art quilts at play

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  • atArt Quilts

    JANE DAVILA & ELIN WATERSTON

    75

  • Jane and Elin would like to thank . . .Jan Grigsby, Deb Rowden, Amy Marson, Christina Jarumay, Tim Manibusan, Casey Dukes, Matt Allen, Teresa Stroin, Nanette Zeller, Rebekah Genz, Diane Pedersen, Claire Oehler and the staff of the Country Quilter, and the collaborating and student artists who made this project possible.

    Jane would like to thank . . .. . . her familyespecially Carlos and Samantha for their unflagging support and encouragement, as well as their good-humored tolerance for dusty corners, half-finished sentences, and late-night deadlines.

    Elin would like to thank . . .. . . David for putting up with her and letting her do whatever she wants for the past twenty years; Lexi for advice and inspiration; Loren Anderson and the staff of the Katonah Art Center; and Ryan, Jeff, and Rhett for the music.

    Text copyright 2009 by Jane Dvila and Elin Waterston

    Artwork copyright 2009 by C&T Publishing, Inc.

    Publisher: Amy Marson

    Creative Director: Gailen Runge

    Acquisitions Editor: Jan Grigsby

    Editor: Deb Rowden

    Technical Editors: Nanette Zeller and Rebekah Genz

    Copyeditor/Proofreader: Wordfirm Inc.

    Design Director/Cover & Book Designer: Christina D. Jarumay

    Production Coordinator: Tim Manibusan and Matthew Allen

    Photography by Christina Carty-Francis, Diane Pedersen, and Luke Mulks of C&T Publishing, Inc., unless otherwise noted

    Published by C&T Publishing, Inc., P.O. Box 1456, Lafayette,

    CA 94549

    All rights reserved. No part of this work covered by the

    copyright hereon may be used in any form or reproduced by

    any meansgraphic, electronic, or mechanical, including

    photocopying, recording, taping, or information storage and

    retrieval systemswithout written permission from the

    publisher. The copyrights on individual artworks are retained

    by the artists as noted in Art Quilts at Play.

    Attention Teachers: C&T Publishing, Inc., encourages you to

    use this book as a text for teaching. Contact us at 800-284-1114

    or www.ctpub.com for more information about the C&T

    Teachers Program.

    We take great care to ensure that the information included in

    our products is accurate and presented in good faith, but no

    warranty is provided nor are results guaranteed. Having no

    control over the choices of materials or procedures used,

    neither the author nor C&T Publishing, Inc., shall have any

    liability to any person or entity with respect to any loss or

    damage caused directly or indirectly by the information

    contained in this book. For your convenience, we post an

    up-to-date listing of corrections on our website (www.ctpub.

    com). If a correction is not already noted, please contact our

    customer service department at ctinfo@ctpub.com or at P.O.

    Box 1456, Lafayette, CA 94549.

    Trademark () and registered trademark () names are used

    throughout this book. Rather than use the symbols with every

    occurrence of a trademark or registered trademark name, we

    are using the names only in the editorial fashion and to the

    benefit of the owner, with no intention of infringement.

    Library of Congress Cataloging-in-Publication Data

    Dvila, Jane.

    Art quilts at play / Jane Dvila and Elin Waterston.

    p. cm.

    Includes index.

    Summary: Art Quilts at Play was developed for artists of all

    levels who want to try new things, experiment with art mate-

    rials and artistic styles, and expand their visual repertoire--

    Provided by publisher.

    ISBN 978-1-57120-530-8 (paper trade : alk. paper)

    1. Quilting. 2. Textile painting. 3. Art quilts. I. Waterston,

    Elin II. Title.

    TT835.W37593 2009

    746.46'041--dc22

    2008020481

    Printed in China

    10 9 8 7 6 5 4 3 2 1

    DEDICATION

    for Carlos, besos . . . Jane

    for Louisa, cha cha cha . . . Elin

    Clima, by Jane Dvila

    ACKNOWLEDGMENTS

    Nancy, by Elin Waterston

  • INTRODUCTION. . .4

    HOW TO USE THIS BOOK. . .5

    GLOSSARY. . .7

    S E C T I O N 1 Materials at PlaySurface Design

    C H A P T E R O N E : Fabric Creation. . .8 Mixing Color, Fabric Dyeing, Simple Screen Printing, Nature Printing,

    Found Object Printing, Stamp Making, Fabric Painting with Water-Based Resists, Bleach Discharging, Images on Fabric

    C H A P T E R T W O : Special Effects. . .50 Paintstiks, Fabric Inks, Water-Soluble Pastels, Painted Fusible Web,

    Gel Medium, Expandable Paint Medium, Shrink Film, Metallic Foil and Leafing, Pearl Ex Powders, Art Glitter, Angelina Heat-Bondable Fiber

    C H A P T E R T H R E E : Student Gallery. . .74

    S E C T I O N 2 Artists at PlayExploring Creativity

    C H A P T E R F O U R : Challenges. . .77 Subject Challenges, Word Challenges, Process Challenges

    C H A P T E R F I V E : Collaborative Projects. . .82 Fabric Art Journals, Surprise Package, Exquisite Corpse, Mixed Media Art

    C H A P T E R S I X : Art to Trade. . .92 Artist Trading Cards, Fiber Art Postcards, Small Art Swaps

    C H A P T E R S E V E N : Connections. . .100 Online Groups and the Internet, Small In-Person Groups,

    Critique Groups

    C H A P T E R E I G H T : Collaborating Artists Gallery. . .104

    PARTICIPATING ARTISTS. . .107

    INDEX. . .109

    RESOURCES. . .110

    ABOUT THE AUTHORS. . .111

    Imprima: Pescado, by Jane Dvila

  • with other artistswhether in cyberspace or real space. It also provides collaborative project ideas. Both sections encourage you, the artist, to have fun. Our hope is that you will give yourself permission to play, to experiment, to push through creative blocks by moving beyond your usual methods, and not to worry about the outcome while learning new things.

    Weve included galleries with examples of products from both areas of playart made by students from our surface design classes and art from colleagues who we invited to collaborate with us on various projects.

    4 A R T Q U I LT S AT P L AY

    This book was developed for artists of all levels who want to try new things, experiment with art materials and artistic styles, and expand their visual repertoire. Weve called it Art Quilts at Play for two reasons. First is the surface design elementliterally playing with, exploring, and experimenting with surface design methods and techniques and art materials and products. Second is the metaphorical playinggetting involved with groups, collaborating, and setting up trades and challenges.

    The first section of the book focuses on fabric design and creation and special effects for fiber and mixed media art. The second section suggests ways to connect

    INTRODUCTION

    el crisantemo, by Jane Dvila

  • 5H O W T O U S E T H I S B O O K

    Motif created by painting with Jacquard water-based resist and fabric paints

    Motif created with painted fusible web

    for you to get a basic understanding of as many techniques as possible. Even if you dont have an imme-diate use for everything, youll have the knowledge to pull from when a project comes up that could benefit from something described here.

    We also encourage you to partici-pate in collaborative art projectswhether its an Artist Trading Card swap, a more complex project, or something you develop and host yourself. Any participation in projects with other artists can inspire and challenge you and help you find your place in the art world.

    Most of all, we encourage you to play with artistic techniques and explore materials that are new (or new to you) and keep pushing your-self to learn.

    Often, the best way to master tech-niques is to play and experiment. This book includes instructions for a variety of surface design techniques and special effects, but many of these instructions should be considered suggestions rather than rules. Although certain rules apply for some techniques, you should feel free to try your own thing and do a little rule bending. We are presenting a few ways to use some materials and techniques, but these are by no means the only ways to use them.

    We encourage you to try all the techniques and materials presented in this book. Some will appeal to you, some wont. Thats OK, because nobody likes everything, and not every technique is appropriate for every project. We feel its important

    HOW TO USE THIS BOOK

    Motif created with Shiva Paintstiks

    SuppliesAlthough many of the surface design techniques covered in this book use common materials, each will require some specific supplies and equip-ment. In general, the better your supplies and equipment, the better the outcome of your project. That said, its not necessary to break the bank. Start out with small amounts of supplies, try different brands of paints and dyes, buy one screen-printing screen or lino block, until you find your favorite materials and methods. We recommend using either fabric paint or acrylic paint for many techniques. Fabric paint usually requires heat setting to render it permanent. Acrylic paint will cure in 24 days and not require further setting.

  • 6 A R T Q U I LT S AT P L AY

    Although we have included in the instructions our best personal knowledge regarding the washability of each material or technique, the art and projects that we make are not meant to be washed. If a prod-ucts permanence and washability is important to you and your project, we recommend that you do some research with the manufacturer.