Bibliography for Work in Holocaust Studies.pdf

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Volume 11 (2009) Issue 1 Article 11

BBiibliog bliogrraaphphy for W y for Worork in Hk in Holooloccaauusst St Studiestudies

Ag Agaatta Anna Anna Lia Lisisiak ak University of Halle-Wienberg

LouiLouise Ose O. V . VaassvváárriiState University of New York, Stony Brook

SStteveeven Tn Tötötöösy de Zsy de Zepepetnek etnek National Sun Yat-sen University and University of Halle-Wienberg

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Volume 11 Issue 1 (March 2009) Bibliography 11

Agata Lisiak, Louise O. Vasvári, and Steven Tötösy de Zepetnek,"Bibliography for Work in Holocaust Studies"

Contents of CLCWeb: Comparative Literature and Culture 11.1 (2009)

Thematic Issue New Work in Holocaust Studies Edited by Louise O. Vasvári and Steven Tötösy de Zepetnek

http://docs.lib.purdue.edu/clcweb/vol11/iss1/11DOI: http://dx.doi.org/10.7771/1481-4374.1423


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Agata Lisiak, Louise O. Vasvári, and Steven Tötösy de Zepetnek,"Bibliography for Work in Holocaust Studies" page 2 of 58CLCWeb: Comparative Literature and Culture 11.1 (2009): Thematic Issue New Work in Holocaust Studies. Ed. Louise O. Vasvári and Steven Tötösy de Zepetnek

Agata LISIAK, Louise O. VASVÁRI, and Steven TÖTÖSY de ZEPETNEK

Bibliography for Work in Holocaust Studies

Aaron, Frieda W. Poetry in the Holocaust: Ghetto and Concentration Camp Poetry . PhD Diss. New

York: City U of New York, 1985.Aaron, Frieda W. "Yiddish and Polish Poetry in the Ghettos and Camps." Modern Language Studies 19.1 (1989): 72-87.

Abbotson, Susan C.W. "Re-Visiting the Holocaust for 1980s Television: Arthur Miller's Playing forTime." American Drama 8.2 (1999): 61-78.

Abrahamson, Irving, ed. Against Silence: The Voice and Vision of Elie Wiesel . New York: Schocken,1984.

Abramovich, Dvir. "David Grossman." Holocaust Novelists. Ed. Efraim Sicher. Detroit: Gale, 2004.118-25.

Abramovich, Dvir. "Susan Fromberg Schaeffer." Holocaust Novelists. Ed. Efraim Sicher. Detroit: Gale,2004. 291-96.

Abramson, Glenda. "The Cultural Uses of the Holocaust." The Conscience of Humankind . Ed. ElrudIbsch, Douwe Fokkema, and Joachim von der Thüsen. Amsterdam: Rodopi, 2000. 11-23.

Adamczyk-Garbowska, Monika. "A New Generation of Voices in Polish Holocaust Literature."

Prooftexts: A Journal of Jewish Literary History 9.3 (1989): 273-87.Adelman, Gary. "Getting Started with Imre Kertész." New England Review: Middlebury Series 25.1-2(2004): 261-78.

Adelman, Tzvi. "Self, Other, and Community: Jewish Women's Autobiography." Nashim: A Journal of Jewish Women's Studies and Gender 7 (2004): 116-27.

Adler, Jeremy. "'Die Macht des Guten im Rachen des Bösen': H.G. Adler, T.W. Adorno und dieDarstellung der Shoah." Merkur: Deutsche Zeitschrift für Europäisches Denken 54.6 (2000): 475-86.

Ahokas, Pirjo, and Martine Chard-Hutchinson, eds. Reclaiming Memory: American Representations ofthe Holocaust . Turku: University of Turku, 1997.

Aizenberg, Edna. "'Nazism is Uninhabitable': Borges, the Holocaust, and the Expansion of Knowledge." Jorge Luis Borges: Thought and Knowledge in the XXth Century . Ed. Alfonso de Toro and Fernandode Toro. Frankfurt: Vervuert, 1999. 255-62.

Alexander, Edward. "Irving Howe and the Holocaust: Dilemmas of a Radical Jewish Intellectual."

American Jewish History 88.1 (2000): 95-113.Alexander, Edward. "Patterns of Holocaust Poetry: Representative Voices in Yiddish and Hebrew." Argumentum e Silentio: International Paul Celan Symposium. Ed. Amy Diana Colin. Berlin: Walterde Gruyter, 1986. 296-319.

Alexander, Jonathan Miller. Composing the Self, Communing in Silence: Voice and Identity in Poetry ofthe Holocaust . PhD Diss. Indiana: Indiana U of Pensylvania, 2002.

Alexander, Zaia. Beyond Babel: Translating the Holocaust at Century's End . PhD Diss. Los Angeles: Uof California, 2002.

Alfers, Sandra. "Concentration Camp Poetry: Adorno and the Question of Collective Memory."Rendezvous: Journal of Arts and Letters 34.1 (1999): 81-91.

Alion, Yves. "Entretien avec Costa-Gavras à propos de la Shoah." Avant Scène Cinéma 546 (2005):19-25.

Alkana, Joseph. "'Do We Not Know the Meaning of Aesthetic Gratification?: Cynthia Ozick's The Shawl ,the Akedah, and the Ethics of Holocaust Literary Aesthetics." Modern Fiction Studies 43.4 (1997):

963-90.Alphen, Ernst van. Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory. Stanford: Stanford UP, 1997.

Alphen, Ernst van. "Reframing the Holocaust." Annals of Scholarship: An International Quarterly in theHumanities and Social Sciences 10.3-4 (1993): 421-43.

Ames, Deborah Lee. "Automortagraphy: Holocaust Survivors Remember Their Own Deaths." A/B: Auto/Biography Studies 16.1 (2001): 24-38.

Anderson, John C., and Bradley Katz. "Read Only Memory: Maus and Its Marginalia." ConsideringMaus: Approaches to Art Spiegelman's 'Survivor's Tale' of the Holocaust . Ed. Deborah R. Geis.Tuscaloosa: U of Alabama P, 2003. 159-74.

DOI: http://dx.doi.org/10.7771/1481-4374.1423


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Anderson, Mark M. "The 'Impossibility of Poetry': Celan and Heidegger in France." New GermanCritique: An Interdisciplinary Journal of German Studies 53 (1991): 3-18.

Angerer, Christian. "'Wir haben ja im Grunde nichts als die Erinnerung': Ruth Klügers weiter leben imKontext der neueren KZ-Literatur." Sprachkunst: Beiträge zur Literaturwissenschaft 29.1 (1998):61-83.

Angress, Ruth K. "Discussing Holocaust Literature." Simon Wiesenthal Center Annual 2 (1985): 179-92.

Ankersmit, F.R. "Remembering the Holocaust: Mourning and Melancholia." Reclaiming Memory: American Representations of the Holocaust . Ed. Pirijo Ahokas and Martine Chard-Hutchinson.Turku: University of Turku, 1997. 62-86.

Antler, Joyce. "'Three Thousand Miles Away': The Holocaust in Recent Works for the AmericanTheater." The Americanization of the Holocaust . Ed. Hilene Flanzbaum. Baltimore: Johns HopkinsUP, 1999. 125-41.

Antler, Joyce. "The Americanization of the Holocaust." American Theatre 12.2 (1995): 16.Arad, Gulie Ne'eman. Passing into History: Nazism and the Holocaust beyond Memory . Bloomington:

Indiana UP, 1998.Arad, Gulie Ne'eman. "Rereading an Unsettling Past: American Jews during the Nazi Era." Thinking

about the Holocaust: After Half a Century . Ed. Alvin H. Rosenfeld. Bloomington: Indiana UP, 1997.182-209.

Arnds, Peter. "On the Awful German Fairy Tale: Breaking Taboos in Representations of NaziEuthanasia and the Holocaust in Günter Grass's Die Blechtrommel , Edgar Hilsenrath's Der Nazi &der Friseur , and Anselm Kiefer's Visual Art. German Quarterly 75.4 (2002): 422-39.

Arnds, Peter. "Adolf Muschgs Parzivalroman Der rote Ritter und die Schweizer Mitschuld amHolocaust." Medieval German Voices in the 21st Century . Ed. Albrecht Classen. Amsterdam:Rodopi, 2000. 211-26.

Arva, Eugene. "Disciplinary Power and Testimonial Narrative in Schindler's List ." Film and Philosophy 8(2004): 51-62.

Aschenberg, Reinhold. Ent-Subjektivierung des Menschen. Lager und Shoah in philosophischerReflexion. Würzburg: Königshausen & Neumann, 2003.

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Asmuss, Burkhard. Holocaust. Der nationalsozialistische Völkermord und die Motive seiner Erinnerung.Berlin: Deutsches Historisches Museum / Wolfratshausen: Edition Minerva, 2002.

Auerochs, Bernd. "'Ich bin dreizehn Jahre alt jeden Augenblick.' Zum Holocaust und zum Verhältniszwischen Deutschen und Juden in Uwe Johnsons Jahrestagen." Zeitschrift für Deutsche Philologie 112.4 (1993): 595-617.

Auster, Paul, et al. "Encounters: American Poets on Paul Celan." Studies in Twentieth CenturyLiterature 8.1 (1983): 101-27.

Avisar, Ilan. Screening the Holocaust: Cinema's Images of the Unimaginable. Bloomington: IndianaUP, 1988.

Avisar, Ilan. "Personal Fears and National Nightmares: The Holocaust Complex in Israeli Cinema."Breaking Crystal: Writing and Memory after Auschwitz . Ed. Efraim Sicher and Saul Friedländer.Urbana: U of Illinois P, 1998. 147-59.

Avisar, Ilan. "Holocaust Movies and the Politics of Collective Memory." Thinking about the Holocaust: After Half a Century . Ed. Alvin H. Rosenfeld. Bloomington: Indiana UP, 1997. 38-58.

Avisar, Ilan. "Christian Ideology and Jewish Genocide in American Holocaust Movies." Literature, the Arts, and the Holocaust . Ed. Sanford Pinsker and Jack Fischel. Greenwood: Penkevill, 1987. 21-42.

Avisar, Ilan. "The Evolution of the Israeli Attitude toward the Holocaust as Reflected in Modern HebrewDrama." Hebrew Annual Review 9 (1985): 31-52.

Avisar, Ilan. The Aesthetics and Politics of the Holocaust Film. PhD Diss. Bloomington: Indiana UP,1984.

Avni, Ora. "Beyond Psychoanalysis: Elle Wiesel's Night in Historical Perspective." Auschwitz and After:Race, Culture, and 'the Jewish Question' in France. Ed. Lawrence D. Kritzman. New York:Routledge, 1994. 203-18.

Avisar, Ilan. "The Holocaust in the Israeli Theatre in the Fifties and Sixties." Literature, the Arts, andthe Holocaust . Ed. Sanford Pinsker and Jack Fischel. Greenwood: Penkevill, 1987. 203-28.



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Bacon, Laurence. "Women as Resistance Fighters in Recent Popular Films: The Case of Hanna Seneshand Helen Moszkiewiez." Women and the Holocaust. Narrative and Representation. Ed. EstherFuchs. New York: U P of America, 1999: 89-96.

Badalkhan, Sabir. "Seife aus Judenfett. Zur Wirkungsgeschichte einer zeitgenössischen Sage." Fabula: Zeitschrift für Erzählforschung / Journal of Folktale Studies / Revue d'Etudes sur le Conte Populaire 46.3-4 (2005): 241-56.

Baer, Alejandro. "Consuming History and Memory through Mass Media Products." European Journal ofCultural Studies 4.4 (2001): 491-501.

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Baer, Elizabeth. "Complicating the Holocaust: Who is a Victim? What is a Holocaust Memoir?"Remembering for the Future: The Holocaust in an Age of Genocides. Ed. John K. Roth, ElisabethMaxwell, Margot Levy, and Wendy Whitworth, eds. New York: Palgrave Macmillan, 2001. 15-23.

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Ball, Karyn. "Unspeakable Differences, Obscene Pleasures: The Holocaust as an Object of Desire."Women in German Yearbook: Feminist Studies in German Literature and Culture 19 (2003): 20-49.

Bari, Károly. "The Holocaust in Gypsy Folk Poetry." Hungarian Quarterly 42.162 (2001): 64-70.Barnett, David. "The Holocaust and Documentary Metadrama: Heinar Kipphardt's Bruder Eichmann."

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Barnouw, Dagmar. "The Certainties of Evil: Memory Discourses of the Holocaust." Monatshefte fürDeutschsprachige Literatur und Kultur 93.1 (2001): 98-111.

Bar-On, Dan. "Transgenerational Aftereffects of the Holocaust in Israel: Three Generations." BreakingCrystal: Writing and Memory after Auschwitz . Ed. Efraim Sicher and Saul Friedländer. Urbana: U ofIllinois P, 1998. 91-118.

Bar-On, Dan and Noga Gilad. "To Rebuild Life. A Narrative Analysis of Three Generations of an IsraeliHolocaust Survivor's Family." Exploring Identity and Gender: The Narrative Study of Lives. Ed.Amia Lieblich and Ruthellen Josselson. Thousand Oaks: Sage, 1994. 83-112.

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Barta, Tony. "Consuming the Holocaust: Memory Production and Popular Film." Contention: Debates inSociety, Culture, and Science 5.2 (1996): 161-175.

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Bartov, Omer. "Spielberg's Oskar: Hollywood Tries Evil." Spielberg's Holocaust: Critical Perspectiveson Schindler's List. Ed. Yosefa Loshitzky. Bloomington: Indiana UP, 1997. 41-60.

Bartov, Omer. "Intellectuals on Auschwitz: Memory, History and Truth." History & Memory: Studies inRepresentations of the Past 5.1 (1993): 87-129.

Bartov, Omer, ed. Holocaust: Origins, Implementation, Aftermath. London: Routledge, 2000.Basa Molnár, Enikő. "Imre Kertész and Hungarian Literature." Imre Kertész and Holocaust Literature.

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Berger, Alan L. "The Holocaust 40 Years After: Too Much or Not Enough Attention." Literature, the Arts, and the Holocaust . Ed. Sanford Pinsker and Jack Fischel. Greenwood: Penkevill, 1987. 1-20.

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Berger, Alan L. and Naomi Berger, eds. Second Generation Voices. Reflections by Children ofHolocaust Survivors and Perpetrators. Syracuse: Syracuse UP, 2001.

Berger, James. "Holocaust Testimony and Post-Holocaust Fiction: Cynthia Ozick's The Messiah ofStockholm." Thresholds of Western Culture: Identity, Postcoloniality, Transnationalism. Ed. JohnBurt Foster, Jr. and Wayne Jeffrey Froman. New York: Continuum, 2002. 69-82.

Berger, Ronald J. Fathoming the Holocaust: A Social Problems Approach. New York: Aldine de Gruyter,2002.

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DOI: