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Avril Lavigne -Goodbye Lullaby
Citation preview
Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any claim to its accuracy or value as a learning aid. My intent in making this FREE sheet music available is solely for non-commercial, educational use. If you’ve purchased this, then you were scammed --- by someone pretty brazen if they left this disclaimer in place, in addition to having sold it to you. If someone gave you this file in trade, I encourage you to refrain from dealing with them in the future, as I provide these compilations freely at the Pianist’s Library (where others share their compilations and scans as well.) I also distribute these via request to people who are sharing on pianofiles.com. Help your fellow musicians by keeping the music flowing and the leeches choking. This sentence intentionally left bereft of meaning. Please consult backwards message at the end of the record for the question to Life, The Universe, and … ooooh, shiny!
Avril Lavigne – Goodbye Lullaby
Table of Contents
01 – Black Star
02 – What The Hell
03 – Push
04 – Wish You Were Here
05 – Smile
06 – Stop Standing There
07 – I Love You
08 – Everybody Hurts
09 – Not Enough
10 – 4 Real
11 – Darlin
12 – Remember When
13 – Goodbye
14 - Alice
Unofficial Compilation
For
© 2011 Sorgdal @ The Pianist’s Library
Gently
BLACK STAR
Words and Music byAVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
mp
µ
C G6
Am7 F C G6
Am7 F
Black star,
C
black
G6
star,
Am7
for ev- er- you will be
F
a shin ing-
C
star, shin ing-
G6
star, be what -
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
Am7
ev er- you can be.
F
A rock star,
C
rock
G6
star,
Am7
you will al ways- be
F
a black
C
star, black
G6
star, black
Am7
star.
F
Black
C
star, black
G6
star, black
Am7
star.
F C
G6
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
Am7 F C G6
Am7 F C G6
Am7 F C G6
Am7 F
µ
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
What The Hell
© Copyright 2011 Almo Music Corporation, USA/Avril Lavigne Publishing Limited LLC, USA.
Kobalt Music Publishing Limited (66.67%)/Universal Music Publishing (33.33%).
All rights in Germany administered by Universal Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.
A D F#‹ D
q = 155
You
So
A
say
what if I
that
go
D
I’m
out
mess
on
ing
a
- with
mil
your
lion-
head.
dates?
F#‹
(Yeah, yeah, yeah,
D
yeah.)
You
nev
All
A
er-
’cause
call
I was
or
mak
lis
D
ing
ten
-
-
out
to me
with
an
your
y- way.
friend.
-
F#‹
(Yeah, yeah, yeah,
D
yeah.)
I
Words & Music by Avril Lavigne,Max Martin & Shellback
1.
2.
ra
Love
A
ther-
hurts
rage than
wheth
sit
D
er
a
- it’s
round- and
right
wait
or
all
wrong.
day.
F#‹
(Yeah, yeah, yeah,
D
yeah.) I
Don’t
can’t
get
A
me
stop
wrong.
’cause
I
D
I’m
just
hav
need
ing
some
- too
time
much
to
fun.
play.
F#‹
(Yeah, yeah yeah,
D
yeah.) You’re
on
A
your knees begg
D
ing- please stay
F#‹
with me.
D
But
hon
A
est- ly,- I just need
D
to be a lit tle- cra
F#‹
zy-
D
(1º only)
2
All
A
my life I’ve been good
D
but now, oh,
F#‹
I’m think ing- what the hell.
D
All
A
I want is to mess
D
a round- and I
F#‹
don’t real ly- care a bout
D
-
A
if you love me,
D
if you hate me,
F#‹
you can’tsave me, ba by,- ba
D
by.-
All
A
my life I’ve been good
D
but now, whoa,
F#‹
what the hell.
D
3
A
What...
D
what...
F#‹
what... what the hell?
D1.
A D F#‹ D2.
La,
A
la, la, la, la, la,
D
la, la...
F#‹
whoa... whoa...
D
You
A
say that
D
I’m mess ing- with your head.
F#‹
Boy, I like mess ing- in
D
your
4
bed.
A
Yeah, I
D
am mess ing- with your head
F#‹
when I’m mess sing- with you
D
in
All
bed.
A
my life I’ve been good
D
but now, oh,
F#‹
I’m think ing- what the hell.
D
All
A
I want is to mess
D
a round- and I
F#‹
don’t real ly- care a bout...
D
-
All
A
my life I’ve been good
D
but now, oh,
F#‹
I’m think ing- what the hell.
D
5
All
A
I want is to mess
D
a round- and I
F#‹
don’t real ly- care a bout
D
-
A
if you love me,
D
if you hate me,
F#‹
you can’tsave me, ba by,- ba
D
by.-
All
A
my life I’ve been good
D
but now, whoa,
F#‹
what the hell.
D
La,
A
la, la,
D
la, la, la, la, la, la,
F#‹
la, la, la, la, la, la,
D
la, la.
µ
6
Moderately
PUSH
Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission
3fr
Eb
Ain’t seen too much of you late ly,- and you’re
Bb(add4)
start ing- to get on my nerves. This is
f
3fr
Eb
ex act- ly- what hap pened- last time, and it’s
Bb(add4)
not what we de serve.- It’s a,
3fr
Eb
It’saa waste
wasteofof
mymy
time,time
shaklate
ing,ly,
-- and
andI’mI’m
Bb(add4)
gorun
ingning
--
outout
toof
search.words.
If it’s
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
3fr
Eb
real ly- meant to be, then you
3fr
F[add4]
could find a way to see.
Bbsus2
And may be- you should just shut up,
F
e ven- when it gets tough,
3fr
Cm
ba by,- ’cause this is love.
3fr
Eb
Bbsus2
And you know when push comes to shove,
F
it’s gon na- take both of us.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
CTo oda
3fr
Cm
Ba by,- this is love.
3fr
Eb
Ba by,- this is love.
3fr
Eb
Love,
Bb(add4)
love,
3fr
Eb
love.
Bb(add4)
3fr
Eb
It’s real ly- great to be with you; this is
Bb(add4)
how I could spend my life, but I’m
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
D.S. al Coda
CODA
3fr
Eb
cap a- ble- of tak ing- care of my self,- so if you
Bb(add4)
fuck this up then go take a hike.
3fr
Eb
Ba by,- this is love.
3fr
Cm
(You and me,
Bb/D
we can both start o ver,
3fr
Eb
- just the two of us.
Bb/D
We can get a lit tle- clos er.
3fr
Cm
- So fol low- me
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
Bb/D
hon est- ly,-
3fr
Eb
and you will see.
F5 Bbsus2
AndAnd may be- you should just shut up,
F
e ven- when it gets tough,
3fr
Cm
ba by,- ’cause this is love.
3fr
Eb Bbsus2
And you know when push comes to shove,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
rit.
F
it’s gon na- take both of us.
3fr
Cm
Ba by,- this is love.
3fr
Eb
Ba by,- this is love.
6fr
Eb5
Love,
Bb
love,
Cm11
love.
3fr
Eb
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
Moderately
WISH YOU WERE HERE
Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission
E
I can be tough;
mf
E
I can be strong,
B[add4]
but with you
4fr
C#m
it’s not like that at all.
Asus2
There’s a girl
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
E
who gives a shit
B[add4]
be hind- this wall;
4fr
C#m
you just walk through
Asus2
it. And I re mem- ber-
all
E
those cra zy- things you said. You left
4fr
B[add4]/D#
them run ning- through my head. You’re
al
4fr
C#m
ways- there, you’re ev ’ry- where,- but right
Asus2
now I wish you were here.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
All
E
those cra zy- things we did, did
4fr
B[add4]/D#
n’t- think a bout- it, just went with it. You’re
al
4fr
C#m
ways- there, you’re ev ’ry- where,- but right
Asus2
now I wish you were here.
Damn,
E
damn, damn!
B[add4]
What I’d do to have you
here,
4fr
C#m
here, here.
Asus2
(I wish you were here.)
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
CTo oda
Damn,
E
damn, damn,
B[add4]
what I’d do to have you
near,
4fr
C#m
near, near.
Asus2
(I wish you were here.)I’d
love
E
the way you are
B[add4]
with who I am;
4fr
C#m
don’t have to try
Asus2
hard. We al ways-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
D.S. al Coda
CODA
say,
E
say it like it is,
B[add4]
and the truth
4fr
C#m
is that I real ly- miss
Asus2
Asus2
(I wish you were here.)
F#m
No, I
4fr
C#m
don’t wan na- let go.
E
I just wan
B
na- let you know
F#m
that I nev
4fr
C#m
er- wan na- let go,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
E
let go
B
oh- oh.-
F#m
No, I
4fr
C#m
don’t wan na- let go.
E
I just wan
B
na- let you know
A
that I nev er- wan na- let go,
let
4fr
G#m
go, let go,
B
let go, let go, let
4fr
C#m
go, let go, let go, let go,
let go, let go, let go, let go. Damn,
E
damn, damn!
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
B[add4]
What I’d do to have you here,
4fr
C#m
here, here.
Asus2
(I wish you were here.) Damn,
E
damn, damn,
B[add4]
what I’d do to have you near,
4fr
C#m
near, near.
Asus2
(I wish you were here.)
E
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
Moderately fast
SMILE
Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission
f
F#5
E5
5fr
A5
F#5
LastYou
nightknow
Ithat
blackedI’m a
out,cra
Izy-
think.bitch.
E5
(I(What
do
5fr
A5
didwhat
you,I
whatwant
didwhen
youI
putfeel
in mylike
drink?)it.)
F#5
IAll
reI
memwan
- berna
--
makdo
ingis
- out,lose
E5
andcon
thentrol.-
5fr
A5
(Oh,(Oh,
oh.)oh.)
4fr
C#5 E5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
F#5
IBut
wokeyou
updon’t
withreal
aly-
newgive
tata
too.shit,
-
E5
(Your(You
namego
5fr
A5
waswith
onit,
me,go
andwith
myit,
namego
was onwith
you.)it.)
F#5
I’cause
wouldyou’re
dofuck
itin’-
allcra
ozy,-
verrock
-
E5
aand
gain.roll.
-
5fr
A5
You ou
4fr
C#5
- said,
E5
“Hey,
F#5
what’s your
E5
name?”
5fr
A5
It took one
look,
F#5
and now I’m not the
E5
same.
5fr
A5
Yeah, you
4fr
C#5
said
E5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
hey,
F#5
and since that
E5
day
5fr
A5
you stole my
heart
F#5
and you’re the one to
E5
blame.
5fr
A5
Yeah, and that’s
why
D(add2)
I smile.
A
It’s been a while
F#m
since ev ’ry- day and ev
E[add4]
’ry- thing- has felt this
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
1
right.
D(add2)
And now
A
you turn it all a round,-
F#m
and sud den- ly- you’re all
E[add4]
I need, the rea son-
why
D(add2)
I, I, I,
A
I smi -
F#m
- i ile.-
E[add4]
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
2,3
CTo oda
1
E[add4]
The rea son- why
D(add2)
I, I, I,
A
I smi
F#m
i- ile.-
E[add4] Dsus2
You know that I’m a cra zy- bitch. I
do
5fr
A5
what I want when I feel like it.
F#m
All I wan na- do is lose con trol.-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
2
D.S. al Coda
CODA
Esus F#m
All I wan na- do is lose con -
trol.
µ
And that’s
E[add4]
The rea son-
why
Dsus2
I, I, I,
5fr
A5
I smi -
F#m
- i ile.-
E
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
Moderately fast
STOP STANDING THERE
Words and Music byAVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
C
You’reAll
justthis
standtalk
inging
--
by.to you,
mf
Em/B
IYou’redon’t
justknow
wastwhat
ingI’m
- time.to do.
Am
I don’tWhy don’t
knowyou just
tell
wheremeyou
the truthstand,
G
awhat’s
boutin
- meside-
andof
you?your head.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
C
And asAll
thethis
timethink
goesing-
by,of you;
Em/B
Iis
hopethat
youwhat
re
you’realdo
- izeing
-- too?
Am
You’reifal
youways-
askon
memy
to,mind;
G
II
justtalk a
mightbout- you
beall
withof
you.the time.
C
AndSo don’t waste an oth- er- day,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
G
don’t waste an oth- er- min ute.-
Am
I can’t wait to see your face,
F
just to show you how much I’m in it.
C
So o pen- up your heart;
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
1
2
help me un der- stand.-
Am
Please tell me who you are
F
so I can show you who I am.
Am7
show you who I am.
G
Stop
stand
Am
ing- there,
F
stand ing- there,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
Am
and stop act
G
ing- like you don’t care.
F
G
And stop be
Am
ing- scared,
F
be ing- scared.
Am
Stop act -
G
ing- like you don’t care.
F3fr
G5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
C
So don’t waste an oth- er- day,
G
don’t
waste an oth- er- min ute.-
Am
I can’t wait to see your face,
F
just to show you how much I’m in it.
C
O pen- up your heart;
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
help me un der- stand.-
Am
Please tell me who you are
F
so I can show you who I am.
Am7 C
Who I am,
Em/B
who I am,
Am
who I am.
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
Moderate Pop Rock
I LOVE YOU
Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission
La
C
la la la la
Cmaj7
la. La
C
la la la
mp
la.
Cmaj7
II
likelike
yourthe
smile,way
C
Iyou
likemis
yourbe-
vibe,have-
Em
Iwhen
likewe
yourget
style,wast
Am
ed,-butbut
that’sthat’s
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
notnot
F
whywhy
II
lovelove
you.you.
AndAnd
I,how
C
Iyou
likekeep
theyour
waycool
Em
when Iyou’re
amsuchcom
apli-
star,cat-
Am
ed,-butbut
that’sthat’s
notnot
F
whywhy
II
lovelove
you.you. Hey,
C
do you feel,
Em
do you feel
Am
me? Do you feel
F
what I feel too?
C
Do you need,
Em
do you need
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
Am
me? Do you need
F
me? You’re
C
so
beau
Am7
ti- ful-
Em
but that’s not
F
why I love you.
I’m
C
not sure
Am7
you know
Em
that the
reas
F
on- I love you is you
C
be ing- you,
Am7
just you.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
CTo oda 1
2
Em
Yeah, the reas
F
on- I love you is all
C
that
we’ve
Am7
been through,
Em
and that’s
F
why I love you.
that’s
F
why I love you, yeah.
G
Oh,
F C/E C G
oh.
F C/E C
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
D.S. al Coda
CODA
G
E ven- though
F
we did n’t
C/E
- make it through,
C
I
F
am al ways
C/E
- here for you,
C F
you, you, you.
that’s
F
why I love you. La
C
la la la la
Am7
Oh,la
oh, oh.
La
Em
la la laThat’s
la.
F
why I love you.
3fr
C5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
Pop Rock
EVERYBODY HURTSWords and Music by AVRIL LAVIGNE
and EVAN TAUBENFELD
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission
mp
3fr
Gm3fr
Ebmaj7 Bb F3fr
Gm3fr
Ebmaj7
Bb
F
3fr
Gm
Don’tIt
know,feels
3fr
Ebmaj7
don’tlike
Play L.H. as 8ths on repeat
knownoth
Bb
ifing-
Ireal
canly-
domat
F
thisters-
onan
myy-
own.more.
3fr
Gm
-Why
Whendo
you’re
3fr
Ebmaj7
you
havegone
Bb
toI
leavecan’t
F
me?breathe.
3fr
Gm
AndItI
seemsknow
3fr
Ebmaj7
I’myou
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
losnev
Bb
inger
--
somemeant
thingto
- deepmake
F
inme
sidefeel
- ofthis
me.way.
3fr
Gm
HoldThis
on,can’t
3fr
Ebmaj7
be
onhap
Bb
topen-
me.ing.-
F
Now
3fr
Ebmaj7
I see, now
F
I see.
Ev
3fr
Gm
’ry- bod- y- hurts
3fr
Eb
some days,
Bb F
it’s
3fr
Gm
o kay- to be
3fr
Eb
a -
fraid.
Bb F
Ev
3fr
Gm
’ry- bod- y- hurts,
3fr
Eb
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
CTo oda
1
2
ev
Bb
’ry- bod- y- screams,
F
ev
3fr
Gm
’ry- bod- y- feels
3fr
Eb
this
Bb
way,
F
and that’s o
3fr
Gm
kay.-
3fr
Eb
La
Bb
da da da da,
F
that’s o
3fr
Gm
- kay.
3fr
Eb
Bb
F
La
Bb
la la la.
F
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
D.S. al Coda
So
3fr
Eb
man y- ques tions,- so much on my mind.(So
F
man y- an swers- I can’t find.)I
wish
3fr
Eb
I could turn back the time. I
F
won der- why.
Ev
3fr
Gm
’ry- bod- y- hurts
3fr
Eb
some days.
Bb
-
F
Ev
3fr
Gm
’ry- bod- y- hurts
3fr
Eb
some days.
Bb
-
F
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
CODA
La
Bb
la la la,
F
that’s oEv
3fr
Gm
’rykay.-
- bod- y- hurts
3fr
Eb
some
days.
Bb F
It’s
3fr
Gm
o kay- to be
3fr
Eb
a fraid.
Bb
-
F
3fr
Gm
Ev ’ry- bod- y- hurts
3fr
Eb
some days,-
Bb
yeah, we all
F
feel a fraid.-
3fr
Gm
Ev ’ry- bod- y- feels
3fr
Eb
this way,
Bb
but it ’ll- be
F
o kay.-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
3fr
Gm
Can some bod- y- take
3fr
Eb
me a way-
Bb
to a bet
F
ter- place.
3fr
Gm
Ev ’ry- bod- y- feels
3fr
Eb
this way,
Bb F
it’s o -
3fr
Gm
kay.-
3fr
Eb Bb
F
3fr
Gm
3fr
Eb
Bb F
3fr
Gm3fr
Eb
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
La
Bb
da da da da,
F
it’s o
3fr
Gm
- kay.
3fr
Eb
La
Bb
la la la,
F
it’s o
3fr
Gm
kay.-
3fr
Eb
La
Bb
da da da da,
F
it’s o
3fr
Gm
kay.-
3fr
Eb
La
Bb
la la la,
F
it’s o
µ
- kay.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
With drive
NOT ENOUGH
Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD
Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.
All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission
mp
5fr
D5 Asus
Bm7
Gsus2
I’m sor
-
5fr
D5
ry’ries
-
if
thatthis
we’rehurts
los
Asus
you,ing,-
butall
Ithe
triedtime
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
Bm7
tothat
keepI
whatspent
wewith
had once,you
Iev
was’ry-
wrong,day,-
itI
wasthink
n’tit’s
- keeprun
Gsus2
ingning-
-medown
athe
wake.drain.
-
You did n’t
I’m- lis
feel
5fr
D5
ten,ing
--
you didthat
n’twe’re- hear
fad -
Asus
meing.-
when IDon’t
saidmake
Bm7
Ithis
wantas
more,hard
Ias
gotyou
think
noit would
more,be, it’s
youa
weren’tlot
stealeas
Gsus2
ingi
--
meer-
athan
way,it
-seems,
oh.yeah.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
Bm
It’s not e nough,- it’s not
Gmaj7
e nough- to give
D
me
what
A/C#
it is I want.
Bm
It’s not e nough,- it’s not
Gmaj7
e nough- to get
D
me ev
A/C#
’ry- thing- I need.
Bm
I,
G
I wish it was.
D A
I think it’s time
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
CTo oda
D.S. al Coda
Bm
G
to give this up.
D
A D
Oh, oh, oh, oh,
A
oh, oh, oh, oh.
Bm7
Oh.
G
All the mem -
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
CODA
Em
And I
D
can feel it fall ing- down,
G
slow
D/F#
ly,- slow ly.-
Em
I
D
can see you’re start ing- to drown,
G
can’t stop
D/F#
it now.
Em
I
D/F#
can see you burn ing- out
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
G
so show
D/F#
me, show me
Em
how
D/F#
you’re gon na- turn it round,
G
be cause...-
A Bm
It’s not e nough,- it’s
not
Gmaj9
e nough- to give
D
me what
A/C#
it is I want.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
Bm
It’s not e nough,- it’s not
Gmaj9
e nough- to get
D
me
ev
A/C#
’ry- thing- I need.
Bm
It’s not e nough,- it’s not
Gmaj7
e nough- to give
D
me what
A
it is I want.
Bm
It’s not e nough,- it’s
not
Gmaj7
e nough- to get
D
me ev
A
’ry- thing- I need.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
Play 3 times
Bm
I,
G
I wish it was.
D
A
I think it’s time
Bm G
to give this up.
D A Bm
It’s not e nough,- it’s
not
G
e nough- to get
D
me what
A
it is I want.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
8
Bm
It’s not e nough,- it’s not
G
e nough- to get
D
me, yeah, yeah,
A
yeah, yeah.
Bm G
Oh,
D
mmm.
A
Mmm,
Bm
G
oh,
D
mmm.
A
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
9
Moderately slow
4 REAL
Words and Music byAVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
If I show
C
you, get to know
G
you, if I
mp
hold
Am
you just for to day,-
F
am I gon na- wan na-
let
C
go? Am I gon na- wan na- go
G
home?
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
Tell
Am
me you feel the same.
F
’Cause I’m
Am
4 real. Are you 4 real? I can’t help
C
my self;- it’s the way I feel. When you
look
G
me in the eyes like you did last night, I can’t
F
stand to hear you say good bye.- And it feels
Am
so right, ’cause it feels so right just
Am/B
to
C
have you stand ing- by my side, so don’t
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
CTo oda
let
G
me go, ’cause you have my soul, and I
F
just want ed- you to know. I don’t wan na-
look
C
back, ’cause I know that we
G
have some thing- the past
Am
could nev er- change.
F
And now I’m stuck in the mo -
C
ment,- and my heart is o
G
pen.- Tell
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
D.S. al Coda
CODA
Am
me that you feel the same.
F
Oh, ’cause I’m
I
F
just want ed- you to know. Hold
G
(hold) me down
Dm
(me down). Hold (hold) me now.
Am
I’m safe
G
(I’m safe), I’m sound
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
1
2
Dm
(I’m sound)when you’re a round.-
Am Dm
(I’m sound)when you’re
a round.-
Am
’Cause
I’m
Am
4 real. Are you 4 real? I can’t help
C
my self;- it’s the way I feel. When you
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
look
G
me in the eyes like you did last night, I can’t
F
stand to hear you say good bye.- And it feels
Am
so right, ’cause it feels so right just
Am/B
to
C
have you stand ing- by my side, so don’t
let
G
me go, ’cause you have my soul, and I
F
just want ed- you(I’m
to know.4
I’mreal.)
Am
4 real. Are you 4 real? I can’t help
C
my self;- it’s the(The
wayway
I feel.I
When you
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
look
feel.)
G
me in the eyes like you did last night, I can’t
F
stand to hear you say(Feels
good bye.-so
And it feels
right.)
Am
so right, ’cause it feels so right just
Am/B
to
C
have you stand ing- by(By
my side,my
so don’t
letside.)
G
me go, ’cause you have my soul, and I
F
just want ed- you to know.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
Moderate Pop Rock
DARLIN
Words and Music byAVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
C
Dar
G
ling,- you’re hid
Am
ing- in the
F
clos et- once a gain,-
mp
C
start smil
G
ing.-
Am F
I know you’re
C
try
G
ing- real
Am
hard not to
F
turn your head a way,-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
C
pret ty- dar
G
ling.- Face
Am
to mor- row,-
F
to mor- row’s- not yes ter- day.-
C G Am F
Yes ter- day,-
C G
oh, oh.
Am F
Am
Pret ty-
F
please, I know
C
it’s a drag,
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
CTo oda
Am
wipe your
F
eyes and put
C
up your head.
G
Am
I wish you could
F
be hap
C
py- in stead,
G
- there’s
noth
Am
ing- else I can
F
do than love
C
you the best
G
that I can.
Am F
Yeah, yeah,
C
yeah, yeah.
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
D.S. al Coda
C
Dar
G
ling,- I
Am
was there
F
once a while a go.-
C
I know
G Am F
that it’s
C
hard
G
to be stuck
Am
with
F
peo ple- that you love
C G
when
Am
no bod- y- trusts.
F
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
CODA
C
yeah, yeah.
G
That I can,
Am F
oh.
C G Am
And you’re not
F
the on -
C
ly- one
G
who’s been through,
Am
I’ve been
F
there a lone-
C
and now
G
so are you.
Am
I just want you
F
to know,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
C
want you to know
G
it’s not your
Am
fault,
F
it’s not your
C
fault.
G C G7sus
Oh,
Am7 Fsus2
oh,
C G7sus
your fault.
Am7 Fsus2
Your fault,
C G7sus
it’s not your fault,
Am7 Fsus2
your fault,
C
your fault,
F
your fault.
Am F
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
1
Am
Pret ty-
F
please, I know
C
it’s a drag,
G
Am
wipe your
F
eyes and put
C
up your head.
G
Am
I wish you could
F
be hap
C
py- in stead,
G
- there’s
noth
Am
ing- else I can
F
do than love
C
you the best
G
that I can.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
2
love
C
you the best
G
that I can.
Am F
Yeah, yeah,
C
yeah, yeah.
G
That I can.
Am F
Oh.
C G
C
Dar
G
ling,- you’re hid
Am
ing- in the
F
clos et- once a gain,-
C
start smil
G
ing.-
Am
F
3fr
C5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
8
Moderately slow
REMEMBER WHEN
Words and Music byAVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
C
Re mem- ber- when I cried
G
to you a thou sand- times?
mp
Am
I told you ev ’ry- thing;-
F
you know my feel ings.-
C
It nev er- crossed my mind
G
that there would be a time
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
Am
for us to say good bye.-
F
What a big sur prise.-
C
But I’m not lost;
G[add4]
I’m
G
not gone.
Am
I have n’t- for got.-
F
These feel -
C
ings- I can’t shake no more; this feel
G[add4]
ing’s- run ning- out the door. I
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
Am7
can feel it fall ing- down, and I’m
F
not com ing- back a round.- These feel -
C
ings- I can’t take no more. This emp
G[add4]
ti- ness- in the bot tom- drawer is
get
Am7
ting- hard er- to pre tend,- and I’m
F
not com ing- back a round- a gain.-
C G Am F
Re mem- ber- when.
8vb
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
C G Am
F
(8vb)
C
I re mem- ber- when
G
it was to geth- er- ’til the end.
Am
Now I’m a lone- a gain;-
F
where do I be gin?-
C
I cried a lit tle- bit,
G
but you died a lit tle- bit.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
Am
Please say there’s no re grets,-
F
and say you won’t for get.-
C
But I’m not lost,
G[add4]
and I’m
G
not gone.
Am
I have n’t- for got.-
F
These feel
C
ings- I can’t shake no more; this feel -
G[add4]
ing’s- run ning- out the door. I
Am7
can feel it fall ing- down, and I’m
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
F
not com ing- back a round.- These feel
C
ings- I can’t take no more. This emp -
G[add4]
ti- ness- in the bot tom- drawer is get
Am7
ting- hard er- to pre tend,- and I’m
F
not com ing- back a round- a gain-
Am F
hey- en.-
C G
Re mem- ber- when
Am F
hey- en.-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
C G
That was then;
Am
now, it’s the end;
F
I’m not com ing- back.
C
I can’t pre tend.-
G
Re mem- ber- when
Am F
hey- en.-
G[add4]
These feel
C
ings- I can’t shake no more; this feel -
G[add4]
ing’s- run ning- out the door. I
Am7
can feel it fall ing- down, and I’m
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7
F
not com ing- back a round.- These feel
C
ings- I can’t take no more. This emp -
G[add4]
ti- ness- in the bot tom- drawer is get
Am7
ting- hard er- to pre tend,- and I’m
F
not com ing- back a round- a gain.-
C
C/G
(fadeout to end)
Am73fr
C/F3fr
C53fr
C5
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
8
Moderately
GOODBYEWords and Music by
AVRIL LAVIGNE
Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
mp
G/B C G C G/B C
Am
GoodGood
G
bye,bye,
C
--
goodbrown
G
bye,eyes,
C
-
goodgood
G
byebye
C
--
myfor
love.now.
Am
I can’tGood
G
hide,bye,
C
-
can’t
sun
G
-hide,shine,
C
can’ttake
G
hidecare
C
whatof
hasyour
come.self.-
Am
I have to go,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
CTo oda
1
G
I have to go,
Am
I have to go
C
and leave you a lone.-
D
But al ways- know,
G
al ways- know,
Am
al ways- know
C
that I love you so,
D
I love you so.
G
C
I love you so,
G
oh.
C
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
2
D.S. al Coda
C G
La lul la- by,-
D/F#
dis tract- me with your eyes.
Em7
La lul la- by.-
D G
La lul la- by,-
D/F#
help me sleep to night.-
Em7
La lul la- by.-
D C
D
I have to go,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
CODA
Am
I love you so,
C
oh.
D
I love you so.
G
Am
I love you so,
C
I love you so.
D
I love you so.
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
Slower, with some freedom
G/B C G
C G/B
C Am
Good
G
bye,
C
- brown
G
eyes,
C
good
G
bye
C
- my love.
Am C6
G[add2]/B Am
G
3fr
G5 G C G C G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
Moderately fast
ALICEfrom Walt Disney Pictures’ ALICE IN WONDERLAND
Words and Music byAVRIL LAVIGNE
© 2010 Walt Disney Music Company, Almo Music Corp. and Avril Lavigne Publishing LLCAll Rights for Avril Lavigne Publishing LLC Controlled and Administered by Almo Music Corp.
All Rights Reserved Used by Permission
mf
3fr
G5
8vb
(8vb)
Tripplay
3fr
G5
pingthe
- out,game, but
(8vb)
spinI
ningcan’t
- a round.stay.
-I’ve got
I’mmy
unhead
deron
- ground;straight,
-and
II’m
fellnot
down,gon na- change,
(8vb)
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
1
F5
yeah,I’m
Inot
fellgon na-
down.change.
3fr
G5
(8vb)
I’mI’ll
freakwin
3fr
G5
ingthe
- out,race, keep
whereup
amwith
Ithe
now?pace.
UpTo -
-
(8vb)
day’ssidethe
- down,day
and Ithat
can’tI
stopstart
itto
now.pray.
F5
(8vb)
YouYou
can’tcan’t
stopget
mein
now,my way,
3fr
G5
8vb
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
2
no.oh.
I,
C
(8vb)
Am7
I’ll get
G
by.
F[add#4]
I,
C Am7
I’ll sur
G
vive.-
F C
When the world’s crash ing- down,
Am7
when I fall and hit the ground,
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
3
1
2
G
I will turn my self- a round;- don’t you try to stop me. I,
C
Am7
I won’t
G
cry.
Dm
G
3
I’ll
Dm
I
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
4
found my self-
Am
in Won
C
der- land,-
G
get
Dm
back on
Am
my feet
C
a gain.-
G
Dm
Is this real?
Am C
Is it pre tend?-
G
I’ll
take
Dm
a stand
Am
un til-
C
the end.
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
5
I,
C Am7
I’ll get
G
by.
F[add#4]
I,
C
Am7
I’ll sur
G
vive.-
F
C
When the world’s crash ing- down,
Am7
when I fall and hit the ground,
G
I will turn my self- a round;-
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
6
1
2
Repeat and Fade
Optional Ending
don’t you try to stop me. I,
C Am7
I won’t
G
cry.
Dm7
G
Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.
7