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8/17/2019 Background feature - "The Addams Family" Broadway production
1/4
trTeursdag
I
SUNDAY,
ApRtL
4,2O1O
ffi
w;
8/17/2019 Background feature - "The Addams Family" Broadway production
2/4
o
b
I.OVECE
to
Newsdcy
s Wednesday
Addams
warns
her
beau
in the
Broadway musi-
cal
"The
Add-
ams
Family,"
opening Thurs-
day at the Lunt-
Theatre,
"Don't
analyze
It's
a deep, dark
hole, and
you
wanna
go
there."
And
yet
through 50
years
of
Yorker
cartoons,
two live-
TV
series,
two animated
two theatrical
features,
a
and
now
we
do
wanna
go
there. We
to visit that family of
ghoul-
glee,
whotip steaming
liquid
the top of their Gothic
man-
over Christmas carolers
urge vehicles
on
a
road
to
pass
their
car
as
unseen
tractor-trailer
rounds
curve. Patriarch
Gomez
Add-
lights up with
happiness
-
-
as
he
sees
his corpse-
bride, Morticia,
sewing little
booties
.
. . with
four
legs.
It's not that we
secretly wish to
homicidal, or to
have
six-
Hopefully. We're
responding.to
the
Bizarro
image
in which
light
and bad is
good.
The
juxtaposition
throws
into
relief the sayings
and conven-
of
everyday
life,
the
irony
us
to the
banality
of
words
-
md, by extension,
lives.
But there's something
else.
In
their incarnations, the
Addams-
are
a loving, well-functioning
-
the Brady
gone
Goth. And
as Andrew
the new
musical's compos-
notes about the caroler car-
one of Charles
Addams'
the steaming vat
"is
tipped, but there's
not
a
drop of
it emerging
yet.
So
only
the
suggestion
of
some-
happening
-
nothing mali-
actually
happens. I think
a
really
important
point.
It
stop being
funny if they
tipped
the vat."
So,
we won't tip the vat.
But we
our hat
to these four
,of
the family
.Addarss:
.
IN
T}IE ]{EW YORKER
cARTOOT{S
Charles
Addams began illus-
trating
for
the magazine
n1932,
and six
years
later drew
the
fust
cartoon of what would
become
the macabre
clan
-
a
pale,
beau-
tiful,
black-haired
woman
in a
tomblike, cobweb-filled
old
mansion,
listening deadpan
(so
to speak) as
a vacuum-cleaner
salesman
gives
his spiel. Soon
she was
joined
by
a husband, two
kids, a
grandma,
an
uncle
and a
towering butler
-
all unnamed
until
the
1964
TV
show.
Addams,
whose
"Addams
Family" cartoons
make up
only a
small
portion
of his output,
con-
tinued drawing
for
The New
Yorker until
his death
in
Manhat-
tan
in
1988,
atage76.
Not the same
old
Thing: "The Addams Family"
musical
opens Thursday
at the Lunt-Fontanne
with Adam
Riegler,
left, Jackie Hoffman,
Krysta
Rodriguez,
Nathan
Lane,
Bebe Neuwirth,
Zachary
James
and Kevin
Chamberlin
8/17/2019 Background feature - "The Addams Family" Broadway production
3/4
il
TV
ADDAMS FAMITY'
(ABC,
1964-66)
of
Addamsania,
starting
with composer Vic Mizzy's
theme
(snap
snap ).
It's the
where the Addamses
got
their names:
(played
by
]ohn
Astin,
whom
Charles
gave
a
choice between
that or
the
name
Repelli); Morticia
(1950s
film
star
Oscar nominee Carolyn
Iones);
Uncle
child star
|ackie
Coogan,
played
the titular role in Charlie
Chap-
l92l
classic
"The
Kid"); Grandmama
Rock, older sister of musical
star and
Pugsley
(Lisa
Loring
and Ken Weather-
wax; Addams'frst
suggestion for the
boy was
Pubert, which surfaced
as
the
baby's name in
the i993
movie "Addams Family
Values").
The
series also
gave
us the
disembodied
hand
called
Thing and Cousin Itt, a short,
shaggy
creature
that looks like a
walking,
4-foot-tall wig.
Each has a cameo
in the new
musical,
which opens with
a
passage
from
the famous
theme.
r
ffi,n
ON-SCREEN
ITHE
ADDAMS
FAMILY'
(1991)
and
'ADDAMS
FAMttY
VALUES'(1993)
Barry Sonnenfeld
("Men
in
Black")
directed
these two
darklycomic hit movies that
were more inspired by the
original cartoons
than
by the
'60s
sitcorn
Raul
Julia
and
Anjeli-
ca
Huston
starred
as
Gomez and
Morticia, with
child
actress
Christina Ricci enjoying
a break-
out role
as the
dour Wednesday.
(Asked
at a
Halloween
event
in
the sequel
why
she
isn't
wearing
a
costume,
she
gives
an
eerily
straightforward reply
"I'm
a
homicidal m
looklike
an;
WorkmarL
acting,
play
Christophe
Carel Struy
giant
from
played
Lurc
was
fudith
movieandC
second.
Nathan
L
Gomez on
as
a
police
"Addams F
of many sta
ln
cameos.
tr*4i
z
q
C
t
o
I
th
ne
Huston and
Thing enjoy
a
John Astin as Gomez, Carolyn Jones
as
Morticia
ON
BROADWAY
,THE
ADDAMS FAMILY'
(Broadway
musical)
Ifbackstage reports are to
be
believed, the
joyfully
maca-
bre
goings-on
onstage in the
new
show starring
Lane and
Bebe
Neuwirth mask the bub-
ble, bubble,
toil
and
trouble
behind it. During out-of-town
tryouts
at the Oriental Theatre
in
Chicago
late
last
year,
the
acclaimed
lerry
Zaks
took over
as
director from
Broadway
newcomers Phelim McDer-
mott
and
Julian
Crouch, who
were relegated to
providing
"input." And word kept leaking
out of
Neuwirth's frostiness
toward co-star
Lane,
and
dissat-
isfaction
with her
role
as
it
was
developing.
The
two
made nice in an
interview with
New
York
Magazine,
where
Neuwirth
conceded the two "both
have
a
nice, healthy
dosg
of diva," but
that "we also
do
really
go
together. You've
got
the
little
clown running around, and
you
have
a
son.
That's
Lane is
a
clown"
in
t
concerns
a
day
(Krysta
with a boy
and
bringin
rence Man
lo)
to meet
Fester
(a
sh
Chamberlin
equally
sho
Hoffman),
Riegler)
an
|ames)
-
t
siastic
patr
chaos at
ba
8/17/2019 Background feature - "The Addams Family" Broadway production
4/4
ON-SCREEN
,THE
ADDAMS
FATILY'
(199'l)
and'ADDAilS
FAiilLY
VALUES',
CI993)
Barry
Sonnenfeld
("Men
in
BlacIC')
directed
these
two
darklycomic
hit movies
that
were
more
inspired by
the
original
cartoons
than by
the
'60s
sitcorn
Raul
fulia
and
Anjeli-
caHuston starred
as Gomez
and
Morticia with
child
actress
Christina
Ricci
enjoying
a
break-
out
role as
the
dour Wednesday.
(Asked
at
a Halloween
event
in
the
sequelwhy
she
isn'twearing
a
costume,
she
gives
an
eerily
straightforward
rep\t
"I'm
a
fl
.r
,:
..0
I
'?.
(
I
-':.
i4
l-
.. .i
l-r
\
;....,-
and Thing enjoy a
Nathan
Lane;
who
PlaYs
Gomez
on
Broadway,
apPeared
as a
police
desk
sergeant
in
"Addams
Family
Values,"
one
of many
stars
who
poPPed
uP
in
cameos.
homicidal
maniac.
They
can
look like
anybody.")
|immy
Worlanan,
who
discontinued
acting,
played
her
brother.
Christopher
Lloyd
was
Fester,
Carel
Struycken
(the
mysterious
giant
from
"TwinPeaks")
played
Lurch,
and
Grandmama
was
fudith
Malina
in
the
first
movie
and
Carol
Kane
in
the
second.
ON
BROADWAY
,THEADDAIIS
FATIIY'
(Broadway
musical)
Ifbackstage
reports
are
to
be
believed,
the
joyfirlly
maca-
bre
goings-on
onstage
in the
newshow
starring
Lane and
Bebe
Neuwirth
mask
the bub-
ble,
bubble,
toil
and
trouble
behind
it.
Ouring
out-of-town
tryouts
at
the Oriental
Theatre
in Chicago
late
last
year,
the
acclaimed
lerry
Zaks
took
over
as
diiector
from
Broadway
newcomers
Phelim
McDer-
mott
and
fulian
Crouch,
who
were
relegated
to
providing
"input."
And
word
kePt
leaking
out
of Neuwirth's
frostiness
toward
co-star
Lane,
and
dissat-
isfaction
with
her
role
as it
was
developing.
The two
made
nice
in
an
interview
with
New
York
Magazine,
where
Neuwirth
conceded the
two
"both
have
a
nice,
healthy
dosg
ofdiva,"
but
that
"we also
do
really
go
together.
You've
got
the
little
clown
running
around,
and
you
have
a very
still,
dry
Per-
son.
That's
a
fun
pairing."
Lane is
actually
less
"a
little
' -
clown"
in the
show
-
which
concerns
a
grown-up Wednes-
day
(Krysta
Rodriguez)
in
love
with
a
boy
(Wesley
Taylor)
and
bringing
his
parents
(Ter-
rence
Mann,
Carolee
Carmel-
lo) to
meet
her
parents,
Uncle
Fester
(a
show-stealing
Kevin
Chamberlin),
Grandmama
(an
equally
show-stealing
|ackie
Hoffman),
Pugsley
(Adam
Riegler)
and
Lurch
(ZachatY
|ames)
-
than
he is the
enthu-
siastic
patriarch who
keePs
chaos
at
bay.
PHOTOS
Check
out
our
galleries
of
the
hottest
shows
.--gn_Flgadry"y
.
--
.
, H@l,com
/theater