Become a Model Citizen: Autodesk® Viz Modeling · Become a Model Citizen: Autodesk® Viz Modeling 2 Lofting – extraodinary modeling control Lofting is not a tool available to you

Become a Model Citizen: Autodesk® Viz Modeling

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December 2-5, 2003 ◊ MGM Grand Hotel Las Vegas

Become a Model Citizen:

Autodesk® Viz Modeling Ted Boardman

Code VI 13-1

About the Speaker: Currently, Ted’s primary job description is that of traveling 3ds max and 3D Studio VIZ training consultant. As an Authorized Discreet® Training Specialist, he produces custom productivity-enhancing training sessions in 3D modeling and animation for clients in a wide range of disciplines. Ted is author and co-author of several books, including 3ds max 6 Fundamentals and other titles from the Inside 3D Studio® MAX series. Ted writes a monthly column on visualization topics at

www.cgarchitect.com. He is an award winning AU speaker and is founder of the Boston Area 3D Studio® User Group. [email protected]


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Lofting – extraodinary modeling control Lofting is not a tool available to you in most other programs and is one of the most important methods of building complex 3D objects from simple 2D shapes with a very high degree of control of editing and mesh density.

There are a few rules that must be followed to make the most of lofting and this paper will clarify those rules so you can start to apply lofting in your practice.

As a quick aside, the term Lofting comes from old ship building practices where the patterns for ribs of a ship were all laid out in the upstairs loft of the ship builders shop. Long, thin metal bands, or splines, were set on edge and bent to the curvature of the hull at given points along the keel. To hold the splines in place so the lines could be traced on the patterns, the ship designer place heavy steel or lead “ducks” at the tangency points. To create the hull, the ribs (loft shapes) were then attached along the keel (loft path) and the planking was attached to form the hull (mesh object).

The basic terminology There are certain terms in max/VIZ lofting that need to be explained before starting.

• Shape: a Shape is a 2D object in max or VIZ. It may occupy 3D space as a Helix shape does, but does not have any surface information. A Shape has a name and a color.

• Spline: a Shape must contain at least one sub-object level spline, but a Shape is a Compound Shape if it has more than one Spline. For example the Donut primitive is a Compound Shape made of two splines, i.e. concentric circles

• Loft Path: the Shape that defines the extrusion length of the loft object

• Loft Shape: the Shape that define the cross-sections of the loft object

A loft object can have only one continuous closed or open 2D spline as a path. A loft object can have an unlimited number of open or closed shapes as cross-sections.

Each shape or path can have an unlimited number of vertices and different shapes can have different numbers of vertices each.

Each shape on a path must have the same number of splines. For example you cannot loft a Circle and a Donut primitive on the same loft path.

• Local Reference Coordinate System: there are seven different coordinate systems in VIZ and max, but the Local system is most important in lofting. Essentially the Local system is the system of the shape as it is created. When you create a shape in any given viewport the rule is that Local positive X axis is to the right, Local positive Y is up, and Local positive Z is out toward the viewer. This Local coordinate system stays relative to the shape as the shape is rotated.

• Pivot Point: the pivot point of a shape is usually positioned at the geometric center of the bounding box of the shape. It can be repositioned


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through the Hierarchy panel. The pivot point defines the apex of the X, Y, and Z axis of a shape. See Figure 1.

• First Vertex: each 2D spline has a First Vertex indicated by a white box when in sub-object Vertex mode. Open splines can have either end vertex as First Vertex and closed spliness can have any vertex as First Vertex.

Figure 1: Selection set of shapes with First Vertex showing as white box on vertex

Tip: The First Vertex of a shape can be seen when in Sub-object Vertex editing mode. However, you can also view First Vertex at any time by selecting the shape(s), right-clicking and choosing Properties, and checking Vertex Ticks in Display Properties, By Object menu.

The Pivot Point and First Vertex are very important in the lofting process and a lack of understanding of them is probably the prime reason for frustration while lofting.

The Pivot Point of the Shape attaches to the First Vertex of the Path. An AutoCAD analogy for Pivot Point during lofting would be the Insertion Base Point of a block.

The orientation of the shape on the path is a bit more complex. I’ll talk you through it here and show an example, then discuss it in more detail later. The local Z axis of the shape aligns itself “down” the path and the local Y axis of the shape aligns with the local Z axis of the path. See Figure 2.


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Figure 2: Curved path and L shape created in Top viewport. Loft shows orientation of the shape on the path. You can also see the respective local axis Gizmo’s of the two shapes.

The Process The lofting process itself is simple enough, but there are a couple of options worth mentioning. Lofting is found in the Create panel, Geometry, Compound Objects pull-down menu. See Figure 3. You must have a valid 2D shape selected or the Loft button will be grayed out.


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Figure 3: Loft panel

In the Creation Method rollout are two options Get Path and Get Shape. The usual workflow is to have the path selected and to use the Get Shape option. However, you


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could select the shape and use Get Path. The determining factor is that whichever object is selected remains in place and the other, Shape or Path, reorients and moves to the selected shape. For all examples in this column I will select the path and use Get Shape.

Just below Get Path and Get Shape are some very important options; Move, Copy, and Instance. The default is Instance. This means that a clone of the shape jumps to the path, not the shape itself. The advantage of this option is that you can modify the original 2D shape and the lofted 3D mesh will change accordingly.

The Move option actually moves the original shape to the path and Copy places a clone of the shape with no connection to the original making either choice much less editable. I have never found the need to use either Move or Copy.

In Figure 4, the window trim, roof, molding, posts, and chair parts were all generated from lofting 2D shapes.

Figure 4: Example of lofted objects that are very easily adjusted by editing the 2D shapes.

As I say, the fundamental process is simple enough, but there are more options that you must understand to make a lofting efficient modeling choice.

Lofting Efficiency… If you want 3ds max and Autodesk VIZ to be a cost effective tool in your office, you MUST keep models as simple as possible. Modeling overhead is the primary hindrance to production that I encounter in my training session. Each vertex and face in a model uses valuable computer overhead and you can very quickly overwhelm even the most powerful systems and render them useless in an office.


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Would you buy a new car and load it up with heavy weights just for the heck of it? Of course not, so it always baffles me when I see overloaded models in max and VIZ, it’s the same thing.

Lofting offers controls for adjusting mesh density of models while retaining the necessary details. First we have two new terms to learn:

• Shape Steps: Shape Steps are intermediate points between vertices of the shape that define curvature in the connecting shape segment

• Path Steps: Path Steps have the same function between vertices on the path.

When a shape is lofted along a path, segments are created in the loft mesh for each vertex and path/shape step. Figure 5 shows the previous loft object with Edged Faces turned on in the viewport configuration options.

Figure 5: Example of lofted objects with segmentation caused by the Path and Shape Steps settings and the original shape and path vertex locations.

If I right-click on the selected mesh object and go to Properties, I can see that the object has 5136 faces. If I go to the Modify panel, Skin Parameters rollout, I see two spinners for Shape Steps and Path Steps. Each is set to 5 by default in 3ds max 4 and Autodesk VIZ 4. See Figure 6. VIZ 3 has a default setting of 0 for each of the Steps.


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Figure 6: Default Shape and Path Steps settings is 5 in max 4 and VIZ 4.

If I set the Path Steps to 0, there is no longer enough information to show the curvature between the vertices. The object has less detail, but is not acceptable to the viewer. See Figure 7.

Figure 7: Setting Path Steps to 0 results in no curvature between path vertices.


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Increasing the Path Steps to 3 might give an acceptable level of detail depending on the distance from the camera or the background and reduces the overall face count to 3552. You must be the judge of how much detail is enough, but you have the option to change it at any time to optimize the object for any occasion.

Looking at the shape for the loft you will notice that there are no curves in either the L-shaped spline or the letters x and y. Setting the Shape Steps to 0 in this case has absolutely no effect on the detail of the mesh object. See Figure 8.

Figure 8: Setting Shape Steps to 0 has no effect on mesh object quality because there is no curvature between shape vertices.

Reducing the Shape Steps to 0 of this loft object has no effect on the quality and reduces the face count to 582. This is a huge savings in memory resources when done for all your lofted objects in the scene. As a matter of fact, I can now increase the Path Steps back up to 5 resulting in much higher visual quality and still only have 846 faces.

Just below the Path Steps and Shape Steps spinners is a checkbox labeled Optimize Shapes. If I had checked this option instead of setting Shape Steps to 0 it would have resulted in the same savings. What Optimize Shapes does is an intelligent analyzing of the shape and will reduce the number of steps in the straight portions of the shape and leave the curved portions set to the number in Shape Steps field. This can result in the best of both worlds for many typical shapes used in lofting.

Remember the definition of Shape Steps and Path Steps – intermediate steps between vertices that define curvature in the segment. If you do not have adequate steps then you must have vertices to define the curvature.


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Figure 9 shows a rectangle lofted along a filleted path. This could be a sidewalk, road, counter top, in fact it could many different things if you use your imagination to apply the tools.

Figure 9: Rectangle lofted along a filleted path with default Shape and Path Steps. Loft object has 908 faces.

There is Optimize Path option in the Modify panel of a loft object, but you have to be in a mode called Path Steps instead of percentage and that is beyond this exercise. However, I can adjust the number of vertices to get the same results. Setting the Shape Steps to 0 or checking Optimize Shapes results in 148 faces. However, reducing the number of Path Steps quickly destroys the detail in the curve portion of the sidewalk. Setting it to 0 results in a useless object as seen in Figure 10.


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Figure 10: Setting Shape Steps and Path Steps to 0 results in no curvature between path vertices and an unacceptable object.

To correct this I will select the original path, go to Segment sub-object level in the Modify panel and select the curved segment of the path. In the Geometry rollout, I will enter 4 in the Divide field, then pick the Divide button. This adds 4 vertices along the segment and redefines the curvature to that segment without adding unnecessary detail along the straight segments. The result is an object with a good balance of detail and efficiency with only 60 faces in the entire walk. See Figure 11.


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Figure 11: Selecting the original loft path, setting Shape and Path Steps to 0, then using Divide to add vertices to the curved segment only results in a good looking, efficient object

Summary Lofting is still underutilized in most of the offices I visit because of lack of understanding of a few of the simple but obscure rules put forth in this paper. Take the time to learn the techniques presented here and you will increase productivity in both editing and rendering of your scenes.


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Become a Model Citizen: Autodesk® Viz Modeling · Become a Model Citizen: Autodesk® Viz Modeling 2 Lofting – extraodinary modeling control Lofting is not a tool available to you