Avenged 7X - Waking the Fallen

8/21/2019 Avenged 7X - Waking the Fallen

http://slidepdf.com/reader/full/avenged-7x-waking-the-fallen 1/138

Intro

Slowly q = 82

Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker

And All Things Will End

© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission

from Avenged Sevenfold - Waking the Fallen

Double time (q = 164)

Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (clean)

*

w/ fingers

Dm

mp

let ring

C

let ring

Bb6

let ring

Aaddb9

let ring

*Chord symbols reflect implied harmony.

Gtr. 3 (dist.)

Gtr. 1 tacet

D5

f P.M.

µ D5

P.M.

µ D5

P.M.

Gtr. 2 (dist.)

f P.M.

P.M.

P.M.

52 3

2 03

532 0

20

32

0 2 02

32

0

12 3

0 2 03

0

02

32

0232

00

0 0 0 0 0 0

5

0 0 0

6 5

00

0 0 0 0 0 0 0 0

5

0

6 5

00

0 0 0 0 0 0

00

0 0 0 0 0 0

6

0 0 0

7 6

00

0 0 0 0 0 0

6

0 0 0

7 6

00

0 0 0 0 0 0

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

1



Gtr. 4 (dist.)

µ

f

D5

3 3 3 3 3 3

Gtr. 3

P.M.

Gtr. 2

P.M.

Gtr. 5 (dist.)

Gtr. 4 tacet

f

µ D5

µ D5

Gtr. 3

Riff A1

P.M.

P.M.

P.M.

Gtr. 2

Riff A

P.M.

P.M.

P.M.

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

5

5

0 0 0

6 55 7 5

85

8 7 58

5 7 85

6 5

00

6

0 0 0

7 67 8 7 5 7 5

8 7 5 7 85 7

7 6

00

5 6 5 5 6 5

00

0 0 0 0 0 0 0 0

5

0

6 5

00

0 0 0 0 0 0 0 0

5

0

6 5

00

0 0 0 0 0 0

00

0 0 0 0 0 0

6

0 0 0

7 6

00

0 0 0 0 0 0

6

0 0 0

7 6

00

0 0 0 0 0 0

Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Gtr. 4

µ

grad. bend

D5

Gtr. 5 tacet

µ

3 3

1

Gtr. 5

Riff B

End Riff B

Gtr. 3

P.M.

End Riff A1

Gtr. 2

P.M.

End Riff A

Verse

1st time, Gtr. 4 tacet

D5

2. When

Lived

I

1. through

see

you,

you,

F5

safe

I

with

can

how

read

we

it

lived

in

our

your

lives,

eyes,

G5

Gtrs. 2 & 3

P.M. P.M.

58 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6 5

58 5 8 5 6

58 5 8 5 6 5

58 8

0

5 6 5 5 6 58

58 6 5

75 6 8

5 6 5

5

0 0 0

6 55 7 5

85

8 7 58

5 7 85

6 5

00

00

6

0 0 0

7 67 8 7 5 7 5

8 7 5 7 85 7

7 6

00

00

00

0 0 0 0 0 0 0 0 0 0 0 0 0 33

3 3 3 3 3 3 3 3 3 3 3 3 3 55


3



1C To oda

with

Ab5

how

fate

it

mis

all

un-

G5

turned

der

Ab5

-

out.

stood.

D5

Screamed:

Screamed:

-

(But

(But

things

things

are

are

bound

bound

to

to

change!)

change!)

F5 G5 D5

P.M. P.M. P.M.

Un

Swal

cov

lowed

-

-

ered

the

- lies,

lies,

F5

sur

can’t

faced

blame

- through

you

out,

for

G5

-

P.M. P.M.

will

Ab5

make

think

you

ing-

change

with

G5

your

your

Ab5

mind.

heart.

D5 F5 G5 A5

Some

Some -

Bb5

-

Gtr. 4

Fill 1

*w/ wah-wah

End Fill 1

*As filter

Gtrs. 2 & 3

P.M. P.M. P.M.

55

5 5 5 5 5 66

6 6 55

66

00

0 0 0 0 0 0 0 0 0 0 33

55

00

00

0 0 0 0 0 0 0 0 0 0 0 0 0 33

3 3 3 3 3 3 3 3 3 3 3 3 3 55

10 15

55

5 5 5 5 5 66

6 6 55

66

00

0 0 0 0 0 0 0 0 0 0 33

55

77

88


4



Chorus

- times

F5

life is

G5

al

D5

tered.-

8va loco

1/2

1/2 1/2 1/2

P.M. P.M.

Won’t turn

Bb5

out right.

F5Gtr. 4 tacet

µ

Can’t turn

F5

out

G5

right.

D5

(Whoa.)

Voc. Fig. 1 End Voc. Fig. 1

8va

1/2

1/2

P.M.

Interlude

Gtrs. 2 & 3: w/ Riffs A & A1

µ D5

µ D5

1010

18

15

1515

17 1718

17 1414 15

17 1714

1814

17 1714

88

88

88

88

33

33

33

55

0 00

0 0 0 0 0 0

1814

17 1710

1715

1010

18

15

1515

17 17

17

0 0 0 0 0 0 013 13 13

33

33

55

00


5



D.S. al Coda 1

1 Coda

Gtr. 5: w/ Riff B

µ

D5

µ

-

Chorus

times

F5

life is

G5

al

D5

tered.- Break

Bb5

Gtr. 4

8va loco

1/21/2 1/2 1/2

Gtrs. 2 & 3

P.M.

from the ropes,

F5

2nd time, Gtr. 4: w/ Fill 2

your hands

G5

are tied.

D5

Un eas

Bb5

- -

8va loco

1/21/2 1/2 1/2

P.M.

1010

18

15

1515

17 1718

17 14

14 15

17 15 1714

1814

17 1714

1814

17 1710

1715

88

88

88

88

33

33

33

55

00

0 0 0 0 0 0 0 0 0 0 0 0 013

1010

18

15

1515

17 17 1817 15

14 15

17 18 1714

1814

17 1714

1814

17 1710

1715

13

13

13

33

33

33

55

XX

00

0 0 0 0 0 0 0 0 0 0 0 0 013


6



2C To oda

Tempo I

- y

F5

with con

G5

fron- ta

D5

- tion.-

Bkgd. Voc.: w/ Voc. Fig. 1

Won’t turn

Bb5

8va loco

Fill 2 End Fill 2

1/21/2 1/2 1/2

P.M.

out right.

F5

Gtr. 4 tacet

µ

Can’t turn

F5

out

G5

right.

D5

8va

1/2

dim.

Gtr. 1

Interlude

Riff C

Dm

let ring

C

let ring

Gtrs. 2 & 3 tacet

A7b9/E

let ring

Dm[add9]

let ring

Gtrs. 2 & 3

1010

18

15

1515

17 17 1817 14

14 15

17

15

1714

1814

17 1714

1814

17 1710

1715

13

13

13

33

33

33

55

XX

00

0 0 0 0 0 0 0 0 0 0 0 0 013

10

1018

15

1515

17 17

17

13

13

13

33

33

55

00

52 3

2 03

532 0

32

0 2

5

02

32

75

35

25

2

5

6

7

5

75

8 5

5

6

7

6 6

00


7



Gtr. 1

Bbadd9

let ring

G5addb9 Aaddb9

let ring let ring let ring

End Riff C

I

Bridge

Gtr. 1: w/ Riff C (2 times)

Dm

see

C

my world crum

A7b9/E

ble- and fall

Dm[add9]

be fore- my

*Gtr. 6 (clean)

w/ fingers

Riff D

mp

let ring


*Two gtrs. arr. for one.

eyes.

Bbadd9

I know,

G5addb9

I know.

Aaddb9

let ring let ring let ring let ring

End Riff D

Dark

Gtr. 6: w/ Riff D (1st 4 meas.)

Dm

will turn

C

to light.

A7b9/E

In time,

Dm[add9]

I’ll be al -

10

31

3

30

10

55

5 5 67

6 55

2

02

2 3 22

02

02

2 3

0232

75 6

58 6

765

8

109

8 10

12

89

109

1412

1112

1012

14

1412

12

13

14

12

14 1214 12

14

13 13

87

6

8

6

78

7

1012

12 12 13

10

13 1212

14

1214

14 15 1414

1214

1214

14 15

12141514


8



right.

Bbadd9

I know,

G5addb9

I know.

Aaddb9

Gtr. 6

let ring let ring let ring let ring

Whispered:

I never imagined my life could turn out this way.

Gtr. 1: w/ *Riff CGtr. 6: w/ *Riff D

Guitar Solo

Dm C A7b9/E

So cold,

Dm[add9]

so black, so alone.

Gtr. 7 (dist.)

mf

Gtr. 8 (dist.)

mf

*Last chord of both riffs held for two beats.

Bbadd9 G5addb9 Aaddb9

13

3 1

8

3 3 3

1012

12 12 13

10

13 1212

14

1214

14 15 1414

1214

1214

14 15

12141514

6 8 85 8 12 12 13 83

85 55 6 8 6 6 6 8 6 5

8 10 108 10 13 13 15 1010

1012 912 10 9

12

10 10 11 10 8

8

10 8

10 10 8 6 36 5 67

9 9 12

10 11 1011 11 10 84

86 7

8 10 10 14


9



1.

2.

Tempo II

Gtr. 5

Interlude

Gtrs. 7 & 8 tacet

Riff E1

f

µ

End Riff E1

Gtrs. 2 & 3

Riff E

f

End Riff E

Gtr. 9 (dist.)

*w/ wah-wah

Gtrs. 2 & 3: w/ Riff E (2 times)Gtr. 5: w/ Riff E1 (2 times)

mf

grad. bend

8va

*As filter

1/2 1/2 1 1/2

Gtr. 10 (dist.)

**w/ wah-wah mf

grad. bend

8va

**As filter

1/2

1/2 1/2 1/2

Gtr. 3

Gtrs. 9 & 10 tacet

D5

P.M.

µ

Gtr. 2

10

0 0

1211

0

12

0

1411

0

12

0

151012 12 13

1412

1414

15 18

3

0 05

6 05

07

6 05

08

37 7 67

57

78 11

18 17 1417 13 1413 14 1420

15 1215 14 814 10 9 89 1013 1615

00

0 0 0 0 0 0

6

0 0 0

7 6 5 7 58

58 7 5

85 7 8

56 5

0

7 8 7 5 7 58 7 5 7 8

5 77 6

0


10



D.S.S. al Coda 2

Liv

Screamed:

Bridge

Dm

ing- goes

F

by fast;

C

catch your breath

Bb

and it will pass

A

you

Riff F1 End Riff F1

Riff F End Riff F

by.

Gtrs. 2 & 3: w/ Riffs F & F1

Dm

And it

F

won’t last

C

to sulk

Bb

with the mem

A

o- ries- you

hold!

D5 µGtr. 4: w/ Fill 1

Some

Bb5

-

Gtr. 3

P.M. P.M.

Gtr. 2

P.M. P.M.

8 5 8 5 7 5 6 5 7 8 7 5 5 7 4 5

5 7 5 7

8 7 5 7

3 5 3 2

1 3

0 2

0 0 0 0 00

0

5

0

7 58 7 5

788

0 0 0 0 00

0

7

0

8 7 58 7 4

88


11



2 Coda

µ

Can’t turn

F5

out

G5

right.

D5

Some

Bb5

-

8va loco

grad. bend

grad. bend

1/2

1

1/2

P.M.

- times

F5

life is

G5

al

D5

tered.- Break

Bb5

8va loco

1/21/2 1/2 1/2

Rhy. Fig. 1 End Rhy. Fig. 1

from

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

the ropes,

F5

your hands

G5

are tied.

D5

Yeah. Un eas

Bb5

- -

Gtr. 4

8va loco

1/21/2 1/2 1/2

17 1717 17

17 17 10 15

33

55

00

0 0 0 0 0 0 0 0 0 0 0 0 013

1010

18

15

1515

17 1718

17 1414 15

17 13 1714

1814

17 1714

1814

17 1710

1715

13

13

13

33

33

33

33

55

00

00

00

00

00

00

00

00 1

3

1010

18

15

1515

17 1718

17 14

12 15

17

15

1714

1814

17 1714

1814

17 1710

1715


12





Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)Gtrs. 7 & 8: w/ Riffs G & G1 (3 times)

G5

Bb5 F5

Eb5

1 1 1/2

D5

36

G5

Bb5 F5

Eb5

8va

1/2

loco

1

D5

8va

6 3 9

5 7 5 7 10 710 10 7 10 7 1212 12 1212 10 12 10

12 612 6 11 1210 11 10

1210 11 10 10 11 13

10 11 13 14 1113 10 11 10

1110

1212 10 12 10

1310

13 12

10

13 13

1210 11 13 15 1115 15

1815

1713

1716

2016

18 17 17 17 1518

18 18 10 18 1515 14

1715 14

1210

11 1212

10 11 1210 11 10

1210 11 13 17

15 1714 15 17 15 17

15 16 18 15 16 1815 17


14



G5

Bb5

F5

8va

loco

Eb5

6

1 1 1/2 1/2

6

6 6

6

D5

6 6 6

3

Gtrs. 2 & 3: w/ Rhy. Fig. 2Gtrs. 7 & 8: w/ Riffs G & G1

G5

Bb5 F5

Eb5

6

8va

1/2

grad. bend

grad. bend

grad. bend

D5

semi-P.H.

8va

1/2 1/2 1/2 1/2 1/2

Pitch and tempo gradually decrease while the previous four-measure chord progression repeats and fades.To approximate the sound of the Master Tape being slowed down, continue shredding while using aDigiTech Whammy Pedal (set to sweep two octaves below), and gradually depress the treadle while the tempo slows.

1 min.-20 sec.

18 1815

20

1818

1817 17

1210

10 1113

20 15

17

15 13

15

13

15

13 11

12

11

12 15

13

15

13 16 18 16 1517 15

17

17 14

15

14 10

11

10

11 11 11

10 1410 11

11 1211 11 13

12 1311 12

11 14

1215

18

1715

17

2015

2017

17 17 17 18 1718

17

15

14 15 15

17 17 21 19 19 22 21 2118

17 1715


15



Intro

Moderately q = 96


Chapter Four





Gtrs.1 & 2 (dist.)

Rhy. Fig. 1

D5

f

E5 F5 D5 A5 Bb5End Rhy. Fig. 1 Rhy. Fig. 2

D5

P.M. P.M.

Gtr. 3 (dist.)

* pp

*Vol. swell

Gtr. 4 (dist.)

** pp

**Vol. swell

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

P.M.

Gtr. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 2

fdbk.

Gtr. 4

00

22

33

00

77

88

00

0 0 0 00

0 0 0 0 0

8

5

00

0 0 0 00

0 0 0 0 0 00

0 0 0 00

0 0 0 0 0 00

0 0 0 00

0 0 0 0 0

8 8

5


1



Double-time feel

1.

End double-time feel

2.

Gtr. 3

Riff A

f

D5 C5 Bb5

Gtr. 4

f

Riff A1

Gtrs. 1 & 2

Rhy. Fig. 3

C5 C5

Con1., 2. ceived

Gtrs. 3 & 4 tacet

Verse

D5

- and

(Give me your

End Riff A

End Riff A1

End Rhy. Fig. 3 Rhy. Fig. 4

P.M. P.M. P.M.

85 77 8 7

65

7

58 7 8 2

53 5

22 3 25

52 33 5 3 2 5

37 5 3 5 5 7

52 33 5 3 2

5

7

3

5

1

3

3 55

57

75

37

55

57

75 7

12

13

32 3

12 3

32 3

13

35

13

35

00

0 0 0 00

0 0 0 00

0 0


2



Half-time feel

End half-time feel

born

F5

was one

C/E

of light.

Bb5 F5

C/E

hand, blood is spilled and man will fol low.-

Gtrs. 1 & 2

P.M. P.M. P.M.

End Rhy. Fig. 4

Rain


D5

and dark, the oth

F5

er- born

C/E

black night.

Bb5 F5

C/E

In fer- nal- man, pun ish- ment- too great to bear.)

Raise

D5

your head

Bb5

and taste

F5

the cour

C/E

age.- (The one of

Gtrs. 1 & 2

light.)

Fall

D5

from grace,

Bb5

un ho

F5

- ly- night.

A/C#

33

33

33

00

23

23 1

31 1 1 1

31 1 1 1

3

0 0 33

33

33

00

23

23

00

00

000

00 1

313

13

13

13

13

13

13

333

333

333

333

333

333

333

333

23

23

23

23

00

00

000

00 1

313

13

13

13

13

333

333

333

333

333

333

333

333

422

422

422

422


3



Double-time feel

I’ve

Dm

come here to kill

C

you, won’t leave

Bb5

un til- you’ve died.

C

Mur

Dm

der- born of ven

C

geance,- I

Gtrs. 3 & 4

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M.

close

Bb5

my broth er’s- eyes

C

to night.

A5

-

Gtr. 4

Gtr. 3

Gtrs. 1 & 2

P.M. P.M. P.M.

X12

14X12

14X12

14X12

14X10

12

7X9

7X9

X8

10X8

10X8

10X8

10X10

12X12

14X13

15X12

14X12

14X12

14X12

14X12

14X10

12

7X9

7X9

53

53

5 53

5 32

32

32

32

13

13

1 13

1 32

32

32

32

53

53

5 53

5 32

32

32

X8

10X8

10X8

10X8

10X10

12

7X9

7X9

4X6 6

565

65

4

X8

10X8

10X8

10X8

10X10

12

7X9

7X9

4X6

4 5 7 4

13

13

1 13

1 32

32

32

02

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 022

022

022

022


4



C To oda 3rd time,

1.

2.


D.S. al Coda

Interlude

D5 C5 Bb5 C5 D5 C5 Bb5

3

3

C5 D5

C5 Bb5 C5

Con2. -

5 76

58 6 5 6

56

76

5 6 5 3 5 35

56

76

5

58 6 5

7

5 77

6 57 5 7

57

77

6 8 6 5 6 55

57

77

6

7

57 5

8

57

57

57

57

35

35

35

0 13

13

13

13

13

35

35

35

35

35

57

57

57

57

35

35

35

13

776

5

98 10 10

56

76

5

58 6 5

7 76

5

98 10 10

3

87

65

5 6 6

57

77

6

7

57 5

837

65

5 6 6

13

13

13

35

35

35

35

35

57

57

57

57

35

35

35

13

13

13

35

35

35

35

35


5



Coda

D5

C5 Bb5 C5

It’s

cold

Pre-Chorus

Gtrs. 3 & 4 tacet

D5

to night- as the clouds turn grey and from my hands to my broth er’s- grave. You

Gtr. 2

Riff B1

P.M. P.M. P.M. P.M.

End Riff B1

3 36

3 36

Gtr. 1

Riff B

P.M.

P.M.

P.M.

P.M.

End Riff B

3 3

6

3 3

6

took

Gtrs. 1 & 2: w/ Riffs B & B1

his side, you took his gift. Feel the pow er- of a fall en- man,

56

76

5

58 6 5

7 76

5

98 10 10

57

77

6

7

57 5

837

65

5 6 6

57

57

57

57

57

35

35

35

35

13

13

13

13

35

35

35

35

35

10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9 10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9

7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6 7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6


6




e = e

e = e

Double-time feel



D5 E5 F5

D5 A5 Bb5

crest fallen- man.

D5 E5 F5 D5 A5 Bb5

Far

Chorus

D5

a way

A5

- in this land I

G5

must

A5

go,

Bb5

out

Dm/F

of the site

A/E

of the

Gtrs. 1 & 2


One.


D5

A pun

A5

ish- ment- sent from

G5

his

A5

hands,

Bb5

a hard

Dm/F

ship- that no

A/E

one should

know,

D5 A5 G5

no,

A5 Bb5

no. Out

Dm/F

of the site

A/E

of the

One,

D5 A5 G5 A5 Bb5

a way

Dm/F

- in this land

A/E

you must

go.

Interlude

Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3 & 4: w/ Riffs A & A1

D5 C5

Bb5

C5

D5

C5

Bb5

C5

00

00

00

00

77

77

77

77

55

77

88

88

88

88

88

0 35

35

35

24

24

24

0


7



(Ah.)

D5 µ

Bridge

D5

Where has he gone? What have you done?

F5

Gtr. 5 (dist.)

f

1

Gtrs. 1 & 2

Rhy. Fig. 6

P.M. P.M. P.M. P.M.

Bb5

A voice com mands- from high

F5

a bove

C/E

- this

3

1/2 1/21/2

P.M. P.M. P.M. P.M.

End Rhy. Fig. 6

earth.


D5

From the soil his blood cries out

F5

to me.

Gtr. 5

1

12 1515 17

14 17 21 17 1414 15 14

14 1717

19

20 20 1717

1917

17

00

0 0 0 0 0 00

0 0 00

3 3 3 3 3 33

3 3 33

18 1515 17

17 17 17 1315

14 15 1414 15

1317 13 17 13

1415

1213

13 15 13 1213

12 1214

1 1 1 1 1 13

1 1 13

3 3 3 3 3 33

2 2 2 2 2 23

15 15

12 1515 17

14 17 21 17 1414 15 14

14 1717

19

20 20 1717

1917

17


8



e = e

Mur

Bb5

der,- li ar,- ven

F5

geance,- de ceit!

C/E

-

3

1/2 1/2

Interlude


D5

A5 G5 A5 Bb5

Dm/F

A/E

Gtr. 5

1 hold bend1

Gtrs. 3 & 4

Riff C

Gtrs. 3 & 4

Gtr. 5 tacet

D5 A5 G5 A5 Bb5 Dm/F A/EEnd Riff C

Gtrs. 3 & 4: w/ Riff C

D5

A5

G5 A5 Bb5

Dm/F

A/E

D5

A5

G5 A5 Bb5

Dm/F

A/E

18 1515 17

17 17 17 1315

14 15 1414 15

1317 13

1415

1213

13 15 13 1213

15 1217 13

1717

15

17 17

1517 17 15 15

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

5X7

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X12

14X12

14X12

14X12

14X12

14X10

12X12

14X13

15

X12

14X12

14X12

14X12

14X12

14X12

14X10

12X8

10

7X9

7X9

7X9

7X9

7X9

7X9

5X7

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

X8

10X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12

8

10


9



Begin fade

Fade out

Segue to “Remenissions”

Far

Outro-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)

D5

a way

A5

- in this land I

G5

must

A5

go,

Bb5

out

Dm/F

of the site

A/E

of the

Gtrs. 3 & 4

One.

D5

A pun

A5

ish- ment- sent from

G5

his

A5

hands,

Bb5

a hard

Dm/F

ship- that no

A/E

one should

know,

D5 A5 G5

no,

A5 Bb5

no. Out

Dm/F

of the site

A/E

of the

One,

D5 A5 G5 A5 Bb5

a way

Dm/F

- in this land

A/E

you must...

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14 X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X12

15

X13

15X13

15X13

15X13

15X13

15X13

15X12

14X10

12X12

14X10

12X8

10X10

12X8

10

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

3X5

3X5

3X5

3X5

3X5

4X6

4X6

4X6

4X6

4X6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

7X9

5X7

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19 X15

18X15

18X15

18X15

18X15

18X14

17X14

17X14

17X14

17X14

17


10



Intro

Slowly q = 71


Clairvoyant Disease




Gtrs. 1, 2 & 5–11: Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)

µ

mf

Gtr. 2 (dist.)

mf

Gtrs. 1 & 2 tacet

Verse

*Dm[add9]

Dust1. be gins- to fall

Bbmaj13#11

to the ground.

w/ choruslet ring throughout

**Gtr. 4 (clean)

Riff B

mp

**Standard tuning

***Gtr. 3 (clean)

w/ fingerslet ring throughout

Riff A

mp


***Standard tuning

7 75 7 8 7 5 7 7 3 2 3 3 7 75 7 8 7 5 7 7

8 87 8 10 8 7 8 8 5 4 5 5 8 87 8 10 8 7 8 8

3 5 517

1917

1917

1917

19

18

1719

17

18

1719

17

5 7 7 57

96

97

5

5

5

69

75

6

57

57

5

6

5

6

57


1



Dm[add9]

Whispered: And you sit there and do nothing.

The air is cold and thin.

Bbmaj13#11

You’re content with doing nothing.

Dm[add9]

Thoughts are haunt ing- me

Bbmaj13#11

In my life, I wanted more.

as I look a round.-

End Riff A

1719

2119

1719

2119

18

1719

17

18

1719

17

57

96

97

5

5

5

69

75

6

57

57

5

6

5

6

57

5

1719

2119

1719

2119

18

1719

18

1719

17

57

96

97

5

5

5

69

75

6

57

57

5

6

5

6

57


2



Dm[add9]

This will nev er- end

Bbmaj13#11

So I’ll never end.

when I bleed for ev- er.-

3

End Riff B

Gtrs. 3 & 4 tacet

Chorus

D5

Don’t ac knowl- edge-

Em/D

right,

D5

just dwell on

F/D

wrong.

Bb5/D Bb[#4]/D E/D A5/D

*Gtrs. 5 & 6 (dist.)

**w/ wah-wah

f

*Composite arrangement

**As filter

Gtrs. 1 & 2

Rhy. Fig. 1

f P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 1

P.M.


D5

This spot in

Em/D

hell’s

D5

where I be

F/D

long.-


Gtrs. 5 & 6

1719

2119

1719

2119

18

1719

17

57

96

97

5

5

5

69

75

6

57

57

5

6

755

15 15 15 15

0 0 00

0 075

0 0 00

0 087

0 0 88

0 0 87

0 0 67

0 0 77

15 15 15 15 15 15 15 15 13 13 15 15


3



(Ah,

Gtrs. 5 & 6 tacet

D5

I’veScreamed: come so

Em/D

far,

D5

it’sah.

been so

F/D

long!

Gtr. 7 tacet


Gtr. 7 (dist.)

*w/ wah-wah

mf

Gtr. 5

Gtr. 6divisi

*As filter

1/2 1/2

(Ah,

Gtrs. 5 & 6 tacet

D5

Don’t know why it

Em/D

start ed

D5

- or where

ah.)

it came

F/D

from!

Gtr. 7 tacet


Gtr. 7

Gtr. 5

Gtr. 6divisi

1/2 1/2

VerseGtr. 4: w/ Riff BGtrs. 5 & 6 tacet

Dm[add9]

Out2. side- shell is strong,

Whispered: There’s nowhere to run and hide.

Bb6

con fi- dent-

Gtr. 8 (slight dist.)

Riff C

mp P.M.

End Riff C

Gtr. 8: w/ Riff C (3 times)

Dm[add9]

but slow ly- eats a way.

Stuck alone inside your head,

-

Bb6 Dm[add9]

Like a man plagued with dis ease,-

11

16

1315 13 13

1615

13

1613

15

131215 151215 15

1114 141114 14

1213 131213 13

14 1414 14

11

16

1315 13 13

1615

13

1613

15

13

1215 151215 15

1114 141114 14

1213 131213 13

14 1414 14

00

2 3 32 3 5 3 2 31

33

1 1 3 3


4



so better off dead.

Bb6

I try to fight.

Dm[add9]

Through my pores, it seems to seep

When I’m bleeding, ah...

Bb6

when I bleed for ev- er.-

3

Chorus


D5


Em/D

right,

D5

just dwell on

F/D

wrong.


*Gtrs. 5 & 6


D5

This spot in

Em/D

hell’s

D5

where I be

F/D

long.-


(Ah,

D5


Em/D

far,

D5

it’s

ah.

been so

F/D

long!


Gtr. 5

Riff D End Riff D

1/2 1/2

Gtr. 6

1/2 1/2

15 15 15 15 15 15 15

15 15 15 15 15 15 15 15 15 15

11

16

1315

131316 15

13

16 1316 1215 15 1114 14 1213 13 14 14

11

16

1315

1313

1615

13

16

13

16

1215 15 1114 14 1213 13 14 14


5



Double time (q = 142)

(Ah,

Gtr. 5: w/ Riff D

D5

Don’t know why it

Em/D

start ed

D5

- or where

ah.)

it came

F/D

from!


Gtr. 6

Riff E End Riff E

1/2 1/2

Interlude

Gtr. 6 tacet

D5

Bb5

D5

Bb5

AndScreamed: you

Gtr. 7

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

sit

C/E

there and do noth

F5

ing!-

G5

D5 A/C# Em D5

P.M. P.M. P.M.

11

16

1315 13 13

1615

13

16

13

16

1215 15 1114 14 1213 13 14 14

5 77

75 6 5 6 5

77 8

8 10 8 55 7

77

5 6 5 6 57

7 8

8 10 8 57

00

0 00

00

00

00 1

31 1 1 1 1 1

00

0 00

00

00

00 1

31 1 1 1 1 1

5 6 5

8 6 55

6 85

8 6 57

5 6 8 6 57 6

598

5 77

75 6 5 6 5

77

23

2 23

23

0 23

33

3 33

33

33

33

55

55

55

00 4

275

00

0 00

00

00

00


6



Bb5

D5

Bb5

You’re con tent

C/E

- with do ing-

P.M. P.M. P.M. P.M.

noth

F5

ing!-

G5 D5 A/C# Em Dm

Gtr. 7 tacet

P.M. P.M.

8

8 10 8 55 7 7

5 6 5 6 57

7 8

8 10 85

57

6 58 6 5

56 8

13

1 1 1 1 1 1 1 1 1 1 1 100

0 00

00

00

00 1

31 1 1 1 1 1 1 1 1 1 1 1

23

2 23

23

0 23

58 6 5

75 6 8 6 5

7 65

98

76

76

33

3 33

33

33

33

55

55

55

00 4

275

53

5 5 5 5 5 5 5 53

53

53

53

53

53

0


7



Gtr. 11(dist.)

Guitar Solo

**w/ wah-wah

Bb5

f

C5

3

**As filter

*Gtrs. 9 & 10 (dist.)

Riff F

f


Gtrs. 1 & 2

Rhy. Fig. 2

grad. bend

F5 C/E D5

1

End Rhy. Fig. 2

10 11 11 11 11 10 11 1012 10 9 9 10 9

10 10 1210

8X10

13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X12

14X12

14X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12

13

13

13

13

13

13

13

13

13

13

13

35

35

35

35

35

35

35

35

35

35

35

12 12 7 9 10 91010 12 12 12 12 10 12 12 10 10 8

X12

14X12

14X12

14X12

14X12

14X10

12X10

12X10

12

7X9

7X9

7X9

8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

33

33

33

33

33

33

23

23

23

23

23

23

00

00

00

00

00

00

00

00

00

00

00


8



Gtr. 11


Bb5

steady gliss.

3

C5

Gtrs. 9 & 10

F5

C/E

D5

1 1

End Riff F

There’s

Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 9 & 10: w/ Riff F

Bridge

Bb5

no where- to run

Gtr. 11 tacet

C5

and hide when you’re

Gtr. 11

liv

F5

ing

C/E

- to die.

D5

8 8 7 8 10 10 12 10 109 10 10 9 10 12 9 9 5 10

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

13 11 1012 10 12

13 12 1010 1313 10 13 13 13 13

X8

10X8

10X8

10X8

10X8

10

7

9

7X9

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

11


9



Stuck

Bb5

a lone- in side- your head,

C5

Gtrs. 1 & 2

bet

D5

ter- off

C/E

dead.

F5

The

phone

G5

would ring in the emp

C5

ty- house.

Gtrs. 9 & 10

Gtrs. 1 & 2

13

13

13

13

13

13

13

13

13

13

13

35

35

35

35

35

35

35

35

35

35

35

57

57

57

57

57

23

23

23

23

23

33

33

33

33

33

33

33

33

33

33

33

8X10

13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15

12

14X12

14

10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12

55

55

55

55

55

55

55

55

55 3

535

35

35

35

35

35

35

35

35

35


10



Tempo I

No

D5

one’s

C/E

a round.-

F5

P.M.

*P.M.

*Gradually lift P.M.

Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)Gtrs. 9 & 10 tacet

D5


Em/D

right,

D5

just dwell on

F/D

wrong.


**Gtrs. 5 & 6

**Composite arrangement

1/2

D5

This spot in

Em/D

hell’s

D5

where I be

F/D

long.-


1/2 1/2

X12

14X12

14X12

14X12

14

10

12X10

12X10

12

7X9

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

57

57

57

57

57

00

23

23

23

23

23

23

23

23

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

15 15 18 1018 11 9 9

15 15 17 1017 11 9 9


11



(Ah,

Gtr. 5: w/ Riff D (2 times)Gtr. 6: w/ Riff E (2 times)

D5


Em/D

far,

D5

it’s

ah.

been so

F/D

long!


Ah,

D5

Don’t know why it

Em/D

start ed

D5

- or whereah.)

it came

F/D

from!


But,

Screamed:

Outro

Dsus2

in my

Dm

life,

D5

I

Dsus2

want ed

Dm

- more!

D5

I

Dsus2

need ed

Dm

- more!

D5

Gtrs. 9 & 10

Gtrs. 1 & 2


I taste more!

Gtrs. 9 & 10 tacet

grad. release

let ring 1 11

P.M. P.M.

7X9

X8

10

5X7

7X9

X8

10

5X7

7X9

X8

10

5X7

5

7

0 0 0 0 07

0 0 0 0 00

0 0 0 0 07

0 0 0 0 00

0 0 0 0 07

0 0 0 0 00

1512

16 1313 10

13

0 0 0 0 00

00

00

0 0 0 0 0 00


12



Gtr. 3: w/ Riff A

Dm[add9] Bbmaj13#11

Gtrs. 1 & 2 tacet

Dm[add9]

Bbmaj13#11

Gtrs. 1 & 2

(Oo.

Gtr. 8: w/ Riff C

Dm[add9] Bbmaj13#11

Oo.)

Dm[add9] Bbmaj13#11

Gtr. 3

Gtr. 8

P.M.

00

57

96

97

5

5

5

69

75

6

57

57

5

6

755

00

2 3 32 3 5 3 2 31

33

1 1 3


13



Intro

Moderately q = 95

Half-time feel


Desecrate Through Reverence




End half-time feel

Double-time feel


Gtr. 3 (dist.)

*

f

Riff A1

D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5End Riff A1

A5

Gtrs. 1 & 2 (dist.)

Riff A

f

End Riff A


Gtr. 4 (dist.)

Gtrs. 1, 2 & 3: w/ Riffs A & A1 (2 times)

mf

D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5 A5

Gtr. 4

D5Gtr. 4 tacet

Gtr. 3

µ D5

Gtrs. 1, 2 & 3

(Gtr. 3, cont. on upper staff)

Gtrs. 1 & 2

P.M. P.M.

0 0 2 3 8 7 6 7 3 5 5 2 2 8 7

0 0 2 3 8 7 6 7 3 5 5 2 2 8 7

76 33 35 35 36 36 8

6

8

6

6

5

6

5

5

3

5

3

6

5

6

5

76 76 33 35 35 36 36 05 05 76 76 98 98

76

8 08

7 05

7 7 5 8 7

000

00

00

00

00

00

00

00

00

00


1



1.

2.

Gtrs. 1 & 2 tacet

µ

(Oh,

Gtr. 3 tacet

Dm Em F Em

oh.)

Gm F

Gtr. 3 Gtrs. 1 & 2

P.M.

Ulh!

µ Dm Em F Em µ


Gtr. 3

P.S.

D5

Gtr. 4 P.S.

Gtrs. 1 & 2

P.M. P.M. P.M.

8 08

7 03

5 7 57

7 8

78

5 6

0 053

53 2

020

32

32

20

20

20

53

53

32

32

0 0 0 0 3 3 0 0 0 0 3 0 6 0 6 7 0 053

53 2

020

32

32

20

20

20

52 3 2

3

3 2

2

X X X X X X X

X X X X

0 0 0 0 3 3 0 0 0 0 6 6 0 0 0 6 7 00

00


2




P.S.

Gtr. 4 tacet

D5 µ D5

P.M. P.M.

Hard

Pre

1.2.

Gtr. 3 tacet

Verse

E5

news,

sence-

won’t

tak

be

F5

en

ig

- hard

nored,-

E5

er,- don’t

no,

look

not

F5

to

to

me.

day.-

Gtrs. 1 & 2

Rhy. Fig. 1

D5

Dis

Don’t

ap- point- -

End Rhy. Fig. 1

P.M.

X X X X X X X X8 0

87 0

57

75 8 7

X X X X X X X X

00

00

00

00

00

00

00

00

22

22

22

22

22

22

33

22

22

22

22

22

22

22

22

33

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00


3



walk


E5

ed,- we

in

don’t

my

F5

a

di

gree,

rec

-

-

E5

- tion;

I

turn

don’t

the

need

oth

F5

your

er-

praise.

way.

D5

(Don’t look my way for help, from the be gin

- ning- you came to me.)

Ask ing- ques -

Nev

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas., 2 times)

E5

- tions,er- asked

pre de-youter-

F5

tomined-

likean

E5

me,swers,-

Iyou

don’twon’t

needfind

F5

yourthem

Gtr. 6 (dist.)

f

Gtr. 5 (dist.)

f

praise.here.

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (last 2 meas.)Gtrs. 5 & 6 tacet

D5

(We don’t(Won’t

wantplay

youryour

o pingames.)

- - ion.)

And I don’tLook

want

down

E5

you,

on me,

I won’t

spit

let

in

F5

you

my

think.

face.

E5

Com

You’re

pro- mise

noth

-

ing

F5

-

is

to

near,

me,

D5

Gtrs. 1 & 2

18

16

22

22

22

22

22

22

33

22

22

22

22

22

22

22

22

33

00


4



Double-time feel

’cause

µ

it’s

not

not

to

near.

me.

D5

P.M. P.M. P.M.

µ

P.M.

P.M.

P.M.

Dark

Chorus

Dm/F

ened- eyes

A/E

you’ll

Dm/F

see,

D5

there is

Gm/Bb

no

Bb5

hope,

C

no sav ior- in

Csus4

me.

D5


(Don’t look this way, don’t breathe this way, don’t stare this way

an y- more.)

-

Riff B

P.M. P.M. P.M. P.M.

End Riff B

0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 3 0 5 6 7 00

0 0 0 0 0 0 0

000

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

8 7 5 6 7 0

35

35

35

35

35

35

24

24

24

35

00

00

00

00

00

00

8108

8108

8108

888

888

00

107

107

107

107

107

107

107

107

108

00

0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00


5



End double-time feel1.

2.

Learned


Dm/F

from years

A/E

gone

Dm/F

by,

D5

no one

Gm/Bb

will

Bb5

care

C

what hap pens- to

Csus4

me.

D5


an y- more.)

-

Gtrs. 1 & 2

P.M. P.M. P.M.

Gtrs. 1 & 2: w/ Riff B


an y- more.)

-

Gtr. 5

Guitar Solo

Dm/F A/E

Dm/F D5

Gm/Bb Bb5

C

Csus4 D5

Gtr. 6

Gtrs. 1 & 2

0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

00

00

00

10 6 8 10 8 8 5 6 6 8 6 106 10 11 10 8 8 8 8 10 11 10

67

5 6 5 5 1 3 3 5 3 66 8 6 5 5 5 6 8 6

35

35

35

35

35

35

24

24

24

35

00

00

00

00

00

00

8108

8108

8108

888

888

00

107

107

107

107

107

107

107

107

107

108

00


6



2nd time, End double-time feel

Half-time feel

End half-time feel

Bb5 C5

I’m

Bridge

Gtrs. 5 & 6 tacet

Dm

a lone- in here. No more feel

Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)

ings,-

killed my

Gtr. 1

Riff C

P.M. P.M. P.M.

End Riff C

Gtr. 2 Riff C1

P.M. P.M. P.M.

End Riff C1

fears. Don’t ask, you’ll nev er- know. You’re

left be hind,- I’ll be ex posed.-

10 10 6 8 10 11 10 8 8

6 6 3 3 5 6 8 6 5 5

00

00

00

00

00

00

00

00

00

00

00

00 1

313

13

13

13

35

35

35

35

35

0 0

7 5

0 0

8 7 5 7

0 0

7 75 8 7 5 7 2

0 08 7

0 010 8 7 8

0 08 87 10 8 7 8 3


7



Double-time feel

Far

Outro

D5

a

C5

way,

Eb5

- you keep

F5

on try

A5

in’.

A/C#

-

Gtrs. 1 & 2

P.M.

Hold

D5

in’- me down

C/E

and break

C5

in’- a way,

D5

-

Gtr. 4

Riff D

Gtrs. 1 & 2

Rhy. Fig. 3

try in’- to dis

C5

tance- my life.

F5 A/C#

Not

End Riff D

End Rhy. Fig. 3

57

35

11

33

33

33

33

33

33

33 0

202

02

02

42

42

42

42

X8

10X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

057

057

057

057

057

057

23

23

23

23

23

23 3

535

35

35

35

0 00

00

00

00

00

00

X8

10X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

3X5

3X5

3X5

3X5

3X5

3X5

3X5

4X6

4X6

4X6

4X6

4X6

4X6

4X6

57

57

57

57

57

57

35

35

35

35

35

00

33

33

33

33

33

33 4

242

42

42

42

42


8



one

Gtrs. 1 & 2: w Rhy. Fig. 3Gtr. 4: w/ Riff D

D5

in the crowd,

C/E

one

C5

with the an

D5

swer,-

one that could change

C5

your mind.

F5 A/C#

It’s not

true,

D5

I don’t need you.

C5

Don’t waste your

Gtr. 4

Gtrs. 1 & 2

time,

Bb5

and don’t waste mine.

F5 A/C#

I’m not your

5X7

7X9

7X9

00 3

5

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

3X5

3X5

3X5

3X5

4X6

4X6

4X6

4X6

13

13

13

13

13

13

13

13

33

33

33

33 4

242

42

42

42

42


9



friend,

D5

won’t soothe your soul.

C5

And in the

end,

Bb5

you’re all

F5

dead

A5

to

A/C#

me.

D5

Gtr. 4 tacet

Gtrs. 1 & 2

P.M. P.M. P.M.

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

00

00

00

00

00

00

00

00

00

00 3

535

35

35

35

35

35

35

35

35

35

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

3X5

3X5

3X5

3X5

3X5

02

02

02

02

42

42

42

00

13

13

13

13

13

13

13

13

13

13

13

0 33

33

33

33

33

33 0

202

02

02

42

42

42

00

0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

0 0 0 0 0 0 0 00

00

00

00

00


10



Intro-Guitar Solo

Very fast q = 192

Double-time feel


Eternal Rest





Gtr. 1 (elec.)

*

w/ dist.

C5

f

D5

1

Dm

D5

Eb5

Harm.

F5 Eb58va

w/ bar

F5

string noise

loco

Eb5

-6

+1

-1

Gtrs. 2 & 3 (elec.)

w/ dist.

Rhy. Fig. 1

f P.M.


C5 D5 Eb5 F5 Gb5 F5 3

P.M.

End Rhy. Fig. 1

P.M.

Gtr. 1


C5 D5 Eb5 F5 Eb5 F5 Eb5

3

57

57

5 5 5X

355

3 3 3 3 355

355

0 1 3 3 1 3 1

6 8 9 108 10

8 8

6 8 9 10 118 15 13 16 16

355

3 3 3 3 355

355

0 1 1 1 1 3 3 3 3 4 4 4 4 3 3 1

13 1113 11 13 11

14 12 14 12 11 1010

12 11 12 11 12 11 1013

10 12 1310 10 0


1



C5 D5 Eb5 F5 Gb5 F5

3

Gtr. 1

D5 F5 G5

P.H.

F5 G5 8va

F5

36

3 3

1/2

Pitch: F#

1/2

Gtrs. 2 & 3

Rhy. Fig. 2

P.M.

loco

D5 F5 G5 Ab5 G5 F5

P.M.

End Rhy. Fig. 2

P.M.

Gtr. 1


D5

F5 G5 F5 G5 F5

8 10 11 11 10 810

810 9 8 9 8

109 8

108 8 8 8

10 9 7 7 0

129 10 12 13 12 10 9

129 10 12 13 12 10 9

129 10 12 12 12 12

577

577

5 5 5 577

577

0 3 5 5 3 5 3

129 10

9 10 910

912

10 1112

1415 14 17 13 17 13

13 15 15 13 15 1314

1314

13 15 1314 13

577

577

5 5 5 577

577

0 3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3

1313

1013

13810 13

12 15 13 12 910 13

1013

810 15

1315

15 13 1317

1212 15 17 15 13 15 17 15


2



D5 F5 G5 Ab5

8va

loco

G5 F5

3 3

Black,1.


Verse

C5

en chant- ing- eyes

D5 Eb5

cut

F5

through my heart

Eb5

with

F5

no re

Eb5

gret

C5

- or sign of life.

D5

Harm.

*

8va

3

1

Pitch: CG

*Harmonic located three-fourths the distance between the 2nd & 3rd frets.

2.752.75

Eb5

They tear

F5

a part-

Gb5

my pride

F5

and cold

C5

runs through my veins.

D5 Eb5

I

F5

feel their stare

Eb5

from

F5

mi les,

Eb5

-

8va

fdbk.

loco

Harm.w/ bar

15ma

/2.752.75 0 /

+2

2.752.75 0

+1

/2.752.75 0 2.25

2.25

haunt

C5

ing- ev ’ry- step, and they

D5

won’t

Eb5

Gtr. 1 tacet

stop

F5

hunt

Gb5

ing- me

F5

down.

For

get

Gtr. 2: w/ Rhy. Fig. 2 (2 times)Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)

D5

- the time will come

w/ bar

15ma

/

-1

2.252.25 0

-2 1/2

13 1513 15 13 1213 13 13 15

1517 15

20 15 1815

18 1815

17 1813 15 17 15 16 15 15 17 20 17 0

14 15 17 17 15

2019

1717

20 20 15 2019

17 5


3



End double-time feel Slower q = 118

F5

when

G5

all a round

F5

- me’s

G5

burned and

F5

you’ll

D5

still see me there, ask

F5

ing- where

G5

you went

Ab5

to and

G5

what

F5

per

D5

son- brought you here......and why

F5

you

G5

left the burn

F5

ing

G5

- chil dren

F5

- cold,

D5

out in the night......and

F5 G5 Ab5 G5 F5

Gtr. 2

Interlude

* D5

call ing- for you all a lone.-

Gtr. 3

P.M.

Rhy. Fig. 3

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

(cont. in notation)

End Rhy. Fig. 3

Oh.

Gtr. 3: w/ Rhy. Fig. 3 (3 times)

F5 D5

F5 D5 F5

D5 F5 D5 Ab5 F5

D5 F5 D5

Gtr. 2

P.M.

3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3 000

2

2

33

00

00

2

2

00

33

00

22

33

00

22

00

55

22

33

00

66

66

33

00

00

22

22

00

33

00

33

00

22

00

55

33

00

66

66

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00


4



iq = q e K

C To oda

F5 D5

P.M.

F5

D5 Ab5

P.S.


F5

D5 F5 D5 F5

D5 F5 D5 Ab5

F5

D5 F5 D5 F5

D5 F5 D5 Ab5

Ah!

F5 D5 F5 D5

F5 D5 F5 D5 Ab5 F5 D5 F5 D5 F5 D5 F5 D5 Ab5

Dark 2., 4.

Verse

2nd time, Bkgd. Voc.: w/ Voc. Fig. 1

D5

in their hearts, I can feel it burn in side

G5

- of

D5

me.

F5 D5 F5 G53 3 3

Gtrs. 2 & 3

Rhy. Fig. 4

P.M.

P.M.

P.M.

P.M. P.M.

End Rhy. Fig. 4

3

3 3

3 3

Tor


D5

ment- ed- young with no souls, haunt

G5 D5

ing

F5

-

D5

me.

F53

G5

Pain

D5

in their lives, all they

3 3 3 3

know is

3

mis

G5

er

D5

- y.

F5

-

D5 F5 G5

Take

D5

these chains a way- that are hold

G5 D5

ing-

F5

me

D5 F5 G53

Voc. Fig. 1

00

00

00

X X X X 0

00

00

00

00

00

00

00

0 0 5 0 3 0 3 5


5



Half-time feel

End half-time feel

down,

D5

hold ing- me

Gtr. 4 (elec.)

w/ dist.

f

3 3

3

Gtr. 5 (elec.)

w/ dist.

f

3 3

3

Gtrs. 2 & 3

P.M. P.M. P.M.

3

3 3 3

down.

Gtrs. 5 & 6 tacet

3 3

3

3 3 3

3

P.M. P.M. P.M.

3

3 3 33 3 3 3

5 8 12

10 9

5

9

8 12

10 12 712 10 12 14 12 12

3 5 8

7 6

3

6 7

5 8

7 9 59 7 9 10 9 9

00

00

00

00

00

00

00

00

00

00

00

00

00

5 8 12

10 9

5

9

8 12

10 12 512 7 9 10 6 6

3 5 8

7 6

3

6 7

5 8

7 95

9

45 8

6 7 2

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00


6



Double-time feel

Verse

D5

They’ll3. find you a lone,

Eº

-

D5/A

your des

A5

p’rate- and vil lain- ous-

3 3 3

Gtrs. 2 & 3

Riff A

P.M.

P.M.

3 3

33 3 3 3

ways.

A/E

Turn

Dm/F

ing- their hearts

Dº/Ab

in to- stone,

Eadd#9/G#

they seek more than

3 3 3

P.M. P.M.

End Riff A3 3

3 3

3 3 3

venge

Gtrs. 2 & 3: w/ Riff A

D5

ance.-

3

Look

Eº

in their eyes,

D5/A

your pain

A5

is their sat is-

3 3

-

fac

A/E

tion.-

3

Look

Dm/F

in their eyes

Dº/Ab

and see

Eadd#9/G#

the dark ness- take

3 3

hold.

D5

I’m

Chorus

Dm/F

con trolled

A7/E

- by fate.

C#m/E

(Wait ing- for,

Gtrs. 2 & 3

3 3 3 3 3

0 0 0 0 0 00

0 0 0 0 2 3 57

8

75

77

77 8 7 4

2 2 2 2 2 24

2 2 2 2 3 5 35

355 8

687

610 8 7

000

353

353

353

353

353

353

245

245

245

245

245

245

242

242

242

242


7




Tired

Dm/F

of your

Eadd4/G#

pa rade.

D5

- No

Dm/F

sign of

A7/E

venge -

wait ing- for, wait ing-

3 3 3 3

3 3 3 3

ance.

C#m/E

Burn

Dm Eadd4/G#

for the rest of time.

µ3 3

for, wait ing...)-

Gtr. 3

3

Riff B

3 3 3

3

3

3

3

Gtr. 2

3

Riff B1

3 3 33

3 3

3

353

353

353

353

353

353

677

677

677

677

677

677

000

353

353

353

353

353

353

245

245

245

245

245

245

242

242

242

242

353

353

353

353

353

353

677

677

677

5 6 5

8 7 5

5 6 5

8 7 5

242

242

242

242

353

353

353

353

353

353

677

677

677 7 8 7

10 8 77 8 7

10 8 7


8



iq = iq

Half-time feel

iq = q e K

Ah!

Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)

Interlude

F5 D5 F5 D5

End Riff B

3 3

3

3 3 3

End Riff B1

3 3 3

3

3 3

F5

D5 F5 D5 Ab5 F5

D5 F5 D5 F5

D5 F5 D5 Ab5

Ah!

F5 D5 F5 D5 F5 D5 F5 D5 Ab5 F5 D5 F5 D5

F5 D5 F5 D5 Ab5

Chorus

D5

Hear

D/F#

the haunt

ing-

Gtrs. 2 & 3

Rhy. Figs. 5 & 5A

3 3

5 6 58

58 7 8 7

5

5 57 6 7

6 5 6 10 8 10 14 14

7 8 710

710 8 10 8

7

7 78 7 8

7 6 7 10 9 10 14 14

22

33

00

22

00

55

33

00

66

66

000

000

000

000

000

000

454

454

454

454

454

454


9



words,

G5

lost

3

chil

A

dren- with

3

no heart are

3

cry

D5

ing,

-

E5

Whispered: (They’ll find you a lone.- Turn ing- their hearts to

3 3 3

F

and you’re the lost

Bb5

moth er- they’re call ing.-

Bb

A C#m Dm

stone.

GoScreamed: now, run and hide!

Gtr. 3

End Rhy. Fig. 5A

3 3

6 6 6 6

Gtr. 2

End Rhy. Fig. 5

3 3

6 6 6 6

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A

D5

I hear

D/F#

them cry ing- at

3

night,

G5

out

3

side

A

- when the

3

plan ets- are

3

YourWhispered: pain is their sat is- fac- tion.-

555

555

555

555

555

000

74

74

74

74

74

00

000

000

000

000

222

3332

3332

3332

3332

00

133

133

133

133

133

00 0 0 0 0 0

4 4 4 4 4 42 2 2 2 2 2 3 3 3 3 3 3

3332

3332

3332

3332

00

133

133

133

133

133

0 1 1 1 1 1 1 0 0 0 0 0 0 4 4 4 4 4 4 5 5 5 5 5 5


10



End half-time feel

D.S. al Coda

Coda

Half-time feel

fall

D5

ing.-

E5 F

They want to feel

Bb5

and know you hear them.

Bb

A C#m Dm

For the rest of time. Go now, run and hide.)

down.

Interlude


D5

HoldWhispered:

G5 D5

ing-

F5

me

D5 F5 G5

Gtr. 6 (elec.)

w/ dist.

f 3 3 3 3 3 3 3 3

down.

D5 G5 D5 F5 D5 F5 G5

HoldScreamed:

D5

ing,-

3 3 3 3

3 3

3 3

3 3 3 3

hold

G5 D5

ing-

F5

me

D5 F5

down.

G5 D5 G5 D5 F5 D5 F5 G5

3 3 3 3

3 3 3 33 3

3 3

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X13

15X13

15X13

15X13

15X13

15X13

15X15

17X15

17X15

17X15

17X15

17X15

17

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

X13

15X13

15X13

15X13

15X13

15X13

15X16

18X16

18X16

18X16

18X16

18X16

18X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X8

10X8

10X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

7X9

7X9


11



Half-time feel

iq = iq

Gtr. 2: w/ Riff BGtr. 3: w/ Riff B1Gtr. 6 tacet

µ

Gtr. 7 (acous.)

Outro

Riff C2

Dm

mp

Gm7 Eº A7End Riff C2

Gtr. 2

Riff C End Riff C

Gtr. 3

Riff C1 End Riff C1

Riff D2

µ F Eº A7End Riff D2

Riff D

P.M.

End Riff D

Riff D1

P.M.

End Riff D1

56

77

87

76

68

78

88

78

68

98

6 9 98

58

7 67 8

6

03

05 3 1 0 1 0

4 5 54 5 4 5 5 7

0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11

8

75 6 8 10 6

8 6 5

7 7

5 8 68

98

6 9 98

58

7 67 8

6

57 8 5 7 3 5 2 3 3 8 7 5

4

55 4 5 5 7 7

8 10 12 8 10 7 8 5 7 7 12 10 8 58 8 7 7 8 8 11


12



Dm

Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)

Gm7

Eº

A7

E

Dm

ter

Gm7

- nal- rest,

Eº A7

in

time.

Dm Gm7 Eº A7

E

Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2

µ

ter

F

- nal- rest,

Eº A7

in

Gtr. 2: w/ Riff C

Dm Gm7 Eº A7

Gtr. 2

Dm

time.

Gtr. 7

Gtr. 3

56

77

87

7

66

8

78

88

7

86

8

98

6 9 9

85

8

7 67 8

6 7 7 7

0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11 000


13



Intro

Fast q = 215


I Won’t See You Tonight (Part II)




Half-time feel

Ah!


**D5Gtr. 2: w/ Riff A (3 times)

Gtr. 1 (dist.)

***w/ DigiTech Whammy Pedal

f

15ma

***Set for one octave above when depressed (toe down).

+6 +6

*Gtr. 2 (dist.) Riff A

P.M. P.M.

End Riff A

P.M.

*Doubled throughout

**Chord symbols reflect implied harmony.

Come1.

Gtr. 1

†fdbk.

22ma

P.H.grad. release

15ma

+6

†Microphonic fdbk.; not caused by string vibration.

+6

back

Gtr. 1 tacetGtr. 2: w/ Riff A (4 times)

Verse

D5

to me, this is in con- ceiv- a- ble,- break ing- a part- the ones you love.

1819

1516

1819

1516

00 00 00 00 00 00 00 00 00 00 00 00 00 00 00

X 19X 191920

1920


1



End half-time feel

Quarter-time feel

End quarter-time feel

Hate runs deep for what you’ve done to us, left a lone- through su i- -

cide.

Eb5

-

Bb5 A5 D5

F5

Su

G5

i- -

Gtr. 3 (dist.)

mf

mf

Gtr. 4 (dist.)divisi

Gtr. 2

cide.

Eb5 Bb5 A5 D5 A5 A/C#

I2.

VerseGtr. 2: w/ Riff A (8 times)Gtrs. 3 & 4 tacet

D5

just wan na- die. Take a way- my

6 7 6 78

5 6 5 67 7 6 7

6 5 6 67 6 7

56 5 6

6 7 6 77

5 6 5 66

45

77 6 766 5 6

56 5 667 6 7

111

111

888

777

777

000

333

555

555

6 7 6 78

5 6 5 67 7 6 7

6 5 6 67 6 7

56 5 6

6 7 6 77

5 6 5 66

76 3 7

5 7 77 7 9

9 11 119

111

111

888

777

777

000

022

42


2



Half-time feel

End half-time feel

Interlude

Slower q = 134

Half-time feel

life, lay by your side. Please come

back to me, this is in con- ceiv- a- ble,- break ing- a part- the ones you love.

Hate runs deep for what you’ve done to us, left a lone- through su i- -

cide.

D5

-

Ebmaj7b5 D5

Ebmaj7b5

Gtr.5 tacet

D5

Ebmaj7b5 D5

Gtr. 5 (dist.)

mp P.M. P.M.

Gtr. 2

P.M. P.M.

Ebmaj7b5 D5

Look 3., 4.

Verse

2nd time, Lead & Bkgd. Voc.: w/ Voc. Fill 1

D5

at my face,

Ebmaj7b5 D5

you pierce with a blank

Ebmaj7b5 D5

stare.

Ebmaj7b5 D5

P.M.

Rhy. Fig. 1

P.M. P.M. P.M. P.M.

Voc. Fill 1

00

00

00

81010

00

00

00

00

81010

81010

00

00

00

81010

00

00

00

00

00

81010

81010

0 0 00

00

00

0 0 0

81010

0 0 00

00

00

0 0 00

00

00

81010

0 0

81010

0 0


3



End half-time feel

Half-time feel

No dream could pre

Ebmaj7b5 D5

pare- a heart for a life

Ebmaj7b5 D5

less

Ebmaj7b5

-

D5

friend.

Gtr. 2: w/ Rhy. Fig. 1

He’s gone,

Ebmaj7b5 D5

P.M. P.M. P.M.

End Rhy. Fig. 1

P.M.

noth ing- will take

Ebmaj7b5 D5

back

Ebmaj7b5

time.

D5

I need him back

Ebmaj7b5 D5

but noth ing- will take

Ebmaj7b5 D5

back

Ebmaj7b5

time.

D5

Interlude

D5 G5 D5

G5 D5

G5

Gtr. 2

*w/ wah-wah

*As filter

D5

G5

I

Chorus

D5 Ab5 D5

can see just

Gm

fine

F D5

with you in my

F

life

E

grad. bend wah-wah off

Rhy. Fil l 1 End Rhy. Fi ll 1 Rhy. Fig. 2

P.M. P.M. P.M. P.M. P.M. P.M.1

00

00

00

0 0 0

81010

0 0 00

00

00

0 0 00

00

00

81010

0 0

81010

0 0

12 0 0 11 0 0 10 0 8 0 6 0 5 5 12 0 0 11 0 0 10 0 8 0 6 0 5 5 12 0 0 11 0 0 10 0 8 0 6 0 5 5

12 0 0 11 0 0 10 0 5 000

444

000

666

666

000

00

00

000

00 10

800

87

00

00

00

000

00 8

700

76


4



1st time, End half-time feel

C To oda

D5

and there by my

Em

side

Dm D5

as it starts

Dm

to

A/C# D5 Eb5

fade. I

D5 µ Ab5

P.M.

P.M. P.M. P.M.

P.M.

End Rhy. Fig. 2

P.M.

Rhy. Fig. 3

steady gliss. P.M.

End Rhy. Fig. 3

know


D5

this can’t be

Gm

right,

F D5

stuck in a

F

dream,

E D5

a night mare

Em

- full

Dm D5

of sor

Dm

row.

A/C#

-

D5

Eb5

Night

Bridge

D5

mare-

Eb5 G5 Ab5

full

Eb5

of

F5

Gtr. 2

steady gliss.

Rhy. Fig. 4

P.M. P.M. P.M.

pain.

D5 Eb5

F5 G5 A5

Night


D5

mare-

Eb5

P.M. P.M. P.M. P.M.

End Rhy. Fig. 4

00

00

00

000

00 7

50 5

3

00

00

00 5

30 4

2

00

00

111

111

1212

666

666

111

111

0 0 0 0 121212

0 0 121212

10 10 10 12 131313

555

666

666

111

333

0 0 0 0 121212

0 0 121212

10 10 10 12 131313

00

111

333

555

777


5



Half-time feel

End half-time feel

Half-time feel

G5 Ab5

full

Eb5

of

F5

pain.

D5 Eb5 F5 G5 A5 D5

I look back and see

Eb5

G5

the twist

Ab5

ed

Eb5

-

F5

road.

D5 Eb5 F5 G5 A5 D5

Best friends and de

Eb5

-

spair

G5

took

Ab5

its

Eb5 F5

toll.

D5 Eb5 F5 G5 A5

Rah,

D5 C#5 D5 C 5 B 5 Bb5 A5 D5 A 5 Ab5 D5

take

G5 F5

a way.

D5

-

C#5 D5 C5 B5 Bb5 A5 D5 A5 Ab5 D5

Take

G5 F5

a -

Gtr. 2


(Ah.)way.

Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)

D5 C#5 D5 C5 B5 Bb5 A5 D5 A5 Ab5 D5

Take

G5 F5

a way.

D5

-

C#5 D5 C5 B5 Bb5 A5

D5 A5 Ab5 D5

Take

G5 F5

a way.

Interlude

D5

-

Gtr. 2 Rhy. Fig. 6

P.M. P.M.

00

1212

1111

00

1010

99

88

77

00

77

66

00

55

33

00

1212

1111

00

1010

99

88

77

00

77

66

00

55

33

00

77

66

00

55

33

00

00

00

00

00

00

00

00

00

00

00

00

00


6



Double-time feel

P.M. P.M.

End Rhy. Fig. 6


Gtr. 6 (dist.)

f

Gtr. 2: w/ Rhy. Fig. 6 (2 times)Guitar Solo

D5

grad. bend

3 3

1

8va loco

31

Gtr. 7 (dist.)

Ab5 G5

loco

F58va

G5Gtr. 6 tacet

D5 Eb5 F5

Gtr. 6

grad. bend

1

Gtr. 2

Rhy. Fig. 7

P.M. P.M.

P.M. P.M.

End Rhy. Fig. 7

P.M.

00

00

00

00

00

00

00

00

00

00

00

00

00

1113 10

12 10 11 1210 13 10 13

11 1113 10

12 10 1210 12 13

13 1313 10 12

1617

1617 17 17 17 11

11 10 1110 11 10

11 1011

1111

1111 10 11

1011 10 11

1311 10 11

1011 10

13

19 2018

17 20 1817

20171920

171920 191517

15 161715

15171515171517

141413 1210

1010 11

10 1110

1010

101210

13 121013

121013

13

000

0 0 0 666

555

0 0 3 5 0 0 0 000

000

111

0 0 333

0 0


7




Gtr. 7


D5 Ab5 G5 F5 G5

D5

*w/ Whammy Pedal

Eb5 F58va

9 10

910

*Set for one octave above when depressed (toe down).

+6

D5 Ab5 G5 F5 G58va

12 12 12 12

+6

loco

D58va

Eb5 F5 D5 Ab5 G5 F5 G5

7 7

5 56

6

+6

D5 Eb5 F5

7

8 13 11 1414 15

15 12 15 12 1010

10

10 13 13 15 14 15 14 14 12 10

10

10 14 12 14

1215 12 13

1513

12

14 12 12 151615

17 18 1416 12 15 12

1516

1216

1516 16

1216

1216

1216

12 12 1416 12 16

15 14

12 16

X12 16

1214

1416 14

15

14 16

1412

1412

1412

1412

1413 15 15

1415

1415

15

1412

15 1615

1412 15

15 1612 15

15 1612

14

1215 12

14

1212

14 1210 12

10 11 1311 10

11 10 13 11 1011

11 1012 10 11 12

11 13 1110 12 10

1010 12 10

12 10 1110

12 1010

10 12 10 12 10 1113

12 1010 13 10

11 1313

1113

13 11 10 13 12 10 13 11 10 1110 11 10

11 10 12 10 1310 13

13 11 13 10 11 13


8



Half-time feel

Sor

Chorus

G5

row,- sank deep

Eb5

in side- my blood.

Gtr. 7

1

Gtr. 2

Rhy. Fig. 8

All

Bb5

the ones a round- me I cared

Gtr. 7 tacet

F5

for and, most

Gb5

of all, I loved.

End Rhy. Fig. 8


G5

But I can’t see

Eb5

my self - that way. Please don’t for get-

13 13

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

55

57

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

11

13

XX

XX

13

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

XXX

XXX

3335

3335

3335

3335

3335

3335

3335

3335

4446

4446

4446

4446

4446

4446

4446

4446


9



D.S. al Coda

Coda

End half-time feel

Tempo I

Bb5

me or cry

F5

while I’m

Gb5

a

(A

way.

way.)

-

-

I

Gtr. 2: w/ Rhy. Fill 1

D5 Ab5


D5

can see just

Gm

fine

F D5

with you in my

F

life

E

D5

and there by my

Em

side

Dm D5

as it starts

Dm

to

A/C# D5


Eb5

fade. I

D5 µ Ab5

know


D5

this can’t be

Gm

right,

F D5

stuck in a

F

dream,

E D5

a night mare

Em

- full

Dm D5

of sor

Dm

row.

A/C#

-

D5

Eb5

Ah!

Gtr. 2: w/ Riff A (2 1/2 times)

Outro

D5

Gtr. 2

Gtr. 7

*w/ Whammy Pedal & delay

15ma

+6

*Whammy Pedal set for one octave above when depressed (toe down).

+6 +6

Gtr. 1

**w/ Whammy Pedal

15ma

+6

**Set for one octave above when depressed (toe down).

11

1

24 2424

24

2424

24

18

19

1819


10



15ma

+5 1/2+4 +4 1/2

+6

15ma

let ring+6 +6

µ

Gtr. 7

15ma

+6+2 1/2

+6

Gtr. 1

let ring

15ma

+6

Gtr. 2

P.M. P.M. P.M.

2424

2424

24 21 21

1516

171516

1819

2424

2424

24

19181919

1819

00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00


11



Intro

Moderately slow q = 65


I Won’t See You Tonight (Part I)




(Piano)


*Gm

F Eb

type2

Gtr. 1 (dist.)D7

**fdbk.

f

8va

*Chords played by piano, next 3 meas.

5fr

1113

G5

1113

Eb5

1113

F5

3

D5

13 4

Bb55fr

11 1

G5

**Microphonic fdbk.; not caused by string vibration.

***Gtr. 2 (dist.)

†

Rhy. Fig. 1

f

G5 Eb5

loco

3

***Doubled throughout

†See top of page for chord diagrams pertaining to rhythm slashes.

1 1/2 1/2

F5 D5

1/2 1/21/2

Eb5 Bb5 F5

fdbk.

1/2 1/2

X

6 6 35 5 5

3 6 6 4 3

5 5 53 6 6 6 4 3

5 5 7 5 7

3 3 3 56 6

6 5 5 56

5 36 8


1



G5 Eb5

3

F5 D5 Eb5End Rhy. Fig. 1

F5

1

1/2

1

1/2 1/21

type2G5 **

Gtr. 2 tacet

F/A

Gtr. 3 (dist.)

mf

8va

Gtr. 1

fdbk.

8va

*Gtr. 4 (clean)

w/ fingerslet ring throughout

Riff A

mf

*Doubled throughout **Chord symbols reflect implied harmony.

8 863 5 6 8 6 6

5 5 53 4 64 6 66 86

15 1215 15

15 1815

15 1817

1518 15

1515

14 15 17

18

19

17

1720

1718

1720

17

8 8 8

63

35

53

35

33

35

53

3 10

12

1110

1012

1010

1012

1210

12

1210

1210

12


2



Eb/G

Gtr. 1 tacet

D/F#

loco

D7/A8va

Gm

8va

End Riff A

Cry

Verse

Gtr. 3 tacetGtr. 4: w/ Riff A (1 1/2 times)

1.

Gm

a lone,- I’ve gone a way.

F/A

- No

Eb/G

more nights,

no

D/F#

more pain.

D7/A

I’ve gone

Gm

a lone,- took all my strength.

F/A

I’ve

made

Eb/G

the change, I won’t

D/F#

see you to night.-

D7/C

Gtr. 4

Riff B

End Riff B

15 1215 1518

15

15

15

18

15

17

15

15

15

14

11

14

14

14

1416

14 150

140 16

12 13 13

8

10

118

810

108

810

88

810

108

810 9

107

79

77

79

87

7 012

1311

10 10

13

87

11

10

118

810

108

810

88

810

108

810 9

107

79

77

79

87

7 0 101113

101113


3



Sor

Chorus

Gtr. 4 tacet

G5

row- sank deep

Eb5

in side- my blood.

Gtr. 2

All

Bb5


F5

for and loved.

Gb5

It’s2.

build

Verse

Gtr. 2 tacetGtr. 4: w/ Riff A (1 1/2 times)

Gm

ing- up in side- of me,

F/A

a

place

Eb/G

of dark so cold I had

D/F#

to set me free.

D7/A

Don’t

mourn

Gm

for me, you’re not the one

F/A

to place the blame. As

bot

Gtr. 4: w/ Riff B

Eb/G

tles- call my name, I won’t

D/F#

see you to night.-

D7/C

5557

5557

5557

5557

5557

5557

5557

5557

1113

1113

1113

1113

1113

1113

1113

1113

1113

00

133

133

133

133

133

133

133

133

133

XXX

3335

4446


4



Sor

Chorus

G5

row- sank deep

Eb5

in side- my blood.

Gtr. 2

Rhy. Fig. 2

All

Bb5


F5

for and, most

Gb5

of all, I loved.

End Rhy. Fig. 2


G5

But I can’t see

Eb5

my self - that way. Please don’t for get-

Bb5

me or cry

F5

while I’m

Gb5

a way.-


Guitar Solo

G5 Eb5

Gtr. 1 8va

1 1 1 1 1 1/2

5557

5557

5557

5557

5557

5557

5557

5557

1113

1113

1113

1113

1113

1113

1113

1113

1113

00

133

133

133

133

133

133

133

133

133

133

XXX

3335

3335

3335

3335

4446

4446

4446

4446

18 1818 18 15 18 20 20 20 20 20 18 20 20 18 15


5



F5

D5

8va

1 1/2 1/2 1/21

Eb5

Bb5 F5

8va

3

1 1 1

G5

Eb5

8va

3 3

1

F5

8valocoD5

Eb5 F5

let ring 3 3

1 hold bend1

17 1716

1715 16 16 16 1616 14 15 14 15 1015 15

1715

17 18

18 15 15 2015 17 18 2020

18 2020 1820 18 15 1818 15

18 18 15 1518 17

1518

1817

1518

15 18 1518 17

1518 17

1518

15

16 16 1518 17

15 18 1515 14

17 16 160

14

0

15

0

17 17 1718 18

1517

15


6



Cry3.

Verse

G5

a lone,- I’ve gone a way.

F5

-

Gtr. 1

fdbk.

1

Gtr. 2

Rhy. Fig. 3

No

Gtr. 1 tacet

Eb5

more nights, no

D5

more pain.

Eb5 F5

I’ve

Gtr. 2

End Rhy. Fig. 3

gone


G5

a lone,- took all my strength.

F5

But I’ve

made

Eb5

the change, I won’t

D5

see you to night.-

Eb5 F5

18 18

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

0002

0002

0002

0002

0002

0002

0002

0002

0002

1113

1113

1113

1113

3335

3335

3335


7



(So

Bridge


G5

far

Eb5

a way,-

F5

I’m

Gtr. 3

3

1 1

gone.

D5

Please

Eb5

don’t

3

1

fol

Bb5

low- me

F5

to night.-

G5

And while I’m gone,

Eb5

8va

1/2 1/2

F5

ev

D5

’ry- thing- will be

Eb5

al

F5

-

8va

loco 3 3

1/2 1/2

1 3 3 5 6 6 6 6 55 3 6 5

65 5 2

5

3 5 8 10 10 5 6 8 6 5 6 6

1515 17

15

1512

1515

1518 1318 15

18 1715

17 17

1820 20

15 18 1718

17 14 714 11 1110

11 1113 11 10

13 11

12


8



right.)

Interlude


G5 F5

Gtr. 3

1 1 1

Gtr. 5 (dist.)

Gtr. 6 (dist.)divisi

f

f

Eb5

Gtr. 3 tacet

D5

Eb5 F5

Gtr. 5

G5

Gtr. 6

F5

13 13 13 13

7 8 7 810

5 7 5 78

35

108 7 887 5 7

10 8 7 88 7 5 7

7 8 7 88

5 7 5 77

35

88 7 877 5 7 8 7 5 7

10 8 7 8

11 11

7 8 7 810

5 7 5 78

35

108 7 887 5 7

10 8 7 88 7 5 7

55 7 5 7

77 8 7 8 77 7

99 988 81010 10

10 1012 12

35 7 8 7 8

10

5 7 5 78

35

108 7 887 5 7

10 8 7 88 7 5 7

7 8 7 88

5 7 5 77

35

88 7 877 5 7 8 7 5 7

10 8 7 8


9



Play 8 times

Eb5

D5

Eb5

F5

Gtr. 2

G5

(cont. in notation)

Gtr. 5

grad. bend fdbk.*fdbk.

8va

1

*Microphonic fdbk.; not caused by string vibration.

Gtr. 6

grad. bend fdbk.1/2

Pitch: F

Gtr. 2

Gtrs. 5 & 6 tacet

G5(Piano)

Gtr. 2 tacet

Gtr. 2

G5

P.M.

Rhy. Fig. 4

G5 F5 Eb5 F5End Rhy. Fig. 4

No

Bridge


G5

more breath

F5

in

Eb5

side.-

F5

Es

G5

sence- left

F5

my heart

Eb5

to night.-

F5

7 8 7 810

5 7 5 78

3

5

108 7 887 5 7

10 8 7 88 7 5 7

7 8 7 85 7 5 7

77 799 9

88 81010 10

10 1012 12

8 10 10 X

10 12 12

5557

55

55

55

55

55

55

55

55

55

55

55

55

5557

5557

5557

5557

5557

5557

3335

3335

3335

3335

3335

3335

1113

1113

1113

1113

1113

1113

3335

3335

3335

3335

3335

3335


10



Begin fade Repeat and fade

Outro

G5

Whoa, whoa,

Bb5

yeah,

F5

yeah.

Voc. Fig. 1

(Whoa, whoa, whoa, whoa.)

Gtr. 2

Rhy. Fig. 5

Eb5

Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)Gtr. 2: w/ Rhy. Fig. 5 (till fade)

G5

Whoa,

Bb5

yeah.

End Voc. Fig. 1

End Rhy. Fig. 5

F5 Eb5 G5

Yeah,

Bb5

yeah, yeah,

3

F5

whoa.

Eb5 G5

3

Yeah,

Bb5

yeah.

F5 Eb5

*

*Signal distortion increases as track fades out.

G5

Whoa, whoa,

Bb5

yeah,

F5

whoa.

Eb5

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

133

133

133

133

133

133

133

133

133

133

133

133

133

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

3335

5557

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113

1113


11



Intro

Moderately fast q = 125


Radiant Eclipse




Half-time feel

Play 3 times

Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

Gtr. 1 (dist.)

*

Riff A

D5

f

D5

D5add#11End Riff A

let ring


Gtrs. 2 & 3 (dist.)

Gtr. 1: w/ Riff A (7 times)

Rhy. Fig. 1

D5

f P.M.

D5add#11

P.M. P.M.

End Rhy. Fig. 1

Eb5

D5

P.M.

D5add#11

P.M.

P.M.

Eb5


D5

D5add#11

Eb5

Gtrs. 2 & 3

D5 Eb5 D5add#11 Eb5

P.M.

53

23

53

2

5 43

23

43

23

00

00

00

00

00

00

00

00

00

1113

00

00

00

000

00

00

00

00

00

00

1113

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1


1



Gtr. 1

D5 Eb5 D5add#11 Eb5

let ring

Gtrs. 2 & 3

P.M.

Gtrs. 4 & 5 (dist.)

Gtr. 1 tacet

D5

f

Eb5 D5

fdbk.

Eb5

Pitch: E

Gtrs. 2 & 3

Riff B

P.M. P.M. P.M. P.M.

End Riff B

P.M.

Gtrs. 4 & 5

Gtrs. 2 & 3: w/ Riff B

D5 Eb5 D5

fdbk.

Eb5

Pitch: E

53

23

53

2

5 43

23

43

2

4

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 00

00

00

00

00

00

00

00

1 1 1 1 1 1 1 1

X12

14

12X

14

12

14

10X12

12

14

13

15X12

14

10X

12

12

14X10

12

12

14 14

12X

14

12

14

10X12

12

14

13

15X12

14X12

14

0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1

7X9

7

9

8

10X8

10

12X14

8

10

10

12X

12

14

13

15X12

14

10X12

12

14X10

12

12

14 14

12X14

12

14

10X12

12

14

13

15X12

14X12

14


2



End half-time feel

Half-time feel

Gtrs. 4 & 5 tacet

D5

Two1.

Verse

D5

nights

F5

a

D5

go

G5

- I

G#5

was

A5

shot,

D5

a

Gtrs. 2 & 3

P.M. P.M.

Rhy. Fig. 2

P.M. P.M.

bul let

F5

- sunk

D5

straight

G5

through

G#5

the

A5

skull.

D5

A friend


pulled

F5

the

D5

trig

G5

ger-

G#5

that

A5

P.M.

End Rhy. Fig. 2

P.M.

si

D5

lenced- me. No pain

F5

as

D5

I

G5

a woke

G#5

- but

A5

dead.

D5

See ing

F5

- the

D5

face

G5

of

G#5

the

A5

man,

D5

the time that

F5

he

D5

layed

G5

down

G#5

his

A5

gun.

D5

I

knew this

F5

was

D5

go

G5

ing

G#5

- to

A5

take

D5

place. White si lence,

F5

- so

D5

peace

G5

ful,

G#5

- so

A5

000

0 0 0 0 0 0 0 0 000

333

000

555

666

777

000

0 0 0 0 0 0 0 0

000

333

000

555

666

777

000

0 0 0 0 0 0 0 0


3



End half-time feel

numb.

Pre-Chorus

D5

No one

*C/E

knows

C

the

Dm

time

Bb

they’re

**A/C#

chang

Dm

ing.

C/E

-

Gtr. 2

Gtr. 3

*Bass plays E. **Bass plays C#.

No

D5

one

C/E

will

C

see

Dm

through...

Bb A/C# Dm C/E

000

000

000 X

10

12X10

12X10

12X10

12X10

12

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X8

10

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X10

12X10

12X10

12X10

12X10

12

000

000

000

7X9

7X9

7X9

7X9

7X9

3X5

3X5

3X5

5X7

5X7

5X7

5X7

5X7

1X3

1X3

1X3

4X6

4X6

4X6

4X6

4X6

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

000

000

000 X10

12

X10

12

X10

12

X10

12

X10

12

7X

9

7X

9

7X

9

X8

10

X8

10

X8

10

X8

10

X8

10

5X

7

5X

7

5X

7

7X

9

7X

9

X8

10

7X

9

7X

9

X8

10

X8

10

X8

10

X10

12

X10

12

X10

12

X10

12

0 0

000

000

000

7X9

7X9

7X9

7X9

7X9

3X5

3X5

3X5

5X7

5X7

5X7

5X7

5X7

1X3

1X3

1X3

4X6

4X6

4X6

4X6

4X6

5X7

5X7

5X7

7X9

7X9

7X9

7X9

0 0


4



Double-time feel

1C To oda

You’re

Verse

F5

2., 4. all

D5

gone to me.

µ

(Gone to me.)

I’ve

D5

been pulled

F5

out to

G5

watch from

Ab5

Gtrs. 2 & 3

Rhy. Fig. 3

P.M. P.M. P.M. P.M.

End Rhy. Fig. 3

my


F5

e

D5

ter- nal- sleep.

µ D5

In tu-

F5

i- tion-

G5

and a

Ab5

warn

F5

ing

D5

- to be lieve.-

µ

(Will be -

lieve.)Some

D5

thing- went

F5

wrong and

G5

though I

Ab5

felt

F5

I

D5

had to stay,

µ D5

mov ing-

F5

on seemed

G5

to be


Ab5

som

F5 D5

ber- bliss...

...with out-

F5

one

G5

good

Ab5

bye.

F5

-

D5

Gtrs. 2 & 3

Rhy. Fig. 4

P.M. P.M. P.M.

...I watch my

F5

moth er

G5

- shed

Ab5

tears.

D5

F5 D5 G5 G#5 A5

P.M.

End Rhy. Fig. 4

P.M.

333

0 0 0 000

0 0 0 0 0 333

0 0 555

0 55

66

333

0 0 0 000

0 0 0 0 333

555

55

66

333

0 0 0 000

000

0 0 0 0 333

555

55

66

00

00

00

00

00

00

00

00

00

00

000

333

000

555

666

777


5



No!

D5

This3. gun

Verse


D5

has

F5

stopped

D5

time

G5

in

G#5

its

A5

tracks,

D5

has

P.M. P.M.

al tered

F5

- the

D5

course

G5

of

G#5

my

A5

fate.

D5

Des ti- ny

F5

- is

D5

shat

G5

tered

G#5

- and

A5

time

D5

less.- Closed

eyes feel

F5

the

D5

cold

G5

wind’s

G#5

em

A5

brace.

cries.

Pre-Chorus

Bb

-

Dm C/E A5 Bb5

I’ll watch you call,

Gtrs. 4 & 5

Gtrs. 2 & 3

000

0 0 0 0 0 0 0 0

X13

15X12

14

12

14X10

12

10X12

12

14

12

14X8

10

8

10

000

333

000

555

666

777

5X7

X8

10

7X9

777

888

88

00


6



Bb Dm C/E A5 Bb5

call ing- for me.

Bb Dm C/E A5 Bb5

You can’t bring back time.

Bb Dm C/E A5 Bb5

X13

15X12

14

12

14X10

12

10X12

12

14

12

14X8

10

8

10X13

15X12

14

12

14X10

12

10X12

12

14

12

14X8

10

5X7

X8

10

7X9

777

888

88

00 5

X7

X8

10

7X9

777

888

8

10

8

10X13

15X12

14

12

14X10

12

10

12X12

14

12X14

15

17X15

17X15

17X15

17X15

17X15

17X15

17X15

17

888

88

00 5

X7

X8

10

7X9

777

888

888

888

888

888

888

888

888


7



Half-time feel

Close

Chorus

D

your eyes

*Gadd9

and look

C5

a way.-

Gsus2 G% Gsus2

Gtr. 1

Riff C End Riff C

Gtrs. 4 & 5

Riffs D & D1

Gtrs. 2 & 3


*Bass plays G.

Fate

Gtr. 1: w/ Riff C (3 times)Gtrs. 2 & 3: w/ Rhy. Fig. 5 (3 times)

D

ex posed,

Gadd9

- won’t let

C5

me stay.

Gadd9 G% Gsus2

Gtr. 4 End Riff D

Gtr. 5

End Riff D1

7 8 7 8 10 8 7 8 77

10 8 710

8 79

7 8 77 9 9 7

9 10 9 710 9

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

09

09

09

09

09

09

09

09

009

0012

0012

0012

0012

00

12

00

12

00

12

101010

101010

101010

101010

101010

101010

101010

101010

557

557

557

577

577

557

557

00

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X14

16X14

16X14

16X15

17X14

16X12

14X10

12X9

11

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X10

12X12

14X12

14

12

14X10

12X9

11


8



2C To oda

Hope

Gtrs. 4 & 5: w/ Riffs D & D1

D

will fall

Gadd9

to night-

C5

with bro ken

Gsus2

- wings...

G% Gsus2

...de -

scend

D

ing- en

Gadd9

ti- ty

C5

- in me.

Gadd9

*Key signature remains D major (2 sharps) at Coda 2.

G%*

Gsus2

Gtrs. 2,3 & 5

Interlude**D5

(Gtrs. 2 & 3, cont. in notation)

Gtr. 4

**See top of first page of song for chord diagram pertaining to rhythm slashes.

Gtrs. 4 & 5 tacet

D5

G5 F5 D5 E5 F5 D5 A5 Ab5

D5 G5 F5 D5 F5 Eb5

Ah,

D5 G5 F5 D5 E5 F5 D5 A5

Gtrs. 2 & 3

P.M.

Ab5 D5 G5 F5 D5 F5

my

Eb5

voice

Bridge

D5 G5 F5 D5 E5 F5 D5 A5 Ab5

has

D5

been

G5 F5

tak

D5

en

F5

- from

Eb5


me.


D5 G5 F5 D5 E5 F5 D5 A5 Ab5 D5 G5

The

F5

more

D5 F5

I

Eb5

lis

D5 G5

ten,

F5

-

D5 E5 F5 D5 A5

10X

12

12

14

00

55

33

00

22

33

00

77

66

00

55

33

00

33

11

00

55

33

00

22

33

00

77

66

00

555

333

000

333

111

000

555

333

000

222

333

000

777

666

000

555

333

000

333

111


9



End half-time feel

D.S. al Coda 1

1 Coda

D.S.S. al Coda 2

2 Coda

poco rit.

poco rit.

Ab5

the

D5

more

G5

I

F5

have

D5 F5

to

Eb5

say.

D5 G5 F5 D5 E5 F5 D5 A5 Ab5 D5 G5 F5 D5 F5 Eb5

tears


F5 D5

and taste the

F5

blood that

G5

she

Ab5

cries,

F5 D5

and taste the

F5

blood that

G5

she

Ab5

Whoa,


Outro-Guitar Solo

D Gadd9

yeah,

C5

whoa.

Gsus2 G% Gsus2

Gtr. 6 (dist.)

*w/ wah-wah

f

*As filter

1

Yeah,

D

whoa,

Gadd9

yeah.

C5 Gsus2 G% Gsus2

D

Gtrs. 2, 3 & 6

fdbk.

910

91010

1210

9 1110

9

3 78

7

10 8

9 9

8

10 10

10

12

12

10

10

9

8 5

7 11

1010

11

10 1010 12

1110

1211 12 12

X12

14

14

12

12

11

10

5 98

9

8

98

8

5

8

9

8

10X10

12

12

10

10

7

097

0


10



Intro

Moderately q = 91


Remenissions




Quadruple-time feel

Gtr. 2 (elec.)


(Drums)

w/ dist.

D5

f

µ

P.M. P.M. let ring

D5 µ

P.S.

Gtr. 1 (elec.)

w/ dist.

f P.M.

Ulh!

*Dm A7

Gtrs. 1 & 2

Riff A


(Ulh!)

Bb A7

End Riff A

00

3 00

0

0

11

00

5 3 2 00

3 00

01

X

00

00

00

00

00

00

0 0 0 0 2 2 2 2 3 3 3 32 2 2 2

5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 04 4 4 4

0 0 0 0 2 2 2 2 5 5 5 54 4 4 4 0 0 0 0

2

1 1 1 10 0 0 0 3 3 3 3

3 3 3 33 3 3 3 0 0 0 0

1 1 1 10 0 0 0

0 0 0 0 4 4 4 42 2 2 2

4 4 4 4

0


1



End quadruple-time feel

Gtr. 2

Gtr. 1: w/ Riff A

Dm A7

Bb A7

Gtrs. 1 & 2

D5

P.M.

Dsus2 D5

P.M.

Bb/D D5

P.M.

C#º/D A5addb2

With1.

Verse

D5

this ink

F5

in

E5

my

D5

skin, we’ve sealed

F5 E5

our

D5

fate,

Bb

and the axe comes

Rhy. Fig. 1

P.M. P.M. P.M.

P.M.

ear

C

ly.-

(On ly- nat ’ral- ly.)-

So,

Bb5

what

G5

does that

C5

mat

A5

ter?-

P.M. P.M. P.M. P.M.

End Rhy. Fig. 1

2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 25 5 5 5 3 3 3 3 2 2 2 2 3 3 3 3 5 5 5 5

3 3 3 32 2 2 2

4 4 4 4 4

0 0 0 0 3 3 3 33 3 3 3

3 3 3 33 3 3 3

3 3 3 3 0 0 0 0 3 3 3 34 4 4 4

2 2 2 2 5 5 5 54 4 4 4

2

00

00

00

230

00

00

0

033

00

00

0

032

355

00

0 0 33

22

0 00

0 0 0 33

22

00 1

30 0 0 0 5 0 1

31 0 0 0 5 0

32

3 3

03 2 0 2

3 0 0 13

0 0 55 3

5

0 002

02

02

02


2



There’s

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)

D5

a bed

F5

of

E5 D5

skel e- tons- wait

F5

in’

E5

- for

D5

me

Bb

on the oth er- side.

C

They’re

Bb5

wait

G5

ing- for

C5

my

A5

next move.

D5

(Next fa tal- breath.)Hu


man- lives,

F5 E5

to

D5

me, seem so

F5 E5

un

D5

-

Gtrs. 1 & 2

P.M. P.M.

real.

Bb

You can’t see through the fog,

C

(Noth ing- past a grey wall.)

see

Bb5

past

G5

the ster

C5

e

A5

- o- type.

D5

- Be lief,

F5

-

E5 D5

struc ture- built

F5

up

E5

in

D5

you.

Bb

I’ll tear you down

C

and the one

Bb5

who

G5

cre

C5

at

A5

- ed-

you.

Interlude

µ D5 µ

D5

Gtrs. 1 & 2

P.M. P.M.

13

0 0 55 3

5

0 002

02

02

02

00

00

00

00

12

1511

1612

00

00

00

00

00

00

00

00

00

1511

1612

00

00

00

00

00

00

00

00

00

00

00

00


3



µ D5

P.M.

µ D5

P.M.

If

Pre-Chorus

D5

they did n’t- have One, how would they act?

Bb5

(Whoa,


If

G5

we did n’t- have hope, how would we be have?

C5

- Would they

still


D5

feel re morse- if they slaught ered- in no- cent- be

Bb5

ings?- Or is

whoa.)

1511

1612

00

00

00

00

00

00

00

00

00

1511

1612

00

00

00

00

00

00

00

00

00

00 1

3

55 3

5


4



hope

G5

the on ly- thing that keeps you sane?

C5

A good

Chorus

Dm

friend once told

Gtr. 3 (nylon-str. acous.)

mp

Riff B

*Gtr. 4 (steel-str. acous.)

w/ fingers

Riff C

mp

let ring

*Doubled throughout

Gtrs. 1 & 2

P.M.

me

Gtrs. 1 & 2 tacet

Gm

you are a mem o- ry,

Cadd9

- with out

Fadd9

- them we e

A7

qual- noth -

Gtr. 3

Gtr. 4


End Riff C

let ring

10 10

10 1210

02

3 1

0

32

0

0 32

0

1 32

0

55 3

5

00

111210 10 11 5 6 8 5

5 76 5

5 5 7 7

12 12

9 10 912

9 1012

1112

53

33

5

33

5

53

35

33

3

0 32

03

3

02

3

0

3

30

23

03

21

3

3

12

0 20

23

2

20

0


5



ing.

Gtr. 4: w/ Riff C

Dm

All I can see

Gm

is a place I wan na- be.

Gtr. 3

let ring

w/ pick & fingers

let ring w/ pick & fingers

Cadd9

Sud

Fadd9

den- ly,- my life

A7

was so

w/ pick & fingers

free.

D5

Leaves at my feet,

Gtr. 3 tacet

G5

they’re blown to the ground.

C5

Their

Gtr. 3

End Riff B

Gtrs. 1 & 2

P.M. P.M. P.M.

7 9 9 1012

10

10

12

12

14

131110

11

0

10

12

12

14

13

12

12

1012 1 0 12

9 1012

9 10 1210

1012

119 10 9 12

109 10

10 911

12 12

00

0 0 0 0 0 0 0 0 0 0 0 0 0 0 55

5 5 5 5 5 5 5 5 5 5 5 5 5 535

3 3 3 3 3 3 3 3 3 3 3 3 3 3


6



Quadruple-time feel

ech

F5

oes- are reach

A5

ing- my ears.

D5

Night’s com in’-

Gtrs. 1 & 2

P.M. P.M. P.M.

fast,

G5

the sun’s go in’- down,

C5

but

P.M. P.M.

keep

Bb5

a way

C5

- from me.

D5

Keep

Bb5

a way

C5

- from

P.M. P.M. P.M. P.M.

me,

Dm Bb5

C5

keep

F5

a way

C/E

- from

(Oh, it’s hard to keep me in this

33

3 3 3 3 3 302

0 0 0 0 0 000

0 0 0 0 0 0 0 0 0 0 0 0 0 0

55

5 5 5 5 5 5 5 5 5 5 5 5 5 535

3 3 3 3 3 3 3 3 3 3 3 3 3 3

13

13

35

35

57

57

0 0 0 057

57

0 0 0 057

57

0 0 0 057

57

0 0 0 013

13

35

35

05 5 7 8 7 5 0 1

313

13

13

13

13

35

35

35

35

35

033

33

0 23

23

0


7



me,

Dm Bb5 C5

keep

F5

a way

C5

- from

place.

me,

Dm Bb5 C5

keep

F5

a way

C/E

- from

Keep a way- from me.

me.

Dm Bb5 C5

A5 C5 D5 µ

Ulh!)

3

05 5 7 8 7 5 0 1

313

13

13

13

13

35

35

35

35

35

00 3

535

00

35

35

35

05 5 7 8 7 5 0 1

313

13

13

13

13

35

35

35

35

35

0 33

33

0 23

23

0

05 5 7 8 7 5 0 1

313

13

13

13

13

35

35

35

35

02

35

57


8



End quadruple-time feel

We

Bridge

D5

may have

C

cre at

Bb5

- ed- the

A5

be gin

Bb

- ning,

- men

A

tal- ly.-

Gtr. 2

Riff D1 End Riff D1

Gtr. 1

Riff D End Riff D

We

Gtrs. 1 & 2: w/ Riffs D & D1

D5

may have

C

cre at

Bb5

- ed- the

A5

be gin

Bb

- ning,

- phys

A

i- c’ly.

- To the

end

C5

of our hu man

Bb5

- ex ist

A5

- ence.-

A/C#

Gtr. 2

Gtr. 1

Gtrs. 1 & 2

Rhy. Fig. 3

Interlude

D5

P.M. P.M.

End Rhy. Fig. 3

5X7

5X7

7X9

7X9

X8

10X8

10

7X9

7X9

1X3

1X3

5X7

5X7

X8

10X8

10X13

15X13

15

02

5X7

5X7

3X5

3X5

1X3

1X3

0X2

0X2

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

0X2

2X4

4X6

4X6

7X9

X12

14

12

14

7X9

X8

10

5X7

7X9

4X6

35

13

02

42

00

00

00

00

00

00

00

00


9



Half-time feel

End half-time feel

Ulh!


Gtr. 5 (elec.)

w/ dist. mf

I

Bridge


D5

see through you, the fear that’s in your eyes,

Gtr. 6 (elec.)

w/ dist.

mf

Gtr. 5

whoa.

Gtrs. 5 & 6 tacet

Eb5 E5 F5 D5

Eb5 E5 F5 D5

Eb5 E5 F5 D5

Eb5 E5 F5

Gtrs. 1 & 2

78 7

78 7

78 7

78 7

1012 11

1012 11

1012 11

1012 11

77

8 77

8 77

8 77

8 7

00

11

22

33

00

11

22

33

00

11

22

33

00

11

22

33


10



Gtr. 5

Guitar Solo

D5

f

Bb5

Gtr. 6

f

Gtrs. 1 & 2

Rhy. Fig. 4

P.M. P.M. P.M.

C5 F5 C/E

3 3 3 3

3 3 3 3

P.M.

End Rhy. Fig. 4

P.M.

10 10 810

8 1010 10

11 11 1012

10 1112

6 6 57

5 67 7

8 8 6 5 6 8 5

00

00

00

00

0 0 0 0 0 01 1 1 1 1

31 1 1 1 1 1 1 1

1213 13 11 10 11 13 10 10 13 11 10 11 10 8 10 8

108

10 9

5 10 10 8

10

8 10

10 10

10 8

10

8 6 5 6 5

7

5

7 5

3 3 3 3 35

3 3 3 3 3 3 3 333

33

33

33

33

33

33

33

23

23

23

23

23

23

23

23


11



Gtr. 5


D5 Bb5 C5

Gtr. 6

F5 C/E

A good

Chorus

Gtr. 3: w/ Riff B

D5

friend once told me

Gtrs. 5 & 6 tacet

G5

we are a mem o- -

Gtrs. 5 & 6

3 3 3 3

(cont. on upper staff)

Gtrs. 1 & 2

Rhy. Fig 5

3 3 3 3

ry,

C5

with out

F5

- them we e

A5

qual-

A/C#

noth ing.


D5

- All I can

End Rhy. Fig 5

710 10 8

108 10

10 1011 11 10

1210 11

12 1213 13 11 10 11 13 10 10

76 6 5

75 6

7 78 8 6 5 6 8 5 10 10 8

108 10

10 10

13 11 10 11 10 8 10 810

810 9 7 7

10 810

8 6 5 6 57

57 5

00

55

55

55

55

55

55

55 0

0

35

35

35

35

35

35

35

35

35

35

33

33

33

33

002

42


12



see

G5

is a place I wan na- be.

C5

Time

F5

less,- my life

A5

was

A/C#

so

free.

D5

Leaves at my feet,

G5

blown to the ground,

C5

their

Gtr. 5

ech

F5

oes- are reach

A5

ing-

A/C#

my ears.

D5

Night’s com in’- fast,

G5

sun’s go in’-

down,

C5

con fused.

A5

- I

Gtr. 5 tacet

Eb5

don’t know the

Gtr. 5

Gtrs. 1 & 2

P.M.

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

12X14

15

17X15

17X15

17X15

17

13

15X13

15X13

15X13

15

12

14X12

14

10

12X10

12X10

12X10

12

8

10X8

10X8

10

8

10X

10

12X10

12X10

12X10

12

8

10X8

10

7

9

7X9

7X9

7

9X

5

7

5X7

3X5

3X5

4X6

4X6

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

12

14X

15

17X15

17X15

17X15

17

13

15X13

15X13

15X13

15X12

14X12

14X10

12X10

12X10

12X10

12X10

12

8

10X8

10X8

10

4

6

8

10X

10

12X10

12X10

12X10

12

8

10X8

10

7

9

7X9

7X9

7

9X

5

7

5X7

4X6

35

35

35

35

35

35

35

35

35

35

02

02

02

02

02

02

02

11

11

11

11

11

11

11

11


13



rit.

Half-time feelFaster q = 130

Begin fade Play 4 times & fade

an

F5

swers,- but neith er- do you.

D5

Gtrs. 1 & 2

rit.

Ulh!

Outro

D5

Riff E End Riff E

P.M.

(Ulh.)

Gtrs. 1 & 2: w/ Riff E (3 times)

Yeah!

Gtrs. 1 & 2

P.M.

33

33

33

33

33

33

33

33

00

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012

012


14



Intro

Very fast q = 257


Second Heartbeat




Gtrs. 1-7: Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)

*C5

f

13 4

C5

13 4

Bb5

11 1

F55fr

11 1

G56fr

11 1

Ab58fr

11 1

Bb5

11 1

Eb5VIII

P.M.

Gtr. 2 (dist.)

f P.M.


Gtrs. 1 & 2

P.M.

Gtr. 3 (dist.)

Riff A

3 3 3

Bb5

3

Ab5

3

3

Gtrs. 1 & 2

Rhy. Fig. 1

3

P.M.

10 10 1 0 10 1 0 10 10 1 0 10 1 0 10 1 0 10 1 0 10 10 10 1 0 10 10 1 0 10 1 0 10 10 1 0 10 10 1 0 10 1 0 10

10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

5

5

5 7

5

7 8

5

8 7 5

8 6

5 7 8 7 5

8

101010

1010

88

666

666


1



F5

3

G5End Riff A

3

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3: w/ Riff A

Gtr. 4 (dist.)

f

C5

3 3 3

End Rhy. Fig. 1

Bb5

3

Ab5

3 3

F5

3

G5

3

Gtr. 4

Riff B1

C5

Gtr. 3

Riff B

Gtrs. 1 & 2

P.M.

65

6 8 68 7 8

108 10

1010 12

1012

333

555

10 812 10

8 10 12 10 812 10

89 11 9 8

10

810

8 1010

10 1210

12 10 812

55

5 75

7 85

8 7 58

10 10 1010

10 10 1 0 1010

10 10 10 1010

10 10 1 0 1010

10 10 10 1010

10 10 1 0 1010

10 10 10 1010

10 10 1 0 1010

10


2



1.

2.Slower q = 185

Ab5 F5 G5 End Riff B1

End Riff B

P.M.

Gtr. 4

F5 G5 C5

Gtr. 3

Gtr. 1

P.M.

Gtr. 2

P.M.

108 10 12 10 8 7

108

9 11 9 810

65 7 8 7 5

8 65

6 8 68 7

6 6 66

6 6 6 66

6 6 6 66

6 6 6 66

6 3 3 33

3 3 3 33

3 5 5 55

5 5 5 55

5

10

89 11 9 8

108 8 4

65

6 8 68 7 8 8 5

3 3 33

3 3 3 33

3 5 5 55

5 5 5 5 5355

3 3 33

3 3 3 33

3 5 5 55

5 5 5355


3



Double-time feel

We1.

Verse

Gtrs. 3 & 4 tacet

C5

keep writ

Bb/D

ing,- talk

Eb

ing,-

Eb/G

and plan

Ab5

ning-

G5

Gtrs. 5 & 6 (dist.)

Riff C

f

End Riff C

Gtrs. 1 & 2


Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C

C5

Bb/D Eb

but ev

Eb/G

’ry- thing’s- chang

Ab5

ing.-

G5

We

C5

all know

Bb/D

what to do

Eb

but no

Eb/G

one does

Ab

it.

G

Gtrs. 5 & 6

P.M. P.M. P.M. P.M. P.S.

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.S.

X10

12X10

12X10

12

5X7

5X7

5X7

6X8

6X8

6X8

1X3

1X3

1X3

3X5

3X5

3X5

3X5

3X5

3X5

2X4

2X4

2X4

2X4

2X4

2X4

3

55

3

55

3

55

5

3

5

3

5

3

6

5

6

5

6

5

56

5

56

5

56

5

66

6

66

6

66

6

66

6

66

6

66

6

55

5

55

5

55

5

55

5

55

5

55

5

3 3 3 3 35

5 5 5 5 53

6 6 6 6 65

10 10 10 10 108

3X5

3X5

3X5

3X5

3X5

3X5

2X4

2X4

2X4

XX

XX

3 3 3 3 35

5 5 5 5 53

6 6 6 6 65

10 10 10 10 108

666

666

666

666

666

666

555

555

555

XX

XX


4



End double-time feel Half-time feel

Now

Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C

C5

this time

Bb/D

has past

Eb

and full

Eb/G

of re

Ab5

gret.-

G5

Eb5

Gtrs. 5 & 6 tacet

D5

Two

Bridge

C5

in my heart

Ab5

have

(Two in my heart have

Gtrs. 5 & 6

Gtr. 1

P.M. P.H.

Gtrs. 1 & 2

(Gtr. 1, cont. on upper staff)

Gtr. 2

P.M.

Riff D

left

Eb5

me a while.

Bb5

- I

Gtr. 2: w/ Riff D

C5

stand a lone.

Ab5

-

left me a while.- I stand a lone.-

End Riff D

X10

12X10

12X10

12X10

12X10

12X10

12

00

00

00

00 5 3

X5

3

5

5

7X

5

7

6

8X

6X8

11

13X11

13

111

111

111

111

111

111

00

00

00

00 3

X5

3

5

5

7X

5

7

6

8X

6X8

11

13X11

13

6X8

6

8

8

10X

8

10X10

12

10

X12

13

15X15

17

15

17X13

15

13

15X10

12

10

X12

11

13

11

13

6X8

6

8

8

10X

8

10X10

12

10X12

13

15

13

15


5



End half-time feel

Eb5

When they get back,

Bb5

it won’t be the same.

Interlude

C5

Ab5

When they get back, it won’t be the same.)

Gtr. 6

Gtr. 1 Gtrs. 1 & 2

Rhy. Fig. 3


Eb5 Bb5


C5 Ab5


End Rhy. Fig. 3

P.M.

X18

20X17

19

17

19X13

15

13X15

15

17X15

17X15

17X15

17

13

15

6X8

6

8

8

10X

8

10X10

12

10X12

13

15

13

15

355

35

35

355

335

355

XXX

XXX

0 666

XXX

0 666

0 666

666

X

13

15X

13

15X

13

15

13

15

10

12X

10

12

10

12X

8

10X

8

10

8

10X

10

12X

10

12X

10

12

10

12

8

10X

8

10

8

10

6

X8

6

X8

6

X8

11

1 1 11

111

XXX

11

111

13

13

133

03

03

133

13

133

13


6



Half-time feel

Eb5 Bb5Gtrs.1 & 2

*C5

It won’t be the same!

Gtr. 5

Gtr. 6

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

(cont. in notation)

Verse

Gtrs. 5 & 6 tacet

C5

My2. life,

Gtrs. 1 & 2

P.M.

Rhy. Fig. 4

P.M.

X10

12

10

12X11

13

11

13X8

10

8

10

5X7

5

7

3X5

3

5

7X9

6X8

6

8

8

10X

8

10

5X7

5

7

1X3

1

3

3

5X

3

5

7

9

7

9

X10

12

10

12

0 3 3 3 3 3 355


7



you’ve al ways- been there.

Ab5

F5

Gtrs. 1 & 2


End Rhy. Fig. 4

Now


C5

you’re gone and my head’s spin ning.-

Ab5 F5

Left

C5

the child hood,- left the mem o- ries,- left the good times...

Gtrs. 1 & 2

P.M.

...in

Ab5

the past.

F5

Mov


C5

ing- on, your time has

P.M. P.M.

3 3 3 3 3 3 3 3 355

355

35

355

3 3 3 3 355

355

66

666

33

333

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

66

666

33

333


8



End half-time feel

run out.

Ab5

F5 Cm

G7

Gtr. 3

Gtr. 4

Wish

Bridge

Gtrs. 3 & 4 tacet

Cm

ing- the clock

Bb5

would stand still,

Ab5

the world

Bb5

can wait.

(Whoa.

Whoa.

Gtrs. 1 & 2


Wast


Cm

ing- a way-

Bb5

once a gain,-

Ab5

once

Bb5

lived as

Whoa.

Whoa.)

3 5 36

36 5 3

5 36 5

3 3 6 6

5 6 5 35 3

6 56 5 3

6

4 4 7 7

3554

3554

3554 4

3554

355

133

133

133

133

133

133

333

666

666

666

666

0 0133

133

133

133

133


9



friends.

InterludeGtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)

Cm Bb5

Ab5

Bb5

Gtr. 4

Riff E

1

Cm Bb5 Ab5 Bb5

End Riff E

Gtr. 3

Riff F

Gtr. 4: w/ Riff E

Cm Bb5 Ab5 Bb5

1

Cm

Bb5

Ab5

Bb5

As

End Riff F

810

8 78

7 7 810

10 10 8 78

7 810

8 78

7

8 1110

8 7 89 11

6 88

8 67

6 6 88

9 9 8 67

6 88

8 67

6

8 108

810

810


10



time

Chorus

C5

pass es- by,...

Gtrs. 3 & 4 tacet

Bb5

...re -

Gtr. 4

divisi

Gtr. 3

Gtrs. 1 & 2

Rhy. Fig. 6

grets

Eb5

for the rest

Bb5

of my life.

C5

The

Gtrs. 1 & 2 End Rhy. Fig. 6

ones


who I con fide

Bb5

- were

gone

Eb5

in the black

Bb5

of the night.

C5

10 1111 13 13

11

355

355

355

355

355

355

355

355

355

355

355

355

133

133

133

133

133

133

133

133

133

133

111

111

111

111

111

XXX

XXX

133

133

133

133

133

133

133

355

355

355

355

355

355

355

355

355

355

355


11



C To oda

Half-time feel

Whoa.

Bb5 Eb5

Bb5 C5

Whoa.

Bb5

Whoa.

Eb5 Bb5

C5

Gtrs.1 & 2

Interlude

C5 Bb5

Gtr. 5

Gtr. 6

F5 G5 Ab5 Bb5

(cont. in notation)

Ah,3.

VIII

Gtrs. 5 & 6

3X5

3

5

10

12X

10

12X8

10

8

10

3X5

3

5

6

8X

6

8

5X7

5

7

3X5

3

5

5

7X

6

8X

6

8

10

12X X

10

12X8

10

8

10X13

15

13

15


12



End half-time feel

nev

Verse

C5

er- will

D5

I

Gtrs. 5 & 6 tacet

Eb5

for

D5

get-

Eb5

you

F5 G5

and all the mem

Bb5

o- ries- past.

G/B

So

Gtrs. 5 & 6

Gtrs. 1 & 2


rare


C5

ly- I

D5

get

Eb5

to

D5

see

Eb5

your

F5

face.

G5

Bb5

G/B

Grow

C5

ing,- I

D5

looked

Eb5

to

D5

you

Eb5

in

F5

guid

G5

ance.-We knew

Bb5

that time

G/B

would kill

C5

us......but you’re

D5

still

Eb5

so

D5

close

Eb5

to

F5

me.

G5 Bb5 G/B

To

X15

17

15

17

101010

101010

XXX

000

111

000

111

333

555

555

XXX

888

888

XXX

9109

9109

XXX


13



Quarter-time feel

me,

D5

you were

Eb5 D5

my

Eb5 D5

life. To

*Gtrs. 5 & 6

Riff G End Riff G


1/4

Gtrs. 1 & 2

Rhy. Fig. 8

P.M.

me,

Gtrs. 5 & 6: w/ Riff G ( 2 times)

you were

Eb5 D5

my

Eb5 D5

soul com pan

F5

- ion.

E5

-

Gtrs. 1 & 2End Rhy. Fig. 8

P.M.

Now,


D5

you are

Eb5

so

D5

far

Eb5

a

D5

way.-

Gtr. 7 (dist.)

f

grad. bend

let ring 1/4

1310

1310

00

0

00

0

11

1

00

0

11

1

00

0

00

0

00

0

00 00 00 00 00 00 00 00 00 00 00 00

000

000

111

000

111

000

000

000

00

00

00

00

00

00

00

00

22

22

22

22

1317

1317

1317 17 17 17

13


14



End quarter-time feel

Half-time feel

Noth ing- can take

Eb5

a

D5

way

Eb5

- the

D5

times and the mem

F5

’ries- we’ve

E5

Gtr. 7

grad. bendlet ring

8va

1/2 1/2 1/2 1/2

Gtrs. 5 & 6

let ring

1/4

had.

D5

Bb5

G/B

Gtr. 7

loco

1

Gtr. 5

Gtr. 6divisi

Gtrs. 1 & 2

(cont. in slashes)

1720 20 20 19 19

1310

1010

1010

10

131010

X17

19

17

19 10 15 14

5

7

5

7

7

5

87 7

587

87

54

000

0 2 30 1

33

254


15



End half-time feel

Gtrs.1 & 2

Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)Gtrs. 5 & 6 tacet

Interlude

C5

Gtr. 7

1

Gtrs. 1 & 2 tacet

Ab5

F5

Gtr. 7 tacet

G5

Come4.

back

VerseGtrs. 3 & 4: w/ Riffs B & B1 (2 times)

C5

to the days when we were

Gtrs. 1 & 2


P.M.

young.

Ab5

F5

G5

Come

P.M.

15

15

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

33

33

33

33

33

33

33

33

55

55

55

55

55

55

55

55


16



back


C5

to the days when noth ing-

mat

Ab5

tered,-

F5

to the days

G5

when noth ing-

Gtrs. 1 & 2

(cont. in slashes)

P.M.

Gtrs.1 & 2

C5

Gtrs. 1– 4 tacet

µ

mat - tered. I feel

Gtr. 3

Gtr. 4divisi

time


Chorus

C5

pass es- by,

Bb5

re -

grets

Eb5

for the rest

Bb5

of my life.

C5

The

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

33

33

33

33

33

33

33

33

55

55

55

55

55

55

55

0

88

88

54


17



D.S. al Coda

Coda

ones who I con fide

Bb5

- were

gone

Eb5

in the black

Bb5

of the night.

C5

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)Gtr. 3: w/ Riff F (1 3/4 times)Gtr. 4: w/ Riff E (1 3/4 times)

Interlude

Cm Ab5

Bb5

As

Gtr. 3

Gtr. 4

*Gtr. 8 (dist.)

Outro-Guitar Solo

C5

f fdbk.

Bb5

*Standard tuning

Gtrs. 1 & 2

Rhy. Fig. 10

P.M.

End Rhy. Fig. 10

P.M.

8 10 8 107 8 7 8 10

810

8 9 11 9 1110

10 11 10 118 10 8 10 7 8 7 8 10

8

10

8 11

9 1312 12

13

12

15

13 12 13

13 1515

15 15 13 1515

16 18

355

35

35

35

35

35

35

35

35

35

35

35

35

35

35

133

13

13

13

13

13

13

13

13

13

13

13

13

13

13


18



Eb5 Bb5 C5

P.M. P.M. P.M.

Gtr. 8

Gtrs. 1 & 2: w/ Rhy. Fig. 10

Bb5

3 3

Gtr. 8

Eb5

Bb5

8va

loco

C5

1 1/2

Gtrs. 1 & 2

P.M. P.M. P.M. (cont. in slashes)

Gtrs.1 & 2

C5 Bb5

Gtr. 8

5 5

3

6

3

3 31 1

18 20 20 18 16 16 13 13 15 1315 15 17 12

1212

13 1210

12 1013 1013 13 14 15

111

11

11

11

11

11

11 1

33

13

13

13

13

13

13

355

35

35

35

35

35

35

35

35

35

35

35

35

35

35

1312

13 12

15

13 12 13

13 1515

15

17

1515 17

15 16 18

15

18 16 17

11 18 16 15

16 17 17 17 17 15 15 0

111

11

11

11

11

11

11 1

33

13

13

13

13

13

13

355

35

35

35

35

35

35

35

35

35

35

35

35

35

35

15 15 1716 18 17 16

15 15 1716 19 16

1518 17

15 15 17 1817

16

1518 17

1518

1516 15

18 1715 1518

1715

18 1715

151815

15


19



Eb5 Bb5

8valoco

5 55

3 6 5

C5

3

8va

5 1/2

Bb5 Eb5

(cont. in notation)

8va

loco

3 5 5 5 55

1/2

Gtr. 8

Bb5

C58va

6 5 3

Gtrs. 1 & 2

fdbk.

Pitch: G

18 16 15 16 1715

15 1815 16 15

1716

X 15

18 16 161518

171615181615

20 20 19 17 15 1513 12 151513 12131215 15 13 12 15 12

15 13 121215 13 12

15 15 6 15 12 13

15 12 1315 15

1720

2020

20 2020

17 1720

2020

2020

17 1720

20 2020

2020

17 1720 20

2020

202016

1716

22 22 2019

202019

2019

22 22 22

19

18 20 22 22 22

19

18 2019

20 22 22 22

1920

1920 22 22 22 22

1920

19 19

22

12 13 15 1512 13 14 15

12 13 15

16 15 1317

16 15 18 15 15 1617 17

15 16 18 15 16 18 20

133

355

5


20



Intro

Fast q = 180

Unholy ConfessionsWords and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker




Double-time feel1., 2., 3.

Drop D tuning:

(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)Riff A

*D5

f P.M.

Bb5

P.M.

A5

P.M.

End Riff A

3

Gtr. 2 (dist.)

f P.M.

*Chord symbols reflect basic harmony.

D5

P.M.

Bb5 µ A5 µ

3

P.M.

Gtr. 2

Riff B

Gtr. 1: w/ Riff AD5

P.M.

Bb5

P.M.

A5

P.M.

End Riff B 3

0 05 0 7 0 8 0 10 0 8 0 7 8 7

10 8 810 0 8 0 7

7 77 0 8 0

10

0 0

0 05 0 7 0 8 0 10 0 8 0 7 8 7

10 888

888

777

777

0 0 888

888

777

777

00

00 8 0

50

70

80

70

5 7 57

88

88

80

70

5

77

77

50

70 7


1



4.

End double-time feel Half-time feel

Bb5

µ A5

“I’llScreamed: 1. try.”

Verse

D5

Gtr. 1

Gtr. 3 (dist.)

f

Gtr. 1

divisiRhy. Fig. 1

P.M.

Gtr. 2

Gtr. 4 (dist.)

f

Gtr. 2

divisi

P.M.

She said as he walked

Bb5

a way.

C5

- “Try not to lose

Riff C

P.M.

End Riff C

End Rhy. Fig. 1

Riff C1

P.M.

End Riff C1


D5

you.”

Gtrs. 3 & 4: w/ Riffs C & C1

Two vi brant- hearts

Bb5

could change.

C5

888

888

777

777 X

10

12X10

12

12

14

577

577

577

00

00

000X

12

14

8

10X8

10

7

9

888

888

777

777 X

7

9X7

9

8

10

577

577

577

00

00

000X

8

10

5

7

5X7

4

6

000

X10

13X10

13

8

11

888

888

888

88

88

101010

X8

11

7

10

5X8

7

10

X10

12X10

12

12

14X12

14

8

10X8

10

7

9

000 X

12

14X12

14

10

12

888

888

888

88

88

101010X

10

12

8

10X7

9

8

10X7

9X7

9

8

10X8

10

5

7

5X7

4

6


2



Noth

D5

ing- tears the be ing- more than de cep- tion.- Un masked- fear.

Bb5 C5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

“I’ll be here wait

D5

ing,”-

Gtrs. 3 & 4: w/ Riffs C & C1

P.M.

P.M.

P.M.

test

Bb5

ed- and se cure.

(Ah.)

C5

-

D5Interlude

µ D5

P.M.

Rhy. Fig. 2

P.M. P.M.

µ

P.M.

D5

P.M.

µ D5

P.M.

µEnd Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Fig, 2

D5

µ D5

µ D5

µ D5

µ

57

57

57

57

577

00

00

00

00

00

0 2 30 1

313

13

13

133

133

35

35

35

35

355

35

35

355

355

577

577

577

00

00

000

888

888

888

88

88

101010

00

00

0 0 0 0

00

00

00

0 0 0 0 00


3



Noth

Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

D5

ing- hurts my world, just af fects- the ones a round- me.

Ab5

When

Gtrs. 3 & 4

Riff D


P.M. P.H.

End Riff D 8va

sin’s

Gtrs. 3 & 4: w/ Riff D

D5

deep in my blood, you’ll be the one to fall!

Ab5

“I

wish

Chorus

D5

I could be the

E5 F5

one,

C5

the

Gtrs. 1 & 2

Rhy. Fig. 3

3

one

F5

who won’t care

Bb5

at all. But

End Rhy. Fig. 3

0 07 0 8

0 07 0 8

0 05

04

0 07 0 8 0

7 0 8 0 7 0 6

577

577

XXX

000

22

33 3

55

355

355

355

2 3 2 3 25 3 0

333

333

333

333

00 1

33

133

133

133

133

133

133

133

133


4



be

D5

in’- the one on

E5

the

F5

stand,

C5

I know the way

F5

to go, no one’s guid

G5

in’- me.

Dm/F

When

time


D5

soaked with blood turns

E5

its

F5

back

C5

I

F5

know it’s hard

Bb5

to fall. Con -

fid

D5

ed- in me was

E5

your

F5

heart.

C5

Gtrs. 1 & 2

577

577

XXX

000

22

33 3

55

355

355

355

355

355

355

355

355

355

333

333

XXX

333

333

333

333

555

555

XXX

353

XXX

XXX

577

577

XXX

000

22

33 3

55

355

355

355


5



C To oda

I know it’s hurt

F5

in’- you, but it’s

kill

G5

in’- me.”

Dm/FInterlude

Dm

Gtr. 1

Gtr. 2

A7 Bb Db C Bb

355

355

355

355

355

355

355

333

333

XXX

333

333

333

555

555

XXX

353 5 7 5 7 7

5 8 7 8 82 5 7

555

555

XXX

353

5 8 7 8 8 3 5 4 5 5 7 8

5 55 7 6 7 7 2 4 5 8 7 7 5

7 7 2 4 3 4 4 0 1 2 4 3 3 1


6



1.

2.

End half-time feel

Double-time feel


A Aaddb13 Aaddb13

Gtr. 2

Gtr. 1: w/ Riff A (1 1/2 times)

D5 Bb5 A5

D5

P.M.

Gtrs. 1 & 2Bb5 µ A5 µ

NothScreamed:

Bridge

Gtrs. 1 & 2: w/ Riffs A & B (4 times)

D5

ing- will last in this life,

Bb5

our time is spent

A5

con struct- ing.-

D5

Now you’re per fect- ing- a world

Bb5

meant to sin.

A5

D5

Con strict- your hands a round- me,

Bb5

squeeze till I can

A5

not- breathe.

D5

This air tastes dead in side- me.

Bb5

Con tri- bute- to

A5

our

4 4 1 8 7 83 7 5

8 8

0 2 4 3 4 4 8 7 4 4

000

0

0

0

0

8

88

8

88

7

77

7

77


7



Half-time feel

Break

plague.

D5

all your prom

is- es,...-

...tear down this stead

fast- wall.

Gtrs. 1 & 2


P.M.

Re


straints- are use

less- here.

Tast ing- sal va- tion’s- near.

InterludeD5 C#5 D5

C5 B5 Bb5

D5 A5 D5

Ab5 G5

*Gtrs. 1 & 2


D5 C#5 D5 C5

P.M.

B5 Bb5 D5 A5 D5 Ab5 G5

Ah.


D5

Noth

Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

Gtrs. 3 & 4: w/ Riff D (2 times)

D5

ing- hurts my world, just af fects- the ones a round- me.

Ab5

When

00

00

00

00

00

00

00

00

00

00

00

00

00

1212

1111

00

1010

99

88

00

55

77

00

66

55

00

1010

1212

1111

00

88

1010

99

88

00

77

00

66

55


8



D.S. al Coda

Coda

Play 3 times

sin’s

D5

deep in my blood, you’ll be the one to fall!

Ab5

*Gtrs. 3 & 4

Interlude

Riff E


D5

grad. bend

G5 D5

grad. bend

G5End Riff E


1 1 1 1 1 1/2 1 1 1 1 1 1/2

D5

G5 A5 D5 G5

A5 D5 G5

D5 F5 D5 Em A

I

Gtrs. 1–4 Gtrs. 2 & 4

Gtrs. 1 & 3

divisi

1 1/2 1 1/2

kill

G5

in’- me.”

Dm/F

Gtrs. 1 & 2

Ah.

OutroGtrs. 1 & 2: w/ Rhy. Fig. 2

Gtrs. 3 & 4: w/ Riff E (4 times)

D5

G5 D5

G5

Gtrs. 1 & 2

D5

P.M. P.M.

G5 D5

P.M. P.M.

G5Gtrs. 1–4D5

P.M.

µ

0 11 0 10 0 8 60 0 5 0 11 0 10 0 8 60 0 5

0 5 0 5 0 5 0 3 0 57

57

24

555

555

XXX

353

00

00

0 0 0 0 00

00

00

0 0 0 0 00

00

00


9



Intro

Moderately q = 95


Waking the Fallen (Intro)




Drop D tuning:

(low to high) D-A-D-G-B-E

Gtr. 2 (dist.)

**

w/ fingers

fdbk.

F#5

pp

**Fade in

*Gtr. 1 (dist.)

***

P.M. throughout

pp

*Doubled throughout

***Fade in

mp

mf

(Ah.)

Gtr. 2 tacet

Gtr. 1


0

6

44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44 44

0

6

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44


1




Rah!

w/ echo repeats & heavy reverb

Wake

Verse

Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)

F#5

the ones and rise to night.-

Fall en- souls, we shine so bright.

Documents

Avenged 7X - Waking the Fallen