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  • 7/29/2019 Before and After 0650

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    Continued

    Before&After XiBAmagazine.com U

    Design talk 0650

    FiveDesignIdeas

    DesignTalk9

    A Site ofSquares Photo Name

    Fun Lines High-Style Multi-Caption

    Picture-Frame Cover

    YES, IM

    INTERESTED

    NATIONAL PARKSVISITOR PROJECTION 07

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    Before&After

    2of9 Design talk 0650

    XiBAmagazine.com U

    Different strokes

    Find an object with a good

    profile, trace it with the Pen

    tool (left), and apply a stroke.

    You can combine parts of dif-

    ferent photos. Even easier is

    to stroke letters, numbers and

    dingbats, which require no

    tracing. Strokes can be thin,

    wide, dotted, colored and soon (below). Super-fine lines

    are sublime. Be artistic!

    Bathroom Restoration

    9 1 6 . 5 5 5 . 4 6 8 7

    ww w. Ba t h ro o m Re s t o ra t i o n. co m

    design > remodel > restore

    Image A line is fine

    Artwork drawn with a single line (technically, a stroke) can convey looks from sublime to electric.

    It can simplify a busy image and add interest to a plain one. Its a great way to salvage weak photos,

    and on the Web it makes extremely efficient use of bandwidth.

    Outline

    Wide line

    Dotted line

    Overlap

    Center it

    Classy cover ismade with soft

    color, small

    type and plenty

    of open space.

    Line widths,

    including the

    border, are all

    the same.

    Design talk 2of9

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    Below, make your photos the same size, then arrange in rows, columns

    or groups symmetrically toward the center (stable, placid) or asymmetri-

    cally to one side (tense, exciting). Above, keep the type small, alignedwith an edge or centered.

    Cover Make a picture-frame cover

    Been to the art store lately? Picture frames with multiple-image mats are hot! The clean, gridlike

    presentation looks as good on your wall as it does on your page. Designers have been using grids

    forever, so lets borrow back the idea for our next cover:

    Multiple-image

    mats have neatly

    replaced those

    cockeyed arrange-

    ments hanging on

    our walls, and work

    equally well on our

    pages. Note, right,

    the depth created

    by dark and light

    accents on the

    neutral-value field.

    One Two Three Five Six

    NATIONAL PARKSVISITOR PROJECTION 07

    Design talk 3of9

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    Lip Gloss

    ROSE MIST by Marc Philips

    Elesara and order is fay of alm.

    A card wh int not oogum orbont. Pretty simple, glead and

    tarm. Leam restart that cant

    prebast its tope.

    $25.00 USD

    MarcPhilips.com

    Layout Multiple captions in high style

    Awhile back in DesignTalk 0638, we told you we love

    this multiple-caption technique, in which a photo

    is given several captions, not just one. We like it

    for its big-picture, sound-bite value, and especially

    because every image has so many stories to tell.

    Heres a high-style take on it:

    Eye Shadow

    PERIWINKLE by Jann Haan

    Texture and flasp net exatingend mist of it snooling. Spaff

    forl isn t cubular but quastic,

    leam restart that cant prebast.Its tope this fluant chasible.

    Silk, shast, lape and behastthe thin chack. Spaff forl i sntcubular but quastic.

    $18.00 USD

    JannHaanCosmetics.com

    Sheer translucency

    Glamour is about image, so start

    by making your photo wall-to-wall

    BIG, then set your captions atop it.

    Use fine lines, a simple typeface and

    translucent fills, which yield a kind of

    airy, weightless quality. To make the

    rectangles translucent, fill with light

    gray set to Multiply.

    Design talk 4of9

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    Before&After

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    Signature Put a photo in your name

    Sometimes a name and a product go together well. The product can be pictured with the name

    or as part of the name. Try it. Words and pictures together can be stronger than words alone.

    Use it as a character Its rare that your product not only

    fits your name but is the shape of a letter like the h shown

    above! Below, balls and other round objects are more com-

    mon. Also, try replacing partof a letter like a crossbar.

    Use it as an interrupterThe Bonsai tree is a

    visually descriptive, easy-to-read photo that inter-

    rupts the IKKO name. Below, treat the photo like you

    would a letter, and space it evenly.

    c erryik ko

    ik ko T YS!S U N R I S E

    F U N A T T H E S U N R I S E G A L L E R I A

    Design talk 5of9

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    Web site A site of squares

    Small squares, big squares

    (Left) Five small squares form the navigation

    bar, and a big square headlines the page. In each

    square, white text aligns to the lower left corner,

    creating pattern-making similarity. Above, clicking

    a navigational square turns it white and

    moves its color to the headline square,

    which is also applied to the smaller

    heads on the page below it. In contrast

    to all the straight edges, the organic

    logo is a leafy interrupter.

    Whenever you repeat an element, color or arrangement at visible intervals, you create a pattern. If the

    repetition is prominent, it can be used as a theme. A theme is easy to read and memorable. To illustrate,

    note how Parc Rittenhouse uses squares and springtime colors as the theme of its site:

    www.parcrittenhouse.com

    Design talk 6of9

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    Bathroom Restoration

    9 1 6 . 5 5 5 . 4 6 8 7

    ww w.B at hro om Res tor at io n. com

    design > remodel > restore

    NATIONAL PARKSVISITOR PROJECTION 07

    1

    1

    1

    1

    6a

    6b

    6c

    6d

    6e

    Eye Shadow

    PERIWINKLE by Jann Haan

    Texture and flasp ne t exating

    end mist of it snooling. Spaffforl isnt cubul ar but quastic,

    leam restart that cant prebast.Its tope this fluant chasible.Silk, shast, lape and behast

    the thin chac k. Spaff f orl isntcubular but quastic.

    $18.00 USD

    JannHaanCosmetics.com

    6f

    5

    4

    Typefaces

    1 Adobe Garamond Regular

    2 Adobe Jenson Pro Light

    3 Myriad Pro Semibold

    4 Helvetica Neue 73 Bold Ext

    5 Helvetica Neue 45 Light Ext

    Images

    6 (af) iStockphoto.com

    a b c d e f

    Article resources

    Colors

    C50 M19 Y37 K0

    C45 M55 Y70 K65

    C29 M36 Y45 K42

    C25 M30 Y37 K0

    7

    8

    9

    2

    9

    8

    3

    7 10

    10

    Design talk 7of9

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    ik ko

    c erry

    T YS!S U N R I S E

    F U N A T T H E S U N R I S E G A L L E R I A

    Typefaces

    1 Trajan Regular | 65 pt

    2 Zapfino One | 15 pt

    3 Helvetica Neue 35 Thin | 97 pt

    4 Helvetica Neue 45 Light | 11.5 pt

    5 (ab) Myriad Pro Bold

    a) 12 pt, +350 letterspacingb) 6 pt, +185 letterspacing

    6 Griffith Gothic Ultra Cond | 52 pt

    Images

    7 (ac) iStockphoto.com | a b c

    Article resources

    Colors

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    8

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    Design talk 8of9

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    9of9 | Printing formats Design talk 0650

    Before&After XiBAmagazine.com UDesign talk 9of9

    Before & After magazine

    Before & After has been sharing its practical approach

    to graphic design since 1990. Because our modern world

    has made designers of us all (ready or not), Before &

    After is dedicated to making graphic design understand-

    able, useful and even fun for everyone.

    John McWade Publisher and creative director

    Gaye McWade Associate publisher

    Vincent Pascual Staff designer

    Dexter Mark Abellera Staff designer

    Before & After magazine

    323 Lincoln Street, Roseville, CA 95678

    Telephone 916-784-3880

    Fax 916-784-3995

    E-mail [email protected]

    www http://www.bamagazine.com

    Copyright 2007 Before & After magazineISSN 1049-0035. All rights reserved

    You may pass along a free copy of this article to others

    by clicking here. You may not alter this article, and you

    may not charge for it. You may quote brief sections

    for review; please credit Before & After magazine, and

    let us know. To link Before & After magazine to your

    Web site, use this URL: http://www.bamagazine.com.

    For all other permissions, please contact us.

    Subscribe to Before & After

    Subscribe to Before & After, and become a

    more capable, confident designer for pennies

    per article. To learn more, go to

    http://www.bamagazine.com/Subscribe

    E-mail this articleTo pass along a free copy of this article to

    others, click here.

    Join our e-list

    To be notified by e-mail of new articles as

    they become available, go to

    http://www.bamagazine.com/email

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    Before&After

    Back | Paper-saver format

    XiBAmagazine.com U

    For paper-saver formatPrint: (Specify pages 1115)

    For presentation formatPrint: (Specify pages 19)

    Before & After is made to fit your binder

    Before & After articles are intended for permanent reference. All are titled and numbered.

    For the current table of contents, click here. To save time and paper, a paper-saver format of this article,

    suitable for one- or two-sided printing, is provided on the following pages.

    Print

    Format: Landscape

    Page Size: Fit to Page

    Save

    Presentation format or

    Paper-saver format

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    1of

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    DesignTalk9:FiveDesig

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    INTERESTED

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    Differentstrokes

    Findanobjectwithag

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    profile,traceitwiththePen

    tool(left),andapplyastroke.

    Youcancombineparts

    ofdif-

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    BathroomResto

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    916.555.4687

    www.BathroomRestora

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    design>remodel>r

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    Linewidths,

    includingthe

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    2of

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    DesignTalk9:FiveDesig

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    DesignTalk9:FiveDesig

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    www.BathroomRestoration.com

    design>remodel>restore

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