Bibliography:

Editions of the play:

BRITISH LIBRARY/Shakespeare Institute/Leeds/Oxford BOOKS

St. Pancras Reading Rooms ; YA.1989.a.15948 or Sh Inst (not loanable) or Document Supply Centre ; 0858.07798, Vol: vol 29 or Shakespeare Institute PR 2654.S6 - reference copy

Ardolino, Frank, Thomas Kyd’s Mystery Play: Myth and Ritual in The Spanish Tragedy (NY: Peter Lang, 1985) Suggested as Purchase

St. Pancras Reading Rooms ; YA.1992.a.6368Baccolini, Raffaella, Riat Fortunati and Romana Zacchi, eds., Il teatro e le donne (Urbino: 1991) see Sportelli, Annamaria ‘What’s a Play without a Womanin It?’: Bel-imperia in The Spanish Tragedy di Thomas Kyd’

St. Pancras Reading Rooms; YC.1989.a.7094SHAKESPEARE INSTITUTE PR 659.T7 (in stock, non loanable)Barber, C. L., Creating Elizabethan Tragedy (Chicago: Chicago UP, 1988) – on Kyd

Leeds/Oxford Eliot, T. S., Essays on Elizabethan Drama (Seneca’s influence upon English revenge plays in ‘Seneca in Elizabethan Translation’ and ‘Cyril Tourneur’) (NY: Harcourt, Brace, 1932?1960)

Leeds/SAS Warburg Periodicals, Ardolino, Frank, ‘”Sit we down to see the Mystery”: Detection and Allegory in The Spanish Tragedy’, Allegorica: A Journal of Medieval and Renaissance Literature, 5.2 (Winter, 1980), 168-176

LeedsKeyishian, Harry, ‘An Interview with Ron Daley, Director of The Spanish Tragedy’, Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 4.3 (1986 May-June), p.11

St. Pancras Reading Rooms ; X.989/51386SHASKESPEARE INSTITUTE PN 2589Hibbard, George Richard, ed., The Elizabethan Theatre V, (Toronto: Macmillan for Canada, 1975), see Rowan, D. F., ‘The Staging of The Spanish Tragedy’, 112-23

Sh. Inst. Per.Howard, Rebecca M., ‘The Ironic Consolation of The Spanish Tragedy’, Selected Papers from the West Virginia Shakespeare and Renaissance Association, 4(1979), 9-15

Sh. Inst. PR 2888 S7 (1981) or p/Box 158 (1980), referenceJones-Davies, Marie-Therese, ed., Societe francais Shakespeare: Actes du congres 1980, see Fuzier, Jean, ‘Le Deni de justice dans The Spanish Tragedy de Thomas Kyd: Hieronimo, juge et justicier’

Sh Inst. PR 648 (in stock) or Document Supply Centre ; m05.11258Kermode, Lloyd Edward (ed. and introd.)--Scott-Warren, Jason (ed. and introd.)--Van Elk, Martine (ed. and introd.)--King, Pamela (postscript); vi, 271 pp.Tudor Drama before Shakespeare1485-1590,: New Directions for Research, Criticism, and Pedagogy,; New Directions for Research, Criticism, and Pedagogy; Palgrave Macmillan, New York, NY, see Kline, Daniel T., The Circulation of the Letter in Kyd's The Spanish Tragedy, 229-47

Sh. Inst. (not loanable) Birmingham PN 2589/T (loanable)Lascombes, André, ed., Tudor Theatre: ‘Let there be covenants…’: Convention et theatre (Bern: Peter Lang, 1998), see Happe, Peter, ‘Alone in the Place’: Soliloquy in Magnyfycence, Apius and Virginia and The Spanish Tragedy’

Document Supply Centre ; 3731.150, Vol: 14th 1991 or Shakespeare Institute (not loanable)Magnusson, A. L. and McGee, C. E., eds., The Elizabethan Theatre XIV (Meany, Toronto, ON Publication, 1996) – Stockholder, Kay, ‘The Aristocratic Woman Scapegoat: Romantic Love and Class Antagonism in the Spanish Tragedy, The Duchess of Malfi and The Changeling’

British Library - Document Supply Centre ; 97/03748Shakespeare Institute (not loanable) PR 658.T75Maquerlot, Jean-Pierre and Michele Willems, eds., Travel and Drama in Shakespeare’s Time, (Cambridge: CUP, 1996) See Mulryne ‘Nationality and Language in Thomas Kyd’s The Spanish Tragedy’ in

Shakespeare InstituteLagarde, Fernand, ‘La Guerre et la drama de la vengeance’Caliban (Toulouse, France), 19 (1982), 23-34

British Library - Document Supply Centre ; 7356.8627, Vol: vol 13Richmond-Garza, Elizabeth M., Forgotten Cities/Sights: Interpretation and the Power of Classical Citation in Renaissance English Tragedy (NY: Peter Lang, 1994)

Shakespeare Institute PR 659.T7 (not loanable)St. Pancras Reading Rooms ; X.950/44214Rozett, Martha Tuck, The Doctrine of Election and the Emergence of the Elizabethan Tragedy (Princeton ; Guildford : Princeton University Press, c1984)

Shakespeare InstituteSpriet, Pierre, ‘Antisocial Behaviour and the Code of Love in Kyd’s The Spanish Tragedy’, Cahiers Elisabethains: Etudes sur la Pre-Renaissance et la Renaissance Anglaises, 17 (1980), 1-9

Shakespeare Institute? British Library There are several journals with this title!!!Ardolino, Frank R., ‘“Veritas Filia Temporis”: Time , Perspective, and Justice in The Spanish Tragedy’, Studies in Iconography {Highland Heights, KY}, 3(1977), 57-69

BRITISH LIBRARY ARTICLES

8501.803000DSC P.901/259

Craig, D. H., Authorial Styles and the Frequencies of Very Common Words: Jonson, Shakespeare, and the Additions to The Spanish Tragedy in Style, v.26, n.2, (1992 Summer), p.199 ISSN: 0039-4238

Document Supply Centre; 7356.865500; 1972- *A=1, Currently received //   St. Pancras Humanities Reading Room ; WP.16488 ; 1954-1995 (SEVERAL IssueS MISSING), Held but not currently received //Erne, Lucas, ‘Thomas Kyd’s Christian Tragedy’Renaissance Papers (2001), 17-34

Location   DSC 3096.790000Horwich, Richard, ‘The Setting in The Spanish Tragedy’, CEA Critic: An Official Journal of the College English Association, 49, no 2-4 (1986-1987 Winter-Summer), 33-36

St. Pancras Reading Rooms ; P.901/2084 // St. Pancras Reading Rooms ; DSC4241.472000 // Vol.1, no.1, April 1979- Hopkins, Lisa, ‘What’s Hercules to Hamlet? The Emblematic Garden in the Spanish Tragedy and HamletIn Hamlet Studies: An International Journal of Research of the Tragedie of Hamlet, Prince of Denmarke, 21, no 1-2 (1999 Summer-Winter), pp. 114-43

Document Supply Centre ; 3842.207430 Lending Collection ; 3842.207430 Barrie, Robert, ‘‘Unknown Language’ and Subversive Play in The Spanish Tragedy’Explorations in Renaissance Culture, 21 (1995), 63-89

Tassi, Marguerite, ‘The Player’s Passions and the Elizabethan Painting Trope: A Study of the Painter Addition to Kyd’s The Spanish Tragedy’Explorations in Renaissance Culture, 26, no 1(2000 Summer), pp. 73-100

Location   DSC 5525.285000Weld, John S., ‘The Spanish Tragedy as the Fall of Babylon’Mediaevalia: An Interdisciplinary Journal of Medieval Studies Worldwide, 6(1980), 335-352

Document Supply Centre ; 8354.170000 ; Vol. 1, 1967- *A=1, Currently received //  St. Pancras Humanities Reading Room ; P.521/2444 ; Vol. 1, 1967- *A=1, Held but not currently received //Limon, Jerzy, ‘Revenge Tragedy, or, a Decayed Form: A Review Essay’,Southern Humanities Review, 16.3 (Summer, 1982), 257-267

Location   DSC 1585.808500Muller, Wolfgang G., ‘Disimulation as a Theme and Rhetorical Device in Kyd’s SpanishTragedy’Arbeiten aus Anglistik und Amerikanistik, 10.1-2 (Spring, 1985), 21-41

British Library/Shakespeare Institute?

Watt, Stephen, ‘Emblematic Tradition and Audience Response to Kyd’s The Spanish Tragedy’, Studies in Iconography 6 (1980), 95-106

British LibraryStein, Charles, ‘Justice and Revenge in The Spanish Tragedy’, Iowa State Journal of Research, 56.1 (Aug. 1981), 97-104

British LibraryDonald, Roslyn Lander, ‘Formulas and Their Immitations: The Spanish Tragedy and Titus Andronicus’, Publications of the Arkansas Philological Association {State Univ, AK}, 2(1978), 13-18

Oxford LibraryByron, Mark, ‘Logic’s Doubt: The Spanish Tragedy and Tamburlaine’, Comitatus: A Journal of Medieval and Renaissance Studies, 30 (1999), 81-94

WARWICK LIBRARY BOOKS and ARTICLES IN BOOKSPR 659 T7 Allman, Eileen Jorge, Jacobean Revenge Tragedy and the Politics of Virtue (Newark, Del. : University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1999)

PR 1261 H3 An Anthology of English Drama before Shakespeare (NY: Holt Rinehart & Winston, 1952) IS IT A COLLECTIONS OF PLAYS OR CRITICISM?

Ardolino, Frank, Apocalypse and Armada in Kyd’s Spanish Tragedy GOT

Barish, Jonas A., The Spanish Tragedy, or The Pleasures and Perils of Rhetoric, pp.59-85In PR 653 E5 Brown, John Russell and Bernard Harris, eds., Elizabethan Theatre (London: E. Arnold, 1966)

PR 659 T7 Barker, Howard, Induction to Tragedy: A Study in a Development of Form in Gorboduc, The Spanish Tragedy and Titus Andronicus (Louisiana: Louisiana State UP, 1939) - Chapter 3

Bate, Jonathan, ‘The Performance of Revenge: Titus Andronicus and The Spanish Tragedy’, 267-283Laroque, Francois, ed., The Show Within: Dramatic and Other Insets: English Renaissance Drama (1500-1642), vol. II, (Montpellier: Paul-Valery UP, 1990?1992) Printed

PR 658 W6 Belsey, Catherine, The Subject of Tragedy: Identity and Difference in Renaissance Drama (London, NY: Methuen, 1985)

Bentley, Gerald Eades, The Profession of Dramatist in Shakespeare’s Time 1590-1642 (Princeton: Princeton University Press, 1971), Ch. 11 Revision, 235-263 Printed

PR 658 P6 Bevington D., R. Strier, and David Smith, eds., The Theatrical City: Culture, Theatre and Politics in London (Cambridge: CUP, 1995)

PR 653 B5 Bluestone, Max and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama – (The Theme and Structure of The Spanish Tragedy)

PR 2673 B6 Boas, F. S., Marlowe and His Circle

PR 2673 Boas, F. S., Christopher Marlowe. A Biographical and Critical Study - ( on the Accusers)

PR 646 B6 Boas, F. S., An Introduction to Tudor Drama

PR 659 T7 Bowers, Fredson, Elizabethan Revenge Tragedy (Princeton, NY: Princeton UP, 1940)???ORBowers, Fredson, Elizabethan Revenge Tragedy (Gloucester, Mass. : Peter Smith, 1959)

PN 1896 B7 Braden, Gordon, Renaissance Tragedy and the Senecan Tradition: Anger's Privilege (New Haven, London: Yale University Press, 1985)

Braunmuller, A. R., ‘Second Means’: Agent and Accessory in Elizabethan Drama’, 177-204, Printedin Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985

PR 2656 C2 Carrere, Felix, Le theatre de Thomas Kyd: contribution a l’etude du drame elizabethain (Toulouse: E. Privat, 1951) GOT

PR 653 C6 A Companion to Renaissance Drama (book or electronic resource) (Oxford: Blackwell Pub., 2002)

PR 2412 (Central store – request short loan) Crawford, Charles, A Concordance to the Works of Thomas Kyd (Vaduz: Kraus Reprint, 1963)

PR 658 R3 Diehl, Huston, Staging Reform. Reforming the Stage. Protestantism and the Popular Theater in Early Modern England (Ithaca and London: Cornell University Press, 1997) (Ch. 4. Rehearsing the Eucharistic Controversies: The Revenge Tragedies), 94-124, Printed

Dillon, Janette, Language and Stage in Medieval and Renaissance England (Cambridge: CUP, 1998), Ch.6 Shaping a rhetoric, 141-161 (end notes 238-240), and Ch. 7. English and Alien, 162-187 (end notes 240-243) Printed

PR 651 D6 Dollimore, Jonathan, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries (Brighton, Sussex: Harvester Press, 1984)

Edwards, Philip, ‘Thrusting Elysium to hell: The Originality of the Spanish Tragedy’, 117-132 Printedin Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985

Edwards, Philip, ‘Shakespeare and Kyd’ , pp.?PR 2889 I6 Muir, Kenneth and Jay Halio, eds., Shakespeare, Man of the Theater (Newark: University of Delaware Press, c.1983)

PR 105 (Central Campus Pamphlets) Edwards, Philip, Thomas Kyd and early Elizabethan tragedy (London: Published for the British Council and the National Book League by Longmans, 1966)

Ref 2PR 421 E5 Elizabethan bibliographies supplements. 9 …Thomas Kyd (London: Nether Press, 1968)

PR 2657 E7 Erne, Lukas, Beyond the Spanish Tragedy: a study of the works of Thomas Kyd (Manchester: MUP, 2001) GOT

PR 1263 F7 Fraser, Russell and Norman Rabkin, Drama of the English renaissance. 1. The Tudor Period (NY, London: Macmillan: Collier Macmillan, 1976) GOT

PR 2656 F7 Freeman, Arthur, Thomas Kyd: Facts and Problems (Oxford: Clarendon Press, 1967) GOT

PN 36 C7 Fricke, Donna and Douglas Fricke, eds., Aeolian Harps: Essays in Literature in Honour of Maurice Browning Cramer (Bowling Green: BG UP, 1976), see

Graham, Kenneth J. E., The Performance f Conviction. Plainness and Rhetoric in the Early English Renaissance (Ithaca, London: Cornell University Press, 1994), Ch. 4 The Mysterious Plainness of Anger: The Search for Justice in Satire and Revenge Tragedy, 125-167 Printed

PN 2596 L6 Griswold, Wendy, Renaissance Revivals: city comedy and revenge tragedy in the London theatre 1576-1980 (Chicago; London: University of Chicago Press, c1986)

PR 659 T7 Hallett, Charles A. and Elaine S. Hallett, The Revenger’s Madness: A Study of Revenge Tragedy Motifs (Lincoln, (Neb.); London: University of Nebraska Press, c1980)

Harbage, Alfred, ‘Intrigue in Elizabethan Tragedy’, 37-44 PrintedPR 653 H6 Hosley, Richard. ed., Essays in Shakespeare and Elizabethan Drama in Honour of Hardin Craig (London: Routledge and Kegan Paul Ltd., 1963)

Hill, Eugene D., ‘Revenge Tragedy’ in A Companion to Renaissance Drama, ed. Arthur F. Kinney (Oxford: Blackwell, 2002), 326-335 Printed

PR 2894 H6 Honan, Park, Shakespeare: A Life – (Ch. 8. Attitudes)

Johnson, S. F., ‘The Spanish Tragedy, or Babylon Revisited’, 23-36 PrintedPR 653 H6 Hosley, Richard. ed., Essays in Shakespeare and Elizabethan Drama in Honour of Hardin Craig (London: Routledge and Kegan Paul Ltd., 1963)

PR 659 T7 Hall, Joan Lord, The dynamics of role-playing in Jacobean tragedy (NY: St. Martin’s Press, 1991)

PR 659 T7 Hopkins, Lisa, The female hero in English Renaissance tragedy (Houndmills, Basingstoke, Hampshire; NY: Palgrave, 2002)

PR 659 T7 Conn Liebler, ed., The female tragic hero in English Renaissance drama (NY; Basigstoke: Palgrave, 2002)

PR 653 H8 Hunter, G. K., Dramatic Identities and Cultural Tradition. Studies in Shakespeare and his Contemporaries (Liverpool: Liverpool University Press, 1978), see Ch. 8. Ironies and Justice in The Spanish Tragedy, 214-229, and Ch. 7. Seneca and English Tragedy, 174-213 PrintedOr Hunter, G. K., ‘Ironies of Justice in The Spanish Tragedy’, Renaissance Drama 8 (1965), 89-104

PR 646 W4 Hunter, G. K., The English Drama 1485-1585

PR 651 H8 Hunter, G. K., English Drama1586-1642

PR 421 M2 Joseph Quincy Adams Memorial Studies – (Bellforest, Shakespeare and Kyd, pp. 279-294)

Joseph, B. L., The Spanish Tragedy and Hamlet: Two Exercises in English Seneca, 121-134PN 883 A6 Anderson, M. J., eds., Classical Drama and Its Influence: Essays Presented to H. D. F. Kitto, etc., (London: Methuen, 1965)

PR 653 K2 Kaufmann, R. J., eds., Elizabethan Drama: modern essays in criticism (London: OUP, 1961)

Kerrigan, John, ‘Revision, Adaptation and the Fool in King Lear’In PR 2819 T2 Taylor, Gary and Michael Warren, eds., The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear (Oxford: OUP, 1983)

PN 56 R48 Kerrigan, John, Revenge Tragedy: Aeschylus to Armageddon (Oxford: Clarendon Press, 1996)

PR 658 W7 Kiefer, F., Writing on the Renaissance Stage

PR 659 T7 Kiss, Attila, The Semiotics of Revenge: Subjectivity and Abjection in English renaissance Tragedy (Szeged: Departmentof English, Jozsef Attila University, 1995)

Leggatt, Alexander, 'A Membrane as Broken': Returning from the Dead in The Spanish Tragedy, 214-30, in Höfele, Andreas (ed. and introd.)--Koppenfels, Werner von (ed. and introd.) Renaissance Go-Betweens: Cultural Exchange in Early Modern Europe (Berlin:Walter de Gruyter, 2005) Printed

Lengeler, Rainer, ‘Mongrel Tragy-Comedy’: Chaosdarstellung und Gattungsmischung in The Spanish Tragedy und Romeo and Juliet’PN 1181 R3 Plett, Heinrich, ed., Renaissance Poetics (1994) PR 658 P89Maus, Katharine Eisaman, Inwardness and Theatre in the English Renaissance (Chicago: University of CP, 1995) – on Kyd ?

Mulryne ‘Nationality and Language in Thomas Kyd’s The Spanish Tragedy’, pp.?PR 649 P6 Bevington, D., ed., Tudor Drama - Ch. 14 – Mulryne (on Nationality and Language)Or in Travel and Drama in Shakespeare’s Time, eds. Jean-Pierre Maquerlot, Michele Willems, (Cambridge: CUP, 1996) British Library - Document Supply Centre ; 97/03748

PR 2657 M8 Murray, Peter, Thomas Kyd (NY: Twayne Publishers, [c1969])

PR 658 P3 Murray Biggs, eds., The Arts of Performance in Elizabethan and Early Stuart drama: essays for G. K. Hunter (Edinburgh : Edinburgh University Press, 1991

PR 658 D33 Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon, 1997) – see Ch. on Anxieties of Ending)

PR 1263 R6 The Routledge Anthology of Renaissance Drama (2003)

Shapiro, James, ‘Tragedies Naturally Performed’: Kyd’s representation of Violence, The Spanish Tragedy (c.1587), 99-113 PrintedPN 2589 S8 Kastan, David Scott and Peter Stallybrass, eds., Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (New York, London: Routledge, 1991)

PR 659 T7 Simkin, Stevie, ed., Revenge Tragedy (: Palgrave, 2001) seeMaus, Katharine Eisaman, ‘The Spanish Tragedy; or the Machiavel’s Revenge’

PR 658 M2 Sutherland, Sarah P., Masques in Jacobean Tragedy (New York: AMS, 1983)

Voros, Sharon Dahlgren, ‘Thomas Kyd and Pedro Calderon: Toward a Semiotics of Revenge Drama’, pp.?In PR 675 P2 Fothergill-Payne, Louise and Peter, eds., Parallel Lives: Spanish and English National Drama 1580-1680, (Bucknell UP, 1991)

PR 659 T7 Spencer, Theodore, Death and Elizabethan tragedy: a study of convention and opinion in the Elizabethan drama (NY: Pageant Books, 1960)

Watson, Robert N., The Rest Is Silence: Death as Annihilation in the English Renaissance (Berkley, LA and London: University of California Press, 1999), Ch. 1. Religio Vindicis. Substitution and Immortality in The Spanish Tragedy, 55-73, and Ch. 2. Giving up the Ghost, 74-102 Printed

Werstine, Paul, ‘The Editorial Usefulness of Printing House and Compositor Studies’, pp.?

PR 658 T4 Shand, G. B., and Raymond Shady, eds., Play-texts in Old Spelling: Papers from the Glendon Conference, AMS, NY, (1984)

White, Martin, Renaissance Drama in Action. An Introduction to Aspects of Theatre Practice and Performance (London & New York: Routledge, 1998), Ch.4 Palaces of Pleasure. Outdoor Playing Spaces and Theatre Practice, 109-143 Printed

PN 36 C7 Wineke, Donald, ‘Hieronimo’s Garden and ‘the fall of Babylon’: Culture and Anarchy in The Spanish Tragedy’ in Fricke, Donna G., and Douglas C. Fricke, Aeolian Harps: Essays in Literature in Honor of Maurice Browning Cramer (Bowling Green: Bowling Green UP, 1976), 65-79

Zitner, Sheldon, ‘The Spanish Tragedy and the Language of Performance’, 75-94 Printedin Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985

Legend: British LibraryShakespeare InstituteLeedsIncomplete InformationI have GOT – borrowed, bought or xeroxedIs it directly relevant?

ARTICLES in JOURNALS:

Adams, Barry, ‘The Audiences of The Spanish Tragedy’, Journal of English and Germanic Philology 68(1969), 221-236

Adams, Robert P., ‘Despotism, Censorship, and Mirrors of Power Politics in Late Elizabethan Times’, Sixteenth Century Journal, 10.3, Renaissance Studies (Autumn, 1979), 5-16

Ardolino, Frank, ‘Thomas Dekker’s Use of Kyd’s The Spanish Tragedy in Satiromastix’, English Language Notes, 41.1 (Sept., 2003), 7-18,

Ardolino, Frank R., ‘The Influence of Spenser’s Faerie Queen on Kyd’s Spanish Tragedy’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 7.3 (Jan., 2002), 70 paragraphs (16 pages electronically)

Ardolino, Frank R., ‘”Now I Shall See the Fall of Babylon”: The Spanish Tragedy as a Reformation Play of Daniel’, Renaissance and Reformation/ Renaissance et Reforme, 26.1 (Winter, 1991), 49-55

Ardolino, Frank, ‘“In Paris? Mass, and Well Remembered!”: Kyd’s The Spanish Tragedy and the English Reaction to St. Bartholomew’s Day Massacre’, Sixteenth Century Journal, 21.3 (Autumn, 1990), 401-409

Ardolino, Frank R., ‘Hieronimo as St. Jerome in The Spanish Tragedy’, Études Anglaises, 36.4 (Oct-Dec, 1983), 435-437

Ardolino, Frank, ‘The Hangman’s Noose and the Empty Box: Kyd’s Use of Dramatic and Mythological Sources in The Spanish Tragedy (III.iv-vii), Renaissance Quarterly, 30.3 (Autumn, 1977), 334-340

Ayres, Philip J., ‘Marston’s Antonio’s Revenge: The Morality of the Revenging Hero’, Studies in English Literature, 1500-1900, 12.2, Elizabethan and Jacobean Drama (Spring, 1972), 359-374

Baines, Barbara J., ‘Antonio’s Revenge: Marston’s Play on Revenge Plays’, Studies in English Literature, 1500-1900, 23.2, Elizabethan and Jacobean Drama (Spring, 1983), 277-294

Baines, Barbara J., ‘Kyd’s Silenus Box and the Limits of Perception’, Journal of Medieval and Renaissance Studies 10(1980), 41-51

Baker, Howard, ‘Ghosts and Guides: Kyd’s “Spanish Tragedy” and the Medieval Tragedy’, Modern Philology, 33.1 (Aug., 1935), 27-35

Baldwin, T. W., ‘On the Chronology of Thomas Kyd’s Plays’, Modern Language Notes, 40.6 (Jun., 1925), 343-349

Bercovitch, Sacvan, ‘Love and Strife in Kyd’s Spanish Tragedy’, Studies in English Literature, 1500-1900, 9.2, Elizabethan and Jacobean Drama (Spring, 1969), 215-229

Blakemore Evans, M., ‘”Der Bestrafte Brudermord” and Shakespeare’s “Hamlet”, Modern Philology, 2.3 (Jan., 1905), 433-449

Bowers, Fredson, ‘A Note on The Spanish Tragedy’, Modern Language Notes, 53.8 (Dec., 1938), 590-591

Broude, Ronald, ’Revenge and Revenge Tragedy in Renaissance England’, Renaissance Quarterly, 28.1 (Spring, 1975), 38-58

Buckley, George T., ‘Who was “The Late Arrian”?’, Modern Language Notes, 49.8 (Dec., 1934), 500-503

Cannon, Charles K., ‘The Relation of the Additions of The Spanish Tragedy to the Original Play’, Studies in English Literature, 1500-1900, 2.2 , Elizabethan and Jacobean Drama (Spring, 1962), 229-239

Cook, Albert S., ‘Shakespeare, Hamlet 3.4.56’, Modern language Notes, 20.7 (Nov., 1905), 216-217

Daalder, Joost, ‘Kyd’s The Spanish Tragedy 3.6.89-94’, Explicator, 48.3 (Spring, 1990), 175-6

Diehl, Huston, ‘Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy’, Studies in English Literature, 1500-1900, 22.2 , Elizabethan and Jacobean Drama (Spring, 1982), 197-209

Dillon, Janette, ‘The Spanish Tragedy and Staging Languages in Renaissance Drama’, Research Opportunities in Renaissance Drama, 34 (1995), 15-40

Dunkel, Wilbur D., ‘The Authorship of The Revenger’s Tragedy’, PMLA, 46.3 (Sep., 1931), 781-785 (NOT QUITE RELEVANT)

Dunn, Kevin, ‘“Action, Passion, Motion”: The Gestural Politics of Counsel in The Spanish Tragedy, Renaissance Drama, 31 (2002), 27-60

Erne, Lukas, ‘Enter the Ghost of Andrea: Recovering Thomas Kyd’s Two-Part Play’, English Literary Renaissance 30.3 (Autumn, 2000), 339-72

Forsythe, R. S., ‘Some Parallels to Passages in The First Part of Jeronimo’, Modern Language Notes, 27.4 (Apr., 1912), 110-111

Freeman, Arthur, ‘Thomas Hawkins, Richard Farmer, and the Authorship of The Spanish Tragedy’, Notes and Queries, 50(248).2 (June, 2003), 214-215

Gray, Henry David, ‘Thomas Kyd and the First Quarto of Hamlet’, Plma, 42.3 (Sept., 1927), 721-735

Gorrell, Robert Mark, ‘John Payne Collier and the Murder of Iohn Brewen’, Modern Language Notes, 57.6 (Jun., 1942), 441-444

Greenfield, Thelma N., ‘The Spanish Tragedy: Revenge’s and Andrea’s Kindred’, Pacific Coast Philology, 16.2 (Nov., 1981), 33-43

Griffin, Eric, ‘Ethos, Empire, and the Valiant Acts of Thomas Kyd’s Tragedy of “the Spains”’, English Literary Renaissance, 31.2 (Spring, 2001), 192-229

Grubb, Marion, ‘Kyd’s Borrowing from Garnier’s Bradamante’, Modern Language Notes, 50.3 (Mar., 1935), 169-171

Hamilton, Donna B., ‘The Spanish Tragedy: A Speaking Picture’, English Literary Renaissance, 4.2 (Spring 1974), 203-217)

Hapgood, Robert, ‘The Judge in the Firie Tower: Another Virgilian Passage in The Spanish Tragedy’, Notes and Queries, 13(211), (August, 1966), 287-8

Hadfield, Andrew, ‘The Spanish Tragedy, the Alencon Marriage Plans, and John Stubb’s Discoverie of a Gaping Gulf’, Notes and Queries, 47(245).1 (Mar., 2000), 42-3

Hadfield, Andrew, ‘A Handkerchief Dipped in Blood in The Spanish Tragedy: An Anti-Catholic Reference?’, Notes and Queries, 46(244).2 (June, 1999), 197

Hadfield, Andrew, ‘The Spanish Tragedy and The Elizabethan Homilies’, Notes and Queries, 39 (237).3 (Sept., 1992), 307-8

Hatcher, O. L., ‘The Ur-Hamlet Problem’, Modern Language Notes, 21.6 (Jun., 1906), 177-180

Hill, Eugene D., ‘Senecan and Vergilian Perspectives in The Spanish Tragedy’, English Literary Renaissance, 15.2 (Spring, 1985), 143-165

Hodgdon, Barbara, ‘Recent Studies in Tudor and Stuart Drama’, Studies in English Literature, 1500-1900, 43(2003) Holdsworth, R. V., ‘A Biblical Echo in The Spanish Tragedy’, Notes and Queries, 35(233).1 (March, 1988), 36

Hunt, Maurice, ‘Compelling Art in Titus Andronicus’, Studies in English Literature, 1500-1900, 28.2, Elizabethan and Jacobean Drama (Spring, 1988), 197-218

Hunter, G. K., ‘Tacitus and Kyd’s The Spanish Tragedy’, Notes and Queries, 47(245).4 (Dec., 2000), 424-425

Jack, Albert E., ‘Thomas Kyd and the Ur-Hamlet’, PMLA, 20.4(1905), 729-748

Joy, Susan E., ‘The Kyd/Marlowe Connection’, Notes and Queries, 33(231).3 (September, 1986), 338-9

Justice, Steven, ‘Spain, Tragedy, and The Spanish Tragedy’, Studies in English Literature, 1500-1900, 25.2, Elizabethan and Jacobean Drama (Spring, 1985), 271-288

Kahan, Jeffrey, ‘The 1597 Additions to The Spanish Tragedy and Its Subsequent Influence on A Warning for Faire Women’, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 17.2 (Spring, 2004), 20-24

Kahan, Jeffrey, ‘An Argument for Emending Bazardo to Buzalto in the 1602 Version of The Spanish Tragedy’, English Language Notes, 40.3 (March, 2003), 13-18

Kay, Carol McGinnis, ‘Deception Through Words: A Reading of The Spanish Tragedy’, Studies in Philology, 74.1 (1977), 20-38

Knutson, Roslyn L., ‘Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus’, English Literary Renaissance, 18.2 (Spring, 1988)

Levin, Harry, ‘An Echo from The Spanish Tragedy’, Modern Language Notes, 64.5 (May, 1949), 297-302

Levin, Michael Harry, ‘“Vindicta Mihi!” Meaning, Morality, and Motivation in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 4.2, Elizabethan and Jacobean Drama, (Spring, 1964), 307-324

Lewis, Cynthia, on Louis Charles Stagg’s ‘The Figurative Language of the Tragedies of Shakespeare’s Chief Contemporaries: An Index’, South Atlantic Review, 50.2 (May, 1985), 105-107

Matheson, Tom, ‘Shakespeare Without Words’ in Kennan, Patricia and Mariangela Tempera, eds., International Shakespeare: The Tragedies, (Bologna: CLUEB, 1996 ), 65-74

Mazzio, Carla, ‘Staging the Vernacular: Language and Nation in Thomas Kyd’s The Spanish Tragedy’, Studies in English Literature, 1500-1900, 38.2, Tudor and Stuart Drama (Spring, 1998), 207-232

McAdam, Ian, ‘The Spanish Tragedy and the Politico-Religious Unconscious’, Texas Studies in Literature and Language, 42.1 (Spring, 2000), 33-60

McMillin, Scott, ‘The Figure of Silence in The Spanish Tragedy’, ELH, 39.1 (Mar., 1972), 27-48

McMillin, Scott, ‘The Book of Seneca in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 14.2, Elizabethan and Jacobean Drama (Spring, 1974), 201-208

Miola, Robert S., ‘Another Senecan Echo in Kyd’s The Spanish Tragedy’, Notes and Queries, 33(231).3 (September, 1986), 337

Ostenberg, V., ‘Nashe’s ‘Kin in Aesop’: A Danish Interpretation’, The Review of English Studies, 18.72 (Oct., 1942), 385-394

(Pendry, E. D., ‘Thomas Kyd: Facts and Problems’, The Review of English Studies, New Series, 19.76 (Nov., 1968), 430-431)

Ramsdell, Donald D., ‘Another (?) Shakespeare Allusion’, Modern Language Notes, 38.8 (Dec., 1923), 500-2 (NOT PARTICULARLY RELEVANT)

Roberts, Josephine A. and James F. Gaines, ‘Kyd and Garnier: The Art of Amendment’, Comparative Literature 31.2 (Spring 1979), 124-133

Ross, Thomas W., ‘Kyd’s The Spanish Tragedy: A Bibliographical Hypothesis’, The Bulletin of the Rocky Mountain Modern Language Association, 22.2 (Jun., 1968), 13-21

Routh, James E., Jr., ‘Thomas Kyd’s Rime Schemes and the Authorship of Soliman and Perseda and of The First Part of Jeronimo’, Modern Language Notes, 20.2 (Feb., 1905), 49-51

Russell, Gillian, ‘Lamb’s Specimens of English Dramatic Poets: The Publishing Context and the Principles of Selection’, The Charles Lamb Bulletin. The Journal of Charles Lamb Society, 65 (Jan., 1989), 1-8

Sacks, Peter, ‘Where Words Prevail Not: Grief, Revenge, and Language in Kyd and Shakespeare’, ELH, 49.3 (Autumn, 1982), 576-601

Salkeld, Duncan, ‘Kyd and the Courtesan’, Notes and Queries, 47(245).1 (Mar., 2000), 43-48

Salkeld, Duncan, ‘Kyd’s Absalon’, Notes and Queries, 40(238).2 (June, 1993), 177

Salkeld, Duncan, ‘Ariosto’s Orlando Furioso and The Spanish Tragedy’, Notes and Queries, 38(236).1 (March, 1991), 28-9

Seaton, Ethel, ‘Marlowe, Robert Poley, and the Tippings’, The Review of English Studies, 5.19 (Jul., 1929), 273-287

Shaheen, Naseeb, ‘A Warning for Fair Women and the Ur-Hamlet’, Notes and Queries, 30(228).2 (April, 1983), 126-7

Siemon, James R., ‘Sporting Kyd’, English Renaissance Drama, 24.3 (Autumn, 1994), 553-582

Siemon, James R., ‘Dialogical Formalism: Word, Object, and Action in The Spanish Tragedy’, Medieval and Renaissance Drama in England. An Annual Gathering of Research Criticism and Reviews V , (NY: AMS Press, 1991), 87-115

Smith, Emma, ‘Author vs. Character in Early Modern Dramatic Authorship: the Example of Thomas Kyd and The Spanish Tragedy’, Medieval and Renaissance Drama in England, 11(1999), 129-142

Smith, Molly Easo, ‘Spectacles of Torment in Titus Andronicus’, Studies in English Literature, 1500-1900, 36.2, Tudor and Stuart Drama (Spring, 1996), 315-331

Smith, Molly, ‘The Theater and the Scaffold: Death as Spectacle in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 32.2, Elizabethan and Jacobean Drama (Spring, 1992), 217-232

Smith, M. W. A., and Hugh Calvert, ‘Word-links as a General Indicator of Chronology of Composition’, Notes and Queries, 36(234).3 (Sept., 1989), 338-341

Smith, Winifred, ‘Italian and Elizabethan Comedy’, Modern Philology, 5.4 (Apr., 1908), 555-567

Sofer, Andrew, ‘Absorbing Interests: Kyd’s Bloody Handkerchief as Palimpsest’, Comparative Drama, 34.2 (Summer, 2000), 127-153

Stabler, Arthur P., ‘King Hamlet’s Ghost in Belleforst?’, PMLA, 77.1 (Mar., 1962), 18-20 (NOT SO RELEVANT)

Stackhouse, Janifer Gerl, on Flemming’s ‘Jeronimo Marschalck in Hispanien: Das deutche Wandertruppen-Manuskript der Spanish Tragedy’, German Quarterly, 49.1 (Jan., 1976), 112-114

Stevenson, Warren, ‘Shakespeare’s Hand in The Spanish Tragedy 1602’, Studies in English Literature, 1500-1900, 8.2, Elizabethan and Jacobean Drama (Spring, 1968), 307-321

Stodder, Joseph H., ‘Shakespeare and His Contemporaries in Los Angeles’, Shakespeare Quarterly, 36.4 (Winter, 1985), 474-477

Stoll, Elmer Edgar, ‘Hamlet and The Spanish Tragedy Again’, Modern Philology, 37.2 (Nov., 1939), 173-186

Stoll, Elmer Edgar, ‘Hamlet and The Spanish Tragedy Quartos I and II: A Protest’, Modern Philology, 35.1 (Aug., 1937), 31-46

Thompson, Ann, ‘The Taming of the Shrew and The Spanish Tragedy’, Notes and Queries, 31(229).2 (June, 1984), 182-4,

Thorndike, A. H., ‘English Literature’, Modern language Notes, 17.5 (May, 1902), 142-147 (on Boas’s The Works of Thomas Kyd

Tupper, James W., ‘The Works pf Thomas Kyd’, The American Journal of Philology, 23.1 (1902), 87-93

Tweedie, Eleanor M., ‘”Action Is Eloquence”: The Staging of Thomas Kyd’s Spanish Tragedy’, Studies in English Literature, 1500-1900, 16.2, Elizabethan and Jacobean Drama, (Spring, 1976), 223-239

Voros, Sharon D., ‘Feminine Symbols of Empire in Thomas Kyd and Pedro Calderon: “The Spanish Tragedy” and “De un Castigo Tres Venganzas”’, Pacific Coast Philology, 27.1/2 (Sept., 1992), 145-158

Watson, Robert N., on Katharine Eisaman Maus’ ‘Inwardness and Theater in the English Renaissance’, Modern Philology, 94.3 (Feb., 1997), 366-372

Witherle Lawrence, William, ‘Hamlet and Fortinbras’, PMLA, 61.3 (Sep., 1946), 673-698

Witherle Lawrence, William, ‘Hamlet’s Sea-Voyage’, PMLA, 59.1 (Mar., 1944), 45-70

ON PRODUCTIONS:

1982 Cottesloe revival – Michael Bogdanov

Maslen, Elizabeth, ‘The Dynamics of Kyd’s “Spanish Tragedy”’Proudfoot, Richard, ‘Kyd’s Spanish Tragedy’Zitner, Sheldon, ‘The Spanish Tragedy’ in ???, p.89? (Is it the one I already have?)

Warwick Library Journals to acquire:

Stull, William L., ‘This Metamorphosde Tragoedie’: Thomas Kyd, Cyril Tourneur, and the Jacobean Theatre of Cruelty’ARIEL: A Review of International English Literature, 14.3 (July, 1983), 35-49

Proudfood, Richard, ‘Kyd’s Spanish Tragedy’Cambridge Quarterly, 25.1 (Spring, 1983), 71-6

Daalder, Joost, ‘The Role of ‘Senex’ in Kyd’s The Spanish Tragedy’, Comparative Drama, 20.3 (Fall, 1986), 247-260

Proudfoot, Richard, ‘Kyd’s Spanish Tragedy’, Critical Quarterly, 25.1 (Spring, 1983), 71-76

Maslen, Elizabeth, ‘The Dynamics of Kyd’s “Spanish Tragedy”’English: The Journal of the English Association, 32.143 (Summer, 1983), 111-125

McAlindon, Thomas, ‘Tamburlaine the Great and The Spanish Tragedy: Thomas Kyd, Cyril Tourneur, and the Jacobean Theatre of Cruelty’Huntington Library Quarterly: A Journal for the History and Interpretation of English and American Civilization, 45.1 (Winter, 1982), 59-81

Aggeler, Geoffrey, ‘The Eschatological Crux in The Spanish Tragedy’, Journal of English and Germanic Philology, 86.3 (July, 1987), 319-331

Kohler, Richard C., ‘Kyd’s Ordered Spectacle: “Behold…/What ’Tis Subject to Destiny”’Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 3 (1986), 27-49

Ardolino, Frank R., ‘Corrida of Blood in The Spanish Tragedy: Kyd’s Use of Revenge as National Identity’Medieval and Renaissance Drama in England, 1(1984), 37-49

Scott, Margaret, ‘Machiavelli and Machiavell’, Renaissance Drama, 15 (1984), 147-174