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ASHTON BRYAN SAMANTHA MACIEL ELLEN CASELAW … · 2018-03-28 · Wedgwood SELF PRESERVATION Men deem their self-care as a necessity, there is evidence that they are willing to in-vest

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Page 1: ASHTON BRYAN SAMANTHA MACIEL ELLEN CASELAW … · 2018-03-28 · Wedgwood SELF PRESERVATION Men deem their self-care as a necessity, there is evidence that they are willing to in-vest
Page 2: ASHTON BRYAN SAMANTHA MACIEL ELLEN CASELAW … · 2018-03-28 · Wedgwood SELF PRESERVATION Men deem their self-care as a necessity, there is evidence that they are willing to in-vest

ASHTON BRYAN

ELLEN CASELAW

LAUREN DEAR

ASHLEY GRAHAM

TAMSIN JOHNSON

Z Z

SAMANTHA MACIEL

HARSHITA NAGI

SONATA STACKUNAITE

SIBEL TURKMEN

CYRIL YAM

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WedgwoodTHE IVY HOUSE

WedgwoodSELF PRESERVATION

WedgwoodTATAU

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WedgwoodTHE IVY HOUSE

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Fg.1

Fg.2

Fg.3

Fg.4

‘’Plants increase levels of positivity - seeing greenery and nature

help us feel more relaxed and calm.”

(Mooney 2015)

WedgwoodTHE IVY HOUSE

Z Z

6

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Fg.6

WedgwoodTHE IVY HOUSE

Z Z

Fg.5 Fg.7 Fg.8

7

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“Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep.” (Coles, 2007)

Fg.10

WedgwoodTHE IVY HOUSE

Z Z

Fg. 9

Fg.11

8

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“Plants provide more than a decorative touch to the indoor environment. They provide function and form while looking beautiful.” (TimberPress, 2016)

Fg.13

Fg.12 Fg.14

Z Z

WedgwoodTHE IVY HOUSE

9

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Fg.18

Fg.17

Fg.16

WedgwoodTHE IVY HOUSE

Z Z

Fg.15

10

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WedgwoodTHE IVY HOUSE

Z Z

Fg.19

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Fg.20

11

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Z ZWedgwood

THE IVY HOUSE

Fg.23

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12

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WedgwoodSELF PRESERVATION

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WedgwoodSELF PRESERVATION

The Self-Preservation trend is founded in Generation Z’s appetite for self-care, self-nurture and their growing awareness of the effect of the envi-ronment on their skin. Indeed, Self-Preservation is about the endeavour for inner and outer balance. This generation are concerned about having a healthy body and mind. It is more than just cosmetic; it is the feeling of purity, self-preservation and motivation.

Z Z

Fg.27

Fg.29Fg.28

14

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WedgwoodSELF PRESERVATION

Men deem their self-care as a necessity, there is evidence that they are willing to in-vest in something more than on-the-shelf or over-the-counter products. They instead search for high-quality ingredients and products with a herbal or natural element. For example, Australian Pink Clay with its purifying qualities, argon oil and the anti-oxi-dant qualities of honey. It appears that men want a very natural solution for the very toxic and man-made hazards on their skin.

Z Z

Fg.30

Fg.31 Fg.33

Fg.34

Fg.35

Fg.32

15

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WedgwoodSELF PRESERVATION

This market is growing so quickly as a result of men becoming more knowledgeable about beauty and are ‘paying more attention to their looks’. In this market, haircare is the largest sector, with shaving prod-ucts coming a close second.

Z Z

Fg.36

Fg.37 Fg.39

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16

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WedgwoodSELF PRESERVATION

In such a busy world with demands high for this young and emerg-ing demographic, it is increasingly important that they take the time for themselves.

Z Z

Fg.42

Fg.43

Fg.44

Fg.45

Fg.46

17

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WedgwoodSELF PRESERVATION

Z Z

Fg.47

Fg.49

Fg.50

Fg.51

Fg.48

18

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WedgwoodTATAU

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Paying tribute to a child, parent, or lover; memorializing the dead or remembering a past relationship; searing allegiance to a cause or simply swearing a love of love itself. These tattoos represent passion made vis-ible: passion through pain, a vivid declaration of the wearer’s devotion. Saltz, I., 2010

TATAUWedgewood

Z Z

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20

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TATAUWedgewood

Z Z

Fg.56

Fg.57

Fg.58

Fg.59

21

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The tattoo is often a form of self-actualization – the motive for re-alizing one’s full potential – also expressed as the desire to become closer to one’s intrinsic self. (Saltz, I., 2010)

TATAUWedgewood

Z Z

Fg.60

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TATAUWedgewood

Z Z

Fg.63

Fg.64

23

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“A tattoo is more than a painting on skin; its meaning and reverbera-tions cannot be comprehended without a knowledge of the history and mythology of its bearer. Thus it is a true poetic creation, and always more than meets the eye. As a tattoo is grounded on living skin, so its essence emotes a poignancy unique to the mortal human condition”

(Vale & Juno, 1997)

TATAUWedgewood

Z Z

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Fg.66

Fg.67

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TATAUWedgewood

Z Z

Fg.68

Fg.69

Fg.70

25

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TATAUWedgewood

Z Z

Fg.71

Fg.72

26

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WedgwoodLIST OF ILLUSTRATIONS

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Cover:

Unknown, 2017. Maxence Danet-Fauvel. [Online image] Available at: https://em.wattpad.com/d8e6654b4d2006ee75b203b714b9abc76d84d8eb/68747470733a2f2f73332e616d617a6f6e6177732e636f6d2f776174747061642d6d656469612d736572766963652f53746f7279496d6167652f42553779354f3135526d6f4957673d3d2d3431383034323738312e313463336334626464353561353630633930333431373735333132332e6a7067?s=fit&w=1280&h=1280 [Accessed 05 January 2018] Stil, 2017. [Online image] Available at: https://stilclassics.com/blogs/blog/a-guide-to-the-perfect-girls-getaway-things-to-do-in-palm-springs-california [Accessed 05 January 2018] Unknown, 2012. Available at: http://mechantdesign.blogspot.co.uk/2012/12/black-and-white.html [Accessed 06 January 2018]Chase Michael, 2012. Paintaway. https://lovattchel.wordpress.com/2014/02/12/michael-chase/ [Accessed 06 January 2018]

Fg.1 Maillard Maud, 2014. Timur Simakov for D’SCENE Magazine. [Online image] Available at: http://www.malemodelscene.net/editorial/timur-simakov-maud-maillard-dscene-magazine/ [Accessed 02 January 2018]Fg.2 Eldekoort Lidewij, 2016. A Labour of Love. [Online image] Available at: http://www.stylink.nl/blogs/3-blogs/2596-lidewij-edelkoort-labour-of-love-aw-2017-2018 [Accessed 04 January 2018] Fg.3 Unknown, 2015. Brazilian Agate Stones. [Online image] Available at: https://www.restorationhardware.com/catalog/product/product.jsp?productId=prod2461548&categoryId=cat2390489 [Accessed 30 December 2017]Fg.4 Bader Christoph, 2013. Kugeln. [Online image] Available at: https://www.behance.net/gallery/12430385/Kugeln [Accessed 03 January 2018]Fg.5 WGSN, 2017. Autumn/Winter 2017/18. Photographer: Thomas Strobe. P. 108Fg.6 Surya, 2017. Trail: TRL – 1130 20. [Online image] Available at: http://www.surya.com/Rugs/Trail/TRL-1130/ [Accessed 02 January 2018]Fg.7 Unknown, 2013. [Online image] Available at: https://i.pinimg.com/originals/89/4a/6b/894a6b8ee799090d766c0a4eb5d2945b.jpg [Accessed 03 January 2018] Fg.8 Lauren Dear, 2017. Wedgewood museum. Fg.9 The Optimist, 2015. Restaurant. [Online image] Available at: https://www.amoedoprojects.com/copia-de-europe-spain-hospitality [Accessed 20 December 2017 ]Fg.10 Serin Samyra , 2012. Green. [Online image] Available at: https://www.flickr.com/photos/samyra_serin/7047345307 [Accessed 21 December 2017] Fg.11 Unknown, 2016. Amazonian. [Online image] Available at: http://www.elle.es/living/elle-gourmet/news/g792035/restaurantes-para-la-rentree/ [Accessed 05 January 2018]Fg.12 Wiltbank Michael, 2017. Maison Pickle. [Online image] Available at: https://domino.com/maison-pickle [Accessed 30 December 2017]Fg.13 Grandore David, 2010. Hackney Marshes Centre/Stanton Williams. [Online image] Available at: https://www.archdaily.com/430674/hackney-marshes-centre-stanton-williams/5240757de8e44e003d000003-hackney-marshes-centre-stanton-wil-liams-photo [Accessed 21 December 2017]Fg.14 Unknown, 2017. Respirare la natura. [Online image] Available at: http://stammi-bene.it/progetta-con-noi?limit=12&start=120#page-1 [Accessed 27 December 2017] Fg.15 Unknown, 2011. [Online image] Available at: http://3.bp.blogspot.com/-9rzC5rGVYCg/TpMhdDbMjKI/AAAAAAAAA9A/VAdDM37B6dY/s1600/A4+IMAGE9.jpg [Accessed 05 January 2018] Fg.16 Mills Caitlin, 2015. [Online image] Available at: http://www.thepropdispensary.com/lifestyle-travel/b0tdh0enxurt9vk0trdjve7worpiiw [Accessed 03 January 2018] Fg.17 3DPRO, 2017. Coffee bar 1502. [Online image] Available at: https://3d4u-pro.com/index.php/library/coffee-bar/1 [Accessed 09 January 2018]Fg.18 Monamour Natural Design, 2017. Vertical design projects. [Online image] Available at: https://davidmorenointeriores.com/jardines-verticales-proyectos-interiorismo/ [Accessed 03 January 2018]Fg.19 David Wiseman Studio, 2017. Patined Facet Vase det. [Online image] Available at: https://i.pinimg.com/originals/1a/a9/ea/1aa9ea9cbd825168d2f1ed121ea80329.jpg [Accessed 05 January 2018]Fg.20 Susanna Vento,2018. Artek. [Online image] Available at: http://susannavento.fi/project/artek/ [Accessed 06 January 2018] Fg.21 Relja Ivanic, 2014. Klub 100. [Online image] Available at: http://www.archilovers.com/projects/192554/klub-100.html [Accessed 07 January 2018]Fg.22 Makoto Azuma, 2015. Art of Plants. [Online image] Available at: http://lisahewitt.tumblr.com/post/133579154628/ronbeckdesigns-art-of-plants-by-azuma-makoto [Accessed 05 January 2018] Fg.23 Mirsii, 2016. [Online image] Available at: http://mirsii.ee/poolvaariskivide-moju/ [Accessed 05 January 2018] Fg.24 Anne Elliot, 2007. Crystals. [Online image] Available at: https://www.flickr.com/photos/annkelliott/618809073/in/set-72157594290478089 [Accessed 06 January 2018] Fg.25 Headspace, 2016. Headspace Meditation Pods. [Online image] Available at: https://www.headspace.com/blog/2016/02/18/introducing-headspace-meditation-pods-making-the-invisible-visible/ [Accessed 06 January 2018] Fg.26 Headspace, 2016. Headspace Meditation Pods. [Online image] Available at: https://www.headspace.com/blog/2016/02/18/introducing-headspace-meditation-pods-making-the-invisible-visible/ [Accessed 06 January 2018] Fg.28 Pinterest, 2018. [Online] Available at: https://i.pinimg.com/236x/c6/ce/3e/c6ce3ea9ada5b27e87c11f2d3fd7d587--ceramic-sculptures-rose-sculpture.jpg [Accessed on 1st January 2018]Fg.29 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018] Fg.30 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.31 Bryan, A., 2018. Wedgwood Self-PreservationFg.32 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.33 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/149744756344367923/ [Accessed on 12th January 2018]Fg.34 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.35 Bryan, A., 2018. Wedgwood Self-PreservationFg.36 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.37 Nagi, H., 2017. Ted Barbers NottinghamFg.38 Johnson, T., 2017. Ted Barbers NottinghamFg.39 Johnson, T., 2017. Ted Barbers NottinghamFg.40 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.41 Johnson, T., 2017. Ted Barbers NottinghamFg.42 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.43 Pinterest, 2017. [Online] Available at: http://lviolette.l.v.pic.centerblog.net/3301b856133866ad2cccc8a03ac9a4ae.jpg [Accessed 05 January 2018]

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Fg.44 Pinterest, 2017. [Online] Available at: https://design-guru.moscow/wp-content/uploads/2016/02/skandinavskiy-stil-v-interere-13.jpg [Accessed 06 January 2018Fg.45 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.46 Johnson, T., 2017. Ted Barbers NottinghamFg.47 Johnson, T., 2017. Ted Barbers NottinghamFg.48 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.49 Johnson, T., 2017. Ted Barbers NottinghamFg.50 Pinterest, 2018. [Online] Available at: https://www.pinterest.co.uk/pin/245446248412986610/ [Accessed on 1st January 2018]Fg.51 Johnson, T., 2017. Ted Barbers NottinghamFg.52 @Tattly, 2017. Temporary Tattoos from Tattly [Online Image] Available at: https://www.instagram.com/p/BaJwzFGDAWo/?hl=en&taken-by=tattly [Accessed 08 January 2018] Fg.53 Casleaw.E, 2017. Floral lily.Fg.54 Lynette Luna, 2015. Black Men with Flowers. [Online Image] Available at: http://www.okayafrica.com/black-men-with-flowers-photo-series-lynette-luna/ [Accessed 08 January 2018]Fg.55 E. Artillo. 2014. Distorted face photography [online image] Available at: https://trendland.com/sixlee-ss-2014-x-ernesto-artillo-lookbook/Fg.56 & Other Stories, 2018. Snake Skin Texture [Online Image] Available at: https://www.stories.com/nl/Archive/Anaconda_Shoulder_Bag/7715996-0241726001.2 [Accessed 09 January 2018]Fg.57 OHM_PAKORN, 2017. Face Paint [Online Image] Available at: https://www.pinterest.co.uk/pin/578853358327910055/ [Accessed 09 January 2018]Fg.58 Love.Stephen.James, 2017. Stephen James [Online Image] Available at: http://www.imgrum.org/user/love.stephen.james/2977519895 [Accessed 08 January 2018]Fg.59 Neil Curtis, 2012. Replace Clothe With Paint [Online Image] Available at: https://sexandthesite.wordpress.com/2012/03/25/body-art-by-neil-curtis/ [Accessed 09 January 2018]Fg.60 Achok Majak, 2015. Editorials for Open Lab [Online Image] Available at: http://superselected.com/editorials-achok-majak-adonis-bosso-for-open-lab-magazine/[Accessed 09 January 2018] Fg.61 C.Drezen. 2016. Kenzo male model. [online image] Available at: http://www.dazeddigital.com/fashion/gallery/21314/0/kenzo-aw16[Accessed 09 January 2018]Fg.62 facelesssnaps, 2016. Boy With Flowers [Online Image] Available at: http://facelesssnaps.tumblr.com/post/155175060482 [Accessed 09 January 2018]Fg.63 Antikapratika, 2016.Tattooed Ceramics Collection [Online image] Available at: http://illusion.scene360.com/art/92101/tattooed-illustrations/ [Accessed 09 January 2018]Fg.64 Cheonan, 2015. Finger Tattoos [Online Image] Available at: http://blog.naver.com/PostView.nhn?blogId=jevvel&logNo=220625927852&parentCategoryNo=&categoryNo=34&viewDate=&isShowPopularPosts=false&from=postView [Accessed 10 January 2018] Fg.65 C.Gallo. 2013. Honey of a thousand flowers. [Online image] Available at: http://sarahwinward.com/flower-beard/Fg.66 A.Asude. 2017. Floral beard shaving. [Online image] Available at: http://www.cubebreaker.com/flower-beards/Fg.67 Flower: C.Yam.2017. Original floral sketch. [Own image]Fg. 67 NatalieLopez, 2017. Skin Tones [Online Image] Available at: https://weheartit.com/natalieh_lopez [Accessed 08 January 2018]Fg.69 BeingSpontaneous, 2014. Marble Texture [Online Image] Available at: http://beingspontaneous.tumblr.com/post/96940769300 [Accessed 09 January 2018]Fg.70 Christopher Schoon, 2016. [Online Image] Available at: https://www.flickr.com/photos/christopherschoonover/15644669862/ [Accessed 08 January 2018]Fg.71 Alexandraaclarkee, 2017. Flower Boy [Online Image] Available at: https://weheartit.com/noahchairknee/collections/111571478-pjo-leo-valdez [Accessed 09 January 2018]Fg.72 2017. The idle man. How to perfectly slick back hair. [online image] Available at: https://theidleman.com/manual/mens-hair/how-to-slick-back-your-hair/

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WedgwoodREFERENCES

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John Coles and Naomi House, 2007. The Fundamentals of Interior Architecture. Published by: AVA Publishing in Switzerland.

Mooney Chris, 2015. Just looking at nature can help your brain work better, study finds. [Online] Available via: https://www.washingtonpost.com/news/energy-environment/wp/2015/05/26/viewing-nature-can-help-your-brain-work-better-study-find-s/?utm_term=.f132500796bb [Accessed 11 December 2017]

Parry, A., 2006. Tattoo: secrets of a strange art. Mineola, New York: Dover.

Parry, A., 2006. Tattoo: secrets of a strange art. Mineola, New York: Dover.

Timber press, 2016. What Plants Contribute To Interior Design. (Online) Availabe at: http://www.timberpress.com/blog/2016/05/what-plants-contribute-to-interior-design/ [Accessed 22 December 2017] V. Vale & A Juno, 1997. Modern Primitives

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