www.To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 Be WorBased on the pop The PraiseCharts Worship Band Series is a u These arrangements are geared towards a contmedium-sized church orchestra. The core parts Rhythm section: The Rhythm part is for the sectio arrangement. The Lead Sheet is a combination rhythm cues. The Piano, Vocal part includes a full piano part a complete band the pianist would be advised to simpVocals: We include both an SAT Lead Sheet and a should sing the melody (soprano) down an octave – adown one octave or it may be done as a solo. This me Alternate keys: There is at least one alternate key orchestra a more playable key, or to make the vocal ra Other notes: Rehearsal numbers are given in the fwant to make impromptu changes during worship. No are exceptions. When a section is repeated in its entinotated to facilitate these impromptu changes. Finally Parts include Lead Sheet (SAT) – for worship leader and vocal Rhythm – a more detailed chart for keyboard, guitCore Worship Band instrumental parts (wTrumpet 1-2 Trumpet 3 (doubleAlto Sax Tenor Sax 1-2 (dou Trombone 1-2 Additional Orchestral parts (these enhanc Bass Trombone Bari Sax (doubHorn 1-2 (Frenc Flute/Oboe 1-3 Clarinet (doublIndividual strinStrings (Synth) Written with core brass Written as a section Written as a section praisecharts.com e Lifted High ds & music by Leeland Mooring Arranged by Dan Galbraith ular recording from the Michael W. Smith album “Stand” nique and growing series of arrangements by some of tod emporary “R&B horns” praise band sound while at the sam s (rhythm, vocals, and brass) may be enhanced with the ot on player (pianist, guitarist, or drummer) with all the specific rhyth m and vocal chart meant for the vocalists, worship leader, or rhyth in “songbook format” for those not comfortable with playing from lify this part in order to "stay out of the way". SATB Vocal/Piano score. When using the SAT part (soprano/a ny exceptions are listed on the score. When the part is written in ethod provides a contemporary sound in an easy-to-learn fashionincluded to accommodate either a keyboard-based band or a guange more accessible if necessary. orm of “1”, “2”, and “3”, providing the easy use of finger signals by ormally, “1” is the verse of the song, “2” is the chorus, and “3” is a rety later in the arrangement, it is labeled “1a” or “2a”, etc. All end y, each instrumental part includes lyric cues to aid the player in ke A note on brass stylings: For m should be interpreted with jazz articu mind. They have been notated very in this interpretation. ed in the PraiseCharts Worship Band Series team Piano/Vocal (SATB) – includes written-out ars, and drums. Ac. Guitar – modified Rhythm part in approritten as a section): s Alto Sax) ubles Trombone) ce the arrangement, but the Worship Band parts may a e/Tuba Percussion 1,2 (Timles Bass Trombone) ch Horn) es 3 rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are – string reduction for keyboards day’s top new arrangers. me time being scalable up to a ther parts in any combination. ms and chords necessary for the hm player needing more vocal a chord chart. When playing with alto/tenor), the baritone/basses unison, the men should sing it . itar-based band, to give the y the worship leader who may bridge or other section, but there dings and repeats are clearly eeping their place. most titles, the brass parts ulations and inflections in carefully to aid the player piano part and SATB vocals priate capo keys also stand alone): pani, Bells, Sus. Cym., etc) divisi)
. œ
Be Lifted High - page 2 of 3String Reduction Key: Gb
& bbb 44 Moderately Slow q = 76
œP œ œ œ œ œ œ œ Fm
Fm Eb
’œ œ œ œ œ Bb D Cm G m
’ ’ ’œ Ab
& bbb .. 4
’ ’ | Ebsus Eb
1x - W.L. 2x - All unis.
1 Verse P-F œ œ œ œ œ œ œ œ
Eb Eb G
& bbb 7
ÓAb2 Eb G œ œ œ œ œ œ .œ œ
Fm7 Fm7
stone. shame.
And So
I'm no
& bbb 10
œ œ œ œ œ œ œ œ Cm7 Eb
Bb G m Bb
G
I
œ œ œ œ .œ œ œ Fm7 Bbsus Bb
need to be lift - ed high.
& bbb .. to 1
G
You be lift - ed high.
œœ œœ ’ œœ Ebsus Eb
œ
Ab Ab
You be lift - ed high,
1x - Pno only cont. 2x - Band in - sn. on 2&4
Ó Eb G œœœ œœœ œœœ œœœ œœœ œœœ
Ab Bb Ab Ab
Ó Eb G
Mel. on top
Fm7
Eb
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœ Bb D Cm
in my life, oh God.
— — Abadd2
W.L.
Lead Sheet (SAT) Key: E b
Be Lifted High (based on the recording from the Michael W. Smith
album "Be Lifted High" Leeland Mooring
Arr. by Dan Galbraith
&
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&
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&
&
&
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?
÷
&
&
&
&
1
2
Abm Abm Gb
Piano, pad only
J œ .œ
J œ .œ
Abm Abm Gb
Piano, pad only
∑
∑
∑
∑
∑
∑
∑
œ œ
œœ
2
D b F Ebm B bm
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ
4
œ P
Conductor's Score Key: Gb
Be Lifted High (based on the recording from the Michael W. Smith
album "Be Lifted High" Leeland Mooring
Arr. by Dan Galbraith
&
?
&
?
&
&
&
?
?
÷
&
&
&
&
Horn 1-2
1. Sin 2. Sin
œ œ œ œ œ œ œ œ
œœ œœ œ œœ œ œ
G b Gb Bb
j œ .œ j
∑
∑
∑
all left
of here
my with
heart hurt
turns and
œ œœ œœœ
œ Abm7 Abm7
œ
8
‰ jœ P
œ
Db F
&
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&
?
&
&
&
?
?
÷
&
&
&
&
Horn 1-2
left long -
with er
no will
strength I
to leave
a - Your
rise, side,
œœ œ œœ œœ
Ebm7 G b Db
Œ ‰ œ œ
need to be lift - ed high.
œ œ œ œ .œ œ œ
œœ œ œœœ œœœ
12
&
?
&
?
&
&
&
?
?
÷
&
&
&
&
Horn 1-2
Cb G b Bb
j œ .œ ..œœ
∑
œ œ œ œœ œœ œœ You be lift - ed high.
œ œ
œ œ œ
œ Abm Dbsus
œœœ œ œ œ œ œ œ G bsus Gb
j œ .œ œ œ œ
16
œœ œ œ œ œ
œœ
&
?
&
?
&
&
&
?
?
÷
?
&
&
&
Horn 1-2
You be lift - ed high,
œ œ œ œ œœ œœœ œ œMel. in Ten.
œœœ œœœ ...œœœ J
œ
17
Cb Db Cb Cb
1x - Pno only cont. 2x - Band in - sn. on 2&4
œ F œ
œ F œ
œ œ œ œ
You be lift - ed high.
œ œ œ œ œœ œœœ œ œ
œœœ œœœ ...œœœ J
œ
19
Cb Db Cb Cb
œ œ
You be lift - ed high
œœ œœ œœ œœ œœ œœ œœ œ œ
œ œ œœ œ
21
&
?
&
?
&
&
&
?
?
÷
?
&
&
&
Horn 1-2
j œœ
in my life, oh God.
œ œ œ œ œ œ œ œ J œ œ œ œ J
œ œ
Db F Ebm Bbm
œ œ œ
Œ œ œ œ
∑
∑
∑
∑
œ œ œ œ
œ œ œ œ
œ œ œ œ
W.L.
fall to my knees so it's You
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œœ œœ
œ œ
Abm Abm7
Abm Abm7
Œ œœ
œ
œ œ œ œ J œ œ
J œ
œ œ œœœ
Be Lifted High - page 6 of 13Conductor's Score Key: Gb
Notes to Director
Lead Sheet (previewed)
CONDUCTOR'S SCORE (previewed)
Trombone 1-2
Trombone 3, Tuba
Percussion
Violins
Viola
Cello-Bass
Key of Eb