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Continued
Before&After XiBAmagazine.com U
Design talk 0650
FiveDesignIdeas
DesignTalk9
A Site ofSquares Photo Name
Fun Lines High-Style Multi-Caption
Picture-Frame Cover
YES, IM
INTERESTED
NATIONAL PARKSVISITOR PROJECTION 07
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2of9 Design talk 0650
XiBAmagazine.com U
Different strokes
Find an object with a good
profile, trace it with the Pen
tool (left), and apply a stroke.
You can combine parts of dif-
ferent photos. Even easier is
to stroke letters, numbers and
dingbats, which require no
tracing. Strokes can be thin,
wide, dotted, colored and soon (below). Super-fine lines
are sublime. Be artistic!
Bathroom Restoration
9 1 6 . 5 5 5 . 4 6 8 7
ww w. Ba t h ro o m Re s t o ra t i o n. co m
design > remodel > restore
Image A line is fine
Artwork drawn with a single line (technically, a stroke) can convey looks from sublime to electric.
It can simplify a busy image and add interest to a plain one. Its a great way to salvage weak photos,
and on the Web it makes extremely efficient use of bandwidth.
Outline
Wide line
Dotted line
Overlap
Center it
Classy cover ismade with soft
color, small
type and plenty
of open space.
Line widths,
including the
border, are all
the same.
Design talk 2of9
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XiBAmagazine.com U
Below, make your photos the same size, then arrange in rows, columns
or groups symmetrically toward the center (stable, placid) or asymmetri-
cally to one side (tense, exciting). Above, keep the type small, alignedwith an edge or centered.
Cover Make a picture-frame cover
Been to the art store lately? Picture frames with multiple-image mats are hot! The clean, gridlike
presentation looks as good on your wall as it does on your page. Designers have been using grids
forever, so lets borrow back the idea for our next cover:
Multiple-image
mats have neatly
replaced those
cockeyed arrange-
ments hanging on
our walls, and work
equally well on our
pages. Note, right,
the depth created
by dark and light
accents on the
neutral-value field.
One Two Three Five Six
NATIONAL PARKSVISITOR PROJECTION 07
Design talk 3of9
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Lip Gloss
ROSE MIST by Marc Philips
Elesara and order is fay of alm.
A card wh int not oogum orbont. Pretty simple, glead and
tarm. Leam restart that cant
prebast its tope.
$25.00 USD
MarcPhilips.com
Layout Multiple captions in high style
Awhile back in DesignTalk 0638, we told you we love
this multiple-caption technique, in which a photo
is given several captions, not just one. We like it
for its big-picture, sound-bite value, and especially
because every image has so many stories to tell.
Heres a high-style take on it:
Eye Shadow
PERIWINKLE by Jann Haan
Texture and flasp net exatingend mist of it snooling. Spaff
forl isn t cubular but quastic,
leam restart that cant prebast.Its tope this fluant chasible.
Silk, shast, lape and behastthe thin chack. Spaff forl i sntcubular but quastic.
$18.00 USD
JannHaanCosmetics.com
Sheer translucency
Glamour is about image, so start
by making your photo wall-to-wall
BIG, then set your captions atop it.
Use fine lines, a simple typeface and
translucent fills, which yield a kind of
airy, weightless quality. To make the
rectangles translucent, fill with light
gray set to Multiply.
Design talk 4of9
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Signature Put a photo in your name
Sometimes a name and a product go together well. The product can be pictured with the name
or as part of the name. Try it. Words and pictures together can be stronger than words alone.
Use it as a character Its rare that your product not only
fits your name but is the shape of a letter like the h shown
above! Below, balls and other round objects are more com-
mon. Also, try replacing partof a letter like a crossbar.
Use it as an interrupterThe Bonsai tree is a
visually descriptive, easy-to-read photo that inter-
rupts the IKKO name. Below, treat the photo like you
would a letter, and space it evenly.
c erryik ko
ik ko T YS!S U N R I S E
F U N A T T H E S U N R I S E G A L L E R I A
Design talk 5of9
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Web site A site of squares
Small squares, big squares
(Left) Five small squares form the navigation
bar, and a big square headlines the page. In each
square, white text aligns to the lower left corner,
creating pattern-making similarity. Above, clicking
a navigational square turns it white and
moves its color to the headline square,
which is also applied to the smaller
heads on the page below it. In contrast
to all the straight edges, the organic
logo is a leafy interrupter.
Whenever you repeat an element, color or arrangement at visible intervals, you create a pattern. If the
repetition is prominent, it can be used as a theme. A theme is easy to read and memorable. To illustrate,
note how Parc Rittenhouse uses squares and springtime colors as the theme of its site:
www.parcrittenhouse.com
Design talk 6of9
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Bathroom Restoration
9 1 6 . 5 5 5 . 4 6 8 7
ww w.B at hro om Res tor at io n. com
design > remodel > restore
NATIONAL PARKSVISITOR PROJECTION 07
1
1
1
1
6a
6b
6c
6d
6e
Eye Shadow
PERIWINKLE by Jann Haan
Texture and flasp ne t exating
end mist of it snooling. Spaffforl isnt cubul ar but quastic,
leam restart that cant prebast.Its tope this fluant chasible.Silk, shast, lape and behast
the thin chac k. Spaff f orl isntcubular but quastic.
$18.00 USD
JannHaanCosmetics.com
6f
5
4
Typefaces
1 Adobe Garamond Regular
2 Adobe Jenson Pro Light
3 Myriad Pro Semibold
4 Helvetica Neue 73 Bold Ext
5 Helvetica Neue 45 Light Ext
Images
6 (af) iStockphoto.com
a b c d e f
Article resources
Colors
C50 M19 Y37 K0
C45 M55 Y70 K65
C29 M36 Y45 K42
C25 M30 Y37 K0
7
8
9
2
9
8
3
7 10
10
Design talk 7of9
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ik ko
c erry
T YS!S U N R I S E
F U N A T T H E S U N R I S E G A L L E R I A
Typefaces
1 Trajan Regular | 65 pt
2 Zapfino One | 15 pt
3 Helvetica Neue 35 Thin | 97 pt
4 Helvetica Neue 45 Light | 11.5 pt
5 (ab) Myriad Pro Bold
a) 12 pt, +350 letterspacingb) 6 pt, +185 letterspacing
6 Griffith Gothic Ultra Cond | 52 pt
Images
7 (ac) iStockphoto.com | a b c
Article resources
Colors
C20 M75 Y70 K158
8
7a
1
2
7b
7c
3
4
5a
6
5b
8
Design talk 8of9
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9of9 | Printing formats Design talk 0650
Before&After XiBAmagazine.com UDesign talk 9of9
Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer
Before & After magazine
323 Lincoln Street, Roseville, CA 95678
Telephone 916-784-3880
Fax 916-784-3995
E-mail [email protected]
www http://www.bamagazine.com
Copyright 2007 Before & After magazineISSN 1049-0035. All rights reserved
You may pass along a free copy of this article to others
by clicking here. You may not alter this article, and you
may not charge for it. You may quote brief sections
for review; please credit Before & After magazine, and
let us know. To link Before & After magazine to your
Web site, use this URL: http://www.bamagazine.com.
For all other permissions, please contact us.
Subscribe to Before & After
Subscribe to Before & After, and become a
more capable, confident designer for pennies
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E-mail this articleTo pass along a free copy of this article to
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Join our e-list
To be notified by e-mail of new articles as
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XiBAmagazine.com U
For paper-saver formatPrint: (Specify pages 1115)
For presentation formatPrint: (Specify pages 19)
Before & After is made to fit your binder
Before & After articles are intended for permanent reference. All are titled and numbered.
For the current table of contents, click here. To save time and paper, a paper-saver format of this article,
suitable for one- or two-sided printing, is provided on the following pages.
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am
agazin
e.c
om
1of
5
DesignTalk9:FiveDesig
nIdeas0650
0650DesignTalk9:FiveDesignIdeas
FiveDe
signIde
as
DesignTalk9
ASiteof
Squares
PhotoName
FunLines
High-S
tyleMulti-C
aption
P
icture-Fram
eCover
YES,IM
INTERESTED
NATIONALPARKS
VISITORPROJECTION07
Differentstrokes
Findanobjectwithag
ood
profile,traceitwiththePen
tool(left),andapplyastroke.
Youcancombineparts
ofdif-
ferentphotos.Evenea
sieris
tostrokeletters,numb
ersand
dingbats,whichrequireno
tracing.Strokescanbe
thin,
wide,dotted,coloredandso
on(below).Super-fine
lines
aresublime.Beartistic!
BathroomResto
ration
916.555.4687
www.BathroomRestora
tion.com
design>remodel>r
estore
ImageA
lineisfine
Artworkdrawnwithasingleline(technically,astro
ke)canconveylooksfromsublimetoelectric.
Itcansimplifyabusyi
mageandaddinteresttoaplainone.Itsagreatwaytosalvageweakphotos,
andontheWebitmak
esextremelyefficientuseofbandwidth.
Outline
Wideline
Dottedline
Overlap
Centerit
Classycoveris
madewithso
ft
color,small
typeandplen
ty
ofopenspace.
Linewidths,
includingthe
border,areall
thesame.
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am
agazin
e.c
om
2of
5
DesignTalk9:FiveDesig
nIdeas0650
0650DesignTalk9:FiveDesignIdeas
Belo
w,m
ak
eyour
ph
otosthesam
esiz
e,then
arran
geinrow
s,column
s
or
g
roupssymm
etrically
tow
ard
thecenter
(stable
,pla
cid
)or
asymm
etri-
cally
toon
esid
e(ten
se,ex
citin
g).A
bo
ve,k
eepthetypesm
all,
align
ed
with
anedgeor
cen
tere
d.
CoverMakeap
icture-framecover
Beentotheartstorela
tely?Pictureframeswithmultiple-imagematsarehot!T
heclean,gridlike
presentationlooksasgoodon
yourwallasitdoesonyour
page.Designershavebeenusinggrids
forever,soletsborrow
backtheideaforournextcover:
Multiple-im
age
matsh
av
en
eatly
repla
cedthose
cock
eyedarran
ge
-
men
tsh
an
gin
gon
ourw
alls
,an
dw
ork
equallyw
ell
on
ou
r
pages.N
ote,righ
t,
thedepthcre
ated
bydark
an
dligh
t
accen
tson
the
neutral-v
alu
efi
eld
.
On
e
Tw
o
Thre
e
Fiv
e
Six
NATION
ALPARKS
VISITORPROJECTION07
LipGloss
ROSEMISTbyMarcPhilips
Elesaraandorderisfayof
alm.
Acardwhintnotoogumo
r
bont.Prettysimple,glead
and
tarm.Leamrestartthatca
nt
prebastitstope.
$25.00USD
MarcPhilips.com
LayoutMultipl
ecaptionsinhighs
tyle
AwhilebackinDesignTalk0638,wetold
youwelove
thismultiple-ca
ptiontechnique,inwhichaphoto
isgivenseveralca
ptions,notjustone.Welikeit
foritsbig-picture,sound-bitevalue,andespecially
becauseeveryimageh
assomanystoriestotell.
Heresahigh-styletakeonit:
Eye
Shadow
PERIWINKLEbyJannHaan
Textureandflaspnetexating
end
mistofitsnooling.Spaff
forlisntcubularbutquastic,
leam
restartthatcantprebast.
Itstopethisfluantchasible.
Silk,
shast,lapeandbehast
the
thinchack.Spaffforlisnt
cubularbutquastic.
$18
.00USD
JannHaanCosmetics.com
Sheertranslucency
Glam
our
isaboutimage,sostart
bym
akin
g
your
ph
otow
all-to-w
all
BIG
,then
setyour
caption
satopit.
Usefin
elin
e
s,asim
ple
typefa
cean
d
tran
slu
cen
tfi
lls,which
yield
akin
dof
airy,w
eigh
tlessquality.T
om
ak
ethe
rectan
gle
stran
slu
cen
t,fillwithligh
t
gra
ysettoM
ultiply.
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ama
gazin
e.c
om
3of
5
DesignTalk9:FiveDesig
nIdeas0650
0650DesignTalk9:F
iveDesignIdeas
SignaturePuta
photoinyournam
e
Sometimesanamean
daproductgotogetherwell.Theproductcanbepicturedwiththename
oraspartofthename.Tryit.Wordsandpicturest
ogethercanbestron
gerthanwordsalone.
UseitasacharacterIt
srare
thatyour
pro
ductn
otonly
fitsyourn
am
ebutis
thesh
apeof
ale
tterlik
etheh
sh
own
abov
e!B
elow
,balls
an
dotherro
un
dobjectsarem
ore
com-
mon.Als
o,tryre
pla
cin
gpa
rtof
ale
tterlik
eacro
ssbar.
UseitasaninterrupterTheB
on
sai
treeis
a
vis
ually
descrip
tive,easy-to-
read
ph
otothatin
ter-
ruptstheIKK
On
am
e.B
elow
,treattheph
otolik
eyou
would
ale
tter,
an
dspaceit
evenly.
c
erry
ik
ko
ik
k
o
T
YS
!
S
U
N
R
IS
E
FU
N
ATTH
ESU
N
RISEG
A
LLERIA
WebsiteAsite
ofsquares
Smallsquares,bigsquares
(Left)Fiv
esm
all
square
sformth
en
avig
ation
bar,
an
d
abig
squareh
eadlin
esthepage.Ine
ach
square
,
white
tex
talign
stothelow
erleft
corner,
cre
ating
pattern-m
akin
gsimilarity.A
bov
e,clickin
g
an
avig
ation
al
square
turn
sitwh
itean
d
mov
esits
color
totheh
eadlin
esquare
,
whichis
als
oapplie
dtothesm
a
ller
headson
thepagebelowit.In
contra
st
toall
thestraigh
tedges,theorg
anic
logois
ale
afyin
terru
pter.
Whenever
yourepeatanelement,colororarran
ge
mentatvisibleintervals,yo
ucreateapattern.Ifthe
repetitionis
prominen
t,itcanbeusedasatheme.Athemeiseasytoreadandmemorable.Toillustrate,
notehowParcRittenhouseusessquaresandsprin
gtimecolorsasthethemeo
fitssite:
w
ww.parcrittenhouse.com
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ama
gazin
e.c
om
4of
5
DesignTalk9:FiveDesignIdeas0650
0650DesignTalk9:F
iveDesignIdeas
BathroomRestoration
916.555.4687
www.BathroomRestoration.com
design>remodel>restore
NATIONALPARKS
VISITORPROJECTION07
1111
6a
6b
6c
6d
6e
Ey
eShadow
PERIWINKLEbyJannHaan
Te
xtureandflaspnetexating
en
dmistofitsnooling.Spaff
forlisntcubularbutquastic,
lea
mrestartthatcantprebast.
Its
topethisfluantchasible.
Silk,shast,lapeandbehast
thethinchack.Spaffforlisnt
cu
bularbutquastic.
$18.00USD
Ja
nnHaanCosmetics.com
6f
5 4
Typefaces
1A
dobeGaram
on
dR
egular
2A
dobeJen
sonProLigh
t
3M
yriadPro
Semib
old
4H
elveticaN
eue7
3B
oldEx
t
5H
elveticaN
eue4
5Ligh
tEx
t
Im
ages
6(
af)iS
tock
ph
oto.c
om
a
b
c
d
e
f
Articleresources
Colors
C50M19Y37K0
C45M55Y70K65
C29M36Y45K42
C25M30Y37K0
78
9
2
9
8
3
7
10
10
ik
ko
c
e
rry
T
YS!
S
U
N
R
IS
E
FU
N
ATTH
ESU
N
RISEG
A
LLERIA
Typefaces
1Tr
ajanR
egular
|65pt
2Z
apfin
oOn
e|1
5pt
3H
elveticaN
eue35Thin
|97
pt
4H
elveticaN
eue4
5Ligh
t|11.5
pt
5(
ab)M
yria
dProB
old
a
)12pt,+
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tters
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C20M75Y70K15
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7b
7c
345a
65b8
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ama
gazin
e.c
om
5of
5
DesignTalk9:FiveDesignIdeas0650
0650DesignTalk9:F
iveDesignIdeas
Before&Aftermag
azine
Before
&Afterh
asbeensh
arin
gits
pra
ctical
appro
ach
togra
phic
design
sin
ce199
0.B
ecauseourm
odernw
orl
d
hasm
adedesign
ers
of
usall
(readyorn
ot),B
efore
&
Afteris
dedic
atedtom
akin
ggra
phic
design
un
ders
tan
d
-
able
,useful
an
dev
enf
unfor
ev
ery
on
e.
JohnMcWadeP
ublis
heran
dcre
ativedire
ctor
GayeMcWadeA
ssociate
publish
er
VincentPascual
Sta
ffdesign
er
DexterMarkAbelle
raStaff
design
er
Before&Aftermag
azine
32
3Lin
coln
Street,R
oseville
,CA9
567
8
Telephone91
6-7
84-3
880
Fax91
6-7
84-399
5
E-mailm
ailb
ox
@bam
a
gazin
e.c
om
wwwh
ttp://www.b
am
agazin
e.c
om
Copyright2007Be
fore&Aftermagazine
ISSN1049-0035.All
rightsreserved
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aypassalon
ga
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toothers
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gh
ere.Y
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ayn
otalter
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dyou
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otch
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eforit.
Youm
ayquotebrief
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forreview
;ple
asecre
ditB
efore
&Afterm
agazin
e,an
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letuskn
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olinkB
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