Audiatrium A research project on aural architecture in summer 2013 at the Humboldt-Universität zu Berlin CONCEPT The basic issues and research questions of aural architecture (Blesser & Salter 2006 ) have been explored in theoretical, historical and empirical studies in the last decade. But until now the insights from these studies have only rarely and temporarily been applied in a systematic way to a specific architectural space. This exhibition project executes an exemplary case study. Audiatrium researches the aural architecture of a specific exhibition venue: the Atrium at the Pergamon Palais, hosting numerous institutes of the . In the summer of 2013 the architects and designers of Hands on Sound , Jan-Paul Herzer and Max Kullmann, develop together the basic concept for this redesign with a team of young researchers and students at the Sound Studies Lab in two seminars and workshops: Sonic Cartographies (Carla Müller-Schulzke & Max Schneider) & Aural Architecture (Holger Schulze). The exhibition will open in September 2013 and it will be open during the first international conference of the European Sound Studies Association ESSA in Berlin on Functional Sounds. The Audiatrium-project will end with a symposion in December on the question of how and where to exhibit sound artworks; a range of sound artists and sound art curators will be invited to discuss this crucial issue. COLLABORATORS Jan-Paul Herzer Max Kullmann et.al.
A research project on aural architecture in summer 2013 at the
Humboldt-Universitt zu Berlin
CONCEPT
The basic issues and research questions of aural architecture
(Blesser & Salter 2006) have beenexplored in theoretical,
historical and empirical studies in the last decade. But until now
the insightsfrom these studies have only rarely and temporarily
been applied in a systematic way to a specificarchitectural
space.
This exhibition project executes an exemplary case study.
Audiatrium researches the aural architectureof a specific
exhibition venue: the Atrium at the Pergamon Palais, hosting
numerous institutes of the . Inthe summer of 2013 the architects
and designers of Hands on Sound, Jan-Paul Herzer and MaxKullmann,
develop together the basic concept for this redesign with a team of
young researchers andstudents at the Sound Studies Lab in two
seminars and workshops: Sonic Cartographies (CarlaMller-Schulzke
& Max Schneider) & Aural Architecture (Holger Schulze).
The exhibition will open in September 2013 and it will be open
during the first international conferenceof the European Sound
Studies Association ESSA in Berlin on Functional Sounds.
TheAudiatrium-project will end with a symposion in December on the
question of how and where to exhibitsound artworks; a range of
sound artists and sound art curators will be invited to discuss
this crucialissue.
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