Based onThe Pirates of PenzancebyGilbert & Sullivan

Original Songs byTerry Britten

Kit HainSue ShifrinBrian Robertson

Music Production byTerry BrittenWarren Entner Roger SavagePeter SullivanDavid Joseph

Incidental music and adaptationsarranged and conducted byPeter Sullivan

(end credits)

Music Sound Track Executive ProducerWarren Entner

Recorded at AAV-AustraliaEngineer Roger SavageFlagstaff StudiosEngineer Ian McKenzieMusic FarmsEngineer Ian MasonAssistant Orchestrator Frank Strangio

Original Sound Track Album onpolydorRecords - logoand TapesManufactured and Marketed byPolygram Records

"Happy Ending" performed byThe Peter Cupples Band

Produced by David HirschfelderThe Peter Cupples BandJim Bartonby courtesy Astor Records

"We Are The Pirates" performed by

Ian MasonProduced by Ian Mason

by courtesy Hit CityProductions

"Stand Up And Sing" performed byKool and the Gang

Produced by Eumir Deodatoby courtesy Delite Records

Additional lyrics forGilbert & Sullivansongs by Trevor Farrant

Music Mixer Gethin Creagh

The music for the film had a decent amount of airplay without achieving notable success. Christopher Atkins' performance of How Can I Live Without Her? managed to get to #71 on the Billboard top 100 singles chart.

There were a number of credits for the soundtrack of the show, which is a curious mix of Gilbert and Sullivan, and modern interpolations, but the chief credit went to Terry Britten.

Though born in Manchester England in 1947, Britten played a considerable role in the Australian pop music boom by composing for and playing lead guitar in the Adelaide band, The Twilights, before heading back to the UK when the band broke up. Thereafter however, Britten stayed in touch with Australia, and co-wrote with Graham Lyle, the song for Mad Max Beyond Thunderdome, We Don't Need Another Hero. (The pair won a Grammy for the song).

Britten has a detailed wiki here, with a good set of references, but anyone interested in Britten and The Twilights should seek out the always informative and useful Milesago, which has many details here, along with a discography, and this sort of atmospheric insight into the period, in this case the year 1967:

The changes in looks, attitude and musical accomplishment evident in the band upon its return to Australia were exemplified by the increasing dominance of Terry Britten. Of all the Twilights, the Manchester-born Terry seemed the one to have most absorbed the kaleidoscopic influences on offer in the melting pot of Swinging London. Not only did he sport the best clothes and haircut (!) of the bunch, but more importantly, Terry exhibited the greatest creative growth in the band, and from this time onwards assumed the role of chief songwriter and virtual helmsmanship. Embracing, like his hero George Harrison, elements of Eastern philosophy and religion, Terry introduced exotic instruments and musical forms into The Twilights' music, and heralded this newfound discovery by heavily featuring the sitar as a lead instrument on the b-side to "Young Girl", a fine social observation called "Time And Motion Study Man". It the first of many instances in which sitar and other Indian instruments were used prominently on Twilights records.

The site has a shorter note on Britten here, which remembers that after the break-up of The Twilights, Britten released a solo single, 2000 Weeks, inspired by Tim Burstall's

feature film commercial and critical flop. (The promo single could be found on YouTube here at time of writing).

(Below: Terry Britten, older, younger, and below that as he appeared in the 2000 Weeks single, and below that in an early photo of The Twilights, with Britten holding a guitar)

In the re-union photo below, for an appearance in Adelaide at the Festival centre in March 2011, Britten is second from the left. Glenn Shorrock is seated, Peter Brideoake is on the left, and after Britten comes Patty MacCartney and John Bywaters, standing.

Peter Sullivan is probably the second most mentioned name in terms of incidental music and underscore. He had recently done the music for Tim Burstall's dire Duet for Four, more details about that feature at Ozmovies, here.

Sullivan has had a long career in the music game as producer, arranger and composer. Sullivan was for a period the music director at the Nine network, and had his own Peter Sullivan Big Band.

At time of writing, he had a CV here, at a blogspot, which inter alia listed the following

career highlights:

EDUCATION:Diploma of Music - University of Melbourne (1972) Performance – piano and double bass Diploma of Music - University of Melbourne (1972) Composition – supervisor Keith Humble Master of Music - University of Melbourne (2002) Composition – supervisor Brenton Broadstock Private Studies in conducting with Prof John Hopkins (2002-9)

AWARDS: Penguin Award 1984 (Best Mini Series Theme)Penguin Award 1986 (Best Mini Series Theme)Penguin Award 1988 (Excellence in Music for the song Fly) Penguin Award 1990 (Best Mini Series Theme, The Magistrate) APRA Award 1991Advance Australia Services to Music 1992Australia Day Ambassador 1998-2011Life Member - Australia Day Ambassador 2008Variety Club Childrenʼs Entertainer of the Year 2011

CAREER: 1988 commissioned to compose and conduct the song for the Australian Pavilion at 1998 Expo in Brisbane The Two-Man Band - with Mike Brady – highest selling Australian single Up There Cazaly

Arranger and Producer - albums and CDs for many of Australiaʼs leading artists including: Pseudo Echo, Little River Band, Mike Brady, Daryl Somers, Ricky May, Normie Rowe, The Seekers, Colleen Hewitt, Dennis Walter, Franciscus Henri, John Farnham and the Aussie Pops Orchestra.

Music Director at Channel 9 – shows included The Michael Crawford Special, Ernie and Denise, Pot of Gold, The Footy Show, In Melbourne Tonight, Alan Border Medal, Carols By Candlelight.

Music Director of the Peter Sullivan Big Band – performed at many major private, and corporate events and backing major international performers including Wayne Newton, Michael Crawford, Petula Clark, Kathryn Grayson, Chubby Checker, Barry Humphries, Paul Hogan, Kenny Rogers and in 1988 played at a reception during the visit of Prince Charles and Lady Diana in 1988.

Conductor – of all types of ensembles for films TV, big band, the Classical Experience Orchestra at The Crown Showroom

The following film and television credits were also listed:

TELEVISION CREDITS – Composer, arranger, conductor:

Man From Snowy River (3 series), Hinch, House Rules, The Magistrate, Half a World

Away, Rose Against The Odds, Embassy, Chances, Law of the Land, Boys from the Bush, Boney, Half Way Around the Galaxy and Turn Left, The Bob Morrison Show, Ted Whitten Special, Pigʼs Breakfast, Queens Kat, Carmel and St Jude, In Melbourne Tonight, Fear Factor, The Footy Show

FEATURE FILMS – Composer, arranger, conductor:

Pirate Movie, Humpty Dumpty Man, As Time Goes By, Breakaway, Warm Nights on a Slow Moving Train, Nigel, Ground Zero, The Dish

Sullivan was a Victorian ambassador for Australia Day, and that site provides an additional CV for him here:

Peter has a successful and colourful background crossing the whole music spectrum. Beginning at the Melbourne Conservatorium where he studied music for six years. He majored in composition earning honours in Double Bass and Composition.Peter has composed, produced and recorded original motion picture sound track scores for several Australian films including the “Pirate Movie” which he orchestrated, arranged and conducted a 75 piece orchestra. “Humpty Dumpty Man” , “As Time Goes By”, “Breakaway”, “Warm Nights on a Slow Moving Train” and “Nigel”.He has written arrangements and produced albums for many of Australiaʼs leading artists including Pseudo Echo, Little River Band, Daryl Somers, Ricky May, Normie Rowe, The Seekers, Colleen Hewitt, Dennis Walter and arranged songs for the Melbourne Symphony orchestra for the “John Farnham Live” album.As part of “The Two Man Band” with Mike Brady they featured in the Guinness book of records with the highest selling Australian single “Up There Cazaly”.Peterʼs television credits include themes and underscores for “Hinch”, “House Rules”, “The Magistrate”, “Half a World Away”, “Rose Against the Odds”, “Embassy”, ”Chances”, “Law of the land”, “Boys from the Bush”, “Bony”, “Half Way Around the Galaxy and Turn Left”, “The Bob Morrision Show”, “Man From Snowy River”, “The Ted Whitten Special”, “Pigs Breakfast”, “QueenKat, Carmel & St. Jude” and “In Melbourne Tonight”Peter was commissioned in 1988 to write, arrange and conduct the song for the Australian pavilion at the 1988 Expo in Brisbane. That year he won the 1988 Penguin Award for excellence in music for the song “Fly”. In 1989 he won the Penguin for excellence in music award for “This Man, This Woman” and in 1990 the award for the “Magistrate” mini series starring Franco Nero.In February 1990, Peter Sullivan received the Advance Australia Award for his outstanding contribution to Australian Music. In 1991 he received the A.P.R.A. Award for “Television Themes of the Year”, for the title song of the television series “Chances”.Peter received the 2011 Variety Club Childrenʼs Entertainer of the Year Award.

There is no record that Sullivan's work for Duet for Four ever made it to album or disc, and significantly he doesn't rate the score highly in his CVs.

At time of writing, Sullivan could be found on YouTube on piano, performing Vince Guaraldi's tune Cast Your Fate to the Wind, with drums and bass, here.

(Below: Peter Sullivan, and in performance)

The soundtrack for the film was released as a two LP special edition:

2 LP Polydor 2675 228 1982Original Songs Terry Britten, Kit Hain, Sue Shifrin, Brian Robertson. Incidental Music, Adaptions Arranged, Conducted by Peter Sullivan. Mastered at A&M Mastering Studios. Engineered by Bernie Grundman. All Copyright Control.

SIDE 1:1. Victory (2'37") (Terry Britten) Vocals: The Pirates featuring Mike Brady, arranged and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia2. First Love (4'13") (Kit Hain) Vocals: Kristy McNichol and Christopher Atkins, arranged

and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia3. How Can I Live Without Her (3'08") (Terry Britten/Sue Shifrin) Vocals: Christopher Atkins, arranged and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia4. Hold On (3'14") (Terry Britten/Sue Shifrin) Vocals: Kristy McNichol, arranged and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia5. We Are The Pirates (3'36") (Kit Hain) Vocals: Ian Mason, arranged and produced by Ian Mason, engineered by John Fayers, recorded at The Music Farm Studios, Byron Bay, Australia

SIDE 2:1. Pumpinʼ & Blowinʼ (3'05") (Terry Britten/ B. A. Robertson/Sue Shifrin) Vocals: Kristy McNichol, arranged and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia2. Stand Up And Sing (4'32") (Ronald Bell/James Taylor/Kool & The Gang) Vocals: Kool & The Gang, produced by Eumir Deodato in association with Kool & The Gang3. Happy Ending (4'58") (Terry Britten/B. A. Robertson/ Sue Shifrin) Vocals: The Peter Cupples Band, arranged by David Hirschfelder, produced by David Hirschfelder, The Peter Cupples Band, Jim Barton, engineered by Jim Barton, recorded at AAV-Australia, Melbourne, Australia4. The Chase (1'33") (Peter Sullivan) Peter Sullivan and The Orchestra, arranged and conducted by Peter Sullivan, produced by JHI Productions, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia5. (The Pirate Movie) I Am A Pirate King (2'03") (Gilbert & Sullivan/Trevor Farrant/Peter Sullivan) Vocals: Ted Hamilton and The Pirates, adapted, arranged and conducted by Peter Sullivan, produced by Warren Entner, Roger Savage, Peter Sullivan, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia

SIDE 3:1. Happy Ending (4'18") (Terry Britten/B. A. Robertson/Sue Shifrin) Vocals: The Cast, arranged and produced by Terry Britten, engineered by Ian Mackenzie and John Hudson, recorded at Flagstaff Studios, Melbourne, Australia2. The Chinese Battle (2'36") (Peter Sullivan/Terry Britten) Peter Sullivan and The Orchestra, arranged and conducted by Peter Sullivan, produced by JHI Productions, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia3. (The Pirate Movie) The Modern Major Generalʼs Song (2'00") (Gilbert & Sullivan/Trevor Farrant/Peter Sullivan) Vocals: Bill Kerr and Cast, arranged and conducted by Peter Sullivan, produced by Warren Entner, Roger Savage, Peter Sullivan, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia4. We Are The Pirates (2'18") (Kit Hain). v: The Pirates featuring Ted Hamilton. Adapted, Arranged and Conducted by Peter Sullivan. Produced by Warren Entner, Roger Savage, Peter Sullivan. Engineered by Roger Savage. Recorded at AAV-Australia, Melbourne, Australia.5. Medley (4'03") (Gilbert & Sullivan/Terry Britten, Sue Shifrin/B. A. Robertson/Trevor Farrant/Peter Sullivan) Vocals: Peter Sullivan and The Orchestra, arranged and conducted by Peter Sullivan, produced by JHI Productions, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia

SIDE 4:1. (The Pirate Movie) Tarantara (1'53") (Gilbert & Sullivan/Trevor Farrant/Peter Sullivan) Vocals: Gary McDonald and The Policemen, adapted, arranged and conducted by Peter Sullivan, produced by Warren Entner, Roger Savage, Peter Sullivan, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia2. The Duel (4'04") (Peter Sullivan/Terry Britten). Peter Sullivan and The Orchestra, arranged and conducted by Peter Sullivan, produced by JHI Productions, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia3. The Sisterʼs Song (2'42") (Gilbert & Sullivan/ Trevor Farrant/Peter Sullivan) Vocals: The Sisters, adapted, arranged and conducted by Peter Sullivan, produced by Warren Entner, Roger Savage, Peter Sullivan, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia4. Pirates, Police And Pizza (3'32") (Peter Sullivan/Terry Britten) Peter Sullivan and The Orchestra, arranged and conducted by Peter Sullivan, produced by JHI Productions, engineered by Roger Savage, recorded at AAV-Australia, Melbourne, Australia5. Come Friends, Who Plough The Sea (2'00") (Gilbert & Sullivan/Trevor Farrant/Peter Sullivan) Vocals: Ted Hamilton and The Pirates, adapted, arranged and conducted by Peter Sullivan, produced by Warren Entner, Roger Savage, Peter Sullivan, recorded at AAV-Australia, Melbourne, Australia

A number of songs were also released on 45:

45 (stereo) Polydor 2095 465 1982Side A: How Can I Live Without Her (3'08") (Terry Britten/Sue Shifrin) Vocals: Christopher AtkinsSide B: I Am A Pirate King (2'03") (Gilbert & Sullivan/Trevor Farrant/Peter Sullivan) Vocals: Ted Hamilton & Pirates

45 (stereo) Polydor 2095 474 1982Side A: Happy Ending (Terry Britten/B. A. Robertson/Sue Shifrin) Vocals: Peter Cupples BandSide B: Victory (Terry Britten) Vocals: Mike Brady & The Pirates

There were other releases in various territories:

Below are lyrics for some of the songs as they appear in the film (not the LPs)

Victory (Terry Britten, sung by the pirates)Lyrics for the song that runs over the head credits, sung by the pirates:

Raise the flag of piracySing the song of victoryFor glorious in battle are weWe've never known defeatWe never will retreatWe live to hear the cannon roar

And terror is our semaphoreNotoriously loathsome are weWe rob the rich, the poorThen steal a little more

Victory, we fight to winVictory is ours againWe are the scourge of the land and seaBeastly pirates are we

Masters of the briny seaWe'll go down in historyCourageous men who live by the swordWe deal in treacheryThe kings of lecheryRaise the anchor, trim the sailWe raid tonight if winds prevailInvincible, we fight to the endUnited to a manWe need no battle plan

Victory, we fight to winVictory is ours againWe are the scourge of the land and seaBeastly pirates are we

It's so pitiful a sightTo see them walk the plankThey squirm and cry for mercyRegardless of their rankOh oh oh oh oh oh oh ohOh oh oh oh oh oh oh oh

Victory, we fight to winVictory is ours againWe are the scourge of the land and seaBeastly pirates are weVictory, we fight to winVictory is ours againWe are the scourge of the land and seaBeastly pirates are we …Victory … yeahuh

Happy Ending (Terry Britten and others)Lyrics for the song that runs over the end titles, sung by mixed choir(this song is also song prior to end titles rolling):

Give me a happy ending every timeWe'll kiss and make upThat's a very peaceful sign

Give me a happy ending every timeDon't be unhappyEverything will work out fineNo more fighting, scratching, bitingNo more police and thievesAll is sweetness, light and neatnessYes sir … no thanks … please

When you've had your fill of life's ugly pillsThe sadness and the painTake the box of pills and attendant illsFlush them down the drain

Give me a happy ending every timeWe'll kiss and make upThat's a very peaceful signGive me a happy ending every timeDon't be unhappyEverything will work out fineEverything will work out fineGive me a happy ending every timeWe'll kiss and make upThat's a very peaceful signGive me a happy ending every timeDon't be unhappyEverything will work out fineGive me a happy ending every timeWe'll kiss and make up … (song fades out over this line)

Other lyrics:

I Am a Pirate King (Gilbert and Sullivan and others)(Spoken over music by Ted Hamilton, the pirate King)

Oh, better far to live and dieUnder the brave black flag I flyThan play a hypocritical partWith a pirate head and a pirate heart(Pirates cheering)Away to the world across the seasWhere pirates all have law degreesBut I'll be true to the song I singAnd live and die a pirate kingFor …..

I am a pirate king(Pirates: You are, hurrah, for a pirate king)And it is, it is a glorious thingTo be the pirate kingI am a pirate king

(Pirates: You are, hurrah for a pirate king)And it is, it is a glorious thingTo be the pirate king(Pirates: It is, hurrah for a pirate kingHurrah for the pirate king)

When I venture forth to seek my preyI crush my foes in a royal wayThe ladies yield and the ships go downOr is it the other way around?(Pirate laughter)But many a king in a gilded towerIf he wants to cling to pomp and powerMust manage somehow to get throughMore dirty work than ever I do(Pirates: ha ha ha ha ha)

Oh, I am the pirate king(Pirates: You are, hurrah for a pirate king)And it is, it is a glorious thingTo be the pirate kingI am the pirate king(Pirates: You are, hurrah for a pirate king)And it is, it is a glorious thingTo be the pirate king(Pirates: It is, hurrah for a pirate king)I am the pirate king ….(Pirates: … he is a pirate kingHe is, he is a glorious thingA pirate king )

The Sisters' Song (Gilbert and Sullivan and others)Sung by the sisters and girls chorus:

(Over the sisters approaching the beach)Climbing over a rocky mountainSkipping rivulet and fountainPassing where the willows quiverPassing where the willows quiverBy the ever-rolling river … (fading off in the distance)

(Over the sisters dancing on the beach)Let us gaily tread the measureMake the most of fleeting leisureWorship nature while we canFar away from any manFar away from any manMake the most of fleeting leisureFar away from any man

Climbing over a rocky mountainSkipping rivulet and fountain(Mabel to camera: Do you believe that song?)Passing where the willows quiverPassing where the willows quiverBy the ever-rolling river Swollen with the summer rainThe summer rainLet us gaily tread the measureMake the most of fleeting leisureWorship, worship nature while we can

Let us gaily tread the measureMake the most of fleeting leisureFar away from any manFrom any manLet us gaily tread the measureMake the most of fleeting leisureFar away from any manFrom any man ...

First Love (Kit Hain)Sung by Christopher Atkins and Kristy McNichol:

Fred：When will I find I love?Where will she be,And if she's out there will she wait for me?

Mabel:How will he know me?Will I know him?Is there no end to all my questioning?

Fred:Can I believe what I am seeing, what I am feelingSomething so rare, watching her thereShe makes my heart stop.

Mabel:Can I believe what I am feeling, my head is reeling,He just looked my way, from the start I can sayI will give him everything.Strange emotions wash over meLike the motion of the deepest sea,

Both: And I feel ...

Both (with chorus):

… First love (I feel nobody but you),You're all I'm dreamed of (I will be constant and true),

Love moves me inside like the moon moves the tide.My first love.

Mabel and Fred:Some kind of miracle brought you hereJust when I'd given up hopingFrom the moment when you first appearedI could feel my whole life opening

Mabel:In first love

Chorus:I need nobody but you

Mabel and Fred:You're all I've dreamed of

Chorus:I will be constant and true

Mabel and Fred:Love moves me insideLike the moon moves the tide

Together:My first love

Chorus:I need nobody but you

(Together and with chorus)My first love(I will be constant and true)My first loveMy first love ...And I promise to be true to youMy first love ...

The Modern Major General's Song (Gilbert and Sullivan and others)Sung by Bill Kerr:

I am the very model of a modern major generalI have information vegetable, animal and mineralI know the kings of EnglandAnd I quote the fights historicalFrom Marathon to Waterloo, in order categorical

I'm very well acquainted too, with matters mathematicalI understand equations, both the simple and quadradicalAbout binomial theorem I'm teeming with a lot of newsWith many cheerful facts about the square of the hypotenuse

(Mabel: Papa)Zounds, this is my big number. Now, play along with thisOur lives may depend upon it

I'm very good at integral and differential calculusI know the scientific names of beings animalculousIn short, in matters vegetable, animal and mineralI am the very model of a modern major general

(Chorus: in short, in matters vegetable, animal and mineralHe is the very model of a modern major general)

Verse 2 …I comprehend contemporary culture North AmericanI straighten more piratical erections than Bo Derek canI'm into E.S.T. and all the rest I've undergone analysisI've jumped beyond the gravitude to permanent paralysisMy muse is into music But my credit I'll not trouble youFrom R&R to S&M cross over C&WTo groovin with the DoobiesIn my Malibu white-soulin' tonesMan, I'm older than the BeatlesBut I'm younger than the Rolling Stones

(Chorus: He's older than the Beatles But he's younger than the Rolling StonesHe's older than the Beatles But he's younger than the Rolling Stones, repeat)

My military knowledge For I'm plucky and adventuryEmbraces M.A.S.H. and Star WarsAnd the 22nd centuryYes sir in matters vegetable animal and mineralI am the very model of a modern major general(Chorus: Yes sir in matters vegetable animal and mineralhe is the very model of a modern major general)

Pumpin' and Blowin' (Terry Britten and others)Sung by Kristy McNichol, with chorus:

(Chorus: Keep pumpin', blowin'; keep pumpin', blowin')

Hey it's an old wives' story,I said, it's old wives' tale.I said love is glory, I tell you love's so frail.Mmm, loving needs a bandage, and intensive care,And it's a disadvantage, when you're playin' fair.

If you're treading water, and romance is on the slide,Don't you know you have to swallow something more than water;It's your pride...

Ah-huh, I've huffed and puffedJust to keep love goin'.I'm done, I've had enoughOf pumpin' and of blowin'.

(Chorus: Keep pumpin', blowin'; keep pumpin', blowin')

You know a woman's labor (Chorus: keep pumpin') is never, ever done. (Keep on blowin')So could you do me a favor, (Chorus: keep pumpin') and father tell your son (A'blowin')If he's treadin' water, and romance is on the slide,Don't you know you have to swallow something more than water,It's your pride.

Aha, I huffed and puffedJust to keep love goin'I'm done, I've had enoughOf pumpin' and of blowin' (repeat)

(Chorus: Pumpin, blowin', keep pumpin, blowin', keep pumpin, blowin' etc )

How Can I Live Without Her (Terry Britten and Sue Shifrin)Sung by Christopher Atkins

I know she'll never understand.I gave my word before we met,So I just can't go breaking it.She'll say she thinks I'm out of touchI've let my duty, honorbound, cCome between the love we've found.

With chorus:How can I live without her, if she's all I'm livin' for? (Chorus: I'm livin' for) How can I live without her, live like I did before? Now I can see through her eyes how good love could be How can I live without her when she's gone?

No matter what the future brings,I'll hold the memories in my heartNo matter how long we're apart.

She'll always be the only one,Her name forever on my lipsShe's slipping through my fingertips.

With chorus:How can I live without her if she's all I'm livin' for? (Chorus: I'm livin' for) How can I live without her, live like I did before? Now I can see through her eyes how good love can be How can I live without her?How can I live without her?How can I live without her?When she's gone?(Chorus: How can I live without her?)When she's gone(Chorus: She's all I'm livin' for)She's all I'm living for(Chorus: How can I live without her?)How can I live like I did before?How could I live without her?

Hold On (Terry Ellis and others)Sung by Kristy McNichol, with chorus under certain lines:

Love show me the wayWhen I am lost and hope begins to fadeLove, timeless and trueWhenever I need strength I look to you

Tonight, my faith is strong enoughTo see me throughTonight he's gotta trust and love the way I doWe gotta hold on tight, tonight

Hold on, nothing's gonna stop usIf we just believe in loveHold on, there's nothing under heavenWe can't overcomeHold on

Now I see a wayHow the tide will turn and the part I'll playIt's all part of a planYou don't have to know or understand

Tonight, I'll see it all unfold before my eyesTonight, with fortune on my sideAnd love to guide meThe future is lookin' bright, tonight

Hold on, nothing's gonna stop us

If we just believe in loveHold on, there's nothing under heavenWe can't overcome, hold on

And though the road ahead maybe unknownWe'll make it if we hold onAnd though the road aheadMay be unknown We'll make it if we hold on ...

(The Pirate Movie - Tarantara)(Sung by police chorus and Gary MacDonald)

(Police chorus in the countryside)When the bowman bares his steelTarantara, tarantaraWe uncomfortable feelTarantara And we find the wisest thingTarantara, tarantaraIs to slap our chests and singTarantara,For when threatened by the brutesTarantara, tarantaraAnd your heart is in your bootsTarantara, There is nothing brings it roundNext the trumpet's martial soundLike the trumpet's martial soundTarantara, tarantaraTarantara, tarantaraTarantara, tarantaraTarantara, tarantara (etc)

(The song resumes later in the film,after an Inspector Clouseau routine and Kristy McNichol herding the police towards the mansion againand the pirate chorus sounding forth with a burst of yo ho ho's)

Though to us it's evidentTarantara, tarantaraThese intentions are well-meantTarantara, Such expressions don't appearTarantara, tarantaraCalculated men to cheerTarantara, Who are going to meet their fateTarantara, tarantaraIn a highly-nervous state

Tarantara,Still, to us it's evidentThese intentions are well-meantThese intentions are well-meantTarantara, tarantaraTarantara, tarantara (etc, many repeats)

We are the Pirates (Kit Hain)(Sung by the pirates)

(As the pirates begin their attack on the mansion)We are the pirates, we are the piratesOut on the ocean wavesWe instil fear and loathing (loathing)We are very, very loathed

Marauders with shiny swords and very fancy clothing (clothing)We are very well clothedTotal supremacy is what we gun forWe raise our flag and watch the cowards run

For we are the piratesRulers of the high seasWe can be irate, sometimes very nastyWe wheel, we dealWe steal their thunder (Thunder)We shoot, we lootWe put them under (Under)We are the piratesLoot, shoot, plunderWe can be irate, shoot loot asunderWe're pirates, yo ho ho, We're the pirates yo ho ho …

(After the pirates storm the mansion's gates,and darkness descends, the song resumes)

Nothing we like better than a dreadful brawlLocked in battle, see our victims fallOh we are the piratesBatten down the hatchesWe can be irateAye, eye patchesThe pirates yo ho hoLads, the pirates yo ho ho We are the pirates!

(After an Avon calling joke, and the pirates invading the mansion,and Christopher Atkins seeing a strip tease in silhouettethe song resumes, sung by the pirates and Ted Hamilton)

With cat like treadUpon our prey we stealIn silence dreadOur forces we revealNo sound at allWe never speak a wordA fly's footfall would be distinctly heard(Police: Tarantara, tarantaraTarantara, tarantara)So stealthily the pirate creepsWhile all the household soundly sleeps(Police slapstick, grunts)Come, friends, who plough the seaSteady navigation, shirk and devastationLet's vary piracyWith a little lecheryCome, friends, who plough the seaSteady navigation, shirk and devastationLet's vary privacyWith a little lechery … (fades off to pirates cheering and breaking glass,then the chorus recurs briefly later under the action as the pirates march down a corridor to the library)

Brief reprise of First Love (Kit Hain)Sung by Fred

(In the middle of the pirates police and pizza fight)Fred:Can I believe what I am seeing?What I am feeling?Something so rareWatching her thereShe makes my heart stop

(Mabel knees him in the testicles. Mabel to camera: War is hell)

Happy Ending (Terry Britten and others)Sung by cast (this song recurs over the end credits):

(Sung in front of the mansion by all)No more sad times, mad or bad timesNo more minor keysLife's for livingSharing, givingLife's for you and meWhen the going's roughAnd you've had enoughLeave your troubles and your woesTurn the other cheek and forget your grief

Make a friend out of your foe

(Oh) … give me a happy ending every timeWe'll kiss and make upThat's a very peaceful signGive me a happy ending every timeDon't be unhappyEverything will work out fine

No more fighting, scratching and bitingNo more police and thievesAll is sweetness, light and neatness

(The pirate king kneels to propose. Ruth: Yes, sir)

No thanks, pleaseWhen you've had your fill of life's ugly pillsThe sadness and the painTake the box of pills and attendant illsFlush them down the drain

Give me a happy ending every timeWe'll kiss and make upThat's a very peaceful signGive me a happy ending every timeDon't be unhappy Everything will work out fineEverything will work out fineGive me a happy ending every timeWe'll kiss and make upThat's a very peaceful sign … (song fades out)

(The song then turns rock n' roll, with guitar and solo vocalist,over Fred and Mabel's wedding in modern times at the Polly Woodside ship)

Give me a happy ending every timeWe'll kiss and make upThat's a very peaceful signGive me a happy ending every timeDon't be unhappy'Cause everything will work outWill all work out fine(Chorus joins in: Give me a happy ending)Every time(Give me a happy ending)Every time(Give me a happy ending)

(After two "slate" jokes, song resumes over end credits, lyrics above).