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BOOK NEWS: Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom

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By Cord ScottExamines how comic books were used to display patriotism, valor, and adventure through war stories, and eventually to tell of the horrors of combat from World War II through the current conflicts in Iraq and Afghanistan.Available from the Naval Institute Press, www.nip.org.

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  • COMICS AND CONFLICT PATRIOTISM AND PROPAGANDA FROM WWII

    THROUGH OPERATION IRAQI FREEDOM By CORD A. SCOTT

    Advance Praise

    Cord Scott's Comics and Conflict demonstrates the powerful role that comic books have played in American wars from World War II through Iraqi Freedom and the central place that wars have played in American society and culture in the twentieth century. LEWIS A. ERENBERG, professor emeritus, Loyola University Chicago

    Comics and Conflict is a superb chronological survey of American comic book depictions of both real and imagined war and quasi-war campaigns, amazing in scope and detail. Scotts insights into the relationship between the comics and their audience in different eras are impressive, reflecting the publics increasing apprehensions about how and why the nations military was being deployed. The work indicates an author very much at home with his subject matter. PETER KARSTEN, editor in chief of Encyclopedia of War and American Society Wars are won by both the hard power of the state and the soft power of its culture. In this fascinating study of the role of American militarythemed comic books Cord Scott explores the way popular illustrated stories have simultaneously buttressed and critiqued the nations military conflicts. This unique and accessible study will appeal to the layman and professional alike and is well suited for classroom adoption for survey and specialized classes. THEODORE J. KARAMANSKI, professor of history, Loyola University Chicago By combining cultural history and military history, Cord Scott provides us with fresh insights into both. Readers interested in how the American public used cultural media to interpret war will learn much from this book. MICHAEL S. NEIBERG, author of The Blood of Free Men: The Liberation of Paris, 1944

    A BOOK FOR REVIEW

    NAVAL INSTITUTE PRESS BOOK NEWS

  • Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book which emerged in its modern form in the 1930s was another form of visual entertainment that gave readers, especially children, a form of escape. Very quickly, however, it became something more than a mere form of entertainment.

    As World War II began, comic books became a propagandistic platform, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism and adventure through war stories, and eventually to tell of the horrors of combatfrom World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century.

    This book also examines how war and patriotically themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. Such works generally reflected patriotic fervor while advancing a specific cause. Comic books were also used as a means of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era comic books have returned to their propagandistic/patriotic roots. At the same time, the grim realities of combat are depicted more realistically than ever before.

    The focus of this work is not only on the development of the comic book medium, but also as a bellwether of society at the same time. How did comics and their writers approach the news of the war? Were people for or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? Scott explores these questions and fills a gap in a growing literature that looks beneath the surface of the actions of our comic book heroes. CORD SCOTT has a doctorate in American history from Loyola University Chicago. He has written for several encyclopedias and academic journals and has collaborated previously with Robert Weiner on the book Captain America and the Struggle of the Superhero. He has taught at several institutions in the Chicago area. COMICS AND CONFLICT: Patriotism and Propaganda from WWII Through Operation Iraqi Freedom by Cord A. Scott Publication date: 15 September 2014 224 pp., 8 illustrations. Price: $49.95 / 35.50 Hardcover ISBN: 978-1-61251-477-2 History WWII eBook edition also available.

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