Slide 2 Beth Pei-Fen Chen K. 616 [Berlin, 1810], Reconstructed
1860 Slide 3 Articulation, legato Technical guidance for players
Other functions Slide 4 Bowing : French viol player Jean Rousseau
in Trait de la viole (1687); Georg Muffat -Florilegium secundum
(1698); Italian violinist Francesco Geminiani The Art of Playing on
the Violin (1751); Leopold Mozart (1756) Tonguing : Jean-Pierre
Freillon Poncein La Vritable Maniere d'Apprendre jouer en
Perfection du Haut-bois, de la Flte et du Flageolet, (1700);
Jacques Hotteterre Principes de la Flute Traversire, de la Flute
Bec, et du Haut-bois (1707) ;Quantz (1752) ; Oboist Amand
Vanderhagen (1792); Flautist Franois Devienne (1794) Finger
Pedaling - French harpsichordist Saint Lambert (1702) Linking notes
- C. P. E. Bach (1753); Daniel Gottlob Trk (1789) Slide 5 Slide 6
Practicability Important element in the presentation of his music
tended to indicate every slur (avoided omitting slurs), since the
middle of the 1770s. Slide 7 Slide 8 Works for Joseph Leutgeb (1732
1811) Slide 9 Salzburg Stier Barrel Organ Slide 10 NICKELODEON
Co.Ltd Slide 11 Menuetto Pastorello 1753 Slide 12
http://www.nickelodeonco.com/austria--salzburg-stier-barrel-organ.html
Slide 13 1753 Slide 14 Slide 15 K. 67 (Salzburg 1772?) K. 68
(Salzburg 1772?) K. 69 (Salzburg 1772?) K. 144 (Salzburg 1772) K.
145 (Salzburg 1772) K. 212 (Salzburg, 1775) K. 241 (Salzburg 1776)
K. 224 (Salzburg 1776?) K. 225 (Salzburg 1776?) K. 244 (Salzburg
1776) K. 245 (Salzburg 1776) K. 263 (Salzburg Dec 1776) K. 274
(Salzburg 1777) K. 278 (March/April1777) K. 329 (Salzburg 1779?)
K.328 (Salzburg 1779?) K. 336 (Salzburg 1780) Slide 16 Ogan Sonatas
for Violins, Organ and Bass K 336 Slide 17 Organ Bass Sonatas for
Violins, Organ and Bass K 328 Organ Bass Violin 1 Violin 2 Composed
c. 1779 Edited by Minos E. Dounias K. 67 in1772 already indicated
slurs and dots in the organ part Slide 18 K. 593a in d minor
(fragment) K. 594 in f minor (1790) K. 608 in f minor (1791) K. 616
in F major (1791) Herr M ller - Joseph count Deym von Stte Slide 19
K. 593a Adagio Facsimile from the Bibliotheca Mozartiana, Stiftung
Mozarteum Salzburg Big Registrationsmall Slide 20 The Incipit from
Mozart Eigenhndiges Werkverzeichnis, f. 24v (Dec 1790) Slide 21
Mozart Eigenhndiges Werkverzeichnis, f. 26v (3 March 1791) Slide 22
Mozart Eigenhndiges Werkverzeichnis, f. 27v (5 May 1791) Autograph
Slide 23 Could challenge the limits of human organ-playing Could
apply different organ registration for inner voices which is not
possible if played by an organist Slide 24 StringQuartet Op. 71 No.
2 Father Primitivus Niemecz (1750-1806) Slide 25 1793 Clock Haydn
Slide 26 Grafen Josef DeymStaatsbibliothek zur Berlin Slide 27 10
Heyer Collection Museum of Musical Instruments of the University of
Leipzig (reconstruction period around 1860) flute sound for the top
and bottom lines; diapason sound for the middle line Bars 1-53, 125
- end Slide 28 10 Heyer Collection Museum of Musical Instruments of
the University of Leipzig (reconstruction period around 1860 flute
sound for the top and bottom lines; diapason sound for the middle
line mm = 110-116 Slide 29 Slide 30 Piano version Artaria, 1791
Slide 31 Edited by Christoph-Hellmut Mahling, NMA, 1983 K. 261
Adagio for Violin and Orchestra, 1776 Slide 32 Slide 33 K. 593a
Adagio Facsimile from the Bibliotheca Mozartiana, Stiftung
Mozarteum Salzburg Big Registration small Slide 34 K. 594 Facsimile
from the New York Public Library - a manuscript Slide 35 Slur Tie
Slide 36 K. 594 First Edition Breotkopf & H rtel Leipzig (1800)
Slide 37 Slide 38 Staatsbibliothek zur Berlin. Mus.mu.autogr. W. A.
Mozart 608 Slide 39 Mozarts slurs in his music for mechanical clock
organ show the importance of slurs as his musical guidance, and
these details reveal a new stage in Mozart's musical intentions.
Slide 40 Thank You Slide 41 K. 593a Fragment in D minor: small
registration: top line: Swell Lieblich Gedackt 8', Flageolet 2'
middle line: Great Hohl Flote 8 (German umlaut over the 'o' in
'Flote'), Harmonic Flute 4' bottom line: Choir Stopped Diapason 8',
Flute Harmonique 4', Piccolo 2 K594: big registration top line:
Swell Violin Diapason 8', Gemshorn 4', Flageolet 2', Mixture II 2nd
line down: Great Open Diapason, Principal 4', Fifteenth 2' 3rd line
down: Choir Open Diapason 8', Principal 4', Fifteenth 2' bottom
line: Pedal Violone 16', Octave 8', Bass Flute 8', Flute 8', Flute
4',
