Art Pepper Solos

7/14/2019 Art Pepper Solos

1/78

?ryruvc e L L . T t )lV***w,

Photc. by Laurie Pepper

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2/78

gFORE

is not often that a musician can disappear'from the jazz world for a number of yearsand then make a spectacular comeback.For someone to do it twice is a miracle.Art Pepper may be the onlY mqor iazzvoice that did just that. A major soloist

with the Stan Kenton Orchestra and one of the leadingvoices in the West Coast jazz scene of the early '50's, his

drug addiction stalled his career and created a lot ofnegative publicity. He came back hotter than ever, made aclassic series of jazz albums, and then suddenly left again

for an even longer period of time. When he re-emergedin the late'70's, he returned to stay. By the time of his

death in 1 982, he'd proven that he was otre of thegreatest voices in the history of jazz'

Art Pepper's life is chronicled in detail in hisautobiography STRAIGHT LiFE - The Story Of Art

Pepper, perhaps the most candid autobiography by anartist in any field. Art believed in the truth, in lie and his

music, so it was typical of him ihat he did not spare him-self in telling his tale. The volume you now have beforeyou celebrates his music. lt is made up of solos on AltoSax and Clarinet from the years 1952 thru 1980, andchronicles the long and precarious path that Art's music

took. And yet there are a few constants throughout hiswork; no matter how 'out' Art could get in his soloing, heGalwaysEtiessed melody and beauty in his music making

His ballad playing is one of the treasures that he left us;gorgeous, often effusive, and yet funky at the same time.

And when the tempo was fast, his invention wasunflagging; he matured in the era of jazz where musicians

had to prove ihemselves constantly against thecompetition. Art was always ready to show a troublesomerhythm section that he could hold his own and 'cut' them

if necessary. His wife Laurie has wrien that he oftenplayed better under such pressures, that ultimately he

loved noihing better than to be challenged. He spent hislife showing listeners that he deserved their attention, andhe experienced their love and adulation many times over

in the years before his death'

- -:-' -:i-f'. 'r l.: :::.:::;..;]:W O;'R D;:'!-r:' .':1.I ': Rntn6ithord often associated with Art's music is- - ,..; r:I consisiency. No matter how bad he might have feli when

he recorded, his work does not show it. Aiternate takesnow available show what a resourceful and hard workingsoloist he was, making every note and phrase count. Hewas fortunaie that he was affiliated with the Contemporaryand Fantasy labels, with sympathetic label heads LesKoenig and Ralph Kaffel. His years at Fantasy fill over16 CD's! Yet there is noihing in that collection that wouldbe thought expendable, even when Art worked withsomeone where the rapport was missing.

;, And it was Kaffel that gave him what he mostwanted; a ballad album with strings. WINTER MOON has.-lnow jdined the ranks of only a handful of 'soloisi withstring' lbums that really work. lt is understandable that' 'f. lArt thought it was his finesi album.1 ,, ..,' This book starts with solos from the the yearsright after he left Stan Kenton and played with such lead-' ers asshorty Rogers and Shelly Manne, as well as lead-ing'hii own groups. PEPPER RETURNS signifies thefirst comeback for Art, and STRAIGHT LIFE begins a

. selection of solos from his classic Contemporary albums.From OPHELIA onward, these solos are from his last'matur period. Art composed many new pieces during' l-.ihis time, and he often returned to composiiions from hisearlier years. As a bonus, we have included two versionsof SURF RIDE, the firsi from 1952, the second from1979. The similarities and differences are strikingbetween the two, as even a casual look will show.

lf music was truly Art's life, then this book is asupplement to his autobiography. I'm sure it would givehim a kick to know his music was being played andstudied. I hope you have fun playing it.

Jeff Sultanof


3/78

CONTENTS

TITLEART S OREGANODIANELANDSCAPELAS CUEVS DE MARIOMAKE A Lls-r IMAKE A wlsH)MR. BlG FALLS Hls

i----------------'G:HAND

oPHELIAPEPPER RETURNSsoMErlMESTRAIGHT LIFE

suRF RIDE (l)suRF RIDE (il)THAT:S LOVETHE TRIPWALTZ ME BLUES

ALBUMSURF RIDEGETTIN TOGETHERLANDSCPESMACK UPSTRAIGHT LIFE

ON E SEPTEMBER AFTERNOONLIVING LEGENDTHE RETURN OF ART PEPPERLANDSCPEART PEPPER MEETSTHE RHYTHM SEC-rIONSURF RIDESTRAIGHT LIFEwlNrER MOONTHE TRIPART PEPPER MEETSTHE RHYTHM SECTION

PAG Elo'R50e16274.)+t+46

20o

56

39


4/78

6

Alto SaxVery Fast./G6

h/^f, -G6 E;ttlx lAll" *_---- =__

sflRF Rrritr (r)= 216

(w/ Bass + Drums.) -

D+7(b9)

cf" G6tD.--lD) ,.-;>

2/7 /52Surf RideWritten by ART pEppER

E7(b e)

AmiT AmiT.,---].. D+7(b9)

E G9 FmiT.---i.

BmiT(b5) E7

C$mi7

AmiT

E7(be)

DmiT EmiT

Copyright @ 1954 ARTHUR pEppER MUSTCCopyrighr Renewedlntcmational Copyrighr Secured All Righrs Reseed

D7(b e)


5/78

Aml / D7(be) c6E

D7(b

EbmiT DmiT G7(b9)

D7(be)

Bbmi6 AmiT

D7(be)

EbmiT DmiT G+7

BmiT

Me) G67(be)

D7(be)

AmiT

BmiT

AmiT

-G64q

D7(be)7(be) G6


6/78

G6mt

C7;\ F;A AmiT D7(be)

AmiT

GmaTlD

AmiT D.S. (w/ Repeat) al.$D7(be)7(be)

W;AD7 ------------'tGe(c11)---+-\\ e


7/78

Photo by Laurie PepPer


8/78

l0Alto Sax AR.T'S ORtrGAJ{OFast J = 200(Unaccompanied)

B7(b' EmiT/A A7(bs) DmiT

D9 lEll G6-----l--l) .--T>-- AmiT

Coplrighr O 1954 ARTHUR pEppER tvtusICCopyrighl RenewedInremational Copyright Secured All Righrs ReseNed

GmiT _ Gmi6 Fgmi7 F7lB''-\----'*^rr'' -bt^i :-=---:>

EmiT A7 F{mi7 B7

12/27 /53

EmiT

EmiT EbTtA,{\

E7trT>t

,_fI Tenorl

D6xtr--lI t utttlEf

G6 AmiT D7 BmiT E7 AmiT,----.*+; !.- a

E7(b\ AmiT/D D7ft GmiT Cmill cm);;;fmi6 BmiT BbTtEAmiT Ab7/D

D+7

G DmiT G+7rlN EmiT A7r-------..--


9/78

EmiT Eb7lA DmiTmaT Fmi6miT C7miT G7

ED6

CmaT Cmi6

---- ^-)

BmiT Bb7lE AmiT Ab7lD

FFfimi7 B7 EmiT,


10/78

B7(be) EmiT

F$miZ B7 EmiT A7

Cmi6

//----'1--.


14/78

l6Cmi-----:-=-- >,-{-=----.

f"-Dmi A7l-r .C-t

Ge(f 11) c13(be)

D7(be)

A7(be)

GmiT

Lmt/

F6 DmiT GmiT C7


15/78

11

Bb6

')

F6r.-_ ;llJolo reaKl

-'-a.D.

r--Jl

-I

I tl

fF6 al,f,oq

Dmi

^7(be)

GmiT C7(b9)

AmiT

Gml /


16/78

l8@ Dmi6

(vITlI /

Ab e(f l1)

c7(re)

Abo GmiT

/--

c7(be)

Ab")- GmiT Abo

A7(be)


17/78

F6 L7 EmiT A'7_-----:-. t;---_-l| ])ms.l.lj+

A,I

@F6D.S. w/ repeat al CodaW*')

CODAS Bbe(g11)Epe ^I so'l pe1X111


18/78

20Alto Sax STR.AIGF{T LIFtr

---\Cmi(ma7)

VeryfastJ:fAtr*TD-ilI 19:-Art Pepper Meets the Rhytlm Sectir-:Written by ART PEPPER.

Cmi6

E7

%E CRhyhACma7E--

Dmi6

EmiT

il)\

Copyright O 195 ARTHUR PEPPER MUSICCopyright RenewedIntemational Copyrjght Secured All Righls Resened

G7(be)

87(be)

Ab7

Cmi6

BbmiT


19/78

Cmi6

G7(be)

Cmi6

EmiT

D13(be)


20/78

22Cmi6

CmaT CmiT

l-; /-;\G6G6 . | ,---\

fG6

D13(be)

GmaT G9

Ami6

Go

Db9

87(b e)


21/78

/JBmiT Bb mi7

f^----llutns.l

f-=.---------;--lftano Sotol I Bass Solo Pickuos I|'-,----=fE^'iildl,1Jl

G(t)i

Dms. Solo Break 4

3' 6;il A9 T;--llJdx.l

t- lI JA.T.i;tI rJolC6 Cmi6

Cmi6


22/78

D13(be)

C6

BmiT

Bb mi7A,N

D13(+l l)

D.S. rv/ repeat al FineDb9


23/78

Photo by Laurie Pepper


24/78

26

Alto SaxWAL'T'Z Mtr BLTTES

= 180

I Jar. IG7(f e)E r)----.n) \

tr;r D;A(c)

AmiT

CmiT BmiT

Bb7({e)

omil ^f

F;;A rr@ r*

Bbmi7 Bbmi6 AmiT==:>- ------AmiT

1/19t5'.1Art Pepper Meets the Rlythm SectionWritten bv ART PEPPER and PAUL CHAMBERS(c{") _-----=-lqo^*b- - - -EmiT C ATIC* D7

AmiT

BmiTT;IIAJ I

tp.- t.-.

Copyright O 1956 ARTHUR PEPPER MUSICCopYrighi RenewedIntemational Copyrighl Secured Al RiShts Reseed

7>2:G

Mf--:--lT^-;t I bass Jolo IlA /l - | Dms. SololIA XIu_t:l

D7(be)

GmaT


25/78

27tAqlFrrd: 'la- ---:--=: -'-->\

- _@G

f,p--


26/78

28AIto Sax DAhIE

G13(bsXbe)t_-f;-;;--r| arraal ECma 2/29/60Gettin'TogetherWritten by ART pEppERAmiT

FmaT

CmaT

Cma9/G

r_ J ______r G7(be)

G13(be)

G9/13

FmiT G13(be)

AmiT Abmi7 GmiT

Bb 13/F

Copyright O 1956 ARTHUR pEppER j\{USICCopyrighr Renewedlntemalional Copyrghr Secured All Righrs Reserued

AmiT Abmi7 GmiT

Gr3(f 11)

Eb7(re)

G13(# 11)-.-l---

Db7(be)

Gb9/13

---'-----


27/78

29

fz-(-ll ts lTl /ILI

G7f s(fle)

Ami(ma7) AmiT

AmiT

AmiT AbmiT GmiT Gb7

Gl3 |1mt / EbmiT DmiT

Piano Solo - Double Time

t-J _J

Fmil1/Bb

BmiT

ma/

Lma /

G7(f e)

Gl3

G7({s,fl9)

G7(#sXbe

Cma7

Cma9

Db7(be)

[___ltJd,Y.lGb7

Bb r3({ r 1)

BmiT E7(b e) Ami9 (Double Tme)


28/78

it,

DmiT DmiT:---G]>-. a---. ,--E\7(f s,f 9)

lbtl cmae

Cma9--\

FmaT

CmaTlG Dmi9/G

AmiT AbmiT GmiT. r>---


29/78

Alto Sax LAS CUEVAS Dtr MAR.IJ =roo7 +1(Bass)(+Dms.)4

DmiT Gz---.

Gun$.

'-*/DmiT

GmiT C7?n-Eb 7({ e) D7(f e)

@ Copyright 195 ARTHUR PEPPER MUSICCopyright recwedInremational Copyright Secured All Rights Reseed

(uns v,/tpt.) DmiT Gf; --'T--.

DmiT Gl-: .---."..--.

C7w)

3110/24t60Smack UpWritten by ART PEPPER

,h0.4' GmiT,"-*-Jr-----"'7pt)

:-tT----DmiT

Ers;(+Piano)3

C7

:EbeT--;-----I Jdx. I

t;;-------;;---lKhythm yamp II

@c DmiT G? '-:C7 /;\

DmiT

9

I rpr I t-l| (\va)l


30/78

C7

Gl-t',J,

DmiT

GmiT

DmiT,'---

GmiTl\

'j'G DmiT G DmiT

DmiT

DmiT DmiT

EG

Eb9 D7(f e) /> \-

rGDmiT


31/78

33(rIIll / GmiT

DmiT Eb9

i-".......-\

DmiT

(llll /

D7

/+\D.S. altf(with repeat)r--.:;----:---.;;-lI K4,lhnt Yontp I4W. S"t"]Q Choruses)tr24 fPrr" sadfz Choruses)tr- 24:---:

o Piano at'p

Eb7(fle)

-


32/78

34Alto Sax

J=roo

Cf mi7 Ffi7))^) i

ta ll=--..'.-- >


33/78

35

J'813(be)

Ami2 \t/

G7)

G7)

Bb ma7lFh/.\Cfmi7 F+7(bs)rh' /nlCfimi7)

q)

DmiT)

F$7)CmiT

)

^)CmiT)

BbmaTlF)

E13(be)@v*p;;llDmll G7 Db7(b9)

DmiT)

Ami9

\'-lE/F$ 13 Cf mi7(b5)/G F# 13


34/78

BbmaTlF

BbmaTlF

F#7(bs)

A6/9

;-\ \

Er3(b 9) Am6/9>/i

BmiT(b5) E13(be)

@^s@;a

Am619

(Rough)


35/78

Dmi1l (whole-tone scale)


36/78

Very rough ad lib. (2 measures)

C$mi71add F{ F$71bsth' /^Cflmi7(add Ff,)) F#7(b s)b/nl

Ami2

CmiT(add F) Fl3) )^oCmiT(add F) F13

lh/' / nlDmiT(add G) G13

) )^)Cmi9)

Cmi9/F /i/-/


37/78

Alto Sax JazzWaltzJ =tSAA9

T'I{E T'R.{PBb 13 A9

Bb13 |srl fil aq (sim.) Bb 133.-\.(misterioso)

Eb 13

---/

Bb 13 A9

tl'----___-lll.

-Bb13 Eb13 |l//'

,.L- 3 --)

Eb 13

399il 5t76The TripWritten by ART PEPPERBb 13

Bb 13

I cTl as

Bb 13 A9 Bb 13mp (ntsterioso)

copyright lq) ls66 ARTHUR PEPPER lvlUSICCopyright Rcncwcdlntcmafional Copyright Secured All Righls Rescrrcd


38/78

G13

Fil t3

Bb 13

Bb 13

(P iutto So lo cotltnues)

r-;.-'r >----BmiT

Bb 13(ntislerioso)

A9

Bb r3

----\---+\AfTr1",I

Bb 13

Wtt- V"^r=, tr",r, Srta

Cf mi7

A9E (enctpianoSoto) Fy'wryt r't1 Bb 13


39/78

Bb r3

Bb t3

Eb 13

Bb 13

/,,_\

Bb 13

Bb 13

Eb13

Eb 13

Eb 13

Eb 13

Eb r3

Bb 13

Eb r3

Bb 13

D9E

At;;1ILJI

Bb l3

Bb 13

{9mf

r- J -------1

Bbr3 Ebe


40/78

Dmi9 C{mi7

Bb 13

F# r3_ -:--;-a(nf).tr(ojlL-T-* -:-- fEl3

Ar3

Cf mi7

----=:

Fft3(be)

Bb 13

BmiT

fJtI'jl-49-- nlp

Bb 13 Bb 13

Bb r3 /--.a^ F\FTJ b)Bb 13 Bb 13

Gt3

T;;II rrl {9

A9


41/78

A9

-i;r A9

Bb 13\

Bb r3

Bb 13

A9

Bb r3 Bb r3

Bb r3/*,*--- !,-----Bb 13;=---\--- -^) -< \

:--l---:

Bb 13

fBb 13

Bb r3

-+ -l

A9Noodle wildly!Bb 13

A9 Bb 13

Bb 13_------->- ,,G\Bb 13 Af-=:ltF\ll'"1;--)--r .-----:-

Bb 13

(mseroso)Bb 13

Bb 13

Bb 13

ryp

Noodle wildlYl

Bb7


42/78

.+.1trl A7(f e)

Bh l3+'-T\.

Bb 13

A9

Bb7 Bb7

v -r-_/

Bb 13

Bb 13

Bb l3 split tone

Bb 13

Bb t3

Bb 13

Bb 13^f

Bb 13

49n

Bb 13

Bb 13

A7(#e)

Bb 13


43/78

Bb r3

Bb 13 T;;]lfvlA9 Bb 13

Bb r3

Bb 13

A9

Bb 13

Bb t3

Bb 13b 13 lFtols Bb 13

Bb 13

Bb 13 Bb 13

Al3 (split

dint.


44/78

46

flb t lannel

CmiT

)=ttz

Ex G9 GmiTFl3

c11

SOMtrTIMtrWrrtten bY ART PEPPERlSolo breakl ,

Bblc cr3(b9) Fl3 c7

Bb6t9

7,16,79Landscape

Bb7

Gmi9/C

clt

Copyrrghr t 1q79 ARTI1UR PEPPER MUSIC'Copyrrght Rcnc*ctlInrcffrxrionl ( trr'ght Sceurcri A1l Rights Rtscnccl

Eb9tDb

c7(f s,b e)

F13 86tC Cl3(b9) Fl3

Bbma9

F6IC Eb9/Db D9

E"nCmiT

Bb7

Fr3(be) F7(fs)


45/78

0Gb7(f e) F6 t;-- --tt,50lo ht eok)nriT/CGmiT cil

( ml/

GmiT

BbmaTIag--,----

CmiT

Bb6

c11

Fl3

c#o

MG9

Bb ma7U Db mi7

Eb9

CmiTlEb

Bb7

CmiT/F F7(#5,f9)

Bb6

F7(f s,f 9)

c7(f e)

Eb9tDb cll C9


46/78

l.:---:-----:-----;-lF,l3 | Solo hreak | ,N/ t | ; ,A ^ >

trc7(f s,#9)

Gb7(fe) F6(e)

lag---------

CmiT-z.--- ..1,_-.

cr r c7({s.f e)

Fl-1([9

DbmiT CmiT8ra-.--

G9

Fl3

Bb ma7

F6IC Eb9

('ml /

cil

IBt ce

cr3(be) F6


47/78

o F6(9)

EG9 BbmiT AmiT

C13(b9) Fma9,=_> --/Ei 13

cl3(be)

Clat'. Caden;ao Quickh'

-_-umr/

El3l3tr

Eb l3

Eb9

D7(f,e)

Dl3 ^''zl

D7(f e)

A little.slutt'er:--

GmiT

G9

c'/amiT/C

F6 FailiQuicklyr rj-r 3


48/78

LAI{DSCAPE176F#mill(simile)j"----.

Emill

50

Alto SaxNledium Groove J =Emill(toircdutlounhsl

(Emi11) Ff mil l

' l6 -9Landsc a pcwrirrcn by ART PEPPEREmil I

AmiT/'=--' .-{Emil l Ff mil I

Ff mil I GmiT/C

mv---ll;f=Emill F$ma7 GmaT Emill Ff ma7 GmaT Emitl

EmiT.4Zrrtmill f l-)..Cf mi7

Copyrighr ( |s79 ARTftUR P[:ppER NtUSt(lnlchtronal ('opvriet Securcd All Rights Rcscrlcd

F$mi7

(N.C.)

F#mi7lB

Ff mil l Ff mil I


49/78

Ff mil I Emil I

F#mill Db9 C9

Emil l>

Emil I G13 C9

Emil I

Fflmill Emill Gmill F{mill) N)I"-$mil l

Ffimil I AmiT

Ff mi11

Ff mi7

F*mi7 Emill

F#mil l Emill

El3 Bb9(f,11) AmiT

FfmiT(bs) B7(be) Emill FSmill)n -. -: ;-T---

t\

Emill Ffmill Emill,---,,,_\-

2'. Ff mil l Emil l :------.-\

--

Emill Filmill Emill Emil1 Ffmi11 Emill)N) ) L__

Emill

B7(fs,fe)

Ff mi11

F#mil I


50/78

Ff mil I

r,---: Emil I Ff mil I Emil IlA5l

Emill Ff mil l/?G,

BmiT CmaT Ami6

B7 Emillloc'o _/--- Dmill EmillZa

>-,-r- Ff mi7 87(be)

Gmil I

Em9 Db9(#ll)

Ff mil I

Emi6

F#mill

F*mil l Emil l

Emi1l Fflmill

Dmill

Bb mil1 AmiT

Db 13


51/78

B7(f,5,f9)

Emil I

DmiT Db 13

mt /

lol.11

Ff mi11 EmillA

Ff mit I

Emil I

E7(be)

B7(fe)

B9 Fe({ l 1)

-------_\>

zf:>


52/78

Emill->: 4a-=:--EmiTM. l>\ t1DInI/

Ff mi7

B7(fs)

(Trade./burs v;/Dms.) Ff mil l Emil l>


53/78

(Amil l)

Emil I

CODAqr.7

E;,t*;;rt trb]|Emi9(ma7)

Ff mill Gmil I

Emil I

B9sus Ff mi7-.'-----

Lmt/\

1Dns.1

t;-__lI t)tn.\

B7(f s) Emil I C94

87( $ 5,# 9)D.C. al $(w/repeat)t^--l

um.\. 4

w)Emi( ma7)

Amill

Ae(f n)

-


54/78

SIJRF RIDtr ITI) \t^./ Sill 79Alto Sax r;;------------:, Straight Lif!FastJ =2ooc6 ;#^:il:*iX,--}-. E7(be)

D7(f 5, b 9)

GmiT C7

BmiT

l.G6

FmaT

AmiT---:- D7(fls,b e)

FmiT---:-

S o-,,maT

DbmaT=--AmaT

(otlriqhr r lqrJ ARTf{LR pEppF_R \IUSICCoprnsht Rtnt'rre!llcrrronl (irprright Sccurcd .{ll Rrshr\ Rcscr\cd

DmiT c7(f 5,b9)

BmiT Bb mi7

AmiT D7(b9)

_;l G6l^Ll

AmiT D7(fls. b e)


55/78

.-

D7( b 9)

G6 sz( b s) AmiT

Eb9

G6iD

Amt/

D7(*s) Gr3 -f:

D7(be) G6

G7(f,s,b e)

cf'

D7(#5,b9)

cf" G6iD

cfo

DmiT

E7(be)

C7

G6/D C7 BmiT

Ami9 D13( cl3e)E

AmiT D7(b9)

E7(#e)

Cf,' G6/D D9 DmiT G7(b9) C7 cf'


56/78

E7( b 9) \mi7

D7(be)

C9'--:\ - :---->-

'--T--

c{o G6/D C9 BmiT

'---'T--c$' GiD

D+9 G6 E7(f5,b9) Ami9

-----

.-G-;-.

EbmiT DmiT Gl3(b9)

Bb7--.-'^' z ll a\

EAmiT Abl3 Gl3

AmiT

E7(fie)-=-:---EDr3(be) G6 G7

-:---=--

c$"

/--T.\_

>-

D7(b e)

G13 Gl3(b9) Ce


57/78

Eb9-- j ----.--]

cf.

D7(be) Gma9 MG6 G9 cf'Gr3(b9)

AmiT

BmiT Bb7 AmiT Ab7---T-

\mi7

D+9

AmiT D7b9

G13r\c#'b

G6ID

BmiT E7( b 9).C

C1-----.

cfo

AmiT/D

^l.-?

AmiT D+7

E7(#e)

D7tb9)r-:F--.-Eb9 Dmig Db9 C9

AmiT EbglBb AmiT De(fl 1 1)

cfo G6/D.-----C7

D7(#e)

BmiT BbmiT AmiT

,.-...:\


58/78

EGG7 @r,,r,t S,tl,t

, --_----Trude 4's w/Dnts.

G6

AmiT

AmiT D7(#9)bo-^-fp -f

5 chot'use.t

Cf " G/D DmiT-----...,...'.---\

AmiT D7(be)

-/--->.G6EX__rlDms.l

E Gr3 ID;;

GILlJ I Ba.s.s S,r/,r IL(7 choru.ses)

G6laUJI


59/78

E7(b e)T;___lI Dn6.lA9(bs) D7(fs,b9) G713(b 9)

cfo^--.

E7(re)

D7-G6 C7 cfo G/D EbmiT

D9/'-a-tE7(be) AmiT

E7(be) AmiT_-.,---\'-+ t \ D.S. w/ repeat al S:----tI Dms.l3


60/78

ozAlto Sax

G13

MAKtr A LIST (MAKtr A WISH)Latin .l(unis.

rl>..

= 144 (even Sths)wth piano)a----:, .----\|) L-]

CopyriSh! ('r 1980 ARTHUR pEppER VUSICntema!ional Coprighr Secure


61/78

l''o,a Gr3 ,--]rt'orI lst time onlylE A13

pluy otr D.S. onh,

G13 --.a

@dA13 Tmprou6si,lEilar:

FPAl3 Gl3 Al3


62/78

64

_ Al3tru

(split pitch)

-;1 Al3I l-, tlt-=_tl agradualb) louder and more urgenl

G13-----/

7


63/78

_Ar3trl

A13

A13 6--

Al3n41


64/78

loc'o\ l3

Ven' rough al lib (ot,erblcv.')

G13 , ,At3| tr11tL,l

Al3- - -\ r;--::--=-=-

_ Al3trll


65/78

Ar3 Gr3 Al3 Gt3

(gr tt d u a I l r- d i m i n u e n d o )

G13 A13

G13 A13 Gl3

Al3

Al3

Al3

G13

r;---t-';tI LOWD?U I

G13

Gl3

Gl3

Al3

^Bavampl Gr3

Gr3

A13

D.S. w/repeatut, SCODA (Vamp)0 Ar3'

lDrums and LatinlIPercussion solo | 2 s./. srcs-t t--lrl 20

-T

Al3

Gl3Intprov.)

G13 Al3 G13


66/78

Al3

Gl3

Al3

Gl3

Gl3

Al3

Gl3

At3

Al3

Gl3

413lip slide

Al3

G13 413

Gr3 Al3

---.\"- _;

Gr3

Gl3 EJI arl3 At3\-/_

Al3

;-cl3 At3 Gt3

Al3

Gr3

At3 Gr3 Al3 Gl3 At3


67/78

I'i:..:,a:iilrlil'a;t.. '

iii'.;



68/78

70Alto Sax

Slow Blues (J.f^-tlJlgs. l

= 76)3

813

THAT'S LOVtr

De A7(#s) De

9 '1, 80Winter MoonWritten by ART PEPPER

AmiT

D9)

A7(f s) DeI ht/ / ^/' A13A7(fs) De

x slightly higher in pitch Copyrighr e 1980 ARTHUR PEPPER VUSICInlemational Copyrighr Secured Ail Rights Rescned


69/78

I l tmel-- (Dl3) Al3 Verv rottgh ad lib -----..---_-)

E7


70/78

72

At3 E7(fs,#e)EmiT At3ll/ )'^)

Al3)

Al3)

--]--

Ar3)

AI3 F9

At3br/ n//'

EmiT) simileD9

A9D9>

E9

?*-* --

At3 F9 E9 413\ G

,---

EmiT At3I ht/ / ^,t'

Rough ad lib


71/78

.47- -\

A)trBb 13

Gl3 Ff 13 F13

@d;;;rhAl3l3 rbl] Dr3 Db13 Cr3 Ar br/-/-rT rTn


72/78

MR. BIG FALLS HIS J. G. HANDMedium BluesG7

74Alto Sax 9i -i180One September AftemoonWritten by ART PEPPER

----T--r

(quartal over C)

WV*p;qG13

Copyright :e 1980 ARTHUR PEPPER IIUSICltemalional Cop!.ight Securcd All Rights Resened


73/78

(Gt3) N..'---l. --\

-Rll Gl3| "" I

8va---

(verv rough)

---


74/78

EGl3za-.

C/D T;lCt3lrJ-.-,--\ re, t ta;S;;l (2 C ho rLts s)

| tr, | | Dass Jqto II -- l


75/78

c13

D9I,t

G9EG9

::--T-: 2--.' -r----.----

---=--.''...S---G7(#e) A9 Ab9.


76/78



77/78



78/78

TTRNSCHIPTIOIffi

Arlist lronscriptions ore outhenfc, nole-for'note lronrcriplions of lhe hottesl orlisfs in iozz, pop, ond rock fodoy. Ihese oufslonding o((urole 0rr0nure in on eosy'lo-reod formot whith includes oll essenfiol lines. Artisf Trons

Documents

Art Pepper Solos