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David O. Selznick’s Artistic Will in Gone with the Wind
AbstractThe film credits and the first sequence analysed in this article reveal that under the special producer David O.Selznick’s signature lies beneath an artistic will (Kunstwollen in German, following Allois Riegl) that relates formalaffinities within it. Considering that in cinematographic production the term producer expresses the cinemato-graphic entrepreneur, as well as the professional in charge of leading the production of a film; we will investigatehere the extraordinary case of a film whose circumstances forced a change of director up to three times.
Key words: Producer. Art. Authorship. Style. Cinema.
ResumenLos títulos de crédito y la primera secuencia analizados en este artículo desvelan que bajo la firma del singularproductor David O. Selznick subyace una voluntad artística (Kunstwollen, siguiendo a Allois Riegl) que relacionaafinidades formales en su seno. Si en la producción cinematográfica, el término productor designa tanto la figuradel empresario cinematográfico como la del profesional encargado de guiar la producción de una película, inda-gamos en el caso extraordinario de un film cuyas circunstancias obligaron a cambiar hasta tres veces de director.
Palabras clave: Productor. Arte. Autoría. Estilo. Cine.
ISSN. 1137-4802. pp. 157-167
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