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HettCurapolit
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a a
+ soul is theit Islander ar
ti Perkins, thator of Abortical activist
pppiiisssooodddeeeeening, Thursat does it meuntry’ you are
pppiiisssooodddeeeeening, Thursm the ‘dreamld in Aborigi
pppiiisssooodddeeeeening, Thursw does the stsent?
nnnggg,,, ttthhhuu
personart + soul is a
e powerful rt, and the a
he writer anriginal and TCharles Perk
eee ooonnneee::: sday Octobeean to be ‘at e exiled from
eee tttwwwooo::: sday Octobeming’ to the unal art?
eee ttthhhrrreeeeeesday Octobetartling beau
uuurrrsssdddaaayyy
nal joura 3 x 1 hr doc
and emotiortists that cr
d presenter Torres Strait kins and siste
er 7 at 8.30phome’ for A
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er 14 at 8.30unsettling ni
eee::: er 21 at 8.30ty – and hum
yyysss,,, fffrrrooommm
rney intcumentary s
nally engagieate it.
of art + souIslander arter of filmmak
hhhooommmeeem on ABC1
Aboriginal an
dddrrreeeaaammmpm on ABC1ghtmare of c
bbbiiitttttteeerrrpm on ABC1mour – of Ab
mmm oooccctttooo
to the wseries made b
ng television
ul, is an East at the Art ker Rachel Pe
eee aaannnddd aaad Torres Stra
mmmsss aaannnddd1 colonisation,
rr aaannnddd sss1 boriginal art i
ooobbbeeerrr 777
world oby Warwick T
n series abo
stern ArrerntGallery of Nerkins (First A
Weaatreafale
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of aboriThornton &
out contemp
te and KalkaNew South WAustralians,
With great xtraordinaryrt, visiting rtists in remropical topnvironmentsnecdotes tamily’s ownegacy. Hetti Perkins:people to shaommunity tous as a people
people? Is it w
htttmmmaaarrreeerole of mem
with reverber
000pppmmm ooo
iginal aHetti Perkins
porary Abori
adoon desertWales (AGNSBran Nue Da
generosity y knowledgethe homes
mote desert cp end, as. She also o the foren story, an
: "Art for meare stories ano understande."
where you li
eeesss mory, dreams
rations of the
oonnn AAABBBCCC
art s.
ginal and To
t woman, SeSW), daughteae).
she shares e of Aboriand studio
communitiesand in ubrings pers
e, recalling nd her fat
e is a way fond allow a wd our history
ve, or the
s and the spi
e past and o
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orres
enior er of
her ginal os of s, the urban sonal her
her’s
r our wider y and
irit
ur
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Hett(AlicWal400 headco‐oWESstud
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pppiiisssooodddeeeeening, Thurs
ti Perkins drce Springs) ungurru (Kin
people dquarters ooperative, whST TJUPURRdio.
tell the stouential Wevement in tging for ‘copirited by thm their home
men artisUNGURRAYI mid‐1990s a
bane‐based her wonder
ient stories aock art galletre stage in e evolved to
meet Flindeogue betwee
REEN REID Nis about to t
eee ooonnneee::: sday Octobe
rives west fin Centra
ntore), now and the
f the Papunhere Chair aRULA, take
ory of the estern Dethe 1970s, bountry’ by eir forced relands.
sts, inclu(pictured abnd have invi
JUDY WATSrful paintings
are passed dries and appthe early woo the abstract
rs Island basen photograp
NAKAMARRAtravel to New
hhhooommmer 7 at 8.30p
from Mparnal Australia home to abe newly‐bnya Tula Artnd artist BOs us into
genesis of esert painborne out oa commu
esettlement
ding NAAbove meticuligorated the
SON incorpos; it is her wa
down to futupear in CRUSork of the dit depiction o
sed photographer and sub
A (pictured aw York, with
mmmeee aaannndddm on ABC1
twe to
bout built tists BBY the
the ting of a unity t far
ATA ously applyidesert paint
rates drawinay of repatria
ure generatioSOE KURDDAistinguished of the beings
apher RICKY bject.
above with HYUKULTJI NA
ddd aaawwwaaay
ng dots whilting moveme
ngs of objecating them, o
ons through AL's elegant bark painte
s power.
MAYNARD
Hetti) talks aAPANGATI, f
yyy
e singing heent.
ts that wereof ‘bringing t
art. In Arnhecarvings andr JOHN MAW
whose portr
DESThometo Mehomephoto(includolls)
Way commoutpomeetand Ywho so‐ca
bout how hefor an exhibi
r ‘country’),
e once part them home’.
em Land misd dances. MWURNDJUL,
raits of his co
TINY DEACOeless as a chielbourne froe is the ‘sographs, usuding her e).
west of Alimunity of Kost of Paput artists WARYUKULTJI NA‘came in’ froalled ‘last of t
er art represition ‐ their f
only assume
of the lives .
schievous Miimihs and ot although h
ommunity cr
ON remembeild, after theom the Torrestage’ for sing whatevendless coll
ice Springs iwirrkura, thunya Tula ARLIMPIRRNGAPANGATI, tom the desethe nomads’
sents her hufirst overseas
ed prominen
of her ance
imih spirits dther beings wis paintings
reate an intim
ers being br family reloces Strait. Nowher construver is to hection of b
lies the isolhe most remArtists. HereGA TJAPALTJAtwo of the faert in 1984 –’.
usband's cous trip.
ce in
stors
dwell were have
mate
riefly cated w her ucted hand black
lated mote e we ARRI amily – the
ntry.
eeepppScre
At tdowpermhaveartisTo Hdreaarouhom
The the shapartistellsvia amos
YVOhisto
PastfunecontIslanplac
Adewhitforc
life, (pictFilm
pppiiisssooodddeeeeening, Thurs
the AGNSW,wn from a Hilmanent artwe done that st LIN ONUSHetti Perkinaming" in whund us all hame ownership
non‐Indigencreation er
ped the landst PATRICK Ms the story ofa series of drst prestigious
ONNE KOOLMory of her pe
t, present aneral poles frtemporary Ands artist PEces, significan
laide‐based te society. Sibly removed
the pressurtured above
m, Television
eee tttwwwooo::: sday Octobe
, about 100lls Hoist. It’sworks there. doesn't haveS has said ofs it speaks hich the Abos collided wip.
nous term, tra in whichd. They still MUNG MUNf ROVER THOreams. In 19s art event.
MATRIE weaveople in the R
d future ofterom MelvilleAboriginal artEDRO WONAnt for Tiwi cu
BRENDA L Cuch images d from his fa
re to continwith Warwiand Radio Sc
dddrrreeeaaaer 14 at 8.30
0 fruit bats one of the "It is the one some degrf his irrevereof "a kind
original cultuith the West
the ‘dreaminh ancestral live within tG (pictured OMAS, who 990, he was o
ves the past Riverland an
en merge in e Island in 1t. Nearly 40 AEAMIRRI. Wulture.
CROFT has dwere rare, yamily. Joseph
ue painting ck and Hettichool in Sydn
aaammmsss aaapm on ABC1
hang upsidmost populanly sculpture ree of anger,ent sculptureof suburba
ure that swirtern dream o
ng’, refers tspirit beingthe land. Gijabove, standstarted painone of the fi
into her scud Coorong r
contempora1959 it was years later, We travel to
drawn uponyet she knowh Croft was a
was Ngwari in front of hney, shares h
nnnddd nnniiiggg1
e ar I ," e. an ls of
o gs a ding outside nting after Cyrst Aborigina
ulptural formegions of So
ary Aboriginathe first timHetti vividly
o meet Pedr
an intriguinws he suffera life‐long frie
ray’s nightmhis artwork),his tjukurrpa
ggghhhtttmmmaaa
Texas Downyclone Tracyal artists incl
ms – often bauth Australia
al art. When me a gallery,y recalls the ro on Melvil
ng collectionred from beiend of Hetti'
NightmAborigpaintinmissionmemowith alstories
Linguisthe grher senUtopiaconnecunprec
mare. JACKIE, whose mas [dreaming].
aaarrreeesss
ns), from Wa in 1974, whluded in the
sed on tradita.
the AGNSW, rather thadramatic afle Island, w
n of 1950s sng a membes father Cha
mares play inal art. Tngs of HARn, Cowra ries from hislcoholism, ans.
st JENNY GReat EMILY nsuous landsa, Central ction to cedented famE KURLTJUNYsive work ad.
armun, in thehen he ‘receiVenice Bien
tional eel tra
acquired 17n a museumffect those phere he tak
lides of her er of the Storles.
a role inThe unique RRY WEDGEin NSW, s childhood nd sensation
REEN talks aKAM NGWAscapes of heAustralia, culture
me. Hetti woYINTJA GILEdorns a wall
e East Kimbeived’ a ceremnale, the wo
aps – evoking
7 evocative Tm, had exhibpoles had onkes us to rem
father mixinolen Generat
n contempoand colo
, from Eramare fueledand his strugnal current af
about the lifARRAY and r country aroillustrated and attraonders if, laES TJAPALTJAat the Austr
erley, mony orld's
g the
Tutini bited Tiwi mote
ng in tions
orary urful mbie d by ggles ffairs
fe of how ound her
acted te in ARRI ralian
eeepppScre TOMarrivand the t
The wateworwate
Photcompou
Hettearly
BrisbStrareca
MIChis w
Seniof thLandare t
Andis anconsmescan
pppiiisssooodddeeeeening, Thurs
MMY McRAEval of squattwas one of transformat
story of theercolours of lds. His legaercolour styl
tographer Mmmunity throring sand int
ti Perkins poy age by her
bane artist it Islander aalls the radica
CHAEL RILEY’work very int
ior Yolngu ehe celebrated, grants a ratoo revered
finally, Yolnn inset of thestellations asssage of lovinsee, and tho
eee ttthhhrrreeeeeesday Octobe
E's exquisiteters and golda small clustion of his wo
e success of the majesticacy lives on ile. We meet
MERVYN BISough his worto the hand o
oints out thaactivist fath
RICHARD BEart prize in 2al black pow
’s exquisite timately.
lder GAWIRed panels atare interviewin the comm
ngu artist GUe artist paints a way of cng harmony ose we can’t.
eee::: bbbiiitttttter 21 at 8.30
1830s drawd diggers. Heter of artists orld.
ALBERT NAMc MacDonnein the work t IVY PARERO
SHOP has drk; he talks aof traditiona
t she was iner Charles P
ELL refers to2003. His winwer movemen
photographs
RIN GUMANt Yirrkala's cw in front of munity to be
ULUMBU YUNting) interpreconnecting a– we are all.
ttteeerrr aaannndpm on ABC1
wings chronie lived on thwho docum
MATJIRA is ell Ranges, heof many desOULTA and L
documented,about his mol landowner
neligible to berkins, she s
o the contronning paintint of the 197
s explore fai
NA, who paihurch in Eashis own panfilmed in ful
NUPINGU (oets her portrll humanity,l one, like th
ddd ssswwweee1
cle Aborigine Murray Riented with d
bitter sweete was caughscendants, wLENIE NAMA
NamRILEYcolouand c
So, tPETEthe sby honly extrahommost
, without juost famous iVincent Ling
be counted isees Aborigin
oversy arounng carried th70s.
th, mytholog
nted parts st Arnhem nels (which l).
n the right raits of the sending a he stars we
eeeeeettt
al life and tver in Victordelicate beau
t. Loved for t between tw
who paint in ATJIRA.
matjira inspirY MUNDUWurful canvassculture.
too, is the ERS (picturedstory of howis grandfathtwo walls
aordinary woe to vast pat of his life in
udgement, mmage – Primgiari.
n the censusnal art as ine
nd Telstra's he text ‘Abo
gy and Chris
the ria, uty
his wo his
red South EWALAWALA (ses are pow
work of Ead left), incluw knowledge er. Now in ts are longork. Rusty tastoral estaten exile.
many of theme Minister
s when she xtricably link
$40,000 Natoriginal Art ‐
stianity. Hett
ast Arnhempictured aboerful celebra
ast Kimberlding Waterb is acquired,he collectiong enough akes us to hes – from wh
e changes inGough Whit
was born! Sked to politic
tional Abori‐ It's a White
ti, a close fr
m Land's GINove) whose rations of cou
ey artist RUbrain, which , as told to Rn of the AGNto display his country, hich he has
n the Aboritlam symboli
chooled fromcs.
ginal and Toe Thing’; Ric
iend, talks a
NGER richly untry
USTY tells
Rusty NSW, this now lived
ginal ically
m an
orres chard
bout
fffiiilll
HHHEEETTTaccoTorrShe on hgallethe know
Wheactivand wor
Hettmanaboukey audicontand whicartisof onumexhiGenAlchLighAboanthIndig
lmmmmmmaaakk
TTTTTTIII PPPEEERRRKKKIIINNording to artres Strait Islarecalls an exher. Her passery in the famnational capwn Aborigina
en Hetti relovism among housing neeked for a wh
ti has been nages the peut acquisitioplayer in takiences, patribution to to the recench the work sts was incorone of the nember of mibition catalesis and hemy of Wwht: Portraits riginal and Thology of scgenous Art in
kkkeeerrr bbbiii
NNNSSS,,, WRITE
t + soul direander Art atxhibition of sion was partmily garage fpital. Hetti's al activist. Th
ocated to SyAboriginal eds, were vihile as curato
at the AGrmanent col
ons, and stagking Aboriginarticularly the 1997 Vnt Musée duof eight co
rporated intoew buildingsajor publiclogues for fGenius, Cro
western Arnhfrom Blac
Torres Straitcholarly essan Australia, w
iooogggrrraaappp
ER AND PR
ector and ci the AGNSWthe Papunyatly fed by hefor the enjoyfather wasn
he family’s li
ydney to stupeople. Initiisual arts enor.
NSW since llection, makges exhibitionnal art to intthrough enice Bienna quai Branly ntemporary o the walls as. Hetti has pcations inclufluent, Papuossing Couem Land Artck Australia,t Islander Coays and artiwas publishe
ppphhhiiieeesss:::
ESENTER.
nematograpW. Hetti devea Tula artistser mother Eilyment of intn't just any fe was steep
udy, Redfernatives were nterprises su
1998. She kes choices ns. She is a ternational Australia's ale, fluent, in Paris, in Aboriginal
and ceilings produced a uding the unya Tula: untry: The t, and Half , and the ollection hanst interviewed in 2007. S
Hetti Perkin
her Warwiceloped her ps at the Natieen. A bureaernational vbureaucrat ped in politic
n was the pspringing uch as the Bo
ndbook, Tradws surveying he has also w
s is "the ab
k Thornton. passion for Aonal Galleryaucrat's wifeisitors. At thof course: hs.
ulse of blacp everywheoomalli Abo
dition TodayIndigenous
written the e
bsolute Goog
She is senioAboriginal ary of Victoria e in Canberrahat time, Abohe was Char
k creativity, re; alongsidriginal Artist
y: Indigenous art in Austessays for art
gle Earth of
or curator ort when she which had aa, she set up original culturles Perkins,
the focal pe services ats Co‐operat
s Art in Austtralia, One St + soul the b
f Indigenous
of Aboriginalwas a teena
a profound ean Aboriginaure was abseAustralia's b
point for polddressing hetive, where
tralia. The mSun, One Mbook.
art"
l and ager. effect al art ent in best‐
itical ealth Hetti
major Moon:
WWWAAA
Nan
pppeee
Hetgiveuniq
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na (2008) wo
eeerrrsssooonnnaaa
tti Perkins viewers accque personal
series does ketplace.
her, it explorchange, is a
que series b
TTTHHHOOORRRNNNTTTO
n major priz
aaalll pppeeerrrsss
s. ‘I hope artcess to some lities behind
not attempt
res a world oa key aspect ecause we a
TOOONNN,,, DIREC
es at the Ber
ssspppeeeccctttiiiv
t + soul givesof the amazthe work we
to be a surv
of imaginatioof our enduare on the c
CTOR / CINE
rlin Internati
BBBRRRIIIDDDGGGEEETinclude JanFestival, 199Law’s FloatiWatt, Look continues toof Indigeno(Bridget Ikin
JJJOOO‐‐‐AAANNNNNNand Radio documentaGeoffrey RuFestival, 200anthropolog
vvveeesss fffrrr
s an intimatezing experiene see on gall
vey, or to cha
on and ideasuring heritagcusp of a fu
EMATOGRA
ional Film Fe
ETTT IIIKKKIIINNN,,,ne Campion’90), Alison Ming Life (SilveBoth Ways o champion ous filmmakn and Warwi
NNNEEE MMMCCCGGGOOOSchool gra
ries and drush, and Tro02). In 2002 gist and writ
rooommm ttthhh
e view of ournces I've beeery walls.
art the conte
s, and reflectge and its preundamental t
APHER.
estival.
PRODUCE
s An Angel Maclean’s Cruer Leopard, L(AFI Best Filnew and innkers. art + ck pictured l
OOOWWWAAANNN,,, Paduate Jo‐aramas includoubled Wateshe produceer Daisy Bate
hhheee cccrrreeeaa
r culture, in an privileged
emporary art
ts on how thesent‐day artransition in
W
featheMatheauwoshforAcWauacIndSash(19wiho
ER. Bridget
at My Tabush (In CompLocarno, 199m, 2005) annovative filmsoul is her left.)
PRODUCER
nne McGowding small cers (winner, ed Kabbarli, es, for the A
aaatttooorrrsss:::
all its diversito have, and
t movement
he merging ortistic expresn modern Au
Warwick Tho
ature Samsoe Camera day 2009 ande attention udience acclorld. It was oortlisted in reign languacademy Awarwick sudiences cess to digenous livamson & Dort drama 996) and heth Mimi (2our Green B
Ikin’s featu
ble (Silver Lipetition, Can96) and two nd My Year Wmmaking ‐ infirst docum
R. Australian
wan has pconfessions Dendy Awaa short featdelaide Fest
:
ty and compd to introduc
by region or
of past and pssions. I feel ustralian soc
ornton's d
on & Delilah'Or at Canne kept on winof judges
laim across one of nine the categoryage films inwards in 2started g
fly‐on‐thecontempo
ves long beDelilah. His
was Paye followed i2002). The Bush (2005)
ure film cr
ion, Venice nnes, 1992), Cfilms from SWithout Sex.cluding the wmentary pro
Film, Telev
roduced sev(1993), staard, Sydney ure on the liival.
plexity. I wance them to th
r chronology
present, tradit’s a timelyciety. Within
debut
won es in nning and the
films y for n the 2010. giving ‐wall orary efore first
yback it up half‐and
edits
Film Clara Sarah . She work oject.
vision
veral rring Film ife of
nt to he
y or
dition y and n our
lifetMan
art +cultuduri
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My comwerean AalreaThat
art +OF NassoABC
ime, within ny of the arti
+ soul celebural traditiong a period o
arwick Thoough canvas,wledge and o
role was to pmfort for Hette formed, foAboriginal mady been dot made the p
• A lavishlessays b
• To coincof Abori
• Octoberwith art
+ soul was pNEW SOUTHociation withC TV.
this generatists we meet
brates a dynn. More broof extraordin
ornton. ‘O, celluloid, sopinion. It al
provide the ti. Her scriptostered and cman from Cenone before wpleasure all m
ly illustratedby Hetti Perk
cide with theginal and Tor 2‐4: a free oists included
roduced andH WALES andh the AUSTRA
For furthe
tion, we wilt lived, as you
amic contemoadly it celenarily fast an
ver 40,000 ysculpture, calso contains
right time ants placed thechurned intontral Australwe arrived amine.’
book, also tins, will be a
e TV series, thorres Strait Isopen weekend in the art +
d HIBISCUS Fd the AUSTRALIAN BROA
er information (02) 83Images
l lose living ung men and
mporary art brates the pnd dramatic t
years of lovearvings, and Hetti's opini
nd place for e artists ando what we calia, the themnd was hang
titled art + sovailable from
he Art Gallerslander art, fnd of eventssoul series.
ILMS in assoRALIA COUNDCASTING C
ion, please 333 3847 orare availab
memory of d women, co
movement phenomenal transition.'
e, life, sorrowother medons. Soon, t
the informa their art deall art. The ames of art + ging on wall
oul, publishem October 1.
ry NSW is horom Octobes at the AGNS
ociation withNCIL FOR THCORPORATIO
contact Bridr stenhouseble from abc
what it wasompletely se
that is the tenacity of
w and tragediums used bhe opinions
ation and opieep in Indigertists and thsoul struck s and lying u
ed by The Mi.
olding an artr 2. SW, featurin
SCREEN AUSE ARTS. art ON (ABC TV).
dget [email protected]/tvp
s like beforeparated from
legacy of tha culture th
dy is containby my peopof viewers w
inions to unfenous life, their surrounda chord in munder gum t
egunyah Pre
+ soul exhib
g workshops
STRALIA, SCR+ soul was Amanda Du
ouse ABC TVabc.net.au publicity
e contact witm non‐Indige
he world’s ohat has help
ed in art + sle to conveywill come into
fold, and to he very placedings guided my heart. Thtrees and on
ess, featuring
bition in the Y
s, talks and p
REEN NSW, tdeveloped uthie, Execut
V Publicity
th white peoenous Austra
ldest continped to susta
oul, represey their knowo play.
create a plae where opinmy decisionhe real workn dry creek b
g extending
Yiribana Gall
performance
the ART GALand producetive Produce
ople. alia.
uous in us
ented wing,
ce of nions ns. As k had beds.
ery
es
LLERY ed in er for