A u t u m n A r t A u c t i o n

N o rt h D a k o ta M u s e u m o f A rt

North Dakota Museum of Art

A U T U M N A r t A u c t i o n

Friday, October 27, 2000Light Buffet, 6:30 - 8 pm

Auction begins at 8 pm

With Additional funding from

Congress, Inc.

Summit Brewing Company

McKinnon Co, Inc.

Judd and Lisa Sondreal, Owners

George and Ellen McKinnon, Founders

Ryan Bros. Inc.

Autumn Art Auction Advertising Sponsors

who appear in the last section of the catalog

The Autumn Art Auction isUnderwritten by Dayton’s

Wine:

Beer:

Supporters:

Music for the Auction

Jazz ON TAPKris Eylands, guitar

Bob Cary, bass

Mike Blake, vibraphone

Auction Preview

Monday, October 23, until auction time

in the Museum galleries

Monday - Friday, 9 to 5 pm

Informal Gallery Talk

by Museum Director, Laurel Reuter

Wednesday, October 25 at 6 pm

Learn about individual works in the Auction

Somehow, through both “the best of times and the

worst of times,” the North Dakota Museum of Art has

survived and flourished — but not without the

dedication of the Museum’s Volunteer Corps, among

whom Carmen Toman figures prominently. Our major

underwriter, Dayton’s, has a well-deserved reputation

for supporting the arts in their communities. Dayton’s

remains one of the Museum’s most important allies.

Also, I would like to draw your attention to the

advertising section of this catalog. In addition to

Dayton’s, these businesses have contributed between

$100 and $1,000 in advertising sponsorships. You will

notice that almost all are locally owned or managed.

Many are small establishments with limited advertising

budgets. They need our support in return.

Some, while they may write checks to the Museum,

also serve in more private ways. For example, did you

know that the Museum, as a not-for-profit, receives free

banking from Community National Bank? Think of the

value of that gift over the course of twenty-five years.

Or, that Tom Ziden, Field Manager for Crystal Sugar, is

the Museum’s volunteer carpenter. For years Wall Drug

has sent us an annual gift of $500 dollars; so we

decided to make that gift public in this catalog. This

past year we needed to replace carpeting so searched

our records for a supporter in the carpet business. CC

Plus of East Grand Forks got the job. So, not only do we

ask you to read the ads, but patronize these wonderful

people on the Museum’s behalf. I am deeply grateful to

all of you, and to Museum staff members Marsy

Schroeder and Madelyn Camrud, for this wonderful

event and your on-going support. — Laurel Reuter

From the Museum Director

Up until his retirement eight years ago, Chuck Bundlie

was a familiar voice and television image in the Red

River Valley. He started his broadcasting career while a

student at Grand Forks Central High School. He

attended the University of North Dakota, before joining

the U.S. Air Force, returning home in 1955. Except for

the two years he and his wife Margaret lived in

Winnipeg, Grand Forks was to remain his home.

Bundlie was instrumental in establishing a TV station at

Pembina, North Dakota. About that time KNOX TV was

getting ready to go on the air and Bundlie was appointed

its News Director where he anchored the first local live

newscasts in the northern Valley. In the late 1960s

Chuck founded the WDAZ TV news department. He

worked at WDAZ for twenty-five years before retiring.

He is remembered for his morning newscast with his

dog, Ozzie, a sad-eyed basset hound. Ozzie became a

star in his own right. Though admittedly not an art

connoisseur, Chuck says he “knows what he likes when

he sees it.” Chuck has M. C’d many benefits and events

in the area, though this is his first time as an art

auctioneer.

Chuck Bundlie, Auctioneer

It is an honor to chair the North Dakota Museum of Art Autumn Art

Auction. THANK YOU to all the committee members and the

Museum staff for their enthusiasm and energy in making this year's

auction a success. Through their efforts, everyone can enjoy this

wonderful evening while bidding on their favorite art works.

—Carmen Toman, Chair

Rules of AuctionAutumn Art Auction

Committee

Dawn Marie Anderson

SueEllen Bateman

Madelyn Camrud, Staff

Yvonne Cronquist

Phyllis Espegard

Louise Eberwein

Lee Geer

Julie Hall

Lonnie Laffen

Karna Loyland

Kitty Maidenberg

Michelle Mongeon

Jerry O'Connor

Patti Palay

Misty and Gerad Paul

Marsy Schroeder, Staff

Carmen Toman, Chair

Reg Urness

Carmen Toman

has been involved with the North Dakota Museum of

Art over the years, having served as Co-chair for the

Individual Membership Drive and Chair of the

Corporate Membership Drive. She is an active

volunteer in the Grand Forks community. Toman is a

Financial Advisor with Bremer Bank of Grand Forks.

She and her husband Don are the parents of two

college-age children.

q Each guest will receive a bidding card as part of

registration with the price of a ticket. Upon

receiving the bidding card, each guest will be asked

to sign a statement vowing to abide by the

Rules of the Auction listed in this catalog.

q Absentee bidders will either leave their top bid on

an Absentee Bid Form with Museum personnel

or bid by phone the night of the auction. Absentee

bidders, by filling out the form, agree to abide by

the Rules of the Auction.

q Each bidder will use his or her own bidding number

during the auction.

q All sales are final.

q In the event of a dispute between bidders, the

auctioneer shall either determine the successful

bidder or re-auction the item in dispute.

q After the sale or at the conclusion of the evening,

all purchasers must pay for the items at the cashier’s

desk and claim them with their receipts as directed.

Absentee bidders will be charged the evening of the

auction or an invoice will be sent on the next

business day after the event.

q Many works of art in the auction have minimum

bids placed on them by the artist. This confidential

minimum or "reserve" is a price agreed upon

between the artist and the North Dakota Museum of

Art below which a work of art will not be sold.

Will AgarLot #2

Bud GillesLot #1

Gilles cont.

interested in clay in 1980. His pieces, hand-built and raku-

fired, with images drawn in wet clay show his total ease with

line. Rich color results from the raku process and a wide

variety of layered glaze applications. Gilles makes ceramics in

his basement studio in Winnipeg. He recently bought another

house which he is making into a glass-blowing studio. Bud

enjoys teaching sculpture and tile murals in the schools; he

conducts many workshops for both children and adults. Gilles'

work is shown and sold in a New York gallery and in galleries

and museums around Canada. Gilles says, "It's one thing to

make it into the world's most famous galleries, but making it

into someone's living room is even better."

WILL AGARMinneapolis, Minnesota

Volks in Garage after The Storm, Mapleton, MN, photograph

10 X 8 inches, 1984

Range: $500-600

Will Agar received his early training from his photographer

father who studied with both Minor White and Ansel Adams.

When very young, Agar lived in the Canary Islands; there he

acquired a sensibility toward nature. Agar's photographs today

reflect what he has seen and felt while growing up in

Minnesota. More recently, Agar's frequent trips to his wife's

family in southern Minnesota led to a large body of work about

rural life. Agar uses a tripod and a 4 X 5 large format camera

which requires a black cloth over his head. Making a picture is

a ten-minute set-up, and the view through the ground glass of

the camera is upside down. Agar terms this "a delightfully slow

and thoughtful process." Agar exhibits his work in numerous

shows and competitions in Minnesota, Wisconsin, Iowa, and,

most frequently, in Minneapolis area galleries. In 1997, he had

a one-person showing of photographs in Coruna, Spain.

BUD GILLESWinnipeg, Manitoba, Canada

Treeman, ceramic/raku

18 x 6 ½ X 3 inches, 2000

Range: $400-450

Bud Gilles was educated in the School of Fine Arts at the

University of Manitoba. Previously a painter, Bud became

DAN JONESFargo, North Dakota

Evening Bales, charcoal and pastel on paper

25 X 46 inches, 2000

Range: $1200-1800

Dan Jones lives with his family in Fargo where he is a full

time artist doing landscape paintings. Though primarily

working in oil, Jones often returns to drawing and

printmaking, as seen in the 1999-2000 North Dakota

Museum of Art's membership print and this large charcoal

drawing. "Working on this scale in charcoal and removing

color from the process can be very liberating, reducing things

down to the most basic elements. Simple, but dramatic."

Jones' works are included in many museums, corporate, and

private collections including the National Endowment for the

Arts in Washington, D.C., The North Dakota Museum of Art,

The Plains Art Museum in Fargo, and the Rourke Art

Museum, Moorhead. He has exhibited in many regional

galleries, in the past five years. In 1997, he was part of the

"Five painters from North Dakota" show at the Henrik Ibsen

House Museum, Skien, Norway.

MARIEL VERSLUISHopkins, Michigan

Windbreak, woodcut on paper

38 X 32 inches, 1999

Range: $900-1050

Mariel Versluis grew up on her father’s family farm in West

Michigan. She draws and paints at the farm, documenting the

familiar patterns and shapes, the brilliant colors and

flow of the seasons. Until recently an instructor in art at

Western Michigan University, she currently helps manage a

Versluis cont.

dairy and works in her home studio. Versluis observes that she

makes art because it’s the closest thing to planting. Her color

woodblock (lost block) printmaking techniques manage to

reduce the details of scenes to their most elemental

components, creating almost abstract imagery. Heightened

colors offer an expressionistic view of nature. Versluis has

traveled extensively to demonstrate her woodblock

printmaking techniques. She exhibits primarily in Michigan.

Versluis earned a Bachelor of Fine Arts degree from Grand

Valley State University, a Masters of Fine Arts degree in

Printmaking from Syracuse University, and a postgraduate

fellowship from the Universidad Iberoamericana, Mexico

City, Mexico, for studies in Mexican culture, art, and history.

Dan JonesLot #3

MARIEL VERSLUISLot #4

VICKIE ARNDTNew York, New York

Untitled, mixed media on paper and vellum

11 X 8 ½ inches, 1999

Range: $400-600

Vickie Arndt, born in Grand Forks, North Dakota, now lives

and works in New York City. She received her degrees from

Wayne State University, Detroit, Michigan, and State

University of New York at Stony Brook, New York, where

she was on a full scholarship and teaching assistantships.

She recently had her second solo exhibition at the Jay

Grimm Gallery in New York City. According to Jay Grimm,

"Arndt sets up a tension between natural forms and

synthetic materials in her work which juggles fragility and

danger. Sometimes menacing, sometimes humorous, the

work contains formal solutions that link them to the

surrealist traditions." Critic Lauri Firstenberg wrote, "The

sculptural works comprised of debris are manipulated into

biomorphic forms which signal the bodily and scatological

in a Benglisian way. Her work encourages a dialectic

between the natural and the artificial via her materiological

experiments." Arndt also recently exhibited alongside some

of her most admired artists such as Gregory Gillespie,

David Salle and Henri Matisse at the Luise Ross Gallery,

New York, in Peep Show: Erotic Fact and Fantasy.

ALIANA AUWinnipeg, Manitoba, Canada

Tulips, Irises, and Three Apples, acrylic on paper

36 ¼ X 27 ½ inches, 1999

Range: $2000-3000

Aliana Au was born in Guangdong, China in 1949. She

moved several times during her early years, first to

Quangzhou and later to Hong Kong. There, in the 1960s,

she studied Chinese painting and was introduced to the

VICKIE ARNDTLot #5

work of Vincent Van Gogh. Her Chinese brushwork today seems

to echo and celebrate Van Gogh’s life and work. Au’s works on

paper are expressive explosions of rich and vibrant color. Au

moved to Winnipeg in 1970 where she continued her art

studies at the University of Manitoba. In 1994 Au had a major

exhibition at the Winnipeg Art Gallery; she has shown her work

in many other locations in Winnipeg and other Manitoba cities,

and in Saskatchewan and Alberta. In 1990 Au was the only

Canadian participant in a show at the John Michael Kohler Arts

Center in Sheboygan, Wisconsin. Au is a member of and

exhibits regularly at the Site Gallery in Winnipeg.

ALIANA AULot #6

CONSTANCE MAYERON and

CHARLES FULLER COWLESMinneapolis, Minnesota

Untitled, high-fire porcelain and patinaed copper

9 X 34½ X 18 inches, 2000

Range: $800

Constance Mayeron and Fuller Cowles have arrived at an

aesthetic that evolved naturally from experiments with

ceramics and stone over a number of years. Their relationship

began more than eight years ago when Cowles, a sculptor,

and Mayeron, a ceramicist, created a wall of porcelain tiles

for his studio in Taylor's Falls, located on the

Wisconsin/Minnesota border. The couple have worked

collaboratively ever since, primarily in the creation of tile

work for architectural projects. Cowles works mostly in steel,

stone, wood and glass. Mayeron throws pots on the wheel,

the work she has engaged in for more than twenty years.

Relationships are central to the artists’ work . . . "materials or

shapes to each other, artist to client, forms in space and the

feelings they create." In the past several years, this

collaborative team exhibited outdoor sculpture in Socrates

Sculpture Park, Long Island City, New York, and in several

Minnesota locations. They have completed several public art

commissions in Minnesota. Currently under design is a

commission for the Vadnais City Hall, Vadnais, Minnesota.

KIM FINKGrand Forks, North Dakota

Lulu's Back In Town, acrylic/egg tempura on panel,

20¼ X 22¾ inches, 1998

Range: $400-500

Kim Fink came from Las Vegas, Nevada, to head the

Printmaking Department at the University of North Dakota in

CONSTANCE MAYERONand

CHARLES FULLER COWLESLot #7

1999. Lulu's Back in Town is about Fink's response to votive

paintings by Mexican folk artists. When making votives, one

makes a prayer and pins a small object (representative of the

prayer's request) onto the work. Fink's small prayer symbols

adorn the painting's frame. The general theme of the painting

itself is more about desire (including unfilled desire) based on

Fink's observations while living in Las Vegas where people

seemed to want all the "good things in life—the American

Dream." "Vegas," Kim says, "is a kind of thermometer for

American taste." Born in central California, Kim received a

Bachelor of Fine Arts from the Pacific Northwest College of

Art, and an Master of Fine Arts from Tyler School of Art.

Trained in both painting and printmaking, Fink is proficient in

acrylic/egg tempera painting and lithography.

KIM FINKLot #8

FRANK KELLEYGrand Forks, North Dakota

Bosche's Birds Migrate To Dakotas, stone and photo plate

lithograph on paper, 10 ½ X 17 inches, 1984

Range: $500-600

Frank Kelley, a long-time bird watcher, frequently uses birds as

subjects in his art. His interest in birds goes back to second

grade in New Hampshire where his teacher had cabinets of

stuffed birds that Kelley began to draw. Corydon, Indiana, is

Kelley's birthplace, though he lived in numerous states before

coming to Grand Forks in 1962 to teach. This work by Kelley is

related to Hieronymus Bosche's Garden of Earthly Delight, a

triptych Kelley saw in the Prado Museum in Madrid. In

Bosche's powerful work, birds appear in a frightening

environment of sinking, falling, and suffering people. Kelley

uses Bosche's European birds (different from birds in the states)

in a water environment alongside a train pulling out of the

station–birds — like people, migrating to Dakota. Kelley

recently retired after 35 years of instructing at the University of

North Dakota in the Printmaking Department. He also taught

drawing and painting at the University, in the community and

the region.

DUANE PENSKEVesta, Minnesota

In a Tub Without A Paddle,

kinetic wall sculpture, mixed media

30 X 21 ½ inches, 1999

Range: $300-600

"All my art works are self-portraits, but somehow they are more

than this," Duane Penske admits. He says he doesn't

understand or see the universal message that, according to

viewers, comes out of his work, but that doesn't bother Penske.

He just creates. Penske enjoys working with children and

adults of all ages, and has come to understand that if humor is

injected into life's situations, the outcome is positive. Penske

grew up on the farm near where he now lives. Even as a child,

he knew he wanted to make art. He spent hours drawing

animals and the surrounding landscape. Penske attended

Southwest State University in Marshall, Minnesota, and there

under Professor Edward Evans, began to build his paintings

into three-dimensional works. Penske has had one-person

shows and group exhibits in museums and galleries around

Minnesota, Iowa, Wisconsin, North and South Dakota and

Canada. He was part of a group exhibit in the North Dakota

Museum of Art in 1997 and 1992. His work is in the Museum's

permanent collection.

FRANK KELLEYLot #9

DUANE PENSKELot #10

CHARLES BECKFergus Falls, Minnesota

Black November, woodcut on paper

26 X 41 ½ inches, 2000

Range: $400-600

Charles Beck is a painter, printmaker, designer and art teacher. In

all his work, Beck is influenced and affected by where he lives.

The landscapes around Fergus Falls, always his home, continually

reappear in his woodcuts and paintings. Beck says "You have to

make art from what you're interested in. I'd rather make a

woodcut of a plowed field with some conviction than a

crucifixion with none." Color and textures are what he takes from

the landscape, but the horizon is his biggest influence. ". . . the

separation between the sky and what I call vertical space and

horizontal space . . . seems to be a part of every landscape. I

seem to feel the need to show the sky in the background," Beck

says. He believes landscapes are extremely exciting because of

how they change weekly, even daily. Beck enrolled at Concordia

College, Moorhead, Minnesota, in 1941. Artist Cy Running

influenced Beck in those early years when Beck was making

watercolors; but, ultimately, Beck let go of influence and

developed a style, undeniably his own, which has served him

well for a half-century.

BARBARA HATFIELDNew York, New York

Chros, beeswax and graphite

21 X 30 inches, 2000

Range: $800-1000

An energy path; the function of emptiness; the layered and

multiple meanings of language; meditative discipline; Greek

and Chinese philosophy; a handwriting practice book and the

spare beauty of North Dakota's Red River Valley are all source

material for Hatfield's work. Barbara grew up on a farm near

Thompson, North Dakota. She holds a Bachelor's Degree in

Art from the Minnesota State University Moorhead and

recently completed a Masterof Fine Arts degree in painting at

Parsons School of Design in New York City. She has presented

solo exhibits at the North Dakota Museum of Art, at District 31

Victoria's in Wolverton, Minnesota, in Fargo and Moorhead

and in New York City.

CHARLES BECK

Lot #12

BARBARA HATFIELDLot #11

sky and atmosphere. Anyone who has ever said there is no

beauty in the flat landscape of the Red River Valley would

have to eat his or her words upon seeing Carl's paintings. The

viewer shares in the feeling of "being there." Carl Oltvedt

began teaching at Moorhead State University in 1983 where

he is a full professor primarily teaching drawing. He has

worked as a guest artist in regional schools, and his work is

represented by Groveland Gallery in Minneapolis. He also has

work in the permanent collections of the Plains Art Museum,

the Honolulu Academy of Arts, the North Dakota Museum of

Art, the Minneapolis Institute of the Arts, and the Minnesota

State Historical Society.

GEORGIE PAPAGEORGEPretoria, South Africa

Magnetic Fields, Kilimanjaro/ Mawenzicibachrome photograph

55 ¼ X 38 ½ inches, 1999

Range: $2500-3000

Kilimanjaro, the subject of Georgie Papageorge's most recent

body of work, is the highest free-standing mountain in the

world. In this work the vertical and the transcendental prevail,

capturing a sense of wonder and mystery. From 1996-1999

Georgie Papageorge engaged in the Kilimanjaro Project: two

seven-day climbs to the summit, a three-day stay in the crater

of Mount Meru, and a three-hour flight over the craters. The

work she produced centers on the volcanic trilogy and their

relationship which creates a magnetic field from both an aerial

and ground perspective. Major symbols predominate in the

work: the circle, the chevron, banner/barrier, and a ladder,

Papageorge’s central symbol of transcendence. The climb,

central to the art, was intensely spiritual for the artist.

Born in Simonstown, South Africa, Papageorge was educated

Pat the University of South Africa, Pretoria. Her solo

TED HOWARTHWinnipeg, Manitoba, Canada

Colonial Chairs, linocut on paper

22 X 30 inches, 2000

Range: $400-600

Ted Howarth says he is "passionate about printmaking . . .

I enjoy the process and the bold, sensitive range of mark-

making inherent in the medium." Howarth considers his work

narrative and invites the viewer to participate in the stories he

creates. In Colonial Chairs, the story grows out of Howarth’s

frequent travels to the Caribbean. Howarth is fascinated by

the Caribbean cultural history, their human conflict, culture

clashes, and the general idea of colonialism and imposed

social order. The 17th Century chair makes reference to a

"seat of power." The two chairs represent the division between

imposed and indigenous culture; the chairs, though divided,

come together in one framework. Howarth attended the

University of North Dakota in the mid- 1990s, and had a solo

show in UND’s Hughes Fine Arts Center Gallery. He has

exhibited in numerous Manitoba shows, in Winnipeg and

Montreal. He has also been a part of shows in Korea,

Yugoslavia, Norway, West Germany, Macedonia and the

Netherlands.

CARL OLTVEDTMoorhead, Minnesota

Valley Sunset, oil on canvas

22 ½ X 29 inches, 1999

Range: $1100-1200

Carl Oltvedt, with artist friends, goes out in the field to sketch

and paint scenes that he turns into finished paintings back in

the studio. Carl believes it is essential to be in the landscape

in order to capture the light and mood of changing colors in

TED HOWARTHLot #13

Papageorge cont.

exhibitions include galleries in

Johannesburg and Pretoria, South

Africa, and in London, New York,

and the North Dakota Museum of

Art. She has work in collections in

major museums and galleries in

Rome, Cape Town, Johannesburg,

Lisbon, the Smithsonian Institution,

Washington, D. C., and the North

Dakota Museum of Art.

CARL OLTVEDTLot #14

GEORGIE PAPAGEORGELot #15

LOIS M. JOHNSONPhiladelphia, Pennsylvania

No Maps, No Charts, 1993

plate lithography triptych on paper

20 X 80 inches, three images framed together

Range: $1000-1200

Lois Johnson received her bachelor's degree as an art major

with teaching certification from the University of North

Dakota, Grand Forks, in 1964. At the University of Wisconsin

in Madison, her Master of Fine Arts degree in printmaking

was awarded in 1966. In 1986, she was a recipient of the

Sioux Award from the University of North Dakota. She is

presently Professor and Coordinator of the Printmaking/Book

Arts Department at the University of the Arts in Philadelphia,

Pennsylvania. She has conducted workshops in printmaking

processes throughout the United States and in Canada, and is

co-author of a manual on water-based screenprinting

methods. Her works on paper — drawings, prints, and limited

edition book — have been exhibited in twenty solo

exhibitions, numerous juried national and international print

competitions.

No Maps, No Charts, a 1993 three-panel print follows the

adventures of a dog sled and musher exploring new vistas in

wilderness and urban landscapes. The main characters were

presented to the artist (born with a North Dakota thermostat)

by a friend, upon hearing she was going to Arizona. The

friend speculated that she needed the Arctic dog team to keep

cool.

Lois is represented in many private and public collections

including the Philadelphia Museum of Art, the North Dakota

Museum of Art, Metropolitan Museum of Art in New York, the

Library of Congress in Washington, D.C., and Victoria and

Albert Museum, London.

JON B. OFFUTLot #17

JON B. OFFUTFargo, North Dakota

Glass Trilogy, blown glass

12 X 15 X 8, 2000

Range: $350-500

Jon Offut was educated at Southern Illinois University at

Carbondale, and received his MFA in the Glass Program at the

Minneapolis College of Art and Design in 1996. He currently

makes his home in Kent, Minnesota, and for the past several

years has served as instructor and Studio Coordinator in the

Glass Program at Moorhead State University. Offut frequently

demonstrates his glass blowing, and has visited Kansas,

Kentucky, Missouri, North Carolina, Illinois and Texas to give

public presentations. His studio, House of Mulciber, opened

in Fargo, December 1998, after Offut devoted an entire year

to building the facility and updating his equipment. His work

is included in the Plains Art Museum collection and in

museums and galleries in Texas, Florida, North Carolina,

Kentucky and Illinois.

MO NEALVermillion, South Dakota

Methods of the Heart and Blood, hydrocal, wood,

46 X 46 X 14 inches, 1996

Range: $900-1200

The content of Neal's sculpture comes through the process of

making — it reveals itself slowly. Both repulsive and seductive,

the scope ranges from the physiology of aging, to the banality

of a clogged pore, or the intrusiveness of surgery. Certain

elements recur repeatedly in her work: precariousness,

transparency, liquids, bodily mechanics and structural space.

Neal became interested in sculpture early in her art career.

She considers her work figurative. For the last ten years, Neal

has used specific sculptural materials: wood, rubber, epoxy

resin, lead, plaster and some motorized elements. These

industrial materials act as a substitute for flesh. In 1994 Neal

received a National Endowment for the Arts, Visual Arts

Fellowship for Sculpture. She was awarded a residency in

Saratoga, California, the summer of 2000. Though on faculty

at the University of Nebraska, Lincoln, Neal currently works

and instructs in a studio at the University of South Dakota,

Vermillion. She has had one-person shows in New York,

Kentucky and Illinois, among others, and has participated in

numerous group shows. She often works as a visiting artist

and lecturer.

MO NEALLot #18

LOIS M. JOHNSONLot #16

MIKE MARTHFargo, North Dakota

Still Life, mixed media on panel

25½ X 47½ inches, 1999

Range: $900-1000

Mike Marth moved to Fargo, North Dakota in 1996 where he

currently teaches Apparel, Textiles, and Interior Design at

North Dakota State University. In March 2000, Marth

participated in A Decade of Still Life, an event featuring six

simultaneous solo shows by Marth around Fargo, including

the Plains Art Museum and NDSU. Marth was educated in

Northwestern Missouri State, Maryville, Missouri, and at

Southern Illinois University at Carbondale.

Marth's work continues to make references to hieroglyphics/

language — digital and otherwise — and, in general, explores

alternatives to what is considered still life. He pushes the

boundaries of still life; his objects are not the things of daily

life. His interest in texture is apparent in his surfaces. Marth's

early background in both sculpture and painting results in an

ongoing mix of two genres: abstraction and still life. At the

Museum’s first Autumn Art Auction David and Julie Blehm

purchased a large painting by Marth which they gave to the

Museum for its permanent collection.

MIKE MARTHLot #19

KATHRYN LIPKELot #20

KATHRYN LIPKEBelvidere Center, Vermont

A Time of Renewal and Rebirthsilkscreen print, drawing, objects

56 X 32 inches, 2000

Range: $1400-1600

Kathryn Vigesaa Lipke, born and raised in Cooperstown,

North Dakota, now lives in Vermont and Montreal. She is a

documentary film maker, a sculptor, painter, printmaker, and

papermaker who mixes media with raw materials found in

nature. She sees her art as part of an ongoing search for

meaning that involves interactions with nature in sites and

places where no lines have as yet been drawn between

human culture and the culture of nature. In the process, she

builds structures, forms and environments out of ephemeral

and locally available materials that derive from nature and

reflect this integral relationship.

Lipke recently returned to her birthplace, Cooperstown, North

Dakota, and, in collaboration with two artists from Finland

and Germany, created a Prairie Garden of wood sculpture,

huge field stones, wild flowers and native trees on the lawn of

the Griggs County Courthouse. Lipke frequently exhibits in

GK Gallery, Cooperstown, and has had solo and group

exhibitions all over the United States, Canada and in Europe.

Lipke's keen sense of the relationship of art to landscape has

led to her commissions and on-site sculpture constructions in

Germany, Finland, Argentina, Mexico and the United States.

Lipke is in the planning stages of two-documentary films: one

about the relationship of North Dakotans to trees

(commissioned by the North Dakota Museum of Art as part of

a larger initiative, The Emptying Out of the Plains), and a

second six-part series, Whole Cloth.

SHELLEY RUSENWinnipeg, Manitoba, Canada

Prairie Trax,acrylic, graphite, cut and pasted paper on plywood

16 X 24 inches, 1999

Range: $1000-1200

Shelly Rusen enjoys traveling in rural Manitoba and is keenly

aware of the flat land that surrounds her. She never tires of the

landscape and finds it anything but boring. For the past

several years she has used aerial photography in the

beginning stages of her work. "From a small aircraft," Rusen

says, "one is able to see the beautiful patterns and color

which appear at various times of the year, all of which reflect

the uniqueness of the different seasons and the working of the

land." Rusen received her Bachelor of Fine Arts Degree from

the University of Manitoba. She has exhibited in numerous

group shows. Her most recent solo exhibition was in 1998 at

Main Access Gallery in Winnipeg. Her work from this exhibit

was selected to tour Manitoba as part of an established

Provincial Touring program which highlights Manitoba artists.

Rusen’s art is in many private collections as well as the

Manitoba Visual Arts Bank. Her next solo show will be held

at Winnipeg’s Centennial Concert Hall in April 2001.

SHELLEY RUSENLot #21

MARLEY KAULBemidji, Minnesota

In The Dark Winter Yellow Squash Work Like Prayersegg tempera on panel

17 X 20 inches, 1998

Range: $1400

For the past decade Marley Kaul's work has been developed

through egg tempera processes on carefully prepared panels.

This links him to many early painters and their ability to

discipline their working habits. Egg tempera is closely related

to drawing as it requires a prepared line and value under-

drawing to be laid onto the panel in India ink. This drawing

continues to show through the initial layerings of pigment.

Since the pigment is translucent, a great deal of overpainting

is required before the drawing recedes. Kaul has had many

exhibitions in the 1990s in Minnesota and North Dakota

including a solo show in the North Dakota Museum of Art in

1989. He recently retired from teaching at Bemidji State

University and in 1997 received the BSU Award for

Distinguished Teaching. His work is in many collections

including the Wiesman Art Museum, Minneapolis; Luther

College, Decorah, Iowa; the 3M Collection, St. Paul,

Minnesota; and the North Dakota Museum of Art.

FRITZ SCHOLDERScottsdale, Arizona

Indian Landscape, lithograph on paper

28 X 21 inches, 1974

Range: $1500-2000

Born in Breckenridge, Minnesota, Fritz Scholder is an artist of

international acclaim. Scholder has exhibited in the National

Museum of American Art, Washington D.C., San Francisco

Museum of Modern Art, the Walker Art Center, Minneapolis,

and the Smithsonian. Throughout all his work as a sculptor,

printmaker, and painter, Scholder's style persists as one of bold

color, simple forms and a great strength that grew out of

MARLEY KAULLot #22

FRITZSCHOLDER

Lot #23

abstract painting. In this work Scholder uses "the rainbow roll"

technique whereby he applies three ink colors at once to

achieve the three-color sky. Scholder has been the subject of

eleven books, and three Public Broadcasting System

documentaries. He received a bachelors degree from

California State University, a Master of Fine Arts degree from

the University of Arizona, and honorary Doctorate of Fine Arts

degrees from five colleges.

TOM THULENBrooklyn, New York

Small Windbreak, film, silver print

12 ⅜ X 29 ⅜ inches, 2000

Range: $1200-1400

Tom Thulen grew up in Breckenridge, Minnesota, and studied

photography at the Minneapolis College of Art and Design

before moving to New York in 1993. He frequently returns to

the Midwest to photograph the landscape. His photo

constructions allow him to present an image how he sees it,

not necessarily how the camera records it. Land compositions

in minimalist style result from Thulen's process of printing on

film he assembles and lays over blank photo paper. Pinned

loosely in shallow boxes, light passes through the images and

casts shadows on the background paper, creating multiple

layers of overlapping landscapes. The effect is more like

evidence of land reflecting a place he once lived; it also

suggests the delicacy of nature and the environment. In a

review of Thulen’s show at the Thomas Barry Fine Arts Gallery

in Minneapolis, The Minneapolis Star Tribune termed Thulen’s

images . . . "as ephemeral as drawings: pale lines of trees,

grasses or watery reflections that define horizons." Thulen has

had several solo and group exhibitions in New York galleries.

His work is in the permanent collections of Dow Jones Co.,

and Lehman College, Columbia University of New York.

TARA STEPHANSONGrand Forks, North Dakota

Bittersweet (purse), copper and velvet

10½ X 8 X 2½ inches, 1996

Range: $1000

In 1999 Tara Stephanson joined the University of North

Dakota faculty as Assistant Professor of Jewelry and Small

Sculpture. Stephanson received her Master of Fine Arts degree

at Kent State University and later apprenticed with nationally

recognized studio jeweler Pat Garrett in New Mexico.

Stephanson has been highly visible in her field by participating

in numerous national and international exhibitions. In

addition, her work has been published in Metalsmithmagazine and is also featured in a metalsmithing textbook.

Stephenson bases this work on her exploration of society's

obsession with self-scrutiny as it pertains to issues of vanity

and self-image. Stephenson combines objects of vanity, and

the implied function of various materials, as she examines the

physical and psychological restrictions imposed by vanity. This

purse is meant to be an object for display rather than a

functional purse.

TOM THULENLot #24

TARA STEPHANSON

Lot #25

STERLING RATHSACK, JR.Superior, Wisconsin

Minnesota Bluebird, paint on panel

34 X 28 inches, 1995

Range: $900-1050

Sterling Rathsack has maintained a studio in Superior, Wisconsin for

nearly twenty years. He works in a variety of media, and his most

common subjects are feminine figures, birds and fish. This work is

part of Bluebirds, a one-person show at Lizzard's Gallery, Duluth, It

is made entirely from recycled, salvaged and/or renewable

materials. Over the years, Rathsack’s paintings and sculptures have

been featured in galleries, collections and museums throughout the

Upper Midwest. Two prominent public art works by Rathsack are

Man, Child and Gull in Duluth's Canal Park and River, Falls, and

Forest in Minnesota's Gooseberry Falls State Park. Rathsack was in

a 1992 group exhibition, IN ADDITION, at the North Dakota

Museum of Art. A sculpture from that exhibit remains in the North

Dakota Museum of Art's permanent collection. Rathsack received

BFA and MFA degrees from the University of Wisconsin-Superior in

the early 1980s. He continues to teach and exhibit throughout

Minnesota.

TIM RAYMoorhead, Minnesota

Full Fathom Five, acrylic, ink, thread, pigment on paper

33 X 27 inches, 2000

Range: $800-1000

After some experimentation in 1981, Tim Ray began making

collages that combined painting, printmaking and papermaking.

Ray applies paint and pigments to a plastic sheet, then glues

transparent Japanese papers over the plastic. When dry, the "paper

sandwich" is removed and built into new combinations. Ray says he

does not try to make "pictures" in the conventional sense.

STERLING RATHSACK, JR.Lot #26

TIM RAYLot #27

Although there may be references to clothing, or figuration,

or landscape (especially aerial views), what Ray is striving for

is an image so totally convincing and believable in its own

right that it is complete without referring to anything outside

itself. Tim Ray was born in 1940 at Indian Head,

Saskatchewan and grew up in Regina. He received degrees

from the University of Manitoba and the University of

Arkansas, then taught from 1970-1996 at Moorhead State

University. His work has been exhibited in Toronto's Damkjar

Gallery, the Winnipeg Art Gallery, the Minneapolis Institute

of Art, and was a part of Old Friends, New Art at the North

Dakota Museum of Art in 1998.

JOHN HITCHCOCKMorris, Minnesota

Fright, Sleep, Offering, Taste, Shift, Slow, Clown, Down digital printmaking, multiple images on paper

61 X 24 inches, 2000

Range: $500-800

John Hitchcock's current work blends printmaking,

photography, video and installation. The personal, social,

and political views in his work are a direct result of

stories shared by family members. Through his art he

examines the issues of living on Kiowa/ and Comanche

lands in Oklahoma. In his work Hitchcock incorporates

idealized interpretations of the American Indian, using

objects from real life on native lands and symbols of

spiritual significance. John Hitchcock heads the

printmaking department at the University of Minnesota,

Morris. He earned his MFA in printmaking and

photography at Texas Tech University, Lubbock, and

received his BFA from Cameron University, Lawton,

Oklahoma. He has exhibited in group shows in Ireland,

Texas, New Mexico, New York, Iowa and Oklahoma.

Hitchcock says he intends to continue to explore

historical records and contemporary issues to find out

what indigenous people face. He asks: "What have we

learned from progress? What will be the fate of my

people's indigenous ways?" Researching the past to

define his identity has become a vital source for

Hitchcock's survival.

JOHN HITCHCOCKLot #28

BARTON BENESNew York, New York

Art Museum, mixed media,

14 X 34 X 2½ inches, 2000

Range: $2000-3000

Barton Benes was born in Westwood, New Jersey and for a

brief period of time in the 1960s attended Pratt Institute in

Brooklyn, New York. Benes has an extensive exhibition

history in Europe and the United States. In the past decade

he has shown his work in Sweden, Canada, New Mexico,

Czechoslovakia, Portugal, Sweden, Czech Republic,

Finland, South Africa as well as the United States. His was

one of two exhibitions organized to celebrate the opening of

the North Dakota Museum of Art in 1989. Benes' work has

been collected by the National Museum of Art in

Washington, D.C., the Chicago Art Institute in Chicago,

Bibliotheque Nationale in Paris, and Chase Manhattan Bank

in New York. Several film documentaries have been

produced about Benes and his art. Benes became

internationally known in the 1980s as the "money artist" who

used currency as a collage medium on sculptural and flat

forms. More recently, Barton makes "Museum Pieces." He

mounts collections, or collectible objects on paper and

presents them in a grid. The North Dakota Museum of Art's

donor wall, created by Barton, exemplifies this style, as does

his work in this auction. In 1998 the North Dakota Museum

of Art commissioned Benes to create a Flood Museum with

items contributed by members of the community. That work

and many others by Benes are in the Museum's permanent

collection.

BARTON BENESLOT #29

SARAH SUHFargo, North Dakota

Seed, mixed media with wax crayon

20¾ X 14 ¾, 1992

Range: $1500

Sarah Suh closely observes nature, focusing on what is often

ignored, overlooked or neglected. In her Seed Series she began

to see the important relationship between the symbol of a seed

and human life. Suh sees all seeds as equally important and

individually unique. They all have the capacity to become what

they possess within. This truth Suh sees as a hope for humanity.

Educated in New York, she studied pottery and photography as

well as drawing and painting. Suh has for the past two years

been a participant in Art on the Plains, a juried competition at

the Plains Art Museum in Fargo. She has also exhibited her art in

Minnesota, New York, Arizona and Colorado. Her work will be

in a solo exhibition at Binghamton, New York in 2001.

WALTER PIEHLMinot, North Dakota

Tiger Meat III, Sweetheart of the Rodeo Seriesacrylic on canvas

35 X 25 ½, 2000

Range: $1700-2500

Walter Piehl is one of North Dakota's most highly regarded

artists. He studied undergraduate art at Concordia College in

Moorhead and received a Master of Arts degree from the

University of North Dakota studying under Robert A. Nelson. He

continued his work at the University of Minnesota. Piehl is one

of a few artists in the country to successfully create "cowboy art"

in a contemporary mode. He grew up on a ranch near Marion,

North Dakota, where his family raised rodeo stock, and began

riding as soon as he could sit on a horse. Over the years

Piehl cont.

Piehl won many rodeo prizes

both roping and riding. He

continues to "call" at rodeos and

to follow the careers of his rodeo-

riding sons while teaching at

Minot State University. Piehl has

won numerous awards for his

colorful, lively, expressionistic

paintings, and has shown at such

venerable institutions as the

Cowboy Hall of Fame in

Oklahoma City and the C. M.

Russell Museum in Great Falls. A

work from his Sweetheart of the

Rodeo Series is in the permanent

collection of the North Dakota

Museum of Art.

WALTER PIEHLLot #31

SARAH SUHLot #30

The North Dakota Museum of Art willopen a solo exhibition of the photographsof Leo Kim on February 3, 2001, theevening of the Museum’s Benefit Dinner.

JAMES CRAIGKennewick, Washington

Orchard with Windbreaks, paper pulp relief, acrylic

48 X 32 inches, 1999

Range $950-1100

James Craig grew up in rural Connecticut. He now lives in

the state of Washington where he is Department Head and

teaches at Columbia Basin College in Pasco. The nature of

Craig's work is contemporary, and alludes to issues of the

rural environment. His narrative paintings and drawings

are meant to be "read" rather than absorbed in a single

glance. Images are saturated by literal or poetic references

that invite viewers to participate in emotional or

intellectual dialogs. Craig achieves expressions of

compelling vitality through vivid color, rhythm, and

repetition. He combines image and symbol to make

visible comments on the land, rural life, social and

political issues. Craig has participated in numerous solo

and group exhibitions in Montana, North Dakota,

Washington, Hawaii, and Saskatchewan. Craig's work is

included in the North Dakota Museum of Art's permanent

collection. He received his Bachelor of Fine Arts degree

from Florida Atlantic University in Boca Raton and his

Master of Fine Arts from the University of Montana in

Missoula.

LEO KIMMinneapolis, Minnesota

Bottineau, North Dakota, silver gelatin photograph

20 X 24 inches, 2000

Range: $975-1500

Leo Kim was born in Shanghai, China, of Korean parents.

JAMES CRAIGLot #32

His early education was in Shanghai, Macau, and Hong Kong.

He received an undergraduate degree in design from North

Dakota State University. After having lived so many years in

dense cities, the vast prairies of North Dakota attracted Kim.

"The black and white photographs I make are not just about the

diminishing towns or the quiet country roads, but also about the

people who work and live in North Dakota. I photograph the

beauty in the simple things that surround us," Kim says.

Although trained as an architect, Kim began working as a

commercial photographer, specializing in illustration

photography in 1975 in the Minneapolis area. His clients

include American Express, Dupont, Honeywell, and the

Federal Reserve Bank of Minneapolis. His commercial work

allows him the financial freedom to pursue the landscape

photography he loves. His first solo show at Carver and Beard

gallery in Minneapolis was a huge success. "Many of the

people who came to the show and bought my work" Kim says,

"were from North Dakota."

JAY PFEIFERFargo, North Dakota

3rd Tack Under, mixed media

51½ X 36½ inches, 2000

Range: $950-1000

Jay Pfeifer presents an interesting and personal interpretation of

the Dakota landscape. As a native of Buffalo, North Dakota,

Pfeifer has deep roots in his subject matter. Land, sky, and

horizon dominate the Red River Valley environment where he

grew up. He paints plowed fields, wind rows, and undisturbed

land to record a personal history of his relationship with the

land, inseparable with its history and witness to its change.

Pfeifer, a graduate of the North Dakota State University at

Fargo, has always imagined the land before it was worked by

the first settlers, before roads, shelter belts, and cities arrived. In

the 1990s, Pfeifer received several awards, the most notable

from the Plains Art Museum in Fargo where he received the

juror's Choice Award in 1998 at the Spring Gala, and again in

1999 for a Regional Exhibition, Art on the Plains, juried by

Laurel Reuter, Director of the North Dakota Museum of Art.

LEO KIMLot #33

JAY PFEIFERLot #34

North Dakota Museum of ArtBoard of Trustees

North Dakota Museum of ArtFoundation

Board of Directors

Corinne Alphson, emeritus

David Blehm

Julie Blehm

Madelyn Camrud

Virginia Dunnigan, emeritus

John Ettling

Joann Ewen

Betty Gard, Secretary

Bruce Gjovig, Chairman

David Hasbargen

Jean Dean Holland

Connie Horn

Dan Jones

Cynthia Kaldor

Sandy Kaul

Rachel Kopp

Darrell E. Larson

Jean Larson

Lisa Lewis-Spicer

Mary Loyland, treasurer

Ellen McKinnon, emeritus

Doug McPhail, emeritus

Barb Melby

Laurel Reuter, President

Annette Rorvig

Sanny Ryan, emeritus

Gerald Skogley, emeritus

Anthony Thein, emeritus

Rex Wiederanders, emeritus

North Dakota Museum of Art Staff

Karen Bohn

Merlin Dewing

Richard Larsen

Darrell E. Larson

Fern Letnes

Lynn Luckow

Laurel Reuter

Sanny Ryan

Gerald Skogley, Chairman

Madelyn Camrud

Barbara Crow

Ellen Gagnon

Amy Hovde

Kathy Kendle

Brian Lofthus

Christine Nelson

Morgan Owens

Laurel Reuter, Director

Juliana Sanchez

Marsy Schroeder

King Sedore

Bonnie Sobolik

Lydia Thomas

Greg Vettel

and over fifty volunteers

AUTOHOMEFARM

RVs - LIFE

Mike Schaefer - Peggy Witheril - AnnaMertens

BUSINESS - BONDS - CONTRACTORSFor All Your Insurance Needs

5500 Gateway Drive

Grand Forks, ND 58203

(701) 775-4244 • 1-800-279-2660

708 S. Washington • Grand Forks, ND 746-0497 • 1-800-726-3658

Open Monday through Friday 9-6, Saturday 9-2

If Your Budget IsLImIted, see us forgenerIc remedIes

staying well doesn’t have to cost a fortune. Buy generic products & save.

The best medicine for ailing budgets… generic.Quality drugs and products that cut the cost of health care.

• Prescription Drugs • Over the Counter Drugs

• Generic Drugs • Drive-up Window

• Free Blood Pressure Testing Daily

• Front Door Parking • Free Mail-Out Prescriptions

• Delivery Service Available

• 10% Discount For Senior Citizens on Prescriptions

• 10% Off General Merchandise

• Computer Print-out with Prescription

As you read through the following pages, you willnotice that almost all of those who contributedadvertising sponsorships to the Autumn Art Auction arelocally owned or managed. Many are smallestablishments with limited advertising budgets. Yetthese are the supporters who keep educational andcultural entities, such as the North Dakota Museum ofArt, alive. Please give them your business on behalf ofthe Museum. —Laurel Reuter, Director

2534 17th Avenue South

Suite C

Grand Forks, ND 58201

(701) 775-4511

We have it all for you!Free Checking

12 ATMs in Grand Forks

All Loans

Stop in and see us at

2 convenient locations!

3100 South Columbia Road and921 North Washington Street

Grand Forks795-4500 Bremer Bank is

www.bremer.com Member FDIC

Run Your Kitchen Like The Pros!

If the party is at your house, Dakota Food Equipment can help with:

CATERERS TRAYS • COFFEE SERVERS & MAKERS

PUNCH BOWLS • CHAFFERS • BAR SUPPLIES

FOLDING TABLES • PAPER & PLASTIC PRODUCTS

ANNIVERSARY CELEBRATIONS - GRADUATIONS - FAMILY REUNIONS

513 10th Ave. N.Grand Forks

(701) 746-8471

Your Whole HouseStore

2030 32nd Ave. S., Grand Forks ¥ 746-8444HOURS: Open Mon. & Thurs. 7:30am-8pm; Tues., Wed. & Fri. 7:30am-6pm;

centurY creatIonsNorth Dakota’s First

Full-color Digital Printer

Producing saleable

art prints and

note cards

in small quantities.

5203 Gateway Dr. - Grand Forks (701) 746-4543 - 1-800-746-0201

DREES RISKEY & VALLAGERCertified Public Accountants

214 Main St. E. - Mayville ......................786-2559117 S. Broadway - Crookston ................281-37891405 Library Cir. - Grand Forks ..............746-4466

• Management Advisory Services

• Computer Services • Small Business Services

• Business Valuation Services

• Audit, Review & Compiled Financial Statements

• Tax Services & Consulting

• Financial & Estate Planning • Financial Services

FARMERSINSURANCE GROUP

GEORGE E. WOGAMAN INSURANCE AGENCY INC.

2612 GATEWAY DRIVE

GRAND FORKS, ND 58203

(701) 772-7108

FAX (701) 772-1090

3615 Gateway Drive

Grand Forks, ND 58203

(701) 775-3141 ¥ FAX (701) 775-2921

fIrst resource comPanYCorporate and Private Client Planning

100 north third street

grand forks, nd 58203

(701) 780-9382

Larry e. aubol

James o. Hawley(701) 335-2878

924 30th st. s.grand forks, nd 58201

fax (701) 335-2925email: hjo2@uswest.net

Space For Lease322 DeMers Avenue

Premiere Retail & OfficePremiere Retail & Office

The Official Travel Agency of the North Dakota Museum of Art

1508 Central Avenue NE

East Grand Forks, MN 56721

1-800-279-1381 Toll Free

(701) 772-3244 Grand Forks

(218) 773-3344 East Grand Forks

CapitalResource

Management

david J. evenson, cLu, chfc

chartered financial consultant

3111 South Washington

Grand Forks, ND 58201

(701) 746-6729

Prints ¥ NeedleworkOriginals ¥ Photos

Jan PetersonOwner

2303 South Washington

Grand Forks,?ND 58201

(701) 772-8224

KZLT 104.3 FM ¥ KCNN 1590AM

P.O. Box 560 ¥ East Grand Forks, MN 56721 Ñ 667 DeMers Avenue ¥ Grand Forks, ND 58201

(701) 772-2204 ¥ FAX (701) 746-0012 ¥ Website: kcnn.com ¥ Email: general@kcnn.com

Tune in to

KCNN’s Hot Talk

with Scott Hennen

9-11am Weekdays Join us

this season

for UND Fighting

Sioux sports!

Northern Italian Restaurant~

124 3rd Street North ~ 775-5454

Now Featuring Live Entertainment~

Reservations Recommended~

Rush Seating Available For Events, IncludingHockey

Deserves

THE ALERUS CENTER PROJECT

1180 42nd Street South

P.O. Box 13237

Grand Forks, ND 58201

Telephone (701) 795-7119

Facsimile (701) 795-7890

®

gary L. Karlstad, m.d., f.a.c.s.

gerald n. gaul, m.d., f.a.c.s.

thomas P. dowhan, m.d.

thomas s. dunham, o.d.

3035 DEMERS AVENUE

GRAND FORKS, ND 58201

PHONE: (701) 775-3151

FAX: (701) 775-3153

1-800-333-7344

LIqUOR StORE1901 S. WashingtonGrand Forks, ND 58201

Next to Town & CountryShopping Center

RITE PRICESRITE SELECTIONRITE LOCATION

on

Liquors ¥ Beer ¥ Wine

Proud to sponsor the North Dakota Museum of Art

775-7051

Supplies for artists, draftsmen, framing, graphic designers, teachers, students,

schools, daycare and parents!

1225 S. University Drive ¥ Fargo, ND 58103120 N. Washington ¥ Grand Forks, ND 58203

(701) 772-0927 ¥ 1-800-726-7561

Barnes & Noble University of North DakotaÒThe same great service with more to offer.Ó

775 Hamline ¥ 701.777.2746 ¥ 1.800.671.0948 ¥www.bkstore.com/und

ONE OF THE LARGEST CRAFT STORESIN THE MIDWEST!

Riverwalk Centre

211 DeMers Avenue NW ¥ East Grand Forks,

MN

Grand Forks Naturopathic Clinic1133B South Columbia Road

Grand Forks, ND 58201

(701) 787-5272

Naturopathic Medicine blends natural, non-toxic therapies with current

advances

Dr. Kristi Hawkes Dr. Paul Ratt�

North Dakota Museum of Art

Post Office Box 7305

Grand Forks, North Dakota 58202-7305 USA

Phone: 701.777.4194 Fax: 701.777.4425 E-mail: ndmuseum@infi.net WWW//ndmoa.com