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ASSUME VIVID ASTRO FOCUS

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assume vivid astro focus (AVAF) is the pseudonym of an international art collective whose core, anonymous members hail come from Brazil, France and New York. avaf is also an onomatopoeia – one that visualizes the collective’s fantastical, wide-ranging and expansive aesthetic projects. avaf creates all encompassing environments combining exuberant wallpaper, decals and wall sculptures, which often times include collaborations with other artists. avaf has exhibited world-wide, including museums (The Whitney Museum, The New Museum, MOCA Cleveland, MCA Chicago and MOMA); and biennials (The Whitney Biennial and Sao Paolo Biennial). Additionally, the work of avaf belongs in many major collections including: The de la Cruz Collection, Dakis Collection, Rubell Family Collection, Tobias Meyer and Mark Fletcher Collection, The Whitney Museum and MOMA.

assume vivid astro focus [AVAF]

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EXPOSIÇÕES INDIVIDUAIS / SOLO EXHIBITIONS

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adderall valium ativan focalin (Cantilevering Me), 2014vista da exposição [exibition view]Suzanne Geiss Company, New York, USA

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adderall valium ativan focalin (Cantilevering Me), 2014vista da exposição [exhibition view]Suzanne Geiss Company, New York, USA

alisabel viril apagão fenomenal, 2013 vista da exposição [exhibition view]Casa Triângulo, São Paulo, Brazil 6

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alisabel viril apagão fenomenal, 2013vista da exposição [ exhibition view]Casa Triângulo, São Paulo, Brazil

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The Armory Show, 2013vista da exposição [exhibition view]Suzanne Geiss Company, New York, USA

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The Armory Show, 2013vista da exposição [exhibition view]Suzanne Geiss Company, New York, USA

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assume vivid astro focus VIII, 2013vista da exposição [exhibition view]Museum of Contemporary Art North Miami (MOCA), Miami, USA

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affektert veggmaleri akselererende faenksap, 2009projeto da exposição [exhibition project]The National Museum of Art, Architecture and Design, Oslo, Norway

affektert veggmaleri akselererende faenksap, 2009 vista externa da exposição [external view of exhibition]The National Museum of Art, Architecture and Design, Oslo, Norway

affektert veggmaleri akselererende faenksap, 2009vista interna da exposição [internal view of exhibition]The National Museum of Art, Architecture and Design, Oslo, Norway

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ameixa vazio attack fátima, 2008vista da exposição [exhibition view]Casa Triângulo, São Paulo, Brazil

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a very anxious feeling, 2007vista da exposição [exhibition view]John Connelly Presents, New York, USA

abra vana alucinate fogo, 2006vista da exposição [exhibition view]Casa Triângulo, São Paulo, Brazil

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alisabel viril apagão fenomenal, 2013vista da exposição [exhibition view]Casa Triângulo, São Paulo, Brazil

EXPOSIÇÕES COLETIVAS / GROUP EXHIBITIONS

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Casa Triângulo no Pivô, 2014Pivô, São Paulo, Brazil

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KIK #1, 2014Kino International Theater, Berlim, Germany

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Como parte da exposição Skin Fruit do New Museum, curadoria de Jeff Koons, avaf instalou o papel de parede

Tom Cruising #1 nas paredes do saguão do museu.[As part of the New Museum's exhibition Skin Fruit,

curated by Jeff Koons, avaf installed the wallpaper Tom Cruising #1 on the walls of the lobby of the New Museum.]

Skin Fruit: selections from the Dakis Joannou Collection, 2010New Museum, New York, USA

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axé vatapá alegria feijão, 2008Instalação e performance para 28a Bienal de São Paulo[Installation and performance for 28th Bienal de São Paulo]Pavilhão da Bienal, São Paulo, Brazil

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TRABALHOS / WORKS

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Four Balls, 2014pintura sobre tela[paint on canvas]203 x 147 cm

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TBT [Black rib], 2014marcador Krink sobre papel decorativo[krink marker on decorative paper]87,6 x 54,9 cm

TBT [Baw stripe], 2014marcador Krink sobre papel decorativo[krink marker on decorative paper]84.5 x 58.1 cm

TBT [Red and white stripe], 2014marcador Krink sobre papel decorativo[krink marker on decorative paper]100.3 x 69.2 cm

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Volpi Disco, 2007/2013decalque [decal]dimensões variadas[variable dimensions] Volpi Disco, 2007 - 2013 / decal (dimensions variable)

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Volpi Disco, 2007/2013decalque [decal]dimensões variadas [variable dimensions]Instalação da coleção do MAM (Museu de Arte Moderna) nas janelas da Reserva Cultural, um cinema no subterrâneo do Edifício Gazeta [Installation of MAM’s (Museum of Modern Art) collection on the windows of Reserva Cultural, a movie theater on the ground floor of Edifício Gazeta] Avenida Paulista, São Paulo, Brazil

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alter visions after fatalities 1, 2013tinta automotiva, marcadores Krink sobre madeira[automotive paint, krink markers on wood]152 x 137 cm

alter visions after fatalities 2, 2013tinta automotiva, marcadores Krink sobre madeira[automotive paint, krink markers on wood]152 x 137 cm

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Inês Brasil, 2013tinta e pintura automotiva sobre mdf[paint and automotive paint on mdf]168 x 122 x 2,5 cm

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Transgeométrica #2, 2013tinta e pintura automotiva sobre mdf[paint and automotive paint on mdf]184 x 157 x 18 cm

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Transgeométrica #3, 2013tinta e pintura automotiva sobre mdf[paint and automotive paint on mdf]142 x 124 x 22 cm

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Abusada São Paulo #16, #17, #18, #20, #22 e [and] #23, 2013tinta sobre papel de revista [paint on magazine paper]31,5 x 24 cm cada [each]

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Abusada São Paulo #3 e #4, 2013tinta sobre papel de revista [paint on magazine paper]31,5 x 44,5 cm cada [each]

Abusada São Paulo #1 e [and] #2, 2013tinta sobre papel de revista [paint on magazine paper]44,5 x 31,5 cm cada [each]

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Abusada São Paulo #15, 2013tinta sobre papel de revista[paint on magazine paper]31,5 x 24 cm

Abusada São Paulo #14, 2013tinta sobre papel de revista[paint on magazine paper]31,5 x 24 cm

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Abusada São Paulo #10, 2013tinta sobre papel de revista [paint on magazine paper]31,5 x 44,5 cm

Abusada São Paulo #8, 2013tinta sobre papel de revista [paint on magazine paper31,5 x 44,5 cm

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Abusada São Paulo #6, 2013tinta sobre papel de revistapaint on magazine paper44,5 x 31,5 cm

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Abusada São Paulo #4, #5, #7, #9, 2013tinta sobre papel de revista [paint on magazine paper]31,5 x 44,5 cm

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Abusada São Paulo #13, 2013tinta sobre papel de revista [paint on magazine paper]31,5 x 25 cm

Abusada São Paulo #1, 2013tinta sobre papel de revista[paint on magazine paper]44,5 x 31,5 cm

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Trava Cíclope, 2011pigmento sobre papel[pigment ink on paper]41 x 33 cm

Trava Cíclope, 2011pigmento sobre papel[pigment ink on paper]41 x 33 cm

Trava Cíclope, 2011pigmento sobre papel[pigment ink on paper]41 x 33 cm

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fatima cacilda psicopatas, 2008neonedição de 3 [edition of 3]240 x 180 cm

bundy kuxa vudu, 2008neonedição de 3 [edition of 3]150 x 130 cm

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Sem Título [Untitled], 2006neonedição de 5 [edition of 5]185 x 150 cm

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Trannie Mask Takes the Bus to Tokyo #3, 2006alumínio anodizado[colored chain curtain]edição de 5 [edition of 5]165 x 355 cm

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assume vivid astro focusELI SUDBRACK NASCEU NO [BORN IN] RIO DE JANEIRO, BRAZIL, 1968

VIVE E TRABALHA EM [LIVES AND WORKS IN] SÃO PAULO, BRAZIL E [AND] NEW YORK, USA

CHRISTOPHE HAMAIDE-PIERSON NASCEU EM [BORN IN] PARIS, FRANCE, 1973

VIVE E TRABALHA EM [LIVES AND WORKS IN] PARIS, FRANCE

PROJETOS E COLABORAÇÕES COMERCIAIS[PROJECTS AND COMMERCIAL COLLABORATIONS]

2015 Site-specific - roller skating and disco rink [pista de dança e patinação], projeto para [project for] Centro de Artes Faena, Miami Beach, USA National Sawdust, Mural permanente [Permanent mural], Brooklin, NY, USAPublic Art for Public School, Mural permanente na [Permanent Mural at] Beacon High School, Nova York, USA

2014Mural permanente para [permanent mural for] Brooklyn's Original Music Workshop, New York, USAColaboração com [collaboration with] Henzel Carpets, Paris, France“The People’s Tee”, Nike RxArt Hospital Installation, Metropolitan Hospital Center, New York, USAVice X Madonna “Art For Freedom” Digital Initiative

2013Curta metragem para [Short film for] films4peace, curadoria de [curated by] Mark Coetzee

2012Artista destacado na [featured artist of] Art21 PBS series, New York, USA avaf+Art21 comboworks, projeto interativo online para [interactive online project for] Art21Arte para vitrine e interior da [artwork for window display and interior of] Melissa store, New York City, USA

2011GAGA’S WORKSHOP, uma colaboração expositiva com [a collaboration display with] Lady Gaga e [and] Nicola Formichetti, Barneys New York, New York, USAColaboração Visual com [visual collaboration with] Comme des Garcons, comme-des-garcons.comArte para fachada e interior da [artwork for façade and interior of] Galeria Melissa store, São Paulo, Brazil

EXPOSIÇÕES INDIVIDUAIS[SOLO EXHIBITONS]

2016 Assume Vivid Astro Focus, curadoria de [curated by] Susanne Touw, Sammlung Goetz, Munich, Germany

2015Interplay, National Museum of Modern and Contemporary Art, Seul, South KoreaContemporary Arts Center, Cincinnati, USA

2014Peres Projects, Berlin, GermanyLe Confort Moderne, Poitiers, France adderall valium ativan focalin (cantilevering me), The Suzanne Geiss Company, New York, USA

2013alisabel viril apagão fenomenal, Casa Triângulo, São Paulo/SP, Brazil Armory Focus: USA, The Armory Show, The Suzanne Geiss Company, curadoria de [curated by] Eric Shiner, New York, USA

2012 Featured artist of 2012 Gala, Museu de Arte Moderna de São Paulo, São Paulo, Brazil 2011Cyclops Trannies, The Suzanne Geiss Company, New York City, USASilent Disco, One night performance and installation for the opening of Turner Contemporary, Margate, UKMural Installation, All Very Amazing Fingers, City of Philadelphia Mural Arts Program, Philadelphia, USAMural Installation, LIGHTBOX, Miami, USACyclops Trannies, Casa Triângulo, SP-Arte, São Paulo, Brazil

2010archeologist verifies acid flashbacks, The Wynwood Walls, Miami, USAWallpaper and Neon Installation, Core Club, New York City, USAIlegítimo, MOCA Cleveland, Cleveland, USAaqui vivimos atisbando fantasmas, Centro Contemporaneo La Conservera, Murcia, Spainartistiquement voué au feu, Galerie Hussenot, Paris, France

2009 affektert veggmaleri akselererende faenskap, The National Museum of Art, Architecture and Design, Oslo, NorwayMenschen Tiere Sensationen/ancient vagrancy appolonian futurism, Kunstverein Arnsberg, GermanyPoprally, MoMA, New York, USA

2008ameixa vazio attack fátima, Casa Triângulo, São Paulo, Brazil

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aqui volvemos adornos frívolos, Peres Projects, Berlin, Germanyantonella varicella arabella fiorella, projeto público para [public project for] ENEL Contemporanea 2008, curadoria de [curated by] Francesco Bonami, Rome, Italyameiz vous avec ferveur, projeto especial de janela para [special window project for] the Museum of Modern Art, New York, USA absolutely venomous accurately fallacious [naturally delicious], Deitch Projects, New York, USAalienation vertigo action formula, projeto especial para a área VIP no [special project for the VIP lounge area at] The Armory Show, New York, USA

2007 Concrete Waves: Homage to Skate Culture [with Ryan McGinness and P.S. 1, MoMA], Art Basel Miami Beach, Miami, USAfaux dark shada rustic moniques, Hiromi Yoshii Gallery, Tokyo, Japana very anxious feeling, John Connelly Presents, New York, USA

2006 abra vana alucinete fogo, Casa Triângulo, São Paulo, Brazilbutch queen realness with a twist of pastel color, John Connelly Presents, New York, USAOpen Call, Kunsthalle Wien project space, Vienna, Austria absorb viral attack fantasy, Hiromi Yoshii, Tokyo, Japan

2005 Off the Wall Series, em colaboração com [in collaboration with] Elmgreen and Dragset, Indianapolis Museum of Art, Indianapolis, USAhomocrap #2, Galleria Massimo de Carlo, Milan, Italybutch queen realness with a twist in pastel colors [featuring Dick Jewell], Tate Liverpool, Liverpool, UK

2004 assume vivid astro focus XI, Rosa and Carlos de la Cruz Private Collection, Key Biscayne, USAMake It With You: A Slow Dance Club, em colaboração com [in collaboration with] Los Super Elegantes, Frieze Art Fair, London, UKassume vivid astro focus IX, um projeto de arte com [an art project with] Central Park's Dance Skaters Association, patrocinado por [sponsored by] The Public Art Fund e em conjunto com o [and in conjunction with the] Whitney Biennial 2004, New York, USA

2003 assume vivid astro focus VII, Deitch Projects, New York, USAassume vivid astro focus V, Peres Projects, San Francisco, USAassume vivid astro focus III, Bellwether Gallery, New York, USA

EXPOSIÇÕES COLETIVAS SELECIONADAS[SELECTED GROUP EXHIBITIONS]

2016 Greek Gotham, curadoria de [curated by] Maria Britto, Dio Horia, Mykonos, GreeceStructures of Power, Diablo Rosso, Panama City, Panama

2015Saideira, curadoria de [curated by] Fernando Mota, Casa Triângulo, São Paulo, BrazilConey Art Walls, Brooklyn, Nova York, USALove Story – Works From Erling Kagge’s Collection, curadoria de [curated by] Erling Kagge, Gunnar B. Kvaran e Therese Möllenhoff. Astrup Fearnley Museet, Oslo, Norway

2014Transperformance 3 – Corpo Estranho, curadoria de [curated by] Luísa Duarte e [and] Gabriel Bogossian, Oi Futuro Flamento, Rio de Janeiro, BrazilCasa Triângulo no Pivô, Pivô, São Paulo, BrazilKIK #1, organização de [organized by] Chris Winter e [and] Peter Wilde, Kino International, Berlin, Germany

2013 Art, Fashion, Action, curadoria de [curated by] Cecilia Dean, SESC, São Paulo, Brazil Pivot Points: 15 Years And Counting, curadoria de [curated by] Bonnie Clearwater, Museum of Contemporary Art, North Miami, USA

2012Pop politics: Activismos a 33 Revoluciones, CA2M, Madrid, Spain The Lift: avaf, Kiki Smith, and Andrea Zittel, Bloomberg em colaboração com [in collaboration with] Art21, New YorkPortrait of a Generation, The Hole, New York, USATro-pi-cal, Akershus Kunstsenter, Lillestrøm, Oslo, NorwayCollages: Incisions-Fragments-Montages, Galerie Thaddaeus Ropac, Paris, FranceIn Living Color, FLAG Art Foundation, New York, USACollaborations and Interventions, curadoria de [curated by] Friederike Nymphius, CCAC, Mallorca, SpainBlabla et Chichi sur un bateau, Galerie Hussenot, Paris, FranceKunsthalle Andratx, Mallorca, Spain Lille3000, Lille, France Perceptual Conceptual: Echoes of Eugenia Butler, LAND [Los Angeles Nomadic Division], Los Angeles, CA, USA

2011The Space Between Now and Then, Galleria OMR, Mexico City, MexicoKrakow Photomonth, curadoria de [curated by] Adam Broomberg e [and] Oliver Chanarin, Krakow, PolandTravessias, Favela de Maré, Rio de Janeiro, BrazilExperience Pommery #9, Domaine Pommery, curadoria de [curated by] Claire Staebler e [and] Charles Carcopino, Reims, FranceNew York Minute, Garage Center for Contemporary Culture, Moscow, Russia

2010Skin Fruit: Selections from the Dakis Joannou Collection, The New Museum, curadoria de [curated by] Jeff Koons, New York, USADemons, Yarns, and Tales, James Cohan Gallery, New York, USA

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2009Scorpio’s Garden, Temporare Kunsthalle Berlin, Berlin, GermanyNew York Minute, MACRO Museum, curadoria de [curated by] Kathy Grayson, Rome, ItalyChelsea Visits Havana, Museo Nacional de Bellas Artes, Havana, CubaZweckgemenschaft, curadoria de [curated by] Francesco Stocchi, MICA MOCA, Berlin, GermanyMinneapolis, Peres Projects, Los Angeles, CA, USATattoo, Kathleen Cullen Fine Arts, New York, USACompass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USAOne night performance with Black Meteoric Star, Donau Music Festival, Vienna, Austria

2008 In Living Contact, 28th São Paolo Biennial, São Paulo, BrazilENEL Contemporanea 2008, curadoria de [curated by] Francesco Bonami, Rome, ItalyThe Voting Booth Project, exposição beneficente para [benefit exhibition for] The Rema Hort Mann Foundation, curadoria de [curated by] Quang Bao, David Zwirner Gallery, New York, USAI/Legitimo, curadoria de [curated by] Daniela Bousso, Paço das Artes, São Paulo, BrazilSuper#3, performance de uma noite com [an one night performance with] Black Meteoric Star [Gavin Russom], Maison des Arts de Créteil, Paris, FranceThe Rocky Mountain People Show, curadoria de [curated by] Fabio Cavallucci e [and] Cristina Natalicchio, Galleria Civica di Arte Contemmporanea, Trento, ItalyCover, Museu de Arte Moderna de São Paulo, São Paulo, curadoria de [curated by] Fernando Oliva, BrazilWhen Lives Become Form: Dialogue with the Future – Brazil, Japan, curadoria de [curated by] Yuko Hasegawa, Museu de Arte Moderna de São Paulo, São Paulo, BrasilTiny Art Show, curadoria de [curated by] Maxwell Williams, Cynders Gallery, Brooklyn, NY, USA Graffiti, curadoria de [curated by] Daniela Bousso, Paço das Artes, São Paulo, BrasilGlasgow International, curadoria de [curated by] Caroline Stevenson, Glasgow, UKGravity: Selected works from the Ernesto Esposito Collection, Museo Artium, Vitorai, SpainSympathy for the Devil: Art and Rock and Roll Since 1967, curadoria de [curated by] Dominic Molon, Museum of Contemporary Art, North Miami, USA, e [and] Musee D’Art Contemporain de Montreal, Quebec, CanadaA New High In Getting Low [NYC], curadoria de [curated by] John Connelly, John Connelly Presents, New York, USABrevity’s Rainbow, curadoria de [curated by] Maxwell Williams, Cinders Gallery, Brooklyn, USA

2007 shada shada La Chatte, performance de uma noite em colaboração com [an one night performance in collaboration with] La Chatte, parte de [part of] La Noche en Blanco, organizado por [organized by] Reina Sofia e [and] ARCO, Matadero, Madrid, SpainDouble Vision, Deutsche Bank, New York, USANew Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, curadoria de [curated by] Luis Pérez-Oramas, Museum of Modern Art, New York, USABoysCraft, curadoria de [curated by] Tami Katz-Freiman, Haifa Museum of Art, Haifa, IsraelA New High In Getting Low, ArtNews Projects, curadoria de [curated by] John Connelly, Berlin, GermanyStudio Voltaire Portfolio, Studio Voltare, London, UK

Gravity’s Rainbow, Peres Projects, Athens, GreeceSpace For Your Future, curadoria de [curated by] Yuko Hasegawa, Museum of Contemporary Art, Tokyo, JapanThe Studio of the Street, Deitch Projects: Art Basel, Basel, SwitzerlandOut of Art, da Coleção de [from the Collection of] Ernesto Eposito, CentrePasquArt, Kunsthaus Centre d’Art, Biel Bienne, SwitzerlandPlayback, curadoria de [curated by] Anne Dressen, Musée d’Art moderne de la Ville Paris, Paris, FranceSympathy for the Devil: Art and Rock and Roll Since 1967, curadoria de [curated by] Dominic Molon, MCA, Chicago, USARozamira Festival, Moscow, RussiaDestroy Athens, Athens Biennial, curadoria de [curated by] Xenia Kalpaktsoglou, Poka-Yio e [and] Augustine Zenakos, Athens, GreeceFractured Figure: Works From the Dakis Joannou Collection, Deste Foundation, Athens, GreeceThe Weasel: Pop Music and Contemporary Art, South London Gallery, London, UKShe Was Born To Be My Unicorn, curadoria de [curated by] Amy Keller, Smith-Stewart, New York, USACARToons at COMICON, Changing Role – Move Over Gallery, Naples, ItalyImpossibly Familiar, Fashion Institute of Technology, Art Gotham, New York, USAIndependent Curators International, New York Studio Events, New York, USACosmologies, James Cohan Gallery, New York, USABoysCraft, curadoria de [curated by] Tami Katz-Freiman, Haifa Museum of Art, Haifa, IsraelNight Visions: MOCA after Dark, Museum of Contemporary Art, Los Angeles, USA Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, Switzerland

2006 Underplayed: A Mix-Tape of Music-Based Videos, curadoria de [curated by] Julio Morales e [and] Berin Golonu, YBCA, Los Angeles, USA Art on Paper 2006, curadoria de [curated by] Xandra Eden Weatherspoon Art Museum, Greensboro, USAKamp K48, curadoria de [curated by] Scott Hug, John Connelly Presents, New York, USAConstant Disturbance: On Cultural Contamination and Foreign Agents, curadoria de [curated by] Gean Moreno Centro Cultural Español, Coral Gables, USAFaces, bodies and contemporary signs of Ernesto Esposito’s collection, Museo D’Arte Contemporanea Donna Regina, Naples, ItalyCITYZOOMS: New York, TBA, Bonn, GermanyTempest, curadoria de [curated by] John Connelly, The Fireplace Project, East Hampton, USAContemporary Video Art from Brazil, KW Institute for Contemporary Art, Berlin, Germany Tropicália, curadoria de [curated by] Carlos Basualdo, Museum of Contemporary Art, Chicago, October 15, 2005 – January 2, 2006 Barbican, London, UK, February 13 - May 22, 2006, Bronx Museum of the Arts, Bronx, New York, Oct 11, 2006 – Jan 28, 2007Ninth Tropical Night – Pablo Internacional, Palais de Tokyo, Paris, FrancePanic Room, trabalhos de [works from the] Dakis Joannou Collection, Deste Foundation Centre For Contemporary Art, Athens, GreeceTrial Ballons/Globos Sonda, curadoria de [curated by] Yuko Hasegawa, Agustin Pérez Rubio, and Octavio Zaya, MUSAC, León, SpainInfinite Painting, curadoria de [curated by] Francesco Bonami e [and] Sarah Cosulich Canarutto, Villa Manin Centre for Contemporary Art, Codroipo, ItalySwallow Harder: Selections from the Ben and Aileen Krohn Collection, Frye Museum, Seattle, USA

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The Gallery Show, Extra City Center for Contemporary Art, Antwerp, The NetherlandsThe Garden Party, Deitch Projects, New York, USASuPERM Salon/Superhole Weekend Sundown Salon, Los Angeles, USAGroup Show, John Connelly Presents, New York, USA

2005 Baroque and Neo-Baroque, curadoria de [curated by] Javier Panera, Salmanca Contemporary Art Centre, Salamanca, SpainThe Zine UnBound: Kults, Werewolves and Sarcastic Hippies [“K48”, curadoria de [curated by] Scott Hug], Yerba Buena Center for the Arts, San Francisco, USA Ecstasy: In and About Altered States, curadoria de [curated by] Paul Schimmel, The Geffen Contemporary at MOCA, Los Angeles, USAManchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film geshen habe, Goetz Collection, Munich, Germanyop-ish, Samson Projects, Boston, USADraw, Galerie du jour agnes b., Paris, FranceSeeing Double: Encounters with Warhol, Andy Warhol Museum of Art, Pittsburg, USAGrowing up Absurd, Kent Institute of Arts and Design [Herbert Read Gallery], Canterbury, UKDrone, Vilma Gold, London, UKColour My World, Riflemaker Gallery, London, UK

2004 Divided by Lightning, Deitch Projects, New York, USARevenge of Romance, Temporary Contemporary, London, UKNocturnal Emissions, Groninger Museum, Groninger, The NetherlandsThe Stars of Track and Field are Beautiful People, Changing Role Gallery, Naples, ItalyByproducts of Work, Contemporary Art Gallery, Vancouver, CanadaIf You Believe Hard Enough…, Rocket Projects, Miami, USAassume vivid astro focus VII, Whitney Biennial, Whitney Museum of American Art, New York, USACarnaval, Centro Cultural do Banco do Brasil, Rio de Janeiro, BrazilWorks on Paper, Southfirst, New York, USACave Canem, John Connelly Presents, New York, USASuch Things I do Just to Make Myself More Attractive to You, Peres Projects, Los Angeles, USAThe 6th Annual Altoids Curiously Strong Collection, Consolidated Works, Seattle, USA

2003 Hovering, Peres Projects, Los Angeles, USAFast Forward [Media Art from the Goetz Collection], ZKM, Karlsruhe, GermanyStudy, Taka Ishii Gallery, Tokyo, JapanToday’s Man, John Connelly Presents, New York, USA, Hiromi Yoshii Gallery, Tokyo, JapanCorporate Profit vs. Labor Costs, D’Amelio Terras, New York, USAK48_Teenage Rebel: The Bedroom Show, curadoria de [curated by] Scott Hug, galerie du jour/agnes b., Paris, FranceImpakt Festival, curadoria de [curated by] Arjon Dunnewind, Utrecht, The NetherlandsKaraoke Death Machine, Daniel Reich, New York, USAVideodrome, curadoria de [curated by] Nicolas Trembley, Cosmic Galerie, Paris, France Life/Like, curadoria de [curated by] Oliver Kamm, Apartment 5BE, New York, USA

2002 Emerging Artists, curadoria de [curated by] Simon Watson, Rhona Hoffmann Gallery, Chicago, USAK48_Teenage Rebel: The Bedroom Show, curadoria de [curated by] Scott Hug, John Connelly Presents, New York, USAGeorges: Abstraction/Surface, curadoria de [curated by] Nicolas Trembley, Centre Georges Pompidou, Paris, FranceColeções 3, curadoria de [curated by] Néssia Pope, Galeria Luisa Strina, São Paulo, BrazilHigh Desert Test Sites, curadoria de [curated by] Andrea Zittel, Andy Stillpass e [and] John Connelly, Joshua Tree, California, USAVidéo Topiques, curadoria de [curated by] Lydia Yee, Musée d'Art Moderne et Contemporain, Strasbourg, FranceVideodrome II, curadoria de [curated by] Anne Ellegood, Dan Cameron, Anne Barlow e [and] Johanna Burton, Zenith Media Lounge, New Museum of Contemporary Art, New York, USARoom for a Revolution, curadoria de [curated by] Kristen VanDeventer e [and] Lisa Williamson, Deluxe Gallery, Chicago, USA End of the Rainbow, Bellwether, New York, USA222: 2002: Stardust: Assume Vivid Astro Focus and Kalaman, curadoria de [curated by] Anton Kern, Apex Art, New York, USAUnknown Pleasures, curadoria de [curated by] Daniel Reich, Daniel Reich, New York, USABathroom Group Show, curadoria de [curated by] Daniel Reich, Daniel Reich, New York, USA Face Value, curadoria de [curated by] Lauren Ross, White Columns, New York, USAMiss World 1972, curadoria de [curated by] Daniel Reich, Daniel Reich, New York, USAAlpha Flight, curadoria de [curated by] John Connelly, John Connelly Presents, New York, USADeslocamentos do Eu: O Autorretrato Digital e Pré-Digital na Arte Brasileira, 1976-2001, curadoria de [curated by] Tadeu Chiarelli, Itaú Cultural Campinas, Campinas, BrazilSão Paulo Turística, curadoria de [curated by] Ricardo Resende, Museum de Arte Moderna Higienópolis, São Paulo, BrazilBiting Style and Spitting Image, curadoria de [curated by] Diane Chamber e [and] Denise Delgado, Bass Museum of Art, Miami, USA, June 15 - July 1, 2001

2000 To Be Continued, curadoria de [curated by] Rebecca Smith and Matt Keegan, Bellwether, Art In General and Parlour Projects, New York, USA

1998 Recent Works from Project Antárctica Artes com a Folha’s Artists, Casa Triângulo, São Paulo, BrazilCity Cannibal, curadoria de [curated by] Daniela Bousso, Paço das Artes, São Paulo, Brazil

1996 Excesso, curadoria de [curated by] Daniela Bousso, Paço das Artes, São Paulo, BrazilAntárctica Artes com a Folha, Pavilhão Manoel da Nóbrega, São Paulo, Brazil

COLEÇÕES PÚBLICAS[PUBLIC COLLECTIONS]

Museum of Modern Art, New York, USAGoetz Collection, München, USADESTE Foundation for Contemporary Art, Athens, Greece

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Museu de Arte Moderna de São Paulo, São Paulo, BrazilMuseum of Contemporary Art, Rome, Italy Museum of Contemporary Art, North Miami, USANational Museum of Art, Architecture and Design, Oslo, Norway The Lauro Collection, Il Giardino dei Lauri, Perugia, ItalyDe La Cruz Collection, Miami, USAThe Depart Foundation, Rome, ItalyCLIPPING SELECIONADO[SELECTED CLIPPING]

2013My Influences, Frieze, No. 152 Janeiro-Fevereiro [January-February], 2013 AVAF, Vaga Magazine, Issue No. 4, Spring, 2013

2012 Vogue Brazil, June 26th, 2012Dijon, Honey, VMAGAZINE.com, May 30, 2012 B1 Be One Magazine, Maio [May] 2012 Iredale, Jessica. “Inside Melissa’s New Soho Shop,” WWD, Fevereiro [February], 2012 Blumenthal, Erica M., “Browsing”, Thursday Styles, The New York Times, Fevereiro, [February] 9, 2012 Murrow, Lauren. “The Shoes Are Nice Too,” NYMAG.com, Fevereiro [February], 2012

2011 Graham, Mhairi, “Who, What, Why: Dover Street Market’s Open House”, Anothermagazine.com, Outubro [October], 2011Karimzadeh, Marc, “Lady Gaga Links with Barneys New York,” WWD.com, Agosto [August], 2011Yablonsky, Linda, “GaGa’s Vivid Gifts,” The New York Times, Novembro [November], 2011Trezzi, Niccola, “assume vivid astro focus,” Flash Art, Junho [June], 2011

2010 Chaplin, Julia, “ Art Basel Miami’s Big – Buzz 10”, The New York Times, Novembro [November], 2010Sophie, Cay, “ Another Vicious Admiring Friend”, V Magazine, Novembro [November], 2010Miller, Ken, “ Far Out – AVAF”, New York Times’ The Moment Blog, Novembro [November], 2010Rudnik, Katie, “ More Than 2-D – Assume Vivid Astro Focus in Print”, Interview Magazine, Outubro [October], 2010Davies, Lucia, “ Who, What, Why – Assume Vivid Astro Focus”, Another Magazine online, Outubro [October], 2010Brennan, Dury, “assume vivd astro focus,” Flaunt, Março [March] 1, 2010:4 Velazquez, “Aquei que soy de muchas caras,” Codiga, Janeiro [January] 1, 2010: 8.

2009 Orden, Erica, “Lastly, Play the Odds [But Just For Fun],” New York, Abril [April], 26Grayson, Kathy, “New York Minute: Sixty Artists on the New York Scene,” Marcro Museum Rome, Novembro [November], 2009Ishikawa, Aiko, “assume vivid astro focus,” Plus Eighty One vol45, Dezembro [December], 2009: 6

2008 Orden, Erica, “The Modern’s Windows Go From Clear to Colorful,” The New York Sun, Agosto [August], 2008Paravisi, Riccardo, “The Rocky Mountain People Show. Galleria Civica di Arte Contemporanea di Trento,” Artkey Magazine, Agosto [August], 2008“Art and Public Space. Enel Contemporanea 2008,” Arts and Architecture Journal, edição [issue] 66/67“Enel Contemporanea: Art Among the Ruins,” Art World, Agosto-Setembro [August-September], 2008Pancotto, Pier Paolo, “Perdersi a Roma con Eli Sudbrack,” l’Unita, Julho [July], 2008.Drake, Cathryn, “Roman Holiday,” Artforum.com, Julho [July], 2008Patresi, Ludovico, “I Brasiliani di Oggi nella Roma di Ieri”, La Republica, Julho [July], 2008Visconti, Andrea, “La Mia Arte Va Presa a Testate”, L’Espresso, Julho [July], 2008Amadasi, Giovanna, “Astro Boys”, Marie Claire Italia, Julho [July], 2008Vedovotto, Sabrina, “Giochi di Luce a largo Argentina L’archeologia diventa pop-art”,Il Giornale, Julho [July], 2008Fiaschetti, Maria Egezia, “Notte d’arte,” Corriere della Sera, Julho [July], 2008Mattioli, Laura, “Video, luci e gioco: le colonne antiche diventano ‘pop’ “, Il Messagero, Julho [July], 2008“Enel Contemporanea 2008: Tre Nuove Installazione di Artisti Internazionali a Roma e a Venezia,” Il Manifesto, Julho [July], 2008Inaba, Jeffrey, “Enel Contemporanea da Energia all’arte,” Econony, Julho [July], 2008Colavecchio, Valeria, “L’energia diventa arte,” Donna Moderna, Junho [June], 2008“Works in Progress: assume vivid astro focus”, V Magazine, Julho [July], 2008Tang, Alyssa, “Demolition Disco with assume vivid astro focus,” NyArtBeat.com, Julho [July], 2008Kellner, Amy, “ART TALK! ASSUME VIVID ASTRO FOCUS”, Vice TV (vbs.tv), Maio [May], 2008Drysdale, Rebekah, “assume vivid astro focus”, Daily Serving, Maio [May], 2008Rabinowitz, Cay Sophie, “The You-As-Me-Issue,” Parabol, Janeiro [January], 2008.

2007 Hasegawa, Yuko, Space for Your Future, catálogo da exposição [exhibition catalog], Dezembro [December], 2007, p. 112-115, p. 160-161.Smith, Roberta, “Latin American Modernism, The Sequel,” The New York Times, Novembro [November], 2007.Mayer, Mariano, “Arte Acumulación,” Neo2, Novembro [November] 2007.Schmalenberger, Eric, “Assume the Position,” USELESS, edição [issue] 6, p.29 “assume vivid astro focus,” Art Review, Julho e Agosto [July and August]Lima, Benjamin, “assume vivid astro focus at John Connelly Presents,” Art in America, Novembro [November] 2007, p. 208.Kastner, Jeffrey, “Assume Vivid Astro Focus,” Art Forum, Setembro [September] 2007, p. 471.Villasmil, Alejandra, “Assume Vivid Astro Focus,” Arte al Dia International, Agosto-Setembro [August-September] 2007, p. 111.Cotter, Holland, “The Creative Spirit, Strolling Thorugh SoHo With Its Fringe Flying,” NY Times, Setembro [September] 2007.De La Barra, Pablo Leon, “Abra Vana Aluciente Fogo, Casa Triângulo, Sao Paolo,” Frog Magazine, Edição Primavera-Verão [Spring-Summer Issue], 2007.Laster, Paul, “Interview: assume vivid astro focus,” Artkrush, Junho [June], 2007“assume vivid astro focus,” Art Review, Julho-Agosto [July–August] 2007.

48

Risemberg, Rafael, “Four-Letter Words,” nyblade.com, Junho [June] 2007Lowenstein, Kate, “Art in the City: When Art Attacks,” The L Magazine, Junho-Julho [June-July], 2007Baker, RC, “assume vivid astro focus, Best In Show,” The Village Voice, Junho [June], 2007

2007“Wallpaper is the next artwork,” New York Magazine, Maio [May] ,2007Genocchio, Benjamin, “Assume Vivid Astro Focus: “A Very Anxious Feeling”, The New York Times, Weekend Arts, Maio [May], 2007Leffingwell, Edward, “Brazilian Improv,” Art in America, Abril [April] ,2007Hammonds, Kit, “travel: brazil,” tema celeste, Março [March], 2007Francesco Spampinato, “A New York: É l’ora della Neopsichedelia,” Arte, Março [March], 2007Smith, Roberta, "Cosmologies," The New York Times, Fevereiro [February], 2007

2006Antebi, Nicole, Dickey, Colin, and Herbst, Robby, Failure! Experiments in Aesthetics and Social Practices, p. 184-188.Moreno, Gean, “assume vivid astro focus,” Art Nexus, Nº 62 Volume 5, 2006, p.76-79.Cotter, Holland, “Butch Queen Realness With A Twist In Pastel Colors,” New York Times, Julho [July], 2006Bonami, Francesco and Sarah Cosulich Canarutto, Infinite Painting, Villa Manin, Codroipo, Italy, 2006, p. 32.Zaya, Octavio, Trial Balloons, MUSAC, León, Spain, 2006, p. 9.Blackley, Lachlan, “assume vivid astro focus,” Wallpaper, Laurence King Publishing, London p. 20-24Hastreiter, Kim, “Booty Call,” Paper, Junho/Julho [June-July] 2006“It’s all in the Blend,” Blend, issue 13, Junho [June] 2006. “Handle with Care,” Nylon, Março [March] 2006Moreno, Gean, Constant Disturbance: On Cultural Contamination and Foreign Agents, Centro Cultural Espanol, Coral Gables, Florida, 2006, p. 30-31.Nairne, Sandy and Sarah Howgate, The Portrait Now. National Portrait Gallery, London, 2006, p.38.“Gallery - Contemporary Art,” Lufthansa Magazine, Março [March] 2006, p.86Meyers, Julian, “Ecstasy Review,” Frieze, Janeiro-Fevereiro [January-February] 2006, p.145Paterson, Carrie, “Group Shows: Ecstasy,” Flash Art, Janeiro-Fevereiro [January-February] 2006 Perrée, Rob, “Kunst als Muziek,” Kunstbeeld, n.12, Janeiro [January], 2006, p. 20 – 23Davis, Erik, “Ecstasy: In and About Altered States,” ArtForum, Janeiro [January] ,2006

2005Grosenick, Uta. Art Now: Vol. 2, 2005, p.36-39.Domschke, Gisela, “Art, Media, and Video Art in Brazil,” ARCO Contemporary Art n.38, Inverno [Winter] 2005, p. 7 – 11“Ecstasy,” Tema Celeste, Novembro-Dezembro [November-December] 2005Campbell, Christopher, “Miami Confidential,” New York Times Style, Winter 2005, p. 108Souri, Kim, “Know+Tell,” Details, Novembro [November] 2005, p. 44Kimmelman, Michael, “A Mind Bending Head Trip [All Legal],” The New York Times, Novembro [November], 2005Drohojowska-Philip, Hunter, “The Art Trip,” Artnet.com, Outono [Fall] 2005Meyers, Terry, “High Society,” ArtReview, Outubro [October] 2005, p. 29

Knight, Christopher, “Take a Mind Excursion,” Los Angeles Times, Outubro [October], 2005Finkel, Jori. “Dancing on a Ceiling [with Tom Cruise],” New York Times, Outubro [October], 2005, p. 36, 38Muchnic, Suzanne, “Mind-bending Visions,” Los Angeles Times, Outubro [October], 2005Smith, Roberta, “Tune In, Turn On, Dig Art,” New York Times, Setembro [September], 2005Moreno, Shonquis, “Garden of Earthly Delights,” Frame, Setembro-Outubro [September-October] 2005, p.88-89Schimmel, Paul, Ecstasy: In and About Altered States, MOCA, Los Angeles, CA, 2005, p.54-57.Smith, Terry, “Biennales: In the Conditions of Contemporaneity,” Art & Australia, Outono [Autumn] 2005, p.406 – 415White, Ian, “It’s a Film Club, and Everyone’s Invited,” ArtReview, vol. LVI, Agosto [August] 2005, p.46 – 47Connelly, John, “assume vivid astro focus,” Vogue Hommes, Primavera/Verão [Spring/Summer] 2005, p.114 – 117Leventis, Andreas, “Emerging Artists: Man or Multitude? The bootlegged beauty of assume vivid astro focus,” Modern Painters, Abril [April] 2005, p. 48 – 49Cattelan, Maurizio. “Holding Court: Assume Vivid Astro Focus and Cory Arcangel,” Tokion, Março-Abril [March-April] 2005, p.56 – 57“Inner Cities”, ArtReview, Março [March] 2005, p.60 – 63Reginato, James, “Sky High”, W, vol. 34 issue 3, Março [March] 2005, p.42Grayson, Kathy and Jeffrey Deitch. “Assume Vivid Astro Vocus,” Live Through This, 2005, p. 94-97

2004Van Der Zijpp, Sue-an, “Nocturnal Emissions:Assume Vivid Astro Focus,” Groninger Museum Magazine, Novembro [November], 2004, p.8 Valdez, Sarah, “Club Psychedelia: Last Night An Artist Saved My Life,”PaperMag, Novembro [November] 2004, p. 62 – 63“The Magnificient Seven: What to look for at the Frieze Art Fair 2004,” Art Review, October 2004, Ed. International, p.35LaFreniere, Steve, “My Pop,” ArtForum, Outubro [October] 2004, p. 247Herzog, Eve, “Hot List: The New Artist to Know,” Harper’s Bazaar, Setembro [September] 2004, p. 275Corbetta, Caroline, “Temporary Name,” Vogue Uomo, Julho/Agosto [July/August] 2004, p. 46Prisco, Joanna, “Spin Me Around,” Surface, Surplus: Art, The Disco Luxe Issue, n. 48, p. 178LaVallee, Andrew, “Young Artists Get Personal with Politics in Group Show,” NY Arts, Julho [July], 2004Wolf, Matt, “Majority ‘Whip’,” Flash Art, Julho-Setembro [July-September] 2004, p. 63Korotkin, Joyce B., “The Neo-Baroque Era,” Tema Celeste, Junho-Agosto [June-August] 2004, edição [issue] 104, p. 38 - 45Bankowsky, Jack, “Many Happy Returns, This Is Today,” ArtForum, Maio [May] 2004“American Pie,” Frieze, edição [issue] 83, p. 65Jane Grossman, Anna, “Who?” The New York Observer, Abril [April] 19, 2004Scott, Andrea K, “Free Parking,” TimeOut, Abril [April] 15 – 22, 2004Sundell, Margaret, “The today show: The Whitney sums up the state of contemporary art in the best biennial in years,” Time Out, Março-Abril [March-April], 2004Weyland, Jocko, “American Splendor,” TimeOut, Março [March], 2004 Schjeldahl, Peter, “What’s New,” New Yorker, Março [March], 2004, p. 100

49

Kimmelman, Michael, “Touching All Bases,” New York Times, Março [March], 2004Cotter, Holland, “Duck! It’s Whitney Biennial Season Again,” New York Times, Março [March] , 2004Rosenberg, Karen, “Biennial Favorites”, New York Magazine, Março [March] , 2004

2003Cobb, Chris, “assume vivid astro focus”, Flash Art, Janeiro-Fevereiro [January-February] 2003, p. 112Cotter, Holland, “Paul P.,” New York Times, Julho [July], 2003, p. E33Eleey, Peter, “K48-3: Teenage Rebel – The Bedroom Show,” Frieze, Abril [April], 2003, p. 104Garret, Craig. “Teenage Rebel at John Connelly Presents,” Flash Art, Março-Abril [March-April] 2003, p. 51Kimmelman, Michael, “Now Playing,” New York Times, Julho [July], 2003, p. E33Laster, Paul, “K48-3: Teenage Rebel – The Bedroom Show”, Time Out, Janeiro [January], 2003, p. 59Lee, Carol, “The Scope Art Fair at Dylan Hotel,” Paper, Março [March], 2003Levin, Kim, “assume vivid astro focus,” Village Voice, Julho [July], 2003Raymond, Jon, “Assume Vivid Astro Focus,” Artforum, Julho [July], 2003Robinson, Walter, “Weekend Update: Scope Art Fair”, artnet.com, Março [March], 2003Robinson, Walter, “Weekend Update,” artnet.com, Julho [July] 2003Rosenberg, Karen, “Outside and In,” Village Voice, Janeiro [January], 2003, p. 69Smith, Roberta, “A Bread-Crumb Trail to the Spirit of the Times,” New York Times, Janeiro [January], 2003Smith, Roberta, “A Grand Finale of Group Show Fireworks,” New York Times, Julho [July], 2003, p. E31

2002 Arruda, Fernanda, 222-2002: Stardust, Exhibition Brochure, Junho [June], 2002Bollen, Chris, “Two for Tee,” V Magazine, Março--Abril [March-April], 2002Cotter, Holland, “Assume Vivid Astro Focus,” New York Times, Junho [June], 2002, p. E37Johnson, Ken, “Face Value,” New York Times, Fevereiro [February], 2002, p. E42LaFreniere, Stev, “Top Ten,” Artforum, Maio [May] 2002, p. 47Powhida, William, “Bubblegum Disco in Space,” artnet.com, Julho [July], 2002Yee, Lydia, Musique/Video, Exhibition Catalog, Novembro [November], 2002, p. 174“Critic’s Picks: 222-2002,” Time Out, Junho [June], 2002, p. 62High Desert Test Sites, exhibition catalog, Novembro [November], 2002, p. 18

2001Chiarelli, Tadeu. “O Autorretrato na [da] Arte Contemporânea”, Deslocamentos do Eu: O Autorretrato Digital e Pre-Digital na Arte Brasileira, 1976-2001, catálogo da exposição [exhibition catalog], Julho [July], 2001Cotter, Holland, “Miss World 1972,” New York Times, Dezembro [December], 2001, p. E44Philips, Richard, “Top Ten,” Artforum, Novembro [November], 2001 Scott, Andrea, “Goings on About Town: Alpha Flight,” New Yorker, Dezembro [December], 2001, p. 18

PRÊMIOS[AWARDS]

2007Recipient of The Public Art Fund’s In The Public Realm Grant

2002 Recipient of the Rema Hort Mann Foundation Grant for Emerging Artists