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7/28/2019 Bauer Duotone
1/8
A. Bauer
"DUOTONE"
Violoncello
arco col legno, molto ritmico
=ca. 65 - 70
mp
pizz. (see remarks)
sul G
senza rit. pizz.
ffarco
f ppparco
f ppp
sul G
col legno
mf
(muted)
col legno
mf
sul G
senza rit. pizz.
pIII
IV
arco forte, senzadiminuendo
f
mf
pizz. IV
7/28/2019 Bauer Duotone
2/8
sul G
pizz.
pppp
arco
gliss. gliss. gliss.gliss.
gliss.=ca. 40
fp
pizz. ord.
gliss.
f
gliss.gliss.
gliss.gliss.
pppppp
col legno(c.l.)
left hand only c.l.
p
c.l. c.l. l.h. only
gliss.
c.l.
sul G
arco, molto sul pont., non vibrato
pppppc.l.
gliss.
gliss.
(pizz. l. h.) quasi rit.
mp
sul G
pppp
sul pont. molto
p
p (pattern)
2
7/28/2019 Bauer Duotone
3/8
sul G
ordinario poco a poco
sul G
espresivo
gliss. gliss.
sul G
rubato
gliss.
sul G
gliss.gliss.
gliss. gliss.
mfcresc. poco a poco
gliss.
3
7/28/2019 Bauer Duotone
4/8
sul G
poco piu mosso
f
sul G
gliss.
gliss.
sul G
gliss.gliss.
dolente
gliss.
ff
sul G
fff
gliss.
4
7/28/2019 Bauer Duotone
5/8
sul G
dim. molto
gliss.
ppppp
IIIIV
gliss.gliss.
fff
molto espressivo fffpppp
gliss.
arco
pp
pizz.
=ca. 90
f (pizz.)
(arco)
ritenuto e diminuendo poco a poco
p
poco a poco col legno
=1''
6x (c. l.)
p
poco accelerando poco a poco arco ordinario
5
7/28/2019 Bauer Duotone
6/8
f
Allegro =ca. 90 - 95
simile
gliss.
gliss.
ff mf
cresc. poco a poco
6
7/28/2019 Bauer Duotone
7/8
fff
poco pesaante
diminuendo molto
a tempo
pp
col legno
(strings muted)
p
accelerando e diminuendo molto al fine
ppppp
7
7/28/2019 Bauer Duotone
8/8
Remarks
Glissando starting fromB flat is to be played normaly.Glissando starting fromD is to be playedabovethe finger of the left hand[The result of bothglissandi should be similar.]
Upper stave indicates the "rythm" of bow changes.Glissandi up and down on C and G string ad libitum.
Glissando startsppp from the highest possible note on C and G string.
C string should be muted
Random pitch. Differences result in hitingcol legnoat different spots of muted D & G strings.Follow directions. [Higher notes should be played closer to the bridge.] Strings are to bemuted immediately after playing the accentuated chord notated "normaly". Mute strings withfingers of the left hand by pressing them slightly. The same applies to the last fragment of the piece.
Accidentals apply only to the note they precede
8