20
BIBLIOGRAPHY

BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

  • Upload
    others

  • View
    5

  • Download
    0

Embed Size (px)

Citation preview

Page 1: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

BIBLIOGRAPHY

Page 2: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

BIBLIOGRAPHY

A rt ik a je D r .S rik rishna Bhat. "C oasta l Yak^agana", In Encyclopaedia of the Folk Culture of Karnataka. Madras: Institute o f Asian Studies, 1991.

Ashton, Martha Bush and Bruce Christie . Yak^agana: A Dance Drama of India. New Delhi: Abhinav Publications, 1977.

Babcock, Barbara A. "The Story in the Story: Metanarration in Folk N a r r a t iv e " , in Verbal Art as Performance. Richard Bauman, Rowely Mass: Newbury House Publishers,1978.

Bakhtin, M.M. The Dialogic Imagination, ed. Michael H olqu ist . Tr. Caryl Emerson and Michael H o lqu ist. Austin: Univ. o f Texas Press, 1981.

Balakrishna Rao, Kubahur. Yaksagana. Mangalore: Author: 1973.

Barthes, Roland. Elements of Semiology (1964). Tr. Annette Lavers and Colin Smith. London: Jonathan Cape, 1967.

------ Selected writings. Oxford: Fontana Collins, 1983.

Basham,A.L. "Aryan and Non-Aryan in South India", in Aryan and Non-Aryan in India, eds. Madhav M. Deshpande and Peter Edwin Hook. Ann Arbor; The University o f Michigan,1979.

Bauman, Richard. Verbal Art as Performance, with supplimentary essays by Barbara A. Babcock, Gary H. Gossen,Roger D. Abrahams,Joel F. Sherzer. Rowely Mass: Newbury House Publishers, 1978.

--- "Conceptions of Folklore in the Development of LiterarySemiotics", Semlotlca,Vol 39,1-2, 1982.

Bauman, Richard and Joel Sherzer, eds. Explorations in the Ethnography of Speaking. London: Cambridge Univ. Press, 1974 .

Beck, Brenda E.F. The Three Twins: The Telling of a SouthIndian Epic. Bloomington: Indiana University Press,1982.

Page 3: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

444

Beladi V ithala. "Yaksagana Mattu Sudharai^egalu", [Yaksagana and Reformation], In Rangavaikhari [The Design/Pattern o f the S tage ]. Mlttanadka D .K .: Mambadl NarayanaBhagavata Sanmana Scuniti, 1981.

Ben-Amos, Dan. Folklore in Context. New Delhi: South AsianPublishers^ 1982.

Ben-Amos, Dan and S. Goldstein, eds. Folklore: Performance and Communication. The Hague and Paris : Mouton, 1975.

B ete ille , Andr^ . Caste Class and Power: Changing Patterns of Stratification in a Tanjore Village. Berkeley,Los Angeloti and London: U n ivers ity o f C a l i fo rn ia Press, 1971.

Bhalla, Alok and Peter Bumke/ eds. Images of Rural India in the Twentieth Century. H.Delhi: Sterling Publishers Pvt. Ltd., 1992.

Bhandari, Ramesh. "Gundabala Harake Yaksagana" [Gundabala Vow-Performance Yaksagana], Prajavani ‘(Kannada Daily) 1- 8-93.

Bharatamuni, The Natya Sastra, t r . Manmohan Ghosh. 1951, rev. ed. Calcutta: Manisha Granthalaya, 1967.

Bharucha, Rustom. "A Collis ion o f Cultures: Some WesternInterpretations o f the Indian Theatre", Asian Theatre Journal, V o l.1 No 1,Spring 1984.

Bhat,. Eshwara U. "Keralada Rangakalegalu" [Theatre forms of K era la ] . Rangavaikhari [The Design/Pattern o f S tage ]. Mittanadka D .K .: Mambadi Narayana Bhagavata Sanmana Samiti, 1981.

Bhat,HarIdas K.S. e d . Samagra Yaksagana: Parampare Mattu Prayoga [E n tire Yaksagana: T rad it ion andExperimentation]. Mysore: Geeta Book House, 1978.

Bhat, G.S. ed. Vaijayanti (Yaksagina Samlkse) [Vaijayanti (a Survey o f Yaksagina)]. Mysore; Uttara Kannada J i l la Sanskritika Sangha, 1978.

Bhat, G.S. Yaksagana Nata Sanghataka Shambhu H&gde-Sampradaya Mathu Srajanasilate: Adhyayana. [Yaksagana ActorOrganisor Shambhu Hegde-Tradition and C re a t iv ity : A Study]. Unpublished Ph.D. Dissertation Submitted to Karnatak University, Dharwar.

Page 4: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

445

Bhat, Mahabala. Bannada Vesa [Demonic C h arac te rs ]. Mangalore: Author, i980.

------ "Prasanga Tantra" [The Technique o f Prasanga}, inYak^agana Makaranda [The Honey o f Yaksagana]. Mangalore: P o la li Shastrl Smaraka Samiti, 1980.

------ ed. Yaksagana Makaranda [The Honey o f Yaksagana].Mangalore: P o la li Shastri Smaraka Samiti, 1980.

Bhat, Narasimha Padekallu, ed. Ranga Vaikhari [The Design/ Pattern o f the S t a g e ] . (A Commemorative Volume on Mambadi Narayana Bhagavata) , N ittanadka, D .K ., S r i Mambadi Narayana Bhagavatara Sanmana Samiti, 1981.

Bhat, Ramachandra H. Yaksa Natakagalu [Yaksagana P lays ].Dharwar: Parnakuti Graiitha Male, 1952.

Bhat, S r in ivasa P. "Yaksagana Sahitya" [YaksaganaL i t e r a tu r e ] , in Yaksagana Makaranda [The Honey o fYaksaganal, ed. M.Mahabala Bhat. Mangalore: P o a liShastri Smaraka Samiti, 1980.

Bhat, Vishnu 'Kirikkadu M aster '. Yak^arasa Jivana [The L ife of a Yak§agina A r t i s t ] . Peradala,Kasaragod: Kirikkadu Master Sanmana Scimiti, 1981.

B il im a le , Purushottama. "Yaksagana Vimarse: Kelavu,Holahugalu" [Yaksagana C r it ic ism : Some Id e a s ] , inYaksagHna Cintana [R e flec t ion s on Yaksagana]. Beltangadi D.K., Shatabdi Vidyalaya Samiti, 1990.

B irdwhistell, Ray L. Kinesics and Context: Essays on Body- Motion Communication. 197 0, Harmondsworth: PenguinBooks, 1973.

Bishtappa K av i: Agra Puje. Honnavar: ShringaraPrakatanalaya, year of publication not mentioned.

Blackburn, Stuart and A.K. Ramanujan, eds. Another Harmony: New Essays on The Folklore of India. D e lh i: OxfordUniversity Press, 1986.

Blackburn, Stuart. "Indian Performance T rad it io n s " , in Indian Folklore I. Mysore: Central Institute o f Indian Languages, 1981.

Blonsky, Marshall, ed. On Signs. Oxford: Basil Blackwell,1985.

Page 5: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

446

Bogatyrev, P e tr . "Costume as a s ign " , "Folksong from a Functional Point of View", "Semiotics in Folk Theatre", in Semiotics of Art; Prague School Contributions, ed. Ladislav Matejka and Irvin R. Titunik. Cambridge Mass. and London: The M.I.T. Press, 1976.

Borbe, Tasso, ed. Semiotics Unfolding Vol.l. Berlin : Mouton Publishers, 1983.

Boussaic, Paul. Circus and Culture. Bloomington and London: Indiana University Press, 1976.

Bowra, C.M. "The Meaning o f a Heroic Age", in The Language and Background of Homer: Some Recent Studies andControversies. Cambridge: Heffer, 1964.

Brecht, B e r to lt . "Theatre fo r P leasure and Theatre fo r fint«rtainmflint", in Marxists on Literature, ed. David Craig. Harmondsworth: Penguin Books, 1975.

Broekman, Jan M. Structuralism: Moscow- Prague- Paris. Dordrecht Holland: D.Reidel Publishing Company, 1974.

Carlson, Marvin A. "Contemporary Concerns in Semiotics of Theatre", Semiotica, 48, 3/4 (1984), PP.281-91.

Chadwick, H.M. and N.K.Chadwick. Growth of Literature, Vol 1 and Vol 3. London: Oxford University Press, 1969.

Chadwick, Nora K. and Zhirmunsky, V. Oral Epics of Central Asia. Cambridge: Cambridge University Press, 1969.

Channabasappa, 6.R. Karnataka Janapada Kalegalu [The Folk Arts o f Karnataka]. Bangalore: Kannada SahityaParishad, 1977.

Chitaguppi, Bhima Rao. Samshbdhana Panchadashi, [F i f te en Research A r t ic le s ] . Mysore: Usha Sahitya Male, 1974.

Claude-Gadin, Jean,Paul Bouissac and Kenneth E. Foote. "A Program for Semiotics", Semiotica. Vol 52, 1984.

Claus, Peter J. and Frank J. Korom. Folkloristics and Indian Folklore. Udupi: Regional Resources Centre fo r Folk Performing Arts, 1991.

Claus^Peter J. Jawaharlal Handoo, D.P. Pattanayak,ed. Indian Folklore II. Mysore: Central In s t i tu te o f IndianLangauages, 1987.

Page 6: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

447

ClauS/ Peter J. Tuluva Darsana [The Vision/View o f Tuluvas]. T r . A.V. Navuda and Subhashchandra. Kund'apura: Pradeshika Vyasanga, 1987.

Cooper J.C. Symbolism The Universal Language. Wellingborough Northamptonshire: The Aquarian Press, 1982.

Culler, Jonathan. Structuralist Poetics. London: Routledgeand Kegan Paul, 1975.

------ The Persuit of Signs: Semiotics, Literature,Deconstruction. London: Routledge and Kegan Paul,1981.

------ Barthes. Fontana Paperbacks, 1983.

Damle, Chandrashekhara. "Yak^aganadalli Parivartane: VegaMathu V istara" [Change In Yaksagana: Pace and Scope], in Yaksagana Cintana [Reflections on Yaksagana]. Beltangadi D.K*: Shatabdi Vidyalaya Samiti, 1990.

Das, Veena. Structure and Cognition: Aspects of Hindu Caste and Ritual. Delhi: Oxford University Press, 1977.

Deshpande, Madhav M and Peter Edwin Hook, eds. Aryan and Non- Aryan in India. Ann Arbor: The University o f Michigan,1979.

Dhoopad M.T. Sri Krsna Parijata Janapada Shaili Bhamakalapa Kuchupudi Shaiii Tulanatmaka Adhyayana [S r i Krsna P arija ta Folk Style and Bh^a Kalapa Kuchupudi Style: A Comparative Study]. Dharwar: Karnataka U n ive rs ity ,1984.

Dorson, Richard M. ed. Folklore and Folk life. Chicago and London: The Univ. of Chicago Press, 1972.

Eagleton Terry. Literary Theory: An Introduction. Oxford:Basil Blackwell, 1983.

Eco, Umberto. A Theory of Semiotics. London and Basingstoke: The Macmillan Press Ltd., 1977.

------ "Semiotics o f Th eatr ica l Performance", The DramaReview, T .73,No.21, 1977.

------ "proposals for a History o f Semiotics" in SemioticsUnfolding Vol 1 e d . Tasso B arbe . B e r l in : MoutonPublishers, 1983.

Page 7: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

448

---- Semiotics and the Philosophy of Language. London:Macmillan Press, 1984.

Elam, Keir. The Semotics of Theatre and Drama. 1980,rpt. London: Metheun, 1983.

Encyclopaedia of the Folk Culture of Karnataka, Madras: In s t it ite of Asian Studies, 1991.

Evans, Jonathan D. "Semiotics and Traditional Lore: TheMedieval Dragon T rad it ion " , Journal of Folklore Research. V o l.22 No. 1/2 1985.

Ferro-Luzzi, Gabrie lla Eichnger. The Self Milking Cow and the Bleeding Lingam: Crisscross of Motifs in Indian Temple Legends. Wiesbaden: Otto Harrassowitz, 1987.

Firth Raymond. Symbols Public and Private. Ithaca,Mew York: Cornell University Press, 1973.

Fokkema, D.W and Elrud Kunne-Ibsch. Theories of Literature in the Twentieth Century. London: C.Hurst and Company,1977.

Foley, Kathy. "The Dancer and the Danced: Trance Dance and Th eatr ica l Performance in West Java", Asian Theatre Journal. V o l.2. No.l, Spring 1985.

Foster, Mary LeCron and Stanley H. Brandes^ eds. Symbol as Sense: New Approaches to the Analysis of Meaning. Mew York: Academic Press, 1980.

Foucault, Michel. The Archaeology of Knowledge. Tr.A.M. Sheridan Smith. London: Tavistock Publications, 1972.

Fuegi, John. Bertolt Brecht: Chaos According to Plan.Cambridge: Cambridge Univ. Press, 1987.

Gargi, Balvant. Folk Theatre of India. Allahabad: Rupa and Co., 1991.

Gaston, Anne-Maria. Siva in Dance, Myth and Iconography.1982, Delhi: Oxford University Press, 1985.

Geertz, C li f fo rd . The Interpretation of Cultures. Mew York: Basic Books Inc., Publishers, 1973.

G i l l , H.S. A Phulkari from Bhatinda. P a t ia la : PunjabiLiterature, 1977.

Page 8: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

449

---- Folk Art of Punjab. In s t itu te o f Punjabi Culture,Punjabi University, 1975.

Gnoli, Raniero. The Aesthetic Experience According to Abhinava Gupta. Varanasi: Chowkhamba Publications, 1968.

Gombrich, E.H. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon Press, 1963.

Gowda, Chinappa. BhTitaradhane: Janapadiya Adhyayana [Sp ir it Worship: A F o lk lo r i s t i c Study]. MangalagangotriMangalore: Mudipu Prakashana, 1990.

Greimas A .J . On Meaning: Selected Writings in SemioticTheory. Tr. P .J . Person and F.H. C o l l in s . London: Frances Printer (Publishers), 1987.

Guiraud, P ierre. Semiology. Tr. George Gross. London,Henley and Boston: Routledge and Kegan Paul, 1975.

Hall, E.T. The Silent Language. 1959, r p t . N .D e lh i: A ff i l ia te d East West Press Pvt. Ltd., 1973.

Handoo, Jawaharlal. Current Trends in Folklore. Mysore : University of Mysore, 1978.

------ "Approaches to Ethnomusicology: The Indian Case", inDocumentation and Archiving in Ethnomusicology, e d s . Ashok Ranade et al. Pune: American Institute o f Indian Studies, 1984.

------ "South Indian Folklore Studies: Growth and Development",Journal of Folklore Research. Vol 24, No 3, Sept-Dee 1987.

------ Folklore: An Introduction. Mysore: Central Institute ofIndian Languages, 1989.

------ "Theory and the Problems of Meaning in Folklore", PILCJournal of Dravidic Studies, Vol. 2:1, Jan. 1992.

Hanna, Judith Lynne. To Dance is Human: A Theory ofNonverbal Communication. Austin and London; University of Texas Press, 1979.

Hart, George I I I . "The Nature of Tamil Devotion", in Aryan and Non--Aryan In India. Ann Arbor: The University o f Michigan, 1979.

Page 9: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

Hasyagara,P.V. "Yaksag^na Kale Mattu Prayoga" [Yak^agSna Art and Performance], in Yaksagana, ed. V .Seetaramiah. Bangalore: I.B.H. Prakashana, 1975.

------ "Yak^aqana Prasangagalu " [The Written Texts o fYak^agana], in Vaijayanti, ed. G.S.Bhat. Mysore: NorthKanara Dist. Cultural Society, 1978.

------ "Yaksagana Nrtya V i l i s a " . [The Glory o f YaksaganaDance], in Yaksagana. Dharwar: Karnatak U n ive rs ity ,1985.

Hegde, Shambhu "Yaksagana",in Ranffa Vaikhari [The Design/ Pattern of the Stage]. Mittanadka D.K.: Sri Manbadi Narayana Bhagavatara Sanmana Samiti, 1981.

Hervey Sandor. Semiotic Perspectives. London: George Allen and Unwin, 1982.

Hodge Robert and Gunther Kress. Social Semiotics. Cambridge, Polity Press, 1988.

Holenstein Elmer. Roman Jacobson's Approach to Language: Phenomenological Structuralism. T r . by Catherine Schelbert and Tarcisius Schelbert. 1974,Bloomington and London: Indiana University Press, 1976.

Hook, Peter Edwin. "The Marriage o f Heroines and theD e fin it io n o f a L ite ra ry Area in South and CentralA s ia " , in Aryan and Non-Aryan in India. Ann Arbor:University o f Michigan, 1979.

Hymes, De ll. "Breakthrough into Performance" in Folklore: Performance and Communication, eds: Dan Ben Amos and Kenneth S.Goldstein. The Hague,Paris: Mouton, 1975.

------ "Way^ of Speaking", in Explorations in the Ethnographyof Speaking. New York: Cambridge University Press,1974.

Inamdar, Nirmala. "Yaksagana Kavigalu,Krutigalu" [Yaksagana Poets, W orks ],in Yaksagana, ed. V. Seetharamiah. Bangalore: I.B.H. Prakashana, 1975.

Ivanov, Vjavceslav Vsevolodovic. "E isenstein 's Montage of Hieroglyphic Signs", in On Signs, ed. Marshall Blonsky. Oxford: Basil Blackwell, 1985.

450

Page 10: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

451

Iyengar, H.S.K. ed. Avalokana: A Compendium of KarnatakaHeritage. Bangalore: World Kannada Conference, 1985.

Iyer, Krishna E. "Bhagavata Mela Dance - Drama o f Bharata N a ty a " . Sangeet Natak . (Journal o f Sangeet Natak Akademi), N.Delhi, 70, Oct-Dec, 83.

Jacobson Roman. "L in gu is t ic s and P oe t ic s " (1958), in Selected Writings V o l. I I I . The Hague: MoutonPublishers, 1981.

Joga Rao S.V. and J. Surya Prakasa Rao. "Kuchipudi Yakshagana", in YaJc^agana MaJcaranda [The Honey o f Yak^ag^na]. Mangalore: P o la li Shastri Smaraka Samiti, 1980.

Joshi, Prabhakara. Jagara [A name o f Talamaddale-a varient o f yaksagana ]. D .K .: Chokkadi: Sumanasa Prakashana,1983.

------ Kedige [Fragrant Screw Pine; a lso the name o f anornament in yaksagina]. Mangalore: Chitra Prakashana,1986.

----ed . Yaksagana Cintana [Reflections on Yaksagana].Mundaje D .K .: Shatabdi Vidyalaya Samiti, 1990.

Kambara/ Chandrashekhar. "R itu a l Kannada Folk Theatre", Sangeet Natak-25, July-Sept, 1972.

Karanth, Shivarama. Yaksagana Bayalata [Yaksagana Open-air Perform ance]. 1958, 2nd ’ ed. Puttu r: HarshaPrakatanalaya, 1963.

------ Yaksagana. Mysore: Univ. of Mysore, 1975.

Karp, lan^ "Laughter in M arriage: Subversion inPerformance", Journal of Folklore Research. Vol,25, No 1/2, Jan-Aug 1988.

Kersenboom-Story, Saskia C. Nityasumaipgali: DSvadasiTradition in South India. Delhi: M otila l Banarasidas,1987.

Kittel, Dr.F. Kannada English Dictionary, ed. Rev. J. Bucher. 1923, rpt. New Delhi: Asian Education Services,1987.

Page 11: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

452

Kott, Jan. The Theatre of Essence. Evanston: North Western University, 1984.

Krishnamurthy, K. Essays in Sanskrit Criticism. Dharwar: Karnataka University, 1964.

Krishna Bhat, Kukkila. ed. Parti Subbana Yak^aganagalu [Yaksagana Works of Parti Subba]. Mysore: Univ. ofMysore, 1975.

------ 'Andhra Yaksagana: Tulanatmaka Vivechane" [AndhraYaksagana: A Comparative Study], in Ranga Vaikhari [The Design/Pattern of the Stage]. .Mittanadka,Sri Mainbadi Marayana Bhagavatara Sanmana Samiti, 1981.

Kristeva, Julia. Desire in Language. Oxford: Basil Black-well, 1981.

Kurtukoti, K.I). e d . The Tradition of Kannada Theatre. Bangalore: I.B.H. Prakashana, 1986.

Langlois, Janet. "Folklore and Semiotics: An Introduction", Journal of Folklore Research. V o l.22, No 2/3, 1985.

Latthe, Mallikarjun S. Bayalatada Sarathi [The Clown in Folk Theatre]. Mutanal: Mallasarja Prakashana, 1978.

Leach, E.R. ed. Aspects of Caste in S. India, Ceylon andNorth West Pakistan. London: O.U.P. 1969.

Leach, Maria ed. Funk and Wagnell's Standard Dictionary of Folklore, Mythology and Legend. 1949, London: NewEnglish Library, 1972.

Leader, D a r ian . "Su b ject" , in The Fontana Dictionary of Modern Thought. London: Fontana Press, 1988.

Levi-Strauss, Claude. Structural Anthropology. Tr. C laire Jacobson and Brooke Grundfest Schoepf. 1963, London: Alan Lane, The Penguin Press, 1968.

------ The Way of the Masks. Tr. by Sylvia Modelski. Seattle:University of Washington Press, 1982.

Lomax, Alan et a l . . Folksong Style and Culture. New Jersey: Transaction Books, 1968.

Lucid, Daniel P. Soviet Semiotics. Baltimore and London: The John Hopkins University Press, 1977.

Page 12: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

453

Mathur, J.C. Dance in Rural India. Bombay: Asia Publishing House, 1964.

Macdonell, Diane. Theories of Discourse: An Introduction. New York: Basil Blackwell, 1986.

Malashetty, Basavaraja. Uttara Karnatakada Bayalatagalu [The Folk Theatres of North Karnataka]. Dharwar: KarnatakUniversity, 1983.

------ "Mudalapaya Yak§agana", in Encydopaedia of the FolkCulture of Karnataka. Madras: In s t i tu te o f AsianStudies, 1991.

Maranda, P ierre and E l l i Kongas Maranda. Structural Analysis of Oral Tradition. P h ilad e lp h ia : U n ive rs ity o fPennsylvania Press, 1971.

Matejka, Ladislav and Irwin R Titunik, ed. Semiotics of Art: Prague School Contributions. Cambridge Mass and London: The M.I.T. Press, 1976.

Mastar,^ Ananda.WaRsaganadalli Matugarike- Ranga Prayoga (Talamaddale/^ [The Improvised Text in Yaksagana- Stage Performance (Talam addale)] , in Yaksagana. Dharwar: Karnataka University, 1985.

Mounin Georges. Semiotic Praxis: Studies in Pertinence and in the Means of Expression and Communication. Tr. Catherine Tihanyi et a l . New York and London: Plenum Press, 1985.

Mukarovsky Jan "Art as a Semiotic Fact", in Semiotics of Art: Prague School Contributions, eds. Ladislav Matejka and Irvin R. Titunik. Cambridge Mass: M.I.T. Press,1976.

Mukherji B im al. "C la s s ic a l Music and C re a t iv i ty " , in Lectures on Music Appreciation Course Vol II ed. Utpala Goswami. Calcutta: West Bengal State Music Academy,1989.

Naidu, M.A. Kuchipudi Classical Style. Hyderabad: Andhra Pradesh Sangeet Natak Akademi, 1975.

Naik,G.H. "Nadavaru" [Nadavas] Prabhuddha Karnataka, No.190, 191, 1967:

------ Nijadani [The Real V o ic e ]. Heggodu: Akshara Prakashana,1988.

Page 13: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

Namblar Raghava, "Yaksaganadalli Rangasthala-Tenkutittu" [The Stage in Tenkutittu Yaksagana], in ’ 5amagraYaksaganaiParamapare' Mattu Prayoga [The EntireYaksagana; T rad it ion and Experim entation ]. Mysore: Geetha Book House, 1978.

Nandikeswara. Abhinaya Darpana (The Mirror of Gestures). Tr. Ananda K. Coomaraswami. 1917, rev. ed. New Delhi:Munshiram Manoharlal Pvt. Ltd., 1977.

Nayak, Gopalakrishna P. "Yaksagana Nrtyabhinaya" [Dance- acting in Yaksagana], in Yaksagana Makaranda [The Honey of Yaksagana]. Mangalore: P o la li Shastri Smaraka Samiti,1980.

Mayak, Shrin ivasa Kota. Yaksagana Bhagavatanobbana Anubhavaga^u [The Experiences o f a Yaksagana Bhagavata]. Kundapur: Author, 1977.

Padyana Venkateshwara Bhat. "Yaksaganadalli Sudhara^e: [Reforms in Yaksagana], in RangavalkharJ. [The Design/ Pattern o f the S tage ]. Mittanadka D .K .: Sri MambadiMarayana Bhagavatara Sanmana Samiti, 1981.

Paredes^ Americo and Richard Bauman^ e d s . Towards New Perspectives in Folklore. Austin and London: University of Texas Press, (fo r American Folklore Society), 1972.

Pattanayak, D.P. and Peter J. Claus^ ed. Indian Folklore I. Mysore : Central Institute of Indian Languages, 1981.

Pav is , P a tr ico . Languages of the Stage: Essays in theSemiology of Theatre. New York: Performing Arts Journal Publication, 1982.

Peacock, James L. "Class Clown and Cosmology in Javanese Drama: An Analysis of Symbolic and Social Action", in Structural Analysis of Oral Tradition, eds. P ierre and E l l i Kbng'as Maranda. P h ilad e lp h ia : U n ive rs ity o fPennsylvania Press, 1971.

Pele, Jerzy. Sign System and Function. B e r l in : Mouton Publishers, 1984.

Peron, Paul and Frank C o ll in s . Pairs School of Semiotics^ Vol^I and II. Amsterdam, Philadelphia: John Benjamin's Publishing Company, 1989.

454

Page 14: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

455

Prabhu, Matti Vasudeva (18th Century) B l l la Habba Mattu Kajpsa Vadhe [Festival of the Bow and the K ill in g o f Kaipsa] 6th imp. Udupi: Sriman Madhvasidhanta Granthalaya, 1984.

Propp, V lad im ir. Morphology of tha Folktale. 1928, t r . Laurence Scott, 2nd. ed. Austin Texas: Univ. o f Texas Press, 1968.

Puri Rajika "The Dance in India", Journal of Arts and Ideas April-June 1983.

Raghavan, Dr.V. "Yaksha Gana" Yaksagana Makaranada [The Honey o f Yaksagana] 1934, Mangalore: P o l a l i Shastr i Smaraka Samiti, 1980.

Rai, Viveka. B. Taulava Sai}skriti [The Culture o f the Tulu People]. Mysore: Sahyadri Prakashana, 1977.

Rajaram, Navaratna S. "The Aryan Invasion is a European Myth", Indian Express. Nov, 14, 1993.

Rajendra, D.K. Dakshina Karnatakada Janapada Rangabhuml [The Folk Theatre of South Karnataka]. Mysore: Prasaranga, University of Mysore, 1980.

Ramabhatta, Hattiangadi (17th Century). Indrajitu Kalaga [The B a tt le o f I n d r a j i t u ] . 4th imp. Mangalore: Kityananda Granthalaya, 1988.

Rama Raju, B. Glimpses into Telugu Folklore. Hyderabad: Janapada Vijnana Pracharanalu, 1991.

Ramanujan, A.K. Speaking of Siva. Harmondsworth: PenguinBooks, 1973.

Rangacharya, Adya. Introduction to Bharata's Natya Sastra. Bombay: Popular Prakashan, 1966.

------ Bharatiya Rangabhumi [The Indian Theatre]. New Delhi:National Book Trust, 1977.

Ranganath, H.K. The Karnataka Theatre. 1960, 2nd ed. Dharwar: Prasaranga, Karnatak University, 1982.

Ranganathan, Edwina. "Terukkuttu: A Street Play from Tamil Nadu", Sangeet Natak (Journal o f the Sangeeth Natak Akademi, New Delhi), 67, Jan-Mar 1983.

Page 15: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

456

Richmond Farely and Yasmin Richmond. "The M u lt ip le Dimensions of Time and Space in Kutiyattam The Sanskrit Theatre o f Kerala", Aslan Theatre Journal. V o l.2 No.l Spring 1985.

Ros6/Jaqueline. Sexuality in the Field of Vision. London: Verso, 1986.

Said Edward. Orientalism. London : Routledge and Kegan Paul, 1978.

------ The Worlds The Text and The Critic. 1984, London:Vintage, 1991.

Sa itz , Robert L. and Edward J. Cervenka. Hand book of Gestures: Columbia and United States. The Hague:Mouton, 1972.

Sarabhai, Mrinalini. The Sacred Dance of India. Bombay: Bharatiya Vidya Bhavan, 1979.

Sathyanarayana, R. Bharatanatya: A Critical Study. Mysore: Sri Varalakshmi Academics of Fine Arts, 1969.

Saussure de Ferdinand. Course in General Linguistics, ed. Charles Bally and Albert Sechehaye, in collaboration with Albert Reidlinger. Tr. by Wade Baskin. London: Peter Owen, 1960.

Schechner, Richard. Performative Circumstances From The Avant Garde To Ramlila. Culcutta: Seagull Books, 1983.

------ "Victor Turner's Last Adventure", Introduction to VictorTurner 's The Anthropology of Performance. New York; P.A.J. Publications, 1986.

Schmid, Herta and A loysius Van Kesteren. Semiotics of Theatre and Drama : New Perspectives in the Theory of Drama and Theatre. Amsterdam/Philadelphia: JohnBenjamin's Publishing Co. 1984.

Scholes, Robert. Structuralism in Literature: AnIntroduction. New Haven and London: Yale UniversityPress, 1974.

Sebeok, Thomas A. Contributions to the Doctrine of Signs. Bloomington: Indiana University, 1976.

Page 16: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

------ i»On the H istory o f Sem iotics", Semiotics UnfoldingVol.I. ed. Tasso Borbe. Berlin : Mouton Publishers/ 1983.

------ Encyclopediac Dictionary of Semiotics, Tome 1, Berlin :Mouton de Gruyter, 1986.

Sebeok, Thomas A and Jean Umiker Sebeok^ eds. The Semiotic Web - 1987. Berlin : Mouton de Gruyter, 1988.

Seetaramaiah, Deraje. "Yaksagana Arthagarike" [Telling the Meaning in Yaksagana] in Rangavaikhari [The Design/ Pattern o f the S tage ]. Mittanadka: Sri Mambadi Narayana Bhagavatara Smaraka Samiti, 1981.

Selden, Raman. A Reader's Guide to Contemporary Literary Theory. 2nd ed. New York: Harvester Wheatsheaf, 1989.

Shantappiah, Gerasoppe, (19th Century). Karna Parva [The Book o f Karna: dea ling with the period o f Karna'sg e n e ra lsh ip ]. 12th imp. Udupi: MadhvasidhantaGranthalaya, 1985.

Shastri T.V. Venkatachala. "Karnataka: The Land and thePeople", in Encyclopaedia of Folk Culture of Karnataka. Madras: Institute of Asian Studies, 1991.

Shetty, Manu S. "The Bhagavad Gita in the Mahabharata". Unpublished a r t ic le .

Shishila, Prabhakara ed. Banna (Bannada Malingara Sanmana Sanchike) [Colour: Commemorative edition for Bannada Ma- linga ] Sulya D.K.: Tenkutittu Yaksagana HitaraksanaVedike, 1988.

Shukman, Ann. Literature and Semiotics: A Study of theWritings of Yu. M.Lotman. Amsterdam: North HollandPublishing Company, 1977.

Shulman, David. Tamil Temple Myths : Sacrifice and Divine Marriage in South Indian Saiva Tradition. Princeton: Princeton Univ. Press, 1980.

------ "On Kings and Clowns: Indra ,Trisanku and theKillekyata", Journal of Indian Folkloristics, Vol. 4, Nos. 7/8 1981.

------ "B a tt le as a Metaphor in Tamil Folk and C la s s ic a lT rad it ion s " , in Another Harmony: New Essays on theFolklore of India, eds. Stuart Blackburn and A.K. Ramunajan. Delhi: Oxford University Press, 1986.

457

Page 17: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

458

Singer, M ilton. Vfhen A Great Tradition Modernises Anthropological Approach to Indian Civilization. Delhi: Vikas, 1972.

Sircar, Manjushri Chaki and Parbati S ircar. "Indian Dance: C la s s ic a l Unity and Regional V a r ia t io n " , in India: Cultural Patterns and Processes^ eds. Alen 6.Noble and Ashok Dutt. Boulder Colarado: West View Press, 1982.

Someshwara, Amruta. "Yaksaganadalli Sanketikate [Symbolism in Yaksagana], in Yaksagana Makaranda [The Honey of Yak^agana] Mangalore: P o la li Shastri Smaraka Samithi,1980.

------ "Tu^u Folklore", in Encyclopaedia of the Folk Culture ofKarnataka. Madras: Institute of Asian Studies, 1991.

Sontag, Susan. "W riting I t s e l f : On Roland Barthes" inBarthes : Selected Writings. Oxford : Fontana, 1983.

Sridhara Murthy, M. "Bharatanat^a Hastagalu" [The Hand (Gestures) o f Bharata Natya], in Bharatxya Kala Dar^hana [The Vision of Indian A rt ], ed. A.N. Krishna Rao. Bangalore: Sangeeta Mataka Akademi, 1964.

Srivastava, R.N. and K. Kapoor. "Semiotics in India" in The Semiotic Web - 1987, eds. Thomas Sebeok and Jean Umikar Sebeok. Berlin : Mouton de Gruyter, 1988.

Srinivas, M.N. Religion and Society Among the Coorgs of South India. London: Oxford University Press, 1952.

— Caste in Modern India and Other Essays. Bombay: Asia Publishing House, 1964.

------ The Remembered Village. Delhi: O.U.P. 1976.

Sturrock, John. Structuralism. London: Paladin Grafton,1986.

Sudhanva Kalaga [Sudhan.va's B att le ], (17th Century). 14th impression, Udupi: Madhavasidhanta Granthalaya, 1985.

Sundaram, R.V.S. Karnataka Andhra Yaksagana Samiskshe [TheYaksagana o f Karnataka and Andhra: A Study].Publication deta ils not mentioned, 1985.

------ "Dravida Folk Culture: I t s Common Features", inEncyclopaedia of the Folk Culture of Karnataka. Madras: Institute of Asian Studies, 1991.

Page 18: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

459

Sunkapur, M.S. ed. Sri Krsna Parijata Bayalata [The Folk Theatro S r i Krsna P S r i j a t a ] . Dharwar: KarnatakaUniversity, 1972.

Tarasti, Eero. "On the Modalities of the Opera", Semiotica, Vol. 66 - 1/3 (1987) . [Special Issue on Semiotics ofMusic ].

Thompson Stith. "Variant", in Funk and Wagnell's Standard Dictioinary of Folklore Mythology and Legend, ed. Maria Leach. 1949, London : New English Library, 1972.

Thurston, E. and Rangachari K. Castes and Tribes of South India, Vol II. Madras: Government Press, 1909.

Todorov, Tzvetan. Theories of the Symbol. Tr. Catherine Porter. Oxford: Basil Blackwell, 1982.

Turner, V ic to r , The Ritual Process: Structure andAntistructure. London: Routledge and Kegan Paul, 1969.

------ The Anthropology of Performance. New York: P .A .J .Publications, 1986.

Ucchila, Ramachandra. "Yaksaganadalli Hadugarike" [Singing in Yaksagana], in Rangavaikhari [The Design/ Pattern of the S tage ]. Mittanadka D .K .: S r i Mambadi NarayanaBhagavatara Sanmana Samiti, 1981.

Udupa, Srinivasa. "Yaksaganadalli Ganavidliana", [The Singing Style in Yak^aglna], in Yaksagana Makaranda [The Honey o f Yaksagana ]. Mangalore : P o l a l i Shastr i Smaraka Samiti, 1980.

Upadhyaya, Anandarama. Yaksagana Ramayana Prasangagalu [The Prasangas from the RamSyana in Yaksagana]. Bangalore: Kannada Sangha, Sheshadripuram College, 1980.

Upadhyaya K.S. "Yak^hagana" Sangeet Natak, 70. (Journal of Sangeet Natak Akademi, N .Delhi), 1979.

Upadhyaya U.P. "Bhuta Worship", in Encyclopaedia of the Folk Culture of Karnataka. Madras: In s t i tu te o f AsianStudies, 1991.

Uppor, Narnappa. Yaksagana Adhyayana [The Study o f Yaksagana]. Irodi : Hangarakatte Yaksagana Kala Kendra,1978.

Page 19: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

460

Vander, Eng and Mojmir Grygar ed. Strucutre of TBxts and Semiotics of Culture. The Hauge, Paris : Mouton, 1973.

Van Gennep, Arnold. The Rites of Passage. 1908, Tr. Monika B. Vizedom and Gabrie lle L. Caffee. London and Henley: Routledge and Kegan Paul, 1960, rpt. 1977.

Varadapande M.L. History of Indian Theatre : LokarangaPanorama of Indian Folk Theatre. New Delhi : Abhinav Publications, 1992.

Vatsayan, Kapila. Traditions of Indian Folk Dance. New Delhi: India Book Company, 1976.

------ Traditl.Ofial. Indian Folk Theatre : Multiple Streams.New Delhi : National Book Trust, 1980.

Venkata, Pandeshwara (17th C ?) . Karnarjuna Kalaga [The B att le o f Karija and Arjuna] Udupi: Srimaici MadhvaSidhanta Granthalaya, 1985.

Vijaya Kumar, R. "He Has Enriched i t Beyond Measure" (An a r t i c l e on Shivarama Karanth 's contribu tion to Yaksagllna) . The Hindu, Oct.8, 1993.

Vishnu Bhagavata. "Kicaka Vadhe" [The K ill in g of Kicaka], Yaksagana Virata Parva [Yaksagana,The Book o f V ira ta ]. 8th imp. Udupi: Sriman Madhva Sidhanta Granthalaya,1986.

Volvosinov, V.N. Marxism and the Philosophy of Language. Tr. L. Matejka and I.R. Titunik. New York and London: Seminar Press, 1973.

Willeims, Monier. A Sanskrit English Dictionary. 1899, rev. ed. Delhi: Motilal Banarasidass, 1963.

Yaksagana Sabha Lak^aija Mattu Prasanga Pi^hike [The Prelim inary and In trodutio ry Part o f Prasanga in Yaksagana], 9th imp. Udupi: Sriman Madhva SidhantaGranthalaya, 1981.

Yashodhara, H.B. Kannadadalli Yaksagana Sahitya [Yaksagina L ite ra tu re in Kannada] Unpublished Ph.D. Thesis Submitted to the University o f Mysore, 1984.

Young Robert. White Mythologies: Writing History and theWest. London and New York: Routledge, 1990.

Page 20: BIBLIOGRAPHY - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/97715/17/17_bibliography.pdfBIBLIOGRAPHY Artikaje Dr.Srikrishna Bhat. "Coastal Yak^agana",In Encyclopaedia of the

461

Z a re ll l , Ph ilip . The Kathakali Complex: Actor, Performance and Strucuture. New Delhi: Abhinav Publications/ 1984.

AUDIO AMD VIDEO RECORDINGS

Bhl^mavljaya. Audio recording o f a talamaddale programme/ privatae collection.

Gadayuddha. Video recording, Shilgey Electronics, Bangalore.

Hegde, Mahabala. Lecture on Yak^agana music, p r iv a te co llec t ion .

Jarasandha. Video recording of a perfomance by Idagunji Mahaganapati Yaksagana Mandali, private co llection .

Jarasandha, Audio recording, Shigley Electronics, Bangalore.

Karx}aparva. Audio recording, Shigley Electronics, Bangalore.

Karnarjuna. Audio recording of a talamaddale programme, private collection.

Sheni, Gopalakrishna Bhat. Audio recording o f a lecture on "Yakijaganadalli Kha^a Patragalu" [V illainous Characters in Yaksagana], private collection.

Sudhanva. Audio recording, Shilgey Electronics, Bangalore. i

Sudra Tapaswinl. Audio recording o f performance by S r i Anantha Padmanabha Yaksagana Mandali, Perdur.