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Beehive The '60's Musical For Maryland Arts Festival at the Harold Kaplan Concert Hall Theatre Directed By Leslie Owens-Harrington Plate 1- Floorplan Plate 2- Section Plate 3- Platform Details Plate4- Flatage Elevations Plate 5- Shimmer Curtain Elevation Plate 6- Painter;'s Elevation, Platforms Plate 7- Painter's Elevation, Flats design by gregg hillmar 8406 yolanda road richmond, va 23229 804.683.2503 [email protected] http://www.hillmardesign.com Show page at http://www.hillmardesign.com/beehive/ Assistant Scenic & Lighting Designer: JD Jump Production Manager; Heather Sorenson Technical Director: Tony Rosas This document details playing positions, shapes and colour related to the visual aspects of the production only. It is understood that all specifications relate solely to the appearance of the design, and in no way does the Designer assume responsibility for the safety, structural integrity, building, rigging, construction, fabrication, material or equipment used in the execution of the design. NNN ooo ttt eee :::

Beehive - hillmar designBeehive The '60's Musical For Maryland Arts Festival at the Harold Kaplan Concert Hall Theatre Directed By Leslie Owens-Harrington Plate 1- Floorplan Plate

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  • BeehiveThe '60's Musical

    For Maryland Arts Festival at the Harold Kaplan Concert Hall Theatre

    Directed By Leslie Owens-Harrington

    Plate 1- FloorplanPlate 2- SectionPlate 3- Platform DetailsPlate4- Flatage ElevationsPlate 5- Shimmer Curtain ElevationPlate 6- Painter;'s Elevation, PlatformsPlate 7- Painter's Elevation, Flats

    design by gregg hillmar8406 yolanda roadrichmond, va [email protected]://www.hillmardesign.comShow page at http://www.hillmardesign.com/beehive/

    Assistant Scenic & Lighting Designer: JD JumpProduction Manager; Heather SorensonTechnical Director: Tony Rosas

    This document details playing positions, shapes and colour related to the visual aspects of the production only. It is understood that all specifications relate solely to the appearance of the design, and in no way does the Designer assume responsibility for the safety, structural integrity, building, rigging, construction, fabrication, material or equipment used in the execution of the design.

    NNNooottteee:::

  • SSSiiiggghhhtttllliiinnneee SSSiiiggghhhtttllliiinnneee

    CL

    +2'-0"

    +2'-0"

    +1'-6"

    Discuss masking

    Escape

    Blue Shimmer Curtain

    Jack As needed To Stand

    EscapeEscape

    BBBaaannnddd

    14'-0"

    2'-0

    "3'-0

    "

    2'-0

    "10

    '-0"

    18'-0

    "10

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    EscapeEscape

    bbbllloooooodddyyy ooorrrgggaaannn cccooonnnsssooollleee

    Are these Front row seats useable?

    2'-6

    "

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    FollowSpot Position?

  • 7'-6

    "

    R 10'-0"

    +1'-6"

    Center Platform- Plan ViewScale: 1/2" = 1'-0"

    1

    CL

    4-1/2" Facing at Edge,Black Facing held back 3" +/-

    Black Facing to House Floor-Soft?

    Escape Steps Off Back

    Bloody Organ Console

    2'-6

    "

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    PLATFORMS, FRONT ELEVATIONScale: 1/2" = 1'-0"

    3

    "Records" Have 4-1/2" Lip, with rest ofBlack facing held back 3"+/-

    1'-6"

    CL

    2'-0

    "

    R 5'-0"

    SR PlatformScale: 1/2" = 1'-0"2

    Reverse and Repeat for Stage Left

    14'-0"

    2'-0

    "

    +2'-0"

    Escape

    Escape

    4-1/2" Facing at Edge,Black Facing held back 3" +/-

  • 12'-0

    "

    16'-0"

    R 8'-0"

    4'-0

    "

    45 Record Detail Painted

    SL Upright Record Front ElevationScale: 1/2" = 1'-0"

    1

    SL Record Plan ViewScale: 3/8" = 1'-0"2

    Discuss Black masking Behind Record

    Jack To Stand - or equal

    8'-9

    "

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    7'-6

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    2'-6"

    SR RECORD PLAN VIEWScale: 3/8" = 1'-0"3

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  • 16'-0

    "

    40'-0"

    CLDrape Front Elevation-With Rest of Set...Scale: 3/8" = 1'-0"

    1

    Ten Instruments +/- Overhung on Pipe or Truss

    Blue Shimmer Curtain Preferred, Rosco #2600 Black/Diffraction or Equal Acceptable

    Soft Black Mask TO House Floor Bloody Organ Console

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