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Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted, secular subjects, art for the aristocracy Neoclassical: Italian Renaissance, classical compositions and motifs Terms: Caravaggista, genre Chapter Seventeen The 17th and 18th Centuries

Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

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Page 1: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

•Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light

•Rococo: pastel colors, lighthearted, secular subjects, art for the aristocracy

•Neoclassical: Italian Renaissance, classical compositions and motifs

•Terms: Caravaggista, genre

Chapter Seventeen

The 17th and 18th Centuries

Page 2: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.1, Cornaro Chapel Santa Maria Vittoria, Rome, 1642-52.

Insert 72 dpi visualSuggested visual: figure 17.2, St. Teresa in Ecstasy, Cornaro Chapel, 1645-52.

The Baroque Era

Page 3: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.3, Boromini, Plan of San Carlo alle Quattro Fontane, Rome.

Insert 72 dpi visualSuggested visual: figure 17.3, Boromini, San Carlo alle Quattro Fontane, Rome, 1665-67.

The Baroque Era

Page 4: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.6, Caravaggio, Entombment of Christ, 1604.

The Baroque Era

Page 5: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.5, Genileschi, Judith and Maidservant with the Head of Holofernes, 1625.

The Baroque Era

Page 6: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.7, Rubens, The Raising of the Cross, Belgium, 1609-10.

The Baroque Era

Page 7: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.8, Poussin, The Ashes of Phokion, 1648.

The Baroque Era

Page 8: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.9, Le Vau and Mansart, Palace of Versailles, 1669-85.

Insert 72 dpi visualSuggested visual: figure 17.10, Mansart and Le Brun, Hall of Mirrors, Palace of Versailles, C. 1680.

The Baroque Era

Page 9: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.11, Diego Velázques, Las Meninas (The Maids of Honor), 1656.

The Baroque Era

Page 10: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.12, Rembrandt, The Night Watch, 1642.

The Baroque Era

Page 11: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Insert 72 dpi visualSuggested visual: figure 17.13, Judith Leyster, Carousing Couple, 1630.

Insert 72 dpi visualSuggested visual: figure 17.14, Rusdael, View of Ootmarshum, 1628-29.

The Baroque Era

Page 12: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

The 18th Century

Insert 72 dpi visualSuggested visual: figure 17.15, François Cuvillies the Elder, Mirror Room, Munich, 1734-39,

Rococo

Page 13: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

The 18th Century

Insert 72 dpi visualSuggested visual: figure 17.16, Frogonard, The Pursuit, 1771-73.

Rococo

Page 14: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Revolution

Insert 72 dpi visualSuggested visual: figure 17.93, Jacques-Louis David, The Death of Marat, 1793.

Page 15: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

Revolution

Insert 72 dpi visualSuggested visual: figure 17.20, John Singleton Copley, Paul Revere, 1768-70.

Neo-Classical

Page 16: Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light Rococo: pastel colors, lighthearted,

•Baroque Art: energy, theatrical emotion, rich primary colors, dynamic composition and the strong presence of light

•Rococo: pastel colors, lighthearted, secular subjects, art for the aristocracy

•Neoclassical: Italian Renaissance, classical compositions and motifs

•Terms: Caravaggista, genre

Chapter Seventeen

The 17th and 18th Centuries