

wood, Serge Koussevitzky's commit-ment to the music of his contemporarieswas already legendary. His espousal of

contemporary music grew out of his

unwavering belief that musical institu-

tions cut off from the creative stream of

their own day must atrophy, that a

musical tradition which is not so muchconcerned with innovation as it is with

preservation is dead.

By coming here, by joining forces with

the Berkshire Music Center, we becomeKoussevitzky's heirs. We received the

legacy of his vision humbly, both as a gift

and also as an obligation, as a precedent

we felt impelled to follow.

In the 1950s the performance of con-

temporary music was still an isolated,

self-contained activity which had little,

if any, connection with organized con-

cert life. Now, in the 1970s, we seem at

last to have reached the point where it is

no longer necessary to insist on the

obvious, that the composers of our time

must be given their rightful place in our

musical life— not because of any moral

imperatives, but because of their im-

portant contributions to music as a liv-

ing art.

And yet it would be foolhardy to deny

that the creative musicians' struggle for

recognition today is still largely a struggle

against the hegemony of the music of the

past perpetuated by the non-composing

musicians of the present. That is some-

thing that the composers of the eigh-

teenth and nineteenth centuries did not

have to contend with.

Happily, we can point to some hope-

ful signs of change. While in the past,

our contemporary music activities atthe

Berkshire Music Center merely coex-

isted with the summer concerts of the

Boston Symphony, we are now entering

a new era in which coexistence is giving

Tanglewood

way to collaboration. Since last year,

owing to two enlightened musicians—Seiji Ozawa and Gunther Schuller— the

Boston Symphony has been making twoof their weekend concerts part of ourannual Festival of Contemporary Music.

This is more than a gesture of good will.

It is an act of faith from which we candraw new impetus in our efforts to

break down the barriers between tra-

ditional music and new music, thus

bringing us closer to a genuine musical

culture that is rooted in the creative

sources of music.

— Paul Fromm, Director

Fromm Music Foundation at Harvard

Contemporary Music at

TanglewoodThe Contemporary Music Program at

the Berkshire Music Center comprisestwo kinds of activity: the study andperformance of contemporary music,

and instruction in composition for a

limited number of composers whoseprevious studies and experiences haveprepared them for work on an advancedlevel. The program is headed byGunther Schuller. Student composersnot only receive instruction from Mr.Schuller and Betsy Jolas, but also

participate in a series of seminarsconducted by Ms. Jolas, Yehudi Wyner,and Theodore Antoniou. Compositionsby the student composers areperformed at various Berkshire MusicCenter concerts, and prepared, as are

the concerts of the Festival of

Contemporary Music, under thesupervision of Mr. Schuller and Mr.Antoniou.

The Festival

The Festival of Contemporary Musicwas initiated in 1963. The generous

support of the Fromm MusicFoundation has made possible this

week-long encounter with contem-porary music— an institution at

Tanglewood, a festival within a Festival.

Its purposes are manifold. It provides

a forum for new ideas and directions in

music and as such has become one of

the most important annual events in the

vital process of maintaining a lively

contact between the composer and the

performer, and in turn, their publics.

Performance exists in effect only as the

result of the composer's creative efforts.

It therefore becomes the obligation of

every performing musician to keep the

life-stream of music — composition—flowing and alive. The young men andwomen who come to Tanglewood as

Fellowship students, performing in

addition to nineteenth century music a

wide variety of contemporary music, are

meeting this challenge as a part of their

professional commitment to music in all

its diversity.

The Fromm Music Foundation andthe Berkshire Music Center provide a

stimulus to these activities by annually

commissioning a number of works byyoung composers who have established

themselves in their field.

The Festival does not claim to becomprehensive or all-permissive, but

has presented over the years a widesampling of contemporary music fromall countries and in all styles andconcepts, ranging from young"unknowns" to the well-established

twentieth century masters.

—Gunther Schuller, Artistic Director

THEODORE PRESSER COMPANYAmerica's oldest music publisher, represents

works by these distinguished contemporarycomposers:

Roger Sessions

composer of

WHENLILACSLASTIN THEDOORYARDBLOOM'D

Betsy Jolas

composer of

TALES OFASUMMER SEA

Richard Wernickrecipient of

the 1977

Pulitzer Prize

And: William Albright, Gilbert Amy, Georges Auric, Sol Berkowitz,

William Bolcom, Pierre Boulez, Louis Calabro, Arthur Cunningham, JohnDowney, James Drew, Jacob Druckman, Maurice Durufle, Donald Erb,

Jack Former, Jean Francaix, Iain Hamilton, Donald Harris, Lejaren Hiller,

Sydney Hodkinson, Henri Lazarof, Robert Hall Lewis, Michio Mamiya,William Mayer, Olivier Messiaen, Marcel Mihalovici, Akira Miyoshi,

Lawrence Moss, Serge Nigg, George Perle, Vincent Persichetti, Jean Rivier,

George Rochberg, Manuel Rosenthal, Claudio Santoro, Jerzy Sapieyevski,

Henri Sauguet, Peter Schickele, William Schuman, Ralph Shapey, Netty

Simons, Ezra Sims, Robert Suderburg, Toru Takemitsu, AlexanderTcherepnin, Hugo Weisgall, Richard Yardumian.

Our new Rental Catalog and individual composer brochures may be obtained by writing to:

THEODORE PRESSER COMPANY* Dept.BK-l« Bryn Mawr, Pemia. 19010

TanglewoodSaturday, 13 August at 2:30

Members of the Berkshire Music Center Fellowship Program

WILLIAM SCHUMAN The Young Dead Soldiers (1975)

Lamentation for soprano, horn, eight winds &nine strings

KAROLOS TRIKOLIDES, conductorCHERYL STUDER, sopranoCHRISTOPHER TILLOTSON, horn

DONALD MARTINO Seven Pious Pieces (1971)

To his ever-loving GodMercy and Love

His Ejaculation to GodThe Soule

Eternitie

Teares—To Death—Welcome what comesNo coming to God without Christ

Members of the Tanglewood Festival Chorus,

JOHN OLIVER, conductor

EDWARD COHEN Elegy

Euridice

Leda

Epilogue

MICHAEL MORGAN, conductorMIKKI SHIFF, mezzo-soprano

INTERMISSION

ELLIOTT CARTER

WALTER PISTON

Brass Quintet (1974)

GUNTHER SCHULLER, conductor

Divertimento for Nine Instruments (1946)

Allegro

Tranquillo

Vivo

BRUNO APREA, conductor

performed in memory of the composer 1894-1976

Commissioned by the Berkshire Music Center and

the Fromm Music Foundation at Harvard;

first performance.

Baldwin pianoAdventKLH

AN IMPORTANT EVENT

FOR MUSIC AND MUSICIANS

IN AMERICA

v^<We are pleased to announce the fonnatiation or V~—_

EUROPEAN AMERICAN MUSIC CORPORATION

Created to administer in the U.S. the combined catalogues of Schott,

Universal Edition, Joseph Boonin, Inc., E.C. Kerby, Ltd., and selected

titles from the Barenrcitcr-Verlag this company will manage one of the

richest treasuries of concert music in the world. Included in this compre-

hensive repository are countless works of the masters from antiquity

through the present day.

The distribution of music from all publishers developed by the expert

staff of our preceding company, — Joseph Boonin, Inc., — will not be

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alike have come to depend on the unparalleled expertise of our personnel.

An expanded publishing program of American compositions and editions

is projected.

/•'or information, catalogues, perusal material or terms, contact

EUROPEAN AMERICAN MUSIC CORPORATION

195 Allwood RoadClifton, NJ 07012

201-7772680 212-868-1165

Tanglewood

Sunday, 14 August at 8:30

Members of the Berkshire Music Center Fellowship Program

THEODORE ANTONIOU, conductor

PETER MAXWELL DAVIES Shakespeare Music (1964)

Intrada; Pavan; Galliard; Miserere;

Coranto; Passamezzo; Alman

GILBERT AMY

HENRI LAZAROF

D'un desastre obscure (1971)*

JANICE MEYERSON, mezzo sopranoDAVID HOWARD, clarinet

Third Chamber Concerto (1974)

INTERMISSION

WITOLD LUTOSLAWSKI

YANNIS XENAKIS

Preludes and Fugue,

for thirteen solo strings (1972)*

Persephassa, for six percussionists (1972)

*First performance in the United States.

Baldwin piano

AdventKLH

PERSPECTIVES OFNEW ML/SIC

let7taEditor

Benjamin Boretz

Co-Editor

Elaine Barkin

Announcing the Publication of

a Special Double Issue

SOUNDS AND WORDS

A Critical Celebration of Milton Babbitt at 60

Articles, Commentaries, Compositions by

Stephen Arnold Elaine Barkin Alex Bazelow

Bethany Beardslee-Winham Arthur Berger

Wallace Berry Frank Brickie Benjamin Boretz

Martin Boykan Elliott Carter Edward T. Cone

Carlton Gamer Graham Hair Michael Kassler

Paul Lansky David Lewin Robert Pazur

John Peel Michel Philippot Harold Powers

John Rahn J.K. Randall Charles Rosen

Seymour Shifrin Richard Swift

Christopher Wintle Charles Wuorinen

Vladimir Ussachevsky Mark Zuckerman

and Milton Babbitt

$13.50 one year

$26.00 two years

$38.00 three years

published semi-annually by

Perspectives of New Music, Inc.

Annandale-on-Hudson. N.Y. 12504

TanglewoodMonday, 15 August at 8:30

BOSTON SYMPHONY CHAMBER PLAYERS

ALBAN BERG

ROGER SESSIONS

YEHUDI WYNER

Joseph Silverstein, violin

Burton Fine, viola

Jules Eskin, cello

William Rhein, bass

Doriot Anthony Dwyer, flute

Ralph Gomberg, oboeHarold Wright, clarinet

Sherman Walt, bassoonCharles Kavaloski, hornArmando Ghitalla, trumpetRonald Barron, tromboneEverett Firth, percussion

Gilbert Kalish, guest pianist

Adagio from the Chamber Concerto,

in the version for clarinet, violin andpiano (1925)

Pieces for Piano (1976)

Andante, leggero e grazioso

Molto agitato

Molto adagio

in memory ot Luigi Dallapiccola

Serenade (1958)

NocturneToccata

Capriccio—Aria

Nocturne II

conducted by the composer

INTERMISSION

BETSY JOLAS O Wall, a puppet operafor woodwind quintet (1976)

conducted by the composer

ARNOLD SCHOENBERG Chamber Symphony, Op. 9,

in the quintet version

by Anton Webern (1906-c. 1921

Baldwin pianoDGG and RCA Victor records

TanglewoodTuesday, 16 August at 8:30

BERKSHIRE MUSIC CENTER ORCHESTRA

GUNTHER SCHULLER, conductor

WILLIAM THOMAS McKINLEY Concertino (1976)

BETSY JOLAS 7~a/es of a Summer Sea (1977)t

GEORGE ANTHEIL A Jazz Symphony (1925)

Andante— lulling

Allegretto— capricious

Tempestoso—stormyAdagio molto— pensive

INTERMISSION

ARMIN LOOS Percepts (1969):

ROGER SESSIONS Symphony No. 2 (1944-46)

Molto agitato

Allegretto capriccioso

Adagio tranquillo ed espressivo

Allegramente

*First performance.

"("Commissioned by the Fromm Music Foundation at Harvardfor the 1977 Festival of Contemporary Music; first performance.

Baldwin piano

TanglewoodWednesday, 17 August at 8:30

Members of the Berkshire Music Center Fellowship Program

ALEXANDER GOEHR Lyric Pieces, Op. 36 (1976)*

Con forza

Sostenuto ma non troppo lento

Vivo ma pesante

Largo pesante

Largamente ma non troppo lento

Scherzando

MAXIMIANO VALDES, conductor

THEODORE ANTONIOU Three Likes for solo clarinet (1973)

JOHN FULLAM

MICHAEL MARTIN Composition for Nine Instruments (1977)t

GUNTHER SCHULLER, conductor

INTERMISSION

YOSHIHISA TAIRA Hierophonie V (1974)*

NANAO YAMAMOTO, conductor

SERGE GARANT Offrandes III (1973)

THEODORE ANTONIOU, conductor

*First performance in the United States.

tCommissioned by the Berkshire Music Center and the Fromm Music Foundation

at Harvard; first performance.

Baldwin piano

Berkshire Music CenterFellowship Program 1977

Violins

Diane Bischak, Detroit, Michigan

Craig Burket, Englewood Cliffs, New Jersey

Alan H. Scovell Fellowship

Nicole Bush, Sherman Oaks, California

Diane Cataldo, Arlington, Massachusetts

Adams Supermarket Fellowship

Karen Clarke, Missoula, MontanaJolan Friedhoff, Portland, OregonFromm Fellowship

Kim Golden, Chicago, Illinois

Michael Hanson, Portland, OregonLee Savings Bank Fellowship

Carol Heffelfinger, Kansas City, Missouri

Leonard Bernstein Fellowship

Peter jaffe, Berkeley, California

Philip Johnson, Folsom, Pennsylvania

Fromm Fellowship

Martha Lewis, Lynchburg, Virginia

Martha McPherson, Tallahassee, Florida

Margaret Boyer Fellowship

Philip Middleman, Louisville, Kentucky

Rosamund Sturgis Brooks Memorial

Fellowship

Mayumi Ohira, San Francisco, California

Mary O'Reilly, Jamaica Plain, Massachusetts

Charles Pikler, Norwich, Connecticut

Hon. and Mrs. Peter I. B. Lavan Fellowship

Wendy Plank, Brightwaters, New York

Berkshire County Savings Bank Fellowship

Martha Royer, Wayne, Pennsylvania

Wendy Scheidemantle, Nanuet, New York

Seiji Ozawa Fellowship

Randi Schonning, Ottawa, Ontario

Alex Shum, Hong KongLeonard Bernstein Fellowship

Semmy Stahlhammer, Stockholm, SwedenU.S. Components, Inc. Fellowship

Kathryn Stepulla, Southgate, Michigan

Richard L. Kaye Fellowship

Arthur Zadinsky, Newhall, California

Fromm Fellowship

Violas

Katherine Askew, Houston, Texas

Bradley Fellowship

Marshall Fine, Newton, Massachusetts

Paul Frankenfeld, Long Beach, California

Frederick Brandi Trust Fellowship

Stephanie Fricker, Rhinecliff, New Jersey

Arthur M. Abell Fellowship

Carol Hutter, Binghamton, New York

Berkshire Fagle Fellowship

Virginia Izzo, Jamaica Plain, Massachusetts

Red Lion Inn Fellowship

Lynn Johnson, Great Neck, New York

Marian Voorhees Buttenheim Fellowship

Betsy London, Cambridge, Massachusetts

Berkshire Bank and Trust CompanyFellowship

Marie Peebles, Hamilton, Ontario

Union Federal Savings Fellowship

Meredith Snow, Port Jefferson, New York

Fromm Fellowship

Julie Westgate, Falcon Heights, Minnesota

Leonard Bernstein Fellowship

Cellos

Timothy Butler, Washington, D.C.

Red Lion Inn Fellowship

Catherine Giles, London, England

The English-Speaking Union/Youth &Music Fellowship

Douglas Ischar, Boston, Massachusetts

WCRB, Boston Fellowship

Nancy Keevan, Bogota, Columbia

Fromm Fellowship

Martha Kiefer, Bethesda, Maryland

Country Curtains, Inc. Fellowship

Edwm Lee, Albuquerque, New Mexico

First Agricultural National Bank of

Berkshire County Fellowship

Julia Lichten, New Haven, Connecticut

Abe and Alice Marcus Fellowship

Freya Oberle, Jamaica Plain, Massachusetts

Fromm Fellowship

Tanglewood

Michael Peebles, Hamilton, Ontario

Edgar Stern Memorial Fellowship

Steven Shumway, Lawrence, Kansas

Morris Finkelstein Memorial Fellowship

Wyatt Sutherland, Jeffersonville, Indiana

Basses

Robert Caplin, Canaan, New York

Stanley Chappie Fellowship

Stephen D'Amico, San Mateo, California

C. D. Jackson Master Award Fellowship

Jonathan Jensen, Winnipeg, Manitoba

Fromm Fellowship

Keith Post, Wichita, Kansas

Leo Wasserman Foundation Fellowship

Jonathan Storck, East Setauket, New York

Leonard Bernstein Fellowship

Stephen Tramontozzi, Belmont,

Massachusetts

R. Amory Thorndike Fellowship

Flutes

Tyra Gilb, Berkeley, California

Stanley Chappie Fellowship

Marie Herseth, Bothell, Washington

The Frelinghuysen Foundation Fellowship

Wendy Rolfe, New York, New York

Dr. and Mrs. Alexander B. Russell

Fellowship

Jacqueline Rosen, Carmel, California

Leonard Bernstein Fellowship

Debra Wendells, Seattle, Washington

Fromm Fellowship

OboesSandra Apeseche, Dearborn, Michigan

Augustus Thorndike Fellowship

William Bennett, New Haven, Connecticut

Leonard Bernstein Fellowship

Margot Golding, Fort Wayne, Indiana

Ida and Eugene Schnell Fellowship

Jean Landa, Washington, D.C.

Leonard Bernstein Fellowship

Avinoam Yosselevitch, Civataim, Israel

Leonard Bernstein Fellowship

Clarinets

Katherine Betts, New Haven, Connecticut

John M. Nalle Fellowship

Michael Corner, Los Angeles, California

Beinecke Fellowship

John Fullam, Baldwin, New York

U. S. Components, Inc. Fellowship

Diane Heffner, Jamaica Plain, Massachusetts

David Howard, Los Angeles, California

Leonard Bernstein Fellowship

Bassoons

Matthew Karr, Toledo, Ohio

Kandell Fellowship

Dennis Michel, Lacey, Washington

Susan Nigro, Chicago, Illinois

Fromm Fellowship

Richard Sharp, Jamica Plain, Massachusetts

Braden Toan, Tappan, New York

Beinecke Fellowship

Horns

Laurel Bennert, Stony Brook, New York

Stephen and Persis Morris Fellowship

Roger Kaza, Beaverton, OregonKirk Laughton, St. Catherine's, Ontario

C. D. Jackson Master Award Fellowship

Lawrence Ragent, San Mateo, California

Christopher Tillotson, New York, New York

Stuart Haupt Fellowship

Richard Todd, Brea, California

Fromm Fellowship

Robert Ward, Schenectady, New York

Koussevitzky Music Foundation

Fellowship

Trumpets

Dennis Alves, Cumberland, Rhode Island

Richard Henly, Havertown, Pennsylvania

Fromm Fellowship

Timothy Morrison, Beaverton, OregonKimberly-Clark Foundation Fellowship

Larry Scofield, Lincolnwood. Illinois

Carol Warner, St. Clair Shores, Michigan

Beinecke Fellowship

Trombones

Mitchell Arnold, Fairfax, Virginia

Donald Sanders, Jamaica Plain,

Massachusetts

The Olivia Foundation Fellowship

Stephen Wilson, Chicago, Illinois

Arthur Smith, New York, New York

Koussevitzky Music Foundation

Fellowship

TubaCraig Fuller, Columbus, Ohio

Leo L. Beranek Fellowship

Percussion

John Boudler, Buffalo, New York

Mead Corporation Fellowship

Jeffrey Fischer, Acton, Massachusetts

Selly A. Fisemann Memorial Fellowship

Neil Grover, Bellmore, New York

Patrick Hollenbeck, Binghamton, New York

Leonard Bernstein Fellowship

James Saporito, Ridgewood, New Jersey

Richard Wind, Panorama City, California

Koussevitzky Music Foundation Fellowship

Harps

Diane Evans, South Euclid, Ohio

Stanley Home Products Fellowship

Grace Paradise, Asbury Park, New Jersey

Kathleen Hall Banks Fellowship

Keyboard

Martin Amlin, Dallas, Texas

Ada Holding Miller/National Federation

of Music Clubs Fellowship

Elizabeth DiFelice, Tonawanda, New York

Beinecke Fellowship

Christopher O'Riley, Pittsburgh, Pennsylvania

Asher ). Shuffer Memorial Fellowship

William Rothstein, Milwaukee, Wisconsin

Wulsin Fellowship

Judith Lynn Stillman, Fresh Meadows,New York

Carlotta M. Dreyfus Fellowship

Alys Terrien-Queen, Framingham,

Massachusetts

Wulsin Fellowship

Janice Weber, Ridgewood, New Jersey

Koussevitzky Music Foundation Fellowship

Barbara Weintraub, Sarasota, Florida

Wulsin Fellowship

Guitar

David Ethan Sussman, Boston, Massachusetts

Conductors

Bruno Aprea, Rome, Italy

Gertrude Robinson Smith Fellowship

Michael Morgan, Washington, D.C.

Dr. Merrill H. Ross Memorial Fellowship

Karolos Trikolides, Athens, Greece

Samuel Antek Memorial Fellowship

Maximiano Valdes, Santiago, Chile

Omar Del Carlo Fellowship

Nanao Yamamoto, Tokyo, Japan

Koussevitzky Memorial Fellowship

Singers

Kathryn Asman, New York, New York

Ben Holt, Washington, D.C.

Hodgkinson Fellowship

Jennifer Leigh, Denver, Colorado

Thomas H. Lloyd, New Haven, Connecticut

Janice Meyerson, Omaha, Nebraska

Leonard Bernstein Fellowship

Elizabeth Parcells, Grosse Pointe Farms,

Michigan

High Fidelity/Musical America Fellowship

Kim Scown, Jamaica Plain, Massachusetts

Mikki Shiff, Coral Gables, Florida

Berkshire Life Insurance CompanyFellowship

Dean Shoff, Groveton, New Hampshire

Seven Hills Fellowship

Cheryl Studer, Knoxville, Tennessee

Florence Herzog Arginteanu Fellowship

Sanford Sylvan, Syosset, New York

C. D. Jackson Master Award Fellowship

Kathy Wright, Rocky Mount, North Carolina

Vocal Coaches

Nancy Engleken, Goff, Kansas

Country Curtains, Inc. Fellowship

Susan Almasi Mandel, Princeton, New Jersey

Wulsin Fellowship

Jeffrey Stevens, Cambridge, Massachusetts

C. D. Jackson Master Award Fellowship

Composers

Gisele Barreau, Paris, France

Margaret Lee Crofts Fellowship

Aram Gharabekian, Forest Hills, New York

Matthew Harris, New Rochelle, New York,

ASCAP-Rudolf Nissim Fellowship

in Composition

Marjorie Merryman, Somerville,

Massachusetts

Rodney Rogers, Scottsdale, Arizona

Albert Sarko, Birmingham, Michigan

Bruno Maderna Memorial Fellowship

David Schimmel, Norman, Oklahoma

Margaret Lee Crofts Fellowship

Jan Swafford, Chattanooga, Tennessee

Sg- EDITION PETERS *8ga-^sg^-^^5VJ>

PUBLISHERS OFCONTEMPORARY MUSIC

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