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Bonsai Styles Claude Sciberras

Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style: Naming a style provides a graphic description

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Page 1: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Bonsai Styles

Claude Sciberras

Page 2: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Why Styles?There are several reasons for identifying a bonsai by a

named style:

Naming a style provides a graphic description of the tree.

When one person is talking to another about a bonsai and identifies its style, a mental-visual image of that style is evoked in the mind of the listener.

A style provides a direction of purpose when structuring a bonsai.

It is a shortcut to understanding.

Page 3: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Bonsai Styles

Upright Styles Cascade Styles Multiple Tree/Trunk Styles Bonsai With Special Characteristics

Page 4: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles

Formal Upright Informal Upright Slanting

Straight Curved Windswept

Broom

Page 5: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Cascade Styles

Cascade Semi-Cascade

Page 6: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Multiple Tree or Multiple Trunk Styles

Two-Trunk or Twin Tree Multiple Trunk / Clump Forest Raft

Straight Raft Sinouous Raft

Page 7: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Miniature Bonsai Literati Driftwood Weeping Exposed Roots Root on Rock /

Root in Rock

Bonsai With Special Characteristics

Page 8: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Formal The essential attribute in the formal upright

bonsai is the use of straight lines within the design. It has a straight trunk with clear taper from base to apex. The apex is directly above its base. It is a style of bonsai which presents an image of strength and power.

Page 9: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Formal

Page 10: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Informal The informal upright style bonsai is the most

common style in which trees are designed. It imparts gentle rhythmic movement, balance and grace.

The trunk emerges from the soil at an angle, curves one or more times between the base and the apex, and has an apex which is above its base when viewed from the front.

Page 11: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Informal

Page 12: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Slanting The slanting style bonsai is one having either

a straight or curved trunk with the apex above and to the left or right of the base of the trunk.

The slanting style bonsai depicts a tree in nature which: May have been pushed by a fallen tree, by a snow or

rock slide, or by other environmental factors. May have grown in a harsh environment of windtorn

shorelines or rugged mountains where the winds generally come from a single direction.

May have grown away from shade, toward the light. Slanting objects are inherently off balance. The

slanting style bonsai achieves asymmetrical balance through branch placement.

Page 13: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Slanting

Page 14: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Broom A broom style bonsai: Has a straight, vertical trunk with a foliage

mass like an upturned broom. In both bonsai and in nature, this style is

usually created from deciduous trees. Zelkova and Chinese elm species make good broom style bonsai.

Page 15: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Upright Styles - Broom

Page 16: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Cascade Styles A cascade style bonsai is one in which a major feature

extends below the lower rim of the pot. A semi-cascade style bonsai is one in which the major

cascading feature extends below the top rim of the pot but does not extend below the bottom of the pot.

What determines whether a cascade or semi-cascade is Formal or Informal is the part above the rim of the pot.

It depicts a tree in nature growing on a mountain top with all or a part of it hanging over the edge.

Page 17: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Cascade

Page 18: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Semi Cascade

Page 19: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Multiple Tree / Trunk Styles The difference between multi-trunk and multi-

tree is in the roots… Trees must always be of the same species They may be created in most any primary

style: formal upright, informal upright, windswept, literati however all trees must have a single rhythm or style

It is very important to keep all trunks and trees in harmony and balance paying special attention to the height and girth ratios

Page 20: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Two Trunk

Page 21: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Twin Tree

Page 22: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Multiple Trunk

Page 23: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Forest

Page 24: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Raft

Page 25: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Special Characteristics Miniature, Literati, Driftwood, Weeping,

Exposed Roots, Root on Rock and Root in Rock are not styles but characteristics as you can have a windswept literati or an informal upright with exposed roots

Page 26: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Miniature

Page 27: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Literati

Page 28: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Driftwood

Page 29: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Weeping

Page 30: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Exposed Roots

Page 31: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Root on Rock

Page 32: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Root in Rock

Page 33: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Inspiration from Nature

Page 34: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 35: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 36: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 37: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 38: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 39: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 40: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 41: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 42: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 43: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 44: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 45: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

SUNRISE AT BUSKETT - Charles Sammut

Page 46: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

WINTER MORNING - Marthese Cassar

Page 47: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 48: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 49: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 50: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 51: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 52: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 53: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 54: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 55: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description
Page 56: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Japanese Nomenclature

Classical Styles Formal Upright – Chokkan Informal Upright – Moyogi Slanting – Shakan Broom – Hokidachi Semi-Cascade – Han-Kengai Cascade – Kengai

Page 57: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Japanese NomenclatureNon-Classical Styles Windswept – Fukinagashi Literati – Bunjingi Exposed Root – Neagari Root on Rock – Sekijoju Root in Rock – Ishitsuki Driftwood – Sharimiki, Sabamiki Spiral Trunk - Bankan

Page 58: Bonsai Styles Claude Sciberras. Why Styles? There are several reasons for identifying a bonsai by a named style:  Naming a style provides a graphic description

Japanese Nomenclature

Non-Classical Styles Forest – Yose-ue Raft – Netsunagari, Ikadabuki Twin-Trunk - Soju Clump - Kabudachi