Black Eyed Peas - The E.N.D. (Piano Selections)

7/29/2019 Black Eyed Peas - The E.N.D. (Piano Selections)

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Moderately fast

Boom Boom PowWords and Music by

Will Adams, Allan PinedaJaime Gomez and Stacy Ferguson

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI),Tab Magnetic Publishing (BMI), EMI April Music Inc. (ASCAP) and Headphone Junkie Publishing (ASCAP)

Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.

International Copyright Secured All Rights Reserved

µ

Got ta- get that. Got ta- get that. Got ta- get that.

mf

Got ta- get that, that, that, that, that boom,

µ

boom, boom. Got ta- get that

boom, boom, boom. Got ta- get that boom, boom, boom. Got ta- get that

boom, boom, boom. Got ta- get that boom, boom, boom, that

DigitalConversion ©2011 Sorgdalwith RedHeartBeat- For educationaluse only - notfor sale or trade.No warranty of accuracy or useability isimplied or cl

1



boom, boom, boom, that boom, boom, boom, boom, boom. Yo, I got that

hit

µ

that beat the block. You can get that bass o ver - load.- I got that

rock and roll, that fu ture- flow, that dig i- tal- spit, next lev el-

vis u- al- shit. I got that boom, boom, boom, how the beat bang

DigitalConversion ©2011 Sorgdalwith RedHeartBeat- For educationaluse only - notfor sale or trade.No warranty of accuracy or useability isimplied or claimed.

2



boom, boom, boom. I like that boom,

µ

boom, pow. Them chick ens- jack in’- my style. They try to

cop y- my swag ger.- I’m on that next shit now. I’m so three thou sand - and eight; you so two

thou sand - and late. I got that boom, boom, boom, that fu ture- boom, boom, boom. Let me get it now.

Boom,

µ

boom, boom. Got ta- get that boom, boom, boom. Got ta- get that


3





ape shit,- uh. Y’all stuck on su per- eight shit, that low - fi stu pid- eight bit. I’m on that

H D- flat, this beat go boom,

(Boom,boom,boom.)

pow. I’m a

beast

µ

when you turn me on in to- the fu ture- cy ber- tron.- Hard er,-

fast er,- bet ter,- strong er.- Sex y- la dies,- ex tra- long er.- ’Cause we got the beat that bounce.


5



We got the beat that pow. We got the beat that eight o- eight,- that boom boom in your town.

µ

Peo ple- in the place,

3 33

3 3

3

if you wan na- get down, put your hands

3 33

3 3

3

in the air. Will. i.- am,- drop the beat now. Yup,


6



yup.

µ

I be rock in’- them beats. Yup, yup. I be rock in’- them

beats. Yup, y yup,- yup. Huh, huh, huh!

Here

µ

we go, here we go, sat el- lite- ra di- o,- y’all get tin’- hit with the boom,

Boom!

boom.

Boom!


7



Beats so big I’m step pin’- on lep re- chauns,- shit tin’- on y’all with the boom,

Boom!boom,

Boom!

shit tin’- on y’all with the boom,

Boom!boom,

Boom!shit tin’- on y’all with the…

This beat be bump in’,- bump in’.- This beat go boom, boom.

µ

Let the beat rock.


8



D.S. al Coda

L L- L- L- Let - the beat rock.

Let the beat rock.

This beat be bump in’,- bump in’.- This beat go boom, boom.

I like that


9



Coda

boom, boom, boom.

µ

Let the beat rock.

Let the beat rock. Let the beat rock. Let the beat…

Let the beat rock. Let the beat rock, rock, rock, rock.


10



Moderately fast

Rock That BodyWords and Music by

Will Adams, Allan Pineda, Jaime GomezJean-Baptiste Kouame, Stacy Ferguson

Robert Ginyard Jr., David GuettaJaime Lim Munson, Mark Knight and Adam Walder

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI) Tab Magnetic Publishing (BMI),Cherry 315 Publishing (ASCAP), The Bad Bad Guys (ASCAP), EMI April Music Inc. (ASCAP),

Headphone Junkie Publishing (ASCAP), Dynatone Publishing Company (BMI),Rabasse Music, Ltd. (PRS), Warner/Chappell Music Ltd. (ASCAP), What A Publishing Limited (ASCAP), Square Rivoli Publishing (SACEM),

Listen Deep Music (BMI), Reverb Music Ltd. (PRS) and Toolroom Publishing (PRS)Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.

Worldwide Rights for Cherry 315 Publishing and The Bad Bad Guys Administered by Cherry Lane Music Publishing Company, Inc.All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.

All Rights for Dynatone Publishing Company Administered by Warner-Tamerlane Publishing Corp.All Rights for Rabasse Music, Ltd. Administered by WB Music Corp.

All Rights for What A Publishing Limited Administered by Shapiro, Bernstein & Co., Inc.International Copyright Secured All Rights Reserved

- contains sample of “It Takes Two (which contains sample of “Think (About It)”)

1.

2.

µ mf

I

µ

wan na- rock right now. I wan na,- I wan na- rock right now. I wan na,-

I wan na- rock right now, now, now. Rock right now. I wan na,- I wan na- rock right


1



now.

Bb

I wan na- da-, I wan na- dance

3fr

Gm

in the lights.

Dm

I wan na- ro-, I wan na- rock

F

your bod y.-

Bb

I wan na- go, I wan na-

go

3fr

Gm

for a ride.

Play 1st time only

Dm

Hop in the mu sic- and rock

F

your bod y-

Play 2nd time only

Dm

Hop in the mu sic- and rock your bod y-


2



C To oda

Rock right.

Bb

that bod y,- c’ mon,- c’ mon,- rock

3fr

Gm

that bod y.-Rock your bod y.-

Rock

Dm


F

that bod y.-

Rock

Bb


3fr

Gm

that bod y.-Rock your bod y.-

Rock

Dm

that bod y,- c’ mon,- c’ mon,- rock thatLet

bod

Tacet

me seey.-

your

3 3

3

3


3



bod

Bb

y- rock, shak ing- it from the bot

3fr

Gm

tom- to top. Freak to what the

3 3 3 3 3

3

3

3 3

3

D

Dm

J- drop. We be the one to make

F

it hot. (To make it hot.) E

3 3 3 3 3 3 3

-

3 3

3

3 3 3 3

lec

Bb

tric- shock, en er- gy- like a bil

3fr

Gm

lion- watts. Space be boom in’,- the

3 3 3 3 3 3

3 3

3

3 3

3

speak

Dm

ers- pop. Ga lac- tic- comb, we missed a spot. We bump in’- in your

3 3 33

3 3 33

3 3 3

3

3 3 3

3


4



Park

park

Bb

ing

in’

-

-

lot.

lot.

When you com in’- up in

3fr

Gm

the spot, don’t bring noth in’- we

3

3 33

3 3 3

3 3

33 3

3

call

Dm

pink dot ’cause we burn in’- a round

F

- the clock. Hit the lights and then

3 3 3 3 3 3

3 3 3 3 3 3

turn

Bb

them off. If you bring that, don’t make

3fr

Gm

you stop. Like the jun gle- we

3 3 3 3 3 3

3 3 3 3 3 3

run

Dm

the block. No one roll in’- the way

Tacet

we rock, way we I

rock.wan na,-

3 3 3 3

3

3 3 3 3 3


5



D.S. al Coda

Coda

I

µ


I wan na- rock right now.

rock,

Tacet

rock that, that bod-, bodSu

y,-per

-y.- fly

Bb

- la dies,- all of my su per-

3

-

3

fly

3fr

Gm

la dies,- all of my su per- fly

Dm

- la dies,- all of my su per-,-

F

su per- fly- la dies.Yeah,

-

3 3

3 3


6



you

Tacet

could be big ball in’- long

3fr

Gm

as you feel like your own. You

Dm

could be the mod el- type,

skin

F

ny- with no ap pe- tite.- Short,

Bb

stacked, black or white, long

3fr

Gm

as you do what you like.

Bod

Dm

y- out ta- sight, bod y,- bod

F

y- out ta- sight. She does the

two

Bb

step- and the tongue drop. She does the cab

3fr

Gm

bage- patch and the bus stop. She like e -


7



lec

Dm

tro,- she love hip hop.- She like the reg

F

gae,- she feel punk rock. She love

sam

Bb

ba- and the mam bo.- She l ike to break

3fr

Gm

dance- and ca lyp- so.-

Get

Tacet

a lit tle- cra zy,- get a lit tle- stu pid.- Get a lit tle- cra zy,- cra zy,- cra zy.-

3 3 3 3

3

3

3 3

Bb

I wan na- da-, I wan na- dance

3fr

Gm

in the lights.

Dm

I wan na- ro-, I wan na-

mp


8



rock

F

your bod y.-

Bb

I wan na- go, I wan na- go

3fr

Gm

for a ride.

Dm

Hop in the mu sic- and rock your bod y- right.

Bb

cresc. mf

3fr

Gm

Dm

Rock

F

your bod y-

right.

µ

C’ mon,- yeah!


9



1.

2.

Rock that bod y,- c’ mon,- c’ mon,- rock that bod y.-

C’ mon,- yeah!

Rock that bod y,- c’ mon,- c’ mon,- rock that bod y.-

Go,

go,

Bb

oh, oh, oh, oh,

3fr

Gm

oh, oh. Now go,

Dm

oh, oh, oh,

oh,

F

oh, oh. Now oh,

F

oh, oh. I, I, I, I, I, I, I wan na,-


10



I

Bb

wan na- rock right now.

3fr

Gm

I wan na,- I

Dm

wan na- rock, I wan na,-

I

F

wan na- rock. Now go,

Bb

oh, oh, oh, oh,

3fr

Gm

oh, oh. I wan na,-

I

Dm

wan na- rock. I wan na,- I

F

wan na- rock. Now go,

Bb

oh, oh, oh,

oh,

3fr

Gm

oh, oh. Now go,

Dm

oh, oh, oh, oh,

F

oh, oh. I, I, I, I, I, I, I wan na,-


11



I

Tacet


I

µ

wan na- rock right now, now, now, rock right now. I wan na,-

I wan na- rock right now. I wan na,- I wan na- rock right now. I wan na,-

I

Tacet

wan na- rock right now.


12



Moderately fast

Meet Me HalfwayWords and Music by

Will Adams, Allan Pineda, Jaime GomezJean-Baptiste Kouame, Stacy Ferguson

Keith Harris, Printz Board, Sylvia GordonKaren Orzolek, Brian Chase and Nick Zinne

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI) Tab Magnetic Publishing (BMI),Cherry 315 Publishing (ASCAP) The Bad Bad Guys (ASCAP), EMI April Music Inc. (ASCAP),

Headphone Junkie Publishing (ASCAP), Broke Spoke And Gone Publishing (ASCAP), Songs Of Universal, Inc. (BMI),Printz Polar Publishing (BMI), Downtown Music Publishing LLC (ASCAP) and Chrysalis Music Ltd. (BMI)

Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.Worldwide Rights for Cherry 315 Publishing and The Bad Bad Guys Administered by Cherry Lane Music Publishing Company, Inc.

All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.All Rights for Broke Spoke And Gone Publishing in the world excluding U.S. and Canada Controlled and Administered by Universal Music Corp.

All Rights for Printz Polar Publishing Controlled and Administered by Songs Of Universal, Inc.All Rights for Chrysalis Music Ltd. in the U.S. and Canada Administered by Chrysalis Songs

International Copyright Secured All Rights Reserved- contains a sample of “Maps”

G/B

Ooh,

A/C#

I

F#m7

can’t go an y- fur

Gmaj7

ther- than this.

3

mf

3

G/B

Ooh,

A/C#

I want you so bad

F#m7

ly;- it’s my

Gmaj7

big gest- wish.

3

3

Hoo.

G/B

I spend my time just think

A/C#

in’,- think in’,- think

(Think

in’

in’

--

’bout

’bout

you.

you.

F#m7

Ev ’ry- sin gle- day,


1



yes,

Gmaj7

I’m real ly- miss in’,- miss

Miss

in’

in’

--

you.

you.

G/B

And all those things we used

A/C#

to, used to, used to, used

Used

to

to

do.

do.

F#m7

Hey, girl, wuz up? It used

Gmaj7

to, used to be just me

Me

and

and

you.

you.

G/B

I spend my time just

think

A/C#

in’,- think in’,- think

Think

in’

in’

-

-

’bout

’bout

you.

you.

F#m7

Ev ’ry- sin gle- day, yes,

Gmaj7

I’m real ly- miss in’,- miss in’-

you.

G/B

And all those things we used

A/C#

to, used to do, used

Used

to

to

do.

do.)

F#m7

Hey, girl, wuz up? Yo.


2



Gmaj7

Wuz

Can

up,

you

wuz

meet

up,

me

wuz

half

up?

way,

G/B

- right at the bor

A/C#

der- line?- That’s where I’m gon na-

wait

F#m7

for you.

Gmaj7

I’ll be look in’- out

G/B

night ’n’

day.

A/C#

Took my heart

F#m7

to the lim it- and this

Gmaj7

is where I’ll stay.

* G/B

(Ah,

A/C©

ah.)

I

F#m7

can’t go an y-

*On both D.S.’s, play next 8 bars (from * to **) twice before proceeding to Coda.


3





D.S. al Coda I

Coda I

self,

Gmaj7

my self - to take me whereWhere

you you

be.be.

G/B

’Cause, girl, I want, I,

A/C#

I, I want you right Right

now.

now.

F#m7

I trav el- up town,-

Gmaj7

-town. I trav el- down

Down

town.

town.

G/B

--

Wan na- have you a round,-

A/C#

’round like ev Ev

’ry’ry

--

sinsin

glegle

--

day.day.)

F#m7

I love you al way’,-

Gmaj7

-way’.Can

I’llyou

meet meet

youme

half half

- …-

µ

Let’s walk the bridge to the oth er - side,


5





For, for, for

For you

youand

and I.

I.For, for, for, for

For you

youand

and I.

I.

For, for

For you

youand

and I.

I. For you and I.)

µ

Can you meet me half way?-

Can you meet me half way?-

Em

Can you meet me half -


7





Moderately

Imma BeWords and Music by

Will Adams, Allan Pineda, Jaime Gomez, Stacy FergusonKeith Harris, Jared M. Tankel, Daniel F. Foder Jr.

Thomas R. Brenneck and Michael Deller

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP), Broke Spoke And Gone Publishing (ASCAP) and Defend Songs (BMI)Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.

All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.All Rights for Broke Spoke And Gone Publishing in the world excluding U.S. and Canada Controlled and Administered by Universal Music Corp.

All Rights for Defend Songs Administered by Kobalt Music Publishing America, Inc.International Copyright Secured All Rights Reserved

- contains sample of “Ride Or Die”

Play 3 times

mf

3frGm 3frCm

Im

Tacet

ma- be, Im ma- be, Im ma,- Im ma,- Im ma- be. Im ma- be, be, be, be, Im ma,- Im ma- be.

Fm

Im

Tacet

ma- be, be, be, be, Im ma,- Im ma- be. Im ma- be, be, be, be, Im ma,- Im ma- be.


1



3fr

Gm3fr

Cm

ImIm

µ

mama

--

bebe.

on the next lev el.- ImIm

mama

--

bebe.

rock in’- o ver - that bass tre ble.- ImIm

mama

--

bebe.

chill in’- with my muth a,- muth a- crew. Im

Immama

--

bebe.

mak in’- all them deals you wan na- do. Huh! ImIm

mama

--

bebe.

Fm

up

µ

in them A list - flicks, do i n’- one hand - ed - flips, and Im ma- be sip pin’- on trick ’cause


2



ImIm

mama

--

bebe.

shak in’- my hips. You

3fr

G5

gon’ be lick

3fr

Cm

in’- your lip. ImIm

mama

--

bebe.

tak in’- them

pics,

Fm

look in’- all fly and shit. Im

Imma

ma--

be

be.the fly est - chick.

(So fly.)

Im

Im

ma

ma

-

-

be

be.

spread in’- my wings. Im

Im

ma

ma

-

-

be

be.

do in’- my thing.

Do it, do it!

O K!

-

ImIm

ma,ma,

--

ImIm

mama.

--

(Swing

swing

it

it

this

this

a

a

-

-

way.

way. ImIm

ma,ma,

--

Im ma,-

Im

ImIm

ma,

ma,ma,

-

--

Im

ImIm

ma

mama.

-

--

swing

swing

it

it

that

that

a

a

-

-

way.)

way. It’s Fer gie,-


3



Fer gie.- Im

Imma,

ma,--

Im

Imma

ma--

be

be.here to stay,

3fr

G5

the twen

3fr

Cm

ty- first - cen tu- ry- un til- in fin- i- ty.-

Im

Tacet

ma- be, Im ma- be, Im ma,- Im ma,- Im ma- be. Im ma- be, Im ma- be, Im ma,- Im ma,- Im ma- be.

Rich

Tacet

ba by- wit, wit

Im ma,- Im ma,- Im ma- be.the shit. Ba by,- check me out.

Be,

Im ma,- Im ma- be.

Fm

On

Tacet

top, nev er -Be,

stop.

be,

Im ma,- Im ma- be. Im ma- be, be, be,

be,

Im ma,- Im ma- be,


4



Im ma- be.

Fuck ing- her.Im ma,- Im ma,- Im

3fr

G5

ma- be.Im

3fr

C5

ma- be, be, be, be,Yeah,

Im yeah,

ma, yeah,- Im

Immama

--

be.be the

up

µ

grad - ed - new Ne g- ro.- Im

Imma

ma--

be

be.the av ’rage- broth a- with soul. Im

Imma

ma--

be

be.

world wide- in ter - na- tion- al.- Im

Immama

--

bebe.

in Ri o,- rock in’- To ky- o.- ImIm

mama

--

bebe.

Fm

bril

µ

liant - with my mil lions.- Loan out a bil lion,- I get back a tril lion.- ImIm

mama

--

bebe.

a


5



broth a,- but my name ain’t Leh man.- Im

Im

3fr

G5

mama

--

bebe.

ya bank;

3fr

Cm

I be loan in’- out se men.- Hon ey’s- in

debt,

Fm

ba by- bounc in’- them checks,

Bbm/F

but I don’t real ly- mind

Fm

when they bounc in’- them checks.

Bbm/F

ImIm

mama

--

be,be,

ImIm

Fm

mama,

--

be, Im ma,Im

- ma,ma,-

Im,Im,

ImIm

Bbm/F

mama

--

bebe.

rich, ba by.- ImIm

Fm

mama

--

be,be,

ImIm

mama

--

be,be,

Im, ImIm

3fr

Cm7

mama

--

bebe.

sick with the

flow

Fm

when the goal was to rock

Bbm/F

the whole globe. ImIm

Fm

mama

--

bebe.

the fu ture;- ImIm

Bbm/F

mama

--

bebe.

the whole


6



rea

Fm

son- why you e ven- wan na- come to a show.

3fr

G5

You can see

3fr

Cm

what I’m rock in’- and I’m pick in’- out a gold en.-

3 3

Im

µ

ma- be up in the club, do in’- what ev- er- I like.

Im ma- be pop pin’- that bub b- ly,- cool in’- and liv in’- that good life.

Oh,

Fm

let’s make this last

Eb/G

for ev- er,- par

4fr

Ab

ty- in’- when you’re

Bbm

to geth- er.-

grad. accel.


7



A little faster

On

3fr

Cm

and on and on

4fr

Db

and on and on

6fr

Eb

and on and on

6fr

Eº7

and on and…

Im

µ

ma- be rock in’- like this. (What!) Y’all nig gas- wan na- talk shit? (But!)

*Optional: Play L.H. an octave lower till end.

*

Won’t you put it on the blog, nig ga;- rock in’- like this my job, nig ga.-

We can’t help that we pop u- lar,- and all these folks want to flock to us.


8



1.2.

3.

Come to a show and just rock with us; a mil lion- plus with bi noc- u- lars.-

3fr

Dm9

Im ma- be, Im ma- be,

6fr

Bbm9

Im ma- be,

5fr

Eb9

Im ma- be.

3fr

Dm9

Im ma- be liv in’- that good life. Im ma- be liv in’- that good, good…

ma be liv in’- that good, good… Im ma- be, Im ma- be,

6fr

Bbm9


9



Im ma- be,

5fr

Eb9

Im ma- be.

3fr

Dm9

Im ma- be liv in’- that good life. Im -

ma be liv in’- that good, good… Im ma- be,

(Fue go,

6fr

Bbm9

-

5fr

Eb9

cra

Im ma- zy,

be,

3fr

Dm9

- lo ca,-

Im ma- be, Im ma- be,

6fr

Bbm9


10



Im ma- be,

5fr

Eb9

Im ma- be.

3fr

Dm9

lo-, lo ca.)-

Im ma,- Im ma,- Im ma- be rock in’- that

6fr

Bbm9

A pl.- de.- be

5fr

Eb9

in fi- nite.-

3fr

Dm9

B. E.- P.- we def i- nite- -

ly on some next lev el- shit. Fu tur - is- tic- mu si- c’lly,-

6fr

Bbm9


11



pow er - ful- with

5fr

Eb9

en er - gy.-

3fr

Dm9

From the soul, we son i- c’lly-

send ing- pos i- tiv- i- ty- a cross- the globe and sev en- seas.

6fr

Bbm9

Take care of our

5fr

Eb9

fam i- lies.-

3fr

Dm9

Rock this show ex pect - in’- cheese.

Im ma- be out with my Peas. Liv in’- life, feel in’- free;

6fr

Bbm9


12



that’s how it sup

5fr

Eb9

posed - to be.

3fr

Dm9

Come join my fes tiv- i- ties.-

Cel e- brate- like “Im ma- be.” Im ma- be, Im ma- be,

6fr

Bbm9

Im ma- be,

5fr

Eb9

Im ma- be,

3fr

Dm9

Im ma- be, Im ma- be, Im ma- be, Im ma- be,

Tacet

Im ma- be, Im ma- be, Im ma- be, Im ma- be.


13



Moderately fast

I Gotta FeelingWords and Music by

Will Adams, Allan PinedaJaime Gomez, Stacy Ferguson

David Guetta and Frederic Riestere

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP), Square Rivoli Publishing (SACEM) and Rister Editions (SACEM)


All Rights for Square Rivoli Publishing and Rister Editions in the U.S. Administered by Shapiro, Bernstein & Co. Inc.International Copyright Secured All Rights Reserved

mf

G C

Em C

G C

Em

C

I got ta- feel-


1



ing

G

that to night’s-

C

gon na- be a good

night, that to night’s-

Em

gon na- be a good night, that to night’s-

C

gon na- be a good, good night. A feel ing

G

-

(Woo

hoo.)

that to night’s-

C



2





Let’s get, get off.

G

I know that we’ll have a ball if we get

C

down and go out and just lose it all. I feel

Em

stressed out. I wan -

na let go. Let’s go way

C

out, spaced out and los ing- all con trol.- (Ch ch- ch- ch.)-

G

Fill up my cup. Ma zel- tov!

C

Look at her danc ing;-


4



just take it off.

Em

Let’s paint the town. We’ll shut it down.

C

Let’s burn the roof and then we’ll do it a gain.-

G

Let’s do it, let’s

do it, let’s do it, let’s do it,

C

and do it, and do it. Let’s live it up, and

do

Em

it, and do it, and do it, do it, do it. Let’s do

C

it. Let’s do it. Let’s


5



1.

2.

do it, ’cause I got ta- feel ing

G

-(Woo hoo.)

that to night’s-

C


Em

gon na- be a good

night, that to night’s-

C

gon na- be a good, good night. A feel -

good night.

G

To night’s- the night.

Hey!

Let’s live it up.

Let’s live it


6



up.

C

I got my mon ey.

I’m-

paid. Let’s spend it up.

Let’s spend it up.

Em

Go out and smash it.

Smash it.

Like, oh my God.

Like, oh my God.

C

Jump off that so fa.-C’ mon!-

Let’s get, get off.

G

Fill up my cup.

Drink!

Ma zel- tov!

L’ chay- im!-

C

Look at her danc ing;-

Move it,

move

just it.

take it off.

Em

Let’s paint the town.Paint the town.

We’ll shut it down.We’ll shut it down.


7



C

Let’s burn the roof,

Woo.

and then we’ll do it a gain.-

G

Let’s do it, let’s

3

do it, let’s do it, let’s do it,

C

and do it, and do it. Let’s live it up, and

do

Em

it, and do it, and do it, do it, do it. Let’s do

C

it. Let’s do it. Let’s

do it, do it, do it, do it. Here

G

we come, here we go. We got ta- rock.


8



Eas

C

y- come, eas y- go. Now we on top. Feel

Em

the shot, bod y- rock.

Rock it, don’t stop. Round

C

and round, up and down, a round - the clock.

Mon

G

day,- Tues day,- Wednes day- and Thurs day. Do

-it!

Fri

C

day,- Sat ur- day.-

Sat ur- day- to Sun day. Do

-it!

Get,

Em

get, get, get, get with us. You know what we say, say:


9



1.

2.

Par

C

ty- ev ’ry- day. P P- P- Par- ty- ev ’ry- day. And I’m feel ing

G

-(Woo

hoo.)that to night’s-

C


Em


C

gon na- be a good,

good night. A feel - good night.

G

(Woo hoo.)


10



Moderately fast

AliveWords and Music by

Will Adams, Allan Pineda, Jaime GomezJean-Baptiste Kouame and Stacy Ferguson

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),Cherry 315 Publishing (ASCAP), The Bad Bad Guys (ASCAP), EMI April Music Inc. (ASCAP) and Headphone Junkie Publishing (ASCAP)

Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.Worldwide Rights for Cherry 315 Publishing and The Bad Bad Guys Administered by Cherry Lane Music Publishing Company, Inc.

All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.International Copyright Secured All Rights

G6

I got so

A

much love

F#m7

for you,

mf

dar

Bm7

ling.-

A

And I,

G6

I wan na-

let

A

you know how I feel.

F#m7

And it’s true


1



(1.2.)

(3.) Instrumental…

G6

that I love you,

A

and it’s true

F#m7

you’re the on -

Bm7

ly one.

A

And I do,

G6

I

… Instrumental ends

a dore- you,

A

andAnd

it’sit’s

true,true,

F#m7

girl.girl.

You make me feel a li- -

G6

i i- ive.-

A



2



To Codas I & II

F#m7

i i- ive.-

Bm7

You make me

A

feel a li- -

G6

i i- ive.-

A


F#m7

i i- iYou

-said, you said,

ive.you

-

said

G6

that I’m the on(On

lyly

--

one.one.

You said

A

that I’m your numNum

berber

--

one.one.


3



Now

F#m

you’re gone and II

feelfeel

numb.numb.

Tell

Bm7

me, where did weWe

A

gogo

wrong?wrong?)

You

G6

were my best friend and boy friend.- Now

A

it seems like you’re my worst friend.

F#m7

I got ta- do soul search ing.- With

Bm7

out- you I’m a whole

A

dif f’rent- per son.-

I

G6

ain’t act ing- like(Like

II

usedused

to.to.

I

A

don’t feel loved likeLike

II

usedused

to.to.


4



D.S. al Coda I

Coda I

It

F#m7

was your love II

waswas

usedused

to.to.)

Bm7

Why did I have

A

to lo lo- lo- -

lose

G6

your love, your love, your love?

A

Your love is what it

was

F#m7

that had me feel ing- buzzed. You areAndmy

it’strue

truelove.

i ive.-

G6

A

F#m7

Bm7

A

mp


5





3fr

G5

I don’t e ven- act like how I used

Used

to.

to.

A5

I don’t e ven- feel loved like I used

Used

to.

to.

F#5

I guess it’s your love that I’m used Used

to.to.

B5

Yeah.Yeah,

µ

I feel bad I had to loseLose

you.you.

3

3fr

G5

I got so man y- things I wan na…-Say,

µ

say, say, say.

A5

I guess this means that I’m missMiss

inging

--

you.you.

F#5

Sor ry- for the things that I did to you. I’m

I’m

µ

so

solost

lostwith

withAnd

out

out--

it’syou. you.

true


7



3fr

G5

that I love you,

A5

and it’s true

F#5

you’re the on -

Bm

ly one.

A

And I do,

Tacet

Gmaj7

I

… Instrumental ends

a dore- you,

A

and it’s true,

F#m

girl. You

Tacet

make me feel a li-

Gmaj7

i- i- ive.-

A

You make me feel a li-

F#m

i- i- ive.-

Bm

You make me

A

feel a li- -


8



Tacet

i

3fr

G5

i- ive.-

A5

You make me feel a li-

F#5

i- i- -

i

Tacet

ive.-

G

A

La

µ

dee dee da la dee da la da la dee da la dee da.

G

A

La

µ

dee dee da la dee da la da la dee da la dee


9



D.S. al Coda I

Coda II

Play 4 times

da.

G

I got so

A

much love. La

µ

dee dee da la dee da la

da la dee da la dee da.

G

I got so

A

much love.

L.H.

La

µ

dee dee dee dee dee dee dee la la la Instrumental…

la.

L.H.

i ive.-

µ


10



µ

So eas y- to fall in love with you and all the things that you do.

Ba by- girl, you’re so re mark - a- ble,- so spe cial,- so won der- ful.-

So spe cial,- so won der- ful.- So spe cial,- so won der- ful.-

Ba by- girl, you’re so re mark - a- ble,- so spe cial.-


11



Moderately fast

Missing YouWords and Music by

Will Adams, Allan Pineda, Jaime GomezJean-Baptiste Kouame, Stacy Ferguson and Printz Board

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI),Tab Magnetic Publishing (BMI), Cherry 315 Publishing (ASCAP), The Bad Bad Guys (ASCAP),

EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP), Songs Of Universal, Inc. (BMI) and Printz Polar Publishing (BMI)Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.

Worldwide Rights for Cherry 315 Publishing and The Bad Bad Guys Administered by Cherry Lane Music Publishing Company, Inc.All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.

All Rights for Printz Polar Publishing Controlled and Administered by Songs Of Universal, Inc.International Copyright Secured All Rights Reserved

3fr

Cm

I can’t stand an oth- er- night,

6fr

Eb

mf

stand an oth- er- night

3fr

Gm

with out- you.

Dm/F F

Since you’ve

3fr

Cm

been a way,- ev ’ry- thing-


1





To Coda II

To Coda I

love,I’m

love.miss in’- your love.

Dm/F

Love, love,

F

love.

µ

Yo! Yo! Yo!

Ev ’ry- day, ev ’ry- day that

µ

you’ve gone I’m sing ing- that

sad song. If lov in’- you is wrong, then, then I


3



must be wrong. E-, e ven- when I’m gone,

Don’t go aOu-,

way.-our

love is strong.

Don’t go a way.-You’re the one I want.

Don’t go a way.-You’re my

n-, you’re my n-, you’re my num ber- one. Yeah, our love ain’t go in’- out of

fash ion.- I need your love, your pas sion.- The love is ev er- -


4



D.S. al Coda I Coda I

last ing,- last ing,- last ing,- last ing.-

Last ing,- last ing,-

last ing.- Since

µ

When I’m out


5



on

µ

the roadI’m miss ing- you.

rock in’- them showsMiss ing- you.

up in

Mon a- co-

I’m miss ing- you.mak in’- gold, well, it

may seem plush

I’m miss ing- you.

and glam or- ous,-

Miss kiss ing- you.

but I

miss your touch.I’m miss ing- you.

Yeah, IOh,

miss youroh,

touch.oh.

I spend


6



D.S. al Coda II

all my time

Miss ing- you.with you in mind.

Miss ing- you.My

mind’s on you ’cause all I am

I’mis

missmiss ing-

ing-you.

you, miss ing- you.

I’m miss ing- you. I’m miss ing- you.

Since


7



Coda II

love,

F

love.

3fr

Gm

With out- you,

3fr

Gm

girl, I don’t know what to do,

you,

Dm

with out- you. Girl,Do,

I nevdo,

3fr

Gm

er - had nothdo.

ing- like this when I’m all

sprung, caught up like this. May be- it’s your face,

Dm

girl; may be- it’s your lips. May be- it’s the


8



way

3fr

Gm

you shake them hips. Ba by,- it’s the way you do what you do that got me

all love struck - on you. I be just

Dm

like an um brel- la- the way

I’m

3fr

Gm

all o ver - you. I know them oth er - voice be call ing- you, but they just want a

piece; I want all of you. Take my time

Dm

just spoil ing- you ’cause I know


9



I’m

3fr

Gm

in love with you, with you, with you.

Please, ba by,-

don’t go.

5fr

Dm7

I’m need

4fr

Dbm7

ing- you

3fr

Cm7

now.

µ

I’m


10



miss

3fr

Cm

ing- you. Oh, oh, oh. I’m miss ing- you. Oh,

6fr

Eb

oh, oh. I’m

miss ing- you. Oh, oh, oh.

3fr

Gm

I’m miss ing- you, miss ing- you. I’m

miss

Dm/F

ing- you. I’m miss

F

ing- you. Hey!

3fr

Cm

I’ll miss your love,

Love,

girl, I’ll

miss,

love,

I’ll miss your love.

love.

6fr

Eb

I’ll miss your love,

Love,

girl, I’ll


11



miss,love,

I’ll miss yourlove.love. Hey!

Tacet

I’ll miss

3fr

Gm

your love,Love,

girl, I’ll miss,love,

I’ll miss your love.love.

Dm/F

I’ll miss your love,Love,

girl, I’ll miss,love,

F

I’ll miss your love,love.

love.

µ


12



Moderately fast

Ring-a-LingWords and Music by

Will Adams, Allan Pineda, Jaime GomezStacy Ferguson and Keith Harris

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP) and Broke Spoke And Gone Publishing (ASCAP)


All Rights for Broke Spoke And Gone Publishing in the world excluding U.S. and Canada Controlled and Administered by Universal Music Corp.International Copyright Secured All Rights Reserved

1.

µ

mf

µ

Ring, ring, ring. Hel lo,- hel lo,- hel -

lo? Dang a- dang- a.-


1



2.

a. Yo, my phone go ring

µ

a- ling- a- ling- ling,- ring a- ling- a- ling- ling,-

ring a- ling- a- ling- ling,- ring a- ling- a- ling- ling,- ring a- ling.- Hel lo,- hel lo,- hel -

R.H.

lo, hel lo,- hel lo?-

Then

’Cause

the

the

girls

girl

want ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,-

ring a- ling- a- ling- ling,- ring a- ling- a- ling- ling,- ding a- ling.- Dang a- dang- -

R.H.


2



1.

2.

a dang- a- lang.-

My phone go

a dang- a- lang.-

Ring

µ

a- ling- a- ling.- Who call in’- king? Some lit tle- queen need a full arm sting.

Ear ly- in the morn for a lit tle- fling, fling. Girl, it ain’t nut tin’- but a thing, thing, thing. But

R.H.

ba by,- don’t cling (No!), cling to a man. (No!) If you know the boom, boom, stick to the plan. (Huh!) I’ll


3



meet you in the room soon. Ding a- ling- a- then. (Hey!) Give in to your la dy.- I’m the lov er,- lov er - man. ’Cause

R.H.

get read y- for you know what. (Food?) No. (Food?) No. (Drinks?) No. (Sex?) Yes! If

freak

µ

is freak y,- then freak y- Im ma- get. I love you like you’ve nev er - been loved like this ’cause

R.H.

I, oh, I got some thing- for


4



ya, ba by.- Hon ey,-

R.H.

I,

µ

oh, I, I got some thing- for

ya, ba by.- ’Cause if I’m

R.H.

call in’- at two in the morn in’,- it on ly- means one


5



thing, ba by.- And the phone goes

R.H.

ring

µ

a- ling- a- ling- ling,- ring a- ling- a- ling- ling,- ring a- ling- a- ling- ling,- ring a- ling- a- ling- ling,-

ring a- ling.- Hel lo,- hel lo,- hel lo,- hel lo,- hel lo?- Then the girls want

R.H.

ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,-


6





Pick it up, pick it up. No warn ing.- Im ma- an swer - the phone for she on it.

R.H.

Yeah, yeah, yeah, I want it late night tip bang. You can go get right,

get right, get right, long as the head right. Me and you in the whip of the red light. So

R.H. R.H.

put it all o ver- me, all o ver- me. Tell me where you wan na- do it. Tell me how you wan na- feel.


8



Ba by,- we can do it fast. Ba by,- we can do it slow. Tell me where you wan na- go. Tell me where you wan na- be.

R.H. R.H.

Yeah, and I hope that it’s next to me. You don’t want to have sex with me?

Then why you keep text in’- me? A ight,- Im ma- hit your back lat

Hon

er.

ey,

-

-

R.H.

I,

µ

oh, I, I got some thing- for


9



D.S. al Coda

Coda

ya, ba by.- ’Cause if I’m

R.H.

call in’- at two in the morn in’,- it on ly- means one

thing, ba by.- And the phone go

R.H.

a dang- a- lang.

And-

the phone go ring

µ

a- ling- a- ling- ling,- ring a- ling- a- ling- ling,-


10



ring a- ling- a- ling- ling,- ring a- ling- a- ling- ling,- ring a- ling.- Hel lo,- hel -

R.H.

lo, hel lo,- hel lo?- Then the girls want ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,-

ding a- ling- a- ling- ling,- ding a- ling- a- ling- ling,- ding a- ling.- Dang a- dang- -

R.H.

a dang- a- ling.- And I,

µ

oh,


11



I got some thing- for ya, ba -

R.H.

by. ’Cause if you call in’,- call in’- two in the morn -

in’, it on ly- means one thing:

One thing, ba by.-

R.H.

Boo ty- call. Boo ty- call.


12



Boo ty- call. B B- Boo- ty- call. B -

R.H.

B Boo- ty- call. B B- Boo- ty- call. B B- B- -

B Boo- ty- call.

R.H.

µ

R.H.

µ


13



Moderately fast

Party All the TimeWords and Music by

Will Adams, Allan Pineda, Jaime GomezStacy Ferguson, Adam Freeland and Alexander Drury

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP) and David Platz Music Inc. (BMI)


International Copyright Secured All Rights Reserved- contains sample of “Mancry”

Par

Dm

ty- all the time.

Par

C

ty- all the time.

mf

Par

F

ty- all the time.

Par ty- all the time. If, if, if we could

par

Dm

ty- all night and sleep all day and throw

C

all of my prob lems- a way,-


1



my life would be eas

F

y,- my life would be eas -

y. I would drink

Dm

and go out, out with my crew. Par ty,-

par

C

ty- all the time, yep, that’s what I’d do. Mac mod

F

els- pop bot tles,- live

like, like a sheik. (Par ty.)- Mon day- through Sun day,- ev ’ry- day of the week. Ha,


2





C To oda

my life would be eas y.- If we could par

Dm

ty- all night and

sleep all day and throw

C

all of my prob lems- a way,- -ay, -ay, will be eas -

F

y, our lives would be ea-, eas y.-

We could par

F

ty- all the time, par ty- all the time,


4



par

C

ty- all the time, par ty- all the time, par

F

ty- all the time,

par ty- all the time, par ty- all the time. We could

par

F

ty,- par ty,- par ty.- (Hey!) Break, break that bod y- down. (Yo!) La

C

dies,- don’t stop it. (Yo!)

Shake it ’round and ’round. Feel

F

that bass bump in’- and rock to the beat. This


5



beat is stead y- bump in’,- they jump in’- off their feet. Check it out.

La

F

dy- got the hands in the air, freak in’- like they j ust don’t care. (Uh huh.)-

Par

C

ty- on down like, yeah. (Yeah.) Some bod - y- say “yeah.” (Yeah.)

(Check

F

it out, check it out.) What? (Check it out, check it out, check it out.) What? Now you


6





sleep all day and throw

C

all of my prob lems- a way,-(-ay,

my-ay.)

life would be eas -

F

y, my life would be eas y.-

L.H.

I

F

don’t give a fuck. Im ma- ’bout to get loose. Im ma- take,

C

take, take, take shots ge e- e- et -

drunk off Goose. Im ma- live

F

my l l- l- l- life.- Im ma- par ty- all night, all


8





D.S. al Coda

C

I need to dance, I need to dance.

F

How ’bout a dance?

Tacet

Girl, I’m gon na-

take

Dm

you to the club so we can dance,

C

so we can dance, so we can dance,

F

dance, so we could dance. If we could


10











go.

5fr

Am7

I’m step pin’-

F#m7b5

out ta- here

F/G

’cause where I’m go in’,- I don’t know.

5fr

Am7

And I’m step pin’-

F#m7b5

out ta- here

F/G

’cause where I’m go in’- is out of my head,


4





1.

2.

got

F#m7b5

me go in’- cra zy.- Step

F/G

pin’,- step pin’- out to night-

got me go in’- cra zy.- got me go in’- cra zy.-

5fr

Am7

You see these feet?

F#m7b5

Im ma- hit the street.

F/G

Yeah, I’ll be walk in’,- just talk in’.-


6



5fr

Am7

Im ma- hit the bar.

F#m7b5

Get some vod ka,-

F/G

some Red Bull. Yeah, hav in’- that.

5fr

Am7

When I see a boy,

F#m7b5

Im ma- say, “Whas sup?”-

µ

Hey, girl.

Where you go in’?-


7





D.S. al Coda

Coda

I don’t know. And I’m step pin’-

out ta- here ’cause where I’m go in’- is out of my head,

Step

5fr

Am7

pin’,- step pin’- out to night- got

F#m7b5

me go in’- cra zy.-

Step

F/G

pin’,- step pin’- out to night- got me go in’- cra zy.-


9













To Coda II

Shoot ’em with the bass, shoot, shoot ’em with the bass. Su per- meg- a- fre- quen- cy.-

Kick ’em with the drum, kick ’em, kick ’em with the drum. Get ’em with the mel o- dy.-

Beat ’em with the beat, beat ’em, beat ’em with the beat. Su per- meg- a- fre- quen- cy- in the

e lec- tric- cit y,- e lec- tric- cit y,-


4





D.S. al Coda

Coda I

Will, he do pro duce- meg a- rhy- thm.- Yes, sir. I’m a mad sci en- tist,- the pro fes- sor.-

µ

I pro gram- the rhy thm.- Ask ’em who kill ’em, they say Will. i.- am- did ’em.

Boom boom pow. Let us style when I hit ’em. I

F

know how to kill ’em when I kill

C

’em.

K k - k - k - k - k - k - k - k - k - kill- er.- E -


6



lec

µ

tric- shock surg in’- down your cit y.- High er- volt age- B. E.- P.- com mit- tee.-

Trans mit- tin’- sound, got the girl ies- sil ly.- Bounc in’- a round,- try in’- show me tit ties.-

Watch out now, we a bout- to blow.

Make room now and sa lute- the gen er- al.-

En er- gy- get the whole sys tem- o ver- load.- Got the, yo, got the ear drum- ’bout to ex plode.-


7







go

3fr

Cm

in’- down now

Fm

and not a tad

Ebsus2

bit lat

G+(no3rd)

er.- All

3fr

Cm

a round - the world,

Fm

both

sides

Ebsus2

of the e qua

G+(no3rd)

- tor.- Ter

3fr

Cm

ror - ize- the phunk,

Fm

call me Boot

Ebsus2

sy- al Qae

G+(no3rd)

da.- I’ll

ver

3fr

Cm

i- fy- that I

Fm

got lots of hooch

Ebsus2

ies- on da

G+(no3rd)

ta.- Gov

3fr

Cm

ern- Cal i- for

Fm

- nia,- Black Eyed

Pea,

Ebsus2

the ter mi- na

G+(no3rd)

- tors.- We the

3fr

Cm

ex ter - mi- na

Fm

- tors,- in vade

Ebsus2

- you like the Raid

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ers.- Ig -


2





















in and log gin’

Gsus2

- out. Ba by,- I

5fr

D5

want

B5

it…

Bb5

Now!

A5

This is the now gen er - a- tion.-

Gsus2 A5

This is the gen er - a- tion-

now.

Gsus2 A5

We are the now gen er - a- tion.-

Gsus2

A5

I want, I want, I want it now. I

Gsus2

want the

5fr

D5

cold hard cash.


4



B5

I want, I want,

Bb5

I want it … Now!

A5

Tacet

And I just can’t wait.

5fr

D5 A5

I need

4fr

C#5

it im me- di- ate- ly.-

F#5

And I just can’t wait.

5fr

D5 A5

I

want

4fr

C#5

it im me- di- ate- ly.-

F#5

’Cause time

5fr

D5

can’t wait and


5





Gsus2

So take your debt

A5

and your cred it - and stick it up your

Gsus2

ass, and do it

now!

Now!

Tacet

Bb5

I want it now!

A5

Big mon ey,- give

me my mon ey.

(Yeah,

Gsus2

- I want it now.

A5

I need cash. Gon na- need it fast.

Gsus2

I want it

now.

A5

Quick, in a hur ry- like your name was Flash.

Gsus2

I want it now.

A5

You make me wait and Im ma-


7



whip your ass.

Gsus2

I want it now,

5fr

D5

I want it now, ba by.-now,

B5

I want it,now,

Bb5

I want it.

now!

A5

Fast ra pi- do,- real ly- quick like

Gsus2

tor pe- do.- Need

A5

for speed is my cre do.- You

need to feed this

Gsus2

ne gri- to.- Send

A5

er,- buy er,- broth er,- boat, rap id - like a

Gsus2

thun der - bolt.-

Ac

A5

ti- vat - ed,- rock the boat. Just ask Ba rack - who

Gsus2

brought the hope to now.

Now!

5fr

D5


8





Moderately fast

One TribeWords and Music by

Will Adams, Allan Pineda, Jaime GomezStacy Ferguson and Printz Board

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP), Songs Of Universal, Inc. (BMI) and Printz Polar Publishing (BMI)


All Rights for Printz Polar Publishing Controlled and Administered by Songs Of Universal, Inc.International Copyright Secured All Rights Reserved

D

Woh,

A Em

woh,

G

mf

D

woh.

A Em G

Ooh, woh.

D

A

Em

G

One


1



tr-,

D A

one tr-,

Em G

one

tribe,

D

one time, one plan et,- one race. It’s all

A

one blood; don’t care ’bout your face,

col

Em

or - of your eye or the tone of your skin. Don’t care

G

where you are, don’t care where you been. ’Cause

where

D

we gon na- go is where we wan na- be, the place

A

where the na tive- lan guage- is u ni- ty,- and the


2



con

Em

ti- nent - is called Pan gae- a- and the main

G

i deas- are con nect - ed - like a sphere.

No

D

prop a- gan- da;- they tried up per - hand us, ’cause, man,

A

I’m lov in’- this peace. Ma-,

man,

Em

I’m lov in’- this peace. Ma-, man,

G

I’m lov in’- this peace. I don’t

need

D

no lead er - that’s gon na- force feed a con

A

cept - to make me think I need a-


3





To Coda II

tribe,

Em

y’all.

woh,We are one peo

G

ple.- Let’s catch am -

ne

D

sia,- for get woh.

- a bout - all that e

A

vil,- for get - a bout - all that

e

Em

vil,- that e vil- that they feed

G

ya. Let’sOoh,

catchwoh.

am -

ne

D

sia,- for get

Woh,- a bout - all that e

A

vil,- that e vil- that they


5







D.S. al Coda I

Coda I

come

Em

and try to sep a- rate- the sum, but he dumb.

G

He did n’t - know we had the will to o ver - -

come,

D

re ju- ve- nat - in’- by the beat in’- of the drum.

A

Come to geth- er - by the cy cle- of the

hum.

Em

Free dom- when all be come- one

G

(one) for ev- er.- One

peo

peo

G

ple.

ple.

-

-

Ooh, woh.)One love,

D

one blood, one peo ple.- One


8



heart,

A

one beat, we e qual.- Con nect

Em

- ed - like the In ter - net,- u -

nit

G

ed,- that’s how we do. Let’s break

D

walls so we see through. Let

love

A

and peace lead you. We

Em

could o ver - come- the com pli- -

ca

G

tion- ’cause we need to. Help

D

each oth er - make these chang es.-


9









D

And I hope you are there when I need

A

ya ’cause may be- we need am -

ne

Em

sia.- And I don’t wan na- sound like a preach

G

er,- but we need to be

one.

D

One world, one love, one pas

A

sion.- One tribe, one un der - -

stand

Em

ing.- ’Cause you and me

µ

can be come- one. (echo repeats)


13



Moderately fast

Rockin’ to the BeatWords and Music by

Will Adams, Allan Pineda, Jaime GomezStacy Ferguson, Printz Board and George Pajon Jr

Copyright © 2009 Cherry River Music Co. (BMI), Will.I.Am Music Inc. (BMI), Jeepney Music Publishing (BMI), Tab Magnetic Publishing (BMI),EMI April Music Inc. (ASCAP), Headphone Junkie Publishing (ASCAP), Songs Of Universal, Inc. (BMI),

Printz Polar Publishing (BMI), EMI Blackwood Music Inc. (BMI) and El Cubano Music (BMI)Worldwide Rights for Will.I.Am Music Inc., Jeepney Music Publishing and Tab Magnetic Publishing Administered by Cherry River Music Co.

All Rights for Headphone Junkie Publishing Controlled and Administered by EMI April Music Inc.All Rights for Printz Polar Publishing Controlled and Administered by Songs Of Universal, Inc.

All Rights for El Cubano Music Controlled and Administered by EMI Blackwood Music Inc.International Copyright Secured All Rights Reserved

1.2.

3.

µ

mf

Rock in’- to the beat.

4fr

G#m


Emaj7


F#%

Rock in’- to the beat. Rock in’- to the beat.

4fr

G#m


1



Emaj7

F#%


4fr

G#m Emaj7

F#%

Rock in’- to the beat,

4fr

G#m

the beat,

Emaj7

the beat,

F#%

the beat. Rock in’- to the beat.

4fr

G#m


2




Emaj7


F#%


4fr

G#m Emaj7

F#%

Instrumental…

µ

Emaj7 F#%


3



4fr

G#m Emaj7 F#%

4fr

G#m Emaj7

F#%

4fr

G#m

Emaj7 F#%


4



4fr

G#m

Here come the man with the dis co- jam.

Emaj7

Step in the place and peo ple- like, “Damn!”

F#%

Par ty- gets start ed - with a cool wa ter - fan.

Bod y- gets naugh ty- and do all it can.

4fr

G#m

What is a band that can’t real ly- rock?

Emaj7


5



What’s an M C - that’s rock in’- the spot?

F#%

What is a mike that ain’t got no ca ble?-

What’s a D J - with out - the turn ta- ble?-

4fr

G#m

What’s a hot girl if she can’t real ly- dance?

Emaj7

What’s e lec- tro- with out - wear ing- tight pants?

F#%

What is a rhy thm- if it just don’t bump?

Ba by,- let me get it and give you what you want.

4fr

G#m

Give you what you need. Ba by,- how you want it?

Emaj7


6





1.

2.

the beat,

F#%

the beat.


4fr

G#m

the,

F#%

the… Rock in’- to the beat.

4fr

G#m

Tacet



8







4fr

G#m

Emaj74fr

G#m

Documents

Black Eyed Peas - The E.N.D. (Piano Selections)