Bonavia HuntISource: The Quiver , 19072672)

Cassel l te Fani ly l lagazine, later Cassel l ts l tagazine (1874-1910)

50 vols. : December l874-Novenber 1897 Gassel l rs Fami ly l lagazine; December

1897-Oc tober 1910 Casse l l r s Hagaz ine , I ssued rnon th l y ; cumu la ted in yea r l y

vo lumes un t i l November 1896 and in s i x mon th l y vo lumes the rea f te r . Vo l .

47 cuurulates f ive monthly issues however.

Casse l l r s Hagaz ine ceased pub l i ca t i on in L932 .

P r o p r i e t o r s :

1 8 7 4 - 1 8 7 8 C a s s e l l , P e t t e r & G a l p i n

1 8 7 8 - 1 8 8 3 C a s s e l 1 , P e t t e r , G a l p i n & C o r n p a n y

1883-1910 Casse l l & Cornpany L im i ted

E d i t o r s :

1874-1896 Bonav ia Hun t

1896-1905 Max Pember ton

1905-1906 Dav id Wi l l i amson

1906-1910 Wa l te r Smi th (Sn i t t r rema ined as ed i to r un t i l March 1912)Max Pember tonfsource: Munseyts Magazine, 29(7903) :61 5]

V .

--Y-

INTRODUCTION

Between 1874 and 1910 Cassells Family Magazine, later Cnssellts Magazine,introduced to readers in the then Brit ish Empire two f ict ional characters who havecaptured the public imagination over several generations: amateur cracksmanand gentleman cricketer, A.J. Raffles (In tne Chains of Crime, 1898), and Kim(1901). Cassel l 's fai lure to nurture i ts connections with their creators, E.W. Hornungand Rudyard Kipl ing, was symptomatic of both the t imidity, snobbery andniggardl iness of management pol icies which hampered editorial ini t iat ive and aheritage of rigid publishing values which eventually led to a deep trough in thefirm's fortunes between 1905 and 1912.1 After traving issued lrralie's nustranger(Hornung's first Stingaree story) as a supplement to Cessell's Family Magazineand having published in book form three of Hornung's novels and a volume of shortstories, Cassells management did not take up the book rights to In the Chains ofCrime. Methuen seeured those rights, publishing the episodic novel as firc AmateurCracksman. Hornungts next series of Raffles stories, A firief in the Night, waspublished in Pall MaI Magazine; his subsequent Stingaree stories were securedby the market-leading Strand Magazine. Max Pemberton regarded his securingof the serial rights to Kipling's novel as an editorial eoup, but Cassell's board ofmanagement remonstrated with him that it would be too highbrow for the magazinerstraditional working-class and lower middle-class readership and haggled with thewell-established and popular Kipling over the 1850 payment for serial rights. Tocope with increased demand Cassell's had to print larger runs of issues containinginstalments of Kim, but the book rights to the novel went to Macmillan. Cassellsmishandling of Hornung and Kipling (and surely other authors whose difficultiesare less well documented) contrasts sharply with the practices of The StrandMagazine, which treated its popular authors very generously. In the 1890s and1900s Cassell ts was slow in adapting to changing community standards, newermagazine styles, and high financial rewards for popular writers. Cassellts Magazinein this period continued in many ways to reflect the conservative and piousmid-Victorian moral i ty of i ts founder, John Cassell , i ts longest serving editor, theReverend Herbert George Bonavia Hunt, and the tgrey beardsr on the companytsBoard.

CnsseUrs Family Magazine started life in December 1853 as Cassell's IllustratedFamily Paper. The indexes to fiction published in it commence, though, when themagazine began to be issued in monthly rather than weekly parts (December 1874)and close at the end of the Edwardian period. John Cassell, founder of the FamilyPaper, was, l ike the publishers Wil l iam and Robert Chambers and Charles Knight,

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<'oncerned to issue publications which would, in his view, improve the moral, socialand intel lectual well-being of the working classes. Before the Select Committeeon Newspaper Stamps in 1851 he test i f ied:

I am one of those individuals who have sprung from the working classes; Ihave associated with them, and I know their sympathies well , and the posit ionin which I am placed as a publ isher has made me acquainted with the tendencyof their minds, and also the tendency of our l i terature [to depravel.. . . Thepeople want cheap publications, but they will not take what is termed anam by-pa mby l i terature.

-

The rigidity of his social and literary values is suggested by his magazine formulae.In fiction Cassell's tastes were austere and moralistic, supportive of the Protestantwork ethic and ref lect ive of the social complacency of many a 'self-mader,

self-educated religious man: he appre,piated tales tennobling and pure, in the placeof that which is corrupting and false'," tales ' i l lustrat ive of the tr iumph of rel igion,temperance, moral i ty, industry, energy atd self-control over idleness, apathy,intemperance and habitual self-indulgence'.- The triumph of the former qualitieswould guarantee, he bel ieved, upward social mobil i ty on an individual level andthe furtherance of true Christian principles. For The Quiver, a fundamentalistProtestant family magazine that he also published, Cassell demanded 'one articleto address the intellect, one full of gushing feeling addressed to the heart, oneliterary, and one juvenile taler (Nowell-Smith, p. 127). This formula reflects Cassell'spubl ishing priori t ies: f i rst ly cult ivat ion of intel lect through reading to acquireknowledge, then evangelical sentimental ism, improving f ict ion for adults, and f inal lyimproving fiction for children. Cassellts Illustrated Family Paper (1853-1867)published undist inguished f ict ion by Percy B. St. John, John Frederick Smith, FrancisH. Keppel, Captain Mayne Reid, Harriet Beecher Stowe (Cassell having met herthrough his vigorous temperance campaigning), Anthony Trollope, and AlexanderDumas and Octave Feuil let in translat ion. The magazine owed its success in thisperiod to its low price and its many illustrations printed from electrotypes procuredfrom the Paris office of L'Illustration. Its illustrations of the Crimean War. inparticular, proved very popular.

Within two years of John Cassell's death the firm of Cassell, Petter and Galpin,proprietors of Cassells llltrstrated Family Paper, realised that in order for it tocompete more effectively with Charles Dickensr All the Year Round a change ofstyle was needed: its name was changed to Cassellts Magazine in 186?; a suceessionof new editors was brought in; and efforts to attract writers of circulat ing l ibraryrenown were made. As book publishers Cassell , Petter and Galpin had always cateredfor the stationerrs shop and bookstall trade rather than the circulating libraries.Between 1869 and 1872 Cassell's Magazine was to carry serials by Joseph SheridanLe Fanu, Wilkie Coll ins and Charles Reade. Simon Nowell-Smith, the off icialhistorian of the Cassell company, suggests that the strife surrounding publicationof Reade's A Terrible Temptation and Collins' Poor Miss Finch may well havecontributed to the company?s decision in 1874 to return Cassells Magazine to itstproper mil l-pond of I ' family" mediocri ty '(p. 125). The publication of these serialshad brought the f irm loss of an important retai l account, publ ic outcry, a brushwith Reade over censorship, and trouble with Collins over Smith's refusal to orderadequate stock of his novel in three-deeker form - a refusal which forced Cassell,Petter and Galpin to drop mention of Collins' serial from their advertisement ofthe half-yearly volume of Cassells Magazine. With the December 18?4 number

a newly appointed editor of the rechristened Cassells Family Magazine, to appearin monthly parts, was entrusted to provide the magazine's readers with 'a deadlevel of romance and adventure, varied at most by sociological purpose but nevertouched with inspirat ionr (Nowell-Smith, p. 125).

The management's choice of Herbert George Bonavia Hunt as the new editorguaranteed a return to the piety and conservatism of the magazine in John Cassell'sday. The eighteen-year-old Hunt had jointed Cassell, Petter and Galpin in 1865as sub-editor of The Quiver; within six months he had taken over editorship of thisearnest publication which endeavoured, in John Cassell's words, to tmake men feelthe real i ty of rel igious things: of God, of their Duty to Him, of Eternity '(Nowell-Smith, pp. 250-251). Hunt was a man well able to accommodate that vision.He was brought up by strict Nonconformist grandparents, and his religiouscommitment was eventual ly to lead to his taking orders in the Church of Englandin 1878 and to a series of posit ions as curate and vicar, held unti l 1905 in conjunctionwith various Cassellts editorships. John Cassell would, too, have approved Huntrsefforts at self-improvement through community leadership, reading, musicaldiscipline and formal education. By the time Hunt took over Cassells Magazinein 18?4 he had founded and was f irst warden of Trinity College, London, a posit ionhe held from 1,872 unti l 1892. After studying for university entrance while atCassell 's, he took his Mus.B. at Christ Church, Oxford in 1876 and his Mus.D. atTrinity College, Dublin in 188?. By 18?4 Hunt had had published The Golden Gateand Other Stories (18?0) and An Initiatory Inquiry into the Philosophy of Beauty(1871). Later he would have published in the Cambridge School and College TextBook series A Concise History of Mu.sic from the Commeneement of the ChristianEra to the Present fime (a book which went through many editions and variousrevisions). A collection of his sermons was published in 1884. His scholarship inmusic was recognised in his appointment as a teacher of musical history at theUniversity of London from 1900 unti l 1907. Hunt was also to found and be f irstwarden of Kilburn Grammar School.b The esteem in which Cassell's Board heldHunt is amply demonstrated by his long tenure of the editorships of fite Quiver(1865-1905) and Cassellb Family Magazine (18?4-1896) and his founding editorshipof Lit t le Folks (1871-18?5).

Hunt encouraged his readers to practical charitable Christianity. Aretrospective glance at his editorship of fite Quiver shows that he devoted onepage to the charity drives he organised, a Quiver tradition begun by John Cassell,and two paragraphs to the literary side of the magazine. An initiative of JohnCassell's renewed by Hunt in Cassells Family Magazine was the offering of smallprizes of money and publication in literary competitions for his readers. (.lohnCassell earns a place in the history of Victorian publishing for the working classfor having actually published the writing of his working-class readers as part ofthe prize in such competitions. The price of Cassells Family Magazine - it peakedat ?d. - would have put it beyond the reach of many working-class families however.)One feature of Huntts editorship of Cassellb Family Magazine which perhaps surprisesis his running of various pieces on employment for women. The very first numberof Cassells Family lVlagazine he edited contains a piece titled rWomen Who Work:The Hospital Nurse'; a series of art icles in 1890 usually t i t ledtEmployments forGentlewoment offered sound praetical advice on careers in medicine, dental surgery,chiropody, piano tuning (a career reportedly hampered by few openings), shorthandreporting, typing, dressmaking, massage and cooking. Huntrs low-key promotionof women in the workforce might reflect a social awareness that manylower-middle-class women, a large part of his readership, were eompelled to earna living or, and probably also, his endorsement of the Protestant work ethic. A

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graphical ly i l lustrated art icle in the f irst number he edited, 'Drawn from the LifeI - The Unemployedr, clearly depicts the sl ide of an idle person into depravity andslovenliness. Writ ing in 1958 Nowell-Smith asserts that the only readable f ict ionpublished during Hunt's editorship is that writ ten by writers for boys l ike GeorgeManvil le Fenn (p. 121). Certainly few of the individual authors publ ished in Cassel l 'sFamily Magazine would repay detailed research and criticism in their own right.The magaziners most regular serial ists were John Berwick Harwood, Frank Barrett,Florence Warden and Arabella Hopkinson. Nowadays the best-known authors tohave had stories published in Cassells Family Magazine are Arthur Conan Doyle,Grant Al len, and, in Austral ia, Ada Cambridge: their contr ibutions, though, werenot extensive. Victorian scholars might find the fiction published in Cassell's FamilyMagazine of value in investigating the ideologies of the family and the courtshipromance genre' the conventions and formulae of popular moral f ict ion,lower-middle-class and working-class reading, and semi-rel igious publishing.

The Board of Cassel ls ini t ial ly underestimated the potential impact of thespectacular successes of their new rivals in the 1890s, The Strand Magazine, WindsorMagazine and Pearsonrs Magazine. In November 1894 they were forced to reducethe price of Cassell's Family Magazine from ?d. to 6d., the price of The StrandMagazine. The move did not recapture Cassells Family Magazinets lost marketshare; Sir Georg Newnes, the founder of The Strand Magazine, identified a majorproblem of Cassell's Family Magazine in describing it as inadequate to the changedspir i t of the t imes (Nowell-Smith, p. 131). By 1896 the fortunes of Cassel ls FamilyMagazine were perceived to be desperate enough for the Board of Cassellts to takethe editorship from Bonavia Hunt and offer i t to l t{ax Pemberton, who hadsuccessful ly revamped the boystmagazine Chums for Cassel l 's in 1892 and whowas a popular writer of fiction for boys, his first success having been The lron Pirate(1894). The son of a r ice broker, Pemberton had been educated at Merchant Taylors'School and Caius College, Cambridge. His tentat ive plans for a career at the barhad been abandoned for casual journal ism at the inst igation of his close personalfr iend, Alfred Harmsworth, later Viscount Northcl i f fe. The pair shared roomsearly in their journal ism careers and indeed the f irst copy of Harmsworth's Answerswas sold to Pemberton, the paperrs 'Mr Answers'. Pemberton's famil iar i ty withthe new journal ism ushered in by Harmsworth must have impressed the Cassell 'sBoard when they del iberated about offers of editorships to him. Northcl i f fe wouldlater allow his influence to be used to help Pemberton establish the London Schoolof Journal iSm in 1920 - this was apparently Bri tainrs f irst professional school forjournal ists.b

As the story surrounding Cassells Magaziners publication of Kim indicates,Pemberton's editorial ini t iat ives were hampered by the conservatism of Cassel l 'sBoard. The editorial announcement in December 1895 of changes in the formatof Cassellrs Family Magazine, thenceforth to be known as Cassells Magazine, iswary of giving offence. It stresses that the 'guiding traditions' of the magazine'shistory - i ts niche in hearth and home, i ts moral conservatism and i ts standardof illustration - would be insulated from new fashions and announces an expansionfrom 80 to 112 pages. I t also, however, points to efforts to achieve a wider generalappeal; Pemberton strove to achieve that appeal principally through provisionof adventure, cr ime, historical and mystery romances. When the moral i ty of astory might alarm readers not diverted by the gusto of the telling, illustration (andpossibly titles) could be used to allay their fears. The illustrated heading to Hornung'sIn the Chains of Crime (reproduced on p. ii) is a case in point. pemberton's ownli terary ambit ions are suff iciently indicated by H.W. Massingham's review which

successfully launched The lron Pirate: it hailed Pemberton as 'The Lost Liar Foundr,an al lusion to Oscar Wilde's denunciat ion of real ism and elegiac celebration of' the wit to exaggerater, ' the genius fo romance' and the l imitat ions of probabil i tyin his essay ?The Decay of Lying." During his editorship of Cassell's Magazine,which lasted unti l the death in 1905 of Cassel l 's general manager Sir Wemyss Reid,an al ly and mentor, Pemberton was to write nineteen novels and many short stories.The five novels serialised in Cnssells Magazine are distinguished by liveliness andsome novelty in handling the formulae of adventure romance rather than by wit'genius and courage and he can manage a sprightly style. David Wil l iamson, whoworked in the Ca.ssells Magazine office during Pembertonts editorship wrote ofhim that: 'He came into the off ice l ike a breeze from the Atlantic, and hisl ight-hearted vivacity brightened the whole day. '8 Bret Harte and Stephen Crane,both past their l i terary prime; Wil l iam Le Queux, the writer of detective and spyromances; Hall iwel l Sutcl i f fe, writer of popular historical romances; GertrudeAtherton; empire writers Guy Boothby and Louis Becke; and L.T. Meade and RobertEustace, the successful mystery writing partnership, were introduced to CassellsMagazine readers during Pemberton's editorship.

Despite the momentum gained under Pemberton's editorship the magazinehad not fared as well against its rivals as the Board hoped. The cheaper LondonMagazine was a new threat. David Williamson, an experienced journalist, popularbiographer, writer of tracts for the Religious Tract Society, and Bonavia Hunt'ssuccessor as editor of fire Quiver, was offered the editorship of Cassells Magazineafter Pemberton's resignation; Wil l iamson, though, was to step down from theposit ion in 1906. His reminiscences of his editorship record frustrat ion at deal ingwith William Le Queux over episodes of The Spider's Eye: Williamson had had to' threaten to go to press without them unless he [Le QueuxJ sent the matter at once.A messenger would be requisit ioned to fetch the story from Le Queux when hewas staying at the Savoy Hotel, and in the }ounge the lad would wait while theauthor scribbled the last few pages'(Wil l iamson, p. 1?8). Under this sort of pressureLe Queux could produce 4,000 words in four hours but the state of the manuscriptsdistressed Williamson - errors of spelling and grammar, confusions between thenames of characters and Le Queux's alteration of the name of the hero half-waythrough the story cal led for meticulous last-minute edit ing.

In casting about for another new editor Cassell's Board settled on James WalterSmith, an American journalist and American editor of The Strand Magazine. Theeditorial flair which contributed to the success of fire Strand Magazine in the UnitedStates did not extend to Smithts conduct of Cassells Magazine: its sales slippedsteadily to 34,000 copies at a time when the proprietor of The London Magazineworried about a circulation of 300,000 and The Strand Magazine consistently soldin excess of 500,000 copies. One reason for fal l ing sales was undoubtedly staleness- Max Pemberton was still Cassellb Magaziners leading serialist. In 1912 Cassell'sBoard invited one of the company's most successful editors, Walter Newman Flower,to produce a dummy for a revamped Cassellb Magazine. Walter Smith resignedthe editorship and Newman Flower became editor of Cassells Magazine of Fiction,each issue of which promised 260 pages comprising a 30,000 word novel ' about20 stories, four or five illustrated articles and a fully illustrated fashion section.A lower price of 5d. was announced. The same success which had attended Flowerrseditorship of The Storlrteller was to attend his conduct of Cassell's Magazine ofFiction. Later, still under the directorship of Newman Flower, Cassellts sold Ca,sselIsMagazine of Fiction, along with its other magazine interests, in 1926.

In the Edwardian period Cassells Magazine editors certainly encouraged the

l r r l r l r . , l l ) ( ) [ )u l l r t ' per iod ica l f ic t ion - d i rec t nar ra t ive, suspense and re la t ive lyurr( (,rnplrcirt t :<i cl laracters. Cassel ls Magaziners comparative standing at this t imerrrrry lxr gauged by the range of publ icat ions in which the renowned l i terary agent.J. l ] . Pinker placed the second-rate stories col lected in Joseph Conradrs A Set ofSix and the inferior stories Henry Lawson wrote in London. The former appearedin Cassell's Magazine, Pall Mall Magazine, the Daily Chronicle and Harper'sMagazine; the latter in Black and White, Outlook, Onlooker, Cassellts Magazine,Chambersts Journal and a couple of unidentified others. Cassell's Magazine wasof middl ing quali ty, avoiding the merely sensational and wil l ing to publ ish storiesenl ivened by small doses of subtlety, for example, Vance Palmerrs 'The Lit t lcTypewriter Gir l ' which plays on the sentimental i ty of i ts characters and readersto expose the false basis of sentimental i ty. Edwardian scholars would be able touse the fiction published in Cassell's Magazine to extend or correct bibliographiesof individual authors, for Cassellts Magazine attracted writers better known todaythan those published in Cassells Family Magazine; the fiction could also be usedto trace the development of adventure, detective, spy and mystery romance andthe openings for empire writers in London, which were in fact quite fair, contraryto establ ished scholarly opinion in Austral ia at least.

The fiction in Cassell's Family Magazine and Cassell's Magazine appearedalongside art icles of general interest. The December 18?4 number contained, forinstance, in addit ion to those on nursing and the unemployed, pieces on such topicsas dress, cooking, sport in Albania, l i fe on an emigrant ship, Christmas decorations,and the postman. In a regular tThe Gatherer?section paragraphs on popular scienti f ic,technological and technical topics were published, ?The Gatherer' for December1874 containing, for instance, paragraphs on Fog Signals and Sounds at Sea, TyphoidFever and Disinfectants, Sea-Sickness and i ts Cure and Antipathies to Flowers.The information conveyed in 'The Gatherer'general ly had some practical appl icat ions.Gradually some paragraphs of l i terary news began to appear there. By December1900 the ar t ic les o f genera l in terest were less immediate ly domest ic - tChr is tmas

in Old London?, 'The Prince of Wales' Horsest, ' Ice Boats and Ice Boating', tChristmas

at the Front: A Reminiscence of Christmas at Modder River' , rThe Inky Cloak:Legislators and Their Garmentst and 'Old Druryr - and tThe Gathererr had beenrechristened rSomething New.t Controversy was scrupulously avoided.

Cassells Family Magazine, later Csssells Magazine, never achieved greatpopular success, but unti l the 1890s the proprietory company might have beensatisf ied that the magazine was performing satisfactori ly in meeting the perceivedrnoral and social needs of i ts readers. Even moral ising, cosy domestici ty and socialcomplacency must continue to pay i ts way though, and in the 1890s and 1900s whenCassell ts real ised that tough, new competit ion made a change of style mandatory,i t acted slowly and overcautiously, cl inging to i ts rapidly outdatingrguidingtradit ions', and always content to react rather than lead in the marketplace.

FOOTNOTES

1 . In 1892 George Newnes Ltd., publisher of fite Strand Magazine, declareda dividend of 10o/o on assets of 5400,000 and Cassell and Co. \0o/o on assetsof I500,000; in 1905 George Newnes Ltd . was ab le to dec lare a d iv idendof 107o on assets of €f ,000,000 while Cassel ls declared no dividend atal l . By 1905 editors of Cassel l 's cheaper and less prestigious publicationswere expected to commission struggl ing authors to write stories aroundold picture-blocks dating from 1870 and stored in an appropriatelynicknamed cl ich'e department. By 1912 one leading agent would notoffer book manuscripts to Cassell's because 'the terms offered by Cassell'swere so low, and even at that the haggling so acrimonious, that he couldnot be bothered with such a firm'. Simon Nowell-Smith, The House ofCassell 1848-1958 (London: Cassel l & Co. Ltd, 1958), p. 177, p. 204;Newman Flower, Just As It Happened (London: Cassel l , 1950), pp.27-28.

'Report of the Select Committee on Newspaper Stamps', EnglishParliamentary Papers, 1851, XVII.I, p. 338.

John Cassell in his Prospectus to a New Series of fite Quiver in 1864ti t led 'Social, Intel lectual and Religious Progressr, Appendix I ,Nowel l -Smi th , p . 250.

This prescript ion formed the cri teria for entry in a l i terary competit ionconducted by Cassell in Cassellb Illttstrated Family Paper. Quoted byNowell-Smith, p. 42.

Sources of biographical information on Bonavia Hunt are Nowell-Smith,pp. 90-91; Huntts obituary in The fimes Educational Supplement, 4 Oct.1917, p. 382; and the British Museum Catalogue.

Sources of biographical information on Max Pemberton are ReginaldPound and Geoffrey Harmsworth, Northcliffe (London: Cassell, 1959),passim; Max Pemberton, Sixty Years Ago and After (London: Heinemann,f 936); and the British Museum Catalogue.

Oscar Wilde, 'The Decay of Lying' in his Intentions (1891); rpt. in Poemsand Essays: Oscar Wilde, ed. Kingsley Amis (London & Glasgow: Collins,1956 ) , p . 253 .

David Williamson, Before I Forget: A Busy Lifeb Harvest of Memoriesand Stories (London: Sampson Low, Marston & Co. Ltd, 1932), p. 176.

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7 .

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AUTHOR INDEX

T h e v o l u m e n u m b e r s i n t h i s i n d e x r e f e r t o t h e t h i r d B r i t i s h s e r i e s .An Amer i can ed i t i on wh ich had the same con ten ts as the Br i t i sh ed i t i onf i r s t appeared in December 1883 w i th the conmencement o f vo lume 10 .V o l u m e l 0 o f t h e t h i r d B r i t i s h s e r i e s w a s d e s i g n a t e d v o l u m e 1 i nw h a t . i s r e c o g n i s e d a s a f o u r t h s e r i e s i n t h e U n i t e d S t a t e s . T h eChrono log ica l I ndex g i ves bo th B r i t i sh and Amer i can ed i t i on vo lumenumbers .

A d a i r , E . ' M i s s C h a n c e . ' 1 3 ( 1 8 8 6 / 8 7 ) : 4 0 0 - 4 0 5 .A d c o c k , A I r t h u r ] S t . J o h n . ' C a n c e l l e d : A C h r i s t m a s S t o r y . I 4 9

( 1 9 0 9 / 1 0 ) : L 3 6 ' I 4 4 .A g n u s , O r m e . I P s e u d o n y m o f J o h n C . H i g g i n b o t h a m ] . l M a s t e r L o g g a t t r s

W a t e r l o o . ' 4 2 ( 1 9 0 6 ) : 6 4 9 - 6 5 6 .' T h e W o u n d o f t h e M a r q u i s . ' 4 7 ( 1 9 0 8 / 9 ) : 3 I 2 - 3 L 6 .

A l d e n , W I i 1 1 i a m ] L I i v i n g s t o n ] . ' C a r t e r ' s I n c a n d e s c e n t C a t s . t 2 l( 1 8 9 4 / 9 5 ) z 4 5 0 ' 4 5 4 .' T h e F a t a l E a r s . ' 2 2 ( 1 8 9 5 / 9 6 ) : 2 2 5 - 2 2 9 .' L o u i s e . ' 2 L ( 1 8 9 4 / 9 5 ) : 6 7 I - 6 7 4 .' A M o d e r n V a m p i r e . r 2 I ( 1 8 9 4 / 9 5 ) : 3 0 4 - 3 0 7 .' T h e P u r p l e D e a t h . ' 2 L ( 1 8 9 4 / 9 5 ) : 1 1 2 - 1 1 9 .

A l d i n g t o n , M a y . ' A S e a B r e e z e . ' 4 3 ( L 9 0 6 / l ) : 1 5 6 ' 7 5 7 .A l d r i c h , A n n i e C . C . S e e C h i l d a r , C a t . h e r i n e .A 1 l e n , G r a n t . ' T h e C a m i s a r d ' s B r i d e . ' 2 3 ( 1 8 9 6 / 9 7 ) z 1 8 3 - 1 8 9 .

' C u p ' n T o m W o o l l e y . ' 2 ( 1 8 9 5 / 9 6 ) z 7 3 7 - 7 4 L .' C e c c a r s C h o i c e . ? 2 L ( L 8 9 4 / 9 5 ) : 3 8 7 - 3 9 I .' F o g o S k e r r i e s . I 2 I ( 1 8 9 4 / 9 5 ) t 5 9 I - 5 9 6 .' J o e ' s R a s c a l i r y . t 2 L ( L 8 9 4 / 9 5 ) z 2 0 3 - 2 0 5 .' A L a d y o f F l o r e n c e . r 2 3 ( L 8 9 6 / 9 7 ) z 4 8 3 - 4 9 L .' l - ' e o n a n d L ' e o n i e . I 2 L ( 1 8 9 4 / 9 5 ) , 8 1 - 8 5 .

A n d e r t o n , J o h n . t C r o o k e d C r o n i e s . f 1 8 ( L 8 9 1 / 9 2 ) : 5 3 0 - 5 3 6 .' A F r i e n d o f t h e J i n t o n s . r 1 7 ( 1 8 9 0 / 9 1 ) : 5 2 9 - 5 3 3 .

ArmitE, Mary L. Hr Trench of Brasenose: fire Romance of a Long Vacation.1 5 ( 1 8 8 8 / 8 9 ) : 3 5 - 4 4 , 6 5 - 7 3 , I 7 O - L 7 9 , 1 9 3 - 2 0 3 .

Ashdovrn , C l i f f o rd . [Pseudonym o f R ichard Aus t in F reeman - see a l so . ]The Adventurea of Rmey Pr ingle. 34 (1902): 54-62, 185-194,

A s h f o r d ,

2 7 L - 2 7 9 , 3 8 0 - 3 8 9 , 5 0 3 - 5 1 2 , 5 9 0 - 5 9 8 .Prom a Surgeon 's D ia ry . 39 (1904 /5 ) t 139-146 , 253 '261 ,3 2 1 - 3 2 9 , 4 4 2 - 4 5 0 , 5 6 3 - 5 7 L , 6 8 3 - 6 9 0 .fire Further Adventures of Rorrney Pringle. 36 (1903):

7 3 - 8 0 , L 9 0 - L 9 7 , 2 9 5 - 3 0 3 , 3 9 0 - 3 9 7 , 5 0 8 - 5 1 6 , 6 2 3 - 6 3 t .A . E . ' T h e J i l t i n g o f M i s s A t t r i d g e : A S t o r y E x h i b i t i n g

t h e V a l u e o f A r t f u l n e s s A i d e d b y I r n a g i n a t i o n . r 4 8 ( 1 9 0 9 ) :

5 9 8 - 6 0 3 .' T h e

Q u e s t i n g o f M r M c M u n n . ' 4 9 ( 1 9 0 9 / f 0 ) : 3 9 3 - 3 9 8 .A s k e w , A l i c e & C l a u d e . l T h e B a t t l e W o n . ' 5 0 ( 1 9 1 0 ) : 3 8 9 - 3 9 8 .

' T h e B i g H o u s e . ' 4 8 ( 1 9 0 9 ) : 5 1 - 5 7 .

r o n e A d v e n t u r e T o o M a n y : A s t o r y o f S a n F r a n c i s c o . , 2 3( 1 8 9 6 / 9 7 ) | I 2 s - r 3 6 .' T h e T a p e s r r y o f a N i g h t . r 2 4 ( l g 9 : ) z 6 5 3 _ 6 6 I .' T h e Y a n k e e a n d r h e D o n . ' 2 7 ( r g 9 g / 9 9 ) : 2 g 2 - 2 9 2 .

A v e n e l 1 , A . M . ' B a r b a r a t s S e c r e r . r 2 0 ( 1 g 9 3 / 9 4 ) : g l 4 - 9 1 g .

A x t e n s , F a y . ' E n n u i H o u s e . ' 1 2 ( f g g 5 / g 6 ) : 7 2 6 _ 1 3 0 .A y r e s , R u b y M [ i l d r e d ] . ' T h e L i g h r o f o r h e r D a y s . ' 5 0 ( 1 9 1 0 ) : 4 9 7 - 5 0 3 .B a g o t , R i c h a r d . ' M a l a p a s q u a : A T a l e o f t h e R o m a g n a . ' 4 3 ( L 9 0 6 / 7 ) l

3 0 7 - 3 1 3 .B a i l e y , H . C . ' T h e A m e n d m e n t o f M . d e C h i r a c . , 4 g ( 1 9 0 9 ) : 5 0 9 - 5 1 4 .B a i n b r i g g e , E . M . ' u n a a n d r h e L i o n . ' 1 0 ( 1 g g 3 / g 4 ) : 1 7 5 - 1 7 g .B a k e r , O 1 a f . r J o s i a h p a x l e y ' s W o o i n g . ' 5 O ( 1 9 1 0 ) : 5 1 7 _ 5 1 9 .B a l 1 i o l , M . A . I p s e u d o n y m ? ] . ' W h e n i n D o u b r . , 4 2 ( 1 9 0 6 ) : 3 3 3 _ 3 3 5 .B a n k s , E l i z a b e t h L . ' A n A n g l o - A m e r i c a n C o u r t s h i p . r 4 6 ( 1 9 0 g ) :

209-304 . S igned E l i zabe th Banks .' T h e A n t e c e d e n t s o f C a p t a i n J i n k s . ' 4 6 ( 1 9 0 g ) : 2 6 _ 3 2 .S i g n e d E l i z a b e t h B a n k s .t M y T r i a l s a s a H o u s e k e e p e r . r Z l ( I g g 4 / g 5 ) , 9 0 3 _ 9 0 6 .' O n e o f L i f e ' s M o c k e r i e s . ' 2 L ( 1 g 9 4 / 9 5 ) : g 4 5 _ g 4 7 .' T h e W o r d o f p r a i s e . r 4 7 ( 1 9 0 g / 9 ) : 2 L 8 _ 2 2 I .

Banks , Hrs G . L innaeus I i . e . I sabe l l a l . T t re ] l anches te r l {an . I (1g74 /7 5 ) : 6 5 ' 7 6 , L 2 g - r 4 0 , r g 3 - 2 0 4 , 2 5 7 - 2 6 8 , 3 2 r - 3 3 1 , 3 8 5 - 3 9 6 ,4 4 9 - 4 6 0 , 5 7 3 - 5 2 5 , 5 7 7 _ 5 9 L , 6 4 t - 6 5 5 , 7 0 5 _ 7 2 0 .' o l d E l s p a . ' 5 ( L 8 7 g / 7 9 ) : L B - 2 2 .

[ B a n k s , G e o r g e N u g e n t ] . B y t h e A u t h o r o f ' A D a y o f M y L i f e a t E t o n , l' A c r o s s F r a n c e i n a C a r a v a n . ' ' A B l a c k S h e l p . , 2 I ( 1 g 9 4 / 9 5 ) :1 3 1 - 1 3 8 .

B a r c l a y , A r m i g e r . ' S t a n d S e v e n - t w e n t y - e i g h t . r 5 0 ( 1 9 1 0 ) z 2 0 I _ 2 0 7 .B a r n h a m , C . N . , A n A l d e r s h o t M y s t e r y . ' Z O ( : r A g S / g q ) , 3 2 3 _ 3 2 6 .r T h e M y s r e r i o u s p a i n t i n g . r 1 9 ( L g g 2 / 9 3 ) , 7 5 2 - 7 5 g .' s h i p p r s L o o r . ' 1 g ( 1 g 9 1 / 9 2 ) : 7 4 g - 7 5 2 .B a r i n g - G o u 1 d , S I a b i n e ] . ' S c a r s . , 1 5 ( 1 g g g / g 9 ) : 5 0 2 , 5 0 7 .B a r n a r d , E d i t h . ' T h e B o n d s o f F r e e d o m : A s t o r y o f a h l i f e r s A w a k e n i r g . ,

4 9 ( 1 9 0 9 / 1 0 ) : 3 8 1 - 3 8 7 .' L a d y b i r d . ' 4 5 ( 1 9 0 7 / i l : 5 6 5 - 5 7 0 .

M a t t h i a s . ' A M o u t h H a r m o n i c a . ' 1 3 ( 1 g g 6 / g 7 ) : 5 4 - 5 g .R o b e r t . ' T h e A m b a s s a d o r ' s p i g e o n s . r 2 7 ( I g 9 g / 9 9 ) : 6 3 - 7 0 .' T h e B o m b s h e l l . , 4 5 e g o j / g > t 1 1 1 _ 1 1 7 .' T h e C u r s e o f p o s i r a n o . ' 3 3 ( I g O l / 2 ) , 1 0 6 _ I 1 4 .' A F l u r r e r o f ! i l h e a r . ' 3 0 ( 1 9 0 0 ) : 4 l - 4 7 .' T h e c h o s r w i r h r h e C l u b F o o r . ' 4 l ( 1 9 0 5 / 6 ) : 2 0 9 - 2 2 3 .' The Grea t Mogu l . , 30 ( 1900 ) : 235 -Z4 l .' H o w F i n l e y M c G i l l i s H e l d r h e p i e r . r 2 7 ( l g 9 8 / 9 9 ) : 5 2 2 - 5 2 7 .t H o w r h e K i n g D r a n k r o H i r n s e l f . ' 3 9 ( 1 9 0 4 / i l : 7 4 _ g O .'A L i rnp ing Revenge . , 30 (1900) r 4g9-495 .' T h e L o n g - d i s t a n c e T e l e p h o n e . ' 3 0 ( 1 9 0 0 ) : 3 4 g - 3 5 3 .' T h e M i l l o n r h e K o p . ' 3 1 ( 1 9 0 0 / 1 ) : 9 8 - 1 0 5 .' O n r h e H o u s e - t o p . ' 3 0 ( 1 9 0 0 ) : L 4 6 _ L 5 2

" ' T e m p o r a r y I n s a n i t y . " , 3 0 ( 1 9 0 0 ) : 5 9 6 _ 6 0 3 .Bar re t t , F rank . By l l i sadven tu re . 14 (1gg7 /gg ) : 35_44 , 9g -10g ,

L 6 2 - L 7 L , 1 9 3 - 2 0 0 , 2 9 7 - 3 0 6 , 3 5 4 - 3 6 3 .' F a i t h l e s s M a r g a r e t , a c h r i s t m a s s t o r y . ' 7 ( 1 g g 0 / g 1 ) :

B a r r ,B a r r ,

-

' E l i z a b e t h ' s L o v e r : A N o v e l e t t e . ' 4 6 ( 1 9 0 8 ) :'T ides o f Fo r tune . | 44 (1907 ) z 299-329 .

A the r ton , Ger t rude . ' Lady Anne and the V i rg in ian . ' 275 6 6 - 5 7 8 .

3 1 8 - 3 3 3 .

( 18e8 /ee ) :

52 -56 .Hrr losers Eelprmate. 12 (1885/86) :609 -618 , 674 -683 , 736 -744 .E idden Go ld . 6 (1s79 l80 ) : 34 ' 42 ,285-293, 349-356.' H o w J a c q u e s B a l m a t A s c e n d e d M o n t

4 t8 -427 , 483 -492 , 547

9 4 - 1 0 3 , 1 5 7 - 1 6 5 , 2 t 7 - 2

B l a n c . ' 5 ( 1 8 7 8 / 7 9 ) z7 2 6 - t 3 0 .John Ford: Eis Faul ts, and l lhat Came of Them. 10 (1883/84):

4 t 8 - 4 2 6 , 4 8 2 - 4 9 r , 5 4 6 - 5 5 5 , 6 1 0 - 6 1 9 , 6 7 4 - 6 8 2 , 7 3 8 - 7 4 7 .l l a jo r God f roy ' s D iscovery . 7 (1880 /81 ) : 416-425 , 481-489 ,5 4 5 - 5 5 3 , 6 0 9 - 6 L 7 , 6 7 3 - 6 8 2 , 7 3 7 - 7 4 5 .A tl issing lJitness: Frm the Narrative of Dorothy Eeatherly.22 (L895 / 96 ) : 29 -39 , 140- 150 , 237 -247 , 327 ' 337 , 403-412 ,4 9 5 - 5 0 3 .' A S o n g w i t h o u t W o r d s . ' 3 ( L 8 7 6 / 7 7 ) z 4 6 8 - 4 7 2 .U n d e r a S t r a n g e H a s k . 1 5 ( 1 8 8 8 / 8 9 ) : 1 - 9 , 1 0 0 - 1 0 7 , 1 2 9 ' 1 3 6 ,2 2 7 - 2 3 5 , 2 8 9 - 2 9 7 , 3 2 I - 3 2 9 .

B a r r i e , J I a m e s ] M I a t t h e w ] . ' T h e L i t t l e N u r s e r y G o v e r n e s s . ' 2 I ( 1 8 9 4 /

9 5 ) : 6 0 - 6 3 .B a r r o w - N o r t h , H . ' T h e S u l t a n ' s A d h e r e n t . ' 2 8 ( 1 8 9 9 ) : 5 4 9 - 5 5 2 .

' T h r e e D e g r e e s o f L o v e . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) : 3 4 5 - 3 5 2 .B a t e m a n , M a y . t A t ' F r e e L a n c e t t : T h e A d v e n t u r e o f t h e M i s s i n g P r i n c e . t

3 8 ( 1 9 0 4 ) : 6 9 ' 7 6 .' A n I d y l l o f t h e S l u m s . ' 2 6 ( 1 8 9 8 ) z 4 0 9 - 4 L 6 .' M i r a n d a r s E n g a g e m e n t . ' 3 9 ( L 9 0 4 / 5 ) , 3 1 f - 3 1 3 .' T h e o t h e r s i d e . ' 2 8 ( 1 8 9 9 ) : 3 0 9 - 3 1 2 .' A R e c e s s i o n a l . ' 3 1 ( 1 9 0 0 / 1 ) : 5 2 3 - 5 3 0 .' A R e t r i e v a l . ' 3 3 ( l 9 O L / 2 ) z 2 0 5 - 2 0 9 .

B a u m e r , L e w i s . ' T h e C a s t l e . r 3 1 ( f g O O / f ) r 2 9 8 - 3 0 5 .Becke , Lou is . 'The Cu t t i ng Of f o f t he Queen Ghar lo t te . r 24 (1897) :

L99-203 .' I n t h e K i n g r s S e r v i c e : S o m e E p i s o d e s i n t h e L i f e o f aB e a c h C o m b e r . r 2 4 ( L 8 9 7 ) : 4 3 6 ' 4 4 I .' T h e S l a v e r s . ' 2 4 ( L 8 9 1 ) z 4 8 6 - 4 9 2 .

B e e r b o h m , C o n s t a n c e . r F i r s t a n d L a s t : A W o r k - g i r l ' s S t o r y . ' 3 1( 1 9 0 1 ) : 2 O 3 - 2 0 8 .

" ' O n l y a H a t ! ' r ( F r e e l y T r a n s l a t e d f r o m t h e F r e n c h ) . ' 3 7( L 9 0 3 / 4 ) : 1 3 4 - 1 3 6 .

B e e s t o n , L . J . ' A f t e r S e v e n Y e a r s . ' 4 0 ( 1 9 0 5 ) : 4 1 4 - 4 2 0 .' A f t e r t h e T u n n e l . ' 3 3 ( 1 9 0 1 / 2 ) : 3 5 3 - 3 5 6 .' T h e A s c e n s i o n T o w e r . ' 3 9 ( 1 9 0 4 / 5 ) : 5 7 9 - 5 8 5 .' T h e A w a k e n e d F u r y . r 2 8 ( 1 8 9 9 ) : 5 3 8 - 5 4 2 .' A w a k e n i n g . ' 3 9 ( L 9 0 4 / 5 ) : 3 7 5 - 3 7 8 .' T h e B a r e C h a n c e . ' 3 4 Q 9 O 2 ) z 5 5 1 - 5 5 6 .' T h e B e l l o f S t . G i l d a s . r 3 4 ( L 9 0 2 ) z 9 4 - 1 0 0 .'The Burden . ' 29 (L899 / 1900) z 620-623 .r T h e c a p t a i n ' s L i o n . ' 3 1 ( 1 9 0 0 / 1 ) : 5 5 5 - 5 5 8 .' T h e c h a n g e d H o u r . r 3 7 ( L 9 0 3 / 4 ) : 4 2 3 - 4 3 L .' T h e C o l o n e l ' s c h r i s t m a s D a w n . | 2 7 ( 1 8 9 8 / 9 9 ) : I 4 2 - 1 4 6 .' A D e a d M a n ' s B r i d e . ' 3 4 ( 1 9 O 2 ) : 3 1 1 - 3 1 5 .' T h e D e a d S e n t r y . r 4 5 ( 1 9 0 7 / 8 ) : 4 4 7 - 4 5 4 .r A D e c i d e d C h a n g e . ' 3 6 ( 1 9 0 3 ) : 9 8 - 1 0 2 .' D r . T r e d g o l d ' s E x p e r i m e n t . ' 3 9 ( 1 9 0 4 / 5 ) z 8 2 - 8 7 .' A D u e l o f H e a r t s . ' 3 6 ( f 9 0 3 ) : 4 2 7 ' 4 3 5 .

' T h e E n d o f t h e G a m b l e . ' 4 2 ( 1 9 0 6 ) z 2 4 4 - 2 5 3 .' F o r e s t a l l e d . ' 3 8 ( 1 9 0 4 ) : 5 8 6 - 5 9 0 .' A G a m e o f C h e s s . ' 4 L ( 1 9 0 5 / 6 ) : 1 8 4 - 1 8 9 .' T h e H a u n t e d M e n . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) : I 4 7 - I 5 2 .' T h e H u s s a r ' s R e v e n g e . ' 3 7 Q 9 0 3 / 4 ) : 5 5 3 - 5 6 0 .An Ins t runen t o f Vengeance . 30 (1900) : 85 -91 , 193-200 ,3 L 7 - 3 2 4 , 3 7 9 - 3 8 5 , 5 3 8 - 5 4 4 , 6 3 7 - 6 4 5 .' A n r n t e r e s t o f T e a r s . ' 3 3 ( 1 9 0 1 / 2 ) z 8 5 - 9 1 .' T h e J e s t o f L a T o r c h e . ' 4 l ( L 9 0 5 / 6 ) : 3 2 9 - 3 3 7 .' A M i n i s t e r o f W r a t h . t 3 2 ( 1 9 0 1 ) : 3 2 4 - 3 2 9 .' T h e M i s s i n g G u e s t . ' 4 I ( 1 9 0 5 / 6 ) : 1 1 3 - 1 2 1 .' A N a k e d S w o r d . ' 3 2 ( 1 9 0 1 ) : 6 4 8 - 6 5 2 .' Nathan Snode : Iv lean l , lan. r 33 ( I90L / Z) : 694-699 .

" 'One Touch o f Na tu re . " r 32 ( 1901 ) : I 97 -200 .' T h e P u m a . ' 3 8 ( 1 9 0 4 ) z I 7 4 - L 7 9 .' T h e

Q u e e r C a s e o f J u d s o n T r a d e r . r 3 5 Q 9 A 2 / 3 ) z 1 1 1 - 1 1 7 .' A S t a r F e l l . ' 3 8 ( 1 9 0 4 ) : 3 9 0 - 3 9 6 .' S t o l e n V e n g e a n c e . ' 3 4 ( L 9 0 2 ) 0 0 t - 0 0 + .' T o t h e C a n n o n r s M o u t h , ' 2 8 ( 1 8 9 9 ) : 9 7 - 1 0 0 .' T h e v e h e m e n t F l a m e . ' 3 5 ( L 9 0 2 / 3 ) z 3 I 4 - 3 2 I .

B e g b i e , [ E d w a r d ] H a r o l d . ' O u t o f H i s R e c k o n i n g . ' 4 7 ( L 9 0 8 / 9 ) : 9 2 - 1 0 0 .' S h e c a m b l e d a S t a m p . ' 4 4 ( 1 9 0 7 ) : 1 8 6 - 1 9 4 .

B e 1 1 , " r I o h n ] J I o y ] . ' T h e D e l u d e d F e m a l e . r 5 0 ( 1 9 f 0 ) : 3 - 1 1 .' T h e E c o n o m i s i n g o f E r h e l . ' 4 I ( L 9 0 5 / 6 ) : 2 7 - 3 3 .' T h e r d e a . ' 5 0 ( 1 9 1 0 ) : 2 1 9 - 2 2 8 .' T h e M a t c h M a k e r s . I 4 I ( 1 9 0 5 / 6 ) : 3 6 - 4 3 .r M r D o n a l d M a c D o n a l d . ' 4 5 ( L 9 0 7 / 8 ) z 4 3 - 4 8 .' A

Q u e e r M i x t u r e . r 5 0 ( 1 9 1 0 ) z 4 5 7 - 4 6 4 .'The Ser ious I l l ness o f l "1 r Chr i s topher . I 49 ( f 909 /10 ) :7 8 - 8 6 .' T h e S p e c t a c l e s . ' 4 3 ( 1 9 0 6 / 7 ) t 5 5 8 - 5 6 2 .

Be l1 , John Keb le . See Howard ' Keb le .B e l l , R . S . l J a r r e n . ' T h e c u b i n T r o u b l e . ' 4 9 ( 1 9 0 9 / f 0 ) z 3 4 3 - 3 4 7 .

' I m p r e s s i n g a C o u s i n : A D o m e s t i c C o m e d y . ' 4 8 ( 1 9 0 9 ) : 5 8 7 - 5 9 0 .B e n n e E t , I E n o c h ] A r n o l d . ' T h e N i n e t e e n t h H a t . ' 4 3 ( L 9 O 6 / 7 ) z 2 2 9 - 2 3 3 .

' W h y t h e C l o c k S t o p p e d . r 5 0 ( 1 9 1 0 ) t 4 3 5 - 4 4 3 .' T h e w i d o w o f t h e B a l c o n y . ' 4 6 ( 1 9 0 8 ) z 2 8 3 ' 2 8 7 .

B e n s o n C l a u d e E . ' A n E y e f o r a n E y e : A S t o r y f o r M e n . ' 4 8 ( 1 9 0 9 ) :

3L7 -324 .r P e r i l . ' 4 3 ( 1 9 O 6 / 7 ) z 4 4 L - 4 5 0 .

B e n s o n , E I d w a r d ] F I r e d e r i c ] . ' T h e L e s s o n : A S t u d y i n T e m p t a t i o n . I

4 9 ( 1 9 0 9 / 1 0 ) : 1 2 3 - 1 3 0 .Benson , Rev . Rober t Hugh . 'Voca t ion : A S to ry o f M isgu ided En thus iasm. '

4 8 ( 1 9 0 9 ) : 4 2 6 - 4 3 I .Bensusan , S [a rnue l ] L levy ] . rThe Homeward Way : A S t r i k ing S to ry o f

J e w i s h L i f e . ' 4 9 ( 1 9 0 9 / 1 0 ) z 4 5 4 - 4 6 2 .Benvenu to , Fe rd inando & M.D. By rne . T rans . f rom I ta l i an . rVermut te rs

I n h e r i t a n c e . r B y R e n a t o F u c i n i . 4 5 Q 9 O 7 / 8 > : 5 9 1 - 5 9 5 .T r a n s . f r o m I t a l i a n . ' T h e V i s i t o f t h e P r e f e c t . t B y R .

F u c i n i . 4 6 ( 1 9 0 8 ) : 3 - 1 3 .B e s t , G e o [ r g e ] A . ' T h e B e t r o t h a l o f K i n g C r o k e r : A

3 3 ( 1 9 0 1 / 2 ) : l s 1 - 1 5 6 '' t ' B i t t e r A l o e s " : A C o m e d y o f V i l l a g e L i f e .490-495 .

S t o r y f o r C h i l d r e n . '

' 3 4 ( 1 9 0 2 ) :

10 1 1

' A B l i n d C r i t i c . r 3 7 Q 9 0 3 / 4 ) : 4 6 8 - 4 7 2 .' T h e C o u n t e r f e i t C a s h i e r . ' 3 3 ( L 9 0 L / 2 ) : 6 L 6 - 6 2 3 .' T h e

" L i t r l e D u f f e r . t " 3 8 ( 1 9 0 4 ) : 2 0 3 - 2 0 7 .' M c N a b ' s N o t i o n : A S t o r y f o r B o y s a n d O t h e r s . r 3 7 ( I 9 M / a ) :

3 t 2 - 3 7 7 .' O n l y i n F u n . r 4 0 ( 1 9 0 5 ) : 3 0 6 - 3 1 2 .' A P o s t h u m o u s P u b l i c a t i o n . ' 3 6 ( 1 9 0 3 ) ' 5 3 5 - 5 4 0 .' T h e R o m a n c e o f a " C u r t a i n R a i s e r . " ' 4 L ( 1 9 0 5 / 6 ) : 6 0 7 - 6 L 4 .' l / as I t a Drearn? The S to ry o f a Doub t fu l N igh tmare . ' 36( 1 9 0 3 ) : 5 9 6 ' 6 0 2 .

B l a c k , H a z e l t o n . S e e G r a h a m , S c o t t .B l a c k , L a d b r o k e . ' T h e L a s t . M a n : A S c i e n t i s t t s C h r i s t m a s D r e a m . '

4 9 ( 1 9 0 9 / 1 0 ) : I 9 9 ' 2 0 2 .B l a c k , W . P . l 1 . ' A n I m p e r f e c t S u b s t i t u t e . t 1 9 ( L 8 9 2 / 9 3 ) : 9 1 1 - 9 1 7 .B lackburne , E . Owens . [Pseudonym o f E l i zabe th Owens B lackburne CaseyJ .

' M i s s H o n o r ' s P a t i e n t s . r L ( 1 8 7 4 / 7 5 ) : 4 3 7 - 4 3 9 .' W h a t M r s M o r a n S a i d : A n I r i s h S t o r y . ' I ( 1 8 7 4 / 7 5 ) : 2 2 - 2 6 .

B l a k e , C . J . ' M r C h u r c h i l l ' s P a p e r . ' 1 9 ( 1 8 9 2 / 9 3 ) : 6 6 4 - 6 7 3 .B1ake , Emi l y Ca lv in . 'The Awaken ing : The S to ry o f an Engaged G i r l . r

5 0 ( 1 9 1 0 ) : 9 3 - 9 9 .' E i l e e n ' s L o v e r s . ' 5 0 ( f 9 1 0 ) : 1 9 0 - 1 9 4 .

B leack ley , Ho race . 'A C le r i ca l E r ro r : A C r i cke t S to ry . ' 3 2 ( 1 9 0 1 ) :1 0 0 - 1 0 s .' I n t h e D a y s o f T o p H a t s : A C r i c k e t S t o r y . r 3 2 ( f 9 0 1 ) :

4 3 7 - 4 4 4 .' T h e M a g i c B a t : A C r i c k e t S t o r y . r 3 2 ( 1 9 0 1 ) : 3 I 2 - 3 L 8 .

B l i n d , H a r o l d . ' T h e G r e a t e r C l a i r n : A S t o r y o f T o - d a y . r 4 8 ( 1 9 0 9 ) :

2 0 9 - 2 L 4 .B l i s s e t t , N e l l i e K . ' A B a t h R o a d I d y l 1 . r 2 I ( L 8 9 4 / 9 5 ) z 5 3 5 - 5 3 7 .B l o u n d e l l e - B u r t o n J o h n . ' L o v e r s A l a r m . ' 4 5 ( 1 9 0 7 / 8 ) : 2 9 8 - 3 0 4 .B l y t h , J a m e s . r A n A w k w a r d B u n k e r . r 4 l ( 1 9 0 5 / 6 ) : 3 4 5 - 3 5 5 .

t A C a s e o f T h o u g h t T r a n s f e r e n c e . r 3 8 ( 1 9 0 4 ) z 6 6 L - 6 6 4 .' A C h r i s t m a s } l a s q u e . ' 4 1 ( 1 9 0 5 / 6 ) : 5 4 - 6 2 .' D o l o r e s . ' 3 8 ( 1 9 0 4 ) : 3 5 2 - 3 5 7 .' T h e G h o s t a n d t h e E x c i s e m a n . ' 3 5 ( 1 9 0 2 / 3 ) t 1 5 0 - 1 5 7 .' H o w B i l l y B u t t l e F o u n d H i s M e m o r y . ' 3 7 Q 9 O 3 / 4 ) z 3 4 L - 3 4 5 .t H o w t h e P l a t e G o t T h r o u g h : A S t o r y o f t h e G r e a t R e b e l l i o n . r3 9 ( L 9 0 4 / 5 ) z 5 5 1 - 5 5 6 .' T h e I r r e v o c a b l e . ' 3 7 ( 1 9 0 3 / 4 ) z 4 5 5 - 4 6 2 .' M i n e H o s r a n d r h e w i r c h . r 3 5 ( L 9 0 2 / 3 ) z 2 5 5 - 2 5 9 .' A P o e t ' s W i f e . ' 3 6 ( 1 9 0 3 ) : 8 9 - 9 2 .r T h e R e v o l t o f H o n e s t y . ' 4 0 ( 1 9 0 5 ) : 1 8 6 - 1 9 0 .' T h e S u b m a r i n e S m u g g l e r s . ' 3 6 ( 1 9 0 3 ) : 6 0 8 - 6 1 6 .' T h e T h r e e B l o o d S p o t s . ' 3 8 ( 1 9 0 4 ) : 3 1 3 - 3 1 6 .' r ' T o N e l s o n " : A S m u g g l e r ' s Y a r n W h i c h I s B a s e d o n T r u t h . t3 9 ( 1 9 0 4 / 5 ) : 9 I ' 9 7 .

B o g g s , W i n i f r e d . ' B a l a a m ' s B a b y . ' 4 6 ( 1 9 0 8 ) : 1 4 4 - 1 5 1 .B o n c o e u r , J e a n . ' L o v e o r P r i d e ? r 1 ( L 8 7 4 / 7 5 ) : 2 9 8 - 3 0 0 .

' T e r e s a . ' 2 ( 1 8 7 5 / 7 6 ) z 2 7 0 - 2 7 3 .B o n e , S . S o u t h a l 1 . ' D a v e n a n t . t L 9 ( 1 8 9 2 / 9 3 ) : 4 8 3 - 4 9 3 .B o n s e r , A [ l f r e d ] n . r T h e F o r t u n e o f D u i t s a a n d J a c o b . r 2 2 ( 1 8 9 5 / 9 6 ) :

6 2 - 6 5 .' T h e q u e e r P a s s e n g e r ' s S t o r y . ' 2 0 ( L 8 9 3 / 9 4 ) : L 4 3 - L 4 5 .

B o o t h b y , G u y . ' T h e C o n v i c t C a E c h e r . r 3 5 ( t g O Z / Z ) , 3 9 5 - 4 0 3 .

r T h e L a d y o f t h e I s l a n d . r 3 5 ( 1 9 0 2 / 3 ) z L 2 4 - I 3 2 .A l { a k e r o f N a t i o n s . 2 8 ( 1 8 9 9 ) : 1 - 1 6 , 1 1 5 - 1 3 0 , 2 2 7 - 2 4 3 ,3 3 9 - 3 5 3 , 4 5 t - 4 6 7 , 5 6 3 - 5 7 7 .H y I n d i a n Q u e e n . 3 0 ( 1 9 0 0 ) : l - I 7 , 1 6 0 - 1 7 5 , 2 6 0 - 2 7 6 , 3 9 2 - 4 0 8 ,5 0 1 - 5 1 5 , 6 L 7 - 6 2 9 .' T h e M y s t e r y o f F u t u l e i m a . ' 2 7 ( 1 8 9 8 / 9 9 ) : 9 5 - L 0 2 .' W e r e S h e B u t Q u e e n . l 3 9 0 9 0 4 / 5 ) z 1 0 4 - 1 1 5 .

B o t t o m e , P h y l l i s . ' T h e P o s i t i o n o f M r s P e g g . ' 4 7 ( 1 9 0 8 / 9 ) : 1 0 1 - 1 0 9 .' T h e S o m e t h i n g i n I t . r 4 5 ( L 9 0 7 / 8 ) : 6 6 2 - 6 6 8 .

B o u l g e r , D o r a . S e e G i f t , T h e o .Bowen , Mar jo r ie . IPseudonym o f Gabr ie l l e Margare t Vere Campbe l l ] .

' A M o r a l L e s s o n . ' 4 4 ( 1 9 0 7 ) : 1 4 - 2 0 ." r G r e a t e r L o v e H a t h N o M a n . " ' 4 3 ( L 9 0 6 / 7 ) z 3 3 5 - 3 4 1 .' M y t - a d y P l a y e d . ' 4 6 ( 1 9 0 8 ) : 5 7 4 - 5 8 3 .

B o w e r , M a r i a n . ' C o l o n e l P e t e r S a n d e r s ' . 4 3 ( 1 9 0 6 / 7 ) z 4 6 2 - 4 6 9 .' S i r J o h n A b b a c y r s E l d e r S o n . ' 4 5 ( L 9 0 7 / 8 ) z 6 7 6 - 6 8 7 .' V e r o n i c a ' s V e r d i c t : A S t o r y o f L o v e a n d H a t e i n a S w i s sH o r e l . t 4 9 ( 1 9 0 9 / 1 0 ) : 6 L 2 - 6 L 9 .' A W o m a n ' s W o r d . r 4 6 ( 1 9 0 8 ) z 4 9 4 - 5 0 4 .

B o w s e r , T h e k l a . ' A L i t e r a r y T e m p t a t i o n : A S t o r y o f a G i r l r s J o u r n a l i s t i cE x p e r i e n c e s . r 4 9 ( 1 9 0 9 / 1 0 ) : 5 0 0 - 5 0 4 .

B o y d , M a r y S t u a r t . r T h a n k l e s s P a r e n t s . r 4 7 ( 1 9 0 8 / 9 ) : 4 3 9 - 4 4 4 .B r a d d o n , M [ a r y ] f I l i z a U e t h ] . t F o r H i s S o n ' s S a k e . ' 4 I ( 1 9 0 5 / 6 ) :

7 2 -79 .B rad fo rd , M i les . 'B racke ted . ' Sumner Number 1888 (The Crown o f

the Year ) z 48 -52 .B r a i n e r d , E l e a n o r H o l t . ' T h e B l a c k S h e e p r s C h r i s t m a s . ' 4 5 ( 1 9 0 7 / 8 ) :

t 2 2 - L 2 7 .' T h e L i t t l e W o r n a n a n d t h e B u s y M a n , ' 5 0 ( 1 9 1 0 ) ; 2 9 8 - 3 0 2 .

B r a m a h , E r n e s t . r B o b b i e a n d P o e t i c J u s t i c e . ' 4 3 ( L 9 O 6 / 7 ) z 5 7 5 - 5 8 5 .B r e w e r , J . F . ' C h r i s t m a s A l o n e : A P h a n t a s y . ' 1 5 ( 1 8 8 8 / 8 9 ) : 1 1 4 - 1 1 8 .B r i d g e s , T I h o m a s ] C I h a r l e s l . ' U n d e r t h e M o o n . ' 4 0 ( 1 9 0 5 ) : 5 1 1 - 5 1 3 .B r o w n , F . W a l w o r t h . r w i l l i a m t h e G o a t . ' 4 4 ( 1 9 0 7 ) : 6 6 2 - 6 6 9 .B r o w n , K e n n e t h . t O n e V i r g i n i a N i g h t . r 3 1 ( 1 9 0 0 / 1 ) : 7 0 9 - 7 1 2 .B r o w n e , E d i t h E . ' H e l e n r s S e c r e t : A S t o r y f o r W o m e n . ' 4 8 ( 1 9 0 9 ) :

1 4 9 - 1 s s .' H i s M o d e l w i f e . r 4 9 ( 1 9 0 9 / 1 0 ) : 4 0 - 4 9 .

Browne , I " l ona l t l oxon . 'The Her r o f Parad ise Row. ' 42 (1906) : 298-306 .Buck land , A .R . & Henry Char les Moore . 'The Grea t Unknown. ' 22 (1895 /

9 6 ) : 5 6 6 - 5 6 8B u c k l a n d , E . S . L a n g . S e e L a n g - B u c k l a n d , E . S .B u l l o c k , S h a n F . ' M r S m i t h o f H a m p s t e a d . r 4 5 ( 1 9 0 7 / 8 ) r 3 6 5 - 3 7 2 .

r P t a y i n g t h e G a m e : A C r i c k e t S t o r y . ' 4 8 ( 1 9 0 9 ) : 5 2 2 - 5 2 9 .' S a u c e f o r t h e G a n d e r . ' 4 7 ( 1 9 0 8 / 9 ) : 5 3 2 - 5 4 0 .

B u r g e s s , I F r a n k ] G e l e t t . ' M a d a m o i s e l l e P a r c h e s i . r 3 0 ( 1 9 0 0 ) z 4 5 7 ' 4 6 3 .B u r g e s s , G i l b e r t . r F o r t h e S a k e o f t h e P a r t y . r 2 2 ( L 8 9 5 / 9 6 ) z 5 4 3 - 5 4 8 .B u r g i n , G I e o r g e ] n I r o w n l . r A C o r n u r o n p l a c e L o v e r . ' 5 0 ( 1 9 1 0 ) : 5 0 4 - 5 1 0 .

' F e r g u s o n , o f E n g l a n d : A C a n a d i a n S t o r y . r 4 5 ( 1 9 O 7 / 8 ) z

240-250.

" ' F u z z l e s " : T h e S t o r y o f a P u p p y . I 2 O ( L 8 9 3 1 9 4 ) z 7 7 6 - 7 7 9 .' T h e c i r l a n d r h e R i n g . ' 4 3 ( L 9 0 6 / 7 ) z 2 3 9 - 2 4 6 .' T h e H a l f - b r e e d . ' 3 5 ( L 9 0 2 / 3 ) z 5 5 8 - 5 6 3 .' K i n g o ' r h e G a r e s . r 2 L ( 1 8 9 4 / 9 5 ) : 4 2 6 - 4 3 1 .' T h e M a n i n t h e S w a m p . ' 3 2 ( 1 9 0 1 ) : 3 6 0 - 3 6 7 .

t 21 3

T-

r M r P i l b e a m r s L o v e - s t o r y : A F o o l i s h E p i s o d e N a r r a t e d b yH i m s e l f . r 1 2 ( 1 8 8 5 / 8 6 ) : 6 9 0 - 6 9 3 .r M r s T u x t e r ' s T r o u b l e s . ' Z O Q 8 9 3 / 9 4 ) : 5 9 0 - 5 9 6 .r T h e P r o f e s s o r ' s E x p e r i m e n r . ' 2 I ( L 8 9 4 / 9 5 ) . 7 Z g - 7 3 3 .A Q u a k e r G i r l . 1 7 ( L 8 9 O / 9 L ) z 3 8 5 - 3 9 5 , 4 8 7 - 4 9 3 , 5 5 0 - 5 5 7 ,5 7 7 - 5 9 7 , 6 7 L - 6 7 9 , 7 3 9 - 7 4 5 .' A R e c k l e s s E x p e r i m e n t . ' 3 9 ( L 9 0 4 / 5 ) : 5 2 5 - 5 3 0 .'The Romance o f a Poor Young Woman. ' 18 (L89 I /92 )z 307-3L2 .' s u n f l o w e r S i d i n g . l 3 0 ( 1 9 0 0 ) : 6 5 L - 6 5 6 .' T h e W o o i n g o f M a r y c a r s r a i r s . ' 1 g ( L g g I / 9 2 ) . 9 2 - 9 7 .' Y o u n g M r S i m p s o n . ' 3 0 ( f 9 0 0 ) : 3 0 2 - 3 0 8 .

B u r r o w , c h a r l e s K e n n e t t . ' c o n c e r n i n g a B o y . ' 3 0 ( 1 9 0 0 ) : 1 8 2 - 1 g 6 .' Ju l i e and the Impresar io : The S to ry o f a Young Manrs Adven tu resn e a r T r o u v i l l e . ' 4 8 ( 1 g O g ) : 3 9 4 - 4 0 3 .

B u r r o w e s , E . r D e n i s , a D i p l o m a t . ' 4 2 ( 1 9 0 6 ) : 6 0 9 - 6 1 1 .Bur ton , John B1ounde l1e . See B lounde l le -Bur ton , John .B y r n e , M . D . & F e r d i n a n d o B e n v e n u t o . T r a n s . f r o m r t a l i a n . , V e r m u t t e r s

I n h e r i t a n c e . ' B y R e n a E o F u c i n i . 4 5 ( L 9 0 7 / 8 ) : 5 9 1 - 5 9 5 .T r a n s . f r o m I t a l i a n . ' A V i s i t o f t h e p r e f e c t . r B y R .F u c i n i . 4 6 ( 1 9 0 8 ) : 3 - 1 3 .

C a i r n s , W i l l i a r n . ' H o w a n O l d T a l e C a m e T r u e . ' L 9 ( I 8 9 2 / 9 l z 2 5 9 - 2 6 3 .' T h e M y s r e r y o f G a r s r i n H o u s e . ' f 9 ( L 8 9 2 / 9 3 ) : 5 2 - 5 6 .' S i r c u y ' s R o o m . t 2 0 ( 1 5 9 3 / 9 4 ) z 3 4 7 - 3 5 2 .

c a m b r i d g e , A d a . i l y G u a r d i a n . 3 ( L 8 7 6 / 7 7 ) z 3 3 - 4 3 , 9 6 - r 0 4 , r 6 0 - 1 6 g ,2 2 2 - 2 3 L , 2 9 9 - 2 9 6 , 3 5 1 - 3 5 9 , 4 L 6 - 4 2 2 .

C a m p b e l l , G a b r i e l l e M a r g a r e t V e r e . S e e B o w e n , M a r j o r i e .C a p e s , B e r n a r d . ' A D o u b l e p r e t e n d e r . t 4 2 ( 1 9 0 6 ) . L 6 9 - 1 7 6 .ca rdewe, Emi l y . IPseudonym? see a l so Farmer , Lucy l . ' The Hero ism

of Herber t s tamfo rd (The ch ron ic les o f ca rdeve lu lanor ) . 'l s ( 1 8 8 8 / 8 9 ) : 6 5 9 - 6 6 3 .

Carew, Maud . See K ing , F lo rence M.casey ' E l i zabe th owens B lackburne . See B lackburne , E . owens .C a s t l e , E g e r t o n . ' T h e G r e a t W h i t e D e e p s . ' 3 5 ( 1 9 0 2 / 3 ) : 1 - 1 3 .C e c i l , E d w a r d . ' T h e B l a c k H e l m e r s . t 3 6 ( 1 9 0 3 ) : 6 0 - 6 5 .

' T h e F l o c o u r t B r i d g e . I 3 2 ( 1 9 0 1 ) z 4 2 - 4 6 .Chambers , Rober t WI i1 l i am] . A Gay Gonsp i racy . 29 ( lB99 l l 900 ) : 2g -42 ,

2 r 0 - 2 2 6 , 3 1 9 - 3 3 7 , 3 9 4 - 4 0 9 , 5 5 1 - 5 6 6 , 6 3 0 - 6 4 5 .' T h e c o d o f B a E t l e s . r 2 4 ( 1 8 9 7 ) z 2 5 - 3 0 .' T h e c r e e n M o u s e . r 4 4 ( L 9 0 7 ) : 4 5 1 - 4 6 3 .

C h a p m a n , E . ' T h e C o l o n e l ' s C o u r t s h i p : A n A n g l o - I n d i a n S t o r y . ' Z lQ894 /9s) z 437 -445 .' C r e a m T a r t s . r 2 4 ( L 8 9 7 ) : 2 I 4 - 2 I 8 .' T h e P h a n t o m F o r g e r - m e - n o r s . r 2 0 ( L 8 9 3 / 9 4 ) . 1 0 4 - 1 1 0 .'The Rock o f Kaz im. ' 18 Q89L /92 )z 269-276 .' T h a t O t h e r S t o r y . ' 1 9 ( L 8 9 2 / 9 3 ) : 2 8 - 3 6 .t V i v i a n i ' s C h a i r . ' 2 8 ( 1 8 9 9 ) : L 9 8 - 2 0 7 .

Cheeseman, C la ra E . On a Lee Shore . 20 (L893 /94 ) . 243-253 , 332-343 ,4 L 5 - 4 2 6 .

C h e n e y , L a v o n C . ' T o m m y a n d t h e G i r l . ' 4 4 ( 1 9 0 7 ) : L 3 2 - I 3 6 .ch iches te r , Rober t . ' The Awaken ing o f Magg ie Taverner . r 49 (1909 /10 ) :

28L-285.C h i l d a r , C a t h e r i n e . I P s e u d o n y m o f A n n i e C . C . A l d r i c h ] . ' L i v i a ' s

M i s r a k e . ' 1 0 ( 1 8 8 3 / 8 4 ) 7 3 I - 7 3 4 .tMr Bror.mts Day among the Ruins in Rome.t sununer Number

1 8 S 4 ( S u m m e r D a Y s ) : 3 1 - 3 6 .'A l * {odern Pygma l ion . ' 10 ( 1883 /84 ) : 690 '693 .' A T i m e l y R e s c u e . ' 1 0 ( 1 8 8 3 / 8 4 ) : 5 6 4 ' 5 6 7 .

c h o l m o n d e l e y , M a r y . ' S a i n r L u k e ' s s u m m e r . ' 4 6 ( 1 9 0 8 ) : 4 4 7 - 4 6 I .

C l a r k e , H . S a v i l e . ' E l s i e C r o f t : A L o v e S t o r y . ' 2 ( I 8 7 5 / 7 6 ) : 3 6 3 - 3 6 7 .

C l a x t o n , E l i z a b e t h . t A S h o r t W o o i n g . ' 3 ( 1 8 7 6 / 7 7 ) : 5 9 2 - 5 9 4 .

C l i f f o r d , J u l i a n & M a r y . ' L o v e ' s T r i u m p h . ' 4 3 ( L 9 0 6 / 7 ) : 7 1 4 - 7 1 9 .

C l i f f o r d , H r s W . K . ' L u c k f o r H i m . ' 2 2 ( L 8 9 5 / 9 6 ) t 2 5 5 ' 2 6 3 -

C l o u s t o n , J I o s e p h ] S t o r e r . ' W h a t t h e A n g e l R e c o r d e d . ' 4 9 ( 1 9 0 9 / 1 0 ) :

3 3 L - 3 4 2 .c o b b a n , J . M a c l a r e n . ' A w r T o m . ' 2 l ( L 8 9 4 / 9 5 ) : 2 4 3 - 2 5 I .

C o f f i n , H e l e n L o c k w o o d . ' W i t h o u t I r n p e d i m e n t . ' 4 5 ( 1 9 0 7 / 8 ) : 2 6 4 ' 2 6 5 .

C o n r a d , J o s e p h . " ' I 1 C o n d e . t " 4 6 ( 1 9 0 8 ) : 2 4 3 - 2 5 6 .

C o o k , F . B . ' M y O r i e n t a l P a r t n e r . ' 4 5 ( L 9 0 7 / S ) : 2 2 7 - 2 3 2 .

C o o k , R . H a l d a n e . ' T h e R i g h t P r e s c r i p t i o n . ' 4 5 ( 1 9 0 7 / 8 ) : 2 6 8 - 2 7 0 .

C o o p e r , E d w a r d H . ' T h e G r e a t e s t L o v e . r 2 5 ( I B 9 7 / 9 8 ) z 2 6 8 - 2 7 0 -' K a t h a r i n e , M r K e n n a r d , a n d t h e C o b r a . ' 3 6 ( 1 9 0 3 ) : 5 2 4 ' 5 2 9 .' Q u e e n W y e m a r k e : A S t o r y o f t h e S e a - f a i r i e s . F o r C h i l d r e n . '

2 7 ( 1 8 9 8 / 9 9 ) : 4 8 8 - 4 9 2 .r T h e S o l i t a r y L o v e S t o r y o f M r J o h n L e s l i e . ' 3 6 ( 1 9 0 3 ) :

139-142.' A S t o l e n I s l a n d . ' 3 4 ( 1 9 0 2 ) : 2 5 ' 3 0 -' w h e n t h e S e a - f a i r i e s P l a y : A S t o r y f o r c h i l d r e n . ' 2 7 ( 1 8 9 8 /

9 9 ) : 2 6 5 - 2 6 8 .' W y e m a r k e a m o n g t h e L e a v e s . r 3 3 ( I 9 O l / 2 ) t 7 0 0 - 7 0 4 .' W y e m a r k e a n d t h e C h i l d i n W h i t e : A S t o r y f o r L i t t l e O n e s . '

37 Q903 /4 ) z L52- r57 .' I , / yemarke and the Fores t Fa i r i es ( l S to ry fo r Ch i ld ren ) . t

3 1 ( 1 9 0 0 / 1 ) : L 5 2 - I 5 7 . U n s i g n e d .' l , I yemarke and Ehe Moun ta in - fa i r i es (a S to ry fo r Ch i ld ren ) . '

3 0 ( 1 9 0 0 ) z 2 L 6 - 2 2 I .' W y e m a r k e a n d t h e M o u n t a i n - f a i r i e s ' B a I 1 . ' 3 0 ( 1 9 0 0 ) :

329-333 .' W y e m a r k e a n d t h e S e a F a i r i e s . r 2 5 ( f a g Z l 9 8 ) : 6 5 4 - 6 5 9 .' W y e m a r k e ' s C h r i s t m a s F a i r i e s : A S t o r y f o r C h i l d r e n . t

3 s ( 1 9 0 2 / 3 ) z 1 3 9 - 1 4 5 .Copp6e , F rango is . 'The Adop t ion . ' T rans . f rom French by D . I ' t oo re .

2 6 ( 1 8 9 8 ) : 3 5 8 - 3 6 1 .C o p p i n g , A r t h u r E . ' G o t t y a t O s t e n d . r 4 6 ( 1 9 0 8 ) t 3 7 - 4 5 .

' c o t t y ' s N e i g h b o u r s . ' 4 7 ( 1 9 0 8 / 9 ) : 2 2 5 - 2 2 7 , 3 3 6 - 3 3 8 ' 4 3 2 ' 4 3 4 .

C o w h a m , H i l d a . ' T h e H a r d y H u n t s m a n . ' 4 9 ( 1 9 0 9 / 1 0 ) z 2 5 7 - 2 6 3 .

Cox, Sir Edmund C., bart. Leaves frm the Notebook of John Carruthers,Iod ian Po l i ceman ( ' t he Fa te o f Abdu l la r ' ' The Pr ies t and

t h e P a r c h m e n t r t ' T h e R a j a p u r C a s e r ' ' T h e S i n o f W i t c h c r a f t r '' T h e S t o l e n D e s p a t c h r , R o m e o a n d J u l i e t , | ' T h e D u t c h E n g i n e e r r '' Tan t ia l u lahara jah r ' ' The Horns o f a D i lemrnar ' ' The whee ls

o f t h e G o d s , ' ' T h e L a s t s t o r y ' ) . 3 7 ( 1 9 0 3 l 4 ) : 1 8 5 - 1 9 1 ,

3 1 3 - 3 2 2 , 4 3 7 - 4 4 2 , 5 6 8 - 5 7 4 , 6 5 2 - 6 6 0 ; 3 8 ( 1 9 0 4 ) : 1 8 8 - 1 9 7 ,4 2 3 ' 4 3 2 , 4 9 4 - 5 0 2 ; 3 9 ( L 9 0 4 / 5 ) z 2 1 9 ' 2 2 8 , 3 5 9 - 3 6 6 ; 4 0 ( 1 9 0 5 ) :

529-537 .C r a n e , S t e p h e n . ' T h e B a t t l e o f F o r t y F o r t : A T a l e o f l J y o m i n g V a l l e y . '

3 1 ( 1 9 0 0 / 1 ) : s 9 l - s 9 4 .' r r9 l r Benne t " and the Ind ians : A Ta le o f h l yo rn ing Va l ley . '

3 l ( 1 9 0 0 / 1 ) : 1 0 8 - 1 1 1 .

L4 I 5

-

C r e s w i c k e , L o u i s . ' A L o v a b l e A n o n a l y . ' 3 0 ( 1 9 0 0 ) : 5 2 - 5 7 .'The S t range Case o f L ieu tenan t l t acg regor : An Ind ian Ta le . '2 8 ( 1 8 9 9 ) : 5 8 2 - 5 9 0 .

C r o s s , C . D u n c a n . ' A D e s e r t } l e e t i n g . t 4 5 ( 1 9 0 7 / 8 ) z 5 2 2 - 5 3 I .C r o w , L o u i s a . ' s i d d y ' s A d v i c e . ' 1 0 ( 1 8 8 3 / 8 4 ) : 3 1 4 - 3 7 5 .C u t h e 1 l , E d i t h E . ' A C a s t S h o e . ' 2 L ( L 8 9 4 / 9 5 ) z 8 2 9 - 8 3 5 .

' I n a F o g . ' 2 0 ( 1 8 9 3 / 9 4 ) : 1 9 3 - 1 9 5 .Lady Lo r r imer ' s Scheme. 18 (L89L /92 ) : 542-553 , 577-589 ,6 6 9 - 6 7 9 , 7 0 5 - 7 1 6 .' T h e Y a c h t i n t h e B a y : A S e a s i d e S t o r y . '369 -37 5 .

1 8 ( 1 8 9 1 / 9 2 ) :

Dark , R ichard . 'G race ' s Idea l . ' 45 (1907 / 8 ) : 257 -258 .' J u s t T o o L a t e . ' 4 3 ( 1 9 0 6 / 7 ) : 6 7 5 - 6 8 0 .' I u t y F r i e n d B o b : A S t o r y . I 4 5 ( L 9 0 7 / 8 ) z 5 8 - 6 1 .

D a v e y , R i c h a r d . ' T h e l " l a n i n B l u e . ' 3 2 ( 1 9 0 1 ) : 1 5 3 - 1 5 6 .' A W e i r d W i t n e s s . ' 3 4 ( 1 9 0 2 ) : 8 8 - 9 2 .

D a v i d s o n , L i l l i a s C a m p b e l 1 . ' A b o v e t h e M o u n t a i n l t i s t . t L 2 ( 1 8 8 5 / 8 6 ) :

8 7 - 9 0 .r A n i d t h e O c e a n S u r g e s . ' S u m m e r N u r n b e r 1 8 8 5 ( n r i g h t D a y s ) : 2 7 - 2 9 .' B r o k e n O f f . ' S u m m e r N u m b e r f 8 8 4 ( S u m m e r D a y s ) : 1 1 - 1 4 .l C o u r t B e a u c o u r t ' s T r e a s u r e . ' 1 0 ( 1 8 8 3 / 8 4 ) : 4 9 - 5 L , 1 1 2 - 1 1 5 .

" ' F a i n t H e a r t N e r e r W o n F a i r L a d y . " ' 1 0 ( 1 8 8 3 / 8 4 ) : 1 4 7 - f 5 0 .' I t i s L i f e o n e H o l i d a y . r f 0 ( 1 8 8 3 / 8 4 ) : 6 6 8 - 6 7 0 .' O n e S p r i g o f E d e l w e i s s . ' S u m m e r N u m b e r 1 8 8 3 ( P a l r n y D a y s ) : 9 ' L 7 .' o u t o f P i t y . I 1 0 ( 1 8 8 3 / 8 4 ) : 2 4 0 ' 2 4 3 .' P o l e s A p a r t . ' 1 1 ( f B B 4 / 8 5 ) : 4 O 7 - 4 0 9 .

D a v i d s o n , P a t r i c k . ' T h e S t o r y o f S u l i m a n S h a h . '360-364 .

Deah l , I da . 'The I ' 1 i11 a t Sudausques : A Romance3 6 ( r 9 0 3 ) : 2 B L - 2 8 7 .' T h e P r o d i g a l r s R e t u r n . ' 3 3 ( l 9 O l / 2 ) z 5 8 9 - 5 9 4 .

D e a n , H r s A n d r e w . I P s e u d o n y m o f C e c i l y S i d g w i c k ] . ' T h e T h r e e K n o c k s . '2 r ( L 8 9 4 / 9 5 ) z 7 7 3 - 7 7 4 .

D e C o r d o v a , R u d o l p h . ' C o w a r d , V . C . ' 4 2 ( 1 9 0 6 ) : 4 8 3 - 4 9 1 .'A Crown of Shadows: A Story of the Cuban War Founded onF a c t . ' 3 3 ( I 9 O I / 2 ) : 4 3 0 ' 4 3 4 .

D e e p i n g , w a r w i c k . ' T h e G h o s r K n i g h r . r 4 9 ( 1 9 0 9 / 1 0 ) : 6 5 1 - 6 5 8 .De la Ran iee , l l a r i e Lou ise . See Ou ida .Despard , C . The Ar t i s t and the l , l , an . 5 (LB7B/79)z 32 -39 , 97 -L03 ,

1 6 1 - 1 6 8 , 2 2 4 - 2 3 L , 2 9 0 - 2 9 7 , 3 5 3 - 3 6 0 .'The Br ide o f a Day . ' Summer Number 1883 ( ra l rny Days )z 29 -34 .L5rndon of Eigh Cliffe: An Old Soldier's Love-story. 12( 1 8 8 5 / 8 6 ) : 3 5 - 4 4 , 9 8 - 1 0 7 , 1 6 2 - 1 7 2 , 2 2 7 - 2 3 6 , 2 9 0 - 2 9 9 ' 3 5 4 - 3 6 4 .' M a d d e l e n a ' s L o v e r s . ' 1 0 ( 1 8 8 3 / 8 4 ) : 4 3 2 - 4 3 5 .' A S t o r y a b o u t a F a r n i l y P o r t r a i t . r 9 ( 1 8 8 2 / 8 3 ) z 2 I 4 - 2 L 7 .' T h e T a b l e s T u r n e d . ' 4 ( 1 8 7 7 / 7 8 ) z 5 9 1 - 5 9 5 .The T roub le I t B rough t . 7 ( f880 /81 ) : 34 -42 , 96 -104 , 161-169 ,2 2 4 - 2 3 L , 2 8 8 - 2 9 6 , 3 5 3 - 3 6 0 .' T h o s e C h r i s t m a s V o i c e s . I 1 1 ( 1 8 8 4 / 8 5 ) : 1 1 4 - 1 1 7 .I {hea the Tide Was Eigh. 4 (1877/78): 352-359, 417'424,4 8 0 - 4 8 6 , 5 4 4 - 5 5 0 , 6 0 8 - 6 1 3 , 6 7 1 - 6 8 1 , 7 3 5 - 7 4 2 .

D i v e r , [ K a t h e r i n e H e l e n ] M a u d . ' A t t h e l . I e l l ' s M o u t h . ' 4 7 ( 1 9 0 8 / 9 ) :

r 7 8 - 1 8 7 .t F e e t o f C l a y . r 4 7 ( 1 9 0 8 / 9 ) : 3 5 8 - 3 6 7 .

D o u d n e y , S a r a h . ' W h a t H e L o s t b y I t . ' 3 Q S 7 6 / 7 7 ) t 3 0 3 - 3 0 7 .

D o u g l a s s , E l l s w o r t h & E d w i n P a l l a n d e r . ' T h e W h e e l s o f D r G i n o c h i o

G v v e s . ' 2 8 ( 1 8 9 9 ) : 3 8 1 - 3 8 9 '

D o w i e , U 6 n i e M u r i e l . ' B r i d i e ' s S t a r . I 2 7 ( 1 8 9 8 / 9 9 ) : L 9 4 - 2 0 3 ., T h e E a r l a n d E h e R o b i n s . ' 2 6 ( f 8 9 8 ) : 2 9 8 - 3 0 3 .' T h e G i r l w h o L e d t h e A r m y . r 3 2 ( 1 9 0 1 ) : 7 5 ' 7 9 '

D o w n e y , E d m u n d . ' A c a D i s t a n c e . r 3 6 ( f 9 0 3 ) : 6 5 1 - 6 5 6 '

D o y l e , A [ r t h u r T C o n " n , ] 1 . 8 . ' T o u c h a n d G o : A l " l i d s h i p m a n ' s S t o r y . '

1 2 ( 1 8 8 5 / 8 6 ) : 2 1 4 ' 2 7 8 .

D u d e n e y , H r s H e n r y [ i . e . A l i c e ] . ' B y . G i r l r s H a n d . ' 2 0 ( L 8 9 3 / 9 4 ) :

430-435.D u f f e r t , B e s s i e E . ' C a t c h i n g

932-944.a P r o f e s s o r : A P r i z e S t o r y . ' 2 0 ( 1 8 9 3 / 9 4 ) :

Ttre Edge of a PreciPice: A Svigs Adventure. 20 (L893/94):

5 2 8 - 5 3 8 , 5 7 5 - 5 8 5 , 6 5 9 ' 6 6 9 .The Islaud of Six Shadovs. 19 (1892193): 248-255, 359-365'

4T2-4L8.Dunker ley, l r l i11iam Arthur. See Oxenham, John'

D u r a n d , i f " t y . ' A S w i f t C o n v e r s a t i o n . ' 4 5 ( 1 9 0 7 / 8 ) : 7 0 0 - 7 0 5 .

E a r d l e y , B l a n c h e . ' T h e c r o s s R o a d s . ' 4 4 ( 1 9 0 7 ) z 2 4 5 ' 2 5 6 ., T h e o n e B e t w e e n : A S t o r y o f a n E v e n t f u l H o l i d a y a t o s t e n d . '

4 8 ( 1 9 0 9 ) : 3 6 3 ' 3 7 I '

E d g a r , G e o r g e . ' A P r o b l e m f o r S a n t a c t a u s : T h e s t o r y o f a J o u r n a l i s t t s

C h r i s t m a s E x p e r i e n c e s . ' 4 9 ( 1 9 0 9 / 1 0 ) : 1 7 6 - 1 8 0 '' T h e S p o r t i n g C h . r r . . , A C o m e d y o f E r r o r s . ' 4 4 ( 1 9 0 7 ) '

5 8 7 - 5 9 3 .' T h a r ' s f o r R e m e m b r a n c e : A S t o r y . ' 4 9 ( 1 9 0 9 / 1 0 ) : 6 4 4 - 6 4 7 .

E d w a r d e s , c h a r l e s . ' T h e D e a c o n ' s E n t e r p r i s e . ' . 2 6 ( 1 8 9 8 ) : 6 5 2 - 6 5 6 ', M y G o l d M i n e i n W a l e s . ' 3 3 ( 1 } O I / 2 ) z 4 5 7 - 4 6 1 .

E l l b a r , G e o r g e . ' T h e L o s t G u n s i g h t s : A N a v a l Y a r n . ' 4 3 Q g o ' / t ) '

293 -299 .' T h e P r o f e s s o r o f L a n g u a g e s : T h e T a l e o f a N a v a l s P y . '

4 5 ( 1 9 0 7 / 8 ) z 4 r 7 - 4 2 5 .

E l r i n g r o n , H . ' T h e H u r s t s o f H a z e l w o o d . ' 1 9 Q 8 9 2 / 9 3 ) z 4 3 6 - 4 4 3 '

E l s d e n , V i n c e n t . ' L o n d o n U n d e r m i n e d . ' 1 9 Q 8 9 2 / 9 3 ) : 1 - 6 '

E u s r a c e , R o b e r r & L . T . M e a d e . ' T h e B l a c k 8 a 1 1 . ' 3 5 ( 1 9 0 2 / 3 ) z 2 1 3 - 2 2 3 ', T h e B l u e L a b o r a t o r y : A S t o r y o f S t P e t e r s b u r g . ' 2 3 ( 1 8 9 6 / 9 7 ) z

563-57 5 .A llaster of uysteries: The Adventures of John Bel1 - Ghost-

e x p l o r e r . 2 4 ( L 8 9 7 ) : 7 8 - g I , 1 7 8 . 1 8 7 , 2 2 7 - 2 3 7 , 3 8 8 - 3 9 9 ,

524 '534 , 619-631 .' T h e S e c r e r o f E m u p l a i n . ' 2 7 ( 1 8 9 8 / 9 9 ) : 1 2 3 ' L 3 2 .' A S r r a n g e I n s a n i r y . r 2 9 ( 1 8 9 9 / 1 9 0 0 ) z 2 8 2 - 2 9 3 .

E y r e , K a t e . ' e r o o l l s H a r v e s t . ' S u m r n e r N u m b e r 1 8 8 7 : 3 - 5 5 .

For the Good o f the Fau i l y . 14 (1887 /88 ) : 385-394 , 482 '492 '

5 4 5 - 5 5 5 , 5 7 7 ' 5 8 5 , 6 7 5 ' 6 8 4 , 7 0 5 - 7 L 5 '' A G l a d S u r p r i s e . r 1 5 ( 1 8 8 8 / 8 9 ) : 5 2 - 5 7 .' I n A n s w e r r o a n A d v e r r i s e m e n t . ' 1 3 ( 1 3 8 6 / 8 7 ) , 5 5 9 - 5 6 3 .

s i g n e d ' B y t h e A u t h o r o f " A s t e p i n t h e D a r k , t ' t ' A F o o l ' s

H a r v e s t r t t e r c . I' l , t r B a h p o o t r s l t a n i f e s t a t i o n s . r 1 5 ( 1 8 8 8 / 8 9 ) : 3 0 1 - 3 0 7 .

A S h a r p E x p e r i e n c e . 1 7 ( 1 8 9 0 / 9 1 ) : 1 - 1 0 , 1 0 8 - 1 1 8 , 1 2 9 - 1 3 8 '

2 2 7 - 2 3 7 , 2 5 7 ' 2 6 6 ' 3 5 6 - 3 6 4 .

2e (1899 /1e00 ) :

w i t hou t Sen t imen t . '

1 6 T7

A S tep i n t he Da rk . 13 (1886 /87 ) : 33 -42 , 65 -74 , 161 -170 ,2 2 6 - 2 3 7 , 2 5 7 - 2 6 7 , 3 5 2 - 3 6 3 .To Be G iven Up . 16 (1889 /90 ) : 32 -44 , 65 -76 , 159 -171 , 193 -204 ,2Bg -299 , 32L -332 , 424 -435 , 449 -460 .

E y r e s , A . A . ' A n o l d M a i d ' s F r i e n d s . ' l l ( 1 8 8 4 / g 5 ) : 2 4 7 - 2 5 0 , 3 0 6 - 3 0 9 .Farmer , Lucy. 'A Bag of D iamonds: A Leaf f rom the chron ic les o f

Cardewe I ' Ianor . ' Summer Nurnber 1888 (The Crown o f the Year ) :L - 4 L .r C a p t a i n A r m s t r o n g ' s P r o b a t i o n ( T h e C h r o n i c l e s o f C a r d e w e

M a n o r ) . ' 1 2 ( 1 8 8 5 / 8 6 ) : 5 3 1 - 5 3 5 .' T h e C a s e o f M r . H a y m a n n ( T h e C h r o n i c l e s o f C a r d e w e M a n o r ) . '1 2 ( 1 8 8 5 / 8 6 ) : 5 9 8 - 6 0 3 .' T h e C h r o n i c l e s o f C a r d e w e M a n o r . ' 1 2 ( 1 8 8 5 / 8 6 ) : I g - 2 2 .r D o c t o r J o l i f f e ' s Q u e e r p a t i e n t ( F r o r n t h e c h r o n i c l e s o fC a r d e w e M a n o r ) . ' 1 3 ( f 8 8 6 / 8 7 ) : 1 7 6 - f 8 0 .' G i d e o n G r a s p e r t s T e m p t a t i o n ( T h e C h r o n i c l e s o f C a r d e w eM a n o r ) . ' 1 2 ( 1 8 8 5 / 8 6 ) : 4 0 7 - 4 L L .H o w c a p t a i n w i l l i a m s o n w o n H i s B r i d e ( T h e c h r o n i c l e s o fC a r d e w e M a n o r ) . ' 1 3 ( 1 8 8 6 / 8 7 ) : 6 9 0 - 6 9 4 .'The Lucky Bar o f Dunwood Mere (The ch ron ic les o f ca rdeweM a n o r ) . ' 1 4 ( 1 8 8 7 / 8 8 ) : 2 4 0 - 2 4 4 .'M iss Ka t ie rs Las t Engagement (F rom the Chron ic les o f CardeweM a n o r ) . ' 1 3 ( 1 8 8 6 / 8 7 ) : 3 0 4 - 3 0 7 .' M i s s R o x e n d a l e r s S u i t o r s ( t h e C h r o n i c l e s o f C a r d e w e M a n o r ) . 'L 6 ( 1 8 8 9 / 9 0 ) z 2 I L - 2 L 6 .' l u l r B a r n e s r s D i l e m m a ( t h e c h r o n i c l e s o f c a r d e w e M a n o r ) . '1 3 ( 1 8 8 6 / 8 7 ) : 4 3 5 - 4 3 8 .' l ' 1 r H e m p h i l l ' s L o v e - s t o r y . A p a g e f r o n t h e C h r o n i c l e so f C a r d e w e M a n o r . ' L 2 ( 1 8 8 5 / 8 6 ) : 1 4 7 - 1 5 1 .'A l . l ys te ry a t Cardewe Manor ( the Chron ic les o f CardeweI ' I a n o r ) . ' 1 4 ( 1 8 8 7 / 8 8 ) : 3 7 0 - 3 7 3 .rThe Mys te ry a t B roadmead Cour t . The Researches o f MaryArnbush - I I . ' 20 0893 /94 )z B6L-872 .'The I ' l ys te ry o f t he Mar tyn -Henrys ( the Chron ic les o f CardeweM a n o r ) . ' 1 2 ( 1 8 8 5 / 8 6 ) : 3 0 4 - 3 0 8 .rThe Mystery of the Monurnent Room (the chronic les of CardeweManor ) . ' Suurmer Number 1889 (The Crown o f the Year ) : 60 -64 .'The Sac r i f i ce o f Mary Somerv i l l e ( the Chron ic les o f CardeweM a n o r ) . r 1 6 ( 1 8 3 9 / 9 0 ) : 5 0 2 - 5 0 6 .'The Search in the Sawdus t . The Researches o f Mary A rnbush- I . ' 2 0 ( L 8 9 3 / 9 4 ) : 6 4 6 - 6 5 6 .' S q u i r e O l l i f a n t ' s W i l l ( T h e C h r o n i c l e s o f C a r d e w e M a n o r ) . '1 4 ( 1 8 8 7 / 8 8 ) : 2 s - 3 0 .tA S t range Surv i va l . r Sununer Nunber 1886 : 46 -52 .'A T r ia l by F i re ( the Chron ic les o f Cardewe lu lanor ) . ' 13( 1 8 8 6 / 8 7 ) : s 9 s - 5 9 9 .'Wha t M iss T rusda le Sa id ( the Chron ic les o f Cardewe Manor ) . '1 4 ( 1 8 8 7 / 8 8 ) : 6 0 4 - 6 0 8 .'The I ^ I i sh ing -we11 o f E rds tone (The Chron ic les o f CardeweM a n o r ) . ' 1 4 ( 1 8 8 7 / 8 8 ) : 6 9 0 - 6 9 4 .

F e n n , C l i v e I R o b e r t ] . ' M i s s P a t t e r s o n a n d A n o t h e r . ' 4 9 ( 1 9 0 9 / 1 0 ) : 7 5 5 - 7 5 6 .' T h e S h a d o w o n r h e W a l l . ' 4 9 Q 9 O 9 / 1 0 ) : 4 0 7 - 4 0 g .

F e n n , G e o I r g e ] M a n v i l l e . ' r ' A s C o m p a n i o n t o a L a d y . r t r 4 ( 1 8 7 7 / 7 8 ) : 4 1 0 - 4 1 3 .' A B l i g h t i n S u m m e r . ' 2 ( 1 8 7 5 / 7 6 ) z 5 9 5 - 6 0 0 .

' C h e c k b e f o r e M a t e . ' 3 ( L 8 7 6 / 7 7 ) , 4 7 6 .r D o c t o r B r o w n ' s P r e s c r i p t i o n . ' 9 ( 1 8 8 2 / 8 3 ) : 6 3 0 - 6 3 3 .S i g n e d G . M a n v i l l e F e n n .' E d w a r d B r o w n , S t o k e r . ' I ( I 8 7 4 / 7 5 ) : 6 3 4 - 6 3 8 . S i g n e dG . M a n v i l l e F e n n .' T h e F i r s t C l o u d . t 3 ( I 8 7 6 / 7 7 ) t 2 3 7 - 2 4 0 .' T h e c h o s t s T h a t W a l k e d . t 3 1 ( 1 9 0 0 / 1 ) : 8 8 - 9 6 .' H o w I T o l d H i m M y S t o r y , ' 3 ( 1 8 7 6 / 7 7 ) z 2 I - 2 5 .' K a r e t s P r i n c e . r 3 ( L 8 7 6 / 7 7 ) : 3 3 3 - 3 3 5 .' L a u r a ' s D o c t o r . ' 3 ( L 8 7 6 / 7 7 ) z 5 3 2 - 5 3 5 .r M y G r e a t T r o u b l e . ' 2 ( L 8 7 5 / 7 6 ) z 7 2 I - 7 2 5 .' M y H e r o . ' I ( L 8 7 4 / 7 5 ) z 5 5 3 - 5 5 6 .' P r u d e n c e G r a y . ' 4 ( L 8 7 7 / 7 8 ) : 2 l L - 2 L 4 .' R u t h ' s S t e p f a t h e r . ' 1 ( 1 8 7 4 / 7 5 ) : 4 9 2 - 4 9 5 .f T w o C o b w e b s : A n O l d M a n ' s T a l e . ' 3 Q 8 7 6 / 7 7 ) z 7 4 8 - 7 5 2 .' W a i t i n g f o r a n A n s w e r . ' 2 ( L 8 7 5 / 7 6 ) : 4 0 1 - 4 0 5 .' Y o u n g I ' l i s r r e s s ' R i d e . ' 7 ( 1 8 8 0 / 8 1 ) : 5 3 3 - 5 3 5 .

F i e l d , B e r t r a m . " ' T a n g l e d W i r e s . " ' 4 3 ( 1 9 0 6 / 7 ) : 5 1 3 - 5 1 7 .p i n c h - S m i l e s , F r a n k . ' A S u d d e n C h a n g e o f C l i m a t e . r 4 2 ( 1 9 0 6 ) : I 2 5 - I 2 7 .gL tzgera ld , Gera ld ine . See Gera rd , F rances A .

F l e t c h e r , J . S . ' T h e C l u e o f t h e C r i m s o n R o s e . ' 4 2 ( f 9 0 6 ) : 4 4 6 - 4 4 9 .f Fo r Those Were S t i r r i ng T imes . I 37 Q9O3/4 ) z 241-249 .'The Haun ted S tud io . l 42 (1906) : 692-695 .' O n l y J u s t b e n e a t h t h e S u r f a c e . r 4 3 ( 1 9 0 6 / 7 ) z 5 9 5 - 6 0 1 .' P o s k i t t t h e P e a c e m a k e r . r 4 2 ( L 9 0 6 ) z 1 8 2 - 1 8 8 .

W I a l t e r ] N e w r n a n . ' L i k e a S o l d i e r . ' 4 0 ( 1 9 0 5 ) : 1 9 8 - 2 0 0 .' T h e L o n e T r a i l : A T h r i l l i n g S t o r y o f a R e d s k i n ' s C o u r a g ea n d D e v o t i o n . ' 4 9 ( 1 9 0 9 / 1 0 ) : 6 0 3 - 6 1 0 . S i g n e d N e w m a n F l o w e r .

F l y n n , S i r J o s h u a A l b e r t . S e e O l i v e r , O w e n .

Fo le j? , Char les . 'An Au tumn Romance . ' T rans . f rom French by DoraM o o r e . 2 8 ( 1 8 9 9 ) : 5 9 8 - 6 0 0 .' B r i g a u t . I T r a n s . f r o m F r e n c h b y D o r a M o o r e . 2 6 ( 1 8 9 8 ) : 6 2 9 - 6 3 L .' T h e C h i l d K i n g : A S t o r y o f t h e R e v o l u t i o n . ' T r a n s . f r o mF r e n c h b y D o r a M o o r e . 2 9 ( 1 8 9 9 / 1 9 0 0 ) : 4 8 4 - 4 8 5 .'A C i toyenne ts Le t te r to Her Daugh te r . r T rans . f rom Frenchb y D o r a M o o r e . 3 1 ( 1 9 0 0 / 1 ) : 3 6 5 ' 3 6 6 .t T h e F i a n c ' e t s R u s e . t T r a n s . f r o m F r e n c h b v D o r a M o o r e .2 7 ( 1 8 9 8 / 9 9 ) : 2 5 8 - 2 6 0 .' H a p p i n e s s . ' T r a n s . f r o m F r e n c h b y D o r a M o o r e . 2 7 ( 1 8 9 8 / 9 9 ) :5 8 5 - 5 8 7 .'The L i t t l e Lackey . ' T rans f rom French by Dora Moore .3 0 ( 1 9 0 0 ) : 4 L 5 - 4 r 7 .'The L i t t l e Lad w i th the Tow-co lou red Ha i r : A S to ry o fthe War i n La Vend 'ee . ' T rans . f rom French by Dora Moore .3 0 ( 1 9 0 0 ) : 9 9 - 1 0 0 .' T h e L i t t l e K i n g r s C h r i s t m a s . ' T r a n s . f r o r n F r e n c h b y D o r aM o o r e . 4 l ( 1 9 0 5 / 6 ) : 1 3 6 - 1 3 8 .'The Mou j i k . ' T rans . f ro rn F rench by Dora l l oo re . 28 (1899) :

526-528 .' M u c h e t . ' T r a n s . f r o m F r e n c h b y D o r a M o o r e . 2 9 ( 1 8 9 9 / 1 9 0 0 ) :

7 0 2 - 7 0 4 .'The Pro fess iona l Lover . I T rans . f rom French bv Dora l " l oo re .

?l $::: i33];. i tt; i lk. rrom French by oo,, r"roo... 28

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F o w l e r ,F o w l e r ,

F r a n k s ,F r a s e r ,F r a s e r ,

( 1 8 9 9 ) : 1 3 9 - 1 4 1 .'An Unwe lcome Gues t : A S to ry o f t he I , Ja r i n La Vend6e . 'T r a n s . f r o m F r e n c h b y D o r a M o o r e . 3 0 ( 1 9 0 0 ) z 2 0 9 - 2 1 1 .

F o r b e s , A t h o l . I P s e u d o n y m o f F o r b e s A l e x a n d e r P h i l l i p s J . ' T h e H o n o u ro f a L a d y . ' 4 4 ( 1 9 0 7 ) : 3 7 6 - 3 8 1 .r H o w t h e B i s h o p L o s t H i s I n d e p e n d e n c e . ' 4 0 ( 1 9 0 5 ) : 6 1 4 - 6 1 8 .' T h e M a n w i t h t h e B i g H e a r t . r 4 0 ( 1 9 0 5 ) : 8 2 - 8 6 .r A V a l e n t i n e D a y E p i s o d e . r 3 7 ( 1 9 0 3 / 4 ) z 3 5 6 - 3 6 2 .

Ford , T . Mur ray . See Le Bre ton , John and Le Bre ton , Ihomas .F o r r e s t , M r s l M a b e l ] . ' A S e t o f B l o u s e B u t t o n s . t 4 6 ( 1 9 0 8 ) : 5 4 9 - 5 5 0 .

' T h e S p o i l i n g o f S p o f f k i n s . ' 4 7 ( 1 9 0 8 / 9 ) : 5 5 0 - 5 5 2 .F o u s s i e r , M . ' T h e C o n s p i r a c y o f t h e C l o c k s . ' T r a n s . f r o m F r e n c h .

4 0 ( 1 9 0 5 ) : 9 5 ' 9 7 .Ada Dayre l1 . See T re lawney , Day re1 l .E d i t h H e n r i e t t a . ' A G u a r d i a n o f H o n o u r . r 1 8 ( 1 8 9 L / 9 2 ) : 3 4 7 - 3 5 2 .

' T h e T u t o r ' s E n g a g e m e n t . r 1 9 ( L 8 9 2 / 9 3 ) z 5 1 5 - 5 2 1 .A r t h u r . ' T h e M y s t e r i o u s K i t - b a g . r 4 4 ( 1 9 0 7 ) : 6 1 6 - 6 2 3 .Agnes . See Macnab , F rances .J o h n F o s t e r . ' B u l l y B i l l a n d r h e K i d . r 2 3 ( 1 8 9 6 / 9 7 ) z 3 8 1 - 3 8 6 .

' T h e D e p u t y C o l l e c t o r . ' 2 8 ( 1 8 9 9 ) : 3 6 3 - 3 7 1 .' J e n k i n s o f t h e 5 3 r d . ( A F r a g m e n t ) . ' 2 2 ( 1 8 9 5 / 9 6 ) : 9 5 6 - 9 6 I .' T h e M a d n e s s o f H a n s K n o l l . ' 3 5 ( 1 9 0 2 / 3 ) z 6 7 5 - 6 7 9 .

F r a z e r , K a t h l e e n . ' T h e C a s e o f K i t t y . r 5 0 ( 1 9 1 0 ) : 3 1 5 - 3 1 9 .F r e e m a n , M a r y E I l e a n o r ] W i - l t i n s . ' O t h e r P e o p l e ' s C a k e . ' 4 7 ( 1 9 0 8 / 9 ) :

s 9 - 7 0 .F r e e m a n , R I i c h a r d ] A u s t i n . S e e a l s o A s h d o w n , C l i f f o r d . ' B e y o n d

t h e D r e a m s o f A v a r i c e . ' 3 3 ( I 9 O l / 2 ) z 6 8 5 - 6 9 1 .' A B i r d o f P a s s a g e : A S t o r y o f t h e T h a m e s . r 3 8 ( 1 9 0 4 ) z 2 L 2 -2 1 8 .' C a v e a t E m p t o r : T h e S t o r y o f a P r a m . r 3 0 ( 1 9 0 0 ) : 2 4 7 - 2 5 2 .tThe Cos tume lu lode l . ' 33 (1901 /2 ) z 233-237 .' T h e E b b T i d e . ' 3 5 ( L 9 0 2 / 3 ) r 3 5 2 - 3 5 6 .' T h e G r e a t T o b a c c o " P l a n t . " ' 3 3 ( L 9 O I / 2 ) : 4 I 7 - 4 2 0 .' T h e R e s u r r e c t i o n o f M a t t h e w J e p h s o n . ' 2 6 ( 1 8 9 8 ) : 5 3 4 - 5 4 2 .' A S u b u r b a n A u t o l y c u s . ' 3 8 ( 1 9 0 4 ) : 6 5 2 - 6 5 7 .' V i c t i m s o f C i r c u m s t a n c e . ' 3 1 ( 1 9 0 0 / 1 ) : 3 6 0 - 3 6 4 .' Y e O l d e S p o t t e d D o g g e . r 3 7 ( L 9 0 3 / 4 ) : 5 9 1 - 5 9 8 .

F r i t h , H e n r y . ' T h e B e s t R e v e n g e . ' 6 ( 1 8 7 9 / 8 0 ) : 2 7 5 - 2 7 9 .r B l o c k e d i n a T u n n e l . ' 9 ( 1 8 8 2 / 8 3 ) : 5 3 0 - 5 3 4 . S i g n e d ' B y

t h e A u t h o r o f " A R a c e f o r L i f e r ' r e t c . '' A B u n c h o f R o s e s . ' 4 ( L 8 7 7 / 7 8 ) t 3 9 7 - 4 0 0 ." ' B y t h e M e r e s t A c c i d e n t . t r r 1 1 ( 1 8 8 4 / 8 5 ) : 2 7 4 - 2 7 7 .r C h a r l e s D o w n ' s O r d e a l : A R a i l w a y R o m a n c e . ' 1 8 ( 1 8 9 1 / 9 2 ) :7 23 -7 29 .'The Cour tsh ip o f F i reman Deane : A Ra i lway Romance . ' 18( I 8 9 L / 9 2 ) : 6 6 0 - 6 6 5 .'The Devo t ion o f Mary S immons : A Ra i lway Romance . ' 18O 8 9 I / 9 2 ) : 6 0 1 - 6 0 5 .' I n Tha t New Wor ld Wh ich I s the O ld . r Summer Number 1884(Surmner Days) z 59-64.' J a c k a n d H i s M a s t e r : A S e a - s i d e R o m a n c e . r L 7 ( 1 8 9 0 / 9 1 ) :

4 6 6 - 4 1 3 .'A Modern Ga la tea . ' Sumrner Number 1885 (B r igh t Days ) :1 4 - 1 8 .

' A R a c e f o r L i f e . ' 3 ( L 8 7 6 1 7 7 ) : 4 0 0 - 4 0 3 .' R u n n i n g " P i 1 o t . " ' 4 ( 1 8 7 7 / 7 8 ) r 4 6 8 ' 4 7 I .' s n o w e d U p . ' 4 ( L 8 7 7 / 7 8 ) : 1 4 4 - 1 4 8 .fire Struggles of Abel Strong: A Living Chess Story. 15( 1 8 8 8 / 8 9 ) : 3 4 2 - 3 4 7 , 4 3 7 - 4 4 1 , 4 7 4 - 4 7 8 .

" ' T h r o u g h F l o o d - t h r o u g h F i r e . " ' 1 0 ( 1 8 8 3 / 8 4 ) : 6 5 8 - 6 6 1 .' W a l t e r B l a k e n e y r s M a s t e r p i e c e . ' 6 ( 1 8 7 9 / 8 0 ) : 2 4 ' 2 7 .' W h y t h e L i g h t L l e n t O u t . r 3 ( 1 8 7 6 / 7 7 ) z 7 L 6 ' 7 2 0 .

R e n a t o . t V e r m u t t e r s I n h e r i t a n c e . r T r a n s . f r o m I t a l i a n b yM . D . B y r n e & F e r d i n a n d o B e n v e n u t o . 4 5 ( 1 9 0 7 / 8 ) z 5 9 1 - 5 9 5 .t T h e V i s i t o f t h e P r e f e c t . r T r a n s . f r o m I t a l i a n b y M . D .B y r n e & F e r d i n a n d o B e n v e n u t o . 4 6 ( 1 9 0 8 ) : 3 - 1 3 . S i g n e dR . F u c i n i .

Fu t re l l e , Jacques . P ro fessor yan lh rgen 's P rob lema. 45 (1907 /8 )z

1 - 1 0 , 1 8 5 - 1 9 4 , 3 r 2 - 3 2 L , 3 8 7 - 3 9 5 , 4 9 9 - 5 0 9 , 6 t 8 - 6 2 7 .G a l l o n , T o m . r B o n a v i a r s B l a c k S h e e p . ' 4 2 ( 1 9 0 6 ) : 6 3 3 - 6 4 2 .

' T h e B o r r o w e d U n c l e . ' 3 5 ( 1 9 0 2 / 3 ) z 9 8 - 1 0 5 .r A B o t t l e d V i 1 l a i n . ' 3 5 ( 1 9 0 2 / 3 ) : 5 0 8 - 5 1 6 .' T h e c a p o f M r . T o m k i n s o n . t 3 4 ( 1 9 0 2 ) : 4 2 3 - 4 3 0 .' T h e D e p r a v e d H a l f o f M r F l o c k t o n . ' 4 5 ( 1 9 0 7 / 8 ) : 5 3 7 ' 5 4 7 .' T h e M a n a n d t h e M o u t h p i e c e . r 4 0 ( 1 9 0 5 ) : 4 7 3 - 4 7 9 .' M i s s P e a t f s E x t r a T u r n . ' 3 6 ( 1 9 0 3 ) : 1 5 1 - 1 5 7 .' M r P a t t e n ' s L i t t l e M u r d e r s . ' 4 0 ( 1 9 0 5 ) : 5 8 5 - 5 9 0 .' M r S o p e r ' s N e w S i s t e r . ' 4 2 ( 1 9 0 6 ) : 4 4 - 4 9 .r A P a n t o m i n e C u c k o o . ' 4 L ( 1 9 0 5 / 6 ) : 4 8 2 - 4 8 7 .

G a r d , S t e 1 l a S t J o h n . ' A L o s t O p p o r t u n i t y . r 1 1 ( 1 8 8 4 / 8 5 ) : L 7 9 ' L 8 2 .'A Woman o f Facu l t y . I Summer Nunber 1885 (n r ig t r t Days ) : 60 -64 .

G a r l a n d , A . P . r P i l l P o d d e n ' s L u c k . ' 5 0 ( 1 9 1 0 ) z 3 2 0 - 3 2 4 .G a r r e t t , E d w a r d . ' H u g h ' s W i f e . ' S u m m e r N u r n b e r 1 8 8 3 ( P a l m y D a y s ) : 5 9 - 6 3 .G a r v i c e , C h a r l e s . ' C o m p e n s a t i o n . ' 4 5 ( 1 9 0 7 / 8 ) : 7 9 ' 8 6 .

' T h e M a r c h e s a ' s P o r r r a i r . r 4 3 Q 9 0 6 / 7 ) z 4 L 4 - 4 2 2 .Gaun t , Mary . tThe Fa l l i ng Away o f John Sands : An Insp i r i ng S to ry

o f t h e S o u t h S e a s . ' 4 8 ( 1 9 0 9 ) : L 9 6 - 2 0 3 .G e r a r d , F r a n c e s A . I P s e u d o n y m o f G e r a l d i n e F i t z g e r a l d ] . r T h e O r g a n i s t

o f A b b o t s t o k e . ' 1 7 ( 1 8 9 0 / 9 1 ) : 4 3 4 - 4 3 8 .' T h e R e v . J . S t u r g i s ' s F i n d s . ' 1 8 ( I 8 9 L / 9 2 ) : 2 0 9 - 2 L 4 .

G ibbon , Perceva l . 'Ba i l ey ' s Exper imen t . ' 46 ( 1908 ) : 337 -343 .' T h e D i c e : A C o m p l e t e S t o r y o f R e v o l u t i o n i n R u s s i a . ' 4 3( t 9 0 6 / 7 ) z L 7 7 - t 8 2 .' L ieu tenan t Char t res and the Gun : A S to ry o f t he Sou thA f r i can l , l a r . | 47 ( 1908 /9 ) : 373 -383 .'The lJ idor^rer . ' 47 ( 1908/9 ) : 212-215 .

G i f t , Theo . IPseudonym o f Dora Havers , a f te rwards Bou lge r ] . P re t t yl t i ss Be l l ey : A Ta le o f Eme L i fe . 1 (1874 /75 ) : 1 -16 , 97 -104 ,1 6 1 - 1 6 8 , 2 2 5 - 2 3 2 , 2 8 9 - 2 9 6 , 3 5 3 - 3 6 0 , 4 t 7 - 4 2 4 , 4 8 1 - 4 8 8 , 5 4 5 - 5 5 2 ,6 0 9 - 6 1 7 , 6 7 0 - 6 8 7 , 7 3 7 - 7 5 L .

G i l m e r , J . G . M . ' C o r d e l i a r s C o n q u e s t . ' 4 4 ( 1 9 0 7 ) z 6 0 2 - 6 L 0 .G i s s i n g , A l g e r n o n . ' T h e S e a t b y t h e D o o r . ' 4 6 ( 1 9 0 8 ) z 1 6 2 ' 1 6 9 .G l e i g , C h a r l e s . ' M i s s D e l a m a r e a n d t h e M i d d y . ' 4 9 ( 1 9 0 9 / 1 0 ) : 5 3 7 ' 5 3 9 .

" tA Square " w i l l i ams : A S to ry o f Humour and T ragedy inthe Roya l Navy . ' 48 (1909) z 4 I8 -42 I .

G o r s t , H a r o l d . ' T h e E t e r n a l F e m i n i n e . ' 4 5 ( L 9 O 7 / 8 ) z 4 6 6 - 4 6 8 .G o u l d , S . B a r i n g . S e e B a r i n g - G o u l d , S I a b i n e 1 .

202L

G r a h a m ,

Green, Eve lyn Evere t t . l l on ica : o r , S t ronger Thanr - L 2 , B 0 - 9 1 , L 2 g _ I 4 0 , 2 2 6 _ 2 3 7 , 2 5 7 _ 2 6 7 ,449-460.The S r ronge r r J i l l . 16 (1889 /90 ) : 1_11 ,222 -232 , 257 -269 , 352_363 , 4L4_4L9 .

' The Adven tu re o f

t h e A n b i t i o u s M i 1 1 e r . t

a n d t h e F r e n c h p r i s o n e r

a n d W i l l i a m t h e D e s e r t e r . r

T h i e v e s . | 3 9 ( L 9 0 4 / 5 ) z

Dea th . L4 ( 1887 /88 ) :3 2 L - 3 3 2 , 4 2 0 - 4 3 I ,

96 -105 , r 29 -L39 ,

G o u r d s b u r y , c u l l e n . ' R o s e p e t a l s : A T a l e o f t h e E a s t A f r i c a n c o a s t . ,4 6 ( 1 9 0 8 ) : 5 9 9 - 6 0 2 .

S c o t t . I P s e u d o n y m o f H a z e l t o n B l a c k ] .G o d f r e y H a l l e r r . ' 3 8 ( 1 9 0 4 ) : 4 3 6 - 4 4 2 .'The Adven tu re o f God f rey Ha l le t t and3 9 ( 1 9 0 4 / s ) t 6 6 9 - 6 7 6 .'The Adventure o f Godf rey Hal le t to f W a r . ' 4 1 ( 1 9 0 5 / 6 ) : 7 2 4 - 7 3 4 .'The Adventure o f Godf rey Hal le t t4 0 ( 1 9 0 5 ) : 2 6 4 - 2 7 2 .'How Godfrey Hal le t t Fe11 among428-435.

' T h e S u b ' s E x p e d i t i o n . ' 3 9 ( L 9 0 4 / 5 ) t 2 3 3 - 2 3 9 .G r u b b , A r t h u r P a g e . ' M r S p e c k l e y ' s P l a y t h i n g s : A S t o r y o f a C i t y

M e r c h a n t r s S e c r e t . r 4 8 ( 1 9 0 9 ) : 6 4 I - 6 4 5 .Haggard, H[enry l Rider. Beni ta: An Afr ican Ro'mance. 4I (L905/O z

1 1 - 3 4 , 1 5 5 - 1 7 6 , 2 7 5 - 2 9 6 , 3 9 5 - 4 1 6 , 5 1 5 - 5 3 6 , 6 4 L - 6 6 5 .The Brethren: A Romance of the Crusades. 37 (1903/4):3 3 - 3 7 , t 6 3 - L 7 7 , 2 7 5 - 2 9 0 , 3 8 7 - 4 0 2 , 5 O g - 5 2 7 , 6 6 9 - 6 9 2 ; 3 g( 1 9 0 4 ) : 4 5 - 6 L , 1 5 0 - 1 6 5 , 2 7 9 - 2 9 5 , 4 0 3 - 4 1 7 , 5 2 2 - 5 3 6 , 6 2 9 - 6 4 L .

H a l i f a x , A r t h u r & S t u a r t W i s h i n g . ' S h a d o w s B e f o r e . r 4 4 ( 1 9 0 7 ) z 4 8 4 - 4 9 2 .Hamby , Wi l l i a rn H . 'Re la t i ves to Le t : Be ing the Ins ide H is to ry o f

t h e B e n t l e y - C a r r u t h e r s T r u c e . r 4 4 ( 1 9 0 7 ) z 6 2 9 - 6 3 2 .H a m i l t o n , M y r a . ' T h e B l a c k F l o w e r o f J u s t i c e . r 2 5 ( 1 8 9 8 / 9 9 ) : 3 3 0 - 3 3 2 .

' A B o x o f H i n t s : A S t o r y f o r C h i l d r e n . ' 2 7 ( L 8 9 8 / 9 9 ) z599-603 .r A C a t o f T h r e e C o l o u r s . r 3 6 ( 1 9 0 3 ) : 5 5 4 - 5 5 7 .' T h e C l o u d A r m y . ' 3 6 ( 1 9 0 3 ) : 1 0 7 - 1 0 9 .' T h e C o n c l u s i o n - j u m p e r : A S t o r y f o r C h i l d r e n . t 3 3 ( L 9 0 L / 2 ) :484-488.' T h e D e a f a n d D u m b P r i n c e : A S t o r y f o r C h i l d r e n . ' 2 6 ( 1 8 9 8 ) :5 5 4 - 5 5 6 .r T h e D o l l s r R o m a n c e . r 2 6 ( 1 8 9 8 ) z 2 L 7 - 2 2 0 .' T h e E l f a n d t h e P h e a s a n t : A T a l e f o r C h i d l r e n . ' 2 8 ( 1 8 9 9 ) :329-332 .' T h e F a i t h f u l S l a v e : A S t o r y f o r t h e L i t t l e O n e s . ' 4 0( 1 9 0 5 ) z 6 6 L - 6 6 5 .r H o w r h e M a i d e n S a v e d r h e E a r w i g s . r 3 8 ( 1 9 0 4 ) l 5 5 4 - 5 5 6 .' K i n g o f t h e P o p p i e s : A S t o r y f o r C h i l d r e n . ' 2 6 ( 1 8 9 8 ) : 4 3 4 - 4 3 7 .' T h e L a r k r s G i f t ( e s t o r y f o r C h i l d r e n ) . ' 3 0 ( 1 9 0 0 ) z 6 6 L - 6 6 4 .r T h e L o s t S o u n d . ' 3 6 ( 1 9 0 3 ) : 4 4 0 - 4 4 4 .' T h e L u c k y H o r s e : A S t o r y f o r C h i l d r e n . ' 3 5 Q 9 0 2 / 3 ) z 4 8 9 - 4 9 2 .' T h e M i l l F a i r i e s : F o r L i t t l e F o l k s . ' 2 4 ( 1 8 9 7 ) z 3 7 8 - 3 8 0 .' T h e M i s t a k e o f P r i n c e s s C y n t h i a : A S t o r y f o r C h i l d r e n . '2 7 ( 1 8 9 B / 9 9 ) : 3 7 9 - 3 8 1 .' T h e O o r w a ' s E r r a n d . ' 3 3 ( L 9 O I / 2 ) t 3 7 6 - 3 8 0 .I The Oys rer I ' la iden. | 24 (1897 ) : 102- 106 .'The Pangwangda and the Hooh i : A S to ry fo r Ch i ld ren . ' 34( 1 9 0 2 ) : 2 L 2 ' 2 I 6 .'The Pr ince , the Sna i l and the Bu t te r f l y : A S to ry fo r theL i t t l e O n e s . ' 3 8 ( 1 9 0 4 ) : 3 3 0 - 3 3 2 .' T h e P r i n c e ' s L e s s o n : A S t o r y f o r C h i l d r e n . ' 2 8 ( 1 8 9 9 ) z 2 L 4 - 2 I 6 .' T h e P r i n c e s s a n d t h e W a l l a w o o : A S t o r y f o r C h i l d r e n . '2 9 ( L 8 9 9 / 1 9 0 0 ) : 5 9 7 - 6 0 0 .'The

Queen 's Handmaid (A Story for Chi ldren) . ' 29 (1899 /1e00 ) :3 6 9 - 3 7 r .' The Roya l Doves : A S to ry f o r Ch i l d ren . ' 2s (1897 /98) z 442-4 4 5 .' T h e R o y a l L a u n d r y : A S t o r y f o r C h i l d r e n . ' 3 7 ( L 9 0 3 / 4 ) z 2 6 5 - 2 6 9 .t T h e S e a - g u l l r s L o v e S t o r y : A S t o r y f o r t h e L i t t l e O n e s . t3 7 ( L 9 0 3 / 4 ) : 4 8 6 - 4 8 8 .' T h e S e e d s o f H a r m o n y . ' 3 9 ( L 9 O 4 / 5 ) : 6 0 0 - 6 0 2 .r T h e S i l v e r T e a r D r o p . ' 2 6 ( 1 8 9 8 ) : 9 5 - 9 8 .f A S n a i l ' s L o v e S t o r y : A S t o r y f o r C h i l d r e n . ' 2 5 ( L 8 9 7 / 9 8 ) z2 1 8 - 2 2 0 .' T h e S o r r o w f u l S y e - b o o : A S t o r y f o r C h i l d r e n . ' 4 5 ( 1 9 0 7 / 8 ) :

' T h e M o m e n r o u s J o u r n e y . ! 3 5 ( L 9 0 2 / 3 ) . 4 4 3 - 4 5 2 .'The s t range S to ry o f My Lady Buckenden as To ld by God f reyH a l l e t t , c l e r k i n H o l y o r d e r s . , 3 7 ( 1 9 0 3 / 4 ) : r 4 2 - L 4 7 .' T h e T e m p t a t i o n o f B a r r i n g t o n , R . A . ' 4 4 ( 1 9 0 7 ) : 5 0 _ 5 7 .

G r a h a m , W i n i f r e d . ' L a d y L u c y ' s M a s q u e r a d e . ' 4 I ( L g O s / 6 ) , 6 9 7 _ 1 0 4 .' T h e T r e a c h e r y o f t h e H o l l y h o c k s . ' 3 5 ( 1 9 0 2 / 3 ) z 6 6 4 - 6 6 g .Gra inger , F ranc is Edward . See H i l l , Headon ,G r a n d , S a r a h . I P s e u d o n y m o f F r a n c e s E l i z a b e t h M c F a l 1 ] . ' T h e T u r n i n g

o f t h e W o r m . , 5 0 ( 1 9 f 0 ) : 3 2 5 - 3 5 0 .

G r e e n w o o d , D o r o t h y . , T h e M e l o d r a m a t i c T o u c h . r 5 0 ( 1 9 1 0 ) : 1 7 7 - L g 2 .G r e e n w o o d , J a m e s . ' I n G u y - F a u x G u i s e . ' 3 9 ( L 9 0 4 / 5 ) z 4 7 4 - 4 7 g .G r e e n w o o d , I ' t a b e l . ' T h e T u r n i n r h e L a n e . ' 4 9 ( 1 9 0 9 / 1 0 ) : 4 g 1 _ 4 g 6 .G r e g g , H i l d a C a r o l i n e . S e e G r i e r , S y d n e y C .G r i b b l e , F r a n c i s .

_ ' T h e K i n g W h o D r e s s e d U p . r 2 4 ( L g 9 7 ) : 3 0 7 _ 3 1 3 .G r i e r , s y d n e y c . [ p s e u d o n y m o f H i l d a c a r o l i n e G r e g g ] . ' A s i x w e e k s r

I { o o i n g . ' 2 0 ( t 8 9 3 / 9 4 ) z 8 3 1 - 8 3 9 .' W h a r C a m e o f a C l e r g y m a n r s F o r r n i g h t . , L 7 ( 1 g 9 0 / 9 1 ) :4 9 8 - 5 0 3 .

G r i f f i t h s , H a j o r A r t h u r . ' T h e A f f a i r o f L i n e s ( F o u n d e d o n F a c t ) . r3 8 ( 1 9 0 4 ) : 2 3 3 - 2 3 9 .'The Anan ias Bro the rs . ' 2g ( 1g99 ) : 4 I2 -4L7 .' A B a n k S c a n d a l . ' 3 2 ( 1 9 0 1 ) : 2 7 g - 2 g 4 .' A B a n k - n o r e , i n T w o H a l v e s . , 5 ( L B 7 g / 7 9 ) : 5 3 1 - 5 3 5 .' T h e B l a c k D r e s s - b a s k e t . T w o o n a T r a i l : S o m e p h a s e so f P r i v a t e I n q u i r y . ' 2 7 ( I 8 9 g / 9 9 ) z 6 3 6 - 6 4 2 .' A C a s e f o r r d e n r i f i c a t i o n ( T w o o n a T r a i l ) . ' 2 9 ( l g g g / 1 g 0 0 ) :5 8 1 - 5 8 7 .

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' T h e C o n g o B a n k o f B r u s s e l s . '' The Ep isode o f George Andros .' I n t h e W a s t e - p a p e r B a s k e t . l

29 (1899 /1900 ) : 438 -444 .t 27 (1898/99) t 444-449.4 I ( 1 9 0 5 / 6 ) z s 4 7 - s s 4 .

G r o g a n ,

' T h e P a n e l o f F i l i p p o L i p p i6 6 5 - 6 7 2 .

( T w o o n a T r a i l ) . ' 2 9 ( t g g g / 1 9 0 0 ) :

' T h e S e c r e r o f t h e L o w e r L i n e s . ' 3 6 ( 1 9 0 3 ) 1 7 g _ 1 g 4 .' T h e s e q u e s t r a t i o n o f M i s s F e r r i b y ( T w o o n a T r a i l - r r r ) . '2 B ( 1 8 9 9 ) : 6 2 5 - 6 3 L .' T h e U s h e r r s D a u g h t e r . ' 4 0 ( 1 9 0 5 ) : 3 6 L - 3 6 7 .

I . l a l t e r E . ' M y G o v e r n o r . ' 3 1 ( 1 9 0 0 / 1 ) : 6 g 0 - 6 g 5 .

22 2 3

1 5 0 - 1 5 5 .' T h e s p o t r e d R o b e : A s r o r y f o r c h i l d r e n . ' 2 7 ( l g 9 g / 9 9 ) : t 5 l - 1 5 6 .' T h e S t o r y o f L i t t l e L u c k : A S t o r y f o r L i t t l e O n e s . ' 3 9( t g o + / s ) , 2 6 5 - 2 6 8 .

1 6 1 - r 6 8 , 2 2 6 - 2 3 4 , 2 9 1 - 3 0 0 , 3 5 4 - 3 6 3 .' S a v e d b y a C y c l o n e . ' 2 ( 1 8 7 5 / 7 6 ) : 5 5 4 - 5 5 5 .The Ten th Ba r l . 5 ( I 878 /79 )z 1 -11 , 65 -74 , I 29 -L37 , L93 -203 ,2 5 7 - 2 6 9 , 3 2 1 - 3 3 0 , 3 8 5 - 3 9 5 , 4 4 9 - 4 5 8 , 5 1 3 - 5 2 3 , 5 7 7 - 5 9 5 , 6 4 t - 6 4 9 ,705 - 7 10 .rwha r t he co ra l Ree fs Gave I ' I e . t 14 ( r887 /B8 ) : 65 -72 , 175 - I7g2 L 2 - 2 L 4 .W i th i n t he C lasp . 10 (1883 /84 ) : 1 -14 , 65 -76 , I 29 -L39 ,L 9 3 - 2 0 2 , 2 5 7 - 2 6 7 , 3 2 1 - 3 3 0 , 3 8 5 - 3 9 5 , 4 4 9 - 4 5 9 , 5 1 3 - 5 2 2 , 5 7 7 - 5 9 6 ,64I -65L, 705-7IL . S igned J . Berwick Harwood.

Haswel l , Frances. The Clear ing o f the l r { is t . 20 ( fg%/94) : 495-505,6 0 4 - 6 t 4 , 6 9 3 - 6 9 2 , 7 3 I - 7 4 0 , 9 0 7 - 8 1 7 , 8 9 0 - g g g .'Ha rd t o P lease : A Ho l i day S to ry . t Summer Number 1893 , 3 -48 .'You '11 Love l le Yet . ' 18 0891/92) . 29-41, 90-102, 129-140,2 t 9 - 2 3 I .

H a v e r s , D o r a . S e e G i f t , T h e o .Hawk ins , S i r An thony Hope . See Hope , An thony .H e d d l e , E t h e l F I o r s t e r ] . ' F o r A 1 1 P r i s o n e r s a n d C a p t i v e s . ' 3 0 ( 1 9 0 0 ) :

3 6 5 - 3 7 3 .' S h i p w r e c k e d o n a K i n g d o m . r 3 1 ( 1 9 0 0 / 1 ) : 3 4 8 - 3 5 2 .' " w a t e r l o o " a n d t ' T r a f a l g a r .

" ' 2 8 ( 1 8 9 9 ) : 4 3 L - 4 3 7 .H e d d l e , E t h e l L . ' T h e B a b o o ' s E a r t h q u a k e . ' 2 2 ( 1 8 9 5 / 9 6 ) z 8 5 7 - 8 5 9 .H e n d e r s o n , A r t h u r H . ' A r r a n g e m e n t A l t e r e d . r 4 l ( 1 9 0 5 / 6 ) z 2 5 2 - 2 5 6 .

' T h e F r o c k a n d t h e M o t o r - m a n . ' 4 0 ( 1 9 0 5 ) : 5 4 4 - 5 4 8 .I r s o r t a ' s w a y . ' 4 6 ( 1 9 0 8 ) : 3 9 1 - 3 9 8 .

H e n h a m , E r n e s t G [ e o r g e l . ' T h e L o n e S p o r . ' 3 2 ( 1 9 0 1 ) : 4 I L - 4 I 7 .r T h e l " l y s t e r y o f " T h e F i r s . " ' 3 0 ( 1 9 0 0 ) : 6 1 0 - 6 1 6 .' R a i n t o O r d e r . r 3 6 ( 1 9 0 3 ) z 4 8 - 5 2 .' w h i c h ? ' 3 1 ( 1 9 0 0 / 1 ) : 3 4 0 - 3 4 5 .

H e n n i k e r , E o n . H r s A r t h u r I i . e . F l o r e n c e ] . ' E x - t r o o p e r T e m p a n y . '2 2 ( L 8 9 5 / 9 6 ) : 8 4 2 - 8 4 8 .' T h e M a n W h o w a i r e d . ' 2 4 ( 1 8 9 7 ) z 6 3 7 - 6 4 I .

Henry, Hrs Martyn. See l lar tyn-Henry, l l re.H e n t y , F r a n k . ' I n C l o v e r : A n A u s t r a l i a n I d y l l . r 4 9 ( 1 9 0 9 / 1 0 ) : 7 4 2 - 7 4 4 .

'The Man Who Knew How: An Aus t ra l i an S to ry . ' 48 (1909) :5 1 5 - 5 1 6 .'The Pr ince o f the T reasure T rove : A Ta le o f an Aus t ra l i anG i r l ' s R o m a n c e . ' 4 8 ( 1 9 0 9 ) : 6 3 4 - 6 4 0 .' A S a l u t e i n P a s s i n g r A C a s e o f M i s t a k e n I d e n t i t y a t aF a n c y D r e s s B a l l - a n d I t s C o n s e q u e n c e s . ' 4 9 ( 1 9 0 9 / 1 0 ) :26 -28 .

H e r b e r t s o n , A g n e s G r o z i e r . ' H u b e r t r s W i f e : A S i n g l e C h a p t e r S t o r y . '3 8 ( 1 9 0 4 ) : 3 2 3 - 3 2 6 .'The Ruby R ing . t 40 (1905) : 428-435 . S igned A . Groz ie rHerber t son .

Her ing , Henry A . 'The Awaken ing o f Pharaoh . ' 25 (1897 /98 ) r 638-643 .The Ghroni .c les of the Burglars ' Ctub. 38 (1904) z 33-37,L23- t28 , 247-254 , 365-37r , 544-550 , 59g-605 .f i re Further Chronic leg of the Burglarg ' c lub. 40 (1905):5 5 - 6 1 ! 1 7 4 - 1 8 1 , 2 7 8 - 2 8 4 , 3 8 7 - 3 9 4 , 4 g g - 5 0 4 , 5 g g - 6 0 5 .' T h e I n g e n i o u s M r T o z e r . r 4 7 ( 1 9 0 8 / 9 ) : 4 7 3 - 4 8 0 .Later Chronic les of the Burglars ' Club. 49 (1909/10):5 8 9 - 5 9 6 , 6 6 9 ' 6 7 6 ; 5 0 ( 1 9 1 0 ) : L 9 - 2 5 , L 2 4 - L 3 2 , 2 5 1 - 2 5 9 ,369-37 6 .

' T h e S u g g e s t i o n M a k e r : A S t o r y f o r C h i l d r e n . '490 -493 .

2 9 ( 1 8 9 9 / 1 9 0 0 ) :

' T h e S u n - d r i e d K i n g . , 2 6' T h r e e K i s s e s ( A S t o r y f o r

( 1 8 9 8 ) : 3 2 9 - 3 3 2 .C h i l d r e n ) . ' 3 3 ( L 9 O l / Z ) t , 2 6 0 - 2 6 4 .f o r C h i l d r e n . ' 2 8 ( 1 8 9 9 ) z 4 4 2 - 4 4 5 .

( 1 9 0 6 ) : 6 6 7 - 6 7 0 .' T h e w h i t e p r i n c e s s : A s r o r y f o r c h i l d r e n . , 3 4 ( t g o z ) , 1 0 5 -1 0 8 .' T h e w i s h i n g S r o n e : A S r o r y f o r C h i l d r e n . ' 3 9 ( 1 9 0 4 / 5 ) z 7 0 5 _ 7 0 S .

' G r a n f s L i t t l e D i n n e r . r 3 7 ( 1 9 0 3 / 4 ) : 7 0 3 - 7 0 9 .D ! r L L r s u r l r r l e . r . J t \ L > v J / + ) | I V J _ / U 9 .H a m p d e n , M a r y . ' M y S i s t e r ' s S e c r e r . r L 7 ( 1 g 9 0 / 9 1 ) : 6 g 6 _ 6 g g .

H a m m o n d - s p e n c e r , H i l d a c . ' A u n t c a r o l i n e r s c o m p e t i t i o n . , 4 0 ( 1 9 0 5 ) :404-407 . S igned H i lda Hammond-Spencer .

'The T ru th Reader : A S to rv' T h e w a y t o F a i r y l a n d . ' L z

' P o s s e s s e d o f a T i r l e . ' 4 2 ( 1 9 0 6 ) : 3 7 2 - 3 7 4 .

H a r r i s ,

H a r t e ,

' T h e V e a s e y b r i d g e E l e c r i o n . ' 1 9 ( 1 g g } / g r : 1 4 4 _ 1 4 9 .H a r l e s t o n e , A n d r e w . ' A t t h e s a m e T a b l e . r 2 g ( 1 g 9 9 ) : 2 7 6 - 2 g 2 .' A C h i r o m a t i c E p i s o d e . ' 2 9 ( I B g g / l 9 0 O ) z 5 3 6 - 5 4 2 .' A C u r r i n g C r i t i c i s m . | 2 6 ( f g 9 g ) : 4 7 5 - 4 g I .' L o r d D o u b l e d a y ' s D i l e r u n a . ' 2 7 ( 1 g 9 g / 9 9 ) : 6 7 3 - 6 7 g .

A d a L e o n o r a . ' A B o x o n t h e E a r s . ' 4 g ( 1 9 0 9 ) : 2 1 5 - 2 1 7 .' T h e R o m a n c e o f a T r a v e l l i n g R u g . ' 4 j ( l 9 o g / 9 ) : 3 3 3 - 3 3 5 .' T w o f r o m T o a d - i n - r h e - h o l e . ' 4 7 ( 1 9 0 g / 9 ) : 5 5 5 - 5 5 g .B r e t . ' A B e l l e o f c a n a d a c i t y . I z g ( L g g g / 1 9 0 0 ) : 1 6 3 - l g l .' L a n t y F o s r e r ' s M i s r a k e . r 3 1 ( I 9 0 0 / 1 ) : 2 7 5 - 2 g 4 .' T h e M a n a t r h e S e m a p h o r e . r 2 4 ( L g 9 7 ) : 3 3 9 - 3 4 g .

' S a l o m y J a n e ' s K i s s . I 2 6 ( 1 S 9 S ) z 6 5 - 7 5 .' S e e Y u p . ' 2 5 ( L 8 9 7 / 9 8 ) z I Z 5 - I 3 2 .Harwood , John Berw ick . 'A B roken T rus t . ' sumrner Number l gg3 ( ta lmy

D a y s ) : 2 4 - 2 6 .Co-he i r s : A Corn ish S to ry . 9 ( fgg2 /83 ) : 4 Ig_427 , 4g2_4g} ,5 4 6 - 5 5 3 , 6 1 0 - 6 1 9 , 6 7 4 _ 6 9 3 , 7 3 9 _ 7 4 5 .'The Empero r ' s pa rdon . ' r l ( rgg4 /g5 ) : 626 -629 . s ignedJ . Berw ick Harwood .' T h e c u l f o f F i r e . , 2 ( I g 7 5 / 7 6 ) : 3 3 6 - 3 3 9 .In the Wi ld l test : A Srory of Advenrure. L6 (1g89/90):4 8 - 5 4 , 1 1 0 - 1 1 7 , 1 7 4 - 1 8 1 . S i g n e d J . B e r w i c k H a r w o o d .' T h e J e t - h u n r e r ' s S t o r y . , L ( L g 7 4 / 7 5 ) t 7 6 1 - 7 6 3 .' L o s t . ' I ( L 8 7 4 / 7 5 ) : 3 9 8 - 4 0 2 . S i g n e d J . B e r w i c k H a r w o o d .T t re l l e rchan t P r ince . 16 (1839 /90 ) : 474-479 , 531-536 , 627-63 I .S igned J . Berw ick Harwood .' M i d s u m m e r E v e . ' 3 ( 1 8 7 6 / 7 7 ) t 4 7 g .' T h e M o s q u i r o - c l o u d . r 8 ( 1 8 8 1 / 8 1 ) : 5 6 0 - 5 6 2 . S i g n e d J .Berwick Harwood.' M y B a l l o o n A d v e n r u r e . ' I ( 1 8 7 4 / 7 5 ) r , 6 g 7 - 6 9 2 .'My F i r s t Ho l i day . ' Sunrner Number 1884 (Sunure r Days ) : 49 -53 .' o u r M r J e n k i n s . r 9 ( 1 8 8 2 / 8 3 ) : 4 6 - 4 9 .Pau l Knox , P i tnan . 3 Q876 /77 ) : I - I 2 , 65 -75 , L2g-L3g ,L 9 3 - 2 0 2 , 2 5 7 - 2 6 5 , 3 2 1 - 3 3 1 , 3 8 5 - 3 9 3 , 4 4 9 ' 4 5 8 , 5 r 3 - 5 2 r , 5 7 7 - 5 8 4 ,641-649 , 705-711 . S igned J . Berw ick Harwood .Ra lph Raeburn rs T rus teesh ip . 8 (1881 /92 ) : 33 -42 , 97 -105 ,

2425

' M r J o h n J u d e t s D i a r y . ' 4 6 ( 1 9 0 8 ) : 6 2 9 - 6 3 9 .' P s y c h e ' s E x p e r i e n c e E x c h a n g e . ' 3 l ( 1 9 0 0 / l ) : 4 5 8 - 4 6 3 .' P s y c h e ' s T r e a s u r e Q u e s t : A R o m a n c e o f H i d d e n T r e a s u r e . '4 8 ( 1 9 0 9 ) : 2 5 9 - 2 6 6 .' P s y c h e l s V i n t a g e T h o u g h r s . ' 3 4 ( L 9 0 2 ) : 4 0 9 - 4 1 5 .' S i l a s P . C o r n u t s D i v i n i n g - r o d . ' 2 8 ( 1 8 9 9 ) , 6 5 - 7 L .' S i l a s P . C o r n u r s S y s r e m . r 2 2 ( 1 8 9 5 / 9 6 ) z 3 8 9 - 3 9 4 .' T h e T e n t h I m m o r r a l . ' 3 7 ( 1 9 0 3 / D : 2 2 9 - 2 3 5 .' T h o m a s B . F l i n t , R e s u r r e c t i o n i s t . t 4 6 ( 1 9 0 8 ) : 2 9 L - 2 9 g .' T w o P r o f e s s o r s a n d O n e M u m m y . , 3 2 ( 1 9 0 1 ) : 5 4 I - 5 4 6 .

H e r o n - I v l a x w e 1 1 , B e a t r i c e . ' T h e A p o t h e o s i s o f M r s G e n t l e . ' 2 g ( 1 g 9 9 ) :6 5 5 - 6 6 0 .' T h i s W o r l d ' s M a z e . ' 3 1 ( 1 9 0 0 / l ) : 2 6 0 - 2 6 4 .

V i c r o r . ' H o u s e - b o a t I s i s . , 2 6 ( 1 g 9 g ) : I Z 4 - I 3 0 .' T h e S l e e p o f t h e A n g e l s . ' 4 I ( 1 9 0 5 / 6 ) : 4 9 5 - 4 9 8 .

W i l l i a m G r a i l y . S e e V i g g a r s , F r e k e .v . c r a n d a l l . ' T h e w i v e s o f c a p r a i n s h a d r a c h . ' 4 9 ( 1 9 0 9 / 1 0 ) :

5 0 5 - 5 1 2 .H i c k s o n , l l r s M u r r a y I i . e . t " l a b e l ] . t T h e R o m a n c e o f E m i l y p h i l p o t t :

H o u s e m a i d . r 2 5 ( L 9 9 7 / 9 8 ) : 5 5 1 - 5 5 6 .H igg inbo tham, John C . See Agnus , Orme.H i11 , Headon . [Pseudonym o f F ranc is Edward Gra inger ] . By a I ra i r r s

H i 1 1 ,H i n e ,

Breadth: Being the secret Eistory of the Tsarts Tour, conpiledfrm the Records of Paul volborth (of the r'f lr ird sectionr').2 4 ( 1 8 9 7 ) : 1 - 1 6 , 1 4 6 - 1 5 9 , 2 5 I - 2 6 4 , 3 5 7 - 3 7 0 , 5 0 1 - 5 1 4 , 5 8 9 - 6 0 1 .' C h e q u e ! M a r e ! t 2 7 ( 1 8 9 8 / 9 9 ) : 5 5 4 - 5 5 9 .T h e I l u k e D e c i d e s . 3 5 ( L 9 0 2 / 3 ) , L 6 3 - I 7 7 , 2 9 5 - 3 0 8 , 4 O g - 4 2 2 ,524-538 , 646-659 .' K i r r e n ' s W e d d i n g D a y . ' 4 3 ( t g O O / l ) , 6 6 2 - 6 6 9 .' L a G r a n d e C a p u c i n e . ' 4 0 ( 1 9 0 5 ) : 6 8 - 7 5 .' L o r d F a l c o n e t r s D e s p a t c h - b o x . , 4 4 ( 1 9 0 7 ) : 1 6 5 - L 7 2 .Spectre Gold: h Romance of Klondyke. 25 (L897/9i l2 72-95,L g 2 - 2 0 5 , 2 6 6 - 2 7 9 , 4 1 2 - 4 2 5 , 5 0 8 - 5 2 1 , 6 1 2 - 6 2 6 .' T h e y L a n d e d t h e T u b s . ' 3 4 ( L 9 0 D z 6 3 2 - 6 4 0 .f W h o K i l l e d H i r n ? ' 4 7 ( 1 9 0 8 / 9 ) : L 4 g - t 5 7 .

H i l t o n . ' M r s P i r k i n ' s p e d i g r e e . , 2 I ( 1 8 9 4 / 9 5 ) t 7 6 0 - 7 6 7 .M u r i e l F . ' T h e A d v e n t u r e s o f a w a t e r p r o o f . ' 3 4 ( 1 9 0 2 ) : 7 4 - g o .' A B r o k e n r n s t r u m e n t . r 3 0 ( 1 9 0 0 ) : 4 2 4 - 4 2 9 . S i g n e d M u r i e l H i n e .' T h e c a t e s o f t h e T e m p l e . r 4 L ( 1 9 0 5 / 6 ) : 6 7 6 - 6 9 g .

' T h e G h o s t o f D r e e H o l l o w : A S t o r y o f N e w y e a r ' s E v e . l3 3 ( l 9 O I / 2 ) : I 2 2 - I 3 4 . S i g n e d M u r i e l H i n e .' L i t t l e G o o d y N o - s h o e s . ' 3 4 ( 1 9 0 2 ) : 3 2 2 - 3 2 9 . S i g n e d M u r i e l H i n e .' P a n s y r s K n i g h r , a n d r h e D u b b i n g T h e r e o f . r 4 0 ( 1 g 0 5 ) : 1 6 6 - 1 7 0 .

Hock ing ,

Hodgson ,

f A Q u e s t i o n o f O c c u p a t i o n . ' 3 7 Q 9 O 3 / Q z 6 6 - 7 9 ." ' S t e 1 l a " : A S t o r y o f S t a r s . ' 3 1 ( 1 9 0 0 / 1 ) : 7 2 - g O . S i g n e dMur ie l H ine .' T h e T r a g e d y o f a T i f f . ' 3 2 ( 1 9 0 1 ) : 1 4 0 - f 4 6 . S i g n e d M u r i e l H i n e .t T w o P o i n t s o f V i e w . ' 3 5 ( 1 9 0 2 / 3 ) z 7 3 - 7 8 . s i g n e d M u r i e l H i n e .

Joseph . T revan ion : A S to ry o f Cornya l l . 26 (1898) : 26 -4L ,L 4 6 - L 6 I , 2 5 5 - 2 7 0 , 3 7 7 - 3 9 2 , 4 g g - 5 1 3 , 5 9 4 - 5 9 9 .

J I o h n ] E I v a n ] , R . A . ' F i v e - c o r n e r e d C o t t a g e . ' 2 0 ( L g 9 3 / 9 4 ) :5r4-523.

Ho11and , Huber t . ' Jack Moxham's Mar ty rdom: A Schoo lboy rs Adven tu resi n L o n d o n . r 4 9 ( 1 9 0 9 / I 0 ) z 1 0 1 - 1 0 7 .

H o m e , A n d r e w . ' B o n e y ' s B o n f i r e : A n I n s t r u c t i v e H i s t o r i c a l N a r r a t i v ef o r Y o u n g a n d O l d . r 2 2 ( L 8 9 5 / 9 6 ) : 3 L 6 - 3 2 I .' B r y c e M a j o r ' s L o v e S t o r y - a n d O t h e r s : A S t o r y f o r B o y s . '2 3 ( 1 8 9 6 / 9 7 ) z 3 9 7 - 4 0 3 .'The Comp le te F lau t i s t : A l " l us i ca l Comedy . I 25 ( 1897 /98 ) :393-397 .' T h e L o v e r s a n d t h e B o y . r 2 2 ( 1 8 9 5 / 9 6 ) t 8 8 8 - 8 9 6 .

H o o p e r , A l b e r t E . ' B e l l e r s R e t u r n . r 1 9 ( 1 8 9 2 / 9 3 ) : 5 8 8 - 5 9 3 .' C e c i 1 C h a n t i n g . ' 2 0 ( L 8 9 3 / 9 4 ) : 5 6 6 - 5 7 I .r T h e D o c t o r r s S e c r e r . r 2 0 ( 1 8 9 3 / 9 4 ) z 1 3 4 - 1 3 9 .

Hope , An thony . [pseudonym o f S i r An thony Hope Hawk ins ] . 'The GreyF l o c k . 1 2 7 ( 1 8 9 8 / 9 9 ) : 4 6 - 5 2 .' P y r r h a a n d S m u g g . ' 2 I ( L 8 9 4 / 9 5 ) z 3 0 - 3 7 .

H o p e , E v e l y n . ' F a l s e C o l o u r s . ' 4 ( L 8 7 7 / 7 8 ) : 4 6 6 - 4 6 7 .H o p e , G r a h a m . [ P s e u d o n y m o f J e s s i e H o p e J . ' A S k e t c h . ' 34 (L902 ) :

6 4 - 6 7 .l l ope , Jess ie . See Hope , Graham.t l o p k i n s , T i g h e . ' A n n a a n d L o r i s : A n E p i s o d e o f t h e N i h i l i s t W a r . t

4 2 ( L 9 0 O z 5 I I ' 5 2 3 .' The B ishop ' s Coach . ' 37 (1903 / 4 ) : 2Q0-206 .' T h e C h o i r a n d t h e L e m o n C a k e . ' 3 4 ( 1 9 0 2 ) : 1 5 5 - 1 6 1 .' C o l o n e l R o s e ' s T u n n e l o u t o f L i b b y : A n E s c a p e o f E s c a p e s . '2 6 ( 1 8 9 8 ) z 2 2 7 ' 2 3 2 .r T h e F o o t p r i n t s o f P r i n c e s s T r u b e t s k o i . ' 2 6 ( 1 8 9 8 ) : 1 7 6 - 1 8 1 .' H o w F a i r f a x D i d N o t E s c a p e . ' 2 5 ( L 8 9 7 / 9 8 ) z 5 3 4 - 5 4 0 .T h e S i l e n t G a t e . 2 9 Q 8 9 9 / 1 9 0 0 ) : 7 2 - 8 0 , 2 5 I - 2 5 9 , 3 0 3 - 3 0 9 ,452-463 , 522-528 , 651-658 .

H o p k i n s o n , A r a b e l l a M . ' A f t e r a C o l l i s i o n . ' 1 6 ( 1 8 8 9 / 9 0 ) : 8 3 - 8 8 .B a r b a r a l t e r i v a l e . 1 8 ( 1 8 9 1 / 9 2 ) : 3 8 5 - 3 9 8 , 4 4 9 - 4 6 3 , 5 L 3 - 5 2 4 ,6 1 0 - 6 2 3 , 6 4 L - 6 5 4 , 7 3 4 - 7 4 4 .' M a r i e : A S t o r y o f t h e A m e r i c a n C i v i l W a r . ' 1 0 ( 1 8 8 3 / 8 4 ) :

2LO-213 . S igned 'By the Au tho r o f "The Proba t ion o f Doro thyTravers ,

t ' t tPa rdoned , t t e t c . I' A M y s t e r i o u s A t t r a c t i o n . ' 1 1 ( 1 8 8 4 / 8 5 ) : 5 3 2 - 5 3 5 .Pardoned . 9 (1882 /83 ) : 1 -13 , 65 -77 , I29 ' I40 , 193-204 ,2 5 7 - 2 6 8 , 3 2 1 - 3 3 3 , 3 8 5 - 3 9 7 , 4 4 9 - 4 5 9 , 5 L 3 - 5 2 5 , 5 7 7 - 5 8 7 , 6 4 L - 6 5 2 ,7 0 5 - 7 1 5 .Ttre Probat ion of Dorothy Travers. 7 (1880/81): 1-12, 65-78,L29-L4 I , 193-205 , 257-270 , 321-331 , 385-398 , 449-459 , 5L3-524 ,5 7 7 - 5 8 5 , 6 4 I - 6 4 9 , 7 0 5 - 7 t 4 .'A Rea l Gen t leman . r Suumer Number 1885 (n r ig t r t Days ) : 46 -50 .Ssee t Chr i s tabe l . 1 l (1884 /85 ) : 34 -42 , 98 -107 , 162 ' I7L ,227-235 , 291-299 , 353-361 .Vere Thornleighrs Inheritance; or, Lifers Fitful Fever.1 3 ( 1 8 8 6 / 8 7 ) : 1 - 1 1 , 9 9 - 1 1 0 , L 2 9 - I 3 9 , 1 9 3 - 2 0 4 , 2 8 7 ' 2 9 8 ,32L-332 , 416-428 , 449-462 . F i r s t two ins ta lmen ts t i t l edL i fe ' s P i t f u l Fever . The t i t l e was changed because i twas iden t i ca l t o tha t o f a s to ry wh ich had been appear ingfor nine months in the Southport Visitor 092).' ! ' I a te r - l i l i es . ' Su rm le r Number 1884 (Summer Days ) : 56 -59 .' w h i c h s h a l l r t B e ? ' 1 0 ( 1 8 8 3 / 8 4 ) : 5 3 0 - 5 3 2 .A l lman's Strength. 15 ( 1888/89 ) : 257 -267 , 354-366 , 418-429 ,4 4 9 - 4 6 r , 5 4 4 - 5 5 6 , 5 7 7 - 5 8 9 , 6 8 8 - 6 9 9 , 7 0 5 - 7 1 7 .

H o r n u n g , E I r n e s t ] W [ i l l i a r n J . r A D e m o n o f R e v e n g e : B e i n g a S t o r y

H e w e t t ,

H e w i t t ,H i c k s ,

262 7

o f S y d n e y a n d t h e B u s h . , 2 4 ( t g g Z ) , 5 4 - 6 3 .rn the chains of crime: Being the confessions of a LatePrisoner of the crovn, aud sometime Accomplice of the MoreNotorious A.J. Raffles, cricketer and Griminal, whose FateIs Unknown. 26 (1898)z l - I 2 , 190-199 , 279-Zgg , 344-352 ,4 5 t - 4 5 8 , 6 0 8 - 6 1 9 .I r ra l i e ' s Bushranger . ZZ (L895 /96 ) : Supp lemenr 1 -112 .

H o u g h , L e w i . s . ' A B u l g a r i a n E p i s o d e . ' 3 ( I g 7 6 / 7 7 ) z 5 4 - 5 7 .' M u t i n y o n B o a r d . r I ( L 8 7 4 / 7 5 ) z 6 0 2 - 6 0 5 .' O u r M i s t a k e n G e n e r o s i t y . ' 3 ( I g 7 6 / 7 7 ) z 2 g L - 2 g 4 . S i g n e dL . Hough .' A R i v e r S r o r y . ' 4 ( 1 8 7 7 / 7 $ z 3 7 6 - 3 7 9 .

H o w a r d , K e b l e . [ p s e u d o n y m o f J o h n K e b l e B e l l ] . ' C e l i a ' s B i d f o rF reedom: The s to ry o f a peacemaker and H is Reward . ' 50( 1 9 1 0 ) : 1 1 1 - 1 1 7 .t M a r r h a a n d r h e C o n s r a b l e . ' 4 3 ( L 9 0 6 / 7 ) : 9 5 - 1 0 1 .' T h e S a l v a t i o n o f E d i t h a . ' 3 5 ( I g O 2 / r : 5 4 6 - 5 5 0 .' A T o u c h o f C o m e d y . ' 3 7 ( L 9 0 3 / D : 1 1 6 - 1 2 0 .

Hudd les ton , E . H . ' I u ladame V ieux - temps . r 37 (1903 /4 ) z 3zg -333 .H u d s o n , u n a . ' M r F a i r l e y r s F u r n i t u r e . ' 4 5 e 9 o 7 / i l z 5 7 7 - 5 g L .H u g h e s , L . ' T h e B e a u r i f u l M i s s D a c r e . ' 3 8 ( 1 9 0 4 ) : 4 7 9 - 4 g 4 .H u g h e s , S p e n c e r L e i g h . ' T h e B a b y o f t h e H o u s e . r 3 0 ( 1 9 0 0 ) z 6 3 - 6 7 .H u g h e s , W a r r e n . ' F o r O n e N i g h t O n l y . , 4 2 ( t g O O ) : 5 3 2 - 5 3 7 .' T h e S c o r m y p e r r e l . ' 4 5 ( 1 9 0 7 / i l : 3 3 9 - 3 4 1 .Hun t , Bea t r i ce Le igh . s tone s teps and l {ooden s ta i r s . 3 (Lg76 /77 ) :

4 8 0 - 4 8 8 , 5 4 2 - 5 5 2 , 6 0 6 - 6 1 6 , 6 7 0 _ 6 9 0 , 7 3 3 _ 7 4 2 .l b o P o i n t s o f v i e v . 2 ( L 8 7 5 / 7 6 ) t 3 3 - 4 0 , 9 6 - 1 0 3 , 1 6 1 - 1 6 9 ,2 2 4 - 2 3 2 , 2 8 9 - 2 9 4 , 3 5 0 - 3 6 0 .

H [ u n r ] , [ u r s ] J I o h n ] . ' r n r h e G 1 a s s . ' 7 ( 1 g g 0 / g 1 ) : 3 4 4 - 3 4 6 .H u n t e r , u r s T a l b o t . ' T h e u n m a k i n g o f a s e l f - m a d e M a n . ' 4 5 ( r 9 0 7 l g ) :

3 s 3 - 3 6 1 .H u t c h i n s o n , M a r y F . ' M y C h u m . ' 1 9 ( 1 8 9 2 / 9 3 ) z 4 6 6 - 4 6 9 .H y d e ' A . G . ' T h e r n d u s r r i o u s A p p r e n t i c e . ' 3 6 ( 1 9 0 3 ) : 3 7 0 - 3 7 4 .

'The Peerage Exchange . ' 40 ( 1905 ) : 2gB-296 .r T h e W e s t e r n P r i n c e s s . ' 3 9 ( 1 9 0 4 / 5 ) : 4 5 9 - 4 6 7 .

H y n e , c I h a r l e s ] . r I o n n ] c u r c l i f f e . ' T h e B l i n d s k i p p e r . ' 2 l ( L g 9 4 / 9 5 ) :939-944 .' A C a s e o f B a r r a r r y . ' 2 I ( 1 8 9 4 / 9 5 ) z 4 6 0 - 4 6 5 .' T h e D e f i e r ( A T a l e o f a W e s t A f r i c a n C o l o n y ) . ' 2 2 ( 1 g 9 5 / 9 6 ) :3 0 0 - 3 0 7 .' T h e c h o s r o f c r a w l e y ' s G h y l l . ' i 1 9 ( L 9 9 2 / 9 3 ) z g 3 g - g 4 l .' I n E h e B a y . ' L 9 ( 1 8 9 2 / 9 3 ) z 8 6 4 - 8 6 7 .' T h e M a n i n r h e M i z z e n - t o p . , L 9 e g g 2 / 9 3 > , 5 4 4 - 5 4 9 .' T h e M a n w h o o n c e M a d e D i a m o n d s . ' 2 r ( r g 9 4 / 9 i l 2 6 g 2 - 6 g 6 .'The l " lumrny of Thornpson-prat t . | 26 (1g99) z 244-249.

H y a t t , s t a n l e y P o r t a l . ' T h e p a s s e n g e r s o f t h e L o r u n n a . , 4 g ( 1 9 0 9 ) :3 0 2 - 3 0 6 .

r n c e , G e r t r u d e . ' M r s B e t t s r s s u i t o r s . r 4 9 ( 1 9 0 9 / 1 0 ) z 6 3 9 - 6 4 3 .r n g r a m , E l e a n o r M [ a r i e ] . ' T h e H e a r t o f p r i n c e s s R o s a r i o . ' 5 0 ( 1 9 1 0 ) :

L 4 0 - L 4 7 .' T h e H o n o u r o f V a l d i . ' 5 0 ( 1 9 1 0 ) : 4 g 2 - 4 9 0 .

James , F lo rence E . See Warden , F lo rence .J a n e , F r e d T . ' T h e M i s s i n g F l e e t . ' 2 4 ( 1 8 9 7 ) : I L 5 - I 2 2 .J " y , F r e d . ' A M a n o ' B u s i n e s s . r 4 3 ( L 9 O 6 / 7 ) z 7 2 9 - 7 3 3 .

' M r M i n t e r ' s H o b b y . I 4 2 0 9 0 6 ) : 2 8 8 - 2 9 I .' l u l r P a r s l o w ' s F e l l o w - t r a v e l l e r : A H u m o r o u s S t o r y . t 4 2 ( 1 9 0 6 ) :6 0 3 - 6 0 8 .' A n O l d C r o m e : A H u m o r o u s S t o r y . r 4 3 ( L 9 0 6 / 7 ) z 1 1 4 - 1 2 0 .' A n O I d F o o l : A H u m o r o u s S t o r y . r 4 3 ( 1 9 0 6 / 7 ) : 3 6 4 - 3 6 9 .' O n e i n a M i l l i o n : A H u m o r o u s S t o r y . t 4 2 ( 1 9 0 6 ) z 4 1 5 - 4 2 0 .

Jephson , Edgar . The Admi rab le T inke r . 40 (1905) : 101-108 , 439-444 ,638-644 .'The Adven tu re o f the B lue Pos ts : Be ing a Fur the r Adven tu reo f t h e A d r n i r a b l e T i n k e r . ' 4 2 ( 1 9 0 6 ) : 2 7 2 - 2 8 0 .'The B i te rs B i t : Be ing a Fur the r Adven tu re o f the Admi rab leT i n k e r . r 4 2 ( 1 9 0 6 ) t 4 0 4 - 4 0 9 .' T h e B u t c h e r - b o y l s R e p e n t a n c e . ' 4 3 ( 1 9 0 6 / 7 ) z 5 3 3 - 5 4 0 .' T h e E p p s t e i n E m e r a l d . ' 4 6 ( f 9 0 8 ) : 3 0 9 - 3 1 7 .'The Tr iurnph of Mr Ol iver Brown: Being a Further Adventureo f t h e A d r n i r a b l e T i n k e r . r 4 2 ( 1 9 0 6 ) : 1 5 5 - 1 6 2 .

J e r o m e , J e r o m e K [ l a p k a ] . t T h e G h o s t o f t h e M a r c h i o n e s s A p p l e f o r d . '2s (1897 /98 )z 339 -346 .' T h e T e r n p t a t i o n o f M i s s R a m s b o t h a m . I

J o h n s t o n e , E d w a r d . ' H o w J o n e s E a r n e d t h e V . C . r

K e a , A n n e . ' B y M u t u a l C o n s e n t . ' 1 2 ( 1 8 8 5 / 8 6 ) :

K e n n e d y , B a r t . ' T h e G r e a t W a t e r . ' 4 L ( L 9 0 5 / 6 ) z

3 5 ( L 9 0 2 / 3 ) : s 4 ' 6 2 .4 7 ( 1 9 0 8 / 9 ) : s 4 s ' s 4 9 .

2 4 2 - 2 4 6 .3 L 3 - 3 2 4 .

' T h r o u g h a N i g h t . r 3 6 ( 1 9 0 3 ) : 1 6 5 - 1 7 1 .Kennedy , Howard Angus . 'The Co ld P r incess : A S to ry fo r Ch i ld ren . '

3 s ( 1 9 0 2 / 3 ) z 6 0 1 - 6 0 4 .' T h e J o k e r : A S t o r y f o r C h i l d r e n . ' 3 0 ( 1 9 0 0 ) : 5 5 1 - 5 5 3 .S igned H .A . Kennedy .' L i g h t n i n g G o l d : A S t o r y f o r C h i l d r e n . ' 3 1 ( 1 9 0 0 / 1 ) : 3 7 4 - 3 7 7 .'The SEon ish G ian ts and the Mag ic A r row: Fo r Ch i ld ren . '2 7 ( 1 8 9 8 / 9 9 ) : 7 I 0 - 7 1 2 .'The S to ry o f Kweedas and K indawuss : A S to ry fo r Ch i ld ren . '3 0 ( 1 9 0 0 ) : 1 0 5 - 1 0 8 .' T h e T h r e e W i s h e s : A C a n a d i a n T a l e . r 3 8 ( 1 9 0 4 ) : 9 6 - 9 8 .

K e r , D a v i d . ' A t C l o s e Q u a r t e r s $ r i t h a B o a C o n s t r i c t o r . t | ( 1 8 7 4 / 7 5 ) :

3 3 4 - 3 3 7 .' A C u t i n t h e D a r k . ' 1 ( L 8 7 4 / 7 5 ) z 4 6 7 ' 4 6 9 .' T h e c r e a t G o l d S e c r e t . ' | ( L 8 7 4 / 7 5 ) z 2 7 3 - 2 7 7 .' I n D a n g e r o u s C o m p a n y . ' L ( 1 8 7 4 / 7 5 ) z 7 5 I ' 7 5 4 .' R a c i n g a n A r a b : A n A d v e n t u r e i n S y r i a . ' 1 6 ( 1 8 8 9 / 9 0 ) : 7 4 8 -7 5 0 .'Those Te r r i b l e S i x Hou rs : A Sa i l o r ' s S to rv . l8 6 - 8 7 .

2 ( 1 8 7 5 / 7 6 ) t

Keyworth, Thomas. By Word of l, louth: A Story of Adventure.4 8 - 5 4 , 9 4 - 1 0 1 , 1 7 5 - 1 8 1 .

L 7 ( 1 8 9 0 / 9 1 ) '

' A C o m p a n y o f T h r e e . r 1 3 ( 1 8 8 6 / 8 7 ) : 2 4 7 - 2 5 0 .C o m r a d e s O n c e . 1 4 ( 1 8 8 7 / 8 8 ) : 5 L 3 - 5 2 3 , 6 1 6 - 6 2 6 , 6 4 I - 6 5 2 , 7 3 4 - 7 4 5 .' T h e D o u b l e X M y s t e r y . ' 1 6 ( 1 8 8 9 / 9 0 ) : L 8 - 2 5 .'M is t ress June . ' Su rnmer Number 1886 : 1 -40 .' N e v e r C l e a r e d U p : A l ' l y s t e r y o f t h e S e a . ' 1 6 ( 1 8 8 9 / 9 0 ) : 2 7 4 ' 2 8 L .' T h e S e c r e t o f t h e E a g l e ' s - f a t e . r 1 9 ( 1 8 9 2 / 9 3 ) z 3 0 1 - 3 1 0 .A T reacherous Ga1u . 13 (1886 /87 ) : 513 '522 , 610-619 , 641-650 ,7 3 8 - 7 4 7 .'Wa te rs o f Ob l i v i on . ' Summer Number 1890 : 3 ' 45 .

K i n g , F l o r e n c e M . [ P s e u d o n y m o f M a u d C a r e w ] . r H i s O w n P r o p e r t y . t

28 29

K i n r o s s ,K i p I i n g ,

1 5 ( 1 8 8 8 / 8 9 ) : 2 1 6 - 2 2 r . s i g n e d ' B y r h e A u t h o r o f " A M a no f t h e N a m e o f J o h n r " e t c . '' L i t t l e G e n e r a l S c o r t . ' 9 ( 1 g g 2 / g 3 ) : 6 0 - 6 4 . S i g n e d , B yt h e A u t h o r o f t t H i s o w n p r o p e r t y r r r t t N e r r r s N o b l e m J n r t t e t c . t'K ing o r p ro tec to r? r Summer Number l ggg : 3_4g . S igned'By the Au tho r o f , 'A Man o f the Name o f Johnr " e tc . ;A l t an o f rhe Nane o f John . 13 (1gg6 /s7 ) : 3g5-394 , 480-4gg ,5 4 4 - 5 5 3 , 5 7 7 - 5 9 6 , 6 7 4 _ 6 9 2 , 7 0 5 _ 7 1 4 .' N e 1 1 ' s N o b l e m a n . ' 1 6 ( 1 8 8 9 / 9 0 ) : 4 6 6 - 4 7 0 . S i g n e d , B yt h e A u t h o r o f " H i s O w n p r o p e r t y r " e t c . rI { o m a n l i k e . L 6 ( 1 8 8 9 / 9 0 ) : 3 8 5 - 3 9 3 , 4 9 6 - 4 9 5 , 5 1 3 - 5 2 2 , 6 t 4 _ 6 2 2 ,641-650 ' 736-744 . s igned 'By rhe Aurhor o f "A Man o f theN a m e o f J o h n r r t t t K i n g o r p r o t e c t o r ? r , e t c . r' T h e W r o n g B e r r i e . ' 1 6 ( 1 8 8 9 / 9 0 ) : 5 9 g - 6 0 2 . S i g n e d ' B yt h e A u t h o r o f " H i s O w n p r o p e r t y r t r e t c . r

A l b e r t . ' T h e c h r i s r m a s c i f r . , 4 7 ( 1 g 0 g / g ) : 7 7 - g o .R u d y a r d . ' A D e a l i n c o t c o n . ' 4 5 ( 1 9 0 7 / g ) , 1 6 3 - 1 7 3 .

K i m . 3 1 ( 1 9 0 0 / 1 ) : 1 6 3 - L 7 7 , 2 7 5 - 2 9 L , 3 8 7 - 3 9 8 , 4 g g - 5 l 4 ,6 L L - 6 2 4 ; 3 2 ( 1 9 0 1 ) : 3 ' L 7 , 1 1 5 - 1 3 0 , 2 2 i ' 2 4 2 , 3 3 g - 3 s 2 , 4 5 ! - 4 6 6 ,563-57 6 .

Know les , Mabe l Win i f red . See l r r ynne , May .K o c h e l i , J o s e p h . ' u n d e r t h e c a n v a s : A s t o r y o f c i r c u s L i f e . ' 4 g

( 1 9 0 9 ) : 6 1 4 - 6 2 0 .K r a u s s e , A l e x i s . ' T h e M y s t e r i o u s A f f a i r a t M a i n - N a . r 2 2 ( r g g 5 / g 6 ) :

6 5 1 - 6 s 9 .L a c e y , W i l l i a r n J . ' H i s G u a r d i a n G e n i u s . r 1 4 ( 1 g g 7 / g g ) : 5 6 0 _ 5 6 4 .' I n W a y w a r d M o o d . ' 1 5 ( l g g g / 9 9 ) z 2 g - 3 2 .' A L o s t K e y . ' 8 ( 1 8 8 1 / 9 2 ) : I L Z - I I 4 . S i g n e d W . J . L a c e y .L a n g - B u c k l a n d , E I r n e s t J S I e g a r ] . ' T h e A u r h o r o f T u l i p p a . ' 2 7 ( : r g g s / 9 9 ) ,

4 6 7 - 4 7 2 .' M y B r o t h e r - i n - l a w . ' 2 6 ( l g 9 g ) : 5 2 3 - 5 2 9 .

L a n y e r , L o u i s e . r o f f r h e L i n e . r 4 3 ( 1 9 0 6 / 7 ) z 3 4 6 - 3 5 5 .Lawson , Henry . 'The Ghos t l y Door : A New ZeaLand S to ry . '

6 3 3 - 6 3 5 .3 l ( 1 9 0 0 / 1 ) :

Le Bre ton , John . [pseudonym o f M. Har te po t t s and r . Mur ray Ford ] .r M y L o r d t h e T i g e r : A s t r a n g e s t o r y o f c e n t r a l t n i i a . '4 9 ( 1 9 0 9 / l - o ) z 1 9 - 2 4 .

Le Bre ton , Thomas . [pseudonym o f T . Mur ray Ford ] . 'H i s JapaneseW i f e . ' 5 0 ( 1 9 1 0 ) : 3 8 2 - 3 8 8 .

L e e , C h a r l e s . ' T h e W h i t e B o n n e r . | 4 3 ( L g O 6 / 7 ) : 4 7 6 _ 4 g 3 .Legge , Ph i l i ppa . 'Bohemian G lass . ' sununer Number 1g95 , 3 -64 .Le igh ton , Mar ie . 'The Adven tu re o f the Banbury cakes . ' 39 ogo+ /s ) ,

6 4 - 7 I .Lemon, Ida J[ane] . That L i t t le Wman.

64L-65 I , 7 05 -7 L6 .1 7 ( 1 8 9 0 / 9 1 ) : 5 1 3 - 5 2 3 , 6 0 7 - 6 L 7 ,

L e Q u e u x , W i l l i a r n . r T h e A v e n g e r s . ' 3 g ( 1 9 0 4 ) : 3 - 1 0 .The coun t rs Ghau f feu r . 42 ( r9oo : 5g -66 , Lg5-204 , 323-331 ,4 3 2 - 4 3 9 , 5 5 9 - 5 6 7 , 6 7 7 _ 6 8 6 .' T h e G a m e o f L o v e . ' 3 l ( 1 9 0 0 / 1 ) : L L 7 - I 2 6 .'The Lady o f the Grea t Nor th Road : A Mys te ry o f ch r i s tmasE v e . ' 3 9 ( 1 9 0 4 / 5 ) , t Z 4 - I 3 t .' T h e M a n w i t h r h e B l a c k S p e c t a c l e s . r 3 7 ( : r g } 3 / 4 ) : 4 9 _ 5 6 .' P r i n c e s s N a r c i s s e . ' 3 2 ( 1 9 0 1 ) : 6 0 9 - 6 1 3 .' T h e p r i n c e s s ' s E s c a p a d e . r 4 7 ( 1 9 0 g / 9 ) : 1 3 1 - 1 4 0 .

T h e S p i d e r r s E y e ' 4 0 ( 1 9 0 5 ) : 3 ' 1 8 , 1 1 5 - 1 2 9 , 2 2 7 - 2 4 2 , 3 3 9 - 3 5 4 ,

4 5 L - 4 6 6 , 5 6 3 - 5 7 8 .stories of llonte carlo: Being the Reniniscences of Antoiue

llartin, Chief of the Surveillance Departnent of the Gercle

d e s E t r a n g e r s d e H o n a c o . 2 7 ( 1 8 9 8 / 9 9 ) : 7 8 - 8 5 , 2 2 3 - 2 2 9 ,

3 4 6 - 3 5 3 , 4 3 1 - 4 3 8 , 5 3 8 - 5 4 5 , 6 5 0 - 6 5 8 .

T h e U u n a m e d . 3 3 Q S O I / 2 ) : 1 - 1 6 , 1 6 3 - 1 7 8 , 2 9 2 - 3 0 5 , 3 9 9 - 4 L 4 ,

522-537 , 630-646 .L e S a g e , A n n a . ' P o t s a n d P a n s . ' 5 0 ( 1 9 1 0 ) z 3 7 - 4 4 .

L e t t s , W i n i f r e d . ' A G r e y S t o r y W h i c h E n d s i n G o l d . | 4 0 ( 1 9 0 5 ) :

625-630 .L e v e t t - Y e a t s , S . ' T h e

Q u e e n ' s R o s e s . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) : 1 - 1 6 .

L e y s , J o h n K [ i r k w o o d J . ' B o r r o w e d P l u m e s . ' 2 0 ( L 8 9 3 / 9 4 ) t 7 8 4 ' 7 9 I .

. ' T h e D o c t o r ' s B l u n d e r . ' 1 8 ( 1 8 9 f / 9 2 ) : 4 7 3 - 4 7 8 ''A Runaway Match . ' 38 (1904) z 265 '270 .' T h e S q u i r e f s E n t a n g l e m e n t " 1 9 ( 1 8 9 2 1 9 3 ) : 2 6 5 - 2 7 0 '

L i l l i e , L u c y C e c i t . ' C y n t h i a ' s T e a - m a n ( A N e w E n g l a n d S t o r y ) ' 1 1 8

( L 8 9 L / 9 2 ) z L 8 - 2 4 .L i n c o l n , H u g h . ' T h e i r s e c r e t c o d e . ' 3 5 Q 9 O 2 / 3 ) z 6 3 3 - 6 3 9 .

L i n d s a y , M a y n e . ' J e r r y ' s W i f e . r 4 1 ( 1 9 0 5 / 6 ) : 5 6 4 ' 5 6 8 '

L o n d o n , J a c k . ' C o n f e s s i o n . ' 4 7 ( 1 9 0 8 / 9 ) t 4 2 2 - 4 2 9 '' T h e F u z z i n e s s o f H o o c k l a - h e e n . ' 4 2 ( 1 9 0 6 ) : 2 5 - 3 0' T h e N a t u r e l ' l a n . t 4 7 ( 1 9 0 8 / 9 ) : 5 1 - 5 8 .' Trus t . I 45 (1907 / 8) : 282'290 .

L o n g , L i l y A . ' A I " l o n k W a s H e . ' 4 5 ( 1 9 0 7 / 8 ) z 8 7 ' 9 6 '

L o r r i m e r , N o r n a . ' B e l l a L i s a : A S t o r y o f L a k e M a g g i o r e . ' 3 5 ( 1 9 0 2 / 3 ) t

200-205 .L y n c h , G e o r g e . ' V i - y u n ' s V o w : A T r u e T a l e o f K o r e a n R e v e n g e . ' 3 8 ( 1 9 0 4 ) :

458-463 .Maar tens , Maar ten . IPseudonym o f Joos t ] l a r i us l . l i 1 le rn van de r Poor ten -

s c h w a r E z ] . ' A n t i q u e s : A M o d e r n I n c i d e n t . ' 4 7 ( 1 9 0 8 / 9 ) :

3 3 - 4 3 .McFa l1 , F rances E l i zabe th . See Grand , Sarah .

M a c k a y , I s a b e l E c c l e s t o n e . ' T h r o u g h t h e W a l 1 . ' 4 7 ( 1 9 0 8 / 9 ) : 2 7 4 ' 2 8 4 '

I l a c k a y , W i l l i a m . ' M r S t o r k ' s M i s c a l c u l a t i o n : A S t o r y a b o u t a B u r g l a r ,

a G h o s t a n d a M o t o r C a r . ' 4 8 ( 1 9 0 9 ) t 6 2 1 - 6 2 6 '

M a c l a r e n , I a n . I P s e u d o n y m o f J o h n W a t s o n ] . t A S u c c e s s f u l D e a l . ' 3 5

( r 9 o 2 / 3 ) , 1 6 - 2 4 .M a c m a h o n , E l l a . ' A V o i c e f r o m t h e D e a d . ' 2 2 ( 1 8 9 5 / 9 6 ) : L 6 8 ' L 7 2 .

MacNab , F rances . lPseudonym o f Agnes F raser ] . rMus te r Dow: o r , A

V i l l age Mys te ry . ' Summer Number 1895 ' 72 -74 '

l " l acnamara , T .J . 'The Schoo lm is t ress a t Tha tchamle t . ' 2L (L894 /95 ) t

604-607 .M a c n a u g h r o n , S I a r a h ] . ' F o r a H e r o ' s S a k e . ' 4 7 ( 1 9 0 8 / 9 ) : 4 8 8 - 4 9 5 .

I , t acquo id , Ka tha r ine S [a rah ] . 'Te l l Me , Where I s Fancy Bred . ' 46

( 1 9 0 8 ) : 3 8 3 - 3 9 0 .l " l a g n u s , K . ' A n U n s e n s a t i o n a l G h o s t S t o r y . ' 1 5 ( 1 8 8 8 / 8 9 ) : 9 1 - 9 3 .

M a l p a s , H e n r y . ' A B r o k e n E n g a g e m e n t . ' 1 6 ( 1 8 8 9 / 9 0 ) : 4 0 1 - 4 0 5 .' M r s i m p e r s o n ' s S t o r y . | 1 5 ( 1 8 8 8 / 8 9 ) : 5 3 3 - 5 3 7 .

M a n n , M a r y E . ' T h e E e r i e . ' 4 7 ( 1 9 0 8 / 9 ) : L 9 5 - 2 O 2 'r H e c t o r A l e x a n d e r . r 4 8 ( 1 9 0 9 ) : 5 7 2 ' 5 7 9 .

M a n s e r g h , J e s s i e . ' T h e I g n o r a n c e o f S y b i 1 l a . ' 2 8 ( f 8 9 9 ) z 4 8 4 - 4 9 0 '' R e j e c r e d A d d r e s s e s . r 3 3 ( 1 9 0 1 / 2 ) : 3 6 5 - 3 7 1 . S i g n e d l t r s

George de Horne Yaizey, her marr ied name'

30 3 1

Marbury , Mary. 'The Broken Hear t : A Ta le To ld over a2 ( I 8 7 5 / 7 6 ) : 1 1 2 - 1 1 6 .' G o n e A w a y - N o T r a c e ! T o l d o v e r a C o u n t e r . l

C o u n t e r . I

2 ( L 8 7 5 / 7 6 ) z

M e a d e , L . T . I i . e . E l i z a b e t h( 1 8 8 3 / 8 4 ) : 2 2 - 2 5 .Engaged to Be llarried: A

3 8 5 - 3 9 5 , 4 8 5 - 4 9 5 , 5 L 3 - 5 2 2 ,In the Thick of the Fight.

t L 8 - 7 2 9 .

T h o r n a s i n a ] . ' B e h i n d t h e T a p e s t r y - ' 1 0

Story o f To-day. 15 ( f888/89) :6 0 8 - 6 1 7 , 6 4 1 - 6 4 9 , 7 3 8 - 7 4 8 ,

2 (L895 /96 ) : 204 -216 , 480 -490 ,4 6 7 - 4 7 r ." 'G rey , Bu t No t w i t h yea rs " : To ld ove r a Coun te r . r 2 (Lg75 /7 6 ) z

306 - 3 10 .r L o s t o r S t o l e n ? T o l d o v e r a C o u n t e r . , 2 ( I g 7 5 / 7 6 ) z 6 5 6 - 6 6 0 .' T h e M a n o f M y C h o i c e : M y S t o r y , T o l d o v e r a C o u n t e r . '2 ( I 8 7 5 / 7 6 ) z 2 4 9 - 2 s I .' M y D i s c o v e r y : A s t o r y T o r d o v e r a c o u n t e r . r z ( r g 7 5 / 7 o z7 5 I - 7 5 4 .' M y O w n S t o r y : T o l d o v e r a C o u n t e r . r 2 ( I g 7 5 / 7 6 ) z 1 g 4 _ l g g .' O l d M o n e y b a g s ' W i l l : A S t o r y T o l d o v e r a C o u n t e r . | 3( I 8 7 6 / 7 7 ) : 1 8 2 - 1 8 4 .

March rnon t , A r thu r l , I [w i l l i a rns ] . 'A ch r i s tmas Eve a t Lans ton Grange . '3 3 ( L 9 0 I / 2 ) z 2 5 - 3 3 .' T h e C h r i s r m a s M a s q u e a t A l b u r t o n . , 3 5 ( 1 9 0 2 / 3 ) : g 4 - g 2 .' A c l o s e c a 1 1 . | 3 7 o 9 o 3 / 4 ) t g 2 - g g . s i g n e d A . w . M a r c h m o n t .' A C o u r i e r o f F o r t u n e . ' 3 3 ( l g O I / 2 ) . 5 0 g - 5 f 3 .' T h e H a n d s o f r h e p h i l i s r i n e s . r 4 7 ( 1 9 0 g / 9 ) : 4 O O - 4 0 7 .The l tan lJ t ro IJas Dead. .43 (L906/7): L2g -L52, 252-273,3 7 4 - 3 9 4 , 4 9 1 - 5 r 0 , 6 1 6 - 6 3 5 , 7 3 6 _ 7 5 4 .' O u r B u c k e r S h o p . ' 3 9 ( I 9 0 4 / i l : 2 9 9 - 3 0 4 .' T h e

" q u e e n r s N i c h e " a t L u t w o r t h . | 4 I ( 1 9 0 5 / 6 ) : 5 9 3 - 6 0 1 .M a r r i o t t , C h a r l e s . ' E 1 s i e R a e b u r n . r 3 4 ( 1 9 0 2 ) : 5 7 0 - 5 7 7 .M a r r i s , N o r a M . " A F a u l r y H e r o i n e . ' L 9 ( L g g 2 / 9 3 ) . 2 2 2 - 2 3 L .Marsh, Richard. Adventures of Angus short: f irings tttrich r Eave Done

fo r O the rs , and Wish I Hadnr t . 32 (1901) : 26 -34 , 164_ I7L ,2 6 5 - 2 7 2 , 3 7 5 - 3 8 3 , 4 8 6 _ 4 9 2 , 5 9 6 - 6 0 2 .' T h e C o l o n e l ' s C a n e . , 2 7 ( 1 8 9 9 / 9 9 ) : 4 L 2 - 4 I g .' C u p i d r s M e s s e n g e r . ' 3 4 ( 1 9 0 2 ) z 3 4 7 - 3 5 5 .' M i s s W a r i n g ' s E l o p e m e n t . ' 4 7 ( 1 9 0 g / 9 ) : 2 4 4 - 2 5 5 .' O n t h e J u r y . ' 4 6 ( 1 9 0 8 ) : 2 6 4 - 2 1 6 .

Marsha l1 , A rch iba ld . IPseudonyrn o f A r thu r Hammond Marsha l l ] . t T o n y t s

F r i e n d . r 4 7 ( 1 9 0 8 / 9 ) : 5 2 6 - 5 2 8 .Marsha l1 , A r thu r Hamrnond . See Marsha1 l , A rch iba ld .M a r s l a n d , C l e m e n t . t A f t e r L o n g y e a r s : A p o r t s m o u t h

8 3 ) : 5 9 8 - 6 0 1 , 6 8 9 - 6 9 I .S t o r y . ' 9 ( 1 8 8 2 /

M a r t l e y , H e n r y . ' H a n d s A l r R o u n d . ' 4 6 ( 1 9 0 s ) z 4 0 4 - 4 1 0 .M a r t y n - H e n r y , l l r s . ' c o l o n e l s t o r m e r ' s M i s t a k e ( t h e c h r o n i c l e s o f

c a r d e w e M a n o r ) . ' 1 5 ( 1 8 8 8 / s 9 ) : 1 5 g - 1 6 3 . s e e a l s o c a r d e w e ,Emi Iy and Farmer , Lucy fo r fu r the r ch ron ic les o f ca rdeweManor ,

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' T h e P r i n c e s s J o c e l i a n d e . ' 2 3 ( 1 g 9 6 / 9 7 ) z 2 3 3 - 2 4 6 .M a t h e r s , H e l e n . ' S o m e F i s h e r F o l k . , 2 3 ( L 5 9 6 / 9 7 ) z 2 5 6 _ 2 6 4 .' A S u m r n e r G i r l . , 4 6 ( 1 9 0 8 ) : 2 5 7 - 2 6 2 .M a u g h a m , W [ i 1 1 t a m ] S o m e r s e t . ' T h e H a p p y C o u p l e . ' 4 5 ( I 9 O l / g ) : 6 5 2 - 6 5 6 .M a x w e l l , B e a t r i c e H e r o n . S e e H e r o n - M a x w e l l , B e a t r i c e .M a x w e l l , W [ i 1 l i a m ] B I a b i n g r o n ] . ' J a c k a n d D i c k . ' 4 L ( 1 9 0 5 / 6 ) : L 9 5 _ 2 0 2 .M " y , J a n e . r W h a r T o m T h o u g h r . ' L 2 ( 1 8 g 5 / g 6 ) : 3 7 2 - 3 7 6 .

( h r t o f t he Fash ion . f 8 ( 1891 /92 ) : 1 -9 , 65 -73 , 176 -184 '1 9 3 - 2 0 r , 2 5 7 ' 2 6 4 , 3 5 6 - 3 6 4 .Ttre voice of the Ghamer. 2L ( 1894/95 ) , 1- 16 , 93- 107 ,r 6 8 - 1 8 2 , 2 7 7 - 2 9 2 , 3 4 3 . 3 5 8 , 4 o 8 - 4 2 2 , 5 0 0 . 5 1 4 , 5 6 9 - 5 8 3 , 6 9 8 . 7 L 2 ,

7 4 0 - 7 5 4 , 8 5 1 - 8 6 7 , 9 1 7 - 9 3 0 .Meade , L .T . & Robe r t Eus tace . ' The B lack 8a11 . ' 35 (1902 /3 )z 213 -223 .

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. A D ip lona t i c l fman . 28 (1899) z 79 '86 , 150-158 , 261 '268 ,

3 9 6 - 4 0 3 , 5 0 4 - 5 1 1 , 6 0 6 - 6 1 3 .' T h e F a i r y G h o s t : A C h r i s t m a s F a n r a s y . ' 4 L ( 1 9 0 5 / 6 ) : 9 0 - 9 9 .' F o o l ' s M a t e . ' 2 3 ( L 8 9 6 / 9 7 ) , 1 6 0 - 1 6 8 .'The Man Who Always Had Money: A Modern Fairy Tale forp e o p l e W h o P r e t e n d n o t t o B e l i e v e s u c h T h i n g s . ' 3 8 ( 1 9 0 4 ) :

339-344 .. ' T h e O d e s s a D e a l . ' 2 3 0 8 9 6 / 9 7 ) . 3 3 9 ' 3 4 7 '

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. , R o s a ' s M e n d a c i t y : A n A l m o s t I m p o s s i b l e S t o r y . ' 4 l ( r g o s / 0 ) ,

454-464 .. ' A S o c i e t y P a s s p o r t . ' 3 7 ( L 9 0 3 / 4 ) z 6 3 4 ' 6 4 2 '

. , T h e U n c e r t a i n t y o f H u m o u r : A C h r i s t m a s S t o r y . ' 3 9 ( 1 9 0 4 / 5 ) :

4 9 - 5 5 ., W i t h i n T o u c h o f t h e H a n g m a n . r 4 0 ( 1 9 0 5 ) : 2 0 6 ' 2 1 1 .

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( 1909) : 218 '220 .M e r r i c k , L e o n a r d . ' T h e D o l l i n t h e P i n k s i l k D r e s s . ' 4 9 ( 1 9 0 9 / 1 0 ) :

I L z - L 2 2 .' W h y B i l l y W e n t B a c k . ' 4 7 ( 1 9 0 8 / 9 ) : 1 6 5 ' L 7 2 '

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M i d d l e m a s s , J e a n . ' L a d y B e s t ' s M i s t a k e . ' 1 0 ( 1 8 8 3 / 8 4 ) : 8 4 - 8 7 .' w i l d G r a p e s . r 1 4 ( 1 8 8 7 / 8 8 ) : 2 7 9 ' 2 8 3 .

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( 1 9 0 2 ) : 3 9 8 - 4 0 3 .M i l n , C r i c h t o n . ' H i s M a j e s t y ' s F r i e n d . r 4 4 ( 1 9 0 7 ) : 2 3 4 - 2 3 8 .

M i l t o n , A r r h u r . ' A n o r h e r I n d i a n T a l e . ' 1 8 ( L 8 9 L / 9 2 ) : 6 8 2 - 6 8 6 .' T h e B a l d - h e a d e d B o y : A n I n d i a n T a 1 e . ' 1 9 ( L 8 9 2 / 9 3 ) z L 9 4 - 1 9 6 .' F a t i m a a n d t h e C a l f . ' 2 2 ( 1 8 9 5 / 9 6 ) : 5 3 7 - 5 3 8 'f T h e P a r t n e r s h i p . r L 9 ( 1 8 9 2 / 9 3 ) z 3 8 8 - 3 9 0 '' T h e T a i l 0 r : A n I n d i a n T a l e . ' 1 9 ( 1 8 9 2 / 9 3 ) z 6 7 7 ' 6 8 1 .

l " l o b e r l y , L . G . ' A n E r r o r i n D i a g n o s i s . ' 3 6 ( 1 9 0 3 ) : 3 1 1 - 3 1 6 .

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443-448.l 4 o o r e , B r i n s l e y . ' T h e B u t t e r w o r t h S c a n d a l . ' 4 4 ( 1 9 0 7 ) : 1 9 4 _ 2 0 L .

' M i s s L e t i r i a r s A u n r . ' 4 6 ( 1 9 0 8 ) : 3 6 0 - 3 6 g .M o o r e , D o r a . T r a n s . ' T h e A d o p t i o n . ' B y F r a n g o i s c o p p - e e . 2 6 ( 1 g 9 g ) :

3 5 8 - 3 6 1 .T rans . 'An Au tumn Romance . ' By Char les Fo le ! . 2g ( 1g99 ) :5 9 8 - 6 0 0 .T r a n s . r B r i g a u r . t B y c h a r r e s F o r e y . 2 6 ( r g g g ) : 5 9 g - 6 0 0 .T r a n s . ' T h e c h i l d K i n g : A s t o r y o f t h e R e b e l l i o n . r B yC h a r l e s F o t e y . 2 9 Q S g g / L g O } ) z 4 8 4 - 4 g 5 .T r a n s . ' A c i t o y e n n e ' s L e c t e r t o H e r D a u g h t e r . r B y c h a r l e sF o l e y . 3 1 ( 1 9 0 0 / 1 ) : 3 6 5 - 3 6 6 .T r a n s . t T h e F i a n c 6 ' s R u s e . ' B y c h a r r e s F o l e ! . 2 7 ( L g 9 g / 9 g ) ,258-260 .T r a n s . ' H a p p i n e s s - ' B y c h a r r e s F o l e y . 2 7 ( 1 g 9 g / 9 9 ) :5 8 5 - 5 8 7 .T r a n s . ' T h e L i t t l e L a c k e y . ' B y c h a r r e s F o l e y . 3 0 ( 1 9 0 0 ) :4 t 5 - 4 L 7 .T r a n s . ' T h e L i t t l e L a d w i t h t h e T o w - c o l o u r e d H a i r : A s t o r yo f r h e t l a r i n L a v e n d 6 e . ' B y c h a r l e s F o l e y . 3 0 ( 1 9 0 0 ) :9 9 - 1 0 0 .T r a n s . , T h e L i t t l e K i n g ' s C h r i s t m a s . '4 I ( 1 9 0 5 / 6 ) : 1 3 6 - 1 3 8 .

B y C h a r l e s F o l e y .

' T h e M a n w i r h r h e G r e e n E y e s . ' 2 9 o g g g / 1 9 0 0 ) : 3 7 6 - 3 g 0 .T r a n s . ' T h e M o u j i k . r B y c h a r l e s F o l e y . 2 g ( 1 g 9 9 ) : 5 2 6 - 5 2 g .T r a n s . ' M u c h e r . t B y c h a r l e s F o l e y . 2 9 o g g g / 1 9 0 0 ) z 7 0 2 - 7 0 4 .T r a n s . ' T h e P r o f e s s i o n a l L o v e r . ' B y C h a r l e s F o l e y . 2 7( 1 8 9 8 / 9 9 ) : 4 s i - 4 s g .T r a n s . ' A R e p e n t a n c e . r B y C h a r l e s F o l e y . 2 g ( 1 g 9 9 ) :1 3 9 - 1 4 1 .T rans . 'An Unwe lcome Gues t : A S to ry o f t he War i n LaV e n d 6 e . ' B y C h a r l e s F o l e | . 3 0 ( 1 9 0 0 ) z 2 0 9 - 2 t I .

M . " T h e V o i c e i n r h e W o o d s . , 1 6 ( l g g 9 / 9 0 ) : 3 4 I - 3 4 5 .

, T h e W i r e a n d t h e B e a r . ' 3 8 ( 1 9 0 4 ) : 8 4 - 8 7 '

l ' I un ro , Ne i l . ' The S i l ve r Drum ' ' 35 QgOZ/ l ) ' 186 - 193 '

I " l u r ray , Dav id Chr i s t i e . 'The Case o f In l i chae l san fo ra . ' 22 Q895196)z

7 02 -7 lL .

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i n p a r i s . ' 4 9 ( 1 9 0 9 / 1 0 ) : 1 5 5 - 1 6 1 . _

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No t ley , F l rances l E I t i za ] u t i . r r i t t l . T ime sha l l T ry . 4 11877 /78 ) :

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o f B r i r r a n y . r 4 6 ( 1 9 0 8 ) : 6 1 0 - 6 1 3 .I ' l oun tmor res , Lady . 'Boys (and a S to ry fo r Them) . ' 2 9 ( r 8 e 9 / 1 e 0 0 ) :

7 09 -7 L2 .M o u n t m o r r e s , L o r d . ' R o b b e r y N o C r i m e . ' 3 0 ( 1 9 0 0 ) z 7 3 - 7 g .M u n r o , J . ' T h e S p h i n x : A l " l y s r e r y . I 4 ( L g 7 j / ] g ) z 2 1 5 - 2 7 9 .M u n r o , J o h n . ' T h e B o y s W h o S a v e d I n d i a ( F o u n d e d o n F a c t ) . ' 2 9 ( 1 g 9 9 / f 9 0 0 ) :

6 7 6 - 6 8 0 .' A H e r o i n e o f t h e T e l e g r a p h . ' 2 g ( 1 g 9 9 ) : 6 4 0 - 6 4 7 .'How I D iscovered the Nor th po le . I 20 ( ] rgg3 /g4 ) t 4g3_4g9 .S igned J . Munro .' A L o n g F a r e w e l l ( F o u n d e d o n F a c r ) . ' 3 3 ( r 9 0 r / 2 ) : 5 9 g - 6 0 1 .' A M e s s a g e f r o m M a r s . ' 2 L ( L g 9 4 / 9 5 ) : z g 2 - 2 g g . s i g n e d J .Munro , C .E .' T h e M i r r o r o f H a c h i d a . ' 4 0 ( l g O 5 ) , 6 5 2 - 6 5 4 .

34 35

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4 L 4 - 4 L 9 .' T h e T h i e f . ' 4 3 ( w o e / 7 ) . 5 4 s _ 5 5 3 -' T o m t i n . , 4 3 ( L 9 0 6 / 7 ) z 2 0 3 _ 2 0 9 .O n i o n s , O l i v e r . ' A G i r l o f G a u l . , 4 7 ( L g O g / g ) t 3 L l _ 3 2 3 .' T h e T h i r d B o a r . , 4 4 ( 1 9 0 7 ) : f S f - i S A .O n l e y , I ' 1 . ' T h e C r u i s e o f t h e J e u i n a . ' 9 ( 1 g g 2 l g 3 ) : 5 0 2 _ 5 0 5 .O p p e n h e i m , E I d w a r d J e n i t t i p s . ' T h e T h r e e f f r i . e v e s . , 4 7 ( I 9 O g / 9 ) :

3 8 7 - 3 9 3 .orczy, Baroness. The Adventures of Lady Holly of scotland yard asRelated by Eer Fr iend Lady Granard. 4g (1909): LI2_L26,

2 2 3 - 2 3 3 , 3 4 0 - 3 5 L ' 4 6 3 ' 4 7 4 , 5 5 9 - 5 7 r ; 4 9 ( r 9 0 9 l r . 0 ) : 5 5 - 6 6 ,2 8 7 - 2 9 9 , 3 0 3 - 3 L 3 , 4 r L - 4 2 2 , 5 6 9 - 5 8 1 ; 7 L g - 7 3 0 ; 5 0 ( 1 9 1 0 ) :7 8 - 8 9 ( S e c o n d S e r i e s ) .

o r p e n , A [ d e l a ] E . ' , M r A d o l f . ' 2 r ( L B g 4 / g 5 ) : 2 L 4 - 2 2 2 , 2 6 0 - 2 6 g .O s b o r n e , M a i t l a n d l e R o y . ' L i m p y , B a c h e l o r o f L o v e . , 4 5 ( L g O 7 / g ) .3 7 5 - 3 7 7 .

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( L 9 0 4 / 5 ) | 6 4 8 - 6 5 2 .O u i d a . l P s e u d o n y m o f M a r i e L o u i s e d e l a R a m 6 e ] . , G e r r y , s G a r d e n :

T h e s r o r y o f a c h i l d . ' 2 9 ( r } g g / r 9 0 0 ) : L 3 2 - L 4 5 .O w e n , C a t h e r i n e . ' M a r y H o l t ' s E n g a g e m e n t : A n A m e r i c a n S t o r y . , L 2( 1 8 8 5 / 8 6 ) : 4 7 0 - 4 7 4 .

' M r s J o h n A 1 l e n , o f R i d g e V i e w . ' l 1 ( 1 g g 4 / g 5 ) : 5 9 6 _ 6 0 1 ,6 8 9 - 6 9 3 .

oxenham, John ' IPseudonym o f l ' I i l l i a rn A r thu r Dunker l " y ] . ,An Ac t i ve -pass iveR e g i s r e r . ' 4 6 ( 1 9 0 9 ) : g Z _ 9 4 .' J a n a w a y , s

U p s a n d D o w n s . , 4 I ( L 9 0 5 / 6 ) . 4 2 1 - 4 3 5 .o y e n , H e n r y . ' T h e G r a f t a n d t h e c r a f t . ' 4 6 ( r g o a ) : 5 5 - 6 3 .P a i n , B a r r y . ' C a m p h o r :

A T a l e o f t h e C i r y . , 2 5 ( l g g 7 / g g ) z 4 7 _ 5 4 .I t ' I f r ' : A S k e t c h . ' 4 7 ( I g O g / g ) : 5 0 5 _ 5 0 6 .P a l l a n d e r , E d w i n & E l l s w o r t h D o u g l a s s . , T h e w h e e l s o f D r G i n o c h i o

G y v e s . ' 2 8 ( 1 8 9 9 ) : 3 8 1 - 3 9 9 .P a l r n e r , E I d w a r d ] V a n c e . ' T h e L i t r r e T y p e w r i t e r G i r l . r 4 4 ( 1 9 0 7 ) : 6 5 7 - 6 6 0 .P a n t i n g , J I a m e s ] H I a r w o o d ] . ' M y c h u m x a t e . ' 2 2 ( L g g s / 9 6 ) : ' 4 4 L - 4 4 g .P a r r y , D . H . ' A t t h e T h i r d p a s s : A S t o r y o f A r t i s t L i f e i n p a r i s . ,

2 3 ( 1 8 9 6 / 9 7 ) , L - L z ." ' B a b i l l e " : A C o n s c r i p t L o v e S t o r y . r 2 2 ( 1 g 9 5 / 9 6 ) t 2 g 3 _ 2 g g .' T h e B u r i e d T r e a s u r e o n t h e M o s c o w R o a d . ' 4 4 ( 1 9 0 7 ) z 3 2 7 - 3 3 3 .r C a p r a i n C h r i s r m a s . , 3 l ( L g O 3 / 4 ) : 1 - 9 .' T h e D e f e n c e o f r h e C h A t e a u . , 2 5 ( L g g 7 / g g ) z I 6 g _ L 7 7 .

A Gen t leman o f Devon . 33 ( I90 I /2 ) : 67 -76 , 2L6-227 , 32g-337 ,4 6 7 - 4 7 7 , 5 7 4 - 5 9 2 , 6 6 9 - 6 7 8 .' T h e H o l s t e r s o f M o n s i e u r l e C o l o n e l . , 3 1 ( f 9 0 0 / l ) : 4 0 6 _ 4 L 3 .l A n I n d e p e n d e n t C o m m a n d . , 3 l ( I 9 0 1 ) : 5 g 3 - 5 g g .' T h e J u s r i c e o f N a p o l e o n . ' 2 6 ( f g g g ) , f 3 g _ 1 4 3 .' T h e S r r a n g e r a r A n g e r s . ' 3 0 ( 1 9 0 0 ) : 5 6 9 - 5 7 5 ." ' T h a t B a d B u s i n e s s o f . B l e n k i n s o p ' s . ' , , 3 1 ( 1 9 0 0 / 1 ) : 6 4 2 _ 6 5 0 .' U n d e r r h e l t o o n . , 2 5 ( 1 9 9 7 / g g ) : 5 g 9 - 5 9 5 .

P a r r y , E i s E o n o u r J u d g e . ' T h e F a i r y R i n g . , 4 7 ( 1 9 0 g / 9 ) : 1 1 3 - 1 2 0 .P e l 1 , B . B i r k b e c k . ' E l d e n g a r r . ' 3 5 ( L g o r / r . 3 6 4 - 3 7 L .' M a r g a r e r r a . '

3 7 ( l g } 3 / 4 ) z 2 L 4 _ 2 2 0 .P e m b e r t o n , M a x . r B e a t r i x

o f t h e p o o l H o u s e : A s t o r y o f a B i c y c r i s t . r2 4 ( 1 8 9 7 ) : 4 6 2 - 4 7 0 .

( 1 9 0 9 / i 0 ) : 2 O g - 2 3 2 .Race fo r Marke t . r 39

The D iamond sh ip . 42 (L9Ooz 97 -118 , 217 -24 I , 337 -358 ,457 -477 , 517 -600 , 697 '724 .tThe Ghos t i n the Domino and the T rue Accoun t o f t he Due l

a E B o u l o g n e . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) z 8 2 - 9 3 .

T h e G i a n t r s G a t e - 3 1 ( 1 9 0 0 / 1 ) : I - 1 7 , 2 1 4 - 2 2 6 , 3 2 8 - 3 3 8 ,

4 3 7 - 4 5 O , 5 6 8 - 5 8 3 , 6 5 8 - 6 7 2 3 2 ( 1 9 0 1 ) : 5 2 - 6 5 , 1 7 5 - 1 8 8 , 2 8 9 - 3 0 4 ,

3 9 1 - 4 0 4 , 5 0 5 - 5 2 0 , 6 1 8 - 6 3 1 .The Girl yith the Red Eair: A Story of an undergraduate'

Related by one of Eis set, and Edited by llax Pemberton.

4 9 ( 1 9 0 9 / 1 0 ) : 5 4 3 - 5 6 0 , 6 8 1 - 7 0 3 ; 5 0 ( 1 9 1 0 ) : 4 9 - 7 0 , 1 5 1 - 1 7 1 '

275-293 , 404-416 , 532 '540 .The Euudred Days: A Footnote to a Great B.omance. 39 (1904/5):

1 - 2 0 , 1 6 3 - r 8 2 , 2 7 5 - 2 9 2 , 3 8 7 - 4 0 6 , 4 9 9 - 5 1 8 ' 6 1 1 - 6 2 8 .

o n a l f i n t e r s e a . 2 5 Q S 9 7 / 9 8 ) z 1 - 1 1 , 1 4 1 - 1 5 1 , 2 4 8 - 2 5 8 ,

363-37 4 , 47 7 '488 , 567 -57 8 .rPhan tom P lumes . t 33 ( I9AL / 2 ) z I87 'L97 '

A P u r i t a n r s l f i f e . 2 2 ( 1 8 9 5 / 9 6 ) : 5 1 5 ' 5 2 9 , 6 0 4 ' 6 L 9 , 6 8 2 - 6 9 7 ,

7 9 0 - 8 0 4 , 8 6 6 - 8 8 1 , 9 2 2 ' 9 3 7 .R e d l l o r n . 3 6 ( 1 9 0 3 ) t l - 2 L , 1 1 5 - 1 3 2 , 2 2 7 - 2 4 5 , 3 3 9 - 3 6 0 '

4 5 9 - 4 7 8 , 5 7 1 - 5 8 8 .' T h e S h a d o w o f a N a m e : A n E p i s o d e . ' 3 3 0 9 0 I / 2 ) : 3 8 7 ' 3 9 2 ''The sword and rh ree . ' 22 ( r cgS /90 ) ' L25 -134 '

wtreels of Anarchy: The story of an Assassin as Recited

frm the Papers and the Personal lfarrative of Eis Secretary'

l l r B r u c e I n g e r s o t l . 4 4 ( 1 9 0 7 ) : 7 6 - 9 6 , 2 0 2 ' 2 2 L , 2 7 6 - 2 9 3 '

4 r 1 - 4 3 0 , 5 2 0 - 5 3 8 , 6 3 6 - 6 5 1 .'Ye ru t t he Dwar f . ' 24 (L897 )z 123 -133 .

P e n d l e b u r y , M a r i a n . ' I n R o t h a C h e s t e r ' s H o n e y m o o n . ' 1 2 ( 1 8 8 5 / 8 6 ) :

2 0 9 - 2 I 3 . U n s i g n e d .' A R e c o r d o f o n e D a y . ' 1 3 ( 1 8 8 6 / 8 7 ) : 4 9 4 - 4 9 7 . S i g n e d

l" lar ian pendlebur y , ' Author of " In Rotha Ches ter ' s Honeymoon. "

t

p e n d l e r o n , J o h n . ' T h e I n t r u s i o n o f l l a i f e z E f f e n d i . ' 2 3 ( L 8 9 6 / 9 7 ) z

620-625 .P e n r o s e , l l r s H . H . ' T h e D u k e . ' 2 L Q 8 9 4 / 9 5 ) z 5 4 L - 5 4 4 '

' L a d y M a r y ' s B o a r d e r . ' S u m m e r N u m b e r 1 8 9 3 , 5 8 - 6 3 '

penrose , I "1 . 'Ge t t i ng Even w i th Unc le I ' l ose . ' 20 ( 1893 /94 ) I 546 -549 '

P e r r i n , A . ' D h u l i a . ' 3 8 ( 1 9 0 4 ) : 3 0 2 - 3 0 6 .

P h i l l i p s , F o r b e s A l e x a n d e r . S e e F o r b e s ' A t h o l '

P i c k t h a l l , M a r j o r i e L I o w r y ] c [ h r i s t i e ] . ' T h e c h u r c h i n t h e w i l d e r n e s s :

A C a n a d i a n s t o r y . ' 4 9 ( 1 9 0 9 / 1 0 ) , 2 5 2 - 2 5 6 'p i f f a r d , H a m i l r o n . ' H o w I C a p t u r e d F u r r u k A l i . ' 2 6 ( 1 8 9 8 ) z 5 7 0 - 5 7 4 .

P o t t e r , M . E . ' N a n c y . ' 4 4 ( 1 9 0 7 ) : 5 0 9 - 5 1 6 .

PoEts , l v l . Har te . See Le Bre ton , John .p o w e r , A . R . & E . M . ' I n t h e H o u r o f N e e d . ' 3 8 ( 1 9 0 4 ) : 1 0 2 - 1 0 9 .

p o w e r , p . n . ' T h e c o l o n e t t s B o n e . ' S u m r n e r D a y s 1 8 8 3 ( P a l m y D a y s ) : 1 8 -

2 0 .p r i c e , A r r h u r T . G . ' T h a t o d d M a n . ' 1 8 ( 1 8 9 L / 9 2 ) : 4 9 9 - 5 0 3 .

Pr i ce , F lo rence E . See Warden , F lo rence 'p r y o r , F . R . & L a n c e l o t S p e e d . ' M a n u e l a . ' 4 0 ( 1 9 0 5 ) : 2 5 0 ' 2 5 5 .

r u ! n , E d w i n . ' B o r r o w e d P l u m e s . r 3 4 ( 1 9 0 2 ) z 1 4 2 ' L 4 9 '' The Braggar t . ' 32 ( 1901 ) : 250 '256 '' T h e c o w a r d . ' 2 7 ( 1 8 9 8 / 9 9 ) : 2 r r - 2 1 6 '' T h e P o o r I d e a l i s t . ' 2 3 ( 1 8 9 6 / 9 7 ) z 4 5 8 - 4 6 8 '' Q u e e n o ' t h e P o p p i e s . ' 3 1 ( 1 9 0 0 / I ) t 4 2 0 - 4 2 6 '

3 6 3 7

-!

' R e d e r n p r i o n : A S k e r c h . , 3 6 ( 1 9 0 3 ) : 6 4 0 - 6 4 4 .' T h e S e a l o f t h e C h u r c h . ' 3 9 ( L 9 0 4 / 5 ) : 6 3 7 - 6 4 2 .' A S t o l e n I d e n t i t y . , 4 I ( L 9 0 5 / 6 ) z 5 7 4 _ 5 g 4 .' T h e s r o r y o f H a n n a h w r a y . ' 2 3 ( r g 9 6 / 9 7 ) : 3 6 5 - 3 7 0 .' T h e V e n g e a n c e o f t h e D a g o . , 4 2 ( 1 9 0 6 ) : 7 g - g 4 .

P u n s h o n , E I r n e s t J R I o b e r t s o n ] . ' T h e B r a n t i n g h a m G h o s t . r 3 7 ( 1 9 0 3 / 4 ) z9 6 - 1 0 0 .' M a k i n g F r i e n d s . ' 4 9 ( l 9 } g / L i l : 4 6 g - 4 7 3 .r p r i s c i l l a a n d t h e D u k e : A S t o r y o f T o _ d a y . 's47 -s50 .' P r o f e s s o r K e n y o n r s E n g a g e m e n t s . ' 4 3 ( L 9 0 6 / 7 ) z l } l _ 7 T l .' T w o G e n t l e m a n i n A r m p u r . r 3 g ( 1 9 0 4 ) : 5 l L _ 5 7 7 .' T h e V a n d e r m a n n D i a m o n d . ' 4 4 ( t g O l ) z 4 7 1 - 4 7 g .

Qfui1 ler-Couch, Arthur Thornas] . The Adventures of f ,arry Revel . 35( 1 9 0 2 / 3 ) z 3 L - 4 6 , 2 3 3 - 2 4 7 , 3 3 6 - 3 5 1 , 4 6 0 - 4 7 5 , s i t - s g o , 6 8 7 - 7 0 3 .'The cap tu re o f the Burgome is te r van de r wer f : A Repor tedT a l e o f a D u r c h m a n a n d a p r i v a r e e r . ' 3 3 ( r g o L / 2 ) t i o - s g .' T h e L a d y o f t h e s h i p . ' T r a n s . f r o m c o r n i s h . 2 9 ( L g g g / 1 9 0 0 ) :5 2 - 6 7 . S i g n e d A . T . Q u i l l e r - C o u c h .' M a r g e r y o f L a w h i b b e r : A s t o r y o f L 6 4 4 . 1 3 I ( 1 9 0 0 / r ) :2 7 - 3 7 .

Q u i l l e r - C o u c h , M a b e 1 . t J u s t T h a t D i f f e r e n c e . ' 3 2 ( 1 9 0 1 ) : 6 3 7 _ 6 4 2 .R a i n e ' w i l l i a m M a c l e o d . t p h y l r i s . ' 5 0 ( r 9 1 0 ) : 2 6 3 - 2 1 0 .R a l p h , J u l i a n . ' r n t h e G r i p o f r h e T s a r . , 2 g ( 1 g 9 9 ) ; 2 6 - 3 2 .R a m b o u t , A . B e a t r i c e . S e e R o m n e y , A . B .R a n s o m e , A r t h u r . ' A F i n a n c i a l p r o p o s i t i o n : A s e n t i r n e n t a l s t o r y . '

44 (1907) : s44 -547 .R a p h a e l , J o h n N I a t h a n i e l ] . ' F a t h e r

W i s d o m r s A d v i c e . '4L7 -4L9 .

3 6 ( 1 9 0 3 ) :

r T h e p o e t a n d r h e Q u e e n . ' 3 7 ( L g O 3 / 4 ) : 5 g 3 _ 5 g 5 .Ratt ray, L. Frost . Ruha: A Tale of Adventure in the l raor i IJar .

19 (1892 / 93 ) : 527 -534 , 57 7 -584 , 686-693 .R e i d , r l s a . " ' p h y l l i s I s M y o n l y J o y . " , 2 0 ( I g 9 3 / 9 4 ) : 3 5 6 _ 3 6 4 .R e y n o l d s , l l r s B a i l l i e I i . e . G e r t r u d e ] . ' A M a n r s S t r a t e g y . ' 4 7 ( 1 9 0 g /

9 ) : 2 9 8 - 3 0 6 .R i c h a r d s o n , F r a n k . ' T h e

E x - c i t i z e n : A H u m o r o u s s E o r v . l1 0 5 - 1 0 9 .

4 3 ( 1 9 0 6 / 7 ) z

' T h e L u c k o f C a p t a i n S p i n k . ' 4 3 ( 1 9 0 6 / 7 ) z 8 0 - 9 0 '' T h e s e t E l e m e n r w i r h s h a n g h a i s m i t h . ' 3 4 ( 1 9 0 2 ) z 6 4 6 - 6 5 7 .' T h e S k i p p e r o f t h e s . S . R i n g d o v e . ' 4 5 ( 1 9 0 7 / 8 ) : 9 7 - 1 0 8 '

R o b e r t s o n , w . B . ' T h e A r k o f r h e J a m r a c h s . ' 2 l ( 1 8 9 4 / 9 5 ) : 6 9 L - 6 9 7 .

R o b i n s , E l i z a b e t h . ' U n d e r t h e S o u t h e r n C r o s s . ' 4 6 ( f 9 0 8 ) t L 7 9 ' 2 1 8 .

R o b i n s o n , B I e r t r a m ] F l e t c h e r . ' B l a c k M a g i c : T h e S t o r y o f t h e S p a n i s h

D o n . ' 2 8 ( 1 8 9 9 ) : 1 7 8 - 1 8 9 .' T h e L a u g h t e r o f D r M a r a i s : A S t u d y o f t h e B r e t o n C o a s t . l

3 3 ( 1 9 0 1 / 2 ) : 6 5 3 - 6 6 1 .R o b i n s o n , E . S . K e m p . ' T h e B l u e F a n . ' 4 7 ( 1 9 0 8 / 9 ) : 2 2 2 - 2 2 4 '

' T h e C a r d - h o u s e . ' 4 l ( 1 9 0 8 / 9 ) : 5 5 2 - 5 5 4 .' T h e o d o r a ' s B a n g l e . r 4 7 ( 1 9 0 8 / 9 ) : 4 3 0 - 4 3 1 .

R o c h e , K a t h a r i n e . r A u n t S u s a n . ' 7 ( 1 8 8 0 / 8 1 ) : 4 6 7 - 4 7 I '' D e a r M r M o r t o n . ' 1 3 ( 1 8 8 6 / 8 7 ) : 7 2 2 ' 7 2 6 .

Romney , A .B . lPseudonym o f A . Bea t r i ce Rarnbau t ] . 'Aun t Hawk ins . '

Summer Number 1894 ' 3 -51 .R o o k , C l a r e n c e . ' F a l s e P r e m i s e s . r 4 6 ( 1 9 0 8 ) : 5 3 2 - 5 3 5 .

' J o s e p h ' s C o a t . ' 4 3 ( L 9 0 6 / 7 ) z 4 2 8 ' 4 3 2 .' T o n y ' s W a l k . ' 4 2 ( L 9 0 6 ) z 4 9 9 - 5 0 5 .

R o o s e , D a v i d C . ' D o b s o n t s P l o t s . r 2 8 ( 1 8 9 9 ) : 1 8 - 2 0 .

R u s s e 1 l , C h a r l e s C . ' A n A r t i s t i c B u r g l a r . ' 2 0 Q 8 9 3 / 9 4 ) : 5 0 8 - 5 1 1 .

R u s s e l l , F o x . ' T h e A u t o b i o g r a p h y o f M r J o s h u a J e r k i n s o n . ' 4 0 ( 1 9 0 5 ) :

5 L 9 ' 5 2 2 .' B e f o g g e d . ' 3 6 ( r 9 0 3 ) : 6 6 0 ' 6 6 4 .' A n E n t e r p r i s i n g Y a n k e e . ' 4 I ( f 9 0 5 / 6 ) : 7 L 3 ' 7 L 8 '' T h e J e s t e r . ' 4 L ( 1 9 0 5 / 6 ) : 1 2 4 - L 2 9 .tK ing Tu t t l ebu ry I : The S to ry o f t he S t range Exa l ta t i on

o f a B a r o n e t . ' 4 9 ( 1 9 0 9 / 1 0 ) : 2 6 5 ' 2 7 0 '' A S e c o n d M a r r i a g e . r 3 4 ( 1 9 0 2 ) : 3 8 - 4 5 .' T h e S o r r o w s o f a n A m a t e u r A c t o r . t 3 5 ( 1 9 0 2 / 3 ) z 4 3 1 ' 4 3 6 '' T w o I n n o c e n t s A b r o a d . ' 3 6 ( 1 9 0 3 ) : 4 0 6 - 4 1 0 '

R u s s e 1 l , H e r b e r t . ' T h e A c a p u l c o G a l l e o n . ' 2 0 ( 1 8 9 3 / 9 4 ) t 4 0 3 - 4 0 7 ', T h e B e l l B u o y o f r h e l l a n a c l e s . ' 3 3 ( l 9 O I / 2 ) , 3 4 4 - 3 5 L .' C h a s e d b y a L i o n : A S t o r y o f A l d e r s h o t C a m p . ' L 7 ( 1 8 9 0 / 9 1 ) :

4 8 0 - 4 8 3 .S a v i l e - C l a r k e , C l a r a . t T h e D o c t o r r s D a u g h t e r . ' 2 2 Q 8 9 5 / 9 6 ) : 5 3 3 - 5 3 7 '

S c h e f f a u e r , H e r m a n . ' H e a r t o ' I " l o o n l i g h t . ' 4 8 ( f 9 0 9 ) : 1 2 ' 2 0 .'Two in the Temple: A Tale of Love and Hatred among the

C h i n e s e . | 4 8 ( 1 9 0 9 ) : 4 8 0 - 4 8 8 .

Sco t t , Hugh S towe l1 . See Mer r iman , Henry Se ton .

s c u l l y , W i l l i a m c h a r l e s . ' A M i l l i o n a i r e f o r F i v e l ' l i n u E e s . '

r24-L30.

30 ( 1900 ) :

Sen io r , W. " 'By the Swea t o f H is B row" : A Co lon ia l Ya rn . ' Summer

Number 1883 (Pa lmY DaYs) : 47 -50 .

Shaw, Cap ta in F .H . 'The l " l a id o f Ta r ragona . ' 50 (1910) z 357-369 .'The o ld and the New. ' 44 (1907) : 397-405 .'Reve la t i on . ' 46 (1908) z 482-489 . S igned F rank H ' Shaw '

S h e l l e y , B e r t h a . ' T h e H a r p e r P . T o d d F a m i l y . ' 4 5 ( 1 9 0 7 / 8 ) z 5 5 2 - 5 5 7 '

Sh ie l , M .p . 'The Ba t t l e o f Wate r loo : A Comedy Adap ted f rom the Norweg ian

o f K i e l l a n d . ' 3 3 ( L 9 0 1 / 2 ) : 5 6 0 - 5 6 6 .' T h e S p e c t r e - s h i p . ' 2 2 ( 1 8 9 5 / 9 6 ) : 7 5 5 - 7 6 4 '' W a y w a r d L o v e . ' 2 2 ( 1 8 9 5 / 9 6 ) : 3 5 5 - 3 6 2 .

S h o r t e r , M r s C l e m e n t I i . e . D o r a ] . r A D r e a m e r . ' 3 0 ( 1 9 0 0 ) z 2 8 2 - 2 9 1 '' T h e M y s r e r y o f a L o n e l y c o t t a g e . ' 4 5 ( 1 9 0 7 / 8 ) z 4 7 7 - 4 8 6 .

3 6 ( 1 9 0 3 ) :

R i d g e ,

' A n I d e a l C h r i s t m a s . ' 4 5 O T O T / i l : 3 g - 4 3 .w [ i 1 l i a m ] p e t t . ' A f r e r r h e F a c r . ' 2 g ( 1 s 9 9 ) : 4 7 2 - 4 7 6 .' D a n g e r o u s C o m p l a i n t s . r 4 3 ( 1 9 0 6 / 7 ) . 3 4 - 3 9 .' E x p e r i m e n t

a t K e a r s l e y ' s . ' 4 I ( L 9 0 5 / 6 ) : 2 3 g - 2 4 3 .' T h e H a p p y p r i s o n e r . r 3 2 ( 1 9 0 1 ) : g g - g 2 .' M e a n d M y D u r y . ' 4 0 ( 1 9 0 5 ) : 1 3 7 - 1 4 1 .' M e d l o c k r s R e p u t a r i o n . , 4 I ( t g O S / O , 3 0 7 - 3 1 I .' T h e P o p u l a r V o t e ( A D i v e r t i n g S t u d y i n R u s t i c C l e v e r n e s s ) . ,4 8 ( 1 9 0 9 ) : 1 s 6 - 1 6 1 .' R a i l w a y M a n ' s W i f e . ' 3 9 ( 1 9 0 4 / 5 ) : 2 9 - 3 2 .r R e c o n s t i t u t i n g

t h e c i r c u m s t a n c e s . ' 3 0 ( 1 9 0 0 ) r 2 4 - 2 g .r R e p a i r i n g a B r e a c h . ' 3 2 ( 1 9 0 1 ) : 4 7 4 - 4 7 9 .' T r i a 1 a n d V e r d i c r . ' 3 l ( f 9 0 0 / f ) : l g 4 - 1 9 0 .'The Word o f a Woman o r Two . r 34 (1902) : 459_461 .R i t tenhouse , Maud . 'Ka ise r K rum. ' summer Number 1g94 , 66 -72 .R o b e r t s , M o r l e y . ' T h e C r o w d . ' 2 5 ( L g 9 7 / 9 $ : 2 3 7 - 2 4 2 .

' T h e D o c r o r o f t h e S w a m p . ' 2 g ( 1 g 9 9 ) : 2 5 0 _ 2 5 4 .

38 39

' T h e O r h e r W o m a n ' s C h i l d . , 2 g ( f g 9 9 ) : 1 6 5 _ 1 7 0 . S i g n e dl l rs Clement K. Shorter .' T h e S r r a n g e V o i c e . , 3 0 ( 1 9 0 0 ) : 3 g - 4 0 .' T h e T e m p t a t i o n o f J o h n J o h n s o n . , 2 8 ( 1 g 9 9 ) : 4 0 - 4 7 . s i g n e dHrs C lement K . Shor te r .' T h e V i l l a g e p o l i c e m a n . ' 4 2 ( 1 9 0 6 ) r 4 2 I _ 4 2 4 . S i g n e d D o r aS i g e r s o n S h o r t e r .

S i d g w i c k , C e c i l y . S e e D e a n , H r B A n d r e w .s l a d e n , D o u g l a s . ' A B r e a c h o f c o u r t s h i p : A s t o r y o f s i c i l y . r 3 2( 1 9 0 1 ) : 2 0 8 - 2 t 6 .

' B r i g a n d s v M a f i a : A S t o r y o f l , I o d e r n S i c i l y . , 3 4 ( L 9 0 2 ) :

288-296 .

' M i s s L u c r e t i a r s M i s t a k e . '

M . payne-Srn i th .2 0 ( L 8 9 3 / 9 4 ) z 7 4 6 - 7 4 9 . S i g n e d

' A n o l d L o v e . ' t 3 ( 1 8 g 6 / 8 7 ) : 6 2 3 _ 6 2 7 .S p e e d , L a n c e l o E & F . R . p r y o r . ' M a n u e l a . '

4 0 ( 1 9 0 5 ) : 2 5 0 - 2 5 5 .Spencer , H i l da C . Hammond. See Hamrnond-Spencer , H i l da C .s p e i g h t , E I r n e s r ] n I a w i n ] . ' s i g r i d ' s

A v a i a n c h e . , 4 6 ( 1 9 0 g ) : L 2 7 - r 3 4 .s p e i g h t , T [ h o m a s ] w [ i t t i n s o n ] . ' T h e B e l r o f D i a m o n d s . , 2 3 ( r g 9 6 / 9 7 ) z

3 1 1 - 3 2 1 .' o n r h e R o a d t o G r e t n a G r e e n . ' 3 1 ( 1 9 0 0 / 1 ) : 5 9 9 - 6 0 4 .

s p e n d e r , E I d w a r d ] H a r o l d . ' F r o m s u n s e t t o s u n r i s e . r 3 2 ( 1 9 0 1 ) : 4 2 4 - 4 3 2 .' H o w T o p p l e r T h r e w f o r R o r h e n b u r g . , 2 6 ( 1 g 9 g ) : 3 L 5 - 3 2 6 .S igned Haro ld Spender .t l - u c i l e : A n I n c i d e n t o f t h e C o m m u n e . , 3 2 ( 1 9 0 1 ) : 5 Z g _ 5 3 2 .S igned Haro ld Spender .

, T h e B r i t i s h M i n i s t e r ' s S p a n i s h N i e c e :3 7 ( L 9 0 3 / 4 ) : 2 9 8 - 3 0 5 .' T h e B u r g l a r y a t t h e B r i t i s h L e g a E i o n :3 7 ( L 9 0 3 / 4 ) z L 2 6 - L 3 4 .

A S t o r y o f J a p a n . '

A S t o r y o f J a p a n . '

3 3 ( L 9 0 L / 2 ) : 2 4 5 - 2 5 3 .370 -379 .

524-533.L i f e i n Pa le rmo . r

4 7 I - 4 7 9 .Signed l trs I"1.H.

t A l l L i k e a D r e a m . ' 1 0 ( 1 g 8 3 / g 4 ) :

s to r y . ' 11 (1884 /95 ) , 283_285 -S w i s s L i f e . ' 1 t ( 1 8 8 4 / 8 5 ) :

Stacpoo l -e '

Stanhopd '

' G r e t t y ' s T r u s t : A R o m a n c e o f t h e S w i s s M o u n t . a i n s . ' 1 0( 1 8 8 3 / 8 4 ) : 6 5 7 - 6 6 0 .A Han in a l t i l l ion: A Tale of the Indian Ocean. 15 (1888/89):5 6 0 - 5 6 8 , 6 2 4 - 6 3 I , 6 1 O - 6 7 9 .' M o n s i e u r A l b a n o : A S t o r y o f P r i d e a n d A r n b i t i o n . r 1 2 ( 1 8 8 5 /8 6 ) : 5 0 3 - 5 0 5 .r N e p t u n e : A S t o r y o f S t r a n g e M e e t i n g s . r 1 0 ( 1 8 8 3 / 8 4 ) : 5 6 0 - 5 6 2 .rO ld Dodd ie . l Summer Number 1384 (Summer Days ) : 43 -46 .' A T a l e T o l d u n d e r t h e S n o w . ' 1 1 ( 1 8 8 4 / 8 5 ) : 3 6 8 - 3 7 1 .Hfenry] de Vere. The Adventures of Lavenne. 47 (1908/9):

82 -86 , 203-208 , 289-293 , 4 I3 -4 I7 , 496-499 ; 48 ( 1909) : 42 -46 .G i l b e r t . I P s e u d o n y m o f B . l ' 1 . W a r d J . ' M i s s B a r b e r t o n t sP a r r o t . r 3 8 ( 1 9 0 4 ) : 5 1 1 - 5 1 6 .

S tannarJ , Henr ie t ta E l i za Vaughan . See Win te r , John S t range .

s r e e l , f [ l o r a A [ n n i e l . T h e G i f t o f t h e G o d s . 2 3 ( 1 8 9 6 / 9 7 ) z 2 3 - 3 7 ,I 9 g - 2 L 3 , 2 9 5 - 2 9 7 , 4 2 0 - 4 3 4 , 5 3 3 - 5 4 7 , 6 3 7 - 6 5 t .

S t e v e n s , , E t h e l S t e f a n a . r A b s e n t - m i n d e d . ' 4 6 ( 1 9 0 8 ) z 4 1 4 - 4 1 8 .r A S e c o n d P r o p o s a l . ' 4 6 ( 1 9 0 8 ) t 6 4 6 - 6 5 3 . S i g n e d E t h e l S t e v e n s .

S t e v e n s p n , E d w a r d I r e n a e u s . ' K a t e M o o r e r s W e d d i n g T r i p , ' 1 7 ( 1 8 9 0 / 9 1 ) :2 4 L - 2 4 6 .' T h e w o l f ' s M o u r h . ' 1 5 ( 1 8 8 8 / 8 9 ) t 4 6 6 - 4 6 9 .

S t r e e t . G I e o r g e ] S [ l y t h e ] . ' E x t r a c t s f r o m t h e D i a r y o f a M i l l i o n a i r e . '' 3 3 Q 9 0 r / 2 ) z 3 6 - 4 5 .

S r r e e r , L i l i a n . ' M a n a g e d a t R a m s g a t e . ' L 8 ( 1 8 9 I / 9 2 ) t 4 3 7 - 4 4 L .

S r r u r h e r s , L . F l e m i n g . r M y L a d y G a d f l y . ' 4 6 ( t g O g ) ' 5 2 3 - 5 2 6 .

S tua r t , Rober t . 'C ross ing the Park : A S to ry abou t the Ha l luc ina t ionso f a N e w M . P . r 4 8 ( 1 9 0 9 ) : 4 9 4 - 5 0 1 .

S u l l i v a n , J . F . ' M r P e n b u r y r s P u p p e t s . r 1 9 ( 1 8 9 2 / 9 3 ) : 4 0 6 - 4 1 0 .' T h e M u t u a l i t y o f P h i l l i s r e r a n d B r u n r o n . r 1 9 ( 1 8 9 2 / 9 3 ) :6 1 3 - 6 1 8 .' T h e U s u r p e r . ' L 9 ( 1 8 9 2 / 9 3 ) z 7 8 0 - 7 8 5 .

S u r c l i f f e , H a 1 1 i w e 1 1 . ' T h e F a m i l y S p i r i t . ' 2 3 ( 1 8 9 6 / 9 7 ) z 7 2 - 8 0 .' K a t e o f t h e T o 1 l - h o u s e . ' 2 9 Q 8 9 9 / 1 9 0 0 ) t 6 8 5 - 6 9 5 .'K i t t y Le igh . ' 25 (L897 /98 ) : 288 -296 .f A L a d y ' s l l o n o u r . ' 4 L ( L 9 0 5 / 6 ) z 3 6 5 - 3 7 A .' A L i t t l e E n t a n g l e m e n r . ' 2 6 ( 1 8 9 8 ) : 8 0 - 8 8 .' L o v e ' s L a b o u r r s H i r e d . ' 2 2 ( L 8 9 5 1 9 6 ) z 9 4 L - 9 4 8 .' T h e M a i d o f " T h e M e r m a n . " ' 2 2 ( 1 9 9 5 / 9 6 ) z 1 5 9 - 1 6 6 .' I l a t c h m a k e r J a c k . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) : 4 2 2 - 4 3 0 .' M r s D a v e n a n r . ' 2 7 ( 1 8 9 8 / 9 9 ) : 1 1 3 - 1 2 1 .

- : ' M y T r o u b l e s o m e p r o t ' e g 6 s . ' 2 7 ( 1 3 9 8 / 9 9 ) z 6 8 7 - 6 9 5 .' N a n c y W a y n f l e e t e . r 4 8 ( 1 9 0 9 ) z 5 3 9 - 5 4 6 .' N i c k o ' D e s p e r a r e s . ' 3 5 ( L 9 0 2 / 3 ) : 3 2 4 - 3 2 7 .

- : ' A n o l d - t i m e T a v e r n T a l e . ' 3 5 Q 9 0 2 / 3 ) z 6 L 7 - 6 2 4 .'The Two Romeos . ' 24 (1897) : 407-415 .Under the Ilhite Gockade: Being Episodes in the Gareer ofHaurice Anstruther, a Jacobite Gentleman of Fortune. 31( 1 9 0 0 / 1 ) : 5 6 - 6 9 , 2 4 6 - 2 5 5 , 3 1 3 ' 3 2 2 , 4 6 6 - 4 7 5 , 5 3 9 - 5 4 7 , 6 9 4 - 7 0 2 .r W h a t t h e C o o k s h e l v e s H i d . ' 3 0 ( 1 9 0 0 ) : 5 8 3 - 5 9 0 .

T a b e r . H a m i l t o n . r T h e W i l l - p o w e r o f C a r l o t t a . r 4 5 ( 1 9 0 7 / 8 ) : 6 0 0 - 6 0 2 .

T a n q u e r e Y , K . ' A C a n o f P e a c h e s . ' 2 2 ( L 8 9 5 1 9 6 ) z 5 4 - 6 0 .

T a r o e v , J I e s s i e ] T I o r e r ] K i n g s l e y . ' T h e r r T h i n g r r a t B o g g a r t ' s E n d . t2 o ( L 8 9 3 / 9 4 ) : 7 2 6 ' 7 2 8 .' A T r a g e d y o f D u t y . r 2 0 ( 1 8 9 3 / 9 4 ) : 8 2 4 - 8 2 6 .

f C h i q u i t a ' s J a p a n e s e L o v e r . r 3 9 ( 1 9 0 4 / 5 ) t 1 9 1 _ f 9 g .' F a i r i n L o v e a n d W a r : A S t o r y o f J a p a n . , 3 7 ( L 9 0 3 / 4 ) :

6 L 9 - 6 2 6 .' I n T a o r m i n a T o w n : A S t o r y o f S i c i l y . ''A Japanese Kn igh r -E r ran t . | 46 ( f gb8 ) ,' L y d i a , r h e M a i d . ' 5 0 ( t g f O ) , n 4 - 2 4 2 .' T h e M e r c y o f a S i c i l i a n . , 3 4 ( 1 9 0 2 ) :'The M iss ing Bandsman: A S to ry o f H igh3 3 ( L 9 O L / 2 ) , 4 4 I - 4 5 0' s i J ' 6 r a i s R o i . ' 3 4 ( 1 9 0 2 ) : 1 6 g _ 1 7 7 .

F r a n k F i n c h . S e e F i n c h - S m i l e s , F r a n k .S m i l e s ,S m i t h , M ' P a y n e . ' A B r o k e n c o l r a r - b o n e . ' 1 4 ( 1 g g 7 / g g ) : 1 r g - 1 2 1 .' C h r i s t i n a ' s

G u a r d i a n . ' 1 7 ( 1 g 9 0 / 9 1 ) : 3 0 9 _ 3 f 3 .' T h e C l a r k e s ' C o u s i n . ' l 6 ( I g g g / g i l : 3 0 g _ 3 1 1 .' c r o s s - c u r r e n t s : A s t o r y o f M a t c h - m a k i n g . ' 1 5 ( r g g g / g 9 ) :

3 7 L - 3 7 4 .

S p i e l m a n n , H r s M a b e l H . ' T h e C l o u d . r 4 L ( L 9 0 5 / 6 ) t' M y S o n f s M o r h e r . , 4 0 ( 1 9 0 5 ) : 4 g 5 - 4 9 I .Sp ie lmann .

S t a b l e s , I W i l 1 i a m ] G o r d o n , l . l . D . , R . N .3 6 8 - 3 7 0 .r F o u r t h

C o u s i n s : A S h e t l a n d'F rank de Vaud : A S to ry o f2 2 0 - 2 2 2 .

40 4 T

T e r r i s s , E l l a l i n e . ' F l o s s i e ' s c h r i s t m a s F a i r y . ' 4 3 ( 1 9 0 6 / 7 ) . 5 g - 6 1 .T h o m p s o n , V i n c e n t s t a n l e y . ' E L i z a b e t h B i d s . ' 4 6 ( 1 9 0 g ) z 6 5 9 - 6 6 2 .T i b b i t s , A n n i e o . ' L a d y H u n g e r f o r d ' s V i 1 l a i n . ' 3 9 ( 1 9 0 4 / 5 ) : 6 9 5 - 6 9 9 .' T h e S r r a n g e C a s e o f r h e S t o l e n R u b i e s . ' 3 9 ( L 9 0 4 / i l 2 3 4 7 - 3 5 2 .T i b b i t s , C h a r l e s . ' " L u c k y " c a l e . ' 4 9 ( f g O g / f O ) , 3 g g - 4 0 2 .T i d d e m a n , L f i z z i e l E [ 1 l e n ] . ' T h e c u i n e a S t a m p . ' 4 2 ( 1 9 0 6 ) : 3 0 9 - 3 1 5 .T r e e , E l i z a b e t h . ' A D e c e m b e r E v e n i n g . , 4 3 ( 1 9 0 6 / 7 ) z 3 6 9 - 3 7 2 .

' T h e D r e a m . ' 4 4 ( 1 9 0 7 ) : 5 5 3 - 5 5 5 .' A S t u d y o f E m o t i o n s . ' 4 7 ( 1 9 0 8 / 9 ) : 3 3 1 - 3 3 3 .

T r e g a r r h , J o h n . ' c h i c k . , L 9 ( 1 9 9 2 / 9 3 ) : , 7 2 3 - 7 2 6 .r o u r o v e r . I L 7 ( 1 8 9 0 / 9 1 ) : 5 6 5 - 5 6 7 .

T re lawney , Day re l l . I pseudonym o f Ada Dayre l l Fow le r ] . ' The Revo l to f D a p h n e . r 2 2 ( 1 8 9 5 / 9 6 ) z 6 3 6 - 6 4 2 .'The Robbery o f rhe p ink D iamond . ' ! 24 ( rg97)z 53g-547 .' T h e s e c r e r o f r h e H a u n t e d R o a d . ' 2 4 ( 1 9 9 7 ) z 5 6 3 - 5 7 2 .

T r e v o r , H a j o r P h i l i p . ' A B a c k w a r d F o r w a r d : A F o o t b a l l S t o r v . r 4 5(L907 /8 ) z 2L4-220

T r u e , J a m e s . r T h e L u p o n i S t r a d . ' 4 4 ( I 9 0 7 ) t 3 3 2 - 3 3 3 .T u i t e , H u g h . ' A M a n P r o p o s e s . ' 3 6 ( 1 9 0 3 ) : 2 6 9 - 2 7 2 .T u r n e r , A l i c e J a n e . ' C h e c k m a r e d . ' 7 ( 1 8 8 0 / g l ) : 5 9 1 - 5 9 5 .T u r n e r , E t h e l S . ' T h e G r e a t T h i r d l l a v e . , 2 L ( L 8 9 4 / 9 i l 2 4 7 - 5 2 .T y n a n , K a E h a r i n e . ' A B i r o f S c a n d a l . ' 4 6 ( 1 9 0 g ) : 5 9 3 - 5 9 9 .

' I n t h e B l u e R o o m . ' 4 L ( t 9 0 5 / 6 ) : 4 4 I - 4 4 9 .' T h e R e f l e c t i o n i n t h e M i r r o r . , 3 7 e 9 O 3 / D z 2 5 6 - 2 6 1 .' T h e R i c h M r s p e p p e r c o r n . ' 5 0 ( 1 9 1 0 ) : 4 4 4 - 4 5 0 .' s r M a r y o f t h e I s l e s . ' 3 3 ( 1 9 0 4 ) z L 3 7 - L 4 2 .

u p w a r d , A l l e n . ' T h e B o y w h o p l a y e d r h e V i o l i n . ' 3 4 ( l g o z ) . 2 3 4 - 2 4 0 .U r c h , M a b e l C . ' T h e C h a p e r o n e . ' 4 8 ( 1 9 0 9 ) : 2 4 6 - 2 5 2 .

' L e w i s D u v a 1 , A c c o m p a n i s t . , 4 2 ( 1 9 0 6 ) : 7 3 1 - 7 3 2 .' O n l y a P u p i l : T h e L a s t o f t h e I n c i d e n t s R e l a t e d t o S t a f f o r dD a n e , M u s i c i a n . ' 4 6 ( 1 9 0 8 ) : 6 7 - 7 4 .' s i r T i m o t h y J e n k i n s : A s t o r y w i t h a M o r a l . ' 4 g ( 1 9 0 9 ) :433-440 .' T h e W o r k i n g s o f F a r e . ' 4 5 Q 9 O 7 / i l : 4 3 3 - 4 4 0 .

u r q u h a r t , P a u l . ' A c l a s s i c a l c a t a s t r o p h e : A s t o r y o f c o v e r l y G u t c ha n d a L e a d M i n e . , 5 0 ( 1 9 1 0 ) : 5 2 0 - 5 2 6 .' c o v e r l y G u t c h o f t h e s t o c k E x c h a n g e , L o n d o n . ' 4 g ( 1 9 0 9 ) :442-455 , 604- 6Lr .' T h e D e a d C o n r r o l . ' 4 9 ( 1 9 0 9 / 1 0 ) : 7 O B - 7 L 4 .'A Mat ter o f Hope: Another Cover ley Gutch( 1 9 1 0 ) : 3 0 3 - 3 0 9 .tRed Rubber : Another Cover ly Gutch Story . r6 2 5 - 6 3 t .

Vache11, Horace Annes ley.63-67 .

'An Amaz ing Chr i s tmas Eve .

' A n E x p e r i m e n r . , 4 4 ( L 9 0 7 ) z L 3 7 - L 4 4 .r M e s s i t e r r s S i s r e r . I 4 5 ( L 9 0 7 / 8 ) : g L 7 - 9 2 7 .

Ya izey , Hrs George de Horne . See Mansergh , Jess ie .v a n d e r c o o k , J o h n . ' P r i v a t e F o r e t ' s r n f e r n a l M a c h i n e . ' 3 g ( 1 9 0 4 ) :

642-645 .Van de r Poor ten -Schwar tz , Joos t Mar ius Wi l l em. See Maar tens , Maar ten .V a u g h a n , G e r t r u d e E . M . r A P i n k S u n - b o n n e t . r 2 8 ( 1 8 9 9 ) : 3 2 r - 3 2 4 .

' T h e s t r o n g - r o o m a r t h e A b b e y . ' 3 2 ( 1 9 0 1 ) : 6 5 9 - 6 6 1 . s i g n e dG . E . M . V a u g h a n .

V i g g a r s , F r e k e . I P s e u d o n y m o f W i l l i a m G r a i l y H e w i t t ] . r A I ' B a d ' l

L i f e . ' 2 0 ( L 8 9 3 / 9 4 ) z 4 6 0 - 4 6 4 .W a l l i e , A . ' T h e C i n n a b a r D e a t h - t r a p . ' 4 5 ( 1 9 0 7 / 8 ) . 3 2 7 - 3 3 4 .

W a r d , B . M . S e e S t a n h o P e , G i l b e r t .

[Warden , F lo rence ] . IPseudonym o f F lo rence E . Ja rnes ] . Bu t fo r I l i on .

5 ( 1 8 7 8 / 7 i l : 4 L 7 ' 4 2 5 , 4 8 2 ' 4 8 9 , 5 4 3 ' 5 4 9 , 6 0 6 - 6 1 5 , 6 7 1 - 6 7 8 '

7 3 5 - 7 4 I . U n s i g n e d .Dosn in the l f o r l d . 9 (1882 /83 ) : 33 '4L , 98 -105 , I62 -17L ,

226-234 , 2gO '298 , 354-362 . S igned 'By the Au tho r o f "Bu tf o r I l i o n r t ' t t H o w V i c k e r s c r o f t W a s R e d e e m e d r t t e t c . t H a l k e t t

and Laing give Florence Warden as the author of Dosn in

the lforld.f ,ou Vickerscrof t lJas Redeened. 6 (L879/80): 417-424, 48L'489,

5 4 4 - 5 5 2 , 6 0 9 - 6 1 8 , 6 7 3 ' 6 8 r , 7 3 7 - 7 4 5 .

W a r n e r , A n n e . ' B r e a k i n g C u p s a n d M e n d i n g H e a r t s . ' 4 7 ( 1 9 0 8 / 9 ) :

2 6 L - 2 6 4 .' H i s F a m i l y ' s F e e l i n g s a n d H i s . ' 4 4 ( 1 9 0 7 ) : 1 7 8 ' 1 8 5 .' T h e P o t t e d P a l m S p e a k s . ' 4 5 ( 1 9 0 7 / 8 ) : 1 4 0 - 1 4 3 .' T h e U n e x p e c t e d n e s s o f W i n i f r e d . ' 4 6 ( 1 9 0 8 ) z 6 2 L - 6 2 4 'tA Weak Money , a S t rong Ca t t s Pa \^ r , and a Ches tnu t . | 46( 1 9 0 8 ) : 1 1 5 - 1 2 0 .' T h e w e d d i n g - p r e s e n t P r o b l e m . ' 4 6 ( 1 9 0 8 ) : 5 1 3 - 5 1 7 .

w a s s e r m a n n , L i l l i a s . ' H e r " s t u d y f r o m L i f e . ' ' r 1 9 0 8 9 2 / 9 3 ) z 5 9 ' 6 5 '

S t o r y . ' 5 0

4 9 ( 1 e O e l 1 0 ) :

' 2 5 ( L 8 9 7 / 9 8 ) :

7 2 8 - 7 3 5 .A Roance o f l l an . 19 (1892 /93 )z 10 -18 , 124-132 , 200-2L0 '

276-284 , 326-335 , 448-455 .T h e s l e e v e o f G a r e . 2 0 ( L 8 9 3 / 9 4 > : 1 5 - 2 8 , 1 1 9 - 1 3 1 , 1 6 9 - 1 8 1 .

f i re Temptat ion of Ihr lc ie Carruthers. 17 (1890/91): 30'42'

65 -77 , 158-169 , 193 '204 , 295 '306 , 32L-332 , 4L6 '427 ' 449 -460 .

W e l l s , L e i l a B u r t o n . ' H e r P r i s o n e r . ' 4 9 ( 1 9 0 9 / 1 0 ) t 7 3 4 - 7 4 1 .

W h a l l , W . B . S e e O s c a r , A l a n .w h i s h a w , F r e d . ' T h e A p o s r t e s o f P r o g r e s s . ' 4 7 ( 1 9 0 8 / 9 ) : 5 1 0 - 5 1 9 .

' A G h o s t l y D u e l . ' 3 2 ( 1 9 0 1 ) z 4 9 4 - 4 9 8 -rA Scou t ' s Romance . ' 34 ( 1902 ) : 437 -440 .' S e r f s a n d L o r d s . ' 3 4 ( L 9 0 2 ) : 5 1 3 - 5 1 8 .

wh i tby , Bea t r i ce . 'A Ma t te r o f Sk i l l . ' Sumrner Number 1891 (The

Crown o f the Year ) z I ' 52 .' o n t h e L a k e o f L u c e r n e . r L 7 ( 1 8 9 0 / 9 1 ) : 3 4 1 - 3 4 8 .

Wh i te , A rno |d . tWha t Can a Man Do More? A S to ry o f t he F rozen Nor th . l

2 7 ( 1 8 9 8 / 9 9 ) : 3 5 8 - 3 6 3 .

Watson ,Weaver ,

W e i g a l l ,

Wh i te ,W h i t e ,

' T h e O n l y R e s o u r c e . r L 7 ( 1 3 9 0 / 9 1 ) : 5 9 5 - 6 0 1 .' V i l l a g e P o l i t i c i a n s . ' 2 l ( 1 8 9 4 / 9 5 ) . 5 1 9 - 5 2 7 .

John . See Mac la ren , Ian .Ern i l y P [oyn ton ] . 'The L i t t l e Mo the r o f l " l a ry rs Fe r ry : A S to ry

o f W e s t e r n C a n a d a . r 4 9 ( 1 9 0 9 / 1 0 ) : 3 7 1 - 3 8 0 .c I o n s r a n c " ] E . c . ' T h e H e r o i s m o f M a r k L e s l i e . ' L 7 ( 1 8 9 0 / 9 1 ) :

' A W h i t e N i g h r . ' 2 5 ( L 8 9 7 / 9 8 ) z 4 2 8 - 4 3 4 .

E . ' A F e l i n e H o s t a g e . ' 4 4 Q 9 0 7 ) z 4 9 6 - 5 0 3 .

F red l , l [ e r r i ck ] . rDus t (ne ing an Adven tu re o f D ren ton Denn ,

S p e c i a l C o u r n i s s i o n e r ) . ' 2 9 ( 1 8 9 9 / 1 9 0 0 ) : 5 0 6 - 5 1 4 .' A F r i e n d l y C a l l . ' 5 0 ( 1 9 1 0 ) z 4 7 3 - 4 8 L .' A n O b j e c t L e s s o n . ' 4 6 ( 1 9 0 8 ) z 2 2 5 - 2 3 5 .' T h e o r p h e u s i a . ' 3 6 ( 1 9 0 3 ) z 2 5 2 - 2 6 L -'The Red Speck (Oe ing an Adven tu re o f D ren ton Denn , Spec ia l

4243

C o m r n i s s i o n e r ) . ' 2 8 ( 1 8 9 9 ) : 2 9 5 - 3 0 2 .' A T a b l e T r a g e d y . ' 4 5 ( 1 9 0 7 / 8 ) : 4 0 2 - 4 L 2 .' T w o o f T h e m . ' 3 7 ( 1 9 0 3 / 4 ) : 5 3 6 - 5 4 3 .' T h e w h i t e G e r a n i u m . r 2 9 ( L 8 9 9 / 1 9 0 0 ) z L I 2 - L 2 0 .

W h i t e , P e r c y . ' T h e P o e t r s D r e a m . ' 4 3 ( 1 9 0 6 / 7 ) t 1 2 5 - 1 2 8 .' T ' O t h e r S i d e o ' r h ' B e c k . t 2 3 ( 1 8 9 6 1 9 7 ) z 5 8 8 - 5 9 8 .' T h e S t o c k i n g s : A T a l e o f t h e L a s t E l e c t i o n . ' 4 L ( 1 9 0 5 / 6 ) :

6 3 5 - 6 4 0 .Wh i te , Roma. IPseudonym o f B lanche Oram, l a te r l ^ I i nde r ] . ' The Dragon 's

J e w e 1 . ' 2 2 ( L 8 9 5 / 9 6 ) : 6 6 2 - 6 6 6 .' T h e D r e a m P i c t u r e : F o r C h i l d r e n . ' 2 3 ( 1 8 9 6 / 9 7 ) z 9 8 - 1 0 2 .' T h e W a r n i n g C r y s t a l : A F a i r y I d y l l f o r Y o u n g - h e a r t e d P e o p l e . '2 2 ( L 8 9 5 / 9 6 ) z 4 L 8 - 4 2 I .

W h i t f i e l d , P e r c i v a l . ' T h e C o m e d y o f K i L i r s B e t r o t h a l : A T a l e o ft h e N o r t h e r n T e r r i t o r y , A u s t r a l i a . ' 3 9 ( 1 9 0 4 / 5 ) : 5 3 7 - 5 4 5 .' A L e s s o n f r o m t h e C h i n e s e . ' 4 L ( L 9 0 5 / 6 ) : 4 L ' 4 6 .' A P e a r l o f P r i c e . ' 4 0 ( 1 9 0 5 ) : 3 7 6 - 3 8 2 .' T h e P r o v i n g o f R o d n e y P a r k e s . ' 4 2 ( 1 9 0 6 ) : 3 6 1 - 3 6 9 .

W h i t i n g , M a r y B r a d f o r d . ' A L i t t l e M i s u n d e r s t a n d i n g . t 2 0 ( 1 8 9 3 / 9 4 ) z

7 5 9 ' 7 6 8 .l M y A u n t ' s H o u s e . ' 1 6 ( 1 8 8 9 / 9 0 ) :Wh i t i ng .

W i c k h a m , A n n i e E . ' A D e s p e r a t e V e n t u r e . I

6 2 7 - 6 3 2 .

Formed fo r Conques t . 18 (L891 /92 )z 286-299 , 321-33 I , 42 I -432 ,484-494 . Uns igned .Loveday : A Ta le o f a S t i r r i ng T ime . 2 I (L894 /95 )z 545-553 ,6 L 9 - 6 3 2 , 6 5 0 ' 6 6 6 , 7 8 0 - 7 9 2 , 8 0 9 ' 8 2 4 , 8 9 0 - 9 0 2 . S i g n e d A . E . W i c k h a m .u a r g a r e t ' s l { a y . 2 0 ( 1 8 9 3 / 9 4 ) : 4 3 - 5 2 , 8 6 - 9 8 , L 9 9 - 2 I 3 , 2 9 3 - 3 0 5 ,374-385 , 44 t -448 .

W i l l i a m s , N e i l W y n n . ' C o x s w a i n S w a i n t s S t o r y : A R e m a r k a b l e T a l eo f t h e C o a s t . ' 3 1 ( 1 9 0 0 / I ) : 2 3 2 ' 2 3 7 .' T h e G u a r d a n d E h e B i g G u n : T h e S t o r y o f a S c a p o r t B a t t e r y . l3 9 ( 1 9 0 4 / 5 ) : 3 3 4 ' 3 4 0 .' T h e M a n a n d t h e M o n u m e n t . r 3 6 ( 1 9 0 3 ) : 2 0 4 - 2 L 2 .t T h e M a s t e r ' s C h o i c e : R e s i g n a t i o n o r S c a n d a l ? ' 3 6 ( 1 9 0 3 ) :323-328 .' T h e S t r a n g e S t o r y o f a B u s i n e s s S t a r t . ' 3 0 ( 1 9 0 0 ) : 4 7 2 ' 4 8 2 .' T h e S t o r y o f P r i v a t e P a s s m o r e a n d t h e E x p r e s s . r 3 3 ( L 9 0 1 / 2 ) l

5 4 6 - s 5 1 .W i l l i a r n s o n , H r s C . N . I i . e . A l i c e M u r i e l ] . ' A C h r i s t m a s N o v e l t y . '

4 3 ( 1 9 0 6 / 7 ) : 3 - 1 8 .' C o l o n e 1 C a y l e y ' s T e a P a r t y . t 4 6 ( 1 9 0 8 ) : 5 5 7 ' 5 6 3 .The Corboy Coun tess . 47 ( fgOS/g ) r 233-243 , 343-353 ' 453-463 .Ed. The Covboy Countess: Eer Adventures lltrile Haid ofHooour to the Qqeen. Told in Letters to Eer Late Governeas.4 8 ( 1 9 0 9 ) : 6 5 ' 7 7 , L 6 7 - 1 7 6 , 2 8 5 - 3 0 1 .' A C u r e f o r W e a l t h . r 4 5 ( L 9 0 7 / 8 ) : 6 5 - 7 4 .E d . ' T h e H o o d e d C h a i r . ' 3 6 ( 1 9 0 3 ) : 3 0 - 3 8 .

W i l l o u g h b y , C l a r e n c e . ' H o w I M a d e M y F o r t u n e . r 4 2 ( 1 9 0 6 ) z 1 2 9 - L 3 1 .w i l s o n , T h e o d o r a w i l s o n . ' T h e s a f e s i d e . ' 4 3 ( L 9 0 6 / 7 ) z 3 2 1 - 3 2 8 .

' T h e I . I a r i n F a r d a l e . ' 4 4 ( 1 9 0 7 ) : 6 2 - 6 7 .W i m p o l e , W a l t e r . r H i s O w n S h a d o w . ' 8 ( 1 8 8 1 / 8 2 ) : 6 5 8 - 6 6 3 ' 7 2 3 - 7 2 7 .W i n t e r , E l i z a b e t h C a m p b e 1 1 . ' G r a n d m a m m a ' s V a l e n t i n e . ' 1 1 ( 1 8 8 4 / 8 5 ) :

1 4 7 - r 5 0 .

Win te r , John S t range . IPseudonym o f Henr ie t ta E I i za Vaughan S tannard ] .' F o r t h e S a k e o f O l d L o v e . ' 2 7 ( f 8 9 8 / 9 9 ) : 2 3 B - 2 4 8 .' A P a i r o f Y o u n g T h i n g s . ' 3 1 ( 1 9 0 0 / 1 ) : 4 8 2 - 4 8 8 .

W i s h i n g , S t u a r t & A r t h u r H a l i f a x . ' S h a d o w s B e f o r e . r 4 4 ( L 9 0 7 ) : 4 8 4 - 4 9 2 .W o d e h o u s e , P I e l h a m ] G I r a n v i 1 l e ] . ' P e r s o n a l l y C o n d u c t e d : A C r i c k e E

S t o r y . | 4 4 ( 1 9 0 7 ) : 1 1 3 - 1 2 0 .W o o d , S t a n l e y L . ' A n A r i z o n a N e r v e D e s t r o y e r . r 4 5 ( L 9 0 7 / 8 ) : 2 O L - 2 0 9 .

t c o l d y L o c k s a n d a B r o n c h o : T h e S t o r y o f a C o w b o y ' s H o r s e . '4 6 ( 1 9 0 8 ) z 4 6 7 - 4 7 7 .

W o o d , I r t a l t e r . ' A M i l i t a r y l l o o l i g a n . ' 3 4 ( 1 9 0 2 ) : 3 0 3 - 3 0 9 .W o r k m a n , J a m e s . ' T h e B e a c o n F i r e . ' 3 3 ( I 9 0 L / 2 ) z 3 I 4 - 3 2 L .

' T h e C h r i s E m a s P r e s e n t . ' 3 1 ( f g O O / f ) , 1 3 1 - 1 3 8 .r A H a p p y C h r i s t m a s . ' 3 7 Q 9 0 3 / 4 ) : 1 0 1 - 1 0 8 .r T h e P o s t e r n D o o r : A S t o r y o f t h e G r e a t R e b e l l i o n . ' 3 6( 1 9 0 3 ) : 4 9 8 - 5 0 4 .' T h e

Q u e e n ' s R i n g . ' 3 0 ( 1 9 0 0 ) : 1 3 8 - 1 4 5 .' T h e S i l v e r L u t e . ' 3 0 ( 1 9 0 0 ) z 5 2 1 - 5 2 8 .

W o r n e , J o h n . ' T h e H o u n d o f T i m e . ' 4 6 ( 1 9 0 8 ) : 1 5 1 - 1 5 8 .r O f K i n d n e s s t o C r o c o d i l e s . ' 4 4 ( L 9 0 7 ) z 4 0 - 4 7 .

W y l l a r d e , D o l f . ' O n t h e P l a i n s : A S t i r r i n g S t o r y o f t h e h l e s t I n d i e s . I4 8 ( 1 9 0 9 ) : 3 7 5 - 3 8 1 .r Q u a r a n t i n e : A S t o r y o f t h e W e s t I n d i e s . l 4 8 ( 1 9 0 9 ) : L 3 2 - I 4 2 .' T h e S e r m o n : A C h r i s t r n a s S t o r y . t 4 9 ( 1 9 0 9 / 1 0 ) : 2 4 0 - 2 4 7 .

W y n n e , J . K . ' A f t e r A 1 1 : A C h r i s t m a s S t o r y . r 3 9 ( 1 9 0 4 / 5 ) : 1 5 0 - 1 5 6 .Wynne , l l ay . IPseudonym o f Mabe l Win i f red Knowles ] . 'K ing Mandr in :

T h e R o b i n H o o d o f F r a n c e . r 4 9 ( 1 9 0 9 / 1 0 ) : 3 5 5 - 3 6 2 .W o n f r o m t h e B r i g a n d s . ' 5 0 ( f g L O ) : 4 I l - 4 2 4 .

Y a r c o t E , W . G . ' A n A l t e r e d P r o g r a m m e . ' 4 6 ( 1 9 0 8 ) : 9 8 - 1 0 3 .' A n I n c i d e n t o f t h e N i g h t : A H u m o r o u s S t o r y . ' 4 3 ( 1 9 0 6 / 7 ) z

1 9 0 - 1 9 4 .' I n E e r f e r e n c e . ' 4 3 ( 1 9 0 6 / 7 ) z 6 0 5 - 6 0 9 .' R e l a t i v e V a 1 u e . ' 5 0 ( 1 9 1 0 ) z 2 L 2 - 2 L 6 .

Y e a t s , S . L e v e t t . ' T h e D e v i l r s M a n u s c r i p t . ' 2 2 ( 1 8 9 5 / 9 6 ) : f l - 2 0 .' T h e L a c e K e r c h i e f . ' 3 3 ( L 9 O L / 2 ) : 9 3 ' 9 9 . S i g n e d S . L e v e t t -

Y e a t s .T h e L o r d P r o t e c t o r . 3 4 ( 1 9 0 2 ) : 1 - 1 5 , I 2 2 - L 3 4 , 2 4 9 - 2 6 3 ,3 5 8 - 3 7 2 , 4 6 9 ' 4 8 2 , 6 1 0 - 6 2 3 . S i g n e d S . L e v e t t - Y e a t s .

SIGNED STORIES - AUTHOR UNTRACEABLE

A . , A . M . ' M r M a r r i s ' s W i n d o w . ' 1 9 ( L 8 9 2 / 9 3 ) : 8 2 2 - 8 2 6 .A . , C . ' T h e M i s s i n g D e a n . ' 1 5 ( 1 8 8 8 / 8 9 ) : 5 9 6 - 6 0 3 .A l e r i e l . ' C o r r e s p o n d i n g $ r i t h t h e P l a n e t s . r 1 9 ( 1 8 9 2 / 9 3 ) : 4 0 3 - 4 0 5 .

' L e t t e r s f r o m t h e P l a n e t s . r 1 3 ( 1 8 8 6 / 8 7 ) : L 2 I - L 2 3 , 3 1 1 - 3 1 3 ,5 5 6 - 5 5 8 , 6 8 8 - 6 9 0 ; 1 6 ( 1 8 8 9 / 9 0 ) t 2 8 5 ' 2 8 7 .'The Por ta l s o f t he K ing o f Day : A Journey to the Reg ionso f t h e S u n . ' 1 4 ( 1 8 8 7 / 8 8 ) : 9 6 - 9 8 .r A T r i p t o J u p i t e r t s M o o n l e t . r 1 8 ( 1 8 9 1 / 9 2 ) : 5 5 - 5 6 .

A u t h o r o f ' A B r o k e n E n g a g e m e n E r l e t c . ' A L i t t l e L o v e - a f f a i r . ' I 7( 1 8 9 0 / 9 1 ) : 4 0 4 - 4 0 8 .

Author o f rThe Dingy House at Kens ingtonrr e tc .| ( I 8 7 4 / 7 5 ) : 6 0 6 - 6 0 8 .

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t F o r l " l o n e y - f o r L o v e . ' 7 ( 1 8 8 0 / 8 1 ) : 2 5 0 ' 2 5 1 . S i g n e d'By the Au tho r o f "The D ingy House a t Kens ing ton r " "TheBr idge Be tween , t t t tThe i r Summer Dayr t t e t c . r' G o l d a n d G i l r . ' 3 ( 1 8 7 6 / 7 7 ) t 1 0 8 - 1 1 1 . S i g n e dAuthor of "The Dingy House at Kensington" ' "TheB e t w e e n , I t e t c . t' K i t t y . ' 2 ( L 8 7 5 / 1 6 ) : 4 4 - 4 6 .' P r o u d M r s B r a n d l e t h . ' 2 ( I 8 7 4 / 7 5 ) z 4 0 7 - 4 1 0 .

the Au tho r o f "The D ingy House a t Kens ingEonr r tB e t w e e n t r , e t c . I' W i t h o u t a P i g t a i l . ' 3 ( 1 8 7 6 / 7 7 ) z 3 6 7 ' 3 7 1 . S i g n e d ' B y

t h e A u E h o r o f t ' A D i n g y H o u s e a t K e n s i n g t o n r t t t t B i b b s r r r e t c . t

A u t h o r o f t A H a r d C a s e . ' A E a r d G a s e . 2 ( L 8 7 5 / 7 6 ) : 4 1 5 ' 4 2 4 , 4 8 I ' 4 8 7 ,

5 4 4 - 5 5 0 , 6 0 8 - 6 1 6 , 6 7 1 - 6 7 8 , 7 3 6 - 7 4 4 . U n s i g n e d .' H o w H e F o u n d H i s W i f e . ' 9 ( L 8 8 2 / 8 3 ) z 4 0 2 - 4 0 5 .' B y E h e A u t h o r o f " A H a r d C a s e r " " w a s I t W i s e t o

e t c . t

S u s p e n s e . 4 ( L 8 7 7 1 7 8 ) : 3 1 - 3 9 , 9 6 - 1 0 4 , 1 6 1 - 1 6 7 '

2 8 7 - 2 9 L .

' M i s s S a x e l b y ' s W o r k o f A r t . ' 9 ( f 8 8 2 / 8 3 ) : 2 4 2 - 2 4 6 . U n s i g n e d .tMr Kewthorpe 's Acc iden t . t Sunrmer Number 1884 (Surnmer

D a y s ) : 1 8 - 2 3 . S i g n e d ' B y t h e A u t h o r o f " M i s s S a x e l b y ' s

W o r k o f A r t . " 'Au tho r o f 'A Moonbeam Tr iang le . ' &c . 'The Fa i r } Ia id o f Cherbury . '

9 ( r 8 8 2 / 8 3 ) : 5 6 4 ' s 6 7 .' T h o u s a n d s a n d T h o u s a n d s ! 9 ( 1 8 8 2 / 8 3 ) : 2 0 - 2 3 .

o f ' M r s T w i g g i t t s l " l i n t S a u c e , I e t c . r J u s t L i k e A r g e n t i n a . r

1 2 ( 1 8 8 5 / 8 6 ) : 1 8 2 - 1 8 6 .r I ' I r s Tw igg i t ' s M in t Sauce . r Surnmer Number 1885 (n r ig t r t

D a y s ) z 4 0 ' 4 3 .A u t h o r o f r P e m b e r t o n t s P i e c e r t t A B o l t f r o m t h e B l u e r t e t c . t T h e

M y s r e r i o u s H o u s e a t C o p i n g t o n . r 2 I ( 1 8 9 4 / 9 5 ) : 3 6 7 ' 3 7 6 .

A u t h o r o f ' S h e ' s C o m i n g r i l T h e V o i c e i n t h e W o o d s r ' e t c . ' T h e S c o t c h m a n :

A R a i l w a y S t o r y . ' L 7 ( 1 8 9 0 / 9 1 ) : 2 7 5 - 2 7 9 -

8 . , F . ' C h e c k m a t e d . ' 8 ( 1 8 8 1 / 8 2 ) : 5 9 5 - 5 9 8 .

C . , B . ' H i s S t r a n g e I n f a t u a t i o n . ' 4 ( 1 8 7 7 / 7 8 ) z 6 8 7 - 6 9 0 .

C . , E . r A G u i n e a G u e s t . r 1 7 ( 1 8 9 0 / 9 1 ) : 5 3 8 - 5 4 4 .

D . , H . B . ' L a d y J a n e r s R e b e l l i o n . ' L 9 ( 1 8 9 2 / 9 3 ) : L L Z ' L L 7 .

E . , A . A . r J a n e t r s F o r g e r i e s . ' 1 1 ( 1 8 8 4 / 8 5 ) : 3 4 2 ' 3 4 6 .

F . , D . L . ' P r i n c e L o l l i p o p ' s S e a r c h f o r L o v e : A S t o r y f o r L i t t l e

O n e s . t 3 7 ( I 9 O 3 / 4 ) : 6 0 3 - 6 0 5 .' A t C r o s s - p u r p o s e s . ' 8 ( 1 8 8 1 / 8 2 ) : 2 5 ' 3 8 . A u t h o r o f ' A S w i m

f o r L i f e . '

' A S w i m f o r L i f e : A W e s t e r n E p i s o d e . rUns igned .

7 ( 1 8 8 0 / 8 1 ) : 6 9 I - 6 9 4 .

r r r W h e n G r e e n L e a v e s C o m e A g a i n . f r r 9 ( 1 8 3 2 / S 3 ) : 2 7 6 - 2 7 9 .F . , W , J . ' A R a n k S w i n d l e . ' 1 9 ( 1 8 9 2 / 9 3 ) z B 3 Z - 9 4 2 .G w e n d o l i n e . ' Q u e e r L i t t l e M e . 1 5 ( I 8 7 8 / 7 D : 4 7 4 - 4 7 9 .H . l E d i t h r s F a i t h . ' 9 ( L 8 8 2 / 8 3 ) : 3 3 9 - 3 4 1 . S i g n e d ' B y r h e A u r h o r

o f "Gour lay B ro the rs , t t t tMadg ie t s Hero , t t e t c . t' A F o o l i s h M i s t a k e . r 7 ( 1 8 8 0 / 8 1 ) : 7 2 7 - 7 3 0 . A u r h o r o ft G o u r l a y B r o t h e r s r t t M a d g i e t s H e r o r t e t c .' G o u r l a y B r o t h e r s . r 6 ( L 8 7 9 / 8 0 ) t 1 6 8 - 1 7 1 .' M a d g i e ' s H e r o . ' 6 ( 1 g 7 9 l g 0 ) : 6 6 1 - 6 6 5 .' M i s s B r i t m a n l s L a s t L e s s o n . t S i g n e d ' B y t h e A u t h o r o ft tGour lay B ro the rs ,

t t t t l , l adg ie , s Hero r r r e t c .K . 'A S t range Fe l l ow-voyager . ' 6 (1879 /8 i l r , 244 -246 .K . , D . r A N i g h t r s W o r k i n t h e C h i n e s e W a r : A V e t e r a n ' s S t o r y . ' 1

( L 8 7 4 / 7 5 ) : s 5 7 - s s 9 .'Runn ing the Gaun t le t o f t he Dardene l les : An Ep isode o ft h e R u s s o - T u r k i s h I ^ I a r o f 1 7 7 0 . , 4 ( I 8 7 7 / 7 9 ) : 1 5 6 - 1 5 9 .

L . , H . ' G e o r g e F e n w i c k ' s S c h o o l f e l l o w . ' 1 l ( 1 8 8 4 / 8 5 ) : 2 0 - 2 4 .' H e r B r o t h e r E p h r a i m . t L 2 ( 1 8 8 5 / 8 6 ) : 1 1 8 - 1 2 1 .' H i s S o n ' s W i f e . r 1 1 ( 1 8 8 4 / 8 5 ) : g Z / 8 6 .1An I11 - t imed Proposa l . ' Sunnuer Number 1883 (pahoy Days ) :40 -44 .' M a r y C o t t e r e l l r s V i s i r o r . ' 1 1 ( f A A + / g S ) , 4 9 5 - 4 9 9 .' A U a t r i m o n i a l S c h e m e r . ' L 2 ( 1 8 8 5 / 8 6 ) : 6 6 0 - 6 6 3 .'Mr Da ly ' s S i t t e r . r Summer Number l 8S4 (Summer Days ) :3 6 - 4 0 .' O u r I r r e p r e s s i b l e T e n o r . ' 6 ( 1 8 7 9 / S 0 ) : 7 5 L - 7 5 4 .' S i g n o r i n a L e s s i e . r 9 ( 1 8 8 2 / 8 3 ) : 1 4 7 - 1 5 0 ." ' S i s t e r E y e s . " ' 1 0 ( 1 8 8 3 / 8 4 ) : 2 7 4 - 2 7 7 . S i g n e d ' B y t h eA u t h o r o f " S o B l u e ; t h e S t o r y o f a G i r t o n G i r l . " r' s o B l u e ! A s t o r y o f a G i r r o n G i r l . ' 8 ( L 8 8 1 / 8 2 ) z 2 L L - 2 L 5 .t T r u s t e d T o o W e 1 1 . ' 9 ( 1 8 8 2 / 8 3 ) : 6 6 2 - 6 6 4 .

L . , M . R . ' L a d y A n g e l a r s L a r e s r L i o n . ' 1 6 ( 1 8 8 9 / 9 0 ) z 2 4 6 - 2 4 9 .r M i l l y ' s D o w r y . ' 1 2 ( 1 8 8 5 / 8 6 ) : 4 7 - 5 I .r M r s V a n K o e r t ' s T e a p o r . r 1 4 ( 1 8 8 7 / 8 8 ) : 4 3 7 - 4 4 I .r N i n e t t e ' s I d e a s . ' 1 6 ( 1 8 8 9 / 9 0 ) : 4 4 O - 4 4 3 .r A P o i n t o f H o n o u r . ' 1 1 ( 1 8 8 4 / 8 5 ) : 5 2 - 5 5 .

. ' S o r n e b o d y r s S e c r e t . r 1 3 ( 1 8 8 6 / 8 7 ) : 2 7 6 - 2 7 9 .

. ' T h e i r M y s t e r i o u s B u s i n e s s . r L 7 ( 1 8 9 0 / 9 1 ) : 8 7 - 9 0 .

. ' " T h o s e D r e a d f u l G i r l s . " ' 1 5 ( 1 8 8 8 / 8 9 ) : 6 9 2 - 6 9 5 .W . J . ' A B r a v e D e e d . ' 8 ( f a a f / g Z ) , 4 0 4 - 4 0 7 . S i g n e d ' B y r h e A u t h o r

o f t t A L o s t K e y r t t e t c . t

. tHow He Was Thwarted. ' Sunrner Number 1883 ( fa lmy Days):5 f - 5 3 . U n s i g n e d .

. ' H o w S h e S a v e d H i m . r 1 1 ( 1 8 3 4 / 8 5 ) : 2 I O - 2 1 3 . S i g n e d W . J . L . ,Au tho r o f "A Wayward Ward . t t '

, ' o u r D u p l i c a t e S t o r y . ' 1 4 ( 1 8 8 7 / 8 8 ) : 4 7 2 - 4 7 5 .. ' V i n c e n t R o m n e y f s R e c o m p e n s e . ' S i g n e d W . J . L . , r A u t h o r

o f t t A B r a v e D e e d . t t '' A W a y w a r d W a r d . r 1 0 ( 1 8 S 3 / S 4 ) : 7 5 3 - 7 5 5 . S i g n e d ' B y r h eAu tho r o f "How He Was Thwar ted . t ' l

M . , A . t O n e H u n d r e d p o u n d s R e w a r d . r 7 ( 1 8 8 0 / 8 1 ) : 1 1 6 - 1 1 9 .M . , R . ' M r B r o m e ' s H e i r e s s . r 1 0 ( f 8 S 3 / 8 4 ) : 4 0 2 - 4 0 6 .

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o f P a r i s . ' 1 0 ( 1 8 8 3 / 8 4 ) : 6 2 8 - 6 3 1 .

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2 7 7 - 2 8 L .

P . , A . ' A c h a p r e r o f A c c i d e n t s . r L 7 ( 1 8 9 0 / 9 1 ) : 1 6 ' 2 3 . s i g n e d ' B y

t h e A u t h o r o f " w h o I s S y l v i a ? " " M i s s H i l a r y ' s S u i t o r s r " e t c .' T h e " C r a b s " a t C a i s t e r b y : A S t o r y o f t h e E a s t e r n C o u n t i e s . '

S u m m e r N u m b e r 1 8 8 5 ( f r i g n t D a y s ) : 5 3 - 5 8 .' D i s c o v e r e d i n T i m e . ' 1 0 ( 1 8 S 3 / 8 4 ) z 5 9 9 - 6 0 2 . S i g n e d ' B y

t h e A u t h o r o f " W h o I s S y l v i a , " e t c . '' I v a ' s F i r s t D a y - d r e a m . ' 9 ( 1 8 8 2 / 8 3 ) : 7 2 2 - 7 2 4 . S i g n e d'By the Au tho r o f "Who I s Sy lv ia? " "why Those Ske tches

W e r e U n f i n i s h e d , " e t c . ' 9 ( 1 8 8 2 / 8 3 ) : 7 2 2 ' 7 2 4 .I{y Nanesake }larjorie. 11 ( 1884/85 ) : 4L8-426 , 482-489 '5 4 6 - 5 5 4 , 6 1 0 - 6 1 8 , 6 7 5 ' 6 8 2 , 7 3 9 - 7 4 6 . S i g n e d ' B y t h e A u t h o r

o f " w h o r s s y l v i a ? " e t c . rr M y s t e r i o u s M i s s A l i s t e r . ' 1 4 ( 1 8 8 7 / 8 8 ) : f 5 0 - 1 5 4 . S i g n e d'By the Au tho r o f "A Wi l fu l Young Woman. " '' o n l y a T e n t h . l 1 3 ( 1 8 8 6 / 8 7 ) : 3 4 L - 3 4 4 . s i g n e d ' B y t h e

A u t h o r o f " A W i l f u l Y o u n g W o m a n r " e t c . '

" ' o n l y J u s t ! " r L 7 ( 1 8 9 0 / 9 1 ) : 1 4 3 - 1 5 1 .' S y b i l r s S e c o n d C o u s i n s , a n d i { h a t T h e y D i d f o r H e r . ' 1 3( f 8 S 6 / 8 7 ) : L 8 - 2 2 . S i g n e d ' B y t h e A u t h o r o f " A W i l f u l Y o u n g

w o m a n r t t t t w h o I s S y l v i a ? r r r r A R u s t i c M a i d r t t e t c . t

tThe i r Cunn ing Dev ice . r Summer Number 1884 (Summer Days ) :

26 '30 . S igned 'By the Au tho r o f "Who I s Sy lv ia? " r' A V e r y S t r a n g e A f f a i r . ' 1 5 ( 1 8 8 8 / 8 9 ) : 7 2 3 - 7 3 3 ' S i g n e d' B y E h e A u t h o r o f " w h o I s S y l v i a ? " " M i s s H i l a r y ' s S u i t o r s r "

e t c . t' W h y T h o s e S k e r c h e s W e r e U n f i n i s h e d . ' 9 ( 1 8 8 2 / 8 3 ) : 3 6 9 - 3 7 0 ;

4 3 5 - 4 3 8 . S i g n e d A . P . , ' B y t h e A u t h o r o f " W h o I s S y l v i a ? "

e t c . I

A l { i l f u l Young l Joman. L2 ( 1885 /86 ) : 1 -10 , 65 -77 , I 29 - I4L ,

L g 3 - 2 0 4 , 2 5 7 - 2 6 9 , 3 2 1 - 3 3 2 , 3 8 5 - 3 9 6 , 4 4 9 - 4 6 0 , 5 L 3 - 5 2 4 , 5 7 7 - 5 8 7 ,

6 4 1 - 6 5 1 , 7 0 5 - 7 L 5 . S i g n e d ' B y t h e A u t h o r o f " W h o I s S y l v i a ? "

"A Rus t i c Ma id , t t i l l u l y Namesake Mar j o r i e , t t e t c . t

R . , H . H . ' L u d w i g ' s J e a l o u s y . ' 1 0 ( 1 8 8 3 / 8 4 ) : 3 3 5 - 3 3 8 .

R . , K . ' T h e c h i m n e y a t L i s g a r v a n 1 " 1 i 1 1 . ' 6 ( f 8 7 9 / 8 0 ) : 4 7 0 ' 4 7 3 .

A Res iden t M.A . F rank Ross a t Ox fo rd . 5 (1878 /79 )z 43 '47 , 108-112 ,

L 4 7 - 1 5 3 , 2 9 8 - 3 0 2 , 4 3 7 ' 4 4 2 , 5 5 6 - 5 6 0 , 6 2 4 - 6 2 7 ' 7 2 0 ' 7 2 3 .

S . , F . M . r M y A u n t ' s M a t c h m a k i n g . ' I Q 8 7 4 / 7 5 ) : 4 I ' 4 7 -

S . , R . l ' I . ' T w o P o u n d s T e n . ' 4 2 ( 1 9 0 6 ) : 4 9 3 - 4 9 4 .

V . , A . ' J a c k a n d J i l l : A O n e C h a p t e r S t o r y i n H u m a n N a t u r e . ' 1 9( L 8 9 2 / 9 3 ) z 1 6 6 - 1 7 0 .

w . , J . F . ' 1 " 1 y w i f e t s s t i t c h i n T i m e . ' 6 ( 1 8 7 9 / 8 0 ) : 4 1 0 - 4 1 4 .' w h a t ' s i n a N a m e ? ' 2 ( 1 8 7 5 / 7 6 ) z 6 9 0 - 6 9 3 .

w . , I " l . B . ' T h a t B l a c k L a c e B o n n e t . r L 7 ( 1 8 9 0 / 9 1 ) : 2 L 5 ' 2 2 I .

x . ' H i s P h i l o s p h y . ' 2 0 ( L 8 9 3 / 9 4 ) r 6 7 2 - 6 7 4 .

Zara . 'The Enchan ted Ass : F rom the Arab ic o f "The Accursed Donkey . " '

2 4 0 8 9 7 ) z 6 1 0 - 6 1 1 .Z e d . ' I " l e r e T e m p e r a m e n t . ' 3 I ( 1 9 0 1 ) : 5 5 1 - 5 5 6 .

ANONYI"IOUS STORIES

' A c r o s s t h e R i v e r . r 9 ( 1 8 8 2 / 8 3 ) : 4 6 6 ' 4 6 9 .

4849

' A n A d v e n t u r e b y E x p r e s s . ' 2 4 ( 1 8 9 7 ) z 2 8 0 - 2 8 3 .' A n A d v e n t u r e i n F o r m o s a . ' 5 ( 1 8 7 8 / 7 9 ) , 5 g 7 - 5 9 0 .t A n A l p i n e A d v e n t u r e . r 2 2 ( 1 8 9 5 / 9 6 ) . 4 5 7 - 4 6 0 .' A 1 1 S o u t s ' N i g h t . ' 1 3 ( 1 8 8 6 / g 7 ) : 6 6 3 - 6 6 7 , 7 5 3 - 7 5 6 .' A m o n g t h e D o w n s . ' 2 5 ( f g g Z / 9 8 ) r 3 1 6 - 3 2 I ." A n n e r : A W e s t C o u n t r y T r a g e d y . ' 2 I ( 1 8 9 4 / 9 i l 2 3 2 8 - 3 3 8 .'An thony se lwyn 's l ^ /oo ing . ' summer Number 1885 ( r r i . gn t Days ) : 32 -36 .' A s P a y i n g G u e s t s . ' 2 O 0 8 9 3 / 9 4 ) : 2 8 4 - 2 8 9 .' B a n g . ' 3 ( I 8 7 6 / 7 7 ) z 4 3 4 - 4 3 5 .' B e y o n d R e c a 1 1 . ' 5 ( L 8 7 8 / 7 9 ) : 5 9 6 - 5 9 8 .r B l a z i n g G u l c h . ' 1 5 ( 1 8 8 8 / 8 9 ) : 2 7 g - 2 9 3 .' B o s s f T e c a t O l d b y . ' 2 I ( L 8 9 4 / 9 5 ) : 1 8 7 - 1 9 3 .' T h e B u r i e d B u n g a l o w . ' 4 ( L 8 7 7 / 7 8 ) z 2 0 - 2 2 .'Cap ta in M i les Barn ico t t . I Summer Nurnber 1885' C h r i s t m a s E v e . ' 3 ( 1 8 7 6 / 7 7 ) : 8 9 .' T h e C o b w e b o f a L o n e l y S p i d e r . ' 1 4 ( 1 8 8 7 / 8 8 ) :' A c o r r e c t e d E r r o r . ' 2 0 ( L g g 3 / 9 4 ) . 2 6 5 - 2 7 5 .' C o u s i n N e 1 1 . ' 3 ( I 8 7 6 / 7 7 ) : 9 0 .t C r o s i e t t e f s B e t r o t h a l : A S t o r y o f B r i r t a n y . t L 9 ( 1 8 9 2 / 9 3 ) t 3 4 6 - 3 5 4 .' C u r O f f L r i t h a S h i l l i n g . l S u m r n e r N u m b e r 1 8 8 6 : 5 7 - 6 I .' D i c k r s w i f e . , 1 t ( 1 g g 4 / g 5 ) : 7 2 5 - 7 3 0 .t A D o c t o r ' s l l o l i d a y . ' 3 ( L 8 7 6 / j 7 ) . 7 2 9 - 7 3 L .' D o n a F e r e n t e s . l 2 3 ( 1 8 9 6 / 9 7 ) : 5 L 6 - 5 2 I .' T h e E m p t y H o u s e o n t h e G o s w o l d R o a d . , 3 7 ( L g O 3 / 4 ) z 6 9 0 - 6 9 4 .' F e l i c i a . ' 9 ( 1 8 8 2 / 8 3 ) : L 7 7 - L 7 8 .' A F o r l o r n H o p e . ' 1 7 ( 1 8 9 0 / 9 1 ) : 6 5 9 - 6 6 6 .' A F r e a k o f N a t u r e . ' 1 2 ( 1 8 8 5 / 8 6 ) : 5 6 2 - 5 6 5 .' F r o m t h e F i r s t . ' s u m m e r N u m b e r 1 8 8 8 ( T h e c r o w n o f t h e y e a r ) : 5 6 - 6 0 .' G e r a l d ' s F o u r - l e a v e d S h a m r o c k . ' 7 ( 1 8 8 0 / 8 1 ) : 1 7 3 - 1 7 6 .'G ladys : A Ta le o f a summer wedd ing . ' sumrner Number 1gg5 (n r ig t r t

D a v s ) : 1 - 1 1 .' A G o o d D e a l A b r o a d . r 1 8 ( L 8 9 I / 9 2 ) : 4 l O - 4 L 7 .' c o s s a n d S o n s . ' 1 2 ( 1 8 8 5 / 8 6 ) : 3 3 9 - 3 4 2 .' A G r e a t M i s t a k e . r 4 ( L 8 7 7 / 7 8 ) : 2 4 0 - 2 4 6 .f,ad Ee Knoun: A Story of lfev Zealand Gold firirst. r 8 ( 1 8 9 1 / 9 2 ) :

4 5 - 5 4 , 1 0 6 - 1 1 5 , 1 5 2 - 1 6 3 , 2 3 6 - 2 4 6 .' H a r d P r e s s e d : A W o l f - s t o r y . r L ( L 8 7 4 / 7 5 ) z 5 6 5 - 5 7 0 .' T h e H e i r e s s o f G a r d e n C o u r t . ' 8 ( 1 8 8 1 / 8 2 ) : 1 4 6 - 1 5 0 .' H e r T o m . ' 1 4 ( 1 8 8 7 / 8 8 ) : 4 9 8 - 5 0 1 .' T h e H e r m i r o f D u n d o y n e . , 1 3 ( f g g 6 / g 7 ) : 2 L z - 2 I 7 .' T h e H o u s e o n t h e H i l l . ' 9 ( f 8 8 2 / 8 3 ) : 7 5 2 - 7 5 5 .' H o w H e L e a r n t H i s L e s s o n . ' 6 ( 1 8 7 9 / g 0 ) : g g - 9 1 .' I n t h e C o u r s e o f O n e E v e n i n g . r 2 0 ( L 8 9 3 / 9 4 ) . 2 L 6 - 2 2 2 .' I n k i n s f e l l : A n A l p i n e V i l l a g e S r o r y . r 1 1 ( 1 8 8 4 / g 5 ) : 7 5 7 - 7 6 0 .' I r ' r y . ' 4 ( L 8 7 7 / 7 8 ) : 3 4 0 - 3 4 4 .' A J e w e l l e r ' s S t o r y . r 7 ( 1 8 8 0 / 8 1 ) : 7 5 2 - 7 5 4 .r J o s e p h i n e ' s D r e a m . ' 8 ( 1 8 8 1 / 8 2 ) : 2 7 4 - 2 7 7 .' J u n e D a i s i e s : A K e n s i n g t o n R o r n a n c e . ' 1 1 ( 1 8 8 4 / 8 5 ) : 4 3 0 - 4 3 4 .' L a d y B e n s o n r s H o u s e - p a r r y . ' 2 2 ( 1 8 9 5 / 9 6 ) : B L 2 - 8 2 1 .' T h e L i t t l e D r e s s m a k e r . ' 3 ( 1 8 7 6 / 7 7 ) : 4 7 7 .f A L u c k y T u m b l e . ' 4 ( L 8 7 7 / 7 8 ) : 1 1 0 - 1 1 1 .' M a d a m e r s L i t t l e P l o t . ' 5 ( I 8 7 8 / 7 i l 2 Z I 8 - 2 2 3 .' M a d g e ' s C o u s i n . r 5 ( L 5 7 8 / 7 9 ) t L 7 6 - I 7 9 .' M i s s C y n t h i a . I 2 O ( L 8 9 3 / 9 4 ) : 9 2 4 - 9 2 9 .

(n r ig t r t Days ) : 22 -25 .

338-342 .

' T h e M i s s i n g W i t n e s s . r 8 ( 1 8 8 1 / 8 2 ) : 6 2 4 - 6 2 7 .r l ' 1 r D a l b y r s } l o n t h o f P r o b a t i o n . ' 1 2 ( 1 8 8 5 / 8 6 ) : 6 2 3 - 6 2 6 .' M r I ' l e a k i n ' s L o o k i n g - g l a s s . ' 1 9 ( 1 8 9 2 / 9 3 ) . 9 8 - 1 0 4 .f T h e M o r t g a g e - m o n e y . ' 4 ( L 8 7 7 / 7 8 ) z 6 2 2 - 6 2 8 .' M r s P e n l e a t h r s S t r a t e g e m . r 4 0 ( 1 9 0 5 ) : 1 4 8 - 1 5 7 .' M u r i e l ' s T w o l l i d s u m m e r s . ' 3 ( L 8 7 6 / 7 7 ) z 4 7 9 .' l n l y S t e p m o t h e r . ' 3 ( L 8 7 6 / 7 7 ) : 6 8 8 - 6 9 4 .f T h e M y s t e r y o f t h e T a l l G r e y M a n . r I ( L 8 7 4 / 7 5 ) z 2 L 8 - 2 2 2 .' N e 1 l y ' s M i s t a k e : A L o v e - s t o r y . ' 7 ( 1 8 8 0 / 8 1 ) : 2 L 6 - 2 2 0 .' " N o b l e s s e O b l i g e . "

| 1 5 ( 1 8 8 8 / 8 9 ) : 4 0 1 - 4 0 5 .' T h e O l d l " l a n o r H o u s e . ' 3 ( L 8 7 6 / 7 7 ) : 3 3 9 - 3 4 3 .' O n t h e R o a d t o S i b e r i a : T h e S t o r y o f a P o l i s h P r i s o n e r . ' 1 5 ( 1 8 8 8 / B 9 ) :

7 5 0 - 7 5 2 .' O n e G o o d T u r n D e s e r v e s A n o t h e r . ' 1 4 ( 1 8 8 7 / 8 8 ) : 7 5 0 - 7 5 4 .' O n l y a M i n e r . ' 8 ( 1 8 8 1 / 8 2 ) : 7 5 L - 7 5 4 .' O n l y J u s t S a v e d . ' 4 ( L 8 7 7 / 7 8 ) : 7 3 0 - 7 3 3 .' T h e O t h e r A i l e e n . ' S u m m e r N u m b e r 1 8 9 0 : 5 4 - 5 8 .' O u r M y s t e r i o u s N e i g h b o u r . | 1 5 ( 1 8 8 8 / 8 9 ) : 2 4 I - 2 4 5 .' T h e P a n i c i n t h e D e s e r t : A T a l e o f S e v e n Y e a r s S i n c e . ' 5 ( 1 8 7 8 / 7 9 ) :

6 6 0 - 6 6 3 .' A P a s s i n g A c q u a i n t a n c e . r 7 ( f 8 8 0 / 8 1 ) : 4 0 6 - 4 1 0 .' T h e P r o f e s s o r ' s B l u n d e r . ' 3 ( 1 8 7 6 / 7 7 ) z 9 1 .' T h e P u r s e P o c k e t - b o o k . ' 1 9 ( L 8 9 2 / 9 3 ) z 5 6 3 - 5 7 0 .' R a c i n g t h e M i d n i g h t E x p r e s s . ' 2 6 ( 1 8 9 8 ) z 4 8 7 - 4 8 9 .' A R e a l B l a c k B o g e y ! ' 3 ( L 8 7 6 / 7 7 ) z 9 2 .R i c h a r d J e u k i n s , l t a s t e r . 1 9 ( 1 8 9 2 / 9 3 ) : 4 l - 4 9 , 8 5 - 9 2 , L 7 9 ' I 8 7 .' A R u l e r o f P r i n c e s . ' 1 9 Q B 9 2 / 9 3 ) z 5 0 5 - 5 1 1 .' T h e S c h o o l m i s t r e s s a t S k e r n e D u n . ' 4 ( 1 8 7 7 / 7 8 ) t 8 4 - 8 8 .' s e p a r a t e d : A D i v i d e d S t o r y . ' 2 O ( L 8 9 3 / 9 4 ) : 1 - 8 .

" ' S h e ' s C o m i n g ! r r A N o r t h - c o u n t r y S t o r y . ' 1 3 ( 1 8 8 6 / 8 7 ) : 1 5 0 - 1 5 4 .' S h o o t i n g t h e R a p i d s . ' 4 ( 1 8 7 7 / 7 8 ) t 5 2 8 - 5 3 I .' T h e S i l v e r L o c k . f 4 ( 1 8 7 7 / 7 8 ) t 3 0 0 - 3 0 4 .' T h e S i s t e r s : A L o v e - t a l e o f J a p a n . ' 1 3 ( 1 8 8 6 / 8 7 ) : 4 7 0 - 4 7 4 .

So Very Connnonplace: A Romance of lhis lforkaday lforld. 19 (1892/93) t7 3 3 - 7 4 5 , 8 4 9 - 8 6 0 , 9 2 2 - 9 3 4 .

' S o m e D o u b t f u l A c q u a i n t a n c e s : A S e a - s i d e S t o r y . l' A S o r r y J o k e . ' 1 6 ( 1 8 8 9 / 9 0 ) : 3 7 I - 3 7 6 .

7 ( r 8 8 0 / 8 1 ) : 6 6 3 ' 6 6 7 .

' s p r i n g - t i m e : A P a i n t e r r s S t o r y . ' 1 0 ( 1 8 8 3 / 8 4 ) : 3 0 7 - 3 1 0 .' T h e S t o r y o f a C h a s e . ' 2 6 ( 1 8 9 8 ) z 6 3 7 - 6 4 3 .' S u p p l a n t e d . ' 8 ( 1 8 8 f / 8 2 ) : 4 7 2 - 4 7 5 .' T h r e e H u n d r e d G o l d P i e c e s : A n A r a b Y a r n . ' 2 2 ( 1 8 9 5 / 9 6 ) z 6 0 8 - 6 1 0 .' T h r e e O l d M a i d s . ' 1 3 ( 1 8 8 6 / 8 7 ) : 5 3 0 - 5 3 4 .' T h e T h u n d e r e r s : A C a n a d i a n F a i r y T a l e . ' 3 0 ( 1 9 0 0 ) z 4 3 9 - 4 4 1 .' T o l d b y H e r S i s t e r . r 3 ( 1 8 7 6 / 7 7 ) z 2 6 8 - 2 7 3 .' A T r o u b l e s o m e C h a r g e . ' 3 Q 8 7 6 / 7 7 ) z 2 7 5 - 2 7 8 .' A T r y i n g P o s i t i o n . ' 1 9 ( L 8 9 2 / 9 3 ) t 3 7 0 ' 3 7 7 .f T w e n t y P o u n d s . r 3 ( 1 8 7 6 / 7 7 ) : 2 I 2 - 2 L 5 .' T w i c e D e a d . ' 1 3 ( 1 8 8 6 / 8 7 ) : 8 2 - 8 6 .' U n d e r S u s p i c i o n : A M a r k e t - d a y S t o r y . r 1 6 ( 1 8 8 9 / 9 0 ) : 1 4 7 - 1 5 1 .'wha t Happened a t R idger . /ay -on -Sea . ' 16 ( 1889 /90 ) : 721-729 .' W h o T o o k I t ? r 5 ( 1 8 7 8 / 7 9 ) : 3 3 9 - 3 4 3 .' T h e W i d o w ' s P o r t i o n . r L 7 ( 1 8 9 0 / 9 1 ) : 7 4 8 - 7 5 2 .'The Woes o f Mrs Carac tacus Brown. r 18 ( I89 I /92 )z L2 - I5 .' T h e w o o i n g o f V i c t o r i a C r o s s . f 1 9 ( 1 8 9 2 / 9 3 ) : 8 8 3 - 8 9 3 .

5 0

' T h e W r o n g B a g . , 2 L'The Lr l rong Number: A( 1 8 9 5 / 9 6 ) :

'Young Romeo: A S to rv

9 7 I _ 9 7 5 .

( Ls94 /95 ) : 488 -494 .S to ry f o r r he O ld i sh577 -58L .for Readers Who Are

a n d t h e Y o u n g i s h . '

S t i l l Y o u n g . f 2 2 (

2 2

L8e5 /e6 ) :

CHRONOLOGICAL INDEX

The vo lume number head ings in th i s i ndex re fe r to the th i rd B r i t i shse r ies . Beg inn ing w iEh vo lume 10 , comparaE ive vo lume numbers fo rthe fou r th se r ies i n the Amer i can ed i t i on a re a l so supp l ied .

( o e c l - B 7 A - N o v 1 8 7 5 )

Pret ty l t iss Bel lou: A Ta le o f Eone L i fe , By Theo Gi f t . 1-16, 97-L04,1 6 1 - 1 6 8 , 2 2 5 - 2 3 2 , 2 8 9 - 2 9 6 , 3 5 3 - 3 6 0 , 4 L 7 - 4 2 4 , 4 8 1 - 4 8 8 , 5 4 5 - 5 5 2 ,6 0 9 - 6 L 7 , 6 7 0 - 6 8 7 , 7 3 7 - 7 5 r .

' W h a t M r s M o r a n S a i d : A n I r i s h S t o r y . r B y E .fMy Aun t rs Ma tchmak ing . I By F .11 . S . 4L -47 .The llanchester l lan. By Xrs G. Linnaeus Banks.

2 5 7 - 2 6 8 , 3 2 1 - 3 3 1 , 3 8 5 - 3 9 6 , 4 4 9 - 4 6 0 ,7 05 -7 20 .

' T h e M y s t e r y o f t h e T a l l G r e y M a n . l 2 L 8 - 2 2 2 .' T h e G r e a t G o l d S e c r e t . ' B y D a v i d K e r . 2 7 3 - 2 7 7 .' L o v e o r P r i d e ? ' B y J e a n B o n c o e u r . 2 9 8 - 3 0 0 .' A t C l o s e Q u a r t e r s \ 4 7 i t h a B o a C o n s t r i c t o r . ' B y D a v i d K e r . 3 3 4 - 3 3 7 .' L o s t . ' B y J . B e r w i c k H a r w o o d . 3 9 8 - 4 0 2 .' M i s s H o n o r r s P a t i e n t s . t B y E . O w e n s B l a c k b u r n e . 4 3 7 - 4 3 9 .' A c u t i n t h e D a r k . ' B y D a v i d K e r . 4 6 7 - 4 6 9 .' R u t h r s S t e p f a t h e r . ' B y G e o . M a n v i l l e F e n n . 4 9 2 - 4 9 5 .' M y H e r o . ' B y G . M a n v i l l e F e n n . 5 5 3 - 5 5 6 .' A N i g h t r s W o r k i n t h e C h i n e s e W a r : A V e t e r a n r s S t o r y . ' B y D . K .

557 -559 .' H a r d P r e s s e d : A W o l f - s t o r y . | 5 6 5 - 5 7 0 .'Mu t iny on Board . r By Lew is Hough . 602-605 .' B i b b s : A L o v e - s t o r y . r B y t h e A u t h o r o f r T h e D i n g y H o u s e a t K e n s i n g t o n , r

e t c . 6 0 6 - 6 0 8 .' E d w a r d B r o w n , S t o k e r . ' B y G . M a n v i l l e F e n n . 6 3 4 - 6 3 8 .' I I y Ba l l oon Adven tu re . r By John Berw ick Harwood . 687-692 .' I n Dangerous Company . ' By Dav id Ker . 75L '754 .' T h e J e t - h u n t e r t s S t o r y . ' B y J o h n B e r w i c k H a r w o o d . 7 6 L - 7 6 3 .

2 ( D e c 1 8 7 5 - N o v 1 8 7 6 )

Caugh t i n the Br ia rs . By the Au tho r o f r l , os t i n the Winn ing , ' e t c .L - t z , 6 5 - 7 4 , L 2 9 - r 3 9 , 1 9 3 - 2 0 3 , 2 5 7 - 2 6 7 , 3 2 1 - 3 3 1 , 3 8 5 - 3 9 6 ,4 4 9 - 4 6 0 , 5 L 3 - 5 2 4 , 5 7 7 - 5 8 6 , 6 4 L - 6 5 L , 7 0 5 - 7 1 4 .

T t ro Po in ts o f V ies . By Bea t r i ce Le igh Hun t . 33 -40 , 96 -103 , 161-168 ,2 2 4 - 2 3 2 , 2 8 9 - 2 9 4 , 3 5 0 - 3 6 0 .

f K i t t y . ' B y t h e A u t h o r o f ' T h e D i n g y H o u s e a t K e n s i n g t o n . ' 4 4 - 4 6 .' T h o s e T e r r i b l e S i x H o u r s : A S a i l o r t s S t o r y . r B y D a v i d K e r . 8 6 - 8 7 .'The Broken Hear t : A Ta le To ld ove r a Coun te r . r By Mary Marbury .

1 1 2 - 1 1 6 .

Owens B lackburne . 22 -26 .

65 -76 , t 29 -L40 , L93 -204 ,5 L 3 - 5 2 5 , 5 7 7 - 5 9 I , 6 4 L - 6 5 5 ,

5 1

' M y O w n S t o r Y : T o l d o v e r a C o u n t e r ' I

' T i r e M a n o f l 1 y C h o i c e : M y S t o r y , T o l d

By Mary l " larburY. 184- 188 '

ove r a Coun te r . r BY MarY MarburY '

249'25L -' T e r e s a . ' B y J e a n B o n c o e u r ' 2 7 0 ' 2 7 3 '' H o w H a r r y W i n s o m e W o n H i s E p a u l e t s . ' B y a n a v a l s u r g e o n ' 2 7 7 - 2 B I '

, , ,Grey , bu t nOt w i th Years t t : To ld ove r a cOun te r . I By Mary Marbury '

3 0 6 - 3 1 0 ., T h e G u l f o f F i r e . ' B y J o h n B e r w i c k H a r w o o d ' 3 3 6 - 3 3 9 '

' E l s i e C r o f t , e t o t u S t o r y " B y H ' S a v i l e C l a r k e ' 3 6 3 ' 3 6 7 '

' I ^ Ia i t i ng fo r an Answer . ' By Geo ' Manv i l l e Fenn ' 401-405 '

, p r o u d M r s B r a n d l e t h . ' B y t h e A u t h o r o f ' T h e D i n g y H o u s e a t K e n s i n g t o n ' r

' T h e B r i d g e B e t w e e n ' I e t c ' 4 0 7 - 4 1 0 ', A H a r d C a s e . , 4 1 5 - 4 2 4 , 4 8 | - 4 8 7 , 5 4 4 - 5 5 0 , 6 0 8 - 6 1 6 , 6 7 I . 6 7 8 ' 7 3 6 - 7 4 4 .

'Gone Away - No T race ! To ld ove r a Coun te r " By Mary Marbury ' 467 -47L '

' T h e B l i n d S p i n n e r - ' B y B ' L e i t h - A d a m s ' 4 9 4 - 4 9 9 ', s a v e d b y a C y c l o n e . ' B y J o h n B e r w i c k H a r w o o d . 5 5 4 . 5 5 5 .' A B l i g h t i n S u m m e r . ' B y G e o ' M a n v i l l e F e n n ' 5 9 5 - 6 0 0 '

f L o s t o r s t o l e n ? T o l d o v e r a c o u n t e r . r B y } l a r y M a r b u r y ' 6 5 6 - 6 6 0 '

' w h a t ' s i n a N a m e ? ' B y J ' F ' w ' 6 9 0 - 6 9 3 '' M y G r e a t T r o u b l e . ' n y C e o . I " l a n v i l l e F e n n ' 7 2 1 ' 7 2 5 '

,My D iscovery : A S to ry To ld ove r a coun te r . ' By l " l a ry l " l a rbu ry ' 751 -754 '

3 ( D e c . I B 7 6 - N o v . f B 7 7 )

P a u l K n o x , P i t m a n . B y J ' B e r w i c k H a r w o o d ' l ' L 2 ' 6 5 ' 7 5 ' 1 2 9 - 1 3 8 'I g 3 - 2 0 2 , 2 5 7 - 2 6 5 , 3 2 1 . 3 3 1 , 3 B 5 - 3 9 3 , 4 4 9 - 4 5 8 , 5 1 3 . 5 2 1 , 5 7 7 - 5 8 4 '6 4 1 - 6 4 9 , 7 0 5 ' 7 L L .

' H o w I T o l d H i m M y S t o r y " B y G e o ' M a n v i l l e F e n n ' 2 L - 2 5 '

l r l y G u a r d i a n . B y A d a C a m b r i d g e ' 3 3 - 4 3 ' 9 6 - 1 0 4 ' 1 6 0 - 1 6 8 ' 2 2 2 - 2 3 L '2 8 9 - 2 9 6 , 3 5 1 - 3 5 9 ' 4 L 6 - 4 2 2 '

' A B u l g a r i a n E p i s o d e . ' B y L e w i s l l o u g h . 5 4 - 5 7 .' c h r i s t m a s E v e . ' 8 9 .' C o u s i n N e 1 1 . ' 9 0 .' T h e P r o f e s s o r r s B l u n d e r ' | 9 1 '' A R e a l B l a c k B o g e Y ! ' 9 2 '' G o l d a n d G i I t . t B y r h e A u t h o r o f ' T h e D i n g y H o u s e a t K e n s i n g t o n ' l

' T h e B r i d g e B e t w e e n r r e t c ' 1 0 8 - 1 1 1 ', O l d l , l o n e y b a g s ' W i l l : A S t o r y T o l d o v e r a C o u n t e r ' r B y l " l a r y l l a r b u r y '

182'184.t T w e n t y P o u n d s . ' 2 l z ' 2 1 5 ', T h e F i r s t C l o u d . ' B y G e o . M a n v i l l e F e n n ' 2 3 7 - 2 4 0 '

' T o l d b y H e r S i s E e r ' | 2 6 8 - 2 7 3 ',Our I " l i s taken Generos i - t y . r By L . Hough . 28L-284 '

' W h a t H e L o s t b y I t . ' B y S a r a h D o u d n e y ' 3 0 3 - 3 0 7 '

r K a t e , s p r i n c e . ' B y G e o . l l a n v i l l e F e n n . 3 3 3 - 3 3 5 '

'The O ld l l ano r House . ' 339 '343 't w i t h o u t a P i g t a i l . ' B y t h e A u t h o r o f ' A D i n g y H o u s e a t K e n s i n g t o n ' l

' B i b b s , ' e t c . 3 6 7 ' 3 7 1 'r A R a c e f o r L i f e . ' B y H e n r y F r i t h ' 4 0 0 - 4 0 3 ''Bang . | 434 -435 .'A Song r / i t hou t Words . ' By F rank Bar re t t . 468 '472 '

, Check bef ore l " late. ' By Geo. Manvi l le Fenn . 47 6 '

' T h e L i t t l e D r e s s m a k e r " 4 7 7 ''Midsummer Eve.r By John Berwick Harwood ' 478'

52

5 3

' M u r i e l r s T w o } l i d s u n r n e r s . | 4 7 9 .Stone Steps and l {ooden Stai rs. By Beatr ice Leigh Hunt. 4B0-488,

5 4 2 - 5 5 2 , 6 0 6 - 6 L 6 , 6 7 0 - 6 8 0 , 7 3 3 - 7 4 2 .' L a u r a t s D o c t o r . r B y G e o . M a n v i l l e F e n n . 5 3 2 - 5 3 5 .f A S h o r t W o o i n g . ' B y E l i z a b e t h C l a x t o n . 5 9 2 - 5 9 4 .' M y S t e p m o t h e r . ' 6 8 8 - 6 9 4 .'Why the L igh t In len t ou t . r By Henry F r i t h . 7L6- i20 .' A D o c t o r r s H o l i d a y . ' 7 2 9 - 7 3 I .r T w o c o b w e b s : A n o l d M a n ' s T a l e . ' B y G e o . M a n v i l l e F e n n . 7 4 9 - 7 5 2 .

4 ( D e c . I B 7 7 - N o v . 1 B 7 B )

T i n e S h a l l T r y . B y F . E . I ' I . N o r l e y . 1 - 1 1 , 6 5 - 7 5 , 1 2 9 - L 3 9 , L 9 3 - 2 0 2 ,2 5 7 - 2 6 7 , 3 2 1 - 3 3 3 , 3 8 5 - 3 9 4 , 4 4 9 - 4 6 0 , 5 L 3 - 5 2 4 , 5 7 7 - 5 8 8 , 6 4 1 _ 6 5 0 ,7 0 5 - 7 2 0 .' T h e B u r i e d B u n g a l o w . , 2 0 - 2 2 .

S u s p e n s e . B y t h e A u t h o r o f r A H a r d C a s e . ' 3 1 - 3 9 , 9 6 - 1 0 4 , L 6 I - I 6 7 ,2 2 5 - 2 3 2 , 2 8 7 - 2 9 I .

' T h e S c h o o l m i s t r e s s a t S k e r n e D u n . '' A L u c k y T u m b l e . ' 1 1 0 - 1 1 1 .' S n o w e d U p . ' B y H e n r y F r i t h . L 4 4 - L 4 8 .'Runn ing the Gaun t le t o f t he Dardene l les : An Ep isode o f the Russo-Turk i sh

W a r o f L 7 7 0 . ' B y D . K . 1 5 6 - 1 5 8 .'P rudence Gray . t By Geo . I ' I anv i l l e Fenn . 2L I -2 I4 .r A G r e a t M i s t a k e . ' 2 4 0 - 2 4 6 .'The sph inx : A l l ys te ry . t By J . l u lun ro .' T h e S i l v e r L o c k . ' 3 0 0 - 3 0 4 .' I v y . ' 3 4 0 - 3 4 4 .Wt ren the T ide Was E igh . By C . Despard . 352-359 , 417-424 , 480-486 ,

5 4 4 - 5 5 0 , 6 0 8 - 6 1 3 , 6 7 I - 6 8 L , 7 3 5 - 7 4 2 .' A R i v e r S t o r y . ' B y L e w i s H o u g h . 3 7 6 - 3 7 9 .' A B u n c h o f R o s e s . ' B y H e n r y F r i t h . 3 9 7 - 4 0 0 .' "As Compan ion to a Lady . r r r By Geo . l . I anv i l l e Fenn . 410-413 .' F a l s e C o l o u r s . ' B y E v e l y n H o p e . 4 6 6 - 4 6 7 .' R u n n i n g

" P i l o t . " ' B y H e n r y F r i t h . 4 6 8 - 4 7 I .' S h o o t i n g t h e R a p i d s . ' 5 2 8 - 5 3 1 .' T h e T a b L e s T u r n e d . l B y C . D e s p a r d . 5 9 1 - 5 9 5 .'The l " lor tgage-money. ' 622-628 ." ' T h r o u g h F l o o d - t h r o u g h F i r e . ' B y H e n r y F r i t h . 6 5 8 - 6 6 1 .' H i s S t r a n g e I n f a t u a t i o n . ' B y B . C . 6 8 7 - 6 9 0 .' O n l y J u s t S a v e d . ' 7 3 0 - 7 3 3 .

5 ( D e c l B 7 B - N o v I B 7 9 )

The Ten th Ear l . By John Berw ick Harvood . 1 -11 , 65 - i4 , I 29 -L37 ,1 9 3 - 2 0 3 , 2 5 7 - 2 6 8 , 3 2 1 - 3 3 0 , 3 8 5 - 3 9 5 , 4 4 9 - 4 5 8 , 5 1 3 - 5 2 3 , 5 7 7 - 5 8 5 ,6 4 L - 6 4 9 , 7 0 5 - 7 1 0 .

' O l d E l s p a . ' B y l { r s G . L i n n a e u s B a n k s . L 8 - 2 2 .f i re A r t i s t and the Han . By C . Despard . 32 -39 , 97 -103 , 161-168 ,

2 2 4 - 2 3 t , 2 9 0 - 2 9 7 , 3 5 3 - 3 6 0 .F rank Ross a t Ox fo rd . By a Res idenr M.A . 43 -47 , 108-112 , L47- I53 ,

2 g g - 3 0 2 , 4 3 7 - 4 4 2 , 5 5 6 - 5 6 0 , 6 2 4 - 6 2 7 , 7 2 0 - 7 2 3 .' l l adge ' s Cous in . ' 17 6 -17 9 .' M a d a m e ' s L i t t l e P l o t . ' 2 1 8 - 2 2 3 .

84 -88 .

275 -279 .

' A T r o u b l e s o m e C h a r g e . ' 2 7 5 - 2 7 8 .'Who Took I t? r 339-343 '

Bu t fo r I l i on . [ey r l o rence Warden l ' 4 I7 -425 ' 482-489 ' 543-549 '

6 0 6 - 6 1 5 , 6 7 L - 6 7 8 , 7 3 5 - 7 4 L '' Q u e e r L i t t l e M e . i B y G w e n d o l i n e ' 4 7 4 - 4 7 8 'r A B a n k - n o t e , i n T w o H a l v e s " B y A r t h u r G r i f f i t h s ' 5 3 1 - 5 3 5 '' A n A d v e n t u r e i n F o r m o s a . ' 5 8 7 - 5 9 0 '' B e y o n d R e c a 1 1 . ' 5 9 6 - 5 9 8 '' t h e P a n i c i n t h e D e s e r t : A T a l e'How Jacques Ba lmat Ascended MonE

6 ( D e c I B 7 g - N o v f B B 0 )

o f S e v e n Y e a r s S i n c e . ' 6 6 0 - 6 6 3 '

B l a n c . ' B y F r a n k B a r r e t t ' 7 2 6 - 7 3 0 '

Ilorace

' w a l t e r

Hidden

l lc l .ean: A Story of a Search in Strange Places' [By Al ice

O'Han lon l . t - t t , 65 -75 , L2g -13g , 193 -203 , 257 '269 ' 321 '333 '

3 8 5 - 3 9 9 , 4 4 9 ' 4 6 0 ' , 5 L 3 ' 5 2 5 , 5 7 7 - 5 8 7 , 6 4 L - 6 5 4 ' , 7 0 5 ' 7 1 7 'B lakeney ' s Mas te tp iece . ' By Hen ry F r i t h ' 24 -27 '

Go ld , F rank ga r re t t . 34 ' 42 , 94 -1b3 , 157 -165 , 2 I7 -225 ' 285 -293 '

349-356.' H o w H e L e a r n t H i s L e s s o n " 8 8 - 9 1 '' G o u r l a y B r o t h e r s . ' B y H ' 1 6 8 - 1 7 1 '' A s t r a n g e F e l l o w - V o y a g e r . ' B y K ' 2 4 4 - 2 4 6 '' T h e B e s t R e v e n g e . ' B y H e n r y F r i t h ' 2 7 5 ' 2 7 9 '' M y w i f e ' s S t i t c h i n T i m e . ' B y J ' F ' w ' 4 L o - 4 r 4 '

#l ;t;"'""'"ii '^""" i"I""'"a" Bv the Author.of ll:t I:: Il:o""r F 1 - - ^ - ^ ^ r . r ^ - , r ^ ^ 1 t ' 1 1 - L ) t L 4 8 1 - 4 8 9 . 5 4 4 - 5 5 2 ' 6 C

e t c . I F l o r e n c e W a r d e n ] . 4 L 7 ' 4 2 4 , 4 8 1 - 4 8 9 ' , 6 0 9 - 6 1 8 ,

6 7 3 - 6 8 1 , 7 3 7 - 7 4 5 .' T h e c h i m n e y a t L i s g a r v a n M i l l . ' B y K ' R ' 4 7 0 - 4 7 3 '' M a d g i e ' s H e r o . ' B Y H - 6 6 1 - 6 6 5 '' o u r r r r e p r e s s i b l e T e n o r . ' B y H ' L ' 7 5 1 - 7 5 4 '

7 ( D e c l B B O - N o v I B B I )

The probation of Dorothy Travers: A story of ltaiting- By the Author

o f ' I n a l t i no - r Key ' [A rabe l l a M. Hopk inson ] ' l - Lz ' 65 -78 '

L 2 g . l 4 L , L g 3 - 2 0 5 , 2 5 7 - 2 7 0 , 3 2 1 - 3 3 1 , 3 8 5 - 3 9 8 , 4 4 9 . 4 5 9 , 5 L 3 - 5 2 4 '

5 7 7 - 5 8 5 , 6 4 r - 6 4 9 , 7 0 5 ' 7 1 4 '

The T roubre r t B rough t . By c .E . Despard . 34 '42 , 96 -104 , 161-169 '

2 2 4 - 2 3 L , 2 8 8 - 2 9 6 ' 3 5 3 - 3 6 0 ', F a i t h l e s s l l a r g a r e t : A C h r i s t m a s s t o r y . ' B y F r a n k B a r r e t t ' 5 2 ' 5 6 '

' O n e H u n d r e d P o u n d s R e w a r d . ' B y A ' M ' f 1 6 - 1 1 B '' G e r a l d ' s F o u r - l e a v e d S h a m r o c k " I 1 3 - 1 7 6 '' N e 1 l y r s l " l i s t a k e : A L o v e - s t o r y .

| 2 1 6 - 2 2 0 ., F o r M o n e y . f o r L o v e . t B y t h e A u t h o r o f ' T h e D i n g y H o u s e a t K e n s i n g t o n , l

'The Br idge Be tweenr ' 'Summer Day" e tc ' 250 -251 '

' I n t h e G l a s s - r l l r s J [ o h n ) H [ u n t l ' 3 4 4 - 3 4 6 '' A P a s s i n g A c q u a i n t a n c e ' r 4 0 6 - 4 1 0 '

t " : " t -* i i toy;" I t iscovery ' By Frank Barret t ' 416-425' 481-489'

5 4 5 ' 5 5 3 n 6 0 9 ' 6 1 7 , 6 7 3 - 6 8 2 , 7 3 7 ' 7 4 5 'rAun t Susan . ' By Ka tha r ine Roche . 467 '471 ''Young l ' I i s t ress ' R ide . ' By Geo ' Manv i l l e Fenn ' 533-535 '

' C h e c i m a t e d . ' B y A l i c e J a n e T u r n e r ' 5 9 1 - 5 9 5 '' S o m e D o u b t f u l A c q u a i n t a n c e s : A S e a - s i d e S E o r y . ' 6 6 3 - 6 6 7 '

' A S w i m f o r L i f e : A W e s t e r n E p i s o d e ' | 6 9 I - 6 9 4 '

54s5

' A Foo l i sh M isEake , r By H . 727 -730 .' A J e w e l l e r ' s S t o r y . r 7 5 2 - 7 5 4 .

B ( D e c l B 8 I - N o v I 8 B 2 )

N o P r o o f . B y t h e A u t h o r o f t H o r a c e M c l e a n : A S t o r y o f a S e a r c h i n

S t r a n g e P l a c e s , ' e t c . I f y e l i c e O t H a n l o n ] 1 - 1 3 , 6 5 - 7 6 ,

L 2 9 - r 4 I , 1 9 3 - 2 0 4 , 2 5 7 - 2 6 8 , 3 2 1 - 3 3 1 , 3 8 5 - 3 9 6 , 4 4 9 - 4 6 0 , 5 t 3 - 5 2 4 ,5 7 7 - 5 8 8 , 6 4 t - 6 5 3 , 7 O 5 - 7 t 7 .

' A t c r o s s - p u r p o s e s . ' B y H . F . 2 5 - 2 8 .Ralph Raeburnrs Trusteeship. By John Berwick Harwood. 33-42, 97-105,

1 6 1 - 1 6 8 , 2 2 6 - 2 3 4 , 2 9 1 - 3 0 0 , 3 5 4 - 3 6 3 .' A L o s t K e y . ' B y W . J . L a c e y . 1 1 2 - 1 1 4 .' T h e H e i r e s s o f G a r d e n C o u r t . ' 1 4 6 - 1 5 0 .' S o B l u e ! A S t o r y o f a G i r t o n G i r l . ' B y H . L . 2 I l - 2 L 5 .r J o s e p h i n e ' s D r e a m . ' 2 7 4 - 2 7 7 .' A B r a v e D e e d . ' B y t h e A u t h o r o f r A L o s t . K " y , ' e t c . 4 0 4 - 4 0 7 .I Jas I t l J i se to Change . By the Au tho r o f 'A Hard Case , ' e t c . 4L7-424 ,

4 8 2 - 4 9 0 , 5 4 7 - 5 5 5 , 6 1 1 - 6 1 9 , 6 7 4 - 6 8 L , 7 3 8 - 7 4 6 .' S u p p l a n t e d . | 4 7 2 - 4 7 5 .t l n l i ss B r i tmanrs Las t . Lesson . t By the Au tho r o f tGour lay B ro the rs , I

' M a d g i e ' s H e r o , ' e t c . 5 3 2 - 5 3 4 .' T h e M o s q u i t o - c l o u d . ' B y J . B e r w i c k H a r w o o d . 5 6 0 - 5 6 2 .r C h e c k m a t e d . I B y F . B . 5 9 5 - 5 9 8 .' T h e M i s s i n g W i t n e s s . ! 6 2 4 - 6 2 7 .' H i s O r ^ m S h a d o w . ' B y h l a l t e r W i m p o l e . 6 5 8 - 6 6 3 , 7 2 3 - 7 2 7 .' O n l y a M i n e r . r 7 5 1 - 7 5 4 .

9 ( D e c l 8 8 2 - N o v I B 8 3 )

Pardoned . By the Au tho r o f ' I n a M ino r Key . ' ' The Proba t ion o f Doro thyT r a v e r s , I e t c . I A r a b e 1 l a M . H o p k i n s o n ] . l - 1 3 , 6 5 - 7 7 , L 2 9 - I 4 0 ,t 9 3 - 2 O 4 , 2 5 7 - 2 6 8 , 3 2 1 - 3 3 3 , 3 8 5 - 3 9 7 , 4 4 9 - 4 5 9 , 5 1 3 - 5 2 5 , 5 7 7 - 5 9 7 ,6 4 L - 6 5 2 , 7 0 5 - 7 t 5 .

'Thousands and Thousands ! I By the Au tho r o f 'A Moonbeam Tr iang le , I

e r c . 2 0 - 2 3 .Dosn in the t to r ld . By the Au tho r o f 'Bu t fo r l l i on , ' 'How V icke rsc ro f t

I , l a s R e d e e m e d , t e t c . I F l o r e n c e W a r d e n ] . 3 3 - 4 1 , 9 8 - 1 0 5 ,I62 -L7L , 226-234 , 290-298 , 354-362 .

'Our Iu l r Jenkins. I By John Berwick Harwood. 46-48.' L i t t l e G e n e r a l S c o t t . ' B y t h e A u t h o r o f ' H i s O w n P r o p e r t y , l ' N e 1 1 ' s

N o b l e m a n , ' e t c . I F l o r e n c e I ' I . K i n g ] . 6 0 - 6 4 .' S i g n o r i n a L e s s i e . r B y H . L . I 4 7 - L 5 0 .' F e l i c i a . I L 7 7 - 1 7 8 .' A S t o r y a b o u t a F a m i l y P o r t r a i t . ' B y C . D e s p a r d . 2 1 4 - 2 1 7 .' M i s s S a x e l b y ' s W o r k o f A r t . ' 2 4 2 ' 2 4 6 .

" ' W h e n G r e e n L e a v e s C o m e A g a i n . " r B y H . F . 2 7 6 - 2 7 9 .r E d i t h r s F a i t h . r B y t h e A u t t r o r o f t G o u r l a y B r o t h e r s , t ' M a d g i e t s

H e r o , I e t c . 3 3 9 - 3 4 1 .' W h y T h o s e S k e t c h e s W e r e U n f i n i s h e d . r B y A . P . 3 6 9 - 3 7 0 , 4 3 5 - 4 3 8 .rHow He Found H is Wi fe . t By the Au tho r o f rA Hard Case , | ' h las I t

W i s e t o C h a n g e ? ' e t c . 4 0 2 - 4 0 5 .Co-heirs: A Cornish Story. By John Berwick Harwood. 418-427, 482-490,

5 4 6 - 5 5 3 , 6 1 0 - 6 1 9 , 6 7 4 - 6 8 3 , 7 3 8 - 7 4 5 .

' A c r o s s t h e R i v e r . r 4 6 6 ' 4 6 9 -' T h e C r u i s e o f t h e J e m i m a . ' B y M . O n l e y ' 5 0 2 - 5 0 5 '' B l o c k e d i n a T u n n e l r ' B y t h e A u t h o r o f ' A R a c e f o r L i f e r ' e t c .

I H e n r y ' F r i t h ]

. 5 3 0 - 5 3 4 .' T h e F a i r M a i d o f C h e r b u r y . ' B y t h e A u t h o r o f ' A M o o n b e a m T r i a n g l e , '

e r c . 5 6 4 - 5 6 7 .' A f t e r L o n g Y e a r s : A P o r t s m o u t h S t o r y . l

6 8 9 - 6 9 1 .

B y C l e m e n t M a r s l a n d . 5 9 8 - 6 0 1 '

, D o c t o r B r o w n ' s P r e s c r i p t i o n . r B y G . M a n v i l l e F e n n . 6 3 0 - 6 3 3 .f T r u s t e d T o o W e l l . ' B y H . L . 6 6 2 - 6 6 4 .' I v a , s D a y - d r e a m . ' B y t h e A u t h o r o f ' W h o I s S y l v i a ? ' ' W h y T h o s e

S k e t c h e s W e r e U n f i n i s h e d r ' e t c ' I A ' P ' ] 7 2 2 - 7 2 4 '' T h e H o u s e o n t h e H i l l . ' 7 5 2 - 7 5 5 .

Summer number PaImY DaYs

' L a d y G w e n d o l e n ' s T r y s t - ' I B y E . N e a l ] ' 1 - 5 '' o n e S p r i g o f E d e l w e i s s , ' B y L i l l i a s C a m p b e l l D a v i d s o n . 9 ' L 7 .' T h e C o l o n e l ' s B o n e . ' B y P . B . P o w e r . 1 8 - 2 0 ''A B roken T rus t . I By John Berw ick Harwood ' 24 '26 '' T h e B r i d e o f a D . y . ' B y C . D e s p a r d . 2 9 ' 3 4 '' A n I 1 1 - t i m e d P r o p o s a l . ' B y H . L . 4 0 ' 4 4 '

" ' B y t h e S w e a t o f H i s B r o w : i ' A C o l o t t i a l Y a r n r ' B y W . S e n i o r . 4 7 ' 5 0 '' H o w H e W a s T h w a r t e d . r I s y t u . J . L . ] . 5 1 - 5 3 '' H u g h ' s W i f e . ' B y E d w a r d G a r r e t t . 5 9 - 6 3 '

l 0 ( n e c I B B 3 - N o v 1 B B 4 ) [ A m e r i c a n e d ' s ' 4 , v ' l ]

W i th io the C lasp . By J . Berw ick Harwood . 1 -14 , 65 -76 , L29- |39 ,

I g 3 - 2 o 2 , 2 5 7 - 2 6 7 , 3 2 1 - 3 3 0 , 3 8 5 - 3 9 5 , 4 4 9 - 4 5 8 , 5 I 3 - 5 2 2 , 5 7 7 - 5 8 6 ,

64 r -651 , 7 05 -7 L5 .' B e h i n d t h e T a p e s t r y . ' B y L . T . M e a d e . 2 2 ' 2 5 '

Witness l ly Eand: A Fenshire Story. By the Author of 'Lady Gwendolen's

T r y s r ' I E . N e a l ] . 3 4 - 4 3 , 9 8 - 1 0 7 , L 6 2 - I 1 0 , 2 2 6 ' 2 3 5 , 2 9 0 ' 2 9 9 ,

354-363 ., c o u r E B e a u c o u r t ' s T r e a s u r e . ' B y t h e A u t h o r o f ' o n e s p r i g o f E d e l w e i s s r '

I l , i 1 1 i a s C a m p b e l l D a v i d s o n ] . 4 9 ' 5 1 , 1 1 2 - 1 1 5 '' L a d y B e s t ' s l l i s t a k e . t B y J e a n M i d d l e m a s s ' 8 4 - 8 7 '

" ' F a i n t H e a r t N e r e r W o n F a i r L a d y . " ' B y L i l l i a s C a m p b e l l D a v i d s o n '

1 4 7 - 1 5 0 .' U n a a n d t h e L i o n . ' B y E - M . B a i n b r i g g e '' I r l a r i e : A S to ry o f t he Amer i can C iv i l War '

P r o b a t i o n o f D o r o t h Y T r a v e r s r '

M . Hopk inson l . 2LO-2 I3 .' O u t o f P i t y . ' B y L i l l i a s C a r n p b e l l D a v i d s o n '

" ' S i s t e r E y e s . " ' B y t h e A u t h o r o f ' S o B l u e ;

G i r l , ' e t c . I H . L . ] . 2 7 4 ' 2 7 7 .

" ' S p r i n g - t i m e " : A P a i n t e r r s S t o r y . | 3 0 7 - 3 1 0 '' L u d w i g ' s J e a l o u s y . r B y H . H . R . 3 3 5 - 3 3 8 '' A 1 1 L i k e a D r e a m . ' B y G o r d o n S t a b l e s , l { ' D . '' S iddy I s Adv ice . ' By Lou ise Crow ' 37 4 -37 5 '' M r B r o w n e ' s H e i r e s s . t B y R . M - 4 0 2 - 4 0 6 '

John Ford: Eis FauLts, and lltrat Care of Ths'

4L8-426 , 482 '491 , 546-555 , 610-619 '

t 7 5 - 1 7 8 .' By the Author o f 'The' P a r d o n e d r ' e t c . I A r a b e 1 l a

240-243.The Story o f a Gi r ton

R . N . 3 6 8 - 3 7 0 .

By F rank Bar re t t .6 7 4 - 6 8 2 , 7 3 8 - 7 4 7 .

5 6 5 7

'Madda lena ' s Lovers . ' By C . Despard . 432 '435 .' V i n c e n t R o m n e y ' s R e c o m p e n s e . ' B y w . J . L . 4 6 6 - 4 6 9 .' o n t h e D e c k o f t h e O s p r e y . r B y t h e A u t h o r o f ' L a d y G w e n d o l i n e ' s

T r y s t , r ' ! ' / i t n e s s M y H a n d , ' e t c . I n . u e a l J . 5 0 5 - 5 0 7 .' w h i c h S h a 1 1 I r B e ? B y A . M . H o p k i n s o n . 5 3 0 - 5 3 2 .' N e p t u n e : A S t o r y o f S t r a n g e M e e t i n g s . ' ' B y G o r d o n S t a b l e s , l { . I ) . ,

R . r r . 560 -562 .' A T i r n e l y R e s c u e . ' B y C a t h a r i n e C h i l d a r . 5 6 4 - 5 6 7 .' D i s c o v e r e d i n T i m e . ' B y t h e A u t h o r o f ' W h o I s S y l v i a ? r e t c . [ A . P . ] .

599-602 ." ' L a F i l o m e l a t t : A S t o r y o f P a r i s . t

A c c i d e n t , I e t c . 6 2 8 - 6 3 I .

By the Au tho r o f tMr Kewthorpe 's

t G r e t t y t s T r u s t : A R o m a n c e o f t h e S w i s s M o u n t a i n s . t

l r .D. , R.N. 657 -660.B y G o r d o n S t a b l e s ,

' H i s L i f e ' s O n e H o l i d a y . ' B y L i l l i a s C a m p b e l l D a v i d s o n . 6 6 8 - 6 7 0 .' A M o d e r n P y g m a l i o n . ' B y C a t h a r i n e C h i l d a r . 6 9 0 - 6 9 3 .' L i v i a f s M i s t a k e . I B y C a t h a r i n e C h i l d a r . 7 3 I - 7 3 4 .' A W a y w a r d W a r d . ' B y t h e A u t h o r o f " H o w H e I , I a s T h w a r t e d r r e t c . [ W . J . L . ]

7 53 -7 55 .

Summer number Summer Days

' T h e C r e w o f t h e C u r l e w . 'N e a l l . 1 - 8 .

By the Au tho r o f

r B r o k e n O f f . ' B y L i l l i a s C a u r p b e l l D a v i d s o n .' M r K e w t h o r p e ' s A c c i d e n t . t B y t h e A u t h o r o f

' W i t n e s s M y H a n d ' [ E .

1 1 - r 4 .' M i s s S a x e l b y ' s W o r k

o f A r t . ' 1 8 ' 2 3 .' T h e i r C u n n i n g D e v i c e . r B y t h e A u t h o r o f ' w h o r s S y l v i a ? ' [ A . P . ] .

26 -30 .'Mr B ro r .m 's Day among the Ru ins in Rome. ' By Ca the r ine Ch i lda r .

3 1 - 3 6 .' M r D a l y r s S i t t e r . r B y t h e A u t h o r o f ' S o B l u e ' [ H . L . ] . 3 6 ' 4 0 .' o l d D o d d i e . ' B y G o r d o n S t a b l e s . 4 3 - 4 6 .rMy F i r s t Ho l i day . ' By John Berw ick Harwood . 49 '53 .' W a t e r - L i l i e s . ' B y A . M . H o p k i n s o n . 5 6 - 5 9 .' I n T h a r W o r l d W h i c h i s t h e o l d . ' B y H e n r y F r i t h . 5 9 - 6 4 .

l l ( D e c l B B 4 - N o v l B B 5 ) [ A m e r i c a n e d . s . 4 , v . 2 l

A Diaoond in the Rough. By Al ice O'Hanlon. 1-13, 65'76, I29 ' I40,L 9 3 - 2 O 4 , 2 5 7 - 2 6 8 , 3 2 L - 3 3 3 , 3 8 5 - 3 9 7 , 4 4 9 - 4 6 r , 5 1 3 - 5 2 5 , 5 7 7 - 5 8 8 ,6 4 1 - 6 5 2 , 7 0 5 - 7 L 7 .

' G e o r g e F e n w i c k ' s S c h o o l f e l l o w . ' B y H . L . 2 0 - 2 4 .Svee t Ghr i s tabe l . By Arabe l la M. Hopk inson . 34 '42 , 98 -107 , 162-17 I '

2 2 7 - 2 3 5 , 2 9 r - 2 9 9 , 3 5 3 - 3 6 1 .' A P o i n t o f H o n o u r . ' B y I " I . R . L . 5 2 - 5 5 .' H i s S o n ' s $ / i f e . ' B y H . L . 8 2 - 8 6 .' T h o s e C h r i s t m a s V o i c e s . r B y C . D e s p a r d . 1 1 4 - 1 1 7 .' G r a n d m a m m a ' s V a l e n t i n e . ' B y E l i z a b e t h C a r n p b e l l W i n t e r . L 4 7 - 1 5 0 .' A L o s t O p p o r t u n i r y . r B y S t e l l a S t J o h n G a r d . 1 7 9 - 1 8 2 .'How She Saved H im. ' By W.J .L . 2LO-2L3 .' F r a n k d e V a u d : A S t o r y o f S w i s s L i f e . ' B y G o r d o n S t a b l e s . 2 2 0 - 2 2 2 .r A n O l d l l a i d r s F r i e n d s . r B y A . A . E y r e s . 2 4 7 ' 2 5 O , 3 0 6 - 3 0 9 .

" 'By the l " Ie res t Acc iden t . " ' By Henry F r i t h . 274 '277 .

f F o u r t h C o u s i n s : A S h e t l a n d S t o r y . ' B y G o r d o n S t a b l e s . 2 8 3 - 2 8 5 .' J a n e t ' s F o r g e r i e s . ' B y A . A . E . 3 4 2 - 3 4 6 .' A T a l e T o l d u n d e r t h e s n o w . ' B y G o r d o n S t a b l e s . 3 6 8 - 3 7 1 .' P o l e s A p a r t . ' B y L i l l i a s C a m p b e l l D a v i d s o n . 4 O 7 - 4 0 9 '

l l y Namesake l t a r j o r ie . By the Au tho r o f 'Who I s Sy lv ia? ' e t c . tA .P . l

4 1 8 - 4 2 6 , 4 8 2 - 4 8 9 , 5 4 6 ' 5 5 4 , 6 1 0 - 6 1 8 , 6 7 5 - 6 8 2 , 7 3 9 - 7 4 6 '' J u n e D a i s i e s : A K e n s i n g t o n R o m a n c e . t 4 3 0 - 4 3 4 '' M a r y c o t t e r e l l r s v i s i E o r . ' B y H . L . 4 9 5 ' 4 9 9 .'A Mys te r ious A t t rac t i on . t By Arabe l la 1 "1 . Hopk inson . 532 '535 .' W h o W a s E l a i n e ? ' B y t h e A u t h o r o f ' W i t n e s s l l y H a n d r ' ' F o r C e c i l ' s

S a k e , r e t c . I n . N e a l ] . 5 6 0 - 5 6 3 .' l ' I r s John A1 len , o f R idge V iew. ' By Ca the r ine Owen. 596-601 ' 689 -693 .' T h e E m p e r o r ' s P a r d o n . t B y J . B e r w i c k H a r w o o d . 6 2 6 - 6 2 9 '' L a d y C a t h c a r t ' s C o n f e s s i o n . ' B y t h e A u t h o r o f ' L u c i a , H u g h , a n d

A n o t h e r , ' e t c . 6 5 9 ' 6 6 3 .' D i c k ' s w i f e . ' 7 2 5 - 7 3 0 .' I n k i n s f e l l : A n A l p i n e V i l l a g e S t o r y . r 7 5 7 - 7 6 0 '

Summer number Br ight DaYs

' G l a d y s : A T a l e o f a S u n m e r W e d d i n g . r 1 - 1 1 '' A M o d e r n G a l a t e a . r B y H e n r y F r i t h . 1 4 - 1 8 .' C a p t a i n } l i l e s B a r n i c o t t . | 2 2 - 2 5 -' A m i d t h e o c e a n s u r g e s . ' B y L i l l i a s C a m p b e l l D a v i d s o n . 2 7 - 2 9 .' A n t h o n y S e l w y n ' s W o o i n g . ' 3 2 - 3 6 .'Mrs Tw igg i t ' s l u l i n t Sauce . | 40 -43 .' A R e a l G e n t l e m a n . I B y A . M . H o p k i n s o n . 4 6 - 5 0 '' T h e

" C r a b s " a t C a i s t e r b y : A S t o r y o f t h e E a s t e r n C o u n t i e s . '

A . P . 5 3 - 5 8 .' A w o m a n o f F a c u l t Y . ' By S te l l a S t John Gard . 60 -64 .

L 2 ( D e c l B B 5 - N o v 1 8 8 6 ) [ A m e r i c a n e d . s . 4 , v ' 3 ]

A lJ i l fu l Young l foman. By the Author of 'who Is sy lv ia?r 'A Rust ic

M a i J , ' ' M y N a m e s a k e M a r j o r i e , r e t c . [ A . P ' ] ' 1 - 1 0 , 6 5 ' 7 7 ,

L } } . L 4 : I , | 9 3 - 2 0 4 , 2 5 7 - 2 6 9 , 3 2 L - 3 3 2 , 3 8 5 . 3 9 6 , 4 4 9 - 4 6 0 , 5 | 3 . 5 2 4 ,

5 7 7 - 5 8 7 , 6 4 r ' 6 5 L , 7 0 5 - 7 L 5 .'The Chron ic les o f Cardewe Manor . ' By Lucy Farmer . 18 -22 .

L5rndon of Eigh c l i f fe: an o1d sold ier 'a Love-atory. By C. Despard.

3 5 - 4 4 , 9 8 - 1 0 7 , 1 6 2 ' 1 7 2 , 2 2 7 ' 2 3 6 , 2 9 0 - 2 9 9 , 3 5 4 ' 3 6 4 '' u i l l y ' s D o w r y . ' B y I ' 1 . R . L . 4 7 ' 5 L -'Above the l , t oun ta in } l i s t . r By L i l l i as Campbe l l Dav idson . 87 -90 .t H e r B r o t h e r E p h r a i m . r B y H . L . 1 1 8 - 1 2 1 .'Mr Hemph i l l t s Love-s to ry : A Page f rom the Chron ic les o f Cardewe

l lanor . ' BY LucY Farmer . 147-151 .rJus t L i ke Argen t ina . t By the Au tho r o f rMrs Tw igg i t r s l " l i n t Sauce , I

e t c . 1 8 3 - 1 8 6 .' I n Ro tha Ches te r ' s Honeymoon . t By l l a r i on Pend lebury . 209-213 ''By I ' I u tua l Consen t . I By Anne Kea . 242-246 .'Touch and Go : A } l i dsh ipman 's S to ry . ' By A . Conan Doy le ' l { 'B ' 274 -278 'tThe l " I ys te ry o f t he } l a r t yn -Henry t s (The Chron ic les o f Cardewe Manor ) . '

By Luey Farmer . 304-308 .' G o s s a n d S o n s . ' 3 3 8 ' 3 4 2 -rWhat Tom Though t . ' By Jane May . 372 '376 '

By

5 8 5 9

' C a p t a i n

'A F reakt T h e c a s e

' G i d e o n G r a s p e r ' s T e m p t a t i o n ( T h e C h r o n i c l e s o fBy Lucy Farmer . 407-4 IL .

f ,ar love's Eelpmate. By Frank Barret t . 418-4276 0 9 - 6 1 8 , 6 7 4 - 6 8 3 , 7 3 6 - 7 4 4 .

' L o v e , t h e P i l g r i m . ' B y t h e A u t h o r o f ' l n ; i t n e s sN e a l l . 4 3 3 - 4 3 7 .

'Mary Ho l t f s Engagement : An Amer i can S to ry . ' By Ca the r ine Owen. 470-474 .'Mons ieu r A lbano : A S to ry o f P r ide and Arnb i t i on . f l y GorCon S tab les ,

H . D . , R . N . 5 0 3 - 5 0 5 .Arms t rong 's P roba t ion (The Chron ic les o f Cardewe I ' I ano r ) . '

B y L u c y F a r m e r . 5 3 1 - 5 3 5 .o f N a t u r e . ' 5 6 2 - 5 6 5 .

o f Mr Haymann ( the Chron ic les o f Cardewe Manor ) . ' By LucyF a r m e r . 5 9 8 - 6 0 3 .

' M r D a l b y r s M o n t h o f P r o b a t i o n . ' 6 2 3 - 6 2 6 .' A M a t r i m o n i a l S c h e m e r . ' B y H . L . 6 6 0 - 6 6 3 .' l ' l r P i l b e a m ' s L o v e - s t o r y : A F o o l i s h E p i s o d e N a r r a t e d b y H i n s e l f . '

B y G e o r g e B . B u r g i n . 6 9 0 - 6 9 3 .'Ennu i House . ' By Fay Ax tens . 726-730 .' T h e E v i l O m e n . ' B y t h e A u t h o r o f ' T h e I m p r e s s i o n s o f a N o t i c i n g

E y e . ' 7 5 7 - 7 6 0 .

Summer number

' M i s t r e s s J u n e . t B y T h o m a s K e y w o r t h . 1 - 4 0 .'A S t range Surv i va l . I By Lucy Farmer . 46 -52 .' C u t O f f w i t h a S h i l l i n g . r 5 7 - 6 L .

1 3 ( o e c 1 B B 6 - N o v I B B T ) [ A m e r i c a n e d . s . 4 , v . 4 ]

L i fets Fi t fu l Fever ( t i t le changes to Vere l tornle ighrs Inher i tance;o r r t L i fe t s F i t f u l Fever r w i th 3 rd . i ns ta lmen t ) . By Arabe l laM . H o p k i n s o n . 1 - 1 1 , 9 9 - 1 1 0 , I 2 9 - L 3 9 , 1 9 3 - 2 0 4 , 2 8 7 - 2 9 8 ,3 2 L - 3 3 2 , 4 L 6 - 4 2 8 , 4 4 9 - 4 6 2 .

'Syb i - l r s Second Cous ins , and What They D id fo r Her . r By the Au tho ro f r A W i l f u l Y o u n g W o m a n r i l W h o I s S y l v i a ? t ' A R u s t i c M a i d , le r c . [ A . P . ] . 8 - 2 2 .

A S tep in the Dark . By Ka te Ey re . 33 -42 , 65 -74 , 161-170 , 226-237 ,2 5 7 - 2 6 7 , 3 5 2 - 3 6 3 .

tA Mou th l l a rmon ica . r By Mat th ias Bar r .' T w i c e D e a d . I 8 2 - 8 6 .t L e t t e r s f r o m t h e P l a n e t s . r B y A l e r i e l .

C a r d e w e } I a n o r ) . '

483-492, 547-554,

M y H a n d , ' e t c . [ E .

s 4 - 5 8 .

L2L- I23 , 311-313, 556-558,688 -690 .

" 'She rs Coming r r : A No r th Coun t r y S to ry . ' 150 -154 .' D o c t o r J o l i f f e t s Q u e e r P a t i e n t ( F r o m t h e C h r o n i c l e s o f C a r d e w e M a n o r ) . '

By Lucy Farmer . 176-180 .'The Hermi t o f Dundoyne . t 212-217 .'A Company o f Th ree . ' By Thomas Keywor th . 247-250 .' S o m e b o d y r s S e c r e t . r B y l ' I . R . L . 2 7 6 - 2 7 9 .tM iss Ka t ie rs Las t Engagement (F rom the Chron ic les o f Cardewe

By Lucy Far rne r . 304-307 .'On ly a Ten th . t By the Au tho r o f tA h l i l f u l Young Womanr ' e t c .

34L -344 .A l lan of the Name of John. By Florence l , I . King. 385-394, 480-488,

M a n o r ) . '

l a . r . 1 .

5 4 4 - 5 5 3 , 5 7 7 - 5 8 6 , 6 7 4 - 6 9 2 , 7 0 5 - 7 L 4 .' M i s s C h a n c e . ' B y E . A d a i r . 4 0 0 - 4 0 5 .' I ' l r Ba rnes ' s D i l emma (T t re Chron ic les o f Cardewe Manor ) . ' By Lucy

Farmer . 435-438 .' T h e S i s t e r s : A L o v e - E a l e o f J a p a n . ' 4 7 0 ' 4 7 4 .'A Record o f One D .y . ' By Mar ian Pend lebury . 494-497 .A T reacherous Ca lm. By Thomas Keywor th . 513 '522 , 610-619 , 64L-650 ,

7 3 8 - 7 4 7 .' T h r e e O 1 d I ' l a i d s . ' 5 3 0 - 5 3 4 .'An Answer to an Adver t i sement . ' By the Au tho r o f 'A

D a r k r ' ' A F o o l ' s H a r v e s t r ' e t c . l t c a t e E y r e l .'A T r ia l by F i re ( the Chron ic les o f Cardewe I ' l ano r ) . '

5 9 5 - 5 9 9 .' A n o l d L o v e . ' B y M . P a y n e S m i t h . 6 2 3 - 6 2 7 .' A 1 1 s o u l s ' N i g h r . r 6 6 3 - 6 6 7 , 7 5 3 - 7 5 6 .rHow Cap ta in Wi l l i amson [ ' Jon H is B r ide (The ch ron ic les

I ' l ano r ) . ' By Lucy Farmer . 690-694 .' D e a r M r M o r t o n . ' B y K a t h a r i n e R o c h e . 7 2 2 - 7 2 6 .

Summer number

' A F o o l r s H a r v e s t . ' B y K a t e E y r e . 3 - 5 5 .

1 4 ( D e c 1 8 7 - N o v t B 8 8 ) [ A m e r i c a n e d . S . 4 , v .

Sh ip i n thes 5 9 - 5 6 3 .

By Lucy Farmer.

o f Cardewe

5 l

Honica: orr Stronger Than Death. By Evelyn Everet t Green. I '12,8 0 - 9 1 , 1 2 9 - 1 4 0 , 2 2 6 - 2 3 7 , 2 5 7 - 2 6 7 , 3 2 1 - 3 3 2 , 4 2 0 - 4 3 L , 4 4 9 - 4 6 0 .

' S q u i r e O l l i f a n t r s W i l l ( t h e C h r o n i c l e s o f C a r d e w e M a n o r ) . r B y L u c yF a r m e r . 2 5 - 3 0 .

By H isadven tu re . By F rank Bar re t t . 35 -44 , 98 -108 , 162-L71 , 193-200 ,2 9 7 - 3 0 6 , 3 5 4 - 3 6 3 .

I {hat the Coral Reefs Gave He. By John Berwick Harwood. 65-72, L75'L79,2 r 2 - 2 I 4 .

'The Por ta l s o f t he K ing o f Day : A Journey to the Reg ions o f theS u n . ' B y A l e r i e l . 9 6 - 9 8 .

' A B r o k e n C o l l a r - b o n e . r B y M . P a y n e S r n i t h . 1 1 8 - 1 2 1 .' M y s t e r i o u s M i s s A l i s t e r . ' B y t h e A u t h o r o f ' A W i l f u l Y o u n g W o m a n . '

l e . r . 1 . 1 s o - 1 5 4 .' The Lucky Bar o f Dunwood Mere ( the Chron ic les o f Cardewe Manor ) . '

By Lucy Farmer . 240-244 .'W i ld Grapes . ' By Jean I ' l i dd lemass . 279-283 .'The Cobweb o f a Lone ly Sp ide r . ' 338 -342 .tA Mys te ry a t Cardewe Manor ( the Chron ic les o f Cardewe l l ano r ) . ' By

Lucy Farmer . 370-373 .For the Good of the Fami ly. By Kate Eyre. 385-394, 482'492, 545-555,

5 7 7 - 5 8 5 , 6 7 5 - 6 8 4 , 7 0 5 - 7 1 5 .' O l i v e r a n d I . ' B y t h e A u t h o r o f ' T h e P r o b a t i o n o f D o r o t h y T r a v e r s , '

e t c . l A r a b e l l a M . H o p k i n s o n ] . 4 I 0 ' 4 I 4 .' I u l r s van Koer t ' s Teapo t . ' By M. R .L . 437 -44 I .' O u r D u p l i c a t e S t o r y . ' B y W . J . L . 4 7 2 - 4 7 5 .r H e r T o r n . ' 4 9 8 - 5 0 1 .Cmrades Once. By Thornas Keyworth. 513-523, 616'626, 64I-652, 734-745.'H is Guard ian Gen ius . I By I ' l i l l i am J . Lacey . 560-564 .'Wha t M iss T rusda le Sa id ( the ch ron ic les o f Cardewe Manor ) . ' By

60 6 1

Lucy Farmer . 604-608 .'The Wish ing -we11 o f E rds tone (The Chron ic les

By Lucy Farmer . 690-694 .' O n e G o o d T u r n D e s e r v e s A n o t h e r . ' 1 5 0 - 7 5 4 .

Summer Number - The Crown of the Year

'A Bag o f D iamonds : A Lea f f rom the Chron ic lesBy Lucy Farmer . 1 -41 .

' B r a c k e t e d . ' B y M i l e s B r a d f o r d . 4 8 - 5 2 .' F r o m t h e F i r s t . ' 5 6 - 6 0 .

1 5 ( O e c l B B 8 - N o v l B 8 9 ) [ a m e r i c a n e d .

Under a Strange Haek. By Frank Barret t . 1-9,

o f C a r d e w e M a n o r ) . '

o f C a r d e w e M a n o r . t

s . 4 , v . 6 ]

1 0 0 - 1 0 7 , r 2 9 - t 3 6 ,2 2 7 - 2 3 5 , 2 9 9 - 2 9 7 , 3 2 L - 3 2 9 .

' D o b s o n r s P l o t s . r B y D a v i d C . R o o s e . 1 8 - 2 0 .' I n Wayward l , l ood . ' By Wi l l i am J . Lacey . 28 -32 .Hr Trench of Braeenose: The Romance of a Long Vacation. By I'lary

L . A r m i t t . 3 5 - 4 4 , 6 5 - 7 3 , L 7 0 - I 7 9 , L 9 3 - 2 0 3 .' A G l a d S u r p r i s e . ' B y K a t e E y r e . 5 2 - 5 7 .' M a r i e ' s B r i d e g r o o m . ' B y t h e A u t h o r o f ' W i t n e s s M y H a n d r r e t c . [ A . P . ]

7 9 - 8 2 .' A n U n s e n s a t i o n a l G h o s t S t o r y . ' B y K . M a g n u s . 9 L - 9 3 .' C h r i s t m a s A l o n e : A P h a n t a s y . ' B y J . F . B r e w e r . 1 1 4 - 1 1 B .' C o l o n e 1 S t o r m e r ' s M i s t a k e ( t h e C h r o n i c l e s o f C a r d e w e l { a n o r ) . ' B y

Hrs Mar tyn -Henry . 15B-163 .'H is Or^m Proper ty . r By the Au tho r o f rA Man o f the Name o f John , r

e t c . [ F l o r e n c e M . K i n g ] . 2 L 6 - 2 2 1 .t O u r M y s t e r i o u s N e i g h b o u r . I 2 4 I - 2 4 5 .A Womanfs S t reng th . By Arabe l la M. Hopk inson . 257-267 , 354-366 ,

4 I B - 4 2 9 , 4 4 9 - 4 6 I , 5 4 4 - 5 5 6 , 5 7 7 - 5 8 9 , 6 8 8 - 6 9 9 , 7 0 5 - 7 L 7 .' B l a z i n g G u l c h . ' 2 7 9 - 2 8 3 .' M r B a h P o o t r s M a n i f e s E a t i o n s . r B y K a t e E y r e . 3 0 1 - 3 0 7 .The Struggles of Abel Strong: A Living Cheee Story. By Henry Frith.

3 4 2 - 3 4 7 , 4 3 7 - 4 4 t , 4 7 4 - 4 7 8 .' C r o s s - c u r r e n t s : A S t o r y o f M a t c h - m a k i n g . t B y M . P a y n e S r n i t h . 3 7 L - 3 7 4 .Engaged to be l {arr ied: A Story of To-day. By L.T. Meade. 385-395,

4 8 5 - 4 9 5 , 5 t 3 - 5 2 2 , 6 0 9 - 6 1 7 , 6 4 L - 6 4 9 , 7 3 9 - 7 4 8 .' " N o b l e s s e O b l i g e . t " 4 0 1 - 4 0 5 .

'The l r ro l f r s Mou th . ' By Edward I renaeus S tevenson . 466-469 .' S c a r s . ' B y S . B a r i n g - G o u l d , l t . A . 5 0 2 - 5 0 7 .' M r S i n p e r s o n t s S t o r y . ' B y H e n r y M a l p a s . 5 3 3 - 5 3 7 .A l " l an in a M i l l i on : A Ta le o f the Ind ian Ocean . By Gordon

H . D . , R . N .' T h e M i s s i n g D e a n . r B y C . A . 5 9 6 - 6 0 3 .'The Hero ism o f Herber t S tamfo rd (The Chron ic les o f Cardewe

By Emi ly Cardewe . 659-663." ' T h o s e D r e a d f u l G i r 1 s . " ' B y M . R . L . 6 8 2 - 6 8 5 .'A Very S t range A f fa i r . I By the Au tho r o f 'Who I s Sy lv ia? '

H i l a r y ' s S u i r o r s . ' e t c . [ A . f . 1 . 7 2 3 - 7 3 3 .' O n t h e R o a d t o S i b e r i a : T h e S t o r y o f a P o l i s h P r i s o n e r . r

S t a b l e s ,

M a n o r ) . I

r M i s s

7 50 -7 52 .

Siumme:: t{umber - The Crown of the Year

' K i n g o r P r o t e c t o r ? ' B y t h e A u t h o r o f ' A l l a n o f t h ee t c . [ F l o r e n c e M . K i n g ] . 3 - 4 9 .

'The Mys te ry o f t he Monunen t Room ( the ch ron ic les o fBv Lucv Farmer . 60 '64 .

N a n e o f J o h n r '

C a r d e w e M a n o r ) . t

2 7 4 - 2 8 I .

1 6 ( D e c i 8 E g - l J o v l B 9 0 ) [ i \ m e r i c a n e d . s . 4 , v . 7 l

T h e S t r o n g e r l f i 1 l . B y E v e l y n E v e r e t t G r e e n . 1 - 1 1 , 9 6 - 1 0 5 , L 2 9 - L 3 9 ,

2 2 2 - 2 3 2 , 2 5 7 - 2 6 8 , 3 5 2 - 3 6 3 , 4 L 4 ' 4 r 9 .' T h e D o u b l e X M y s t e r y . ' B y T h o m a s K e y w o r t h . 1 8 - 2 5 .To Be G iveu Up . By Ka te Ey re . 32 -44 , 65 -76 , 159-171 ' 193-204 , 288-299 '

3 2 L - 3 3 2 , 4 2 4 - 4 3 5 , 4 4 9 - 4 6 0 .In the I l i ld lJest : A Story of Adventure. By J. Berwick l larwood.

4 8 - 5 4 , 1 1 0 - 1 1 7 , r 7 4 - 1 8 1 .' A f t e r a C o l l i s i o n . ' B y A r a b e l l a M . H o p k i n s o n . 8 3 - 8 8 .' U n d e r S u s p i c i o n : A } l a r k e t - d a y S t o r y . ' 1 4 7 - 1 5 f .' I t i ss Roxenda le ' s Su i to r (The Chron ic les o f Cardewe l " l ano r ) . ' By

L u c y F a r n e r . 2 I l - 2 L 6 .' L a d y A n g e l a ' s L a t e s t L i o n . I B y 1 1 . R . L . 2 4 6 ' 2 4 9 .'Never C lea red Up : A lu l ys te ry o f t he Sea . ' By Thomas Keywor th .' L e t t e r s f r o m t h e P l a n e t s . I B y A l e r i e l . 2 8 5 - 2 8 7 .' T h e C l a r k e s ' C o u s i n . r B y M . P a y n e S m i t h . 3 0 8 - 3 1 1 .' T h e V o i c e i n t h e W o o d s . ' B v I I . M o o r s o m . 3 4 L - 3 4 5 .' A S o r r y J o k e . ' 3 7 L ' 3 7 6 .tJonanl ike. By the Author of 'A l " lan of the Name of Johnr ' 'K ing or

P r o t e c t o r ? I e t c . I F l o r e n c e l ' 1 . K i n g ] . 3 8 5 - 3 9 3 ' 4 8 6 - 4 9 5 ,

5 1 3 - 5 2 2 , 6 1 4 - 6 2 2 , 6 4 r - 6 5 0 , 7 3 6 ' 7 4 4 .' A B r o k e n E n g a g e m e n t . ' B y H e n r y l " l a l p a s . 4 0 1 - 4 0 5 .' N i n e t t e ' s r d e a s . ' B y 1 1 . R . L . 4 4 0 - 4 4 3 .' l J e l l ' s N o b l e m a n . ' B y t h e A u t h o r o f ' H i s O w n P r o p e r t y r r e t c . l F l o r e n c e

M . K i n g l . 4 6 6 - 4 7 0 .The D le rchan t P r ince . By J . Ber rs i ck Harwood . 474-479r 531-536 ' 627 '63L .'The Sac r i f i ce o f l u la ry Sornerv i l l e ( the Chron ic les o f Cardewe I ' l ano r ) . r

B y L u c y F a r m e r . 5 0 2 - 5 0 6 .The Woo ing o f Chr i s tabe l . By E . Nea l . 544-555 , 577 '589 , 673-684 ,

7 0 5 - 7 1 5 .' T h e W r o n g B e r t i e . ' B y t h e A u t h o r o f ' H i s O w n P r o p e r t y r r e t c . [ F l o r e n c e

I ' I . K i n g l . 5 9 8 - 6 0 2 .' M y A u n t ' s H o u s e . ' B y 1 1 . B . W h i t i n g . 6 0 B - 6 1 1 .' t ' l r s l ' l on tgomer ie rs l {anoeuvres . ' By E . Nea l . 691 '696 .' W h a t H a p p e n e d a t R i d g e w a y - o n - s e a . ' 7 2 L - 7 2 9 .' R a c i n g a n A r a b : A n A d v e n t u r e i n S y r i a . t B y D a v i d K e r . 7 4 8 - 7 5 0 .

Sumrner nurnber

' W a t e r s o f o b l i v i o n . ' B y T h o m a s K e y w o r t h . 3 - 4 5 -' T h e o t h e r A i l e e n . ' 5 4 - 5 8 .

L 7 ( D e c l t j 9 0 - l . l o v l t i g t ) [ A m e r i c a n e d . s . 4 , v . 8 ]

A S h a r p E x p e r i e n c e . B y K a t e E y r e . 1 - 1 0 , 1 0 8 - 1 1 8 , 1 2 9 - 1 3 8 , 2 2 7 - 2 3 7 ,

2 5 7 - 2 6 6 , 3 5 6 - 3 6 4 .

6 26 3

u!-/

' A C h a p t e r o f A c c i d e n t s . ' B y t h e A u t h o r o f ' l ^ I h o I s S y l v i a ? ' , ' M i s s

l i i l a r y ' s S u i t o r s r , e t c . I e . p . ] . L 6 ' 2 3 .

The Tempta t ion o f I l u l c ie Car ru the rs . By C-E .C . We iga l1 . 30 -42 ,

6 5 - 7 7 , 1 5 8 - 1 6 9 , 1 9 3 - 2 0 4 , 2 9 5 - 3 0 6 , 3 2 L ' 3 3 2 , 4 L 6 - 4 2 7 , 4 4 9 - 4 6 0 .

By Word of l louth: A story of Adventure. By Thomas Keyruorth. 48'54,

9 4 - I 0 1 , 1 7 5 - 1 8 1 .' T h e i r l , l y s t e r i o u s B u s i n e s s . ' B y l ' l . R . L . 8 7 - 9 0 .

" O n l y J u s t ! " r B y t h e A u t h o r o f ' W h o I s S y l v i a ? ' , ' M i s s H i l a r y t s S u i t o r s r '

e r c . I A . P . ] . 1 4 3 - 1 5 1 .' T h a t B l a c k L a c e B o n n e t . t B y M . B . W . 2 1 5 - 2 2 L .' K a t e M o o r e ' s L t e d d i n g T r i p . ' B y E d w a r d I r e n a e u s S t e v e n s o n . 2 4 I ' 2 4 6 .' T h e S c o t c h m a n : A R a i l w a y S E o r y . r B y t h e A u t h o r o f ' S h e ' s C o m i n g ' ,

' T h e V o i c e i n t h e W o o d s , ' e t c . 2 7 5 - 2 7 9 .' C h r i s t i n a ' s G u a r d i a n . ' B y 1 1 . P a y n e S m i t h . 3 0 9 - 3 1 3 .' O n t h e L a k e o f L u c e r n e . ' B y B e a t r i c e W h i t b y . 3 4 1 - 3 4 8 .A Q u a k e r G i r l . B y G e o r g e B . B u r g i n . 3 8 5 - 3 9 5 , 4 8 7 - 4 9 3 ' 5 5 0 - 5 5 7 '

5 7 7 - 5 8 7 , 6 7 r - 6 7 9 , 7 3 9 - 7 4 5 .' A L i t t l e L o v e - a f f a i r . ' B y E h e A u t h o r o f ' A B r o k e n E n g a g e m e n t r '

e t c . 4 0 4 - 4 0 8 .' T h e O r g a n i s t o f A b b o t s t o k e . ' B y F r a n c e s A . G e r a r d . 4 3 4 - 4 3 8 .' J a c k a n d l l i s M a s t e r : A S e a - s i d e R o m a n c e . t B y H e n r y F r i t h . 4 6 6 ' 4 7 3 .' C h a s e d b y a L i o n : A S t o r y o f A l d e r s h o t C a m p . ' B y l l e r b e r t R u s s e l l .

4 8 0 - 4 8 3 .' W h a t C a m e o f a C l e r g y m a n ' s F o r t n i g h t . ' B y S y d n e y C . G r i e r . 4 9 8 - 5 0 3 .

Tha t L i t t l e Wonan . By Ida J . Lemon. 5L3-523 , 607-617 , 64L-65L ' 705-7L6 .' A F r i e n d o f t h e J i n t o n s . t B y J o h n A n d e r t o n . 5 2 9 - 5 3 3 .' A G u i n e a G u e s t . I B y E . C . 5 3 8 - 5 4 4 .'Ou t Over . ' By John T regar th . 565 -567 .' T h e o n l y R e s o u r c e . ' B y L i l l i a s W a s s e r m a n n . 5 9 5 - 6 0 1 .' A F o r l o r n H o p e . r 6 5 9 - 6 6 6 .' l I y S i s t e r ' s S e c r e t . I B y } t a r y H a m p d e n . 6 8 6 - 6 8 8 .' T h e H e r o i s m o f } l a r k L e s l i e . ' B y C . E . C . h l e i g a l l . 7 2 8 - 7 3 5 .' T h e w i d o w r s P o r t i o n . ' 7 4 8 - 7 5 2 .

Summer l {umber

A l l a t te r o f Sk i l l . By Bea t r i ce Wh i tby . L '52 .

I B ( o e c 1 8 9 I - N o v l - B 9 2 ) [ A m e r i c a n e d . s . 4 , v . 9 ]

o r r t o f t he Fash ion . By L .T . Meade . 1 -9 , 65 -73 , 176-184 , 193-201 ,

2 5 7 - 2 6 4 , 3 5 6 - 3 6 4 .' T h e w o e s o f M r s C a r a c t a c u s B r o w n . ' 1 2 - 1 5 .' C y n t h i a ' s T e a - m a n ( A N e w E n g l a n d S t o r y ) . r B y L u c y C . L i l l i e . L 8 - 2 4 .' Y o u r 1 1 L o v e X e Y e t t . B y F r a n c e s H a s w e l l . 2 9 - 4 I , 9 0 - 1 0 2 , 1 2 9 ' l 4 O '

2 1 9 - 2 3 r .Had Ee Knosn: A Story of lfew Zealand Gold Thirst. 45-54, 106-115'

L52-L63 , 236-246 .r A T r i p t o J u p i t e r ' s M o o n l e t . ' B y A l e r i e l . 5 5 - 5 6 .'The Woo ing o f Mary CarsEa i rs . r By George B . Burg in . 82 -87 -' T h e R e v . J . S t u r g i s ' s F i n d s . ' B y F r a n c e s A . G e r a r d . 2 0 9 - 2 L 4 -'The Rock o f Kaz im. ' By E . Chapman. 269-276 .

Formed for Conquest . Iny Annie E. ] ' I ickhaml . 286'299, 321-331 , 42L-432,

484-494.

' T h e R o m a n c e o f a P o o r y o u n g W o m a n . , B y G e o r g e B .' A G u a r d i a n o f H o n o u r . ' B y E d i t h H e n r i e t t a F o w l e r .

l 9 ( D e c I B 9 2 - N o v I B 9 3 ) [ A r n e r i c a n e d . s . 4 , v . I 0 ]

' L o n d o n U n d e r m i n e d . I B y V i n c e n t E l s d e n . 1 - 6 .A Romance o f Han . By c .E .c . we iga l l . 10 -18 , L24-132 , 2oo-2L0 , 276-294 ,

3 2 6 - 3 3 5 , 4 4 8 - 4 5 5 .' T h a t O t h e r S t o r y . ' B y E . C h a p r n a n . 2 g - 3 6 .R ichard Jenk ins , Has te r . 4 I -49 , t35 -92 , 17g-L87 .' T h e l l y s t e r y o f G a r s t i n H o u s e . ' B y W i l l i a m C a i r n s . 5 2 - 5 6 .' H e r

" S t u d y f r o m L i f e . ' r r B y L i l l i a s W a s s e r m a n n . 5 9 - 6 5 .' l ' { r M e a k i n r s L o o k i n g - g 1 a s s . ' 9 8 - 1 0 4 .' L a d y J a n e ' s R e b e l l i o n . ' B y H . B . D . l l 2 - L L 7 .' T h e V e a s e y b r i d g e E l e c t i o n . r B y M a r y H a m p d e n . 1 4 4 - 1 4 9 .' J a c k a n d J i l l : A o n e - c h a p t e r s t u d y i n H u m a n l , l a t u r e . ' B y A . v . 1 6 6 - 1 7 0 .' T h e B a l d - h e a d e d B o y : A n r n d i a n T a l e . ' B y A r t h u r M i l r o n . r 9 4 - 1 9 6 .' A F a c u l t y H e r o i n e . ' B y N o r a l l . M a r r i s . 2 2 2 - 2 3 I .The rs land o f s i x shadovs . By Bess ie E . Du f fe t r . 248 -255 , 359-365 ,

. 4 I2 -4L8 .' H o w a n O l d T a l e C a m e T r u e . ' B y W i l l i a m C a i r n s . 2 5 8 - 2 6 3 .' T h e S e c r e t o f E a g l e ' s - f a t e . ' B y T h o m a s K e y w o r t h . 3 0 1 - 3 1 0 .r C r o i s e t t e r s B e t r o t h a l : A S t o r y o f B r i t t a n y . ' 3 4 6 - 3 5 4 .' A T r y i n g P o s i t i o n . ' 3 7 0 - 3 7 7 .' T h e P a r t n e r s h i p . ' B y A r t h u r I ' l i 1 r o n . 3 8 8 - 3 9 0 .' C o r r e s p o n d i n g w i t h t h e P l a n e r s . r B y A 1 e r i e 1 . 4 0 3 - 4 0 5 .' M r P e n b u r y ' s P u p p e t s . ' B y J . F . S u I l i v a n . 4 O 6 - 4 L 0 .' T h e H u r s t s o f H a z e l w o o d . ' B y H . E l r i n g t o n . 4 3 6 - 4 4 3 .' T h e S q u i r e r s E n t a n g l e m e n t . ' B y J o h n K . L e y s . 4 2 4 - 4 3 L .' l ' I y Chum. ' By Mary F . Hu tch inson . 466-469 .f D a v e n a n t . r B y S . S o u t h a l l B o n e . 4 9 3 - 4 9 3 .' A R u l e r o f P r i n c e s . ' 5 0 5 - 5 1 1 .' T h e T u t o r t s E n g a g e m e n t . ' B y E d i t h l l e n r i e t t a F o w l e r . 5 1 5 - 5 2 1 .Ruha: A Tale of Adventure in the Haori IJar. By L. Frost Rattray.

527 -534 , 577 -584 , 686 -693 .'The l n l an i n t he M izzen - top . ' By C .J . Cu tc l i f f e Hyne .

' T h e P u r s e P o c k e t - b o o k . ' 5 6 3 - 5 7 0 .' t l e 1 l e ' s R e t u r n . r B y A l b e r t E . H o o p e r . 5 8 8 - 5 9 3 .' T h e l l u t u a l i t y o f P h i l l i s t e r a n d B r u n t o n . r B y J . F . s u l l i v a n . 6 1 3 - 6 1 8 .' 1 . 1 r C h u r c h i l l ' s p a p e r . ' B y C . J . B l a k e . 6 6 4 - 6 i 3 .' T h e T a i l o r : A n I n d i a n T a l e . ' B y A r r h u r M i l t o n . 6 7 7 - 6 8 1 .' C h i c k . ' B y J o h n T r e g a r t h . 7 2 3 - 7 2 6 .so very cmonplace: A Ror'.nce of the lJorkaday world. 733-745, 849-860,

922-934 .' T h e I ' I y s t e r i o u s P a i n L i r g . ' B y C . N . B a r h a m . 7 5 2 - 7 5 8 .' T h e U s u r p e r . ' B y J . F . S u l l i v a n . 7 8 0 - 7 8 5 .' M r l l a r r i s ' s W i n d o w . ' B y A . M . A . 8 2 2 - 8 2 6 .' A R a n k S w i n d l e . r B y I . I . J . F . 8 3 2 - 8 4 2 .' r n r h e B a y . ' B y C . J . C u t c l i f f e H y n e . 8 6 4 - 8 6 7 .' T h e W o o i n g o f V i c t o r i a C r o s s , ' 8 8 3 - 8 9 3 ,' A n I m p e r f e c t S u b s t i t u t e . I B y W . P . M . B l a c k . 9 I L - 9 L 7 .' T h e G h o s t o f C r a w l e y ' s G h y l 1 . t B y C . J . C u t c l i f f e H y n e . g 3 g - 9 4 I .

l lummer number

' H a r d t o P l e a s e : A H o l i d a y S t o r y . ' B y F r a n c e s H a s w e l l , 3 - 4 8 .' L a d y I ' l a r y ' s B o a r d e r . I B y l l r s I I . H . p e n r o s e . 5 8 - 6 3 .

2 0 ( D e c 1 8 9 3 - N o v l B 9 4 ) [ A m e r i c a n e d . s . 4 , v . 1 1 ]

' s e p a r a t e d : A D i v i d e d S t o r y . ' 1 - 8 .T h e S l e e v e o f C a r e . B y C . E . C . W e i g a l l . l 5 - Z B , 1 1 9 - 1 3 1 , 1 6 9 - 1 8 1 .Margare t ' a I Jay . By Ann ie E . I { i ckharn . 43 -52 , 86 -98 , Igg -2 I3 , 293-305 ,

3 7 4 - 3 8 5 , 4 4 I - 4 4 8 .' T h e P h a n t o m F o r g e t - m e - n o t s . 1 B y E . C h a p n n a n . 1 0 4 - 1 1 0 ,' T h e D o c t o r r s S e c r e t . t B y A l b e r t E . H o o p e r . 1 3 4 - 1 3 9 .' T h e

Q u e e r P a s s e n g e r ' s S t o r y . ' B y A . E . B o n s e r . 1 4 3 - 1 4 5 .' I n a F o g . ' B y E d i t h E . C u t h e l l . 1 9 3 - 1 9 5 .' I n t h e C o u r s e o f O n e E v e n i n g . f 2 L 6 - 2 2 2 .On a Lee Shore . By C la ra E . Cheeseman. 243-253 , 332-343 , 415-426 .' A C o r r e c t e d E r r o r . r 2 6 5 - 2 7 5 .' A s P a y i n g G u e s t s . | 2 8 4 - 2 8 9 .' A n A l d e r s h o t l ' l y s t e r y . ' B y C . N . B a r h a m . 3 2 3 - 3 2 6 .' S i r G u y ' s R o o m . ' B y l , f i l l i a m C a i r n s . 3 4 7 - 3 5 2 ." ' P h y l l i s I s M y O n l y J o y . " ' B y I l s a R e i d . 3 5 6 - 3 6 4 .' T h e A c a p u l c o G a 1 l e o n . ' B y H e r b e r t R u s s e 1 l . 4 0 3 - 4 0 7 .' B y . G i r l r s H a n d . ' B y l t r s H e n r y E . D u d e n e y . 4 3 0 - 4 3 5 .r A t ' B a d f r L i f e . ' B y F r e k e V i g g a r s . 4 6 0 - 4 6 4 .' H o w I D i s c o v e r e d t h e N o r t h P o l e . ' B y J . M u n r o . 4 8 3 - 4 8 9 .f i re C lea r iug o f the H is t . By F rances Haswe l1 . 495-505 , 604-614 ,

6 9 3 - 6 9 2 , 7 3 r - 7 4 0 , 9 0 7 - 8 1 7 , g g 0 - g g g .' A n A r t i s t i c B u r g l a r . ' B y C h a r l e s C . R u s s e l l . 5 0 8 - 5 1 1 .' F i v e - c o r n e r e d C o t t a g e . r B y J . E . H o d g s o n , R . A . 5 L 4 , 5 2 3 .The Edge of the Precip ice: A ssiss Adventure. By Bessie E. Duffet t .

5 2 8 - 5 3 8 , 5 7 5 - 5 8 5 , 6 5 9 - 6 6 9 .' G e t t i n g E v e n w i t h U n c l e M o s e . t B y U . p e n r o s e . 5 4 6 - 5 4 9 .' C e c i l C h a n t i n g . ' B y A l b e r t E . H o o p e r . 5 6 6 - 5 7 I .' M r s T u x t e r ' s T r o u b l e s . t B y G . B . B u r g i n . 5 9 0 - 5 9 6 .'The search in the Sawdus t : The Researches o f Mary Ambush - r . ' By Lucy

Farmer . . 646-656 .

B u r g i n . 3 0 7 - 3 L 2 .347 -352 .C u t h e 1 1 . 3 6 9 - 3 7 5 .

449 -463 , 5 t3 -524 ,

5 7 7 - 5 8 9 ,

6 2 7 - 6 3 2 .Hen ry F r i t h .

B y H e n r y F r i t h .

F r i t h . 7 2 3 - 7 2 9 .

' T h e Y a c h t i n t h e B a y : A S e a s i d e S t o r y . ' B y E d i t h E .Barbara Her i va le . By Arabe l la M. I t opk inson . 385-39B,

6 t 0 - 6 2 3 , 6 4 1 - 6 5 4 , 7 3 4 - 7 4 4 .t A G o o d D e a l A b r o a d . r 4 L 0 - 4 I 7 .' M a n a g e d a t R a m s g a t e . t 4 3 7 - 4 4 1 .r T h e D o c t o r ' s B l u n d e r . ' B y J o h n K . L e y s . 4 7 3 - 4 7 8 .' T h a t O d d M a n . r B y A r E h u r T . G . p r i c e . 4 g g - 5 0 3 .r C r o o k e d C r o n i e s . r B y J o h n A n d e r t o n . 5 3 0 - 5 3 6 .Lady Lo r r imer ' s Scheme. By Ed i th E . Curhe l l . 542 -553 ,

6 6 9 - 6 7 9 , 7 0 5 - 7 L 6 .' A D e s p e r a t e V e n t u r e . r B y A n n i e E . W i c k h a r n . 5 6 0 - 5 6 6 ,'The Devo t ion o f } l a ry S immons : A Ra i lway Romance . ' By

6 0 1 - 6 0 5 .' T h e C o u r E s h i p o f F i r e m a n D e a n e : A R a i l w a y R o m a n c e . l

6 6 0 - 6 6 5 .' A n o t h e r I n d i a n T a l e . ' B y A r t h u r M i l t o n . 6 8 2 - 6 8 6 .' C h a r l e y D o w n r s O r d e a l : A R a i l w a y R o m a n c e . ' B y H e n r y' S h i p p ' s L o o t . I B y C . N . B a r h a m . 7 4 9 - 7 5 2 .

64

544-549.

6 5

' H i s P h i l o s o p h y . ' B y X . 6 7 2 - 6 7 4 .' T h e

" T h i n g " a t B o g g a r t ' s E n d . ' B y J . T . K i n g s l e y T a r p e y . 7 2 6 - 7 2 8 .' M i s s L u c r e t i a ' s } l i s t a k e . r B y M . P a y n e - S r n i t h . 7 4 6 - 7 4 9 .' A L i c t l e M i s u n d e r s t a n d i n g . ' B y M a r y B r a d f o r d W h i t i n g . ' 7 5 9 - 7 6 8 .

" ' F u z z l e s " : T h e S t o r y o f a P u p p y . ' B y G . B . B u r g i n . 7 7 6 - 7 7 9 .' B o r r o w e d P l u r n e s . ' B y J o h n K . L e y s . 7 8 4 - 7 9 L .' A T r a g e d y o f D u t y . r B y J . T . K i n g s l e y T a r p e y . 8 2 4 - 8 2 6 .' A S i x W e e k s ' L l o o i n g . ' B y S y d n e y C . G r i e r . 8 3 l - 8 3 9 .tThe t ' l ys te ry o f B roadmead Cour t : The Researches o f Mary Ambush - I I .

B y L u c y F a r m e r . 8 6 I - 8 1 2 .' B a r b a r a r s S e c r e t . t B v A . 1 1 . A v e n e l l . 9 L 4 ' 9 1 9 .' l ' l i s s C y n E h i a . I 9 2 4 - 9 2 9 .' C a t c h i n g a P r o f e s s o r : A P r i z e S t o r y . ' B y B e s s i e E . D u f f e t t .

Summer number

932-944.

r A u n t H a w k i n s . r B y A . B . R o m n e y . 3 - 5 f .' K a i s e r K r u m . ' B y } l a u d R i t t e n h o u s e . 6 6 - 7 2 .

2 L ( D e c I 8 9 4 - N o v l B 9 5 ) [ A m e r i c a n e d . s . 4 , v . 1 2 ]

The Vo ice o f the Charmer . By L .T . I ' I eade . 1 -16 , 93 '107 , 168-1B2 '

2 7 7 - 2 9 2 , 3 4 3 - 3 5 8 , 4 0 8 - 4 2 2 , 5 0 0 - 5 1 4 , 5 6 9 - 5 8 3 , 6 9 8 - 7 L 2 , 7 4 0 - 7 5 4 ,

8 5 1 - 8 6 7 , 9 1 7 - 9 3 0 .'Py r rha and Smugg . ' By An thony Hope . 30 -37 .' T h e G r e a t T h i r d t r ' J a v e . ' B y E t h e l S . T u r n e r . 4 7 - 5 2 .' T h e L i t t l e l { u r s e r y G o v e r n e s s . ' B y J . M . B a r r i e . 6 0 - 6 3 .' L e o n a n d L e o n i e . ' B y G r a n t A l l e n . 8 1 - 8 5 .' T h e P u r p l e D e a t h . ' B y W . L . A l d e n . L I 2 - I L 9 ., A B l a c k S h e e p . ' B y t h e A u t h o r o f ' A D a y o f I ' I y L i f e a t E t o n r ' r A c r o s s

F r a n c e i n a C a r a v a n , t e t c ' [ G e o r g e N u g e n t B a n k s ] . 1 3 1 - 1 3 8 .' B o s s ' T e c a t O l d b y . ' 1 8 7 - 1 9 3 .' J o e ' s R a s c a l i t y . ' B y G r a n t A 1 l e n . 2 0 3 ' 2 0 5 .' M r A d o l f . ' B y A . E . o r p e n . 2 1 4 ' 2 2 2 , 2 6 0 - 2 6 8 .' A w r T o m . ' B y J . M a c l a r e n C o b b a n . 2 4 3 - 2 5 I .'A Message f rom Mars . By J . Munro ' C .E . 292 '298 .' A } , l o d e r n V a m p i r e . ' B y i J . L . A l d e n . 3 0 4 - 3 0 7 .' A n n e r : A W e s t C o u n t r y T r a g e d y . ' 3 2 8 - 3 3 8 .r T h e l l y s t e r i o u s H o u s e a t C o p i n g t o n . r 3 6 7 - 3 7 6 .' C e c c a ' s C h o i c e . ' B y G r a n t A 1 l e n . 3 8 7 - 3 9 1 .' K i n g o ' t h e G a t e s . r B y G . B . B u r g i n . 4 2 6 ' 4 3 L .' T h e C o l o n e l ' s C o u r t s h i p : A n A n g l o - I n d i a n S t o r y . ' B y E . C h a p m a n .

437 -445 .' C a r t e r r s I n c a n d e s c e n t C a t s . ' B y t { . L . A l d e n . 4 5 0 - 4 5 4 .' A C a s e o f B a r r a t r y . r B y C . J . C u t c l i f f e H y n e . 4 6 0 - 4 6 5 -'The I ' l r ong Bag . ' 488 -494 .' V i l l a g e P o l i E i c i a n s . ' B y L i l l i a s W a s s e r m a n n - 5 1 9 - 5 2 7 .' A B a t h R o a d l d y l 1 . ' B y N e l l i e K . B l i s s e t t . 5 3 5 - 5 3 7 -' T h e D u k e . ' B y t t r s H . H . P e n r o s e . 5 4 I - 5 4 4 .Loveday: A Story of a St i r r iug Time. By A.E. Wickharn. 545'553,

6 1 9 - 6 3 2 , 6 5 0 - 6 6 6 , 7 8 0 - 7 9 2 , 8 0 9 - 8 2 4 , 8 9 0 - 9 0 2 .' F o g o S k e r r i e s . r B y G r a n t A 1 l e n . 5 9 I - 5 9 6 .t T h e S c h o o l m i s t r e s s a t T h a t c h a m l e t . r B y T . J . I l a c N a m a r a . 6 0 4 ' 6 0 7 .' L o u i s e . r B y W . L . A 1 d e n . 6 7 L - 6 7 4 .

666 7

I ' h e } l a n W h o O n c e M a d e D i a r . r o n d s . t B y C . J . C u t c l i f f e H y n e .

r ' h e A r k o f t h e J a m r a c h s . ' B v W . B . R o b e r t s o n . 6 9 L ' 6 9 7 .

6 8 2 - 6 8 6 .

By Frank

6 2 - 6 5 .

r 5 9 - 1 6 6 .

480-490 , 7L7 -729.

' ' f h e P r o f e s s o r ' s E x p e r i r n e n t . ' B y G . B . B u r g i n . 7 2 8 - 7 3 3 .' l ' i r s P i t k i n ' s P e d i g r e e . r B y H i l t o n H i 1 1 . 7 6 0 ' 7 6 7 ." fhe Three Knocks . ' By l l r s Andrew Dean . 773 '774 .' A C a s t S h o e . ' B y E d i t h E . C u E h e l l . 8 2 9 - 8 3 5 .' o n e o f L i f e ' s M o c k e r i e s . ' B y E l i z a b e t h L . B a n k s . 8 4 5 ' 8 4 7 .' i l y T r i a l s a s a H o u s e k e e p e r . ' B y E l i z a b e t h L . B a n k s . 9 0 3 - 9 0 6 .' ' f he Czar t s D ia rnond . ' By Huan } i ee . 907 - 913 .' T h e B l i n d S k i p p e r . ' B y C . J . C u t c l i f f e l l y n e . 9 3 9 - 9 4 4 .

l iummer nurnber

' B o h e m i a n G l a s s . ' B y P h i l i p p a l ' 1 . L e g g e . 3 - 6 4 .' l ' l us te r Dow: o r , A V i l l age In i ys te ry . l By F rances } facNab .

( D e c l B 9 5 - N o v 1 8 9 6 ) [ A m e r i c a n e d . s . 4 , v . f 3 ]

' T h e D e v i l ' s l l a n u s c r i p t . ' B y S . L e v e t t Y e a t s . I I - 2 0 .A Hissing Hitness: Frm the Narrative of Dorothy Eeatherty.

B a r r e t t . 2 9 ' 3 9 , 1 4 0 - 1 5 0 , 2 3 7 - 2 4 7 , 3 2 7 ' 3 3 7 , 4 0 3 - 4 L 2 , 4 9 5 - 5 0 3 .' A C a n o f P e a c h e s . ' B y K . T a n q u e r e y . 5 4 - 6 0 .' T h e F o r t u n e o f D u i t s a a n d J a c o b . ' B y A . E . B o n s e r .'The Sword and Three . ' By l l ax Penber ton . L25- I34 .' T h e l , l a i d o f " T h e l l e r n a n . " ' B y H a l l i w e l l s u t c l i f f e .' A V o i c e f r o m t h e D e a d . ' B y E l l a M a c m a h o n . 1 6 8 ' 1 7 2 .In the Thick of the Fight . By L,T. l ' leade. 204'216,' T h e F a t a l E a r s . ' B y W . L . A l d e n . 2 2 5 - 2 2 9 .' L u c k f o r H i m . ' B y H r s W . K . C l i f f o r d . 2 5 5 - 2 6 3 .

Histor ica l l la r ra t ive for Young and3L6-32r .

355-362.

5 6 6 - 5 6 8 .517 -5B1 .

" ' B a b i l l e ' r : A C o n s c r i p t L o v e S E o r y . r B y D . l I . P a r r y . 2 8 3 ' 2 8 8 .' T h e D e f i e r : A T a l e o f a W e s t A f r i c a n C o l o n y . ' B y C . J . C u t c l i f f e

l l yne . 300-307 .s B o n f i r e : A n I n s t r u c t i v e

Old. I By Andrew Home.

' B o n e y

' W a y w a r d L o v e . ' B y M . P . S h i e l .' S i l a s P . C o r n u ' s S y s t e m . r B y l l e n r y A . H e r i n g . 3 8 9 - 3 9 4 .' T h e W a r n i n g C r y s t a l : A F a i r y I d y l l f o r Y o u n g - h e a r t e d P e o p l e . ' B y

Roma I ' /h i te. 4LB'42L.' I I y C h u m K a t e . ' B y J . H . P a n t i n g . 4 4 L - 4 4 8 .' A n A l p i n e A d v e n t u r e . ' 4 5 7 - 4 6 0 .A Pur i tanrs lJ i fe. By ] {ax PemberEon.

7 9 0 - 8 0 4 , 8 6 6 - 8 8 1 , 9 2 2 - 9 3 7 .5L5 -529 , 604 -619 , 682 -697 ,

' T h e D o c t o r ' s D a u g h t e r . ' B y C l a r a S a v i l e - C l a r k e . 5 3 3 - 5 3 7 .' F a t i m a a n d t h e C a l f . ' B y A r t h u r l l i l t o n . 5 3 7 - 5 3 8 .'Fo r the Sake o f the Far i r i l y . I By G i lbe r t Bu rgess . 543-548 .'The Grea t Unknown. ' By A .R . Buck land & l l en ry Char les l l oo re .'The l , I rong l {unber : A S to ry fo r the O ld i sh and the Young ish . r' T h r e e H u n d r e d G o l d P i e c e s : A n A r a b Y a r n . ' 6 0 8 - 6 1 0 .' T h e R e v o l t o f D a p h n e . r B y D a y r e l l T r e l a w n e y . 6 3 6 - 6 4 2 .' T h e M y s t e r i o u s A f f a i r a t l l a i n - n a . r B y A l e x i s K r a u s s e . 6 5 1 - 6 5 9 .'The Dragon 's l Jhee l . ' By Roma Wh i te . 662-666 .' T h e C a s e o f l u l i c h a e l S a n f o r d . ' B y D a v i d C h r i s t i e M u r r a y . 7 0 2 - 7 L l -' C a p ' n T o r n W o o l l e y . ' B y G r a n t A l l e n . 7 3 7 - 7 4 1 .' T h e S p e c t r e - s h i p . t B y I 4 . P . S h i e l . 7 5 5 - 7 6 4 .

' L a d y B e n s o n ' s H o u s e - p a r t y . r B y A n d r e w H o m e . 8 1 2 - B 2 L .'Ex - t rooper Tempany . ' By Eon . l { r s A r thu r Henn ike r . 842-849 .' T h e B a b o o ' s E a r t h q u a k e . ' B y E t h e l L . H e d d l e . 8 5 7 - g 5 9 .'The Lovers and the Boy . ' By An< l rew l l ome. 8BB-896 .' L o v e ' s L a b o u r ' s H i r e d . ' B y H a l 1 i w e 1 1 S u t c l i f f e . 9 4 L - 9 4 8 .' J e n k i n s o f t h e 5 3 r d ( A F r a g m e n t ) . ' B y J o h n F o s t e r F r a s e r . 9 5 6 - 9 6 L .' Y o u n g R o m e o : A S t o r y f o r R e a d e r s W h o A r e S t i l l y o u n g . ' g 7 L - g 7 5 .

Supp lement

Ir ra l iers Bushranger:1 - 1 1 2 .

2 3 ( D e c I B 9 6 - i t { a y

A Story of Austra l ian Adventure. By E.hl . Hornung.

1 8 9 7 ) [ A r n e r i c a n e d . s . 4 , v . 1 4 ]

' A t L h e T h i r d P a s s : A S t o r y o f A r t i s t L i f e i n p a r i s .L - 1 2 .

The G i f t o f t he Gods . By F .A . S ree l .5 3 3 - 5 4 7 , 6 3 7 - 6 5 I .

B y D . I I . P a r r y .

285-297 , 420-434 ,23 -37 , L99 -2 I3 ,

' H o w B a r r i n g t o n R e t u r n e d t o J o h a n n e s b u r g . ' B y A . E . W . I n l a s o n . 4 9 - 5 4 .' T h e F a m i l y S p i r i t . r B y H a 1 1 i w e 1 1 S u t c l i f f e . 7 2 - 9 0 .' T h e D r e a m P i c t u r e : F o r C h i l d r e n . ' B y R o m a I , I h i t e . 9 8 - 1 0 2 .' O n e A d v e n t u r e T o o M a n y : A S t o r y o f S a n F r a n c i s c o . ' B y G e r t r u d e

A t h e r t o n . 1 2 5 - L 3 6 .'Foo l ' s l . {a te . I By Huan } Iee . 160- 168 .' T h e C a m i s a r d ' s B r i d e . ' B y G r a n t A l l e n . 1 8 3 - 1 8 9 .' T h e P r i n c e s s J o c e l i a n d e . ' B y A . E . W . l l a s o n . 2 3 3 - 2 4 6 .' S o m e F i s h e r F o l k . ' B y H e l e n } l a t h e r s . 2 5 6 - 2 6 4 .' T h e B e l r o f D i a m o n d s . r B y T . W . S p e i g h t . 3 1 1 - 3 2 1 .' T h e O d e s s a D e a l . ' B y H u a n l l e e . 3 3 9 - 3 4 7 .' T h e S t o r y o f H a n n a h W r a y . ' B y E d w i n P u g h . 3 6 5 - 3 7 0 .' B u l l y B i l l a n d t h e K i d . ' B y J o h n F o s t e r F r a s e r . 3 8 1 - 3 8 6 .' B r u c e M a j o r ' s L o v e S t o r y - a n d O c h e r s : A S t o r y f o r B o y s . t B y A n d r e w

Hone . 397-403 .' T h e P o o r I d e a l i s r . ' B y E d w i n P u g h . 4 5 B - 4 6 8 .f A L a d y o f F l o r e n c e . t B y G r a n t A l l e n . 4 8 3 - 4 9 I .' D o n a F e r e n t e s . t 5 1 6 - 5 2 I .' T h e B l u e L a b o r a t o r y : A S t o r y o f S t P e t e r s b u r g . ' B y L . T . l l e a d e &

R o b e r t E u s t a c e . 5 6 3 - 5 7 5 .' T ' O t h e r S i d e o ' t h ' B e c k . ' B y p e r c y W h i t e . 5 B B - 5 9 8 .' T h e I n t r u s i o n o f l l a i f e z E f f e n d i . ' n y ; o n n p e n d l e t o n . 6 2 0 - 6 2 5 .

2 4 ( J u n e - N o v 1 8 9 7 ) [ A m e r i c a n e d . s . 4 , v . 1 5 ]

By a Eairrs Breadth: Being the Secret Eistory of the Tsar's Tour,Gonpiled from the Records of Paul Volborth (of the rThird

S e c t i o n ' ) . B y H e a d o n H i 1 1 . 1 - 1 6 , 7 4 6 - T 5 9 , 2 5 1 - 2 6 4 , 3 5 7 - 3 7 0 ,5 0 1 - 5 1 4 , 5 8 9 - 6 0 1 .

'The God o f Ba t t l es . ' By Robe r t I f . Chambers . 25 -30 .'A Demon of Revenge: Being a Story o f Sydney and the Bush. ' B y E . W .

Hornung . 54 -63 .A xaster of uysteries: Ttre Adveutures of John Bell - Ghost- explorer.

B y L . T . l . l e a d e & R o b e r t E u s r a c e . 7 8 - 9 1 , 1 7 8 - 1 8 7 , 2 2 7 - 2 3 7 ,3 8 8 - 3 9 9 , 5 2 4 - 5 3 4 , 6 1 9 - 6 3 1 .

6 8

' i ' i r e

' ' r ' h e

' ' l ' h e

l n e

l n

' I l r e O y s t e r l " l a i d e n . ' B y } 4 y r a H a m i l t o n , 1 0 2 - 1 0 6 .' l ' l r e M i s s i n g F l e e t . ' B y F r e d T . J a n e . I L 5 - I 2 2 .' r ' t , r u t t h e D w a r f . r B y M a x P e m b e r t o n . 1 2 3 - 1 3 3 .' t ' l r e C u t t i n g O f f o f t h e Q u e e n C h a r l o t t e . t B y L o u i s B e c k e . 1 9 9 - 2 0 3 .' ( : ream Tar t s . I By E . Chapman . 2 I4 '2L8 .' , \ r r Adven tu re by Express . | 280 '283 .

K i n g l { h o D r e s s e d U p . r B y F r a n c i s G r i b b l e . 3 0 7 - 3 f 3 .I l a n a t t h e S e r n a p h o r e . ' B y B r e t H a r t e . 3 3 9 - 3 4 8 .l , I i 1 l F a i r i e s : F o r L i t t l e F o l k s . ' B y M y r a H a m i l t o n .T w o R o m e o s . ' B y H a l 1 i w e 1 1 S u t c l i f f e . 4 0 7 ' 4 I 5 .

t h e K i n g r s S e r v i c e : S o r n e E p i s o d e s i n t h e L i f e o f aB y L o u i s B e c k e . 4 3 6 ' 4 4 1 .

' l J e a t r i x o f t h e P o o l H o u s e : A S t o r y o f a B i c y c l i s t . '462 -470 .

' ' l h e S l a v e r s . ' B v L o u i s B e c k e . 4 8 6 - 4 9 2 .'The Robbery aE the P ink D iamond . l By Dayre l l T re lawney . 538 '547 .' ' f he Sec re t o f t he Haun ted Road . r By Dayre l l T re lawney . 563-572 .'The Enchan ted Ass : F rom the Arab ic o f "The Accursed Donkey . " ' By

Z a r a . 6 1 0 - 6 1 1 ." Ihe In1an Who Waited.r By Hon. l l rs Arthur Henniker. 637-64I .' T h e T a p e s t r y o f a N i g h t . I B y G e r t r u d e A t h e r t o n . 6 5 3 - 6 6 1 .

) 5 ( o e c 1 8 9 7 - M a y I 8 9 B ) [ a m e r i c a n e d . s . 4 , v . f 6 ]

On the l J in te r Sea . By Max Pember ton . 1 -11 ' 141-151 , 248-258 , 363-374 '4 7 7 - 4 8 8 , 5 6 7 - 5 7 8 .

' T h e G r e a t e s t L o v e . t B y E d w a r d H . C o o p e r . 3 3 - 4 0 .' C a m p h o r : A T a l e o f t h e C i t y . ' B y B a r r y P a i n . 4 7 - 5 4 .' A n A m a z i n g C h r i s t m a s E v e . ' B y H o r a c e A n n e s l e y V a c h e l l . 6 3 ' 6 7 .Spectre Gold: A Romance of Klondyke. By Headon Hi l l . 72-85' 192'205'

266 -279 , 412 -425 , 508 -521 , 612 -626 .'See Yup . ' By B re t Ha r te . 125 '132 .' T h e D e f e n c e o f t h e C h a t e a u . r B y D . H . P a r r y .' A S n a i l ' s L o v e S t o r y : A S t o r y f o r C h i l d r e n . '' T h e C r o w d . ' B y M o r l e y R o b e r t s . 2 3 7 ' 2 4 2 .' K i t t y L e i g h . ' B y H a l 1 i w e 1 1 S u t c l i f f e . 2 8 8 ' 2 9 6 .'Among the Downs . r 316 '32 I .' T h e B l a c k F l o w e r o f J u s t i c e .'The Ghos t o f t he March ioness

339-346 .'The Comp le te F lau t i s t : A l l us i ca l Comedy . ' By Andrew Home. 393 '397 .' A W h i t e N i g h t . r B y A r n o l d W h i t e . 4 2 8 - 4 3 4 .' T h e R o y a l D o v e s : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n . 4 4 2 - 4 4 5 .' I n t h e V a l l e y o f R e p o s e . ' B y H e n r y S e t o n } l e r r i m a n . 4 5 L - 4 5 7 .r H o w F a i r f a x D i d n o t E s c a p e . r B y T i g h e H o p k i n s . 5 3 4 - 5 4 0 .'The Romance o f E rn i l y Ph i l po t t : Housema id . ' By Hrs } tu r ray H ickson .

5 5 1 - 5 5 6 .' U n d e r t h e M o o n . ' B y D . H . P a r r y . 5 8 9 - 5 9 5 .'The Awaken ing o f Pharaoh . ' By l l en ry A . Her ing . 638 '643 .'Wyemarke and the Sea Fa i r i es . r By Edward H . Cooper . 654-659 .

2 6 ( J u n e - N o v 1 8 9 8 ) [ A m e r i c a n e d . s . 4 , v ' f 7 ]

In the Chains of Crime: Being the Confeseions of a Late Prisoner

3 7 8 - 3 8 0 .

B e a c h C o m b e r . '

l {ax Pember ton .

t 6B -L77 .By Myra Harn i l ton. 2 IB-220.

By

By I ' l y ra Hami l ton . 330-332 .o f App le fo rd . ' By Je rome K . Je rome.

of the Croun, and Sometime Acconplice of the moreA.J. Raffles, Cricketer and Criminal, Wtrose FateB y E . W . H o r n u n g . I - L 2 , 1 9 0 - 1 9 9 , 2 7 9 - 2 8 8 , 3 4 4 ' 3 5 2 ,6 0 8 - 6 1 9 .

Trevanion: A Story of Cornsal l . By Joseph Hocking. 26-4L,2 5 5 - 2 7 0 , 3 7 7 - 3 9 2 , 4 9 B - 5 1 3 , 5 8 4 - 5 9 9 .

' G o t t y a t O s t e n d . ' B y A r t h u r E . C o p p i n g . 3 l - 4 5 .' S a l o m y J a n e ' s K i s s . ' B y B r e t H a r t e . 6 5 - 7 5 .' A L i c t l e E n t a n g l e r n e n t . r B y H a l 1 i w e 1 1 S u t c l i f f e . a 0 - B B .' T h e S i l v e r T e a r D r o p . ' B y l l y r a } l a m i l t o n . 9 5 - 9 8 .' H o u s e - b o a t I s i s . ' B y V i c t o r H e w e t t . 1 2 4 - L 3 0 .f T h e J u s t i c e o f N a p o l e o n . ' 1 3 8 - f 4 3 .' T h e F o o t p r i n t o f P r i n c e s s T r u b e t s k o i . ' B y T i g h e H o p k i n s .' T h e D o 1 l s ' R o m a n c e . ' B y M y r a H a m i l t o n . 2 1 7 - 2 2 0 .' C o l o n e l R o s e t s T u n n e l o u t o f L i b b y : A n E s c a p e o f E s c a p e s . '

Notoriousis Unknorn.

4 5 1 - 4 5 8 ,

1 4 6 - 1 6 I ,

1 7 6 - 1 8 1 .

By T ighei l o p k i n s . 2 2 7 - 2 3 2 .

'The } Iummy o f Thompson-Pra t t . l By Cu tc l i f f e Hyne . 244-249 .' T h e E a r l a n d t h e R o b i n s . ' B y I ' 1 6 n i e l l u r i e l D o w i e . 2 9 8 - 3 0 3 .' I l o w T o p p l e r T h r e w f o r R o t h e n b u r g . ' B y H a r o l d S p e n d e r . 3 L 5 - 3 2 5 .'The Sun-d r ied K ing . ' By l " l y ra Hami l ton . 329-332' T h e A d o p t i o n . r T r a n s . f r o m t h e F r e n c h o f F r a n q o i s C o p p 6 e b y D .

l v l o o r e . 3 5 8 - 3 6 f .' A n I d y l l o f t h e S 1 u m s . ' B y I I a y B a t e m a n . 4 0 9 - 4 L 6 .'A Wornan' s Way. ' By E . Joyce I ' lurray . 425-429 .' K i n g o f t h e P o p p i e s : A S t o r y f o r C h i l d r e n . ' B y l . l y r a H a m i l t o n .

434-437 .' A C u t t i n g C r i t i c i s m . ' B y A n d r e w H a r l e s t o n e . 4 7 5 - 4 8 L .' Rac ing the M idn igh t Express . ' 487 -4B9 .r l l y B r o t h e r - i n - 1 a w . ' B y E . S . L a n g - B u c k l a n d . 5 2 3 - 5 2 9 .'The Resur rec t ion o f l ' l a t thew Jephson . I By R . Aus t in F reeman. 534-542 .'The Dea f and Dumb Pr ince : A S to ry fo r Ch i ld ren . ' By Myra Hami l ton .

5 5 4 - 5 5 6 .' H o w I C a p t u r e d F u r r u k A l i . ' B y H a r n i l t o n P i f f a r d . 5 7 0 - 5 7 4 .' B r i g a u t . ' B y C h a r l e s F o l e ! . T r a n s . f r o m F r e n c h b y D o r a l l o o r e . 6 2 9 - 6 3 L .' T h e S t o r y o f a C h a s e . l 6 3 7 - 6 4 3 .' T h e D e a c o n r s E n t e r p r i s e . I B y C h a r l e s E d w a r d e s . 6 5 2 - 6 5 6 .

2 7 ( o e c I B g B - l r l a y l - 8 9 9 ) [ e m e r i c a n e d . s . 4 , v . 1 B ]

'The Grey F rock . ' By An thony t l ope . 46 -52 .' T h e A m b a s s a d o r ' s P i g e o n s . I B y R o b e r t B a r r . 6 3 - 7 0 .Stories of Dloute Carlo: Being the Reminiscences of Antoine Hartin,

Chief of the Surveillauce Department of the Cercle desEt rangers de Honaco . By Wi l l i am Le Queux . 78 -85 , 223-229 ,3 4 6 - 3 5 3 , 4 3 1 - 4 3 8 , 5 3 B - 5 4 5 , 6 5 0 - 6 5 8 .

'The l ' l ys te ry o f Fu tu le ima . r By Guy Boo thby . 95 -L02 .' M r s D a v e n a n t . ' B y I l a l 1 i w e l l S u t c l i f f e . 1 1 3 - 1 2 1 .' T h e S e c r e t o f E m u P l a i n . r B y l { r s L . T . M e a d e a n d R o b e r t E u s t a c e .

L 2 3 - r 3 2 .' T h e C o l o n e l ' s C h r i s t m a s D a r r m . ' B y L . J . B e e s t o n . 1 4 2 - L 4 6 .rThe Spo tEed Robe : A Sro ry fo r Ch i ld ren . By I ' I y ra l l a rn i l t on . 151-156 .' B r i d i e ' s S t a r . ' B y l " I 6 n i e l , t u r i e l D o w i e . 1 9 4 - 2 0 3 .'The Coward . ' By Edw in Pugh . 2 lL -2 I6 .rFo r the Sake o f O ld Love . ' By John S t range l l i n te r .

7 0

238-248.

7 L

' The F ianc 'e ' s R t rse . ' By Char les Fo ley . T rans . f rom French by Dora

M o o r e . 2 5 8 - 2 6 0 .' w h e n t h e s e a - f a i r i e s P l a y : A S E o r y f o r c h i l d r e n . ' B y E d w a r d H .

C o o p e r . 2 6 5 ' 2 6 8 .'The Yankee and the Don . ' By Ger t rude A the r ton . 282-292 .' T h e B u r i e d T r e a s u r e o n t h e } l o s c o w R o a d . ' B y D . H . P a r r y . 3 2 7 - 3 3 3 .'Wha t Can a Man Do More? A S to ry o f t he F rozen Nor th . ' By Arno ld

W h i t e . 3 5 8 - 3 6 3 .' T h e I " l i s t a k e o f t h e P r i n c e s s c y n t h i a : A s t o r y f o r c h i l d r e n . ' B y

M y r a H a m i l t o n . 3 7 9 - 3 8 1 .'The Co lone l t s Cane . t By R ichard l " l a rsh . 4L2-419 .' T h e E p i s o d e o f G e o r g e A n d r o s . ' B y H a j o r A r t h u r G r i f f i t h s . 4 4 4 - 4 4 8 .'The Pro fess iona l Lover . ' By Char les Fo le l i . T rans f rom French

b y D o r a M o o r e . 4 5 7 - 4 5 9 .' T h e A u t h o r o f " T u l i p p a . " ' B y E . S . L a n g B u c k l a n d - 4 6 7 ' 4 7 2 .'Queen Wyemarke : A S to ry o f t he Sea- fa i r i es fo r Ch i ld ren . ' By Edward

H. Cooper . 488-492 .' H o w F i n l e y M c G i l l i s H e l d t h e P e e r . r B y R o b e r t B a r r .' C h e q u e ! l l a t e ! r B y H e a d o n H i 1 1 . 5 5 4 - 5 5 9 .' Lady Anne and the V i rg in ian , t By Ger t rude A the r ton . 566-578 .' H a p p i n e s s , t B y C h a r l e s F o l e ! . T r a n s . f r o m F r e n c h b y D o r a M o o r e .

5 8 5 - 5 8 7 .' A B o x o f H i n t s : A s t o r y f o r c h i l d r e n . ' B y M y r a H a m i l r o n . 5 9 9 - 6 0 3 .'The B lack Dress -baske t . Two on a T ra i l : Some Phases o f P r i va te

I n q u i r y . ' B y H a j o r A r t h u r G r i f f i t h s . 6 3 6 - 6 4 2 .' L o r d D o u b l e d a y ' s D i l e m m a . r B y A n d r e w H a r l e s t o n e . 6 7 3 - 6 7 9 .' M y T r o u b l e s o m e e r o t 6 g 6 s . ' B y H a l l i w e l 1 S u t c l i f f e . 6 8 7 - 6 9 5 .'The S ton ish G ian ts and the l l ag i c A r row: Fo r Ch i ld ren . t By Howard

Angus Kennedy . 710'7 L2.

2 8 ( J u n e - N o v l B 9 9 ) [ A m e r i c a n e d . s - 4 , v . f 9 ]

A H a k e r o f N a t i o n s . B y G u y B o o t h b y . 1 - 1 6 , 1 1 5 - 1 3 0 , 2 2 7 ' 2 4 3 , 3 3 9 - 3 5 3 '

4 5 1 - 4 6 7 , 5 6 3 - 5 7 1 .' I n t h e G r i p o f t h e T s a r . r B y R a l p h J u l i a n . 2 6 - 3 2 -'The Tempta t ion o f John Johnson . r By l l r s C lement K . Shor te r . 40 -47 .' S i l a s P . C o r n u ' s D i v i n i n g - r o d . ' B y H e n r y A . H e r i n g , 6 5 - 7 I .

A D ip looa t i c Hman. By Huan Mee . 79 -86 , 150-158 , 26 I ' 268 , 396-403 ,

5 0 4 - 5 1 1 , 6 0 6 - 6 1 3 .' T o t h e C a n n o n t s l l o u t h . ' B y L . J . B e e s t o n . 9 7 - 1 0 0 .'A Repen tance . ' By Char les Fo ley . T rans . f rom French by Dora Moore .

1 3 9 - 1 4 1 .' T h e O t h e r W o m a n ' s C h i l d . ' B y l l r s C l e m e n t K . S h o r t e r . 1 6 5 - 1 7 0 .'B lack l l ag i c : The S to ry o f t he Span ish Don . ' By B . F le tcher Rob inson .

1 7 8 - 1 8 9 .' V i v i a n i f s C h a i r . ' B y E ' C h a p m a n . l 9 B ' 2 0 7 .' T h e P r i n c e ' s L e s s o n : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n . 2 L 4 ' 2 1 6 .'The Doc to r o f t he Swamp. ' By l " l o r l ey Rober ts - 250 '254 .'A t the Same Tab le . ' By Andrew Har les tone . 276 '282 .'The Red Speck (ne ing an Adven tu re o f D ren ton Denn , Spec ia l Comrn iss ioner ) . '

By F red M. Wh i te , 295-302 .' T h e O t h e r S i d e . ' B y M a y B a t e m a n . 3 0 9 - 3 1 2 .' A P i n k S u n - b o n n e t . r B y G e r t r u d e E . M . V a u g h a n . 3 2 L ' 3 2 4 .'The E l f and the Pheasan t : A Ta le fo r Ch i ld ren . ' By Myra Harn i l t on .

329-332 .

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' T h e D e p u t y C o l l e c t o r . ' B y J o h n F o s t e r F r a s e r . 3 6 3 - 3 7 L .' T h e l l l h e e l s o f D r G i n o c h i o G y v e s . r B y E l l s w o r t h D o u g l a s s & E d w i n

P a l l a n d e r . 3 8 1 - 3 8 9 .' T h e A n a n i a s B r o t h e r s . ' B y H a j o r A r t h u r G r i f f i t h s . 4 L 2 - 4 L 7 ." ' W a t e r l o o " a n d " T r a f a l g a r " . ' B y E t h e l F o r s t e r H e d d l e . 4 3 I - 4 3 7 .r T h e T r u t h R e a d e r : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n . 4 4 2 - 4 4 5 .' A f t e r t h e F a c t . ' B y W . P e t t R i d g e . 4 7 2 - 4 7 6 .' T h e I g n o r a n c e o f S y b i l l a . r B y J e s s i e M a n s e r g h . 4 8 4 - 4 9 0 .' T h e l u l o u i i k . r B y C h a r l e s F o 1 e y . T r a n s . f r o m F r e n c h b y D o r a M o o r e . 5 2 6 - 5 2 8 .' A n A w a k e n e d F u r y . ' B y L . J . B e e s t o n . 5 3 8 - 5 4 2 .' T h e S u l t a n i s A d h e r e n t . ' B y H . B a r r o w - N o r t h . 5 4 9 - 5 5 2 .'The S t range Case o f L ieu tenan t I ' l acg regor : An Ind ian Ta le . '

C r e s w i c k e . 5 8 2 - 5 9 0 .'An Au tumn Romance . t By Char les Fo ley .

M o o r e . 5 9 8 - 6 0 0 .' T h e S e q u e s t r a t i o n o f M i s s F e r r i b y ( T w o

A r r h u r G r i f f i r h s . 6 2 5 - 6 3 L .' A H e r o i n e o f E h e T e l e g r a p h . ' B y J o h n } t u n r o . 6 4 0 - 6 4 7 .' T h e A p o t h e o s i s o f I ' I r s G e n t l e . ' B y B e a t r i c e H e r o n - M a x v e 1 1 . 6 5 5 - 6 6 0 .

2 9 ( o e c 1 8 9 g - I r l a y 1 9 0 0 ) [ A m e r i c a n e d . s . 4 | v . 2 0 ]

' T h e Q u e e n ' s R o s e s . ' B y S . L e v e t t - Y e a t s . 1 - 1 6 .

A Gay Consp i racy . By Rober t l t / . Chambers . 28 -42 , 2L0-226 , 3L9-337 ,3 9 4 - 4 0 9 , 5 5 1 - 5 6 6 , 6 3 0 - 6 4 5 .

' T h e L a d y o f t h e S h i p . ' T r a n s . f r o m C o r n i s h b y A . T . Q u i l l e r - C o u c h .5 2 - 6 7 .

The S i len t Gate . By T ighe Hopk ins .

522 -528 , 651 -658 .72 -80 , 25 I -259 r 303 -309 , 452 -463 ,

' T h e G h o s t i n t h e D o m i n o a n d t h e T r u e A c c o u n t o f t h e D u e l a t B o u l o g n e . 'B y M a x P e m b e r t o n . 8 2 - 9 3 .

' T h e J u n c t i o n G a n g . r B y S . R . C r o c k e t t . 1 0 0 - 1 1 0 .'The l , i l r i t e Geran ium. I By F red M. Wh i te . L l2 - I20 .' G e r r y r s G a r d e n : T h e S t o r y o f a C h i l d . ' B y O u i d a .' T h e H a u n t e d I ' l e n . ' B y L . J . B e e s t o n . L 4 7 - L 5 2 .' T h e B e l l e o f C a f f a d a C i t y . ' B y B r e r H a r r e . 1 6 3 - 1 8 1 .' B u s k e r s a t B a y . ' B y A r t h u r M o r r i s o n . 2 3 6 - 2 4 4 .' A S t r a n g e I n s a n i t y . t B y L . T . I - l e a d e & R o b e r t E u s t a c e .' T h r e e D e g r e e s o f L o v e . r B y H . B a r r o w - N o r t h . 3 4 5 - 3 5 2 .' T h e S t o r y o f S u l i m a n S h a h . ' B y P a t r i c k D a v i d s o n . 3 6 0 - 3 6 4 .' T h e q u e e n ' s H a n d m a i d ( A S t o r y f o r C h i l d r e n ) . ' B y l l y r a H a m i l t o n . 3 6 9 - 3 7 I .' T h e M a n w i t h t h e G r e e n E y e s . ' B y D o r a M o o r e . 3 7 6 - 3 8 0 .' M a t c h m a k e r J a c k . r B y H a 1 1 i w e 1 1 S u t c l i f f e . 4 2 2 - 4 3 0 .' T h e C o n g o B a n k o f B r u s s e l s . I B y H a j o r A r t h u r G r i f f i t h s . 4 3 8 - 4 4 4 .r P h a n l o m D e a t h . r B y H u a n M e e . 4 7 0 - 4 7 6 .' T h e C h i l d K i n g : A S t o r y o f t h e R e v o l u t i o n . ' B y C h a r l e s F o l d y . T r a n s .

f rom French by Dora Moore. 484-485.' T h e S u g g e s t i o n M a k e r : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n . 4 9 0 - 4 9 3 .' D u s t ( n e i n g a n A d v e n t u r e o f B r e n t o n D e n n , S p e c i a l C o m m i s s i o n e r ) . '

B y F r e d M . W h i t e . 5 0 6 - 5 1 4 .'A Ch i romat i c Ep isode . ' By Andrew Har les tone . 536-542 .' A C a s e f o r I d e n t i f i c a t i o n ( T w o o n a T r a i l ) . r B y H a j o r A r t h u r G r i f f i t h s .

5 8 1 - 5 8 7 .

' T b e P r i n c e s s a n d t h e W a l l a w o o : A S t o r y f o r C h i l d r e n . ' B y I ' l y r a H a m i l t o n .5 9 7 - 6 0 0 .

' T h e B u r d e n . ' B y L . J . B e e s t o n . 6 2 0 - 6 2 3 .' T h e P a n e l o f F i l i p p o L i p p i ( T w o o n a T r a i l ) . ' B y l l a j o r A r t h u r G r i f f i t h s .

665-67 2 .' T h e B o y s w h o s a v e d r n d i a ( F o u n d e d o n F a c t ) . ' B y J o h n M u n r o . 6 7 6 - 6 9 0 .' K a t e o f t h e T o 1 l - h o u s e . ' B y H a 1 l i w e 1 l S u t c l i f f e . 6 g 5 - 6 9 5 .' M u c h e t . ' B y c h a r l e s F o l e y . T r a n s . f r o m F r e n c h b y D o r a M o o r e . 7 0 2 - 7 0 4 .' B o y s ( e n d a S t o r y f o r T h e m ) . ' B y L a d y M o u n t m o r r e s . 7 O g - 7 L 2 .

3 0 ( J u n e - N o v 1 9 0 0 ) [ A m e r i c a n e d . s . 4 , v . 2 l - ]

l{y rudian Queen (leing a Record of the Adventures of sir GharlesVerrinder, Baronet, in the Eaet Indies. By Guy Boothby.L - I 7 , 1 6 0 - 1 7 5 , 2 6 0 - 2 7 6 , 3 9 2 - 4 0 8 , 5 0 1 - 5 1 5 , 6 L 7 - 6 2 9 .

' R e c o n s r i t u t i n g t h e C i r c u m s t a n c e s . r B y W . p e t t R i d g e . 2 4 - 2 8 .' T h e S t r a n g e V o i c e . ' B y l t r s C l e m e n t S h o r t e r . 3 8 - 4 0 .' A F l u t t e r i n W h e a t . ' B y R o b e r t B a r r . 4 I - 4 7 .' A L o v a b l e A n o m a l y . ' B y L o u i s C r e s w i c k e . 5 2 - 5 7 .' T h e B a b y o f t h e H o u s e . r B y S p e n c e r L e i g h H u g h e s . 6 3 - 6 7 .' R o b b e r y N o C r i m e . ' B y L o r d M o u n t m o r r e s . 7 3 - 7 8 .A n I u s t r u D e n t o f Y e n g e a u c e . B y L . J . B e e s t o n . 8 5 - 9 1 , 1 9 3 - 2 0 0 , 3 I 7 - 3 2 4 ,

3 7 9 - 3 8 5 , 5 3 8 - 5 4 4 , 6 3 7 - 6 4 5 .'The L i t t l e Lad r { i t h the Tow-co lou red Ha i r : A S to ry o f t he l ^ la r i n

La Vend6e . ' By Char les Fo ley . T rans . f rom French by DoraM o o r e . 9 9 - 1 0 0 .

' T h e S t o r y o f K w e e d a s s a n d K i n d a w u s s ( A S t o r y f o r C h i l d r e n ) . ' B yHoward Angus Kennedy . 105-108 .

' A I ' { i l l i o n a i r e f o r F i v e M i n u t e s . t B y w i l l i a m c h a r l e s s c u l l y . 1 2 4 - 1 3 0 .' T h e

Q u e e n ' s R i n g . ' B y J a m e s W o r k m a n . 1 3 8 - 1 4 5 .'On the House- top . I By Rober t Bar r . 146-152 .' C o n c e r n i n g a B o y r ' B y C h a r l e s K e n n e t t B u r r o w . 1 8 2 - 1 8 6 .'An Unwe lcome Gues t : A S to ry o f t he War i n La Vend6e . ' By Char les Fo le ! .

T rans . f rom French by Dora Moore . 209-211 .'Wyemarke and the Moun ta in - fa i r i es (A S to ry fo r Ch i ld ren ) . ' By Edward

H . C o o p e r , 2 1 6 - 2 2 I .' T h e G r e a t M o g u l . ' B y R o b e r t B a r r . 2 3 5 - 2 4 L .'Cavea t Empto r : The S to ry o f a P ram. ' By R . Aus t in F reeman. 247-252 .' A D r e a m e r . ' B y l t r s C l e m e n t S h o r t e r . 2 8 2 - 2 9 L .' Y o u n g M r S i m p s o n . ' B y G . B . B u r g i n . 3 0 2 - 3 0 8 .' W y e m a r k e a n d t h e M o u n t a i n - f a i r i e s ' 8 a 1 1 . ' B y E d w a r d H . C o o p e r .

329-333 .' T h e L o n g - d i s t a n c e T e l e p h o n e . ' B y R o b e r t B a r r . 3 4 8 - 3 5 3 .' F o r A 1 1 P r i s o n e r s a n d C a p t i v e s . ' B y E t h e l F . H e d d l e . 3 6 5 - 3 7 3 .r T h e L i t t l e L a c k e y . ' B y C h a r l e s F o l e y . T r a n s . f r o m F r e n c h b y D o r a

M o o r e . 4 L 5 - 4 L 7 .'A B roken Ins t rumen t . ' By Mur ie l H ine . 424-429 .'The Thundere rs : A Canad ian Fa i r y Ta le . ' 439 -44L .' M a d a m o i s e l l e P a r c h e s i . ' B y G e l e t t B u r g e s s . 4 5 7 - 4 6 3 .' T h e S t r a n g e S t o r y o f a B u s i n e s s S t a r t . ' B y N e i l W y n n W i l l i a m s .

47 2 -482 .'A L imp ing Revenge . f By Rober t Bar r . 489-495 .'The S i l ve r Lu te . ' By James l , I o rkamn. 52L-528 .' T h e J o k e r : A S t o r y f o r C h i l d r e n . ' B y I f . A . K e n n e d y . 5 5 1 - 5 5 3 .

By Lou is

T r a n s . f r o m F r e n c h b v D o r a

o n a T r a i l - I I I ) | B y I ' I a - i o r

r32-r45.

282-293.

7 2 7 3

! ,

' T h e S t r a n g e r a t A n g e r s . l B y D . H . P a r r y . 5 6 9 - 5 7 5 .r W h a t t h e B o o k s h e l v e s H i d . ' B y H a l l i w e 1 1 S u r c l i f f e . 5 8 3 - 5 9 0 .' " T e r n p o r a r y I n s a n i t y . " ' B y R o b e r t B a r r . 5 9 6 - 6 0 3 ,r T h e M y s t e r y o f T h e F i r s . ' B y E r n e s t G . H e n h a m . 6 1 0 - 6 1 6 .' S u n f l o w e r S i d i n g . ' B y G . B . B u r g i n . 6 5 L - 6 5 6 .' T h e L a r k r s G i f t ( A S t o r y f o r C h i l d r e n ) . ' B y M y r a H a m i l r o n . 6 6 I - 6 6 4 .

3 1 ( O e c 1 9 0 0 - M a y 1 9 0 1 ) [ A m e r j - c a n e d . s . 4 , v . 2 2 )

T h e G i a n t r s G a t e . B y M a x P e m b e r t o n . 1 - 1 7 , 2 1 4 - 2 2 6 , 3 2 8 - 3 3 8 , 4 3 7 - 4 5 0 ,5 6 8 - 5 8 3 , 6 5 8 - 6 7 2 .

' M a r g e r y a t L a w h i b b e t : A S t o r y o f 1 6 4 4 . t B y Q . 2 l - 3 7 .' C h a r l i e i s M y D a r l i n g . ' B y S . R . C r o c k e t t . 3 9 - 4 7 .Under the Ilhite Cockade. Being Episodes in the Gareer of llaurice

Austruther, a Jacobi te G€Dt leuan of Fortune. By Hal l iwel lS u t c l i f f e . 5 6 - 6 9 , 2 4 6 - 2 5 5 , 3 1 3 - 3 2 2 , 4 6 6 - 4 7 5 , 5 3 9 - 5 4 7 ,6 9 4 - 7 0 2 .

' " S t e l l a : " A S t o r y o f S t a r s . I B y M u r i e l H i n e . 7 2 - 8 0 .' T h e G h o s t s T h a t W a l k e d . ' B y G e o . M a n v i l l e F e n n . 8 8 - 9 6 .' T h e M i l l o n t h e K o p . ' B y R o b e r t B a r r . 9 8 - 1 0 5 .r r r O l ' B e n n e t r r a n d t h e I n d i a n s : A T a l e o f W y o m i n g V a l l u y . t B y S t e p h e n

C r a n e . 1 0 8 - 1 1 1 .' T h e c a m e o f L o v e . ' B y W i l l i a m L e Q u e u x . I I 7 - L 2 6 .' T h e C h r i s t m a s P r e s e n t . ' B y J a m e s W o r k m a n . 1 3 1 - 1 3 8 .' W y e m a r k e a n d t h e F o r e s t - f a i r i e s ( A S t o r y f o r C h i l d r e n ) . ' I B y E d w a r d

H . C o o p e r l . I 5 2 - L 5 7 .K i u . B y R u d y a r d K i p l i n g . L 6 3 - L 7 7 , 2 7 5 - 2 9 1 , 3 8 7 - 3 9 8 , 4 9 9 - 5 L 4 , 6 L L - 6 2 4 .' T r i a l a n d V e r d i c t . r B y W . P e r r R i d g e . 1 8 4 - 1 9 0 .' F i r s t a n d L a s t : A W o r k - g i r 1 ' s S t o r y . ' B y C o n s t a n c e B e e r b o h m . 2 0 3 - 2 0 8 .' C o x s w a i n S w a i n ' s S t o r y : A R e m a r k a b l e T a l e o f t h e C o a s t . ' B y N e i l

Wynn ! { i 1 l i ams . 232-237 .' T h i s W o r l d ' s M a z e . ' B y B e a t r i c e H e r o n - M a x v e 1 1 . 2 6 0 - 2 6 4 .r L a n t y F o s t e r ' s M i s t a k e . I B y B r e t H a r t e . 2 7 5 - 2 8 4 .' T h e C a s t l e . ' B y L e w i s B a u m e r . 2 9 8 - 3 0 5 .'Wh ich? ' By ErnesE G. Henham. 340-345 .' S h i p w r e c k e d o n a K i n g d o m ! r B y E t h e l F . H e d d l e . 3 4 8 - 3 5 2 .' V i c t i m s o f C i r c u m s t a n c e . ' B y R . A u s t i n F r e e m a n . 3 6 0 - 3 6 4 .' A C i t o y e n n e ' s L e t t e r t o H e r D a u g h t e r . r B y C h a r l e s F o l e y . T r a n s .

f rom French by Dora Moore . 365-366 .' L igh tn ing Go ld (A S to ry fo r Ch i ld ren ) . ' By Howard Angus Kennedy .

3 7 4 - 3 7 7 .' T h e H o l s t e r s o f M o n s i e u r l e C o l o n e l . r B y D . H . P a r r y . 4 0 6 - 4 1 3 .' Q u e e n o ' t h e P o p p i e s . ' B y E d w i n P u g h . 4 2 0 - 4 2 6 .' P s y c h e ' s E x p e r i e n c e E x c h a n g e . ' B y H e n r y H e r i n g . 4 5 8 - 4 6 3 .' A P a i r o f Y o u n g T h i n g s . ' B y J o h n S t r a n g e W i n t e r . 4 8 2 - 4 8 8 .' A R e c e s s i o n a l . ' B y M a y B a t e m a n . 5 2 3 - 5 3 0 .' T h e C a p t a i n ' s L i o n . ' B y L . J . B e e s t . o n . 5 5 5 - 5 5 8 .' T h e B a t t l e o f F o r t y F o r t : A T a l e o f W y o m i n g V a l l e y . ' B y S t e p h e n

C r a n e . 5 9 L - 5 9 4 .' O n t h e R o a d t o G r e t n a G r e e n . ' B y T . W . S p e i g h t . 5 9 9 - 6 0 4 .' T h e G h o s t l y D o o r : A N e w Z e a l a n d S t o r y . ' B y H e n r y L a w s o n . 6 3 3 - 6 3 5 ." ' T h a t B a d B u s i n e s s o f B l e n k i n s o p t s . " ' B y D . H . P a r r y . 6 4 2 - 6 5 0 .'My Governor . t By l . l a l t e r E . Grogan . 680-685 .'One V i rg in ia N igh t . I By Kenne th Brown. 709-712 .

7 4

( J u n e - N o v 1 9 0 1 ) l A m e r i c a n e d . s . 4 , v . 2 3 ]

K i n ( c o n t . ) . B y R u d y a r d K i p l i n g . 3 - L 7 , l t 5 - 1 3 0 , 2 2 7 - 2 4 2 , 3 3 9 - 3 5 2 ,45r-466 , 563-57 6 .

Adventures of Angus short: Things lJhich r tfave Done for others,and l J i sh I Eadnr t . By R ichard l l a rsh . 26 -34 , L64-L7L ,2 6 5 - 2 7 2 , 3 7 5 - 3 8 3 , 4 8 6 - 4 9 2 , 5 9 6 _ 6 0 2 .' T h e F l o c o u r t B r i d g e . ' B y E d w a r d C e c i l . 4 2 - 4 6 .

T h e G i a n t r s G a t e ( c o n t . ) . B y M a x p e m b e r t o n . 5 2 - 6 5 ,3 9 I - 4 0 4 , 5 0 5 - 5 2 0 , 6 1 8 - 6 3 1 .

'The G i r l Who Led the Army . , By M5n ie Mur ie l Dow ie .' T h e H a p p y P r i s o n e r . r B y W . p e t t R i d g e . g g - g 2 .' A c l e r i c a l E r r o r : A c r i c k e t s t o r y . t B y H o r a c e B l e a c k l e y .' T h e T r a g e d y o f a T i f f . l B y M u r i e l H i n e . 1 4 0 - 1 4 6 .' T h e M a n i n B l u e . ' B y R i c h a r d D a v e y . 1 5 3 - 1 5 6 ." ' o n e T o u c h o f N a t u r e . r ' t B y L . J . B e e s t o n . I g 7 - 2 0 0 .' A B r e a c h o f c o u r t s h i p : A s t o r y o f s i c i l y . ' B y D o u g l a s s l a d e n . 2 0 g - 2 1 6 .' T h e B r a g g a r t . ' B y E d w i n p u g h . 2 5 0 - 2 5 6 .' A B a n k S c a n d a l . ' B y M a j o r A r t h u r G r i f f i t h s . 2 7 g - 2 g 4 .' T h e M a g i c B a t : A c r i c k e t s t o r y . ' B y H o r a c e B l e a c k l e y . 3 1 2 - 3 1 g .' A M i n i s t e r o f W r a t h . ' B y L . J . B e e s t o n . 3 2 4 - 3 2 9 .' T h e l " l a n i n t h e S w a m p . ' B y G . B . B u r g i n . 3 6 0 - 3 6 7 .' T h e L o n e S p o t . ' B y E r n e s t G . H e n h a r n . 4 I L - 4 1 7 .' F r o r n S u n s e t t o S u n r i s e . l B y E . S p e n d e r . 4 2 4 - 4 3 2 .' r n t h e D a y s o f T o p H a t s : A c r i c k e t s t o r y . t B y H o r a c e B l e a c k l e y .

437 -444 .' R e p a i r i n g

a B r e a c h . r B y L l . p e t t R i d g e . 4 7 4 - 4 7 9 .' A G h o s t l y D u e 1 . ' B y F r e d W h i s h a w . 4 9 4 - 4 g g .' L u c i l l e : A n r n c i d e n t o f t h e c o m m u n e . ' B y H a r o l d s p e n d e r . 5 2 9 - 5 3 2 .'Two Pro fessors and one Mummy. ' By Henry A . Her ing . 54L-546 .' M e r e T e m p e r a m e n t . I B y Z e d . 5 5 1 - 5 5 6 .' A n I n d e p e n d e n t C o m m a n d . ' B y D . H . p a r r y . 5 g 3 - 5 g g .' P r i n c e s s N a r c i s s e . r B y W i l l i a m L e Q u e u x . 6 0 9 - 6 1 3 .' J u s t T h a t D i f f e r e n c e . ' B y M a b e l Q u i l l e r - C o u c h . 6 3 j - 6 4 2 .' A N a k e d S w o r d . r B y L . J . B e e s t o n . 6 4 8 - 6 5 2 .' T h e s t r o n g - r o o m a t t h e A b b e y . ' B y G . E . M . V a u g h a n . 6 5 g - 6 6 1 .

' N u r i a . ' B y S . R . C r o c k e t t .'The Be t ro tha l o f K ing Croak :

1 5 1 - 1 5 6 .

t 3 6 - r 4 6 .A S to ry f o r Ch i l d ren . '

7 5

1 7 5 - 1 8 8 , 2 8 9 - 3 0 4 ,

7 5 - 7 9 .

100 - 105 .

By l' lurie1

B y G e o . A . B e s t

3 3 ( D e c l 9 0 J - - l { a y 1 , 9 0 2 ) l R m e r i c a n e d . s . 4 , v . 2 4 1

Unnaned . By Wi l l i am Le Queux . 1 -16 , 163-178 , 292-305 , 399-414 ,5 2 2 - 5 3 7 , 6 3 0 - 6 4 6 .

'A Chr i s tmas Eve a t Lans ton Grange . ' By Ar thu r W. Marchmont . 25 -33 .r E x t r a c t s f r o m t h e D i a r y o f a M i l l i o n a i r e . t B y G . S . S t r e e t . 3 6 - 4 5 .'The Capture of the Burgoneister van der l fer f : A Reported Tale of

a Du tchman and a P r i va tee r . t By Q. 50 -59 .A Gen t lenan o f I l evon . By D .H . Par ry . 67 -76 , 216-227 , 328-337 ,

4 6 7 - 4 7 7 , 5 7 4 - 5 8 2 , 6 6 9 - 6 7 8 .' A n I n t e r e s t o f T e a r s . r B y L . J . B e e s t o n . 8 5 - 9 1 .' T h e C u r s e o f P o s i t a n o . ' B y R o b e r t B a r r . 1 0 6 - 1 1 4 .' T h e G h o s t o f D r e e H o l l o w : A S t o r y o f N e w Y e a r ' s E v e . '

I l i n e . L 2 2 - L 3 4 .

The

rPhan tom P lumes . ' By Max Pember ton . 187-L97 .' A R e t r i e v a l . ' B y l " l a y B a t e m a n . 2 0 5 - 2 0 9 .' T h e C o s t u m e M o d e l . ' B y R . A u s t i n F r e e m a n . 2 3 3 - 2 3 7 .' I n T a o r m i n a T o r , r n : A S t o r y o f S i c i l y . I B y D o u g l a s S l a d e n . 2 4 5 - 2 5 3 .' T h r e e K i s s e s ( ^ l S t o r y f o r C h i l d r e n ) . ' B y M y r a H a m i l t o n . 2 6 0 - 2 6 4 .'The Beacon F i re . r By James Workman. 3 I4 -32L .'The Be l l Buoy o f the l " l anac les . ' By Herber t Russe l l . 344 -351 .' A f t e r t h e T u n n e l . ' B y L . J . B e e s t o n . 3 5 3 - 3 5 6 .' R e j e c t e d A d d r e s s e s . ' B y l t r s G e o r g e d e H o r n e Y a i z e y . 3 6 5 - 3 7 L .' T h e O o t w a r s E r r a n d . t B y M y r a H a m i l t o n . 3 7 6 - 3 8 0 .'The Shadow o f a Name: An Ep isode . ' By l ' I ax Pember ton . 381 -392 .' T h e G r e a t T o b a c c o " P l a n t . " ' B y R . A u s t i n F r e e m a n . 4 I 7 - 4 2 0 .'A Crown o f Shadows : A S to ry o f t he Cuban War Founded on Fac t . ' By

Rudo lph de Cordova . 430-434 .' T h e M i s s i n g B a n d s m a n : A S t o r y o f H i g h L i f e i n P a l e r m o . ' B y D o u g l a s

S l a d e n . 4 4 1 - 4 5 0 .' M y G o l d M i n e i n W a l e s . ' B y C h a r l e s E d w a r d e s . 4 5 7 ' 4 6 I .' T h e C o n c l u s i o n - j u m p e r : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n .

484-488.' A C o u r i e r o f F o r t u n e . ' B y A r t h u r W . M a r c h m o n t . 5 0 8 - 5 1 3 .' T h e S t o r y o f P r i v a t e P a s s m o r e a n d t h e E m p r e s s . ' B y N e i l W y n n W i l l i a m s .

5 4 6 - 5 5 r .' T h e B a t t l e o f W a t e r l o o : A C o m e d y A d a p t e d f r o m t h e N o r w e g i a n o f K i e l l a n d . '

B y M . P . S h i e 1 . 5 6 0 - 5 6 6 .' T h e P r o d i g a l ' s R e t u r n . I B y I d a D e a h l . 5 8 9 - 5 9 4 .' A L o n g F a r e w e l l ( F o u n d e d o n F a c E ) . r B y J o h n M u n r o . 5 9 8 - 6 0 1 .' T h e C o u n t e r f e i t C a s h i e r . ' B y G e o . A . B e s t . 6 L 6 - 6 2 3 .' T h e L a u g h t e r o f D r l " l a r a i s : A S t o r y o f t h e B r e t o n C o a s t . ' B y B .

F l e t c h e r R o b i n s o n . 6 5 3 - 6 6 1 .' B e y o n d t h e D r e a m s o f A v a r i c e . ' B y R . A u s t i n F r e e m a n . 6 8 5 - 6 9 L .' N a t h a n S n o d e : M e a n I ' l a n . ' B y L . J . B e e s t o n . 6 9 4 ' 6 9 9 .'Wyemarke Among the Leaves . r By Edward H . Cooper . 700-704 .

3 4 ( J u n e - N o v 1 9 0 2 ) l A m e r i c a n e d . s . 4 , v . 2 5 ]

T h e L o r d P r o t e c t o r , B y S . L e v e t t - Y e a t s . 1 - 1 5 , I 2 2 - I 3 4 , 2 4 9 - 2 6 3 ,358-37 2 , 469-482 , 610-623 .

' A S t o l e n I s l a n d . ' B y E d w a r d H . C o o p e r . 2 5 - 3 0 .' A S e c o n d M a r r i a g e . ' B y F o x R u s s e l l . 3 8 - 4 5 .The Adveutures of Ro ey Pr ingle. By Cl i f ford Ashdown. 54-62, 185-194,

2 7 r - 2 7 9 , 3 8 0 - 3 8 9 , 5 0 3 - 5 1 2 , 5 9 0 - 5 9 8 .' A S k e t c h . ' B y G r a h a m H o p e . 6 4 - 6 1 .' T h e A d v e n t u r e s o f a W a t e r p r o o f . ' B y M u r i e l F . H i n e . 7 4 - 8 0 .' A w e i r d W i t n e s s . ' B y R i c h a r d D a v e y . 8 8 ' 9 2 .' T h e B e l l o f S t G i l d a s . r B y L . J . B e e s t o n . 9 4 - 1 0 0 .' T h e l , I h i t e P r i n c e s s : A S t o r y f o r C h i l d r e n . ' B y M y r a H a m i l t o n . 1 0 5 - 1 0 8 .' B o r r o w e d P l u m e s . ' B y E d w i n P u g h . I 4 2 - I 4 9 .'The Cho i r and the Lemon Cake . ' By T ighe Hopk ins . 155-161 .' S i J ' 6 t a i s R o i . ' B y D o u g l a s S l a d e n . 1 6 8 - 1 7 7 .tThe Pangwangda and the Hooh i : A S to ry fo r Ch i ld ren . ' By Myra Hami l ton .

2 L 2 - 2 L 6 .'The Boy Who P layed the V io l i n . ' By A l l en Upward . 234-240 .'B r igands v In la f i a : A S to ry o f Modern S ic i l y . I By Doug las S laden .

288-296 .

7 6 7 7

489-492.

' , \ l ' l i l i t a ry Hoo l igan . ' By Wa l te r Wood . 303-309 '' A D e a d l l a n ' s B r i d e . ' B y L . J . B e e s t o n . 3 1 1 - 3 1 5 '' l , i t t l e G o o d y N o - s h o e s . ' B y M u r i e l H i n e . 3 2 2 - 3 2 9 ''Cup id ' s l l es lenger , A One-Chap te r S to ry . t By R ichard Marsh ' 347 -355 '' t ^ / i t h the Came l Convoy - A S to ry o f t he Soudan . ' By F rank M i l l a r '

3 9 8 - 4 0 3 .' l , s y c h e r s V i n t a g e T h o u g h t s . ' B y H e n r y A . H e r i n g . 4 0 9 ' 4 L 5 .' T h e C a p o f M r T o m k i n s o n . r B y T o m G a l l o n . 4 2 3 - 4 3 0 ''A Scou t ' s Romance . ' By F red Wh ishaw - 437 -440 .' T h e W o r d o f a W o m a n o r T w o . ' B y l . l . P e t t R i d g e . 4 5 9 - 4 6 L '

" ' B i t t e r A l o e s " : A C o m e d y o f V i l l a g e L i f e . ' B y G e o . A . B e s t . 4 9 0 - 4 9 5 '' S e r f s a n d L o r d s . ' B y F r e d W h i s h a w . 5 1 3 - 5 1 8 .' T h e M e r c y o f a S i c i l i a n . r B y D o u g l a s S l a d e n . 5 2 4 - 5 3 3 '' T h e B a r e C h a n c e . ' B y L . J . B e e s t o n . 5 5 1 - 5 5 6 .' E 1 s i e R a e b u r n . ' B y C h a r l e s M a r r i o t t . 5 7 0 - 5 7 7 .' T h e y L a n d e d t h e T u b s . ' B y H e a d o n H i l l . 6 3 2 ' 6 4 0 '' T h e s e t t l e m e n t w i t h s h a n g h a i s n i t h . ' B y M o r l e y R o b e r t s - 6 4 6 - 6 5 7 .' S t o l e n V e n g e a n c e . ' B y L . J . B e e s t o n - 6 6 L - 6 6 4 .

l 5 ( l e c L g O 2 - M a y 1 9 0 3 ) l A m e r i c a n e d - s . 4 , v ' 2 6 1

' T h e G r e a t W h i t e D e e p s . ' B y E g e r t o n C a s t l e . 1 - 1 3 .' A S u c c e s s f u l D e a l . ' B y I a n M a c l a r e n . L 6 - 2 4 .' Ihe Adventures of Earry Revel . By Q. 3L-46, 233'247, 336-351, 460-475,

5 7 1 - 5 8 6 , 6 8 7 - 7 0 3 .'The Tempta t ion o f M iss Ramsbo tham. I By Je rome K . Je rome. 54 -62 -' T w o P o i n t s o f V i e w . ' B y M u r i e l H i n e . 7 3 - 7 8 .'The Chr i s tmas l , l asque a t A lbu r ton . ' By Ar thu r W. I ' l a rchmont . 84 -92 '' T h e B o r r o w e d U n c l e . ' B y T o m G a l l o n - 9 8 - f 0 5 .' T h e

Q u e e r C a s e o f J u d s o n T r a d e r . ! B y L . J . B e e s t o n . 1 1 1 - 1 1 7 .' T h e L a d y o f t h e I s l a n d . ' B y G u y B o o t h b y - 1 2 4 ' 1 3 2 '' W y e m a r k e ' s C h r i s t m a s F a i r i e s : A S t o r y f o r C h i l d r e n . ' B y E d w a r d

1 1 . C o o p e r . 1 3 9 - 1 4 5 .' T h e G h o s t a n d t h e E x c i s e m a n - ' B y J a m e s B l y t h . 1 5 0 - 1 5 7 '

The lhrke l lec ides. By Headon l t i l l . 163-177, 295-308 , 409-422, 524-538'

6 4 6 - 6 5 9 .' T h e S i l v e r D r u m . ' B y N e i l M u n r o . 1 8 6 - 1 9 3 .'Be l l a L i sa : A S to ry o f Lake l l agg io re . ' By Norma Lor r imer . 2OO'205 '' T h e B l a c k B a l l . ' B y L . T . M e a d e & R o b e r t E u s t a c e . 2 1 3 ' 2 2 3 .' M i n e H o s t a n d t h e W i t c h . t B y J a m e s B l y t h . 2 5 5 - 2 5 9 ''The B lack Shadow. ' By owen o l i ve r . 280-286 .' T h e V e h e m e n t F l a m e . r B y L . J . B e e s t o n . 3 1 4 - 3 2 I '' N i c k o ' D e s p e r a t e s . ' B y H a 1 l i w e 1 1 S u t c l i f f e . 3 2 4 - 3 2 7 '' T h e E b b T i d e . ' B y R . A u s t i n F r e e m a n . 3 5 2 ' 3 5 6 '' E l d e n g a r t . r B y B . B i r k b e c k P e l l . 3 6 4 ' 3 7 L -'Bough t and So ld . ' By Edrnund Downey- 375-380 .' T h e C o n v i c t C a t c h e r . ' B y G u y B o o t h b y . 3 9 5 - 4 0 3 .'The Sor rows o f an Arna teu r Ac to r . r By Fox Russe l l '' The Momentous Journey . t By Sco t t Graham. 443-452 '

43t-436.

' The Lucky Horse : A s to ry fo r ch i l d ren . ' By l " l y ra l {am i l ton .' A B o t t l e d V i l l a i n . ' B y T o m G a l l o n . 5 0 8 - 5 1 6 .' T h e S a l v a t i o n o f E d i t h a . r B y K e b l e H o w a r d . 5 4 6 - 5 5 0 '' T h e H a l f - b r e e d . ' B y G . B . B u r g i n . 5 5 8 - 5 6 3 .

tI

Id

' T h e B l a c k T r a g e d y : A S t o r y o f o l d D r u r y P l a y h o u s e . ' B y A r t h u r M o n t a g u .593-597 .

'The co ld P r incess : A S to ry fo r ch i l d ren . ' By Howard Angus Kennedy .6 0 1 - 6 0 4 .

' A n O l d - t i m e T a v e r n T a l e . ' B y H a l l i w e 1 1 S u t c l i f f e . 6 1 7 - 6 2 4 .'The Sec re t Code . I By Hugh L inco ln . 633-639 .' T h e T r e a c h e r y o f t h e H o l l y h o c k s . ' B y l l i n i f r e d G r a h a m . 6 6 4 - 6 6 9 .' T h e M a d n e s s o f H a n s K n o l l . ' B y J o h n F o s t e r F r a s e r . 6 7 5 - 6 1 9 .

3 6 ( J u n e - N o v 1 9 0 3 ) l a m e r i c a n e d . s . 4 , v . 2 7 ]

R e d H o r n . B y M a x P e m b e r t o n . r ' 2 1 , 1 1 5 - 1 3 2 , 2 2 7 - 2 4 5 , 3 3 9 - 3 6 0 , 4 5 9 - 4 7 8 ,5 7 1 - 5 8 8 .

' T h e H o o d e d C h a i r . ' B y l l r s C . N . w i l l i a m s o n . 3 0 - 3 8 .' R a i n t o O r d e r . ' B y E r n e s t G . H e n h a m . 4 8 - 5 2 .' T h e B l a c k H e l m e t s . ' B y E d w a r d C e c i 1 . 6 0 - 6 5 .The Further Adventures of Rooney Priugle. By Clifford Ashdown.

7 3 - 8 0 ( ' T h e S u b m a r i n e B o a t ' ) , 1 9 0 - 1 9 7 ( ' T h e K i m b e r l e y F u g i t i v e ' ) ,2 9 5 - 3 0 3 ( ' T h e S i l k w o r m s o f F l o r e n c e ' ) , 3 9 0 - 3 9 7 ( ' A B o xo f s p e c i e r ) , 5 0 8 - 5 1 6 ( ' T h e s i l v e r r n g o r s ' ) , 6 2 3 - 6 3 1 ( ' t h eH o u s e o f D e t e n t i o n ' ) .

r A P o e t t s W i f e . r B y J a m e s B l y t h . 8 9 - 9 2 .' A D e c i d e d C h a n g e . ' B y L . J . B e e s t o n . 9 8 - 1 0 2 .' T h e C l o u d A r m y . ' B y M y r a H a m i l t o n . 1 0 7 - 1 0 9 .' T h e S o l i t a r y L o v e S t o r y o f M r J o h n L e s l i e . ' B y E d w a r d H . C o o p e r .

t39 -L42 .' M i s s P e a t t s E x t r a T u r n . ' B y T o m G a l l o n . 1 5 1 - 1 5 7 .' T h r o u g h a N i g h t . r B y B a r t K e n n e d y . 1 6 5 - 1 7 1 .' T h e s e c r e t o f t h e L o w e r L i n e s . r B y l l a j o r A r t h u r G r i f f i r h s . 1 7 8 - 1 9 4 .'The l " l an and the Monument . I By Ne i l Wynn Wi l l i ams . 204-ZLZ .' T h e O r p h e u s i a . ' B y F r e d I " 1 . W h i t e . 2 5 2 - 2 6 1 .' A M a n P r o p o s e s . ' B y H u g h T u i t e . 2 6 9 - 2 7 2 .' T h e M i l l a t S u d a u s q u e s : A R o m a n c e W i t h o u t S e n t i m e n t . r

2 8 r - 2 8 7 .B y I d a D e a h l .

' A n E r r o r i n D i a g n o s i s . ' B y L . G . M o b e r l y . 3 1 1 - 3 1 6 .' T h e M a s t e r r s c h o i c e : R e s i g n a t i o n o r s c a n d a l ? ' B y N e i l w y n n w i l l i a r n s .

323-328 .' T h e I n d u s t r i o u s A p p r e n t i c e . I B y A . G . H y d e . 3 7 0 - 3 7 4 .' T w o I n n o c e n t s A b r o a d . I B y F o x R u s s e l l . 4 0 6 - 4 L 0 .' F a t h e r W i s d o m r s A d v i c e . ' B y J o h n N . R a p h a e l . 4 L 7 - 4 1 9 .' A D u e l o f H e a r t s . r B y L . J . B e e s t o n . 4 2 7 - 4 3 5 .' T h e L o s t S o u n d . ' B y M y r a H a m i l t o n . 4 4 0 - 4 4 4 .' F o r t u n a . ' B y H e r b e r t M o r r a h . 4 8 5 - 4 9 2 .' T h e P o s t e r n D o o r : A S t o r y o f t h e G r e a t R e b e l l i o n . ' B y J a m e s

4 9 8 - 5 0 4 .'Ka tha r ine , Mr Kennard , and the Cobra . r By Edward H . Cooper .r A P o s t h u m o u s P u b l i c a t i o n . I B y G e o . A . B e s t . 5 3 5 - 5 4 0 .' P r i s c i l l a a n d t h e D u k e : A S t o r y o f T o - d a y . ' B y E . R . P u n s h o n .' A C a t o f T h r e e C o l o u r s . ' B y M y r a H a m i l t o n . 5 5 4 - 5 5 7 .rWas I t a Dream? The S to ry o f a Doub t fu l N igh tna re . r By Geo .

B e s t . 5 9 6 - 6 0 2 .' T h e S u b m a r i n e S m u g g l e r s . ' B y J a m e s B l y t h . 6 0 8 - 6 1 6 .fRedempt ion : A Ske tch . ' By Edw in Pugh . 640-644 .'A t a D is tance . I By Edmund Downey . 651-656 .

Workman.

524-529.

547 -550.

A .

7 8 7 9

r , l , r g g € d . r B y F o x R u s s e l l . 6 6 0 - 6 6 4 .

( D e c 1 9 0 3 - M a y 1 9 0 4 ) l A m e r i c a n e d . s . 4 , v . 2 B l

' , . r l r t a i n C h r i s t m a s . I B y D . H . P a r r y . 1 - 9 .

t ' l r r . Bre thren : A Rooance o f the Crusades. By H. R ider Haggard . 33 '47 ,

L 6 3 - 1 7 7 , 2 7 5 - 2 9 0 , 3 8 7 - 4 0 2 , 5 0 8 - 5 2 7 , 6 6 9 - 6 8 2 .' l l r c M a n w i t h t h e B l a c k S p e c t a c l e s . ' B y W i l l i a m L e Q u e u x . 4 9 - 5 6 .' \ ( l u e s t i o n o f O c c u p a t i o n . r B y I ' I u r i e l F . H i n e . 6 6 - 7 9 .' \ C l o s e C a l 1 . ' B y A . W . l 4 a r c h m o n t . 8 2 - 8 9 .' l l r e B r a n t i n g h a m G h o s t . t B y E . R . P u n s h o n . 9 6 - 1 0 0 ., \ Happy Chr i s tmas . ' By James Workman. 101-108 .

' , \ ' t o u c h o f C o m e d y . r B y K e b l e H o w a r d . 1 1 6 - 1 2 0 .' l l r e B u r g l a r y o f t h e B r i t i s h L e g a t i o n : A S t o r y o f J a p a n . ' B y D o u g l a s

S l a d e n . 1 2 6 - 1 3 3 .' l l r e S t r a n g e S t o r y o f M y L a d y B u c k e n d e n . A s T o l d b y G e o f f r e y H a l l e t t ,

C l e r k i n H o l y O r d e r s . ' B y S c o t t G r a h a m . 1 4 2 ' 1 4 7 ." ' { ) n l y a H a t ! " ( F r e e l y T r a n s l a t e d f r o m t h e F r e n c h ) . ' B y C o n s t a n c e

Beerbohm. 134- 136 .' i i y e m a r k e a n d t h e C h i l d i n W h i t e : A S t o r y f o r L i t t l e O n e s . ' B y E d w a r d

H . C o o p e r . L 5 2 - 1 5 7 .l.r:aves Frou the lfotebook of John Garruthers, Indian Policeman. By

S i r E d m u n d C . C o x , b a r t . 1 8 5 - 1 9 1 ( ' T h e F a t e o f A b d u l l a ' ) ,3 L 3 - 3 2 2 ( ' T h e P r i e s t a n d t h e P a r c h m e n E ' ) , 4 3 7 - 4 4 2 ( ' T h e

R a j a p u r C a s e ' ) , 5 6 8 - 5 7 4 ( ' T h e S i n o f W i t c h c r a f t ' ) , 6 5 2 - 6 6 0( ' T h e S t o l e n D e s p a t c h r ) .

' ' l ' h e B i s h o p ' s C o a c h . ' B y T i g h e H o p k i n s . 2 0 0 - 2 0 6 .' i ' l a r g a r e t t a . I B y B . B i r k b e c k P e 1 1 . 2 I 4 - 2 2 0 .' ' l ' he Ten th knmor ta l . I By Henry A . Her ing . 229-235 .' l i o r T h o s e W e r e S t i r r i n g T i m e s . I B y J . S . F l e t c h e r . 2 4 1 - 2 4 9 .' l h e R e f l e c t i o n i n t h e M i r r o r . r B y K a t h a r i n e T y n a n . 2 5 6 - 2 6 1 .' ' f he Roya l Laundry : A S to ry fo r Ch i ld ren . ' By Myra Hami l ton . 265-269 .' ' f h e B r i t i s h M i n i s t e r ' s S p a n i s h N i e c e : A S t o r y o f J a p a n . ' B y D o u g l a s

S l a d e n . 2 9 8 - 3 0 5 .' l " ladame Vieux-Temps . I By E. H. Huddleston. 329-333.'How B i l l y Bu t t l e Found I I i s Memory . r By James B ly th . 341-345 .' A V a l e n t i n e D a y E p i s o d e . ' B y A t h o l F o r b e s . 3 5 6 - 3 6 2 .' l ' l c N a b r s N o t i o n : A S t o r y f o r B o y s a n d O t h e r s . I B y G e o . A . B e s t .

3 7 2 - 3 7 7 .'The Obscure Por t . r By l t r s Henry Dudeney . 412-4L8 .' T h e C h a n g e d H o u r . r B y L . J . B e e s t o n . 4 2 3 - 4 3 I .'The I r revocab le . ' By James B ly th . 455-462 .' A B l i n d C r i r i c . r B y G e o . A . B e s t . 4 6 8 - 4 7 2 .' T h e S e a - g u l l ' s L o v e S t o r y : A S t o r y f o r t h e L i t t l e O n e s . ' B y M y r a

I lam i l t on . 486-488 .'Two o f Them. ' By F red 1 "1 . Wh i te . 536-543 .' T h e H u s s a r ' s R e v e n g e . ' B y L . J . B e e s t o n . 5 5 3 - 5 6 0 .' T h e P o e t a n d t h e Q u e e n . ' B y J o h n N . R a p h a e l . 5 8 3 - 5 8 5 .' Y e O l d e S p o t t e d D o g g e . ' B y R . A u s t i n F r e e m a n . 5 9 1 - 5 9 8 .' P r i n c e L o l l i p o p f s S e a r c h f o r L o v e : A S t o r y f o r L i t t l e O n e s . ' B y

D . L . F . 6 0 3 - 6 0 5 .' F a i r i n L o v e a n d W a r : A S t o r y o f J a p a n . ' B y D o u g l a s S l a d e n . 6 1 9 ' 6 2 6 .' A S o c i e t y P a s s p o r t . ' B y H u a n M e e . 6 3 4 - 6 4 2 .'The Empty House on the Goswo ld Road . ' 690 '694 .

' ( ; r : r n ' s l , i L L l e D i n n e r . I

3 B ( J u n e - N o v I 9 0 4 )

By H i lda C . Hammond-Spencer . 703-709 .

l A m e r i c a n e d . s . 4 t v . Z g !

' T h e A v e n g e r s . ' B y W i l l i a m L e Q u e u x . 3 - 1 0 .The chronic les of the Burglars ' crub. By Henry A. Her ing. 33-37,

r 2 3 - t 2 8 , 2 4 7 _ 2 5 4 , 3 6 5 _ 3 7 1 , 5 4 4 _ 5 5 0 , 5 9 g _ 6 0 5 . -

The Brethren: A Romance of the Crusades (cont . ) . By Rider Haggard.4 5 - 6 L , 1 5 0 - 1 6 5 , 2 7 9 _ 2 9 5 , 4 0 3 _ 4 L 7 , 5 2 2 _ 5 3 6 , 6 2 9 _ 6 4 L .'A

"F ree Lance" : The Adven tu re o f the t " t i ss ing p r ince . t By l ' l ay Ba teman.6 9 - t 6 .

' T h e W i r e a n d t h e B e a r . , B y J o h n M u n r o . g 4 - g 7 .'The Three w ishes : A canad ian Fa i r y Ta re . ' By Howard Angus Kennedy .

9 6 - 9 8 .' I n t h e H o u r o f N e e d . r B y A , R . a n d E . M . p o w e r . 1 0 2 - 1 0 9 .' S t M a r y o f t h e I s l e s . I B y K a t h a r i n e T y n a n . L 3 7 - L 4 2 .' T h e P u m a . ' B y L . J . B e e s t o n . 1 7 4 - L 7 g .'Romeo and Ju l i e t : Leaves f rom the NoEebook o f John ca r ru the rs , rnd ian

P o l i c e m a n . ' B y S i r E d r n u n d C . C o x , b a r t . l g g - 1 9 7 .' T h e " L i t t l e D u f f e r . " t B y G e o r g e A . B e s t . 2 0 3 _ Z O 7 .' A B i r d o f P a s s a g e : A s t o r y o f t h e T h a m e s . ' B y R . A u s t i n F r e e m a n .

2 I 2 - 2 L 8 .' T h e A f f a i r o f L i n e s ( F o u n d e d o n F a c t ) . ' B y l r a j o r A r t h u r G r i f f i t h s .

233-239 .'A Runaway Match . I By John K . Leys . 265-270 .' D h u l i a . ' B y A . p e r r i n . 3 0 2 - 3 0 6 .' T h e T h r e e B l o o d S p o t s . ' B y J a m e s B l y t h . 3 1 3 - 3 1 6 .' H u b e r t ' s l , I i f e : A S i n g l e c h a p t e r s t o r y . ' B y A g n e s G r o z i e r H e r b e r E s o n .

323-326 .' T h e P r i n c e , t h e S n a i l , a n d t h e B u t t e r f l y : A

O n e s . ' B y M y r a H a m i l t o n . 3 3 0 - 3 3 2 .'The Man Who Always Had l " loney: A l " lodern FairyPre tend No t to Be l i eve Such Th ings .'Do lo res . ' By James B ly th . 352 -351 .' A S t a r F e l l . ' B y L . J . B e e s t o n . 3 9 0 - 3 9 6 ,'The Du tch Eng ineer : Leaves f rom the No tebookInd ian po l i ceman. I By S i r Ednund C .' T h e A d v e n t u r e o f G o d f r e y H a l t e t t . ' B y S c o t t' V i - y u n ' s V o w : A T r u e T a l e o f K o r e a n R e v e n g e . ,458-463 .

S t o r y f o r t h e L i t t l e

Ta le fo r Peop le Who' By Huan Mee . 339-344 .

o f John Car ru the rs ,Cox , ba r t . 423 -432 .

Graham. 436-442 .By George Lynch .

' T h e B e a u t i f u l M i s s D a c r e . r B y L . H u g h e s . 4 7 g - 4 g 4 .'Tan t ia Mahara jah : l eaves f rom the No tebook o f John Car ru the rs , I nd ianP o l i c e m a n . ' B y S i r E d m u n d C . C o x , b a r t . 4 9 4 _ 5 0 2 .' M i s s B a r b e r t o n ' s p a r r o t . r B y G i l b e r t s t a n h o p e . 5 r 1 - 5 1 6 .r H o w t h e M a i d e n S a v e d t h e E a r w i g s . r B y M y r a H a m i l t o n . 5 5 4 - 5 5 6 .' T w o G e n t l e m e n i n A r m o u r . t B y E . R . p u n s h o n . 5 7 L - 5 7 7 .' F o r e s t a l l e d . '

B y L . J . B e e s t t n . 5 g 6 - 5 9 0 .'The Bel lows lv laker. I By l l rs Henry Dudeney . 6L3-620.rP r i va te Fo re t ' s rn fe rna l Mach ine . ' ny . l l nn vandercook . 642-645 .' A s u b u r b a n A u t o l y c u s . ' B y R . A u s t i n F r e e m a n . 6 5 2 - 6 5 7 .' A c a s e o f T h o u g h t T r a n s f e r e n c e . ' B y J a m e s B l y t h . 6 6 L - 6 6 4 .

80 8 1

; 9 ( O e c 1 9 0 4 - M a y 1 9 0 5 ) [ A m e r i c a n e d . s . 4 , v . 3 0 ]

The Eundred Days: A Foottrote to a Great Rouance. By Max Pemberton.1 - 2 0 , 1 6 3 - 1 8 2 , 2 7 5 - 2 9 2 , 3 8 7 - 4 0 6 , 4 9 9 - 5 L 8 , 6 1 1 - 6 2 8 .

' R a i l w a y M a n ' s W i f e . ' B y W . P e t t R i d g e . 2 9 ' 3 2 .'The Uncer ta in ty o f Humour : A Chr i s tmas S to ry , ' By Huan I ' l ee . 49 -55 .' T h e A d v e n t u r e o f t h e B a n b u r y C a k e s . r B y M a r i e L e i g h t o n . 6 4 - 7 L .' H o w t h e K i n g D r a n k t o H i m s e l f . ' B y R o b e r t B a r r . 7 4 - 8 0 .'D r T redgo ld ' s Exper imen t . I By L . J . Bees ton . 82 -87 ." 'To Ne lson" : A Srnugg le r rs Yarn Wh ich i s Based on T ru th . t By James

B l y t h . 9 I - 9 7 .' W e r e S h e B u t Q u e e n ! ' B y G u y B o o t h b y . 1 0 4 - 1 1 5 .'The Lady o f the Grea t Nor th Road : A Mys te ry o f Chr i s tmas Eve . ' By

Wi l l i am Le Queux . I24 -L31 .F rm a Surgeon 's D ia ry . By C l i f f o rd Ashdown. 139 '146 , 253-26 I '

3 2 L - 3 2 9 , 4 4 2 - 4 5 0 , 5 6 3 - 5 7 1 , 6 8 3 - 6 9 0 .' A f t e r A 1 1 : A C h r i s t m a s S t o r y . r B y J . K . W y n n e . 1 5 0 - 1 5 6 .' C h i q u i t a r s J a p a n e s e L o v e r . ' B y D o u g l a s S l a d e n . 1 9 1 - 1 9 8 .' T h e R o m a n t i c G i r l : A n E p i s o d e . ' B y V i o l e t M y e r s . 2 0 3 - 2 0 8 .'The Horns o f a D i lemma: Leaves f rom the No tebook o f John Car ru the rs ,

Ind ian Po l i ceman. r By S i r Ed rnund C . Cox , ba r t . 219 -228 .' T h e S u b r s E x p e d i t i o n . ' B y W a l t e r E . G r o g a n . 2 3 3 - 2 3 9 .'Bad Mrs Benne t t . I By Owen O l i ve r . 244-247 .' T h e S t o r y o f L i t t l e L u c k : A S t o r y f o r L i t t l e O n e s . t B y l " l y r a H a m i l t o n .

265-268 .'Our Bucke t Shop . I By Ar thu r W. Marchmont . 299-304 .' M i r a n d a ' s E n g a g e m e n t . ' B y M a y B a t e m a n . 3 1 1 - 3 1 3 .'The Guard and the B ig Gun : The S to ry o f a Seapor t Ba t te ry . ' By

N e i l W y n n W i 1 l i a m s . 3 3 4 ' 3 4 0 .' T h e S t r a n g e C a s e o f t h e S t o l e n R u b i e s . ' B y A n n i e O . T i b b i t s . 3 4 7 ' 3 5 2 .'The h rhee ls o f t he Gods : Leaves f rom the No tebook o f John Car ru the rs ,

Ind ian Po l i ceman. r By S i r Ed rnund C . Cox , ba r t . 359 -366 .' A w a k e n i n g . ' B y L . J . B e e s t o n . 3 7 5 - 3 7 8 .'The Sec re t o f t he Empero r . ' By Owen O l i ve r . 4 I4 -4 I9 .'How God f rey Ha l le t t Fe l1 among Th ieves . ' By Sco t t Graham. 428-435 .' T h e w e s t e r n P r i n c e s s . ' B y A . G . H y d e . 4 5 8 - 4 6 7 .' I n Guy-Faux Gu ise . f By James Greenwood . 474 '478 .' A R e c k l e s s E x p e r i m e n t . ' B y G . B . B u r g i n . 5 2 5 - 5 3 0 .'The Comedy o f K i L i r s Be t ro tha l : A Ta le o f the Nor the rn Ter r i t o ry ,

A u s t r a l i a . r B y P e r c i v a l W h i t f i e l d . 5 3 7 - 5 4 5 .rHow the P la te Go t th rough : A S to ry o f t he Grea t Rebe l l i on . ' By

J a m e s B l y t h . 5 5 1 - 5 5 6 .' T h e A s c e n s i o n T o w e r : t B y L . J . B e e s t o n . 5 7 9 - 5 8 5 .'The Seeds o f Harmony . ' By Myra Hami l ton . 600-602 .'The Sea l o f t he Church . ' By Edw in Pugh . 637-642 .' A R a c e f o r M a r k e t . ' B y A l a n O s c a r . 6 4 8 ' 6 5 2 .'The Adven tu re o f God f rey Ha l le t t w i th the Aurb i t i ous I ' l i l l e r . ' By

Sco t t Graham. 669-676 .' L a d y H u n g e r f o r d ' s V i l l a i n . ' B y A n n i e O . T i b b i t s . 6 9 5 ' 6 9 9 .'The w ish ing S tone : A S to ry fo r Ch i ld ren . ' By Myra Han i l t on . 705-708 .

4 0 ( J u n e - N o v 1 9 0 5 ) [ e m e r i c a n e d . s . 4 , v . 3 I ]

l te Spider 's Bye. By Wi l l iam Le Queux. 3-18, LI5-L29, 227-242,

The

' L at T h e' T h e

3 3 9 - 3 5 4 , 4 5 r - 4 6 6 , 5 6 3 - 5 7 8 .Further Ghronic les of the Burglarst c lub. By Henry A. Her ing.

5 5 - 6 1 , 1 7 4 - 1 9 1 , 2 7 8 - 2 9 4 , 3 9 7 - 3 9 4 , 4 g g _ 5 0 4 , 5 g g _ 6 0 5 .G r a n d e C a p u c i n e . ' B y H e a d o n H i l l . 6 g - 7 5 .

M a n w i t h t h e B i g H e a r t . I B y A t h o l F o r b e s . g 2 _ g 6 .c o n s p i r a c y o f t h e c l o c k s . r B y M . F o u s s i e r . T r a n s . f r o m F r e n c h .

95 -97 .l te Adnirable Tinker. By Edgar Jepson. l0 l -Log, 439-444, 63g-644.

' T h e c h o s r w i t h t h e C l u b F o o t . ' B y R o b e r t B a r r . Z O 9 - 2 2 3 .' E x p e r i m e n t a t K e a r s l e y ' s . ' B y W . p e t t R i d g e . 2 3 8 - 2 4 3 .' A n A r r a n g e m e n t A l t e r e d . ' B y A r t h u r H . H e n d e r s o n . 2 5 2 - 2 5 6 .' M e d l o c k ' s R e p u t a t i o n . ' B y l r l . p e t t R i d g e . 3 0 7 - 3 1 f .'The Grea t Wate r . ' By Bar t Kennedy . 313-324 .' T h e J e s t o f L a T o r c h e . ' B y L . J . B e e s t o n . 3 2 9 - 3 3 7 .' A n A w k w a r d B u n k e r . t B y J a m e s B l y t h . 3 4 5 - 3 5 5 .' A L a d y ' s H o n o u r . ' B y H a l l i w e l l S u t c l i f f e . 3 6 5 - 3 7 0 .' Janaway 's Ups and Downs . ' By John Oxenham. 427-435 .' I n the B lue Room. ' By Ka tha r ine Tynan . 44L-44A.' R o s a ' s M e n d a c i t y : A n A l m o s t r m p o s s i b l e s t o r y . ' B y H u a n M e e . 4 5 4 - 4 6 4 .'The C loud . ' By l l r s l " I abe l H . Sp ie lmann . 47L-479 .' A P a n t o m i n e C u c k o o . ' B y T o m G a l l o n . 4 9 2 - 4 8 7 .' T h e S l e e p o f t h e A n g e l s . ' B y V i c t o r H e w e t r . 4 9 5 - 4 9 g .' r n t h e w a s t e - p a p e r B a s k e t . r B y H a j o r A r t h u r G r i f f i t h s . 5 4 7 - 5 5 4 .' J e r r y f s W i f e . r B y M a y n e L i n d s a y . 5 6 4 - 5 6 8 .' A S t o l e n I d e n t i t y . ' B y E d w i n p u g h . 5 i 4 - 5 8 4 .' T h e

" q u e e n ' s N i c h e " a t L u t w o r t h . I B y A r c h u r w . M a r c h m o n t . 5 9 3 - 6 0 1 .' T h e R o m a n c e o f a " C u r t a i n R a i s e r . " ' B y G e o . A . B e s t . 6 0 7 - 6 1 4 .' T h e s t o c k i n g s : A T a l e o f t h e L a s t E l e c t i o n . ' B y p e r c y w h i t e . 6 3 5 - 6 4 0 .' T h e G a t e s o f t h e T e m p l e . ' B y M u r i e l F . H i n e . 6 1 6 - 6 8 9 .' Lady Lucy ' s Masquerade . ' By l , I i n i f red Graham . 697 -704 .' A n E n t e r p r i s i n g Y a n k e e . ' B y F o x R u s s e l . l . 7 1 3 - 7 1 8 .' T h e A d v e n t u r e o f G o d f r e y H a l l e t t a n d t h e F r e n c h p r i s o n e r o f w a r . l

B y S c o t t G r a h a m . 7 2 4 - 7 3 4 .

4 2 ( J u n e - N o v 1 9 0 6 ) [ a m e r i c a n e d . s . 4 , v . 3 3 ]

' T h e F u z z i n e s s o f H o o c k l a - h e e n . ' B y J a c k L o n d o n . 2 5 - 3 0 .' M r S o p e r ' s N e w S i s t e r . r t B y T o m G a l l o n . 4 4 - 4 9 .T t re couu t ' s ghau f feu r . By w i l l i am Le Queux . 58 -66 , Lg5-204 , 323-33 ! ,

432-439 , 559-567 , 677 -686 .' T h e V e n g e a n c e o f t h e D a g o . ' B y E d w i n p u g h . 7 g - 8 4 .T h e D i a m o n d s h i p . B y M a x P e m b e r t o n . 9 7 - 1 1 8 , 2 1 7 - 2 4 r , 3 3 7 - 3 5 8 , 4 5 7 - 4 7 7 ,

57 7 -600 , 697 -7 24 .' A S u d d e n C h a n g e o f C l i m a t e . ' B y F r a n k F i n c h - S m i l e s . L 2 5 - L 2 7 .' H o w I M a d e M y F o r t u n e . r B y C l a r e n c e W i l l o u g h b y . 1 2 9 - 1 3 1 .'The T r iumph o f Mr o l i ve r B rown: Be ing a Fur the r Adven tu re o f the

A d n i r a b l e T i n k e r . ' B y E d g a r J e p s o n . 1 5 5 - f 6 2 .' A D o u b l e P r e t e n d e r . r B y B e r n a r d C a p e s . L 6 g - 1 7 6 .' P o s k i t t t h e P e a c e m a k e r . ' B y J . S . F l e t c h e r . 1 8 2 - 1 8 8 .' T h e E n d o f t h e G a m b l e . ' B y L . J . B e e s t o n . 2 4 4 - 2 5 3 .'The Adven tu re o f the B lue Pos ts (Be ing a Fur the r Adven tu re o f the

Adrn i rab le T inke r ) . ' By Edgar Jepson . 272-280 .' M r M i n t e r ' s H o b b y . ' B y F r e d J a y . 2 8 8 - 2 9 L .'The Herr of Paradise Row. I By l ' lona Moxon Browne. 298-306.' T h e c u i n e a S t a m p . ' B y L . E . T i d d e m a n . 3 0 9 - 3 1 5 .' w h e n i n D o u b r . r B y M . A . B a l l i o l . 3 3 3 - 3 3 5 .' T h e P r o v i n g o f R o d n e y P a r k e s . r B y p e r c i v a l w h i t f i e l d . 3 6 1 - 3 6 9 .' P o s s e s s e d o f a T i t l e . I B y M a r y H a m p d e n . 3 7 2 - 3 7 4 .' Los ing and F ind ing . r By Or^ ren O l i ve r . 391-397 .' T h e B i t e r s B i t ( B e i n g a F u r t h e r A d v e n t u r e o f t h e A d n i r a b l e T i n k e r ) . '

By Edgar Jepson . 404-409 .'One in a M i l l i on : A Humorous S to ry . I

' M e a n d M y D u r y . r B y W . p e r r R i d g e . 1 3 7 - L 4 L .' P a n s y ' s K n i g h t , a n d t h e D u b b i n g i h e r e o f . ' B y M u r i e l' T h e R e v o l r o f H o n e s t y . I B y J a m e s B 1 y t h . f g 6 - i g O .'L i ke a So ld ie r ! ' By I , l . Newman F lower . 19g-200 .

F . H i n e . 1 6 6 - 1 7 0 .

404-407 .

By Myra Hami l ton .

'w i th in Touch o f the Hangman. ' By Huan Mee . 206-2 IL .' M a n u e l a : A s t o r y . ' B y L a n c e r o t S p e e d a n d F . R . p r y o r . 2 5 0 - 2 5 5 .' T h e A d v e n t u r e o f G o d f r e y H a l l e t t a n d w i l l i a m t h e D e s e r t e r . ' B vS c o t t G r a h a m . 2 6 4 - 2 7 2 .

' T h e P e e r a g e E x c h a n g e . ' B y A . G . H y d e . 2 g g - 2 9 6 .' O n l y i n F u n . ' B y G e o . A . B e s t . 3 0 6 - 3 L 2 .' T h e u s h e r ' s D a u g h t e r . r B y l l a j o r A r t h u r G r i f f i t h s . 3 6 r - 3 6 7 .' A P e a r l o f P r i c e . ' B y p e r c i v r f W n i t f i e l d . 3 7 6 - 3 g 2 .'Aun t ca ro l i ne ' s compet i t i on . I By H i lda Hammond-spencer .' A f t e r S e v e n y e a r s . ' B y L . J . B e e s t o n . 4 L 4 - 4 2 0 .' T h e R u b y R i n g . ' B y A . G r o z i e r H e r b e r t s o n . 4 2 g - 4 3 5 .' T h e M a n a n d t h e M o u t h p i e c e . ' B y T o m G a l l o n . 4 7 3 - 4 7 9 .' M y S o n t s M o t h e r . t B y l { r s I " 1 . H . S p i e l m a n n . 4 g 5 - 4 g I .' U n d e r t h e l " l o o n . r B y T . C . B r i d g e s . 5 1 1 - 5 1 3 .' T h e A u c o b i o g r a p h y o f M r J o s h u a J e r k i n s o n . B y F o x R u s s e l l . 5 L 9 - 5 2 2 .'The Las t SEory : Leaves f rom the No te -book o f John Car ru the rs . I nd ianP o l i c e m a n . r B y S i r E d m u n d C . C o x , b a r t . 5 2 9 _ 5 3 7 .' T h e F r o c k a n d t h e M o t o r - m a n . ' B y A r t h u r H . H e n d e r s o n . 5 4 4 - 5 4 g .' M r P a t t e n ' s L i t t l e M u r d e r s . ' B y T o r n G a l r o n . 5 g 5 - 5 9 0 .t H o w t h e B i s h o p L o s t H i s r n d e p e n d e n c e . , B y A t h o l F o r b e s . 6 1 4 - 6 r g .' A G r e y s t o r y w h i c h E n d s i n G o l d . ' n y w i n i f r e d L e t t s . 6 2 5 - 6 3 0 .'The M i r ro r o f Hach ida . r By John Munro . 652-654 .' T h e F a i t h f u l S l a v e : A S t o r y f o r t h e L i t t l e O n e s . r6 6 L - 6 6 5 .

4 1 ( D e c 1 9 0 5 - M a y 1 9 0 6 ) [ A m e r i c a n e d . s . 4 , v - 3 2 ]

Beu i ta : An A f r i can Romance . By H . R ide r Haggard . 11 -34 , L55-L76 ,2 7 5 - 2 9 6 , 3 9 5 - 4 1 6 , 5 1 5 _ 5 3 6 , 6 4 I - 6 6 5 .' T h e E c o n o m i s i n g o f E t h e l . ' B y J . J . B e l l . 2 7 - 3 3 .' T h e M a t c h M a k e r s . ' B y J . J . B e I 1 . 3 6 - 4 3 .' A L e s s o n f r o m t h e c h i n e s e . r B y p e r c i v a l w h i t f i e r d . 4 L - 4 6 .' A C h r i s t m a s M a s q u e . ' B y J a m e s B l y t h . 5 4 - 6 2 .' F o r H i s S o n r s S a k e . ' B y M . E . B r a d d o n . 7 2 - 7 9 .' T h e F a i r y G h o s t : A c h r i s t m a s F a n t a s y . r B y H u a n M e e . g o - g g .

' T h e M i s s i n g G u e s t . ' B y L . J B e e s t o n . 1 1 3 - 1 2 1 .f T h e J e s t e r . r B y F o x R u s s e l l . L Z 4 - I 2 } .' T h e L i t t l e K i n g ' s c h r i s t m a s . t B y c h a r l e s F o l e y . T r a n s . f r o m F r e n c hb y D o r a M o o r e . 1 3 6 - 1 3 8 .

' M r s P e n l e a t h t s S t r a t a g e m . ' 1 4 g - 1 5 7 .' A G a m e o f C h e s s . ' B y L . J . B e e s t o n . l g 4 - 1 g 9 .' J a c k a n d D i c k . ' B y W . B . M a x w e l l . L g 5 - 2 0 2 .

82 83

By F red Jay . 415-420 .

' T h e V i l l a g e P o l i c e m a n . ' B y D o r a S i g e r s o n S h o r t e r .' T h e C l u e o f t h e C r i m s o n R o s e . ' B y J . S . F l e t c h e r .' C o w a r d , V . C . ' B y R u d o l p h C o r d o v a . 4 g 3 - 4 g l .' T w o p o u n d s T e n . r B y R . M . S . 4 9 3 - 4 9 4 .' T o n y ' s W a l k . ' B y C l a r e n c e R o o k . 4 g g - 5 0 5 .' A n n a a n d L o r i s : A n E p i s o d e o f t h e N i h i l i s t W a r . '5 1 1 - 5 2 3 .

4 2 I - 4 2 4 .446-449.

By T ighe Hopkins.' F o r O n e N i g h t O n l y . ' B y W a r r e n H u g h e s . 5 3 2 - 5 3 7 .' M r P a r s l o w ' s F e l l o w - t r a v e l l e r : A H u m o r o u s s t o r y . ' B y F r e d J a y . 6 0 3 - 6 0 g .' D e n i s , a D i p l o m a t . ' B y E . B u r r o w e s . 6 0 9 - 6 1 1 .' B o n a v i a ' s B l a c k S h e e p . t B y T o m G a l l o n . 6 3 3 - 6 4 2 .f M a s t e r L o g g a t t t s W a t e r l o o . ' B y O r m e A g n u s . 6 4 9 - 6 5 6 .' T h e W a y t o F a i r y l a n d . ' B y M y r a H a m i l t o n . 6 6 1 - 6 7 0 .' T h e H a u n t e d S t u d i o . l B y J . S . F l e t c h e r . 6 9 2 - 6 9 5 .' L e w i s D u v a 1 , A c c o m p a n i s t . ' B y M a b e r c . u r c h . 7 3 L - 7 3 2 .

4 3 ( D e c 1 9 0 6 - ! I a y 1 9 0 7 ) [ A m e r i c a n e d . s . 4 , v , 3 4 ]

' A C h r i s t m a s N o v e l t y . ' B y l l r s C . N . W i l l i a m s o n . 3 _ l g .' D a n g e r o u s C o m p l a i n t s . ' B y W . p e t t R i d g e . 3 4 - 3 9 .' M i s s M a s o n r s P a r t y : T h e s t o r y o f a c h r i s t m a s a t S e a . r B y o w e n o l i v e r .4 9 - 5 6 .

' F l o s s i e ' s c h r i s t m a s F a i r y . 1 B y E l r a r i n e T e r r i s s . 5 g - 6 1 .' T h e S i l v e r F 1 a s k . ' B y A . E . W . M a s o n . 6 9 - 7 4 .' T h e L u c k o f C a p t a i n S p i n k . ' B y M o r l e y R o b e r t s . g 0 _ 9 0 .' M a r t h a a n d t h e C o n s t a b l e . ' B y K e b l e H o r v a r d . 9 5 _ 1 0 1 .' T h e E x - c i t i z e n : A H u m o r o u s S t t r y . ' B y F r a n k R i c h a r d s o n . 1 0 5 - 1 0 9 .'An O ld Crome: A Humorous S to ry . i By F red Jay . l I 4 -L20 .'The Poe t ' s Dream. ' By pe rcy Wh i te . I 25 -L2g .

The l {an who l {as Dead. By Arthur w. Marchmonr. L2g-L52, 252-273,3 7 4 - 3 9 4 , 4 9 1 _ 5 1 0 , 6 1 6 _ 6 3 5 , 7 3 6 _ 7 5 4 .' T h e D i c e : A c o m p l e t e s t o r y o f R e v o l u t i o n i n R u s s i a . ' B y p e r c e v a rG i b b o n . L 7 7 - t g z

' A n r n c i d e n t o f t h e N i g h t : A H u m o r o u s s t o r y . r B y w . G . y a r c o t t . 1 9 0 - 1 9 4 .' T o m l i n . ' B y O w e n O l i v e r . Z O 3 - 2 0 g .' S u p e r a n n u a t e d . I B y F r e d J a y . 2 I 4 - 2 1 g .' T h e N i n e t e e n t h H a t . ' B y A r n o l d B e n n e t t . 2 2 9 - 2 3 3 .' T h e c i r l a n d r h e R i n g . , B y c . B . B u r g i n . 2 3 9 - 2 4 6 .' T h e L o s t G u n s i g h t s : A N a v a l y a r n . ' B y G e o r g e E l l b a r . 2 g 3 - 2 g 9 .' M a l a P a s q u a : A T a l e o f t h e R o m a g n a . ' i y n i c i l a r d B a g o t . 3 0 7 - 3 1 3 .' T h e S a f e S i d e . ' B y T h e o d o r a W i l s o n W i l s o n . 3 2 I - 3 2 g .r ' G r e a t e r L o v e H a t h N o M a n . " ' B y M a r j o r i e B o w e n . 3 3 5 - 3 4 r .' O f f t h e L i n e . ' B y L o u i s e L a n y e r . 3 4 6 - 3 5 5 .' A n O l d F o o l : A H u m o r o u s S t o r y . ' B y F r e d J a y . 3 6 4 - 3 6 9 .' A D e c e m b e r E v e n i n g . ' B y E l i z a b e t h T r e e . 3 6 9 - 3 7 2 .' T h e M a r c h e s a ' s p o r t r a i t . r B y c h a r l e s G a r v i c e . 4 1 4 - 4 2 2 .' J o s e p h f s C o a t . ' B y C l a r e n c e R o o k . 4 2 g - 4 3 2 .' P e r i l . ' B y C l a u d e E . B e n s o n . 4 4 I - 4 5 0 .' c o l o n e l P e t e r s a n d e r s ' w i f e . ' B y M a r i a n B o w e r . 4 6 2 - 4 6 9 .' T h e w h i t e B o n n e t . r B y C h a r l e s L e e . 4 7 6 - 4 g 3 .

" ' T a n g l e d W i r e s . " ' B y B e r t r a n F i e l d . 5 1 3 - 5 1 7 .' T h e B u t c h e r - b o y t s R e p e n t a n c e . t B y E d g a r J e p s o n . 5 3 3 - 5 4 0 .' T h e T h i e f . ' B y O w e n O l i v e r . 5 4 g - 5 5 3 .' T h e S p e c t a c l e s . , B y J . J . B e l l . 5 5 g - 5 6 2 .

84 85

' B o b b i e a n d P o e t i c J u s t i c e . ' B y E r n e s t B r a m a h . 5 7 5 - 5 g 5 .' o n l y J u s t B e n e a t h t h e s u r f a c e . ' B y J . s . F l e t c h e r . 5 9 5 - 6 0 1 .' I n t e r f e r e n c e . ' B y W . G . y a r c o t t . 6 0 5 - 6 0 9 .' K i t t e n r s W e d d i n g D a y . ' B y H e a d o n H i l l . 6 6 2 - 6 6 9 .' J u s t T o o L a t e . I B y R i c h a r d D a r k . 6 7 5 - 6 g 0 .' B e h i n d t h e M i l l . ' B y l { r s H e n r y D u d e n e y . 6 g 7 - 6 9 4 .' P r o f e s s o r K e n y o n ' s E n g a g e m e n t . ' B y E . R . p u n s h o n . 7 o L - 7 0 7 .' L o v e ' s T r i u m p h . ' B y M a r y & J u l i a n C l i f f o r d . 7 L 4 - 7 L g .' A M a n o ' B u s i n e s s . r B y F r e d J a y . 7 2 g - 7 3 3 .' A S e a B r e e z e . ' B y M a y A d l i n g t o n . 7 5 6 - 7 5 7 .

4 4 ( J u n e - N o v 1 9 0 7 ) l A m e r i c a n e d . s . 4 , v . 3 5 ]

rA l , I o ra l Lesson . ' By Mar jo r ie Bowen . I 4 -ZO.' O f K i n d n e s s t o C r o c o d i l e s . r B y J o h n W o r n e . 4 0 - 4 7 .' T h e T e m p t a t i o n o f B a r r i n g t o n , R . A . r B y s c o t t G r a h a m . 5 0 - 5 7 .' T h e w a r i n F a r d a l e . ' B y T h e o d o r a I . J i l s o n w i l s o n . 6 2 - 6 7tlheels of Anarchy: The Story of an Assassiu. By Max pemberton.

7 6 - 9 6 , 2 0 2 - 2 2 I , 2 7 6 - 2 9 3 , 4 1 1 _ 4 3 0 , 5 2 0 _ 5 3 g , 6 3 6 _ 6 5 1 .' P e r s o n a l l y c o n d u c t e d : A c r i c k e t S t o r y . r B y p . G . w o d e h o u s e . 1 1 3 - 1 2 0 .' T o m m y a n d t h e G i r l . ' B y L a v o n C . C h e n e y . l 3 Z - L 3 6 .' A n E x p e r i m e n t . ' B y H o r a c e A n n e s l e y V a c h e l l . I 3 7 - L 4 4 .' T h e T h i r d B o a t . ' B y O l i v e r O n i o n s . 1 5 1 - 1 5 g .' L o r d F a l c o n e t ' s D e s p a t c h - b o x . I B y H e a d o n H i 1 1 . L 6 5 - L 1 2 .' H i s F a m i l y ' s F e e l i n g s a n d H i s . r B y A n n e w a r n e r . 1 7 g - r g 5 .' S h e c a m b l e d a S t a m p . ' B y H a r o l d B e g b i e . l g 6 - 1 9 4 .' T h e B u t t e r w o r t h s c a n d a r . ' B y B r i n s l e y M o o r e . L 9 4 - 2 0 L .' H i s M a i e s t y r s F r i e n d . t B y C r i c h t o n M i l n . 2 3 4 - 2 3 g .' T h e C r o s s R o a d s . I B y B l a n c h e E a r d l e y . 2 4 5 - 2 5 6 .' T i d e s o f F o r t u n e . ' B y A l i c e & C l a u d e A s k e w . 2 9 9 - 3 2 9 .' T h e L u p o n i S t r a d . ' B y J a m e s T r u e . 3 3 2 - 3 3 3 .' T h e H o n o u r o f a L a d y . ' B y A t h o l F o r b e s . 3 7 6 - 3 g 1 .' T h e o l d a n d r h e N e w . ' B y c a p t a i n F . H . s h a w , F . R . A . S - 3 9 7 - 4 0 5 .' T h e r e a n d B a c k . r B y F . M . W i c k h a m . 4 3 6 - 4 3 7 .' T h e G r e e n M o u s e . ' B y R o b e r t W . C h a m b e r s . 4 5 I - 4 6 3 .' T h e V a n d e r m a n n D i a m o n d . ' B y E . R . p u n s h o n . 4 7 L - 4 1 g .' s h a d o w s B e f o r e . ' B y s t u a r t t l i s h i n g a n d A r t h u r H a r i f a x . 4 g 4 - 4 9 2 .' A F e l i n e H o s t a g e . ' B y E . W h i t e . 4 9 6 - 5 0 3 .' N a n c y . ' B y M . E . p o r t e r . 5 0 9 - 5 1 6 .

' A F i n a n c i a l P r o p o s i t i o n : A s e n t i m e n t a l s t o r y . r B y A r t h u r R a n s o m e .544-547 .

' T h e D r e a m . ' B y E l i z a b e t h T r e e . 5 5 3 - 5 5 5 .' T h e s p o r t i n g c h a n c e : A c o m e d y o f E r r o r s . I B y G e o r g e E d g a r . 5 g 7 - 5 9 3 .' C o r d e l i a ' s C o n q u e s t . ' B y J . G . M . G i l m e r . 6 0 2 - 6 1 0 .' T h e M y s t e r i o u s K i t - b a g . ' B y A r t h u r F r a n k s . 6 1 6 - 6 2 3 .' R e l a t i v e s

t o L e t : B e i n g t h e I n s i d e H i s t o r y o f t h e B e n t l e y - C a r r u t h e r sTruce . ' By Wi l l i a rn H . I l a rnby . 629-632 .' T h e L i t t l e T y p e w r i t e r G i r l . r B y E . V a n c e p a l m e r . 6 5 7 - 6 6 0 .' W i l l i a m r h e G o a t . t B y F . W a l w o r t h B r o w n . 6 6 2 - 6 6 9 .

4 5 ( o e c 1 9 0 7 - I d a y I 9 0 B ) [ e m e r i c a n e d . s . 4 , v . 3 6 ]

P ro fessor van I l usenrs p rob lems . By Jacques Fu t re l l e . l - 10 , 1g5-194 ,3 I2 -32 I , 387-395 , 4gg-509 , 6 tg_627 .

' l l e s s i t e r r s S i s t e r . r B y H o r a c e A n n e s l e y V a c h e l 1 . L 7 - 2 7 -' A n I d e a l C h r i s t m a s . r B y F r a n k R i c h a r d s o n . 3 8 - 4 3 .' M r D o n a l d M a c D o n a l d . ' B y J . J . B e l 1 . 4 3 - 4 8 .' M y F r i e n d B o b : A S t o r y . I B y R i c h a r d D a r k . 5 8 - 6 I -' A C u r e f o r W e a l t h . ' B y H r s C . N . W i l l i a m s o n . 6 5 - 7 4 .' C o m p e n s a t i o n . ' B y C h a r l e s G a r v i c e . 7 9 ' 8 6 .' A M o n k W a s H e . r B y L i l y A . L o n g . 8 7 - 9 6 -' T h e S k i p p e r o f t h e S . S . R i n g d o v e . ' B y M o r l e y R o b e r t s . 9 7 - 1 0 8 .' T h e B o m b s h e l l . ' B y R o b e r t B a r r . 1 1 1 - 1 1 7 .' T h e B l a c k S h e e p ' s C h r i s t m a s . ' B y E l e a n o r H o l t B r a i n e r d . I 2 2 - L 2 l .' T h e P o t t e d P a l m S p e a k s . ' B y A n n e w a r n e r . 1 4 0 - 1 4 3 .' T h e s o r r o w f u l S y e - b o o : A s t o r y f o r c h i l d r e n . ' B y l " l y r a H a m i l t o n .

1 5 0 - 1 5 5 .' A D e a l i n C o t t o n . r B y R u d y a r d K i p l i n g . 1 6 3 - 1 7 3 .' A n A r i z o n a N e r v e D e s t r o y e r . ' B y S t a n l e y L . W o o d . 2 O l - 2 0 9 -'A Backward Forward : A Foo tba l l S to ry . ' By l t a jo r Ph i l i p T revo r . 214-220' M y O r i e n t a l P a r t n e r . ' B y F . B . C o o k . 2 2 7 - 2 3 2 .' F e r g u s o n , o f E n g l a n d : A C a n a d i a n S t o r y . ' B y G . B . B u r g i n . 2 4 0 - 2 5 0 -' G r a c e ' s l d e a l . ' B y R i c h a r d D a r k . 2 5 1 - 2 5 8 .' W i t h o u t I m p e d i m e n t . ' B y H e l e n L o c k w o o d C o f f i n . 2 6 4 - 2 6 5 .' T h e R i g h t P r e s c r i p t i o n . ' B y R . H a l d a n e C o o k . 2 6 8 ' 2 7 0 -' T r u s t . ' B y J a c k L o n d o n . 2 8 2 - 2 9 0 .' L o v e ' s A l a r m . ' B y J o h n B l o u n d e l l e - B u r t o n . 2 9 8 - 3 0 4 .' T h e C i n n a b a r D e a t h - t r a p . ' B y A . I ^ I a l l i e . 3 2 7 - 3 3 4 .' T h e S t o r m y P e t r e l . I B y W a r r e n H u g h e s . 3 3 9 - 3 4 7 .' T h e U n m a k i n g o f a S e l f - m a d e M a n . ' B y l l r s T a l b o t H u n t e r . 3 5 3 - 3 6 f .' M r S m i t h o f H a m p s t e a d . ' B y S h a n F . B u l l o c k . 3 6 5 - 3 7 2 .' L i m p y , B a c h e l o r o f L o v e . ' B y M a i t l a n d L e R o y O s b o r n e . 3 7 5 - 3 7 7 .' A T a b l e T r a g e d y . ' B y F r e d M . W h i t e . 4 0 2 - 4 1 2 .' T h e P r o f e s s o r o f L a n g u a g e s : T h e T a l e o f a N a v a l S P y . ' By George

E 1 1 b a r . 4 L 7 - 4 2 5 .' T h e W o r k i n g s o f F a t e . ' B y M a b e l C . U r c h . 4 3 3 - 4 4 0 .' T h e D e a d S e n t r y . ' B y L . J . B e e s t o n . 4 4 7 - 4 5 4 .' T h e E t e r n a l F e m i n i n e . ' B y H a r o l d G o r s t . 4 6 6 - 4 6 8 .' T h e M y s t e r y o f a L o n e l y C o t t a g e . ' B y l l r s C l e r n e n t S h o r t e r . 4 7 7 - 4 8 6 .'A Deser t l ' l ee t i ng . I By C . Duncan Cross . 522-531 .' T h e D e p r a v e d H a l f o f M r F l o c k t o n . 5 3 7 - 5 4 7 .' T h e H a r p e r P . T o d d F a m i l y . ' B y B e r t h a S h e l l e y . 5 5 2 - 5 5 7 .' L a d y b i r d . ' B y E d i t h B a r n a r d . 5 6 5 - 5 7 0 .' I t r Fa i r l ey ' s Fu rn i tu re . ' By Una Hudson . 577 '581 .'Ve rmut re ' s Inher i tance . ' By Rena to Fuc in i . T rans . b y I ' 1 .D . By rne

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6 3 6 - 6 4 6 .rThe l l appy Coup le . ' By W. Somerse t l " l augham. 652 '656 .' T h e S o m e t h i n g i n I t . ' B y P h y l l i s B o t t o m e . 6 6 2 ' 6 6 8 .' S i r J o h n A b b a c y ' s E l d e r S o n . ' B y M a r i a n B o w e r . 6 7 6 ' 6 8 7 .' A S w i f t C o n v e r s a t i o n . I B y M a r y D u r a n d . 7 0 0 - 7 0 5 .

4 6 ( J u n e - N o v 1 9 0 8 ) [ A m e r i c a n e d . s . 4 , v . 3 7 ]

' T h e v i s i t o f t h e P r e f e c t . ' B y R . F u c i n i . T r a n s . f r o m I t a l i a n b y

M. D . By rne & Ferd inand Benvenu to . 3 -13 .

8 6

' T h e A n t e c e d e n t s o f C a p t a i n J i n k s . ' B y E l i z a b e t h B a n k s . 2 6 - 3 2 .' T h e G r a f t a n d t h e C r a f t . ' B y H e n r y o y e n . 5 5 - 6 3 .'On ly a Pup i l (The Las t o f t he Inc iden ts Re la ted by S ta f fo rd Dane ,

M u s i c i a n ) . ' B y M a b e l C . U r c h . 6 7 - 7 4 .'An AcE ive -pass ive Res is te r . I By John Oxenhaur . 82 -94 .' A n A l t e r e d P r o g r a m m e . ' B y W . G . Y a r c o t t . 9 8 - 1 0 3 .'A Weak Monkey , a S t rong Ca t ' s Paw, and a Ches tnu t . r By Anne Warner .

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" ' I 1 c o n d e . " ' B y J o s e p h C o n r a d . 2 4 3 - 2 5 6 .' A S u m m e r G i r l . ' B y H e l e n M a t h e r s . 2 5 7 - 2 6 2 .' O n t h e J u r y . ' B y R i c h a r d M a r s h . 2 6 4 - 2 7 6 .'The Widow o f the Ba lcony . ' By Arno ld Benne t t . 283 '287 .' T h o m a s B . F l i n t , R e s u r r e c t i o n i s t . r B y H e n r y A . H e r i n g . 2 9 L ' 2 9 8 .'An Ang lo -Amer i can Cour tsh ip . I By E l i zabe th Banks . 299-304 .' T h e E p p s t e i n E m e r a l d . ' B y E d g a r J e p s o n . 3 0 9 - 3 1 7 .' E l i z a b e t h r s L o v e r : A N o v e l e t t e . ' B y A l i c e & C l a u d e A s k e w . 3 1 8 - 3 3 3 .' B a i l e y ' s E x p e r i m e n t . ' B y P e r c e v a l G i b b o n . 3 3 7 - 3 4 3 .' T h e L o v e r t s L o o k i n g - g l a s s . ' B y O w e n O l i v e r . 3 4 8 - 3 5 5 .' l " l i s s L e t i t i a r s A u n t . ' B y B r i n s l e y M o o r e . 3 6 0 - 3 6 8 .'A Japanese Kn igh t -E r ran t . I By Doug las S laden . 370 '379 .' T e l l M e , W h e r e i s F a n c y B r e d . ' B y K a t h a r i n e S . l l a c q u o i d . 3 8 3 - 3 9 0 .' I s o t t a ' s W a y . ' B y A r t h u r H . H e n d e r s o n . 3 9 1 - 3 9 8 .' H a n d s A l l R o u n d . ' B y H e n r y M a r t l e y . 4 0 4 - 4 1 0 .'Absen t -m inded . ' By E the l S t ,e fana S tevens . l s14 -418 .' B y G r a c e o f J u l i u s C a e s a r . ' B y L . M . M o n t g o r n e r y . 4 1 9 - 4 2 3 .'Sa in t Luke 's Summer . r By Mary Cho lmonde ley . 447 '461 .'Go ldy Locks and a B roncho : The S to ry o f a Cowboy 's Horse . ' A S tan ley

L . W o o d . 4 6 7 ' 4 7 7 .'Reve la t i on . ' By F rank H . Shaw. 482-489 .' A W o m a n r s W o r d . ' B y M a r i a n B o w e r . 4 9 4 - 5 0 4 .' T h e W e d d i n g - p r e s e n t P r o b l e m . ' B y A n n e W a r n e r . 5 1 3 - 5 1 7 .' M y L a d y G a d f l y . t B y L . F l e r n i n g S t r u t h e r s . 5 2 3 ' 5 2 6 .'Fa lse Premises . I Bv C la rence Rook . 532-535 .r H i s L a s t D r i v e : A G o l f S E o r y . r B y A . W a l l i s l " t y e r s .' A S e t o f B l o u s e B u t t o n s . I B y l t r s F o r r e s t . 5 4 9 - 5 5 0 .' C o l o n e l C a y l e y ' s T e a P a r t y . I B y l t r s C . N . W i l l i a m s o n .t M y L a d y P l a y e d . r B y M a r j o r i e B o w e n . 5 7 4 - 5 8 3 .' A B i t o f S c a n d a l . ' B y K a t h a r i n e T y n a n . 5 9 3 - 5 9 8 .t R o s e P e t a l s : A T a l e o f t h e E a s t A f r i c a n C o a s E . ' B y C u l l e n G o u l d s b u r y .

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54t-544.

5 5 7 - 5 6 3 .

8 7

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2 8 9 - 2 9 3 , 4 t 3 - 4 L 7 , 4 9 6 - 4 9 9 .' O u t o f H i s R e c k o n i n g . ' B y H a r o l d B e g b i e . 9 2 - 1 0 0 .' T h e P o s i t i o n o f M r s P e g g . ' B y P h y l l i s B o t t o m e . 1 0 1 - 1 0 9 .' T h e F a i r y R i n g . ' B y J u d g e P a r r y . 1 1 3 - 1 2 0 .' T h e P r i n c e s s ' s E s c a p a d e . ' B y W i l l i a m L e Q u e u x . 1 3 1 - 1 4 0 .' W h o K i l l e d H i m ? ' B y H e a d o n H i l l . 1 4 9 - 1 5 7 .' W h y B i l l y W e n t B a c k . ' B y L e o n a r d M e r r i c k . L 6 5 - I 7 2 .' A t r h e W e l l ' s M o u t h . ' B y M a u d D i v e r . 1 7 8 - 1 8 7 .' T h e E e r i e . ' B y M a r y E . M a n n . 1 9 5 - 2 0 2 .' T h e W i d o w e r . ' B y P e r c e v a l G i b b o n . 2 I 2 - 2 L 5 .' T h e W o r d o f P r a i s e . ' B y E l i z a b e t h B a n k s . 2 1 8 - 2 2 I .' T h e B l u e F a n . ' B y E . S . K e m p R o b i n s o n . 2 2 2 - 2 2 4 .' c o t t y r s N e i g h b o u r s . ' B y A r t h u r E . C o p p i n g . 2 2 5 - 2 2 7 , 3 3 6 - 3 3 8 , 4 3 2 - 4 3 4 .The Covboy Coun tess . By l l r s C .N . Wi l l i amson . 233-243 , 343-353 ,

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B y P e r c e v a l G i b b o n 3 7 3 - 3 8 3 .' T h e T h r e e T h i e v e s . r B y E . P h i l l i p s O p p e n h e i m . 3 8 7 - 3 9 3 .'The Hands o f the Ph i l i sE ines . I By Ar thu r W. l , l a rchmont . 400-407 .'Con fess ion . ' By Jack London . 422-429 .' T h e o d o r a ' s B a n g l e . ' B y E . S . K e r n p R o b i n s o n . 4 3 0 - 4 3 1 .' T h a n k l e s s P a r e n t s . r B y M a r y S t u a r t B o y d , 4 3 9 - 4 4 4 .' T h e I n g e n i o u s M r T o z e r . ' B y H e n r y A . H e r i n g . 4 7 3 - 4 8 0 .' F o r a H e r o ' s S a k e . ' B y S . I ' l a c n a u g h t o n . 4 8 8 - 4 9 5 .I t r l f ' f : A S k e t c h . I B y B a r r y P a i n . 5 0 5 - 5 0 6 .' T h e A p o s t l e o f P r o g r e s s . t B y F r e d W h i s h a w . 5 1 0 - 5 1 9 .' T o n y r s F r i e n d . I B y A r c h i b a l d M a r s h a l l . 5 2 6 - 5 2 8 .' S a u c e f o r t h e G a n d e r . I B y S h a n F . B u l l o c k . 5 3 2 - 5 4 0 .' H o w J o n e s E a r n e d t h e V . C . r B y E d w a r d J o h n s t o n e . 5 4 5 - 5 4 9 .' T h e S p o i l i n g o f S p o f f k i n s . ' B y l l r s F o r r e s t . 5 5 0 - 5 5 2 .' T h e C a r d - h o u s e . ' B y E . S . K e m p R o b i n s o n . 5 5 2 - 5 5 4 .' T w o f r o m T o a d - i n - t h e - h o l e . r B y A d a L e o n o r a H a r r i s , 5 5 5 - 5 5 8 .

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T h e C o v b o y G o u n t e s s ( c o n t . ) . E d . l t r s C . N . W i l l i a m s o n . 6 5 - 7 7 , L 6 7 - I 7 6 '

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4 9 ( N o v 1 9 0 9 - A p r 1 9 1 0 ) [ a m e r i c a n e d . s . 4 , v . 4 0 ]

'My Lo rd the T ige r : A S t range s to ry o f cen t ra l rnd ia . ' By John LeB r e t o n . 1 9 - 2 4 .

' A s a l u t e i n P a s s i n g : A c a s e o f M i s t a k e n r d e n t i t y a t a F a n c y D r e s sB a l l - a n d I t s C o n s e q u e n c e s . ' B y F r a n k H e n t y . 2 6 - 2 9 .' H i s M o d e l w i f e . t B y E d i t h A . B r o w n e . 4 0 - 4 9 .

Adveutures of r,ady ltolly of scotland yard ae Related bn/ her priendl{ary Grauard (cont . ) . By Baronees Emmuska orczy. 55-66,2 8 7 - 2 9 9 , 3 0 3 - 3 1 3 , 4 L t - 4 2 2 , 5 6 9 - 5 9 1 , 7 L g _ 7 3 0 .

' T h e S e r i o u s I l l n e s s o f M r C h r i s t o p h e r . r B y J . J . B e l l . 7 g - g 6 .' Jack Moxhamrs Mar ty rdom: A Schoo lboy rs Adven tu res in London . ' ByH u b e r t H o l l a n d . 1 0 1 - 1 0 7 .

' T h e D o l l i n t h e P i n k s i l k D r e s s . r B y L e o n a r d M e r r i c k . L l z - 1 2 2 .' T h e L e s s o n : A s t u d y i n T e m p t a t i o n , t B y E . F . B e n s o n . 1 2 3 - 1 3 0 .' c a n c e l l e d : A c h r i s t m a s s t o r y . r B y A . s t J o h n A d c o c k . L 3 6 - r 4 4 .' T h e G i r l a t t h e t { i n d o w : A s t o r y o f A r t s t u d e n t s i n p a r i s . ' B y E .N e s b i t . 1 5 5 - 1 6 1 .

' A P r o b l e m f o r s a n t a c l a u s : T h e s t o r y o f a J o u r n a l i s t r s c h r i s t m a sE x p e r i e n c e s . I B y G e o r g e E d g a r . 1 7 6 - 1 8 0 .

' T h e L a s t M a n : A S c i e n t i s t ' s c h r i s t m a s D r e a m . ' B y L a d b r o k e B l a c k .L 9 9 - 2 0 2 .

' T h e K i t t e n T h a t D i d : A c o m p l e r e N o v e l . ' B y L l o y d o s b o u r n e . z o g - 2 3 2 .' T h e S e r m o n : A C h r i s t r n a s S t o r y . r B y D o l f W y l l a r d e . 2 4 0 - 2 4 7 .' T h e c h u r c h i n t h e w i l d e r n e s s : A c a n a d i a n s t o r y . r B y M a r j o r i e L .

c . P i c k r h a l l . 2 5 2 - 2 5 6 .'The Hardy Hun tsman . I By H i lda Cobham. 257-263 .' K i n g T u t t l e b u r y I : T h e S t o r y o f t h e S t r a n g e E x a l t a t i o n o f a B a r o n e t . l

B y F o x R u s s e l l . 2 6 5 - 2 1 0 .'The Awaken ing o f Magg ie Taverner . ' By Rober t ch i ches te r . 2gL-2g5 .'Hunger and Two Go lden Sa lve rs . r By Warw ick Deep ing . 314-32 I .' W - h a c t h e A n g e l R e c o r d e d . r B y J . S t o r e r C l o u s t o n . 3 3 I - 3 4 2 .' T h e C u b i n T r o u b l e . ' B y R . S . W a r r e n B e l l . 3 4 3 - 3 4 7 .'K ing Mandr in : The Rob in Hood o f F rance . ' By May wynne . 355-362 .' T h e L i t t l e M o t h e r o f M a r y ' s F e r r y : A s t o r y o f w e s t e r n c a n a d a . ' B y

E r n i l y P . W e a v e r . 3 7 1 - 3 8 0 .' T h e B o n d s o f F r e e d o m : A S t o r y o f a W i f e r s A w a k e n i r r g . , B y E d i t h

B a r n a r d . 3 8 1 - 3 8 7 .' T h e q u e s t i n g o f M r M c M u n n . t B y A . E , A s h f o r d . 3 9 3 - 3 9 8 ." ' L u c k y ' ' G a l e . ' B y C h a r l e s T i b b i t s . 3 9 9 - 4 0 2 .' T h e S h a d o w o n t h e W a l l . ' B y C l i v e R . F e n n . 4 0 7 - 4 0 9 .' T h e

" G h o s t . " ' B y l t r s H e n r y D u d e n e y . 4 3 0 - 4 3 6 .'The unpremed i ta ted ce remony : A canad ian s to ry . t By L .M. Mon tgomery .

443-448.'The Homeward Way: A St r ik ing Story o f Jewish L i fe . '

454-462.B y S . L . B e n s u s a n .

' M a k i n g F r i e n d s . ' B y E . R . p u n s h o n . 4 6 8 - 4 7 3 .' A L i t e r a r y T e m p t a t i o n : A S t o r y o f a G i r l ' s J o u r n a l i s t i c E x p e r i e n c e s . l

By Thek la Bowser . 500-504 .The G i r l v i t h the Red ha i r . Ed . Max Pember ron . 543-560 , 691-703 .

90

' V e r o n i c a ' s V e r d i c t . r B y M a r i a n B o w e r . 6 L 2 - 6 I 9 .' R e d R u b b e r . ' B y P a u l U r q u h a r t . 6 2 5 - 6 3 L .' T h e D e a d C o n t r o l . r B y P a u l U r q u h a r t . 1 0 8 - j L 4 .' H e r P r i s o n e r . ' B y L e i l a B u r t o n W e l l s . 1 3 4 - 1 4 L .' T h e B u t t e r f l y . ' B y W . H e n r y M o r g a n . 7 5 L - 1 5 3 .' M i s s P a t t e r s o n a n d A n o t h e r . r B y C l i v e R . F e n n . 7 5 5 - 7 5 6 .' T h e T u r n i n t h e L a n e . ' B y M a b e l G r e e n w o o d . 4 8 I - 4 8 6 .' T h e w i v e s o f c a p t a i n s h a d r a c h . ' B y V . c r a n d a l l H i c k s . 5 0 5 - 5 1 2 .' M i s s D e l a m a r e a n d t h e l l i d d y . ' B y C h a r l e s G l e i g . 5 3 7 - 5 3 9 .La te r ch ron ic les o f the Burg la rs ' c lub . By Henry A . Her ing . 669-676 .' T h e L o n e T r a i l : A T h r i l l i n g S t o r y o f a R e d s k i n r s C o u r a g e a n d D e v o t i o n . '

B y N e w m a n F l o w e r . 6 0 3 - 6 1 0 .f M r s B e t t s ' s S u i t o r s . ' B y G e r t r u d e I n c e , 6 3 9 - 6 4 3 .' T h a t t s f o r R e m e m b r a n c e : A S t o r y . t B y G e o r g e E d g a r .' T h e G h o s t K n i g h t . r B y W a r w i c k D e e p i n g . 6 5 f - 6 5 8 .' I n C l o v e r : A n A u s t r a l i a n I d y l l . r B y F r a n k H e n r y .

5 0 ( M a y - O c t 1 9 I 0 ) [ A m e r i c a n e d . s . 4 v . 4 1 1

) . B y H e n r y A . H e r i n g .

P e m b e r t o n . 49-7 0 ,

Related by Her FriendO r c z y . 7 8 - 8 9 .' B y E m i l y c a l v i n B l a k e .

644 -647 .

7 4 2 - 7 4 4 .

' T h e D e l u d e d F e m a l e . ' B y J . J . B e l 1 . 3 - 1 1 .Later Chronic les of the Burglars ' Club (cont .

t g - 2 5 , L 2 4 - L 3 2 , 2 5 L - 2 5 9 , 3 6 9 - 3 7 6 .' R a c h e l . ' B y O w e n O l i v e r . 3 0 - 3 6 .' P o t s a n d P a n s . ' B y A n n a L e S a g e . 3 j - 4 4 .The G i r l n i t h the Red Ea i r ( con t . ) . Ed . Max

1 5 1 - 1 7 1 , 2 7 5 - 2 9 3 , 4 0 4 - 4 L 6 , 5 3 2 - 5 4 0 .Adventures of Lady llolly of Scotland yard as

l l a ry Granard (con t . ) . By Baroness' T h e A w a k e n i n g : T h e S t o r y o f a n E n g a g e d G i r l .

9 3 - 9 9 .' c e l i a r s B i d f o r F r e e d o m : T h e s t o r y o f a p e a c e m a k e r a n d H i s R e w a r d . '

B y K e b l e H o w a r d . 1 1 1 - 1 1 7 .' T h e H e a r t o f P r i n c e s s R o s a r i o . ' B y E l e a n o r M . r n g r a m . L 4 0 - r 4 7 .' T h e M e l o d r a m a t i c T o u c h . ' B y D o r o t h y G r e e n w o o d . I 7 7 - I 8 2 .' E i l e e n ' s L o v e r s . ' B y E m i l y c a l v i n B l a k e . 1 9 0 - f 9 4 .' S r a n d S e v e n - T w e n t y - e i g h t . ' B y A r m i g e r B a r c l a y . 2 O I - 2 0 7 .' R e l a t i v e V a l u e . ' B y W . G . y a r c o t t . 2 1 2 - 2 1 6 .' T h e r d e a . ' B y J . J . B e l l . 2 L 9 - 2 2 g .' L y d i a , t h e M a i d . ' B y D o u g l a s S l a d e n . 2 3 4 - 2 4 2 .' P h y l l i s . I B y I , i i l l i a m M a c l e o d R a i n e . 2 6 3 - 2 7 0 .' T h e L i t t l e W o m a n a n d t h e B u s y M a n . r B y E l e a n o r H o y t B r a i n e r d . 2 9 8 - 3 0 2 .' A M a t t e r o f M a p s . ' B y p a u l U r q u h a r t . 3 0 3 - 3 0 9 .' T h e C a s e o f K i t t y . ' B y K a t h l e e n F r a z e r . 3 1 5 - 3 f 9 .' B i l l P o d d e n ' s L u c k . ' B y A . p . G a r l a n d . 3 Z O - 3 2 4 .' T h e T u r n i n g o f t h e W o r m . ' B y S a r a h G r a n d . 3 2 5 - 3 5 0 .' T h e M a i d o f T a r r a g o n a . ' B y C a p t a i n F . H . S h a w . 3 5 1 - 3 6 9 .' H i s J a p a n e s e W i f e . r B y T h o m a s L e B r e t o n . 3 8 2 - 3 8 8 .' T h e B a t t l e I n / o n . r B y A l i c e & C l a u d e A s k e w . 3 8 9 - 3 9 9 .' W o n f r o m t h e B r i g a n d s . ' B y l " l a y W y n n e . 4 L 7 - 4 2 4 .' W h y t h e C l o c k S t o p p e d . ' B y A r n o l d B e n n e t t . 4 3 5 - 4 4 3 .' T h e R i c h M r s P e p p e r c o r n : A S h o r t s t o r y . ' B y K a t h a r i n e T y n a n . 4 4 4 - 4 5 0 .' A

Q u e e r M i x t u r e . ' B y J . J . B e l l . 4 5 7 - 4 6 4 .' A F r i e n d l y C a l l . ' B y F r e d M . W h i t e . 4 7 3 - 4 g 1 .' T h e H o n o u r o f V a l d i . ' B y E l e a n o r M . I n g r a m . 4 8 2 - 4 9 0 .

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VFRG I2: Csssell's Family MagazineI The untraceable author "Aleriel" is the pseudonym of the Reverend W.S. Lach-Szyrma, author of Aleriel: Or a tr oyage to Other Wrylds (1883); see pp. 45, 59, 60,62 ,63 ,64 .2 The anonymous story "The Schoolmistress at Skerne Dun" is bv Marv Linskill(pseud Stephen Yorke); see p 50.

92