;,PRELIMINARY CLASSIFICATION AND ANALYSIS

CERAMIC COLL¡CTION. ASANYA¡IBA

Presented to the Nationaf l.luseum, Ef Salvadorby

Ilarilyn P. tseaudryOctober 1982

7

'i lr : j'.c, .r. s ¿'- ll:' :. :,b,: , rs lc..t¿l-.=ai , ¡i l-rc ir: .-r .,::-.,.rt oi La ir:rj¡r, tnl-h: G¡lf a-.i aarrscca. 1l ':ltc a-i,i.-.-r rc a.':: - !,1:l :,a.r-.. oi :-l S-l-.':r:¡r. lt issl'.ir;i-cd jlrsi of f Ils:ero !lI Ch:.:r:¡ n-1i-!o ..:htch jis i,hc ccntr]].rt¿-r_ion OfBocana El Pecho (a northwest extension of the Bay of La Union) . (See

¡iap l) The area 1s low-Iying wirh many saf L-r^-aLer inf ecs, n.arshes," flaLs. The site ae r\r'-qón-1r' L.a\t-\ .'.c5Ludr rs5, drrL.r 5a_LL rfdLs. 1j¡e srI'e d- -_-,_,-. ,Jvers ap:roxl-

mately eight acres and consjsts primariJy of sheJl niddens. .f he areacame to r-he attention of the National Museum a number of years ago whencorunercial ey-tractive activites began there. UnLil now, iL has not beenpossible to carry ouc any controlfed archaeolcgical in\-estilatjon aL thesr-te. Ho\.{e'Jer, arrangements were made for cultural materiaf s to be

^t^11 was renoveC for r¡¡r;ñrrq .\'\r:'rér.'i:1 ¡11-¡¡qos ThrrqSA_L VAgsLr 1gl t(Jve(j I(JI Vur.vuJ

the colfection available for study represents the general- assemblagefrom the part of the site that has been subjected to commercial. usage.Detailed provcnience data are not a\¡ailabf e nor has the sancle been.'. l :-r I '-f : r'.: :t r -i -.-, j. .lr- :::--L -:. - : .. a: :v.

Sincc the eastet n El Salvaior area is ve:]' poorly known archaeol-ogicatli/it was felL that a Drefjminary classiSjcation and analysis ot the avaifableccramic col IecL-ion would be usef ul- cven though limited infcrences canbe made about the site itself. Study of the ceramics would lay a

foundation for future f iel-d work at the site and would permit a generalassessment of cultural associations. \.iith these qoal,s in mind, a six-v¡eck- laL,oratory pro j e.t r,'as ca::ricC cut, f unded by USICiT' s AcademicSpec ial j,s t Program.

An aDproach was developed based on considerations of what would pro3 -rce

the most beneficial resufts given the limited tine availabfe as wel-l- asthe nature of the ceramic data and the circumstances under which it hadbeen obta inecl .

The prolect's two objectives were :

I. To make a general comparison of E.he Asanyanba coffection wirhceramic sequences known from the archaeolooicaf Iiterature in order to¡qcasq +é-nc)ral Dl a.e'¡p.1. ¡¡.r qnlr ia1 ¡SSOC_i¡tiOn.

2. To prepare ictailed d€scriptjons for types found rr Asanyanbathat hf,ve not prev jously been caref ully ciescribed in .-he 1j r-erature.This should serve as a working rcference for future research both at

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11..1 .':-t ...r 3a,n;,.:i '-:-t -_t (t ,.,--:-l il al1 si a-.:as a: :l:É t,t: a,la.c: s¡ llt.t,::: ,:,.;1¡¿ ',.¡:tii ic -:::t .:l :.'-.i-. -. lre aOlla.j,.tail '..i'€t:-alS, sOi:ir.: r_.r.i

. - -SS-: . e o:-:On :-r C-'pj.:re S, etc.

¡1E THODOLOGY

I.leek f : Becone f amiliar with sanDle of ma'!,et ial-s that had alreadl' beenselected and were present in the Depar.-T:ent oi Archaeoloqv atthe ¡1useum.

lieek 2: Sort :hrough larce suga:- sacks oÍ unselecLco :race:ia1s, rernoi.i:rodiagnostic picces (aLf rir:rs, handles, supDorEs, body shercs oieverything except unslipped or undecorated monochromes.)

Week 3: Do preliminary classification of afL materials except some

miscell aneous pieces ,

Week 4: Return to sacks of unsel-ected materials to see if addi_tionalnaterial !\'culC urcover: ¡a\..' or dif f c--:crt i:,.:!cs or:ust enl:rqe :lnCt)n,ir tr.it '-h-r :-''.jrl-'-- :i¡,-::-l'., ai'-¡il¡i-:l¿. :,i::: r- --l,t: r..'¡rl'. 1:r;el¡'resul-teo in e;rIar¡inq rnd enrichino thc s¿n¡ie, I Íe1t conf irnectin believing that a represéntative saniple of the currentlyavailabl-e material had been examined. (In tota1, approxinately60 large sugar s¿cks of about I00 lbs, each vrere sorted.)

I^leek 5: write descriptionslrrce]: 6: Photoaraph and organize na+-eriaf s for storaqe and use as a study

collection. ¡r-n inr.'entorv \.¡as rr,rade of o..;er 2C sachs cont¿inir.tgfully classified or preliminarily sortei ceramics. hell-¡:re-served and typical píeces of the cfassÍfied materials were l-abell-edan(l put into dt-awers in Lhe Deparim?nt ior :-eady JCCess :cr:uturework .

Durr:g Lhc project, no aLLc;-:ts \..ere r,ade ¿o io c,uanL jt¡ti.c t¡b:l-Lionsor analyses because of the llmited provenience cata and the non-systenaLicmethod of co I ] ectior¡.

F I iJD INGS

Temporal PlacementA suLstanti al an,ount oÍ the -:.s:n7¿:nba ccran ic n:r Ler i al rcpres-nts

ty!)cs that havc i:e¡n :cscri be.i br, ;nd:-ews { I9?¿ ) ¿c beino r-r¡l of :heLap¿ Phase at fuelepa, an archeooloc;cal sjLe in --he ncarb/ dÉpar:.rent

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! tt.a:).ir--rcd :li:rns :- -::te¡.rf l)' \,irth ..h€ L-te Classic ..¿ -,a

- !50 -.D.).Tl-,is .'r:rc¡a1 -La. : -''-¿l :^-., - . ..r.t -, :s :: i . r: '.:, r- r: --. ¡, il i,i' I l,c :r..:ral!ta of

,:- 3t.i,r i:r;¡.-¡l-- L:ofit oí rrrtl_.-ci,t a tie t:.t¡,.¡cs c1-:,s. iic¡-l .-. s :..:):i 1,.;tlaIr'il\¡ch-o--e i:1- !,euriez '.1-Lo Fcr-r:Ltelin 1l!,i6) :::,i. c:<c-:,.;¿.r-eo i t c:.1 L¡,,e Class _crv.rin¡ Dh:c¡. 1 r-ó.i..y!q :l l..rq NFr¡nir¡e T:Ló \'^i/"\: lI^h^,¡r-.-...'-. as.

Very ninor amount.s of earlier phase materials, prinarjly . ;

Usulutan, hint aL earl j-er occJpation, :erhaos at othet: parts of the srLenot yet explorei. However, the quantit), o: che ea¡lier ccranics was

afmost miniscule given the size of the sample examined, so very littlecan be deternined írom these finos.

Spatiaf Associations.The Asanyamba collection was compared wiLh published ceramic sequences

from s j-tes jn El SaIvador, Honduras, and Nicaraqua. The correspondencesas weff as lack of association will be briefly described.

Queleoa (Anircws I9761. P,s has been nentionei, close ccrresp:ndences¡¡e noted bet',.acn ihc Qr,reic:r. :a¡a Ph:s: ce r-anrc con:ie:: ¡-nl irert cf th.;-s¿-lrl'l:.lja coi-.c-.ron. 'll-i-s¿ f inoin¡s .,.¡iLI ii. :uii:' -i::c-f in thc lori ¿::!:.r:L

f +hó ¡ór:i l o.i .-loc¡ri ñ¡ i.rhc

Los Llanitos (Lonqyear l-944). The majority of the wares describedfrom the ear'lr.' axcavatiOnS at this SrLe ¡l qr.r ¡ro F¡'r- ..\a l-L-qr s ¡Jar u ul

colleccion. Los Llan:tos secms to have been a one-period site, cceva-La I- i.\ñ .\F órrél éw] cn f ne Lepa pnase , - - - *pa .

ChalchuaFa lSharer I978). \¡er:/ few sirnilarjLics arc fn¡¡l lpl6'an¡.''=GtofLheCoun..ryan.jA;Jj-]v-r'5:.ln''l.L.-]jol'pcriod markers for the Payu (Late Classic) Phase ac Chalchuapa are

\léi + h.'r f hé .A i nt ad -r-\rrnq -- C ¡¡ 1¡n¡> ¡n,'l a^ñ:¡^Ér.rrs>-Lrrg <rL ¡lscrr) a¡'¡ua. rrLLJ uruf,l-r

nor the doninJnt domestic uype, Guazapa Scraped S1ip, are found at al L

'i ^ fhe ¡c^nv3r¡ha r.ol 1ó-fioF. arnl v a íow Of LhC Ch.-:lChUaoa - inrr- fwnoq --consiclcreC trade materials there -- arc rcprcserteri ar- i-sa:yar.ba (Car,pa¡a

Fine Line, Babilonia, ecc.) In the current case, howeve(, rheir rresence-in substantial quantities suogests a djif,erenL role than at ChalchuJDa.

Los Naranjos (Baudez and Becquelin 1977), The do;rinant Late Classic(l'oloa Phase) oolychrome at the Lak¿ Yo.Joa site was sabilonia PoI?chro:.e.Thls wel f-known ceramjc type, gjven various nancs by earl ier researchcrs,jc --^Fi¡onf rn + l^é Aq,?.v¡-\a r-¡l 1ac+i¡r¡. .,ill Of tf.e Sl-.JreS :nC ]l.OSt

of Lhe oesiqn motifs úescribed by B:udez anc 3eciielin are rcprcs€nLed.The majn ccrresDondence bctwcen Lhe sites is "'j.rh this ;.arLicl-Iar ¡ojv-

-l,r'.-:: '-ar::. ,l-..: -. llt,t:- :r.:::-,-r:.,1 lr-t-: i:ti:s a: i.l,e !o j.:;¿ r,¡a.r.,j :.:.t:j --j.c':'-,a.-::r ..,,'-ic: a.:: L t --.-,.r._ :, l',r i,,o :ii:,es. it i;a,,rlC ..r r,J11 ¡

''-:.sr .. :i,'. l-l', i;.-; ..-l.t lc ,::¿ ,,;- . !t:,trl .t 1,.: i: ,-n 11,¡1 i ¡¡¡,i, a,t-r !rf !-at.st.l-r _l-:l c

:s l. :. . - I -s.

Ci.ol ut€:ca arca o: :i.neLrt eL (St.ne l9a?_; tsauoe : l9C5) . ,Ihis

ceooraphic region has bcen ínvesrioatcd n.rch fess rhorouohry Lhón wcuroho ida:] 5nr ¡¡-^. r^r^ -r¡^rv! !e,,,r-o! ! Lrr óro¡.) ó. va. No con:l ete s i Le sequence i savailable. Stone presents a qeneral 01-€rview of the regicn and photosof a f ew pieces in prir-ate co.llect j ons. Severa.l of the po I ychrornepreces fÍgured in Stone appear. in tem.s of cecoration, to correspondwi+-h some of the Canpana-related groups at Asan)'anüa.

Bauoez, repor-ri;.ro in the Journal of Lhe Society ol Anericani sts,s:ates that he f isi'-,ed about :wenty sites "in che region of Choluteca"and particularly studied t\ñ'o of these (p9 302). llowever, no detaitsabout Lhe nature of the sites or their specific locations are g j-ven.

From this work and :ther exDlorations in the Coma)'aqua \/eIley, heccnstructs a svnthc: tc cera:-ic se.uence o: f ive cc;¡.Df Étt-:cs f ¡or the::-tr lt' Cl:issic t:ro.r I i-iÉ La:-., :os-.cl:r-.:ic- 1: j-o: arii..-:- tL- r - .:c- rl .: :anil a :err' photoqra! .s c: shet:ds it is difilculi to I'criflz or dcn_v

similarities \¡¿i th ;- 3n)ramba.Because of che .':ooraphical proximity it is reasonrblc to expect Lhat

the two ateas \./ere tn contact and shared a lot of material culr-uraltraiLs. However / a :ore precise assessment of rel-ationshjos can not be

m:de br-c¡use ot our lack of knowledge al-out rhe cllrtre history of bol-heastern El Salvadcr :ni soutliern Hontlu¡as.

C--ntraf Hondura-. and Ccmayagua plain (S-.one 1957). ;s \^/ith theihol uteca area of F: : :tciuras, thi s geocr-lphic zone i s very ti: j 1. e,lIyknown and few meani:- ,-iul comparisons can be made belween this part ofIlonduras and the As: rvamba collection.

I'lestern lli-ctrrac :'. \¡erv l-lt.'le ¿ata are avail-able f or this n.rt:...l-c;.r

oi Central America -::d no sire sequence has been publ ished. In cssenceit is an archaeologr: :a1 void. In the eastern part of i\-icaragus, HealylI98l) has studied '':.e Rivas Feo:on anC es:abl:sheC a ce:¡nic sF.q tórce:or thaL area. No c'j :respoitdences were found b-rween dny of his ceranicgroups and the cof l=:-"ed naterials from Asanyamba.

5

in :..;..;:,.:l ',-, tr:en, :hc- cr:r¿ilic r--cl.ii:c** j¡n ur.jcr sa..ii' :is,. .-...-1, '¡¡;.|,1

',.; r --,:r :.ast,.¡n li s¿'l'i-.ra-t:, a.. s f ¡r ¿s i-- i s l':l r:r,'n ; i: ,'-: fi ¿ c o i c r, i r,- a l ''r,

:rr:-r:rg tlre I¿ta Cl:9sia l.-arcC. :'t).a ,:rat-:t ca'ii-,a cl -.4:r3 :ai -r :o i.e rna.- - ,.-lr.rt ¡-r i ¡-,"i ¿r-c c::i - r-r:,rr:c it:iro 3i .'--ha,r:n i:-,;rclL':;.s ar,,r iri, rrc! ac r,he

i.:i:e Yojc.a .rlca. Infl.r¿nccs :icn tl'ie south a:d from ihe \..'€st ¿re lackilg.As w:-lf be discussed shortly, rhe c,uanti ty and variety of ceramjcs anci

other: ciltu!-al re:rains are truJl' a:nazing, bespeaking an extrenrely vigorous,active and enterprising settlement. This was not an isolated "backwater, "

rather it must have been a thriving area particioating in a cultural and

socio-economic system about which we can only speculate and for which we

can only sketch the outer limits. The system probablf intermeshed atsone f evel wi th that of the souLheaster:i Fla\-.r oeripher:¡r buc certa i nlywas distinctive from it.

The abundance at Asanyamba of ceramic materiafs previousll' |.nown

from private collections in central and eastern E1 Sa.lvador or from theirninor presenct: jn :{estcrn El SalvaCor a:chaeological cont-exts reaf f insLhe exisienc€ of this separa+-e culturc arca. So;:e researcacrs ha"c;:¡:si'-cJ tiat il-r¡,¡ '..'-ici--r1a -n aa3'-al-¡l :r-i !¡--'.-:¡-cr c:::-n¡; i-'':a-aa l:;:.i--l:IlLir.es werc ancececcnLs of the contacL-period Lenca occuFant.s. )chers,i-^1..ri-^ ñ¡rr¿'.'c lrel ieve that an influx of people, possibly from ther¡Y ¡¡¡'v!vnvr ¡

vera Cruz area, invigorated and stitnuLated +'-he cuf ture in thj-s areaduring Late classic times. Controlled excavation at Asanyamba and atother eastern El Salvador sites of this time period wiil be needed,

however, before more definitive statenents can be made about the nature,, v1-pn t . and i::ieract in¡ cnh¿re c,f :-he cu I rure.

observations about the collection with inplications for the sjte and theculture area.

During the course of the prolect whi.Le sortinq and handlín.¡ thernater,ial, various thenLes k-ept recurring rvhich warrant mentioninq. These

are presentcd as infornal observations which coul-d be incorporated rntomore formal hypotheses for use in future work.

l. The variety of cultura.I remains is staggering -- not only inceranic vessel"s but with otber fired ceramics, such as:igrrines, earplugs, whistles, etc., as well as in chj-pped anC ground stone, sheLI,worked bone, etc. fmaqinative and creative manipulations -- a wide

range of styles of decorati-on, of moiellrng of suF?orts, of use ofof iow f earr:res: far^' -' sheris tnto dnrr:.ate anC :nanln.aLec- - rYJ ^1rr!

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,r-rc -:'i.S: gn C'Cll: I,;:l-;', ¡ llS a' a'I I r .ll. i: .,i -- .: i.'S, il l,l::llt S ,-,ld I,- .'tl C-¡ i: -l .:l -r,i'. -. s't.:. . :- ::. l-, .l -:lr_::,I:..:-n t.t :...c .:-- ,:s

on n.icely execuLei L-chrc:rcs, on cursjvelv CecoJ-arcC sl ip¡.ed ¡cI¡ chrcr:csand on crudely renie:-ed hca,,'1' uns I i ppei warc. Eroad I ine incisions \^rithor rvithout punctate is useC i-n five iifíerent paint cornbinations \dithse'"'eraL cl i f f erenf Dastes in sizes f róiit r.iniature io qiant. There alsoic ¡ ro-i,,n¡t>¡¡r' iñ ,-éñc ai ma¿l¡ 1 ch¡no- :F!r: ;^'.'l - /1f ,¡ll r \'ñ,.c.Lu erruur¡el

a) flar based Cishes wiLh ourcurvinc walfs and oeneral )1' conic:J highió!ra-.).r q.n'rñrj- q. h\ --r.nd-l-raqa¿i nnc¡ bOwlS r^'ith baSaI ri ür--e O:- lncles

and modified mammiform tetrapod supports.Thus, ít seems that certain canons of cerar'¡ric form and decoration

.,--^ ---l ió^ ^^--;--ó.r'lr¡ in <nir-é ¿-\ f 1¡ár\zi n¡ lar¡elc nf ¡-r¡f¡cmanehin\4cr E dPyrfs Lu¿r 4r¡ L .q!jr¡lY fsvsfr L urtlu¡rrrrrlJ

and Frobable function. A nur.ber of very smalf vessels, Iike min-ia:ures,were f ound in the collec Lion whích echoed '.he f orn and decora +,tott 5t,1'Ie

c:' tf.e vtrrlou: grl-'.'chr'rr: r -:r:l I¡'.c:t''a'-a - a i'::.

3. I\lany paint.-d :er:nic !'roups tseC J:ctif oI a st)'iize ..1 :¡ce,

"c'¡: l lt hrrr¡¡n Q¿-rmar ime nnl v ihé f¡.p - l LLrl Lflc eye5 ouw:r LS SnOWn; aC

^'hFr f i rnoq nnlw +he ^r"Jr\ r -?yf .-.m f\e rOUI]h and ears down. The iace

iq -enresented in tri¡¡-rrl:r ra¡t-an.fnl¡r .r- r.r"ñ,'l qhar.,r FaCeS inrr r syr

rnodel Ied form are very prevalent on both u:rslipped and slipped 'rrs.in these cases both animal anC human faces ar:c featurcd. An ii'ltcresting'citru:e on so:re n,¡Je il -)4 'r'i, cÉs (Jr.d on :r.::tI haad silil:Ls) -J thcsnliit ino of fhe fac- "--!i--r1.' ''r!L '1rrp qr)o n:infed h'¡ck and the¡rffue-¡-Y v¡ verLlrcrrJ

oLhcr red. Son'eLimes the face is paintcd on a sinply shri'-C srD:lorL;other times the entire support is modelled in consiCerabie Cet".il tnithor without aid€C paint. These characteristics of the ceramic \:essels

.i¡L +.- -,.]1.- r..--., -*...lnl .-)' h tr:.1:: anu a:.jral fLlu::nusc: urr . !rr

^ L.r-L r ..-r .1f q.-lh,r'1 ir- inj-erest in the natural en\.ir:tnenL.Su¡.:sr u o ¡¡r9ir -r..,vv!tu

4, Handles and supporr-.s are very coiimon f eatures on all cf asses

of ceramics -- from the largtest size of unsl-ipped uti.litarian vessels tothe snallesL and rrost del lca'-e oolychromes. Se,,'eraf pclychrome t)'pescar-ry vest j.ga1 h^andles on very shallow walls which suqcest a functionalfeature being maintained for stylis-'ic reasons. As wil-l- be discussedshcrL])', ihe wjdesprcad 'rse o: thcsa a: pendaoes surÉ17 rel¿tes 1-o f uncLior.sof i-oortance at the set-,le;:ent.

: . 'l-lrr:r¡: is r./.:_1' l']a.tl r. il usl r,' | '-]¡r.: c., l :::¡utlr. siat-a l::',/a '.'. ta.-t:i,a:L-: sl¡:h ;s olLl ir,:,:-,r:t; :.:.¡tcaI -l;t..'Js, t-¡a:t-.-cii l.:-i:ls, c,r c:l i;..1,: s.i:::ll.r.,r. the shallcv,'/ ct-cn ¡: slt ¡--, t-i ',¡i:-:-r r,,¡.i ;.:;: i¡¡1-S :s i,hc . .- l::l r i.:-r-.,e .

l-,,---Lar:rLare. "s',;.rri,':cr " sci;'--- =:-sl r,.:t-t l:.-:'.¿ -'-, ls,-f ¡:1.,'lh-c ;,:.:t.ls -.:C

:, 1;;.:ii¡rg cr 3a ¿-'.cd í.' ,;¡o5 in li¡h ;'.tr'-a .. :.c'. :--- -.:,t. riai, ll a-.l.ia

;ol}'chrome rs exceptcd here because its influence is assumed to be f t:om

non-l-ocal sources. A1so, the Quelepa group of Delirio reo-on-crean andlJelepa polychrome o:Len use a hen:spheric:l bov;I bur wi--h enli:e11'd: . f erenf n.\.-v^r': mot j IS.

6. A num-ber of specialized vessel shapes su.jocst :u:rctions thaccould have been associated \rith varíous connerciaf activities:

-- .\ñ^^ ,.ó.-ór ..,; +). handles an.l sr.rnnñrts __ for use jn cool.i ¡a fi-ecrevvr---¡J

-- Restricted orifice vessefs with Iarge handles for Iifting -- forraw materiafs in transit? for transporting grocesscd shell fish?-- Bottles -- for boiling or processing a liquÍd substance?-- Coiander, strainer bowls with very tine perrcr¡cior.s -- for sif¿inoor so:-tin: '.-e: j' :i::'.ltc ¡:rrilles? lthc r-i-::rnc -- s c' '-h,-- 1^..,. j: ..ni Ll..i:.':-i--.. ..::.r;:r i:r r ':;:.-t-:: s -:.' .:.. ..-r.: . .':1 .l::--.-..1--l:n/-é i-.ródrrñ¡1 rrqé ñl-']lw on qn,-ni¡l n¿-¡-:- i¡rne .rr rh- i;!r.t,>+r^hur c quoF

of a functional form into a présti-qe non-useful item.

In connection with functioñal iterns, it should be not'ed that a sizablequantity of rer.vorked sherd disks -- many drilled, others not -- werecol lecLed. These arc of varjous sizes, possibl-y Ior a varje..y of usesS:indle whorls also are cor.L¡non.

Ia l \,-hr^ñó '¡ra^iIi¡r- --¡ ,r/!¡¡!u."r dL ¡t5Jr¡yarirJd

Scvera.l different pajntcd (bjchromc and polychrome) tr¿oitions arep:esent at Asanyanba in signi ficanc qurntiLjes. 'fhe first of these isf ;o ñ'rplé^á r:rn.'.¡ "hich includes Del irio red-on-cr¡-am and o.)F lr.n,.]:- Iv.'l.r.nc f l' .htufd be notCd '-hat C'.r''1,¡ f h¿ - rrÉFn! nr.r.ó^! ¡hc.-

r.'ñ,^ h^+ qpn^ rAfp.i l-rpr.:'rqe {-hó róli-rFn ^f Cream WhiCh

;-:-:revts includes in the pofychrome oroup often is difÍicutt to disttncuishf:om DeI j-ro wrLhout orange paint. Tt seemed preFerab.e to considcr bothtr'rcs within the oeneral Quelepa Pajnted Cerarnic Group. ) Then there ist:.e laroe "Sa1ua" calegory which includes Bab.ilonla as wcll as Campana

¿:.C associ ated t',zpes.

Thé a..alpn¡ arór,n iq c ita.ristinct .rñr: l¿-Lua. The for:e- l-,..: -,r-*r,¡ ¡¡ev .L.l

I

'it-:; ..¡:l.Ls, '--f il:-r,nt sl-..,¡res, hca-.",' ci-.r¿-r'i s1::, ;is'.r:,ci ive clcs::n ¡c';i is.::rl : :--.:r.:: r,i .,rr:¡:'Lzítr.: i:l:ar :licc. ¡,';:clt, i.-.i:ricn;a ¿aral C¿:i-r,r¿,a. :i,-:c::at a ',. ¡i., 1.'s ::rd :,-r.,::,r: st a ala:.r i--ct: cn r t-a:ti'r:cn. ll'--.'at i:ll€tlass, a

.I : - :- :. :' .. ..- :: ..1. :. .l : :ruacr::L a i-.:-: is foi: rr( i-.rr¿'. .trc; 1:l,¡-;it r l-l c.:t. rr., c cla.:sii:,.:¡:r irt,n,

Ar this point, perh¡ps a Ciscussion of r'hat is beirg included unoerche rubric of "Camcana" is jn order. For some ti;ne, archaeoloc;sts havcrecognized a polychrome found throughout El Salvador -- west, centra].and east -- execut.ed in fine-line paintinE technique. Distincr;ve inshape and design it was calleC Fine Line and then given an aided appell-ationof Campana in reference to the \dest-central site (the Campana croup ofSan AnCres) \,rhere lt was found in abundance. Sevet:al notifs --"counters" anC dancing figures -- reminiscent oÍ L'lua-Yoioa area ceramics,now cfassified as Babil-onia, were used on the ware. During this currentproject bee-ause of the quanlity of material- available, it was possibLeto dcscribe ::ore Lhoroughly features of Canpana Fine Line and on thebasis of ce:--rative criteria to identify a nuFber of other types and--:tt Ia:--rLs. -- : : , s € at -r a l t l i' , u: ca.:1 iric',' t: Il- cf :h¡r Ca:la:;la Cer':r'l: Cr cup1,''i'.1-' .: nuri.::: ci --i'pes ancl verictie s. : in¿-i.lnc cv-r'cut ic,n is c::1i' one

of the att:::rutes that sets apart some óf the varieties. Other typesa¡e faithful ',o the motif and shape repetoire as well as to the overallcompositio¡r :ni iLayout but oo no'. qualify as "fine line." From a

prel- jminar'. -xaninationr paste color, densitl' and nininal- presence ofinclusions I -. consistent with.in the group.

Thus' :.-.- a.lnpana Group is what \"i]I be conpared k'ith the Ulua-lojca Babil: r:. It shoufd be mentioned that Babilonia as described in..-he Los Na::.'.s report really appears to be a "super-type" with:onsiderabl= j:versity in i-t. BauCez anC Becquelin have defineateC six-.'arieties i: - -. =: on various criteria -- layout of the vessel; colors,-:'!i'le, InolL:: : , ranner of execution, and f or¡ns . An attempt v/as nade to:ppiy this : -:--sif ication to the Asanyamba sar,ple of Babllonia. Fewer--han one-o:::--=r of the sherds of reasonable size could be assÍcned to:ne of the --_-::s (and some of those only provisionally). The limitation:]f the sys:::: :s that a juCgment must be made on the basis of r¡.any

:ri!.eria t¡.-: -an onfy be evaluated from whoie vessels. Babilonia decora--,ion is cc : - -:: and rnost of the vessef s carr:y any nunbcr of secondary

=ie:..ents i: -::ition to the main motifs. often only a portion of one

:egister \a- - :e visibfe on the sherd thereby precluding cf assif ica'Lion:_.' '-he Bau: . - -rd Becguelin schene.

Ta-r r.,- I:n +,.,) ::t:: CC:!¿::sC:, ol l\¡: i'..'c -rat:jas, : : u-_,Lc ilti.: i c .:r -L

c ,, .' : :, ,-:

llr. I'¡-r-,- :rar.:s:

.:: :. : 1. ,: :' ..1 - : - . ':.. 't . j . :' '.1j,.,¡l:. I:ss ar, r::,-:-t - Ici¡:. n 'r::ir ,.,.'; -. i 1...:-¡¡¡5 l:r-tr i:r¡'- ts fj:r' i--:tt.L,\.:t'ai s!_J¡:i-¡ L:c. ri r.., i:li-.1i'i;r rcL c-. ..ca1. )

C-np:n¡: il3dal - Jor..' o¡en dishes iriLh supports, :,cc j.un Lo hich, usuallyconical or if rectangu.lar, not as broad as Babil-onia.

Slip. Babilonia - usually orange, sornetines quite deep in color;occasional crean on one or two varie+-ies.a:ñr-ahá /^:n :nñr.\ar-h r¡al I nr.t i n i ic i ntóñci !\'

Paints, Same pafett'e used but witb Ciffer€nt er"phases ' Babifonia -black promínently used for wj-de rim bands (interior and exterior),forlarge surface areas on wal-ls to set off decorative elements, fill-ing in'l:/^ó ñ^tirc -.^h -s rronke.¡ far lc ard animal Iio -es- O:her COIOTS -orange, red, brown - are either muted shades or stronger values.Carpana - black usej íor outlinino, ior smal.l efements like dots and

circleE, but locs nc'! io,'nina i e. Pale o:ence i s quite pr-cni nen.-1r' uscCj.¡'.h ¿:s f ilI i: l':1,-cl:-cuilr:.¡:l :-¡:-:l .-n.l '.'-,r:.:1- cir¡i:nrr,.i ..a-.¡t:t; a

pseudo-batik efiect to ihe prece. FleC ls Icss oíi,e n e:nployed, oftenonly on the exlerjor or interior bottom and supDorts of some '.'arieties.

Motifs. As mentioned, a few prominent ones are shared: some geometriceleinents such as continuous and discon*.inuou¡s liner notif s (see llaudezand Becquelin: 264-65 for oescription of these nr-t'iis), convcnt-ionalmotifs such as "coun'.er:s and guilfoches, " animals li.on]:e)/s and .'f agu:rrs ) ,

^,.^:^ -- ¡--^. -- --^ /-i -^- i - /-r-^-^- \ ape! ru-¡qeL .-- Ju"aat= rnd (;njnor anounL in Car::ana) [r9-:res rn

'r.1t qh:F^¡. lnreqenr in prhrl.rñia\ l¡r:,- qrir=lc. -irr-loc Oi SOIid' \t/rLJs¡¡e

color with or wit.hout ring, \'erLjcal carlands, schenatic silhoueLtesof animals. suspended shields, heais or masi:s of serDents and othermythological aninals, human heaCs in a band or horizontal- area, falseglyphs, wide repertoire of serpents,pelicans, parrots, eLc. Pcrsonnages incomplex scenes.t,1-aqé¡r in t-¡r.,nanal On interjOr Side WalI: ":l:nicr .i1rr-ó ', ¡n.-nl¿-\Pr L!Lrr !

non-:epresen'-ational des.igns of shields anu orher abstract desions.nytholooical ani¡al fiqure i,resented :n a shield-li).,e arrang<mcnt,cl-r¡l i zod hrrm¡n f:¡-,.e /-ñ'.'\f : *,r^r,q l'rF.- r-Frfñ-nq .':1p..'rf F.l in .¡¡ lp ó r¡..ra '-Lltr¿su

on inLerjor botto::r: far:e hu:ran-ser¡ert tn "5" sh¿:e '^ jth :eLichÉ-d

el-ements, fanciíul "quinera" aninal frcure.10

ii,:1.._'.:l :-r : r',1!f,. '.':-:ta.ic:.s c-,cci::, cf cci:rse, \..'tfhjn ¡,¿ch lrt-cul-j.'r',.',-' ',1-, ,|e ,:.- .tll : .::rrr:Lc ci -_1,r, a--: ._:ua C,'-crtr rs :.,.t-e ai,,,t-_ i:ii_h ¡c..i ti:i:-. .. .a .. -. :.

..,r-v ::r--11-s,.'r,: .:irf a ,,',:Jr j ... t. t - -,-i li iar. .:,lil,tr:;lt - t-t-.:.I::'..I::,. r:l' ,

,'i,:LI'ieal'jn, lt ¡_r.i-',ir-3 il:¡. i l-l-c-l: r--ijiitr:a rS ::itr'a i]]-Li..-.:rs¿l i\- i_Sa,C in,: i--na ::r:n r:r :*!ilcnja. i:. Lo:f. (:rc.:s -.nc cln poi:L Lo \.ery c.ref -.:.1 l\.executed, very f ine-liire iecoration as v..e11 as more cursive broad-lineexamples.

Composition. layout. A comparison of '-his featut:e shouLd be liroitedto si¡nilar shapes since the form and }ayout are correlated. Looking onl-yat Babilonia cpen bowls (Cj-shes) wi!h suppcrts and the same shape ofCampana;

tsabilonia -- exterior \".a l- l is focus; interior carries only solidbands of cclcr or simple motifs (it should be mentioneC that Babiloniavessefs of :::i-s shaoe usua]]y are small-er in diameter t.han Campanaand are tr:;:ib raEher than tetrapods).Cempana -- ::tterior and interior botton are focus; exterior is.... '-v . ,.f:,- . -. C- : .1. i..

in sijr:i.:rri,. :-- is belie..'ed that bo-.h Bai¡ilonia ani Canpana can be

drscussed in b;:.I s)'nlSesizing terms es parL of a Safvador - Honduras(Salua) cerami: ::ad:tion. However, from a nore detailed c:f,ssificai.oryvl-ewpoint, thel' -..rould be separatcC in'-o Cistinct groups. Ue woul-d

erpect dif fere¡--- locr of production and distribution for each grc'uoalthough thc s: = -- -f ic oef inition of these consiiet:a:ions r.'ould rec¡uirea nuch ncrc Ce:.,_ci study.

CIRA]U T C DTSCKIi]- :]S

The ceramic-- :ror Asani'arnba. have been sorted into the grcups shownin Table l. !'Ji, - - ;l's¡ possible. corntarisons were made with publishedsequences, usu-- - Qu.1epa,' Exccpt for the Cam¡,ana Grcup, no altemDtwús lr.¿de to asa- fcrnal t)'pe-variei:y nonenclaLure to the croupings;instead, descr:: -. -'./e names were used for easy reference. The icscripLionsLhaL follow are --: :1s j jered a working gui.e to Lhe cerarn-ic .rsse;:blace ofrh.is sjte -- a : _-.. I ir:nary rather than frnal classjfic¡tion. 'Ihe unslippedrateriJl, in p¿-- . -:ul:r, contain a lot of Ci.'ers jty and ha','e been oi','iJed

I Throughout :,- = ies:riptions. ref er:ences to "¡.nCrews" or "Queleoa" allrr.f e: to ihF Dr rr¡e I ,.-lr,rr^ r-óra-,i c i¿¿a-i--r^nc i. 1n:re\'S 1976 inthe rcferences.

lt

': it l: r r:arl'.' ()r-L thc L¡sis ci : :¿-:c ;:.c: : r L: c :: ¡: t j r-, n . il t(,:i:c caaL: i- .:.r rr ..lr r

¡r : ... ,.-- :. -._; i:t ,.- .a.,s, -l-.'-,_ i .l.l', . :.;1,,: il-. .:,,o l.lli-C L Llf.:.:-,t -'.-: rs l:t Lr--lit i.: r r,':-,el lr . . :- : I : i a: . .

"- ,-r i:=a .--1.,:.

,i ::,cir-li i..-- -:rt:::...- .l , t rr ¡.,r-i'- -¡ io : --, _:'.s il. scrrLaC,i r. ---.1nárl scr::rrg ..cs cqr.€ cn - orochrore s].I!: ci k-üres ¿])d .run.r rousrei-FainLed oraF.qe slinpec wares. Other small lots r^rith Vario'.'. ident.l Íyin,characteristics were also sep:ratel. Although tire precLudeC doinc any-Lhinc wirh these parts o: '-hc collection, the mate:ials were bagoed

separately and labelleC acccrjinc to t.he manner b'. wh jch they had bcen

AII prolilos are shown r-cjuced to 75. ol the o:icinal sizc; d:awingsoí desions are to scJle. Thc co¡ventions for color jn the drawjngs are:

Black ffi otunq" W Red Nl fr-r:r?7':'71Prrrr-l a lrl :rrr.rl

I2

T.- tr, L: l1.:'::-, lit .t¡rrL:13 ( L.-:!tLaI.i'L_¡ l:: .- s.--.1.:. it.r:. at-,] iaaTl r: t.

C- : , ;;; l'ar,,'-lr'!-a ': :r:].:?¡-:- r':t-; i.,¡r.: i, t-t€: : i, t-,a l t-i-te ',r. , i a'-1,¡

i*: : -..; l::-c : .:.i: . :.-:-'. . -. -r i-i}'

t':r;e.na BoId L i ne : Ec¡lJ ',¡i rie Ly

Campana Bold Line: \'ariety B

Cponet:ic v,'i Lh Checkerbo.rrd polychromeBold Linear with Intericr Face PolychrcmeAbsl -a.:F F^r-p D^'wchrome

Val: iantYi er-al D^l t'^l^r^r óq r c-¡a I I q--ir e SiZeS)

Black and red finear over dark oranoeD,rrnl a-na i n+e.l lM¡¡-h.r.el \ nnl vnhrn¡6

¡Js¡¡¡eee ¡/valv¡¡¡ vl

Do l vr.h-ore Oi.ra Vez

Ring Bases wiLh incised des j.ons

l.'od¡'l I i c¡ Dc Ivr-hro¡:e

-{l- a-'.r:: c: C:¿ nc,:..

!lacl: anci r¿.1 cn ct-¿:.J¿ ','arietyDleck on oranqe var i e'-y

Qp.l rln ñ,Fnr'rp "li-éS and do:S"Iliscellaneous Bichromes (sma11 sampfe si-zes)

Red linear on Cark orangeYamabal red with lustrous white

lnsl i¡:¡ocl rrfil iteri >ñ ¡-pr_¡:r ¡ r-c í\r' qhrna ,:rr¡ ,:, -.¡rr!i^h\I:'f ic- ncc;. jdrs (u::sl ippei and red paint.'i)

a

Red on creamRed anC bfack on cream

b

nr,ó'ér'',a r:rrl,rñ ¡nól i riO ReC On White and ñ|Fla.e pol vr-h-.,- -bvuc I qPq

e, Descriptions not inclr.lded here; Ieft at }iuseun in San Salvadorb. DjC not reclassjfy since exLensive published descriptions exis.-

l3

' l: j1..., - .:i: ::¡ . 'f

;.,;'.,.:..,r l^ .-" ,.- r a.-r s, c'-r -n, tl,É ..-,:-rLrlt oi r..l j.lrr:.-;:L€ rr:¡-.-r-iali:t -l:c .:,:.n)'-:,):a ccf Ie c-.rcn :r aclc i'u riossijrie ..o r..s ¡::blish s..'.-,,t : l*rí:c.ú1rt rr'pe s aiLd varieties \..'ithin tl-..-.e Lj'ircs.

These will be described in more detail than has been used in theolher descriptions since decorative variety is often subtle and a lot ofmotifs and aporoaches to the e;{ecution of the decoration are shared.

The moda] shape for ai-l vessels of the glouc is a -Iow, flarinE-wallbowl ror dish) wirh a slight basal ridoe or :fance, :lat base and tetra-r-o.i s:i:-nórf s- S1ioht variations in cerr.s ol h-alI iirectioñ riT >r.r 1 :-

treatrcent and sutport shape and heicht r,'i 1l be discussco by varieti'.In adition to the modal shape, a rek' other shdpes carr)' Campana

croup designs: l) small, incurved wall bowls; 2) recurved wal-I bowls, one.,i¡¡- ^ ^^--il-1^ -i-- l^^^^wJ' L¡r d, plJrstrJ.l.E ! rrr! rJc(5e.

1. C;nrlrana Fine Line: Fine Line Variet¡re' - rr.\'':i o¡i-la:c i cc .-uic' -. a r '. -1 r *-" !-a.-^ a cliohtlVbclstcr eC r:rn. ro.i;r.le C l-i!; h,,ighi 6 - I c:..Rim iiameter: 9 neasurencnts. l-8 - 32 no

Paste color: 2/6\R 4/6,1/8,5/8; IOR 4,1.E,5/8 (red)Past€ c h a r a c L e r 1 s t i c s : verl'dense uith moierdte an,ount of verv fine whitej ncl us j ons (pumice?); occas iona I air holes but nol nany,

Appendages::.. SupporLs: conical, hollow, )5 cr hich; ¡ain'-ed;eithcr a.lrernetino

b:¡ds of color or with oes,gn; sor.c havc sI¿nt.l area aLc..l L th.' :-.:lin ¡..-co: the supporL which is decorated. SuDports protrude f rorn basal dngleusually (exception of shorter, 3 cn hiqh roundeci supDorLs ,,;hich do notprot r .rde; tetrapods.

b. HanCfe: usual. ll/ not; excertion -- vesLjc¡L "handle" al basal ancLe.c. Effigy: smaLl frog effigy at angle of b¿se with heao and f ee--

delineated; one example, Iike animal with eyes abov€ "snout" and buttonshigher on reg i ster.

Exterior Iavout and rnotif s

a. Ri-m and J-ip: narrow exterior band just at 1ip continuing tojr:te:ior. eolor: or:nae or red with sim¡l e ccometric shapes; bl¿cl< wirhconbination design Iike "2" in nain register below.

b. i"1ain reEister. i'lótifs: 1) s¡.,-rple ceor.etrj-c shapes, usuall-v outlineir fine lrne black; oftcn inter.ior of outlineC area carelessll' :illed in

7

I t-tar tt:)'- a', :if r-.ili' co'.'art-::r: ojtl:j:a l ¿ra.:t. 2) i:;rll :e ¡.-: ¡.--:C i;rt-o p;,n.-:i:

bi' t',.,o i-.r'¡¡rt ','¡.r'. j cal bl¿-ck Ijncs/ - l'rc::-ratir;g "'i +'h ho¡i z:cntaf bards, the

I r:,c:I c:,': :. :r 1i r an jn '--rll n -l'! r l----ai¡. '.'s ''.' i h ,:,::::ti.rr-:c s ir;.¡'.'s.c. t,-r h,.,r: l) ¡1,.c. -.in rc--r:i'r, L:-ii.' ':rr', -- (:) l. -:ti cÍ r-.¡,r ] als

in black or r()d; (b) cc:'1t j.nuous r,'avv lr:re .1Ii-arla'L-:lg cr.:rge ¡.ncr b1¿c.':; (c)

pJain area beSore wall register. 2)beuieen main recister and basalangle -- (a) narrow register, plain' outlined with fine black Iines;below rhis, narrow register with cec¡er:ic CesiEns; ¡b) rone; "{aLl re-:iste¡continues to basal anole; (c) frog effiqy at basal angle.

d. Bot.om exLerior -- slipreC and decoratei: ]) b¡ncis of paint cutlinesupports, either cu:veo or straiqht lires in ora:lge; 2) painL aoplied i:.bands aI.I over bottom, Fa'-rerned Lo outljne suDporLS.

e. Paintcolors --f) orange and black (may be two shades of orange;2) orange, red, and black -- usually when main reEjsler carries motíf 2.

Interior layout and motifsa. Rim and lip -- or¡er-the-1ip banC, color is variable -- orange, reC,

bi-ck (r,:.1: rcla¿e '. o i'll's-.,-1 v<.ri€,'Li' oi "all ¡le l-c:-¿,t-¡:r-; :lr's '"'a: l]c'.."abbec in ccnbin:ríon.) ;n aciitional fine line (bl-ck) ii.',' !cc,.11, cirec-.:y'rnder rin band, before register.

b, Main register -- ¡,lotifs: 1) "dancing figures" face each other,'i nl- ori red- i }re n'h^- n¡i"frrl 1.)rF^-o lñr- f 'l .wi¡^ 'feaddreSS" Out-u-.u Pqrrr -eu

v Lrr! ! Ys

lined with dots. 2) bending "planter" almost always faces left, arm

extended, back foot raiseC to gi'.'e feeling o: motion; healdress and sash

vary but three "dr:apcs" on sash usu¿111', CiaEonal bar spilts the figureas if it i s in ¿h^ iorcE:ound; oÍrc:r b]:ck buc al so rran;r; se'.'eral sna1lpieces with narrow w¡ll have same fioure but mcre cursively drawn.3) olherÍjgures -- C.lncino, bo-ving, in Procession; one ex:n:¡l e s'::ed on trianqularseat; counter-Iike elements with human heads; 4) counters ' stylizedsomowhar dif .terenLIl fron SabiIonia, used alonc usualJi' b rt nay bc jn

conbination v¡ith hu¡nan figures; 5) othe::; n o n - r e P r e s c n t il t i o n a I designslike shiel-ds or complex linear elements that alternate with human figures;6) Iinear patrerns done in dark crance on I icht oranqe slip, gives ner¿tiVeor batik ef:ect, nay alternate with ;eon,etric oesicns LhaL are outlin'-Jin fine bfack (used when there is a decorated area below the rim. )

c. Other: 1) abovc nain re!ister, bclow rim -- a) nar:row resisteroutlined with black banis and with these notifs: (1) t?is--ed r:ope (9':ilioche

with appended dots; (2) circles with attacheC Cots; (3) vertical linesvrith dots -- nay be uscd in co:rbination (::cd anC orangc ;ainted) (4) one

r:..::rl; 1..r s ::'-_:1i:t:- he¡'ls. 'l'hts i--:-- :c,.:i si¿l u:c-¡l .,.i..1t .-,i: I e -.::t,_r--.. .,i-,ir-,'c . 2 t j'.:..',',., r ai;r r-¡risi¡t: :-ri .:.r rr o f e.1,.'i'"h ltct..on --r;ri' r,:--'..e

. ':. 1 .. ': .-.

d. lt r r --iot- l--. .l:c::r --l ) c ': :r ¡ : :.. : :, ,--- ,--:r I j L,re, h^la j _'-t- ii:drlrL.r e.l:¡-ff in ic¡i::::ci h¿ni; ie .:iliei:eo l,=¿.:ircss, lots of CetaÍIs, liard to,-:c,^or¡ E-n-¡ f-e^^ é*tA?V ñje^eq ?) r¡ -r :nrJ ¡¡nlo r_,i -hr qYr'LLrr !c (-wÜcrl L cll LLr

wall -- Various pair--erns {a) several pe.rnted bands on}y, center motifCominates; (b) recister of up to 2-l cn encfosed bv painced b¿nos withvariou3 motifs -- guilloche wtth apFendecl dots; circles vrith attacheddots; simple circles, separate or in conÉination, usuáI_I). black ouLIjned,oranoe fiIled lone exception has a wide -- 3.5 c;r -- r*ciste: with proiileheads and very large black dots) ; other elaborated curvilinea¡: elements.

lnl-cr i or oa int ColorS -- either rrr^nñp A..i f\r ac]. ñr ..rr^..-p i-.javl v: u]rYg

and bl-ack.

) r-:mn-rn: rino T ino. a¡¡rci\ré \/áriói\/

(h¡ne. nnpn ¡i<h,."'il.h n'.f -r'r"o'l w¡11 ro¡ndori Iin h.-c>l :¡-l¡ qh:rn ¡-ull},/

Rri.' clia:¡Lel-e:: 4 ;..Ldsur-al¡enLS, ]6 cr, :0 c;r (2) , 32 cr.,.

Paste color: 2. 5YR 1/8.5/8, 10R4/8, 2.5 YR 4/8 (red)Paste characteristics: same as in Fine Line VarretyAppendages:

a. Supports -- conicaf as in Fine Line bul may not protrude; paj ntecisolid color (crance) (cne smaller sized pjece has 1.5 cn hich supports.)¡, ró fófr>ñ^¡e

b. Hanclle -- none on these c j'ar,Flcs.

^ r'f f i ^rr rq ^n F i na T i no \/¡ri ¿1-r¡

l1,1- o-;r.r 1rw^r.f ¡¡.1 mOiIfS

a, Rim and lip: 1) aL the lip band, red or deep oranoe color; 2) Iipit n.:re¡q oF re'l ¡nd bl¡c1...Pa Lrr rsq

b, Ilain regisLer -- as in Fine L;ne larieLy.c. Other -- I) above main reg-ister. below rim -- nain register

starts just be.1 ow rin so this division not used;2J betLeen na.in rccrster3nC basa] angfe: (a) narrow register, plainr out.lineC with fine black Iir,es;b.low Lhis, narrow register with geomeLric desl!n il ilie"a:, 1-ine rLinevarrety) (b) froo ef:ioy

d, Paint cclors exterior: orange and black, may be two shades oforanqe.

t6

/

.. ir.ri,arm Ll:t.r:icr: slr!1,¡c.l -.c .rcco-r at¡-.i: l) larni ii!!,1.íecr jn l¡¡]r:;:rlI !,' .:t: l,art.rL / r-:ti._r:.:.1 ito orri_l ir.a, ::,::-:.:r--_s (iti:e in i:,n€ l_t:,a '.-r c,_,7;

2) ::o r:¡,,:tt ct':ci¡cf .,:-,c sltititoLts .,rri .:l--!n a .\,.i,..,.,, I.j :;c . r..,:t,ia ..,h.:t/.. ir',!r 'il l,:cl -..-,'-h c.':.::.stl,:i,. lt¿d c'i r-.,'.-.

l:r-;¡:rrcr: 1,:ycuta. Rim and lip -- I) over the 1ip band in dark orange or red; 2) lip

area decorated with painted dots or areas of color.b. llain reoister -- l) oossib-le danc jno f j oure; 2) planLer, c.rrsively

Cone; 3) rectangular or circular ,'shiel-d;', 4) cr:osshatch with circle anddot in center; 5) fragmentary elements, seem to be outlined f l-owers andother non-representational elemenrs.

c. Other-- 1) above main reoister, below rim: (at none, main registerq-A*+q direcflv l¡ol ow rim ¡ra¡. lhl et-onno¿l nt:¡4nrm ;;r...., _-.Jctl v below rimor under seve¡af painted bands; 2) between main register and angle withl-\^r+^m. m¡rz h:r¡¿ ^'i+ 1 i ñ i h^ l-. - ^¡ ^ ^- l .,eu ur r¡¡f r¡!j ¡Jo,t¡!¡5 (,¡rJ-y¡

d. Interior bottom -- 1) center: tco few to telt; 2) reqister bet\deencenter and \dal I ancle: one exa:rple. forn oí ouilloche with dots.

e, :r'"crlCL .-,,;:ni, :olo:s -- cr¡::t:ia, :.:; .;tii i-.1¿-¡:i:,

3. Campana BoId Line: Bol-d VarietyShapes: Open dish with outcurved r,¡a11; ri¡n l) exterior bolster; 2)recurved to give impression of exterior bofster, rounded l.ip. Height-5-8 cm.

Rim Ciameter: 4 measurements, 26 cm, 30 cm, 34 (2) cm.

Paste Color: 2.5YR 4/6,4/B; l0R4/8 (red)Pas-"e Characteristics: dcnse, with moderate to slightly rnot:e freoucnta:riounts of fine whiLe inctusions; occasionaf air holes; occasionalf orrnc;ineorrq inr-lrrciñnc lf :ir'1 r¡ c¡¡l l r rn¿i ^r-hó- l .-, ,raque rounded

Appendage s

a. Supports, as in Fine Line Variety, tetrapodsb. Handles -- none

c. Effigy -- noneFyl-e* i or Iavouf and motifs

a. Rim and lip: narrow black rim bandb. Ilaan register: usualliz framed with black bands,

motifs generally n o n - r e p r e s e n t a L j o n a 1 / s e-.-e ra I p i eccs have sr1'l i zeiprofiJe he:ds). Gencrally panelled a:proach sÉ,-¡s Lo ha\.e been used, par-e-smay varry rn theÍr use of red versus c.an.1e

)-l

.. -',1:r r- -- l) ¡ 1,--.'..- ;ri:l t.,,:.:'j.-:t:, lt. l r'...¡ It:,: (;:l -s "." i::f lf,: I.i:,:: t'i;:: l¡nc \ atliai'.' .:,.]t sL'i:,Ls ic l,c :-n a:.:ca';'- :.-,ni 2) ct(,r:t; l:,..,¡:sr:,i"-(:rr cf :1¡-:ri;,. i,¡i S':t :.;I' l-- aLttlt:ci tn i::.e lrl ..ck lire, e:ilr,:t- r-¡:r(- t: at r i,.;. it a.-:ci ic-, r- S's. 2) l,:,--:t-r:r,n ;t.-::l t.-¡_ s'¡.:r l:r.j ]:.-sa1 -¡,,: Lc --l¿) rtaf l lc:is:er i.nts;t¡i '!.,ith p::lteC ]::i-ic i-:l..lly bI¿ck) (b) na.' ],a"'eo iJ-rional b¿ni of painr belo\"; (c) register exLenCs ro basal angle;(d) one examole has narrow reqister of desion with .Large X's alternatingwith two rows of fine dots.

d. Bottom exte¡io:: -- decorated and slippei: l-) like Fíne Line:Fine Line variety; 2) lone exanpLe) additional brnds of painL linino up

f ¡orn circfe around supports (gives effect of batik) .

e. Exterior paint colors:1) black ani oranoe; 2) red, orange andbIack.

Tnl-eri o- 1¡\¡ñr.l- :nd ¡¡9lif g

a. Rim and 1ip: narrow bfack band from lip over into interiorb. ilain ::eqister: l) abstract designs, outfined in black, usually

f rLlci ',.'i:h cr¿11i.-. I c.a:.3iarall..' : ci.. .¡s-" r;.i:-iied; 2) lr¡.1,-:: ¡r:si::,,- r:.urcuilinci cr:rnge (u:u¿lll') or reci. liI:e -6 airc Llne Vet:rc:).

c. Ot-her -- I) above main req.isLer, befcw rin: {a) none, main reoisLerstarts Cirectly below rim area ( irr minority) (b) narrow register Iike "a"Fine Line, using same motifs; 2) bet\^/een rnain register and angle withbo-"tom -- cutl-ining bands only

d . Ir-,erior bo'.tom -- I ) center, don't know; 2 ) rec,{.ister betrveenccnter ar: j ,iall angle -- (a)as "b" in Fine Line; sa¡nc mctif s; modal =

circles r':::. aopended doLS, orenEe ouLl:ned v¿ith black; (b) (one examrfe)orange wa'.".' Ii-ne, not outlined/ gives batik e:f ect.

e. I::--:rior paint colors: l) orange and black (most coru¡.on; 2)

oranqe, reá , and b1ack.

4 . Campa-=-: tsof d Line: Variety B

Shape: o'j:: ir'.'ed wall }ow bowl or dish, basal angle nct sharp.P.im diane--::-: not me a sureCPaste coia: and characteristics: not recor.ledAppendage s

a. Si::.rts: tetrapoC, t',^ro are sofid with stripes of red pa.int; one

carries a.::leled anir,al face; one is solid with vertical oashes.b. I=:,-rles: nonec. -:-:;ies: none

t8

:;;'- :-ar i..l', rt -r,rl - -';t:s

¿. ,:.- .1,' l.i:::c:-

c. o'.hcr: -- l) oi:cr-e ;:iain rclister, br.lci'. li;,r: (a) ra:;ow lr;isirr1!lrf h Crcoriof rir- desic-¡s ñ. la-¡l lel 1 iñe- '.'-."' 'i-a ^-^-^ated s's orqitcw¡vq rlrq : lht n,. r..\wi vtr- is-er'i e nla j.n kith blaCk banrjs enr-'ln.r no

-\a qnacc- 2l he'wean -,tin -eoisfer an¡ r-:c:l :n'lc -.'1ó USeC.Lrrs r vqus

d. Bottom exteríor, can' t telfe. Paintcolors ext-er-ior r orance. r.ed and blac]:

T.fé-i nr l¡vnr.l- An.l mOtifSa. Rim and Iip: l) black or red narrow bano; rim not pdinted but has

areas ol solid red alternaLing with simple li¡e¡r f,atterns.h \'¡ i : rooi ster: outl i ned with black bands. l'lotif s; 1 \ aanr.al. ri n

ahct- rr-i. 2\ qarnenl- ri.fi'rp t?ér!/ .r11+: i l é.1 : qómF areas I)ai nl-pl,l óran.1pL, ¿/ -Lrt/L

but not outlineC; 3) other fiqure but with eyes in centerr salr,e red

"mouth" shr)^d elem.nt in b::tor, irart o: re'ister (S=c Ficure)t :'.. -:. "'- -.a.j:....' : : :- -- :. -: . -' , .':i]'

ceaner-ric crcsicn in orar¡re or blaal: ar !,':tir crt;.nqte ;rtor.t-.ii:rt--r elo;1.,;"aicrq. lhl -¡ore comc'l i r-¡to.l decicn lsee 'rr¡r'rnl. r/r-\ re-:iqiér SLaf LS bef o\,J\u/ rL¡vr s Lvtrrt?

rrn áirar-tlv ? ) ppf \.rpp. r¡¡ jn recri.qtFr and anqLe with bo-Lton --

narrow reg j ster w-ith eiLher red band bctr.¡een black L¡nos or orlnge '-tnouL-I iñé..r -pñ.-1é'ri.c .rr er¡¡nr.r1- é-: q¡s. h1:nft Outl ined and e-Iternatinc

¡nd hl:¡-k

C.Interior bo'-tom -- can only s.e one which has a fiqure hciiing lfeaLherecl staff in center:.

Conparason:

^, ., 1óñ: ¡¡ I l(-A f i ¡'rr¡ I á1: ¡,-l¿,UÉJTYO I LY )

Chalchuapa, 10-'lI; TazumaI, Sooos 1947, f:g \.Los Lianitos , Longyear L944, f :-g 25 I-nBoth Sharer and Andrews mentíon ',he presence of thicker lines and coarser)¿',^.-\-^t j r.-r ¡)n l. l-e ¡ene-:lIv .j¡a-lina q-w1a chr-r. di\.i,:g¿ hiS SneC,me:rSJer¡sref!l'

according ro Lhjs iifference, nanino rhe fjnely execuieci on( Car:)ana

Va¡iety and the coarser cne, Soyate. Varieties are not illustrateC so ir-^^--jL1a ¡^ ¡ó¡---iró Ic c^"?+ ) ó-f-L-. --r -o Fine Ljne:wclr rlL./L Pr,rr- L!!s ! JJsrL

Cursive VarieLy oJ- to Bold L:ne: BoIc Varjery so :hrs :lorenclature \^as

not useC.

I9

7

! i,: .':lil - Ll-ra !l; :

Campana Fine Line:Cursive VarietY CamDana Bold Line: Bofd Varietv

frtlU

20

rrñó ": ) r-r"

V>z

ilt=rior:i- ;-----il Ir:lr- | tf-l*---lta\l,li-t¿,,i'-^.-..'t'-:/),rt/r'

2

|l |l ll1il il|U tJtJ

¡loti f

f-:mn¡ná Ról.i I:ñó. rr^1, \/iriófv

FvfFri ¡¡r ^r.<i

--

'//zt1//r,..7172.'mv7z,ruz.vz/////Z/// "7ZZi

"zt%rz-772

Interior mot i:

E-*:cerlor wa l1 reg ist- l^ ssrsrrrs l- ll'- ll l1I r\\\\\\\\\\\: I l: I ll Irrr,rlll

1 srrr*rr*s[ | lrI

_l_ stt\rsrrxr t-L U U

f\zlL.e

2\

Between r j-m andwal1 register

ññ

ss

I^iall- reor ster

<(

I

I

I

| .1 ¡

t-L:

I.Ia1l regls ter

22

a,' :1r''.:Il i::i'il il,:ri..lilnir:',.r,::lr l, L'ii',1;a:'iISl..::: rs: C:r. n ¡ii:rh, c.-rl ..';..1 '.r-ll ',:r¡h c',rrr-r. - - :-, :-;,,'.-:-.,:cl 1::r, -,.'¡.llr.¡'i,itt5-6i;::r.

;.t::r .t 1i-lt(:-L.--r:: ,o : . .,t't'.ra: ,:::tS ¡ 26 - lC l:: S.

i:,::te r:of c,¡: 2.::'F ¿. F, 3; 10.-i.'8,' 'r; -.'::. ://'.,:./. /¡¡:l , :';:llc'.: ..h ¡i.r-r,r:eddi sh ye I low)Paste c h a r a c t e r i s t i c s : as in clnpana croup; modcra!e ar-.ounL o: fine whiLernclusions; very fer.' air holes, almcst no othe'j inclrrsions.Appendage s

a. SlFporLs (only twc ÉxanPles) 1) hich r6cm) rectenou.lar shapedhol low su-Dport, tapered '-c al-nost a point. cne:-,res f rom bas¿l an9'Ie;painteC solil orano€,; 2\ r'ound, ver:,' hioh rgcr' su;rort that proLrudes

-^r i ^ -rr'.^ó ñ= i -! Tet¡apoos.Jr

'9 ts,

b. Handl-e, nonec. Effigy, none

ra-!Fv i.rr 'l ¡vñ'1t and lnOtiÍS

a. Rirn and lip: over the Iip band not useC; Iip usualfy flattened:n.i !:,rcor:¿rt:al r,it]l c-.1:cai oi aclol:r úash,-r:, --l:c. rlc :::¿ltl..r ir-s .::':-.eric¡reci b¿nd to the I íp, otl-/er h: s lip cnl1' re .-l banc .

b. liain register: Geonetric motj-fs but different from Canpana; seern

to alternate with rectangles painted solid ::ed or black with white over-iia,rntrn9r.

t. Other: l) above main reoisLer, bolov: rim: qeneralJy only bandsoI ,Laint, Íraming regjster; one piece has si-.-p:ed pLatform unCer an

''.'erted rin''. 2) LeLv'ce n :r:'-n r-gist-r ::r,. ias-. 1 angle: onl'¡ b:nds(red o:: bfack) framing register.

ci. SoLtom elrtcricr:slipped and decorated; p3inL a:p1ie-l jn LanCs allover bottom, patlerned Lo ouLLjne supporLS; 2) black used to ourlinesupports alon9f with crcssha+-ched circle in center and -qeometric des.iqnbetween supJOrts (f cx¡role)

e . Exter i-or painr colors : bl ack, red , o:enqe, whi:e (wh i re :.,ry bc ;nident.i:ying a:tribute but several- vreathered pejces seem not Lo have it)---^Fi ^f r 1..^"+ :- r motifs

a. Rin and lip -- 1) 1ip: (a) flattened with either solrd band of redor black paint or alternating areas of color:, red and black. 2) rimarea: medium to wide (f .5 - 2Cii) everieC ri:l,, .lecorated wÍth checkerboard

: - ^ ,..i rh ^i-hér io< i 'ne

b. Ilain register: l) one Í'ide red bani under: rin area but walf is onfv

23

:'-: ., i. -::.1t...; :r'.r::; ::re ,;::- :io L:r.: :--.c crc n-:aci,- b. --c,: ;:r':,,-, o ir¡i-.r-.L.:C :.r¡i- r is.

c. f r-r,.r: l) .i-:'.-c :-1r;r r-j.!srLcr/ Le loi" r: jn -- not appl: c;ble, ::in-r¡:a rs r:s¡-,i r¡s':r.c; l) L::,:. rn ::,a r'-;1 ,-:t:s',-:r :¡i ¡-:.:-'e '----:-. i.,'ri,.a:l:

.- r ;...r:c ,.r-ci: -nl v cr i_.; ck .,.n. ,.-:.d. Interior bo:tom: L) center - jaguar Íigure hith -e::hÉ:cd eIu:.=nt

(no complete example); 2) regj.ster between center ano angle with walL -seems to be plain but too few exanples to sav with certainly.

e. Interior paint col-ors: red and black; red' black ani oranqe (some

of pi.eces wrth onty red anC black visible on wall-s nay have crange on

bottom) .

Comparison: Andrevrs mentions , pg 126 that !41,/3 of the sherCs he class j-f j-ed

-s Los Llanitós Polychrome could be a variant of that type. In figure 46

where he pictures some of these variant sherds, a few seem to relate tothe type under discussion (fig 46 c,e,g) . Thus, it is possible that theAsariyamba type and the Quelepa variant would be classified together.I./hether as part of the Los Llanitos Group or as a seDarate group is un-::c s olvcC for nor,:.

Exterior notif

'.,.'- th ch(]ci:boarC -¡olr,cl-:.at:.a I' : ¡t -_h chccl:r::bo.'lriccsiqns .:sc: cn :ni-e:ic¡ :i: ¿rea

'4' -'\:

25

' r r..-,.-r ,;;il t,:a:.,ílll l',- i:r-'l i:-l.rllaSI-.:,--, s: f,ii(-.:r alr:h \.,ith oütil. ¡t:t! '-: .- jtL:,tl-'. 1 rl ,:l Is; j - ,1 ,:::r i',r:,.h,

,'-::, :ri-.':alar:lC '-, ¡ :: ,- : a r. '.. r - i s , ra - l:6 ,:s.'cl-r: -.:':R r t,: F: :.,ii -,6 :-'r , i..':'r t' ¡ i.:::.-1. _.Ll.ckr

l:sre c h a r a c t e : j s t i c s : rost pi eces e\.en less Lrrpe:eC ihan Carilpara Crou¡and CeomeLric with checkerboárd; ver:' dense, ver]' f e\,J air holes; cjoesc:aie into finer vc¡s:ons o: ot.her Fes'-es, horre'. c::, on scm¿ Dieces.Several exampLes hale ljght (rey cores on wa.lls.Appendages:

a. Supports -- l) rectan-:uIar shaped (5 cm) capereC ai end, hollow(one example); 2) soliC, pointed but rounCed, 4-6 cr, cainted wirh strjpes

.\f ra¡ ñ>iñ+

b. Handles: vestiga1 handle on a number of pieces, e:rding at basalen¡lo cé\,orál ñ.\l- .-rrl- l-hrl-rrr.th mnro

^f :n ¡nnlin,'-' "':'-

c. Effiqies: none

Exterior f avo,r t anC noti:sr. ij:..;..i i.¡: l) r:-.::-". i:_ -.::I..;i.".r --; )--..; rf . j --i: ) .-ll -'^].. . ,. n:.i b:n:.h ai. ro-icl.er: due to ShalIOw walf motifs are verv si'nnle.

, \ ,^---., '';::

;:':^; ^. "'"-, .\....r-i..^';; :'';;;:": ;.' ";:.;:;:-^.-^..

',,J t ^rv) j vuuJ

hori zontal bands oI cofor, a]i-er:raLing red, orange, ano b]Jck; 3) sol idrcd rcctangle enclosed in black Lines; 4) other si::DIe linear paLlerns.

c. Other -- 1) above main register, below rim -- nothing, shaflow,..¡- r .--ó, :r1 cñ:-ó ..)- -o¡:.to-: 2) llct\:een :¡i¡: rcciiS:Cr and b¡S:l>' -l ¡ -- n =v l-.r'ñ red or b1¡ck band.

d. Bottom extcrjor: sljpped and decorated -- l) our-l in:ng suoporLsand then \rith careless,/cursive other ]ines of orange paint; 2) onlycl j nn-4 n.r+ ñ: i.rl-od.

e. Exterior paint colors -- black, red, oranae.

i-l.rjnr I avo¡l- and r:roti f sa. Rim and lip: I) narrow red band from lip or¡er into interi-or (the

r.oie); 2) narrow black band Írom Iip over Ínto inter-ior; l) no band ordecoration.

h \1rin recrisier. 'I ct.,'l i -e-d 'ace shown f rom eve co;n w-i th "hair"¡-.¡-r:n,'i..r f^ cidp black ljne fron faaF f.\ ¡-de a ¡' -L ;ct o-: 2l rñ.1:¡. 1-,-". . :?alLcrn; 3) inver-ted sLepoed o1'ranid,/triancle; 4) c,iaccnal Iines;5) birdhead turnec into a continuous desicn by attached "i,'inqs " - head

n-'.' c-lso perforn Lhe s j:.e function; 6) criracjnc :¿c:e 'ol:o shown Í:one.y'es cown, but f ierr-or j-h¡n I't.1- i f l' ¡lca ^ir-óó ¡--ri*^ ^' -^-!:

d. fnterior bottom : l) center: too few to rell; 2) registcr betnreencenter and angle with wail -- too few to te1l.

e. Inte:'ior paint colors: orange, red and black lnost con¡ron) ;

orange and black; red and. b]ack (one exampfe) .

Comparison: One of the Los Llanitos Polychrome footed bowls shown byLongyear (fiE 25e) is a very shallow wal-ted vessel with an interior faceas used in this type. Also amono the Quelepa poss j-ble variants ofLos Llanitos Poll¡chrome several a:e pic+-ured that woul-d fit into thisc 1 ¿ s s i 5 i c ¿: r, i c n (l ;.r.J i:) lhr:s, it is !c::ilrf ! ti.:'- th.se tr''c .¡,ie;1\'¿¡.i.¿t',"- -r a, irclarÉ tc *.he Los if arritos rloup.

.\.\\\\\-ü\\\\\\\]\\\\\\\\\\

\\...\\\\\\\

z rFí/Fiilt IIr. : /,\---l ,l

Irterior ces icn

'-r. I tt,/tó i

r,.rc:sh ]'e1io\,J.)Paste characteristics: l1i:e canDana grou. wi t,h moierate amount of 'eryfine white inclusioits; r.¡e r-i¡ dense. One .t.ce ,,,.,i th re.-idish j_ellow

'¿stehas rnclusions other '.han stancai:i "punice,' and rrore :r-€Juen*_ aar r-róf es.1'wo Dieces have llght e-:e1., ccr:es.,-rrDeniages:

a. Su:ports: l) rec.,anrular, 5-6c;r, hollc,,,, \rrrh ¡at..Lc (.1 exanples)cranqe p:intei; 2) conicai / 7 cm, painted 5:ce, hollo_",_ rattl-e (i ex,r:rr:le3) round, height unknown, snaller in size, crange painted (2 examples);4) solid,2 cms, wide rounded shape, oranqe painted (one exairDle onsne11er..'essef)

b. Hancl I c s : ncnc. ..1:a

i ..

a. Rrn and lip -- 1) ro iecc::tion (ra:É) 2) sofid patnted citherblack or rec; 3) (mocal) paintei a:ees alternating red ani b-Lack, scne-tines with biack dots on r:ei-paint.d area.

b. liain reci ste: : I ) absi_ract face shorvinqsi-des , shaped either rectangular, cr;rved, oreler]1cnt uscC along r.,iLh f¿_Lce; 3) rectangular 6i¡cc: .

c) other -- ]) abo'e r.ain register. bero.,'' r-im -- Lrs.ialil, na,n rc,riste:saar:r-s directly at rin; othcr insr-ance s there is n:r:rov¡ ]r.:rd llarlow rin cralea has sinple linear clesiqn like v¡avv line; 2) batwcan ::tain t eqislerani basaf enqfe -- (a) narroir reqister outrinerr with iire. bra:k rine ontoD¿ -qi:'lDle reonctric ricsir-:rs; (b) blacl: b:.nj onfy; (c) Llacll -_l .,_-ei l:-t r,ibroken by prescnce of irog effiqy.

d. Exterj,or bottom: sllpped and decoratej; l) orange outlinirr<;supports anC streaked over areas; 2) black fine line at-ea arcunC sil:Lor.t s.or;nqe f j-lled, circle in ccnr_er; (c) orange paint outli:tinq sucDort.

e. E;':terior pa int color.s : black , red anC orance

,'. -l_ j, :-: i]l- ,

,: .- t .. ..;_

t-t _.

onl-]'rnouth ani ',hair', on:,: iang.ular; 2) tr ianofeI.rmont in :ilCr..icn to

28

e-. iijn :ri I ll-: - ,:.-st br,]c.',r 1l¡ ;:,,'.'e L) ],1¿c.'l L;::C, rc.c )-,:. rr,-r (:lrre);-' -r' ' --1 ' c) r:. a ]r.r:ri '-:1;; i) :ro:-':ti; 5) "..r-r-ir.n --.¡ci' :¿ '.,,-r:) i.-r-:..1 i-r::i ..:.s l..l¡_'e ..: r:r's . ': -,.1 '.:.,j l.l .',-r:; ::.¿ ,.',¡ll:r¿rro\{er cverLed rim has chec}:bca¡d cesi-:rs.

b. :lain register: l) canine-l ike l.ead in ¡rof ile, le.--s s-:read out f rontview, shield-like creation Íraming hi:r, jini sheC with tasseLs (?\¡ 2)

shield \.rithout aninaf feacures l?); i:ecmentary , could bc sa¡e fiaure;3) fraomentary geometric ciesig:rs; 4) other !icures -- nlanter; anjmalf j-gure with feathered serpent or animal skin on top of him.

c. Otherr f) above main register, bel-ow rim -- na¡row register wÍthstepDeC platform in bIack, black band unoerne:rth; onc exJmple has redcircl-e h'ith reC dot underneath the stepped p.Iatform. 2) between mainregister and anqle with bottom - solid line with broken line underneath.

d. Interior bottom: f) center: (a) jaguar,/deer figure, spotted buthas whi;:sica1 look like a fawn(?); (b) squigqly lines, dots, etc (onfysinalf f ::qr¡ent) ; 2) between main recister and angle v;ilh bottom -- (a)

c..:-::"1 -j. ::.1.: "l:'-ic:-.; I ) :.'-s :. l'. -":. i:: - ..:.. l: . .c-: c::-cl::, r

ce ;lte: :: I i s te: .

p -n-a-i-'- nai nr ,-olc)rq: (.)ran(te. red and bLack.

@i]xter:o:- wal l re-;iq!ór ncéq .ré.)mét rlr- rleci¡n -al-her th¿n abStracL faCe

(See Íic-:: e ) ; i::terior wal-l register has canine-faced winged f igure .

Other ce--:i 1s ci interior and exterior Ceccr:ation fal] v,'ithin varietycñp^ i ir rr. f ny rhi c +\,ñó

r-l-¡-riF -:c-, . n.- .¡r.r¡l :n '^.rhr ichp..l .é..r. F.r-F pv.F:rt cOr .)-te SheI.d inrr¡ ¡/evr tJ¡¡e

Anrlrpi..'q ': ^ i = r; t which has the interior canine motrf anC whrch her ,_- L_ - ),

has lr,-: ::- ¡::s:ellaneous untypec, mosLly tr¿de. -\slo, a vrhole vesscLfrcn ?:: :.::-dc rn the iiotagua Valley of Guatemala, exarnincd in theNatio:.a- !.::jseu- of cuatemal a (+82I9), very clearly is of chis type'

t

29

\hq r *ar-j- ¡a^- a.l\'-hrOme

r,-art.-]nt

30

í I

/.

/['l

W

t:2Lrz.

3l

l1 .: (,'l LI .','.r.r-'-:¡ i'irl,'a-,',a:'r!S i::', :- :-:.1 :,,a :I;, f:)

I. ::.1,:k .-::: r: --,1 -l :;-.a:i¡ a:' ::: .-..:-l-. ,-- r- rrtc

illc',..: il;-.-...e .l-.--l = rrl - .-i , s .r:,:-r i:r l:-:.:: -. '-..r-i;.ri-:r l. , -:

'-,.., -l: l

Shape: OutflareC l¡orv 1

A. Sr,all vessels, meiiu:r, to thin v;a11, r^.'i th su.irorts; no hanCles inthis sampl-e, but is FossibIe.Dim diameter: 9 measurements, 21 - 30 cnDecorai-ion: Exterior -- r i;:1 barC on11', JSuaf l)' rel; :-.a)' also have rei l¡anlat basal angIe. Interior -- 1ip ar.: rim area or11' Cecorated. Designs: l)¡r,rcir¡a cérñañr- l)\. ) \ rarl h:nric ^l i'prnA1-i n¿r t'i t- h hl¡¿-l- r¡:u JsllJr¡¡L ^avl' or zLg-zaj'"1nd (a few other variations but minimal number).

B. Large vesseLs -- meiium to thidk walls, tetrapoC supports (solid,'I ¡..' ^¡ni¡>1 cr- ¡¡¡\ and small semi-StraD handles fro¡ holow rim to basalcu¡ve. 9 measure¡ents: 30 - 42 cn.Decol:aLion: extcl:ior -- us'ial1\' rin hanC cnl--:'. li]:e o;r small sizc; a f e.."

c::cc¡-.io¡s nl.te::: l) i:r:crt:l t:i al ]r¿::,al ¿ri:u:d )...::,-r*r; ?) c;tc oí tba -.-..1.' 1¿-r-cr¡

;:c.u3 s+cn.s to hl'.'e a patLLrn oi vc.t-'.' .¡i lc Latil,. on the exLerior pLus a rc-band at the angle; 3) one piece has an exterior "initation" of Lhc face uselon BolC Linear l"¡i th Interior Face Polvchrome.lntcrior -- I) sane bands w:th ztg-zag rr.ternating pI::s variaLjons (black1-^F¡^ -¡¿r :. ---^ ^.rf l innd in h l:¡-Llr ?) e:m,' ¡c I nl.rc r .-rrr.lólr¡ roniara¿l-J -Lr."Lrcr

face on interior.

C. Ver-y large vesscls -- thick vral-l, handles an.-r support (scal onlv1-,'+ ---rrñ^ r-^¡--^^¡ \LcLLqlrvu.,/

pi5 r]r ¡-¡ól-p- rw/r rra.errr.¡.'.ic 41 ^:¡ 46 Cm.

Decoration: same as large variety.

paste color (aiI sizes): 2.5'iF. \/6,5/5,4/3; 5 'i?. 5/A,6/6; 7.5\;1 6/1 (rei,yellowish red, light b rown. )

Paste charactcristics: I) nediu,n cense, moderate anount of small puni,ce,similar to polychromes; 2) fai:Iy open t ith nedíu:-fr€lucnt anount of 'ra:ioij.sized pumice.

t D.):nl !,f.r lt.r.r^r-¡^r'l \ -¿-r'1

...-L-a.ner" ' _: .' "' ""Shapes:l. Outcurvei \"aIl, everted ::irl (effect of recur:-,'ei i:c'...'ls ), suppot:.-s, 3een !!o

32

- t: 1- -- -:'-i-r-: :t:l I '-a ; i-.a.

. :'

:- -_ lt ,:r -:1 .,:;: I ., lt a ,.) ..:' 1. -t' r:,.t - l : ' l.".-" /' ::.ta ' 'a. - a lt - I -,r ¡

.i.1. ...-i

. .. s '- - c h j r -r c L e r r s L i c s : iJirl)' j-.--ce 'nut ..rith f ::rl.?. l:roc ;u¿r.. - ,-.i ..-eryc-r'l' ñ.*i^ó i¡^1.,-i,)-s. n:.,Fq l-Lo jr-reSSiOn O: ¡ :a:--:Crei rai: -

u:.:.1:.:--erec pas¿e; onc -:iicc ü-:: roacl:er :.,o:c ::iaLlc, lJ-a:t tex:ure end ofc on t in ulun.

D cc ora ..ion :

f:¿cir:or -- red r jm 5an.i of neai:r-n rdi jrh; pijr-ple Llr :s c:'lc Lose :co::te:;r-a::f :_ sin:rle- lrqlr-l l.¡ ¡n:_ l inrrñrrq lce- Fi-rrré) rrq:r¡l la. lc¡o i¡ ¡r,r¡1r l¡rrr

/.JP'.-9JI

--i1¡l..in L. lar-L: r,jidtr -e.i banrl af anolé of recurVC.u:r€ !(J:Jf ,r

Interior -- Lip and rim area: a) solij red rim bard, belos whjch :s pur;leband that outlines waIl register,. 2) at-the-lip red band below which is narrowrscrs:er with disCrete efcncnLs :n ;urpIc (sec F:g:':, :or .r::ifs)ocl¿.s:c:lall¡' ir: .-ha2e J, r:Lr:..c r,r: c.ne -L.r o---:'-:e .: ) :-::-:. l¿. r'. . . th.¡ll.r -r-a¡ - :..:L¡f c i ::'¡ ¡:ltrl-r.: . .-.if rc:i:tai'.,::1L r-.::;aa--ar -- :rl ro:,.:l tcrj an.: bc:+-o;r-r b1' ¡'r:ple t:¡.e .:. l.ioti:s seen to

. r r:-. -- r" ...r.. FFi-l.. ,-.-r-, té-c CxampIC. DCi:S Uaca ¡¡.ir1w .)f 1. é,.).rcr- r)

-cn. ;.oti:s outl..:.c-l ir:ur:Ie, ot.h.rs not (-in sl-.afe l, '.i:11 :eo-sLer h:.lrJre :-i:=-line ou:-:Ie ou'- -: r._:nJ ri:(.:)Tv,'o pieces seen to h-','e piain h'3ll- nefistcr. ¡4otifs co not ','qlv consist€ntlyát-.--i r¡¡ !n F¡n F-af t..lenL Of Ll-C lin ¿nii r:l trCa. CrL¡rr .^ r. rrr-,-r lr.,,) "" eJ\ .. ¡-u-F,!_,

.-.,,t .-'r.' rr:n-¡

-..,-L:lc,: bl:L -- j:-::ao..-n. Cr.n:.:rls.:r: :.o ;'r' r.tj r.- - -- . '-l. l.': ¿; '. l.oL:hL Lo i-etr¿ie ware at Chaiciruaoa (€'9-70) . Se e also Longir"¿¡ 19,i,i:54 ,',ie30a,a (Tula

Dieces) p9r 65, Plate ):fVB1 (Tazr.rnal pieces)f . icLl,'cÍrrome Otr-a \.'ez

Shapc: sane as nodal sh¿pe of Car'; an'l cf roup: cutf larcd or: cu::veC u:¿lIlow bc'..,.1 or dish ',..'iri suppor:t-s (t::t:apod?)l.. f - crlor: 5 j:.5/': , . /í ,( '8; 2.'-::: (/c ,- /'a 1:--i lrsh ;'e1Lr'¡ -,:r l .. I l',.,--:.rpd I i c¡hf rr .l r.'¡. l

paiLe cl--ar:tcteri St:c:: ranccs ::-o:r '.'cr1. finc, .,'er1, le:rs- ¿ l::ost Lr:-r,r:les:Lo :?:"c of a s:o.ni.rj-: Cami ana G:oJr '..rith noirratc a:-.o11:i of i ine ; u:r: cr-.P.in 1-- a:.ster: rre:rs-::.-'.e:tts not ta..:en, si,crCs f ¡ l:1" s¡:II.

??

.at::,i r': _ . t-:..r,,r.: '..:_:a: :tti,-,l---r-..i:

- -- lt , , - : .-:: ':" ' l '. :-,.'-, , .t:

: -,¡ r' -l:. ,:-... :'it-': .) r':. -- ) - .'. tr - .ll

l:r:e s - bLaci: l-.ard - :ci ],ari at i,'alf ..;:ie; b) r¿r¡oi; bI:ck :: ir¡. l-.anC -:l:rro\{ rc¡irier r';ilh reC;ar-1' Iine - i1:c}: L;.nl - '..'all rcojs:(r '.;i:5 tlackanC re.l sir.iJf e Iinear .iesiEn or: r€j g-:'--,etr:ic oii-li¡re.1 in blacl:.

Var:iet\' 2 -- In'"erilr, F.in La;l :lus cti,e¡ linear: icsiqns in ¡irn areaon upler !li:: of the ;all blt thc r:ir r -rr: c: --:.c .;alI -s ;-:ir. l;fe:ior:a) rin bani in ned - bl-acl.: banc (s) - l-r:l:ar pat+-crns; b) r:.rr¡'"' ba¡C at 1ic -nArr-r!, rt,..fi cf r.r r.'i +h Cisccn--inuous :i:r¡;l.e o¡ double sr--ir:als - rLacll banC -

g-Lsier ';ith 3-,:.pina-l i;:c iesicr cc:.;.):'-L-.cns (;eome::ic ;e:i;r o:tlineCnartrall,.' 'n h'l rr-'.: tuo verLjcal black c!-iróq ,i-r L}-e r,:.rj-Sterve:'-,icaI11', Jcs j-Ens aLLer:rate bet.\"een red and orange.

V;rrct'. 1 -- Tn--cr-or, Ri: i:rC rl:s Ijnc:r paLtc--n: ¡ lu: rlic:::ieJ', , , - - l : ,- -. . . '. . : . l:: ..r-:.: - l.' :: '¿." .: ...:-,':--'.; '. 1. '- .-:. ' .,C) Ii,:. ";," r.: ';- -...--.- 2.

.:.-*,'.-'.'.-'*r.inccrr.or:rej in rhe Carcana Crru:¡ ¡a:L::uLarl;' \-ar-vt1' 3.Profales not Cone.

l. Ring bas<.r- wit.h incisei ie:igns. ('nforLunaLeIy, ¡hc:e ¡i..c.-s ,¡erc-L^*/-r- ^.-, :-rot bC r:tt intO Ct:rr 'lÉ-to lñ.{-riF! jr-n-Lu rJ\ru) -- ..'r --.

':'1,ñ\' r-. .rr +^ \¿ f ra¡ ',¡l r .'rr- 1. : ¡¡i . - '_:..|.-¡''U_)!''LULC.

,-:r.r:h r)fa -l-r.;.:-j rcl, .^-':.r - : . : l - - c : : ' . i : r ' . . . : .:.:..:^rbo:ton, r-:¡ious dcsigns ca:. l,c l^L:jr..-.i-: --uch ¿s thc C -,'nl -:-: :.,:..¡:-:r:i,rtliEtre , Il:.rr r c...1 ¡nd p:r:le, c'-:" L:r -:- . icL-'- jc :..r'il-. -1.- ::':-r:- -[incising :nd ¡aintinll is shcwn in -"he -ttached figurc.Dianeter of bases: 1f mcrsu:.ncnts, i - 14 cn; node = f0 (ll=.1 )

.- '.'éi-- - i,,.)^ D-)t .-1fCmC

]. S i:ple :ilior,crte can'te'.. rn-f I l a?.'ls, -rJt'-o::: :Ir:|-L1,¡ :L u:, f ¿i cr i:, ler.r - - .

Rin diameter: 9 neasureneri.s, ]6 - 22 c:t ; noCe = 18 cn (li=6 )

2. ::.alI c., I::.ie: (l) LoJl sile:-l orI'¡, s.:c::ls '-: l^e coi:r.: j:l+r ', l-.. . cfsone sort.',-:-- - - a-r 'Jr.r. 1:i:, .4 - .6 c:!asi--e colo¡: \AP.5,/8, 2.ilR 3/2, 5-i? t,/í, (¡= I enc re:crs\ _'elir,;)¡-. rc -'¡- i r - c i c: : s t : c s : -.'.::l' '':.(- ',+:.' - ,, .:) -::. '.'L:'-' l- :t-': ::.:. r-i:¡s

.:!

7

. ñ1,:a /4¡1¡- i-,- ,r- L-¡r\-. nr-¡-=rinrrl ..j r ^-:¡n'''.--. r. -;^- --- -; - ; -li !L^ - ^- ar*^:

''' I

le co:-a;tc:r: :,1-ck irr:.,-.cii¡ai"s , .Jac3 rscd as filIer Ícr cer:taf n ]: I¡ck oui-lirecr-r.¡. : I r'r - - r::il :: :l ¿ r: l: oi,,r I,o- t.lle-1.iD bi;ck b:::c ar lrei l:,-.:i of :¡l:e

-.irt. :s on i:.--..r--i-or. !eIcr,,- r-:1 - o¡e or i,:o 11é r:r a'..: l--':.ck ; .rr.ls ]-a lc'v,'

hich is a row of s j-::.ple ceonet:ic elc---erts: a) cont::-rous :r;f zag !ine cr b)

3longated Srs. Register -¡¿sr of waII anC seerningly onto the bottom of^1 :^-t--- a=e in nedaliion-l ikp h'¡r'k nair'oo areac- -wñ o:r,¡r-l ocqcr rY r¡- ¡rst-rs-J -ñv L^q..'r¿LÉ

¡¡rra cfrrl izaá Fe¡-a<. nna ¡locinn ic : m¿¡¡rl¿or¡ wi fh <hiold f¡¡r F¡ndr¡. ¡r-harc

ieem to be shields with curvilinear decoration but pieces are too fragmentarytro tell much. Interior -- entirely covered with a lovely soliC purple-red paint from Iip on. Color = 10 R5,/6,4/6,5/8 (reC).lc-¡arisons: nothi.ng similar noted in the literature.

Led and bl-ack lj,near on dark orange -- SmaII size variety

1)

Very large -variety

7

,1 ,,

!.)

,t ,/

.,/

fi n/ / /t',/ //./ //

//

:,

S;r¡--c J

f cl vchrc;re

¡:ea

Ct A ¡1 (^, o-,. C\, ?t,t ¡ t'-/ ) ,/ /

liro:r

!

I\ ..i,Ya'ts| /-1\

- l'.^l--; ..-!- --.*

-:

--f :¡l r.

r..-.1 : -'_r.4.-, a,: ¡_t. lELs rj r . : '. ' : , ,- ,: . : -_.

a.r-' rc C ,:;-rr,,;.:. .-:,'.¡.i: lt,cl-,,¡s a s-:-- r :. 1, .. t-j .l' ¿,q ,.,. 11 :sl¡-rr- l'.-:. .s -.ltd ¡:1 i::- r- s i r .ie I '¡l.is a-. i. L¡t'.'. ,:e l--'l; ril c-. n f t a:t_.!- _ralthe bLack ¿:nd rcd cn or¿;tce \¡ar ietics ',.'ere recoricd in -uhc !-san1-ar.ba

col]-ection. ¡iore shapes rvere recorded in the current work than at euelepa.A. Black and rei on orange variety.

Shapes: Ilediun-thick wafl bowls.'I -o¡,,rr-o¡ ^*ó-.) bowl with direcr o- s l i .)hj- ñ\.ér, orr r i¡n.

2. Sharply evcr:ed rim on open olobular bowl {one with S angle)3. F.l.ared r^/al1 ope:r Sonl i''ith sI j,9ht ):asa ) anqle4, Outcurved wal1 open bowl , flatteneC or rounded lip5. Vertical wa11 ves selA simhlé h.\t^t l ¡li ro¡¡ rim

Ri¡n diameter: I1 measurements, 20 - 38 cm

Paste col-or: 5vR 4/6,5/6i 2.5YR 4/8 (red)Pas'.e characteristics: friable; lots of ncd],rn s::e puinice and occasional:----9rir,- -lL1: !i,-ca ; '':-:-i:.-,i:-r lt¿s :1.:;::-¡,r i^.s:a¡ i:I::.,::,-:-n| ::,,-li,::c::s^J: --^t r ^..-;^^IJurr¡fLs

Decoration: Exterior -- desions are curvjlincar geomeL:íc with large'rertical bands of bI¡ck altern.rLing wiLh bLack ouLl ined design filIeC inwirh red,. band at or near rim. fnterior -- either rim band only (usuallyblack, occasionally red) or on everted rim, more than one band or a pattcrnwithout a band.

B. ts1ack on oranoe r-ariety.Shapes: -As in bl-ack and red variety except Lhat no e::ampJ.es of Sh¿pe I ;

al so present are aj-I e::'-ericr bol sLered rf n, c'itlla:-rd wJ-1 I bc,¡ I ,rnd handf eC

vr.sqel s lhandlFs arc ^-*-- -1^'- ¡ rlire¡¡- ri.n -l i-hf l'. rp¡rrrr¡od ¡no^- L- aP, Ju5L !Eruw

bo\"rl )

P-im i.iameter: I0 neasurements, 2 0 - 36 crn

Paste cofor z 5ilR 5/6, 2.5YR 4/8,5/8 (1'ellowish red, reC)PasLe c h a r a c t e r i s t i c s : ranges from infreguent inc 1u s jons of snal. I ouniceLO coarser, nore ooen, heavily temoered wiLh pu:ice and occasion¡l- [crru-oineous.Deccration: E::tcrior -- broad angfed Iines come off horizontal- band ator below rim. lnte-rior -- rim band only; on bolsterea or everted rim-L-cñl L¡.-o.e-ios ¡. -hó-f n¡r.-r. lcl L-acL lrres.

_r8

u

il

Aramuaca Orange, Black anr Rei on Ol:3nge

39

l. i .'-, l :';- r ts r:. n :¡-.. 1 II -. l:i- :¡ or '- l:i¡t,..: :::,r, i.a-?.a ,:..t _:,,._,'..!i-l I .r:aI l i -lte (s",, r.'.-:;,r-s ::.:iLc lr cr'.ri-!-rrt, atiÉr '¡i:,es lcss sittrrir); tc!-t:a-iod - uFforts, rounded base (one e::ce:tion has "C-:pIe" base. )

Rim diameter: 1,9 measurenents, 18 - 24 c¡¡.

2. Bolstered t:im, vertical wall bor.r 1 (or vase -- can,t tell height ) _

two have modeled head on bolstered area. Variation of same s}rape but \,rithcl i.rhill- ot'ar+a.r -.-

Rim dianeter: 4 measurements, 18 - 24 cm.

3. O¡e n borvls with di¡ect rim (a variar:ro¡ has a gr-oo1-e b e 1o..,. the rim; oneampre has verticaf grooves below the horizontal groove; one has three

grooves bel-ow r im. )

Rim diameter: 2 measurements, I0, 16 cm.

:.p p^,rrt'a_ l'\/a\.r l ¡ j ré,^i rim h:n.llé .ram r.'-! ¡-,ót^.., +h^ rj\-rr___ _!m to the arqle of thecurvc.li:', üia:-.'.er-: 2 ;,c::it:!,:.:n'-s : ltl , 16.5. \ta¡ious srnall di.rnteter ,,'esseLs, all slippeC or interior as far as 'can Lell.6. Jar r'-iLh short neck, bolstered rim, Ceep r..ertic:1 grooves on shoulders.ÁpDendaoes:suDports -- tetrapod, shaped like bjrd face ucually with two bolcs for eyes,h:ñ^ ^f r^^ -r i F! hpf waéñ '-^r j ation = f ace riith nose lncl o.,e. rnrl_ r.dLE \.,r Lll ___ _; -.' r ,*_ pa Ln

used like a mask; one smal-l man-'ni f orm; one rr'i t].1 :-"':ltiple hores; sor.e with no

Handles -- somewhat f .lattened or rounCed, on modal shape placed fron the wa11to the basal ang1e.

^oplique or moCeled head -- one on bols:ered rim, ','e:ticaf wall Lo..+1, otherexa-mpIe (2 on a piece) on bolstered rim oren bo...'1.other -- part of a modefed face below Lhe direct ri:x of a co;1.¡ex bowl-.

Pastc colorz5YP. 6/4/ '6/6/,6/8,5/?¡ '7.5YR 5 / 6 / , 5 / 4 / , 6 / 4 , 6 / 6 (:e,Jd,ísh ver-low,

red, ye1low, strong brown, light bro',rn, brov,rn.)Paste characteristics 3 two varieties: L) heavily tenDered with ournice of var]¡_ír.1 síze=, :o;re pieccs verT la:3e, nciir.::r Ce:sc texrure; 2) Iinite: i nclus :ons.nuch Censcr, f i;re r paste.

1A

1:.:aar a. . r ¡ .t a r: a1 t i I :r : -i-.:.1 :-.:tlt r-'.. a r 'rr,' -..': s li--t of ': -)a',.r:,(t :l-..::lcs. Deeicn:: .. -. . :. . -. t : - -- . 1 .. :.-l: , .. -

_

, :. ,._ .-.. ..) :. :-- .. :

. .-:r1 ,rr - 1t - . :..- i.,., : .: .-:t t:l-_r_¡.:rl i.::,t ,-- j .:.i t.lt, c.-,¡: ,:t--.:_-: ; ,:i'- c.--.--¡-:: r:'.:1,-.' ac,'.--: -: -,t- .-i;-'_c,-l a-r, :r'j:l ol- ._-aa: :,:::¿ -:t i¡,r',.on :j.irpaj.nte,.l sl:iace.Decoration (nooal shape, *1)Ei:terlor -- decoration less varieC and p1:iner than on tnte¡ior. I1a jority of

--..^.- i sf -ovo--l in -.C rin bano and :e: Land a, l¡.--a I -i d7-ró,/¡- r-¡-¿sec> JJ"u v."- ,+f :l::- .-c,Jl .-t_,,-.,.j-

Those that are decorated usually have a series of three reC I:nes (:iagonal ori'ór+.i^a1\ ^^-i-ñ ^f f a horiZontal l:ne below the rin LO iha \r<.¡ .,¡-toq¡ rY I E.

Occasion¡1 nier-cs h¡'¡e nFif .,-.rd s i-r lar '-o t'he i:rteric:: b..- l-he.e .rrñ .v.ah-L L-rLgi/

tions. ÁIso, some with a series of two lines or vertical iines continuouslv

-.ound vessel. Few examples of batik on exterior.lnterior -- rim a.rea: may use a red rin band; if present generally fairlynarrow. Befow rim: two modes: a) main register begins directLy below rjmanC occuDies entire inLel-ior Lall; b) s:a1l regisLer be low rjm, followeCb'.'main i..'af I recis-.cr.I:,i:ar j.:- r --,--c:: 'lso ,l:c::-::rlr, :.i:-r:::rs: c:cr:lrlrr-;cr: '.---,it .--l l l--=:t--:-:r I . :^^- ;,.^

¡fot jfs .-- str..ght, curveC ¿nd zig-zag li:-res; doLs eitf-er :p;-enced Lo Ijneso¡ in areas ouLfined by lincs; crosshatch; nexted Ciarnonds, U or bracket;soneusc of twistcd rope (not f reouenr ) . SquareJ Íace (see ir:-rr.ing)used on waII register (and once in upper secondary reg:ster) ani on inLeriorbottom; occas ional ba Lik.

col: a tion Shape #2

E):terior -- rcci, at-the-Iip or n¿rro!; rin LrnC. :.f ; jor j t7 n3'- jcco:-rt.cd cnbolstered area. Below ból-ster, one o¡ t\^/o horizontal red lines from v,'hichn:'ló1. ¡f áa^ar= l-'..n come. -'lotif s as on i:ttcrior of n:i3l -rr..)É lc.^\.e-,r'lpirces have '.'ery wel-'l -executel panels of crcrsh:tch dc:oraLio:r, in i.'hichf¡:es can be clisting,uishecl , e::ecuteC sone'.,'i:at ciiífercr.tli' tia-'l in the Brcad

1..F -rwiro 1-ho e a-,¡¡¡ ¡ ll¡r- E-\--ñ- J :^.c ; ,r,C li:ear le--Or¡riO¡!".! e!- I

r"--- j--1 F.--r- r i--.\ ^¡ l-\^1^!.-ed area. one o: ei:cc: tions carrjesa r-oCeled head. ¡-nother piece with red co','er r",: the bols--ered area also1>q : -¡ndalad hoarl

Tñ'éri^r -- .fr i^ri r-.' hrrro rin \and lnr 1i¡ nnlr.\ nF -:¡r,,in\ .:¿-+ l-,-

l:::.-:-'- Íons i.ave Cecoration on interior ri:, /on --i-.ese ;:e: s, -l.are LLnd- tobe e..'e¡ ied rir: plus bolste::. (See f iEu::e f or tlecorati.-,'e n".c Lif s ) one* j - ^^ l- ^!^L-.. r--¡ .i r-

.iL

:.'rrr,'", -.r, 1,1 l'-,:¡c: .: l.-.-: --:.- j-:1 , .-. .:-c¡r 1 ..''- -l -- :-::l,c ¡::, l,cl:,-.,t::l :i]lL ; a-,,.j

:.ia li'¡r:;'-,,'- .:,'-'- '' art :..- '- .s r-. -l r:.. 1..:.'-: l: .;.-:.: or.

''. ::l -. -_L j . ' : i- -:r-. ñ.-.1 1\.É,¡ c.\---r-\1.- __:.¡ri -^ ¡¡.r_-rr:f i.\n ó...-ññ+u-rsrLry rr¡ Yree\ rvuF' ..'--

rim band in the area above groo\-es. F er., Lhat ere oeJorated above the groovehave póttcrns shown in the at-,achej f i gure. C:re v.'i"-h tir:.ee grooves hascrosshatched curvilinear area be1o"' grooves.Other shapes: sarne pat!-ern of decoration belo\e horlzontal line unCerneaththe rim.

a.\rn na r i e.\n c .

^,)is type was not reporled by Andrews at Quelepa, however, a numbe¡ ofpieces are figured in Longyear from various proveniences anC with various

Tazumal: pg 62 (UsuIutan Lechnique pofychrone); plate XfV.A Ca,nñ.,ór.1- r. - - oc. -ol ¡¡- .\ra.¡.t^ .^7¡-ó. --1.!ó \'T- r a1 1C J6.l't "'I

a-'J¿r,:uaL::-: i,,ri¡ i;-II:1, ::e::- c'r :ufi ,.::¡e (-'--:: sui-',rcr::t na: ,:¿santin clrrl:ent cof iection )

fastern Ef Salva.ior: Plate YTiI l3 Usulutan t,'are, covcrcC bf i:eJ onwhite decoration (: ncurveo v,'aI1 l¡owI shape noL -oresent a t F.sr:ryamba)La Lj-bertad: PIaLe X,26, red and orange on white v¡arc.

? ,,i +l. Y!vevc

"\ :e2 a .---: --!

nterior decoration Fac e

.N N-rf i rq . i.n'-ierei :-j m

/ / / r lllI Iz6GL' ttt\ IVAVAv/VV V

(in reC)

r- :lr-. ra:'-i: ,tl-- :r'jL' irr, : --:.r--: :..1 I i I-::,-,t-ll-.¡. -:'.: ..,r,.l a'.1 L'r'- -i -:i -.rl: ,. :')

l-:r','l r.-::-i l'-,i.- ]-. s,:f 'r ' - ; ,- . l

Paste cofor: 2.5YR 5/8,6/8; 5 YR 5/6 (re,J, light reC, yellowish red)Paste characteristics: Iike Ca;:,pana group

Decoration: Exterior -- narrow red riÍn band; nay have rec band at basalangle; one ;liece has basal ri ooe wi Lh paint above; f n--er-icr-- r.im area onlvj-s decorated though a few examples seen to ha\¡e pailels e.rtending onto theIor,'er wa11. Horizontal bands plus rtavlz lines ani oihcr simpl,e Iinearpalterns used.

2. Yamabal red with fustrous whitet,lith few exceptions are body sherds, most of whjch are from jars; however

a few pieces seem to be f r:om bowls (assumed because of smoothed interior;not :r.c:n ii:¡. are a. ) ¡lanneI: o: usc of .''hite is as cresc¡lbeC b1' .\'n¡i::ctvs

,-.) .':L -- L-t., ': : L: - ..: ..

int!::iors s;icothed; no.lelcd a¡.'-.llique on small rir, of ;,1¡cliur l-,,-c.:cc jar;

snal- I handles or boss ramains on other jar fracmenL (;-nCrc\is desc:ibesmodeled effigy featu.:res on jar necks of this type, too-)

Profiles not done

trñ I ¡r- n-F-. .-r- -:,. Llnetr

.A

a

I i .-- -.) .: r " -. 1 : .; r '. .i.

or .'.,.r:.:C r-:- i..'iih il;-.tri:-r.i 1:-¡-.; 'ri.'c i r: :.ilas lr-',.e ir:r,clrs j-.,s¡ ---4.-r:

the r irn .

Rim diameter: 7 measurements , 20 - 34 cm.

Pasfe color: 5YR 5/8,5/4,5/6 (yeLlowish red and rediish browrr)Paste c h a r a c t e r i s t i c s : very friable, h19h Dercentage of jnclusjons :ainlyn"ni¡e nf r¡¡riorlq qiTpq: qa.r'na mia-á An.i f prrrrni r¡er¡rlq nio¡o<vulLLf er vJ t- ¡ sr LJ.

.¡-n=r'i cn¡. n,ralan¡ a)Frr>i,ro l ^ pl>iñ f r--: 1 r-^.'1 - -^ o?. €iñ I laf -\,u.¡.po!r or¡¡. \¿gr ¡u¡ru. v!!qJ !rl9 sc!-r rrJh-L>, \-a 21, r-g r_!o.,!,

Note: Same shape is found with model-l-ed "face" iecoratior,.

MeCium to high neck, outflared vessel, probably with gl-obufar lowerhnÁrr eim ic ¿-n'1 l:rpd- ar.f prirrr ie l-rrrrched ¡rr rnrrrrhenad ñno or.¡mnl o h>c

deep inc is ion .

Rim dianeter: 7 measurements, 24 - 34 cm.

Pastr cclor and chiracteris"ics: ]ike shape il.L; .-..-.:.: ' .: .., t: 1.-¡ :c' ,-ii:.'-; l.'l:.- -,-r j-. 'c-r.: , : -. r .'. .

rirn" (p:91 ) buL uocs not sa]' u-oIlarcC \th jch thes. Ccf initcl\' :rrc, nor ioiihe mention brushing or roughened surface -- Obrajuelo PfaÍn, '-lar ing waIJ

bowls, Fg 97 ¡ fig ll8 a'b.

3. Medium height, outflaring neck vesselsr globular Iower body probably.Neck has brushed pattern, ;nor:e Ce.Lineated and specifi. than cn high neck

Rim djaneter: 4 mcasurcments, 18 - 22 cm. l.:outh quite snaJI, 10 - l2 cm.

Paste color: 2.5 YR 4/8, 4/6,3/6; 5yR 5/6 (red, dark red. yellowish reC)Pas*-e characterj st ics: most pieces coarse, open tcxtJre wrth lots ofpumice; few are denser with ferrugineous Jnd othe: dark orey/bl:ck roundr-cinclusions.r'--.¡rj -n¡s: trrllshi-- -^- *--!i^--¡ h.' F rCjreWS.l!rLL¡JUl

I qi ^h-¡acl,ed rar ^- ?--,\d1ó L'^'.'l '..i+h i-^..---ó^ -ó-L' ^ iLe resLricLedrrr Y¡t rtLv¡'us

routh a:ld probably globular body. lSee af so =10) Ai-ea above r:,outh cie.ora',elwith curvjlinear incised oaLre:n, reLati'.'ely c¿reflllZ e){ccuted, vcrtjcrllyor-enred, fairly widcly s¡lced; Cone f ith tqo cr ''hrce-oronc too-, noL

snoothei after incision (can see clay that 'vras rencved still on siie of '.heincisicn) . This shape anc decor:ai:icn pt:esent j-n r-v.'o sizes ¿ni '!-rto 1rp-rim treainents. (iiote: one e::anple in each size has ieeo incision don€

' : - :.

' :irr : i :-- -:._ '' I I :-::: 'r-

'.r ; ::: t:lis '. : .'

:-:e ci l,is c:.-.i'e::-i.'.rll l-:,'f s r !':lr j' ar. e th:s sl-;;-.i stuce s.-,r.e oi tl,,:se'.'essef s are quite larqe ani Jnl-ess the nouth r'.'a. s Dt:esent cn shel:ds. coulobe nis-,aken f or bor^,'f s. He has only one photo of thls kinC of incisino(a boolu sherd fron obrajuelo Plain incisei, :ig. l23a)

5. \'ery restricted ne--k lars,A. Neckless (tecomates ) -- f our: examDf es ha-..e iecora+-ioi: arouni :iir --incisinJ ¿nd,/or puncLate. One exanplc has a far:e s:::p h:nile s--arLinE

cm below r im.Rim Ciameter: 6 measurements, 10 - 16 cm

Paste: not examined

5. ili*-h "coll¿.r:" -- twc c:::nrle s have incisin! (1 = i;lc-isinE ar).1 p-1r.1,a.¿{::)

::' - i'-:' .: .:: :.--- 1..: :' at ' | '- . - :-.

' .:.-..- -. .

Rin ii¿rrcte¡: 5 n'e esu¡ci|e n+-s, l'1 - 20 c¡r,

Paste: :1o t c::amrnei.Coinparisons: Obrajuelo Flain. teconates, pS 99, fig I20 a-i; 119s,t,rcstric-ued neck j a:'s. Note : Ir'ronóagua Pf ain InciseC has tecor'rates ; no

incised in this shape mentioned for Obrajuelo

a. Co::.a.Les (llote: cnll.' a sir¡.i1 nuni¡c¡ in col-lcc*-ion. -i,out 2! plus 7

handles) Handles both loo¡ and semistrapF.in dianeter: 3 nteasurcments, 2 - 30, L=36.tasf-e Color : 2.5 'yP, 4/8 , 5'l? 5//6 (2.cd, yellowish red)Paste Cha-racterstics var)'; one has fine lexture, littlc inclusions of 5ineruiricc; cthers nore friable, heavier: ¿i:ci:nt of inclusrcns, :ainil' ¡uricebut possibly shefI .

Co:parison: Obrajuelo Plain, ccnales, fíg 12O V-,L.

7. Low necked jars- (neck lcss than 3 cn)

Z anqle Hith a f e,; havinc ;rore of an S .1:rif e.

á.-l:a-t-eiJáls have not been sc¡ara--c: acccr:Circ to the s:,,ccif rc shap: or¿nole cf i-he neck, oniy b1' heiq;ht of t.he reci'-.

rlirr rr.j¡:,-ct-r: 2L r,c.5ura€::arrts:. ).2 - l0 cn; rrod.c = 2A-22 '1,=11)

'-'hr-i-f,' i-.,i.a,cas ira-..c jnc:sjir'¡ 1;r,1oi.' ::--! t:.cf:, i;cLh rlecc ..:ti ::-aill.,,.i.,-i i l t .,al crl- ird .i,.r i,.-., r-i:.i cs (:.,. :C: lil r'.cll )

8. ll.ili..n :rrc'r ;;r (r::ck 3 - 6 ,,.,) .,i.it ir' :.¡ili; ii ir,:1.. ( -,.t ..:l-l', S

eh..;L b;s str;p hanile co.:.-no iror rhe::n.Rim Cianeter: L2 measurements, 18 - 28 cm; mode = 22 (tJ=6)

Paste color: 2.5 YR 4/8, 5YR 5/6 (red and yellovrish red)FasLe characteristics: mosr have iairly open LexLure with ,'a-LrIy freouertme^i,rm qiznd nrrmi r.a a¿-¿-:cinn>1lr¡ '¡rrrrainpnr¡q nié^óc. ^¡hJ-¿Lu r,u..¡tvu, vvee!¡v¡¡v!+r -*-_, --..ers are very

friable, heavily tempered with a mj xture of rounded matcrials.

o Iri-h nor.l¿ i¡rc lmnro t-h¡n A ¡m\

im diameterl 15 measurements , 22 - 28 plus 1 of 34 cms

Paste cofor and characteristics: see medium neck jar.

10, High neckcd jars or Z angle bowls, same general shape as curviljnearincised, ,1 5 (c:n be dis!.inquished f rom convex wall bo\d1s because exterio¡is r,¡uch ;;rd ir.ic: ior of leck 1s s::othcd; a1so, cur-.'c rs -"o slr¡: it that tfwere i-,enrisphcricel bor.¡l v.'ould be '.'ery shailcvJ, nc-. c:i:¡;.r,ib1.: :¡tcii :hicl:;^¿:: .,Rim diameter: see +5

Paste color: 5 YR 6/3,6/4,5/4; 7.5 vR 6/6,5/6 ( light reddish brown, reddishyel row, srrong Drown.

Paste characteristics: varied size inclusions. primarily white, sub-angular and rounded, occasional large ferruoineous, a few shiny nica;aste meCium dense.

ll. Bowl: wide everted rin with interior curve, polisheC-smoothed.Rim dianeter: 3 measurements, I:32; 2--30.Paste color: 2.5YR 4/8,5/6i sYR 5/6 (reC, yellowish red)Paste char.acteristics: medium dense with nedium anount of varf ino sizedwhite pur,ice.

)2, Low dish approximately 8 cn hjgh, incerior pol ished-smoothed;q'1 i.rhr I w i n¿r,rr¡i n.' rím. A variant is of the same heicht but v;ith a

e\nr- 1 de r ¡nrr rri.¡nl o baSe.

P,im Cianeter: 3 :neasurenents, 2:28 cn; 1=32 cm,

P.sLe c h a r a c t e r í s t i c s : fr i abl e, hcavi Iy l e:pe:eo w:-th ¡c:iun srze pumice.

4'¡

- l. -. :- :,.,: jr l,.li h :),.:-¡ S l-r a- rta:aI, :-iL:---.-t il :,:rtri-,e; l-¿:-r:-l e iitlter f¡Crl r,i tc 1.|;¡:; l --i':r cr: L:- l c,ig r- ii:, ao l,a-l'-'.!' .--r- t:.cler.l ::i ,-: ,- :'i j-: j :- ',: r.,.r t'---S, l- j0 .tlL ; :'..: L'iL ;1=!0 r-r' : :t. t..-; .. . :. :.'. ..-.. ._ _-. r- .: I :-.

14. Open recurved bowls, very smal.L, thin r.,-alf .

Rim diameter: nine measurements, 12 - 22 cm

Paste color: 5YR 5/6,6/6,6/8 (yellowish red and reCdish yef to\,r)

Paste characteristics: fairly dense texture; fine inclusions of a moderate-- i - l.r ^"-i.amount, llid^lt-!y -Lu-.,1--9.

I5. Di:ect rim, simple bowl . open to slich:Iy i;rc:r:r.'ino lio.-im diarneter: 5 measurements, I4 - 20 cm.

Paste: like #14.

16. open bowls with handles ,

A. direct rim, lip sometimes flattened, curve is very low on vesselsso uo:er oart hls strajghl v'dl ]' Vlrfolrs size:; cn- Ij'-: h¿s soliC< -.. f i. : " 1-; 1..:.:. _. : -: i, s ,1'], :. .'-.: - , : ' : . - . c:..

bctoru' 1ip, de¡,r:.cin9 on size of pi, :: .

Rj.m diameter: 3 measurements. l=16 cm; 2=28 cm.

B. Ex*'erior bolstered rim, flattened lip, handfe smaII. Ioop, placedI\ - 2 cm below lip.Rim diameter: L=20 cm; l=22 cm.

C. f nr-crior be.,eled 1:p, h.anilcs L.:oaC, strao :h-pe, \'c:7 closc Lo Itp,r"i thin one cm.

Rím diameter:. 24=I;76=L¡ 2B=I.

D, Sr"aIl hemjspherical, roundcd L-p, s:aIl loop h.:nCles .r. - 2 cm

below I ip.Rim Cianeter: 4 measurements. 18 - 20 cn.

E. Recurved shape with rnedium height vertical a¡:ea above recurve,handle small, pl.ccm.,nt varjes from -ust befow the 1ip Lo anole of curve;loop or smalf strap shape.Rim diameter: f=14 cm; 2=20 cm.

L7. S¡r'a I I larsA. low neck, strap or se:ri-Iooc h.e;rile at rin to shoLrld.er or just

abo'"'e shoulder; ri¡n everteC .

irlr ::.^-'.. ' .: I = 16 cn; l-1,i c:i. 1rr,. h.¡s ot eit.:c ;-air.- :.it r ir. i;rt¡,1:cr.:: ..(- : :..- .)

.. '-',... - .- r.r- -l: (l - ú cr) : :ir--:...-l _:i-h _j:r,.ii:il ; , r1.., cr: ..:n.;t, ,-::,

i.r¡ .:i-.:.¿:,":: t 2 = l4 cm.

(i\tote: the foflowing qroupings have been made on the basis of decoration;shapes ar: sribsu[.ed under Cecoration)18. ¡lode1led "face" on unsl-ipped vessels; "face', is an applique circlewith Lhree punctates (see figure)

..^^l ^-.JrldljEr

a. outcurved neck vessel, high necked jar or recurved bowl . AppIj-que'i s about 4 - 5 cm befow rim (exception, one is at ang.le of neck)

b. Same shape but Lower neck; applique 1 - 2 cm befow rim.c. Very low necf/ outflared rim; applique squeezed into space where

neck is changing ang1e.

d. Same general shape as "c" but S not Z angl-e and applique is onbeginning of shculder -

i-L:n ::,:r,,i!.¡: 9 ..::.-.:'-'r'-i'-.:t5, i4 - l3 c:,

Pas¿e cólo-: 2.5 YR 4i8, 3/6¡ ->l?' 5/6 (red, 1.'eIlowish red)paste characteristics: fairly open; heavily tempered naj-nIy with pumice ofneCium-large síze plus occasional ferrDgineous pieces.Comparison; none of Obrajuelo Plain I'1odeled are the same except possibfyftg L24s; the rest are true effigies which this is not (nor does it fitinto Moncagua ¡1ode I led )

19 Unsli!¡ned vrith PunctateShapes used on:

a. veLy squar neck, orltcurvi ng olobular body jar; punctat.e at neck anqle,b. Short to med.rum neck, rest as "a"c. exterior bolstered rim, recurved born'l (?); punctate at anglc of

Tl'o boCy sherds have handfes below line of punctates. Relatively few rimsherds with puncLate; lots of body sherd with Lhem probably because oflocation of punctate where ceramic is most likely to break -

variety of methods used to Co punctate: hollow reed, solid reed, stickcouging from sicie, f ingernail ':ouce, i(rcD rÉctancul¡r cou9e, eloncaredgouge, closely spaced civing the effect of alrnost an incised Iine; one

e)/.arple of groo\¡es beti..¡een piinctates, other of zig-zag lncised line around

ir,Lrfii i a:i:s; r.;:'.rlrtl .-: l.';airla'. lng oi ,,+'') ): c:::'C ";1 " ani hclloi' ¡¡::1

'i';' :-i.r: ar1¿ta: 5 r-¡S.'-r.,i :,is; .i " 'l 2 - t' , ; L = 14 cn

:..:.i. ,rLrl.or : t !l 4/4,4/a,tt 6 (t:. ,.r sh l. -¡',.-:.r .rd :'.:1Lgi;r slt l i.l

iaste c h a ¡ a c '- e r .i s t i c s : heavily te:npcred with rounded whitc and grey pieces;r-r!.. 5^! dense.Pa> LE u! 4L(!f _¡ , rrve

Comparison: not nentioned by Andrelvs.

20. Punctate fil1et llike punctate, very iew rim vessels; mostly bocy

sherds.Shapes used on:

a. sharp outflare z angl-e neck on large clobular vessel; decorated; I I ó.1 ^h n¡ rl- ñf qh.\rr I Áér

b. medirm height S angle neck, same shape as "a"; fillet focatedsimilarly.

c. direct rim, convex \talf bowl , f il,let used in circular nanner tocreate a face .

ihcr-,, is a -.'¡.t-i e '.i' irt :r:¿ ',;i.rlh ci ri-let :1,,r r'--ll,-:': ol ::: -- -: -.r-' pl.nct:t.;abcut 5 boCl' shercls ha.¡e zoned incrsing bef o'"' f illet.Rin dianeter: too few rims per shape to get good rneasuremenLs.

Paste cofor: 7.5YR 5/4,6/4; 2.5 YT 4/8 (ted, light bror.'n, brorvn)

Paste characteristics: most are heaviJ"y tempered with a varietl' ofinclusions, medium Lo large size -- rounded. Some very laroe ferrugineousinclusions; one piece with a finer paste, af l- white pumice.

rmpar:ison: Obrajuelo Pfain Decoratec Fillet r p? I'A2; fiq l2Af-j;fig I24 wtz,aa.

t 1 aóñqórc

.q. Spiked -- shalIow, rounded bowIs, Lwo wiLh handles. Bdses vary;sor¡e are round, solid (see figure) others ha\-e rectangular (¡-)latf orn)with spikcs on supports; one = tripoJ. Spikes seem to be in panels --columns of three -- separated by plain ut.u ,¿ ttrch often i5 painted redor lefL unslipped, One exarpl e has white painL on spikes and in area

around spikes. (This exar,rple also has drilled hole in the red paintedarea . )

One spikeC exanple ;na-.cheC ¡,ndrewsr "cor:posi1-e/conplex sPiked ¡ "

Conparison: Quelepa, Lolotique Spiked, pp 107-111, fiE I28 'L3A.B. Button applique -- sane shaDe as stikei, with handle

c. ila, I - 1, .a'r: i;c. - --''':', r"'I I-il s:-:l.c :t''-:l:i , solii; suop3:t. as tn "¡ "

l. !r-:;.:-...: l:]:e a ::.:.:,i '..----l h:,:rcl1c r:s:r'¡ it'c¡. -::::, of sltal icr',', .,r-,_1-,

,..r.:-.1,.i:1 . T/.i ,.:t: r;,r-. ci ;' ¡c,l ,:- r,.rl ..i j.-. 1 r.'l il-t ,rll, , :-;-,;;1:;, c.

-.::-.e ¡i,],:r; 2.31i¡ ,1,'6,i/3,5/ 8 (r'i:)Fasle chat:acteristics: Cense paste 11lth only limiteC fine-sized puniceinclusions; i:ore Iike ool-1'chrome fastes than unslipoeC wares.

22. Unslipped - sPecial-A. Direct rim, flaring wal1 vessels nrade of e-\tremely rouq'h paste '"'ith

hardly enouch clay to hold together the inclus:ons. So;re have been slightlysmoothed. Exterior "finished" with multi-fine brushing or e\¡en incisi:-tg.

B. Globular vessels made of the same "super cruJ" wa::e of a littfe:ss rough material; one has neck on whj-ch is an animal head (handle?)

C. Body sherds with various incised patterns of both deep incising andj-^iái-^ /\t^+ó. rhaóé 5-ó }1r--^¡ ^.^"i with curvi]inear5JldJ--L(.)W I¡lUrlrf rr9. \M./Ls' trr-:= qrs ¡JoqYeL-¡ wrLlr ¡J\,,1r y rr¡e!L

inci si nq and modelled,/app) iqued " faces ' " )

51

,

ShaDe 3

a)z

I i[1 l/tl///

,//

Ilñc l i ñ-é¡ Ch¡ñé ;

Shaoe 5b

Uns lippe d Shape 6

Low necl: j ars

il ed iu:r

lligh neck ; ars

/

Shape l2

Shape ll

Shape 13 l3 Variant

$Sl¡ a ne l.

-

Ir\h\\U)\

l6e

Shaoe l7a

a6

,/-)

( (,,

\YJ-_ ^.t: c -L5

(

Shape l7b

Shape 19

Shape 20a

[\) '.-' \

, ita_ 1-,.. Jlt,,; i _ri . - - --- ]., ]

, I llttltI | .t \-.-- au ultJ ,01

5e

(liot -,o sca 1c )

7

.j

.' . r ..:, :', '-: l: (5 - :l ;:) r :-r-r' - '.,-.- -, (lj :,:.c ,., :': -.s ..,. r ..'..,rr '.. r i:,.-r .-. a- i::L.r I e iiigy iace; :,.r..'cra1 ha\¡c s:al1 srcui€d :acc icne aIl o: one

;.e cc of ;:pljque. Othcrs shorl' c)es :r'i :..ou:h sc:arJrcly but sLiII .Lth€ base of the neck. One e>:ample is polishei, the r:enainier are rouqh.

B. Variation of ".r," with only an ear or: other aior:nrrent at rin.Rim dia¡neter (of both A anC B) 13 measur:enents: l0 - L-4 cn; mcde = 12 (N=7)

C. Lcwer neck, face - hur¡an or anir,al - centered and useC nost of theneck are6 (neck 5 - 7 cm)

im d.iameter: 6 measu::ements 10 - 14 cn; mcCe = 14 cn (ll=4 )

D. Very smaf l- "lugs", in sonre instance only top F:rt used lor effigy,in others , entire neck.Rim iiameter: méasurernents not taken.

E. L¿r.rer diaretcr, heavic: :nC biqccr "csscl-s, usci ent j.:e neck,.¡ , rl j:.: ,--: i--:: -,,,'l- .. :I '.'r-:- .- - -,.tl--. í:.:-,-", '.;:c,.r:.:- r;:r --:-:...1,- .,1..- .

Li:, d::¡ :-:¡r: 4 i-L.trsllr:a:i ¡:ll:s: l ; , :6 , )C , 24 cn.

ir.c i painiec on beigeA. ffficy simply rendercci ani in area close to bct'Lor¡ of ncck.B. ilore detailed than "a", used center or cn-Lire area; neck 8 - 9 cn

C. As "C" above

D. jis "D" ¿16r.'s (serreral whole upper parts of vesscls in coll cc.i:ion)

,,.1sLa ccl.cr ani chal 'c¿eri sti:sBoth the unsl.ippecl and the red-painted jar s were €i{ecu-Led in -Lwo diiiercntpasrc color - c h a r a c -' e r i s t i c s r,cics:

t. Rcd pastc (2.5 YR 4/8,5/e,5/8) íairly iense, n'cij-urn anount of firepumice incf usions, similar to pol-:/chro:i.e pastcs

2. Lrght bro\,/n /L-i,-1e p¿ste (7 . 5 YR 5/ 4) a\.tn '-e j:tur:e, not '.oo :l:ryinclrrsions ¡ solne cl:ange-colored ' a few pumice.

Coinparrsons:

euelepa -- Obrajuel r Plain ¡ioCelei, 99 - 103, fíg 124; Sirama Red ilodelr::rpp I05-107, fig 127n-v-

Los Llaniios: Lonqyear 1944: 34, líg 24i; eiiicy ;r'lcI: s.lb-type of storace]a:= , rerl nainteC-Lastern El Sal"¡ador: Plate VIII,i, buf i 'v.'¿re; P1a-.e 'iIrI 37,10 rec cn

c!ar..c ""are . burIai ilrn-.9

,,:t1 -t--:--r!1.i3, T,on.-ii¡cer P1¿.tc VIII, 5, bl:oi'..r¡ v'are

'l'r¡1.: -- I I r,ii" aar Plaac ):I:.:¡, 5, br:lck '::cd on grey clay'

, - -': t ' C

fa

-:.,lcl ' ¡:'..,'s , A. ilr'lr's V

_,1S -:-r., -,t.,.lo.i.,' o- /l:ei._-:a, r'1 lr'--t.'., li)r. llr -.le -:.:.tri:::n le:...ar-C:l:]].i'üitu'-e, ?it lan e Ua,r'.',jr-st';\r.

Daudez, Claude F.

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