Art of Seeing

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ARTof Seeing

C R E A T I V E P H O T O G R A P H Y


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4....THE ART OF SEEING

6....Stuart Westmorland

8....Linda Bartlett

10....Jeff Carter

12....Paul B. Goode

14....Lucille Khornak

15....Doug Beasley

16....Jamie Rector17....Scott E Sawyer

18....Mark Francis Gamba

20....Barbara White

22....John F. Hill

24....Sara Jorde

26....Gerry McIntyre

28....Mark Maziarz

30....Matt Lit

32....Thomas M. Barwick

34....Robert Hall

35....Rusty Leffel36....John Welsh

37....Scott Markewitz

38....Janet Century

40....Peter Miller

42....Laura Dwight

43....John Dean

44....Ric Moore

46....Woods Wheatcroft

48....Bill Sumner

50....Gary Wilson

52....Bill Pielsticker53....Paul A. Teolis

54....Thomas Wiewandt

56....David E. Durbak

57....Dana Grover

58....John Snyder60....Harold Davis

62....Frank Rapp

64....Jack Ramsdale

66....Peter B. Steele

68....Niobe Burden

70....Clark James Mishler

71....Lyn Smith

72....Kevin Barry

74....Greg DeBre

76....Debra Maddox

77....Sara Shoemaker Lind78....Treve Johnson

79....Don Johnston

80....Kathleen Norris Cook

82....Gary Crabbe

84....Joseph Holmes

86....Tom Kirkendall

88....Scott McGee

90....Mari Minegishi

92....Nevada Wier

94....Bernard Wolf

96....Joel Salcido98....Paul Swen

100....Janet Horton

101....Susanne Weissenberger

102....Steven Barger

104....Deborah Whitney Prince106....Shoshannah White

ALCOVE BOOKS

930 Dwight Way, #7Berkeley, CA 94710

[email protected]

510.644.3534

ART of Seeing - 2008Creative PhotographyEdited by Tom Palmer

and Aileen Kim.ISBN 978-0-9721890-5-X

Information is fromsources deemed reliable.

Publisher assumes noliability for loss caused

by errors, omissions, orany other cause.

All rights reserved.2008 Alcove Books.Printed in Hong Kong.

Cover images:

PREGNANT GRACEStuart Westmorland

HILLSJoseph Holmes

OLD TRUCK

Drake Sorey

PEZ AUDIENCENick Nacca

QUIET NIGHTKevin Galvin

MACKINAC ISLAND

Tom Jelen


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107....William B. Folsom

108....Dan Neuberger

110....Doug Landreth

112....Chip Hedgcock113....Ken & Lois Wilder

114....Tom Kumpf

116....Kim Kauffman

118....Larry Hamill

120....Douglas J. Hoffman

121....Greg Smith

122....Brandon Cole

124....Cary Cleaver

126....Clive Champion

128....David Lubarsky

129....Melissa Ireland130....Wilton S. Tifft

132....Drake Sorey

134....Mary Heller

135....Anne Howson

136....Mark Schafer

138....Donna R. Strathy

140....Frank DiMarco

141....Elis. Flynn-Chapman

142....Mike McMullen

144....Marc Longwood

146....Mike Kear148....Susan G. Hammond

149....Kevin Galvin

150....Richard J. Levy

152....Sheridan Vincent

154....Brad Feinknopf

156....John Peters

158....Mike Fizer

160....Park Street

162....Michael Spain-Smith

164....Ken Ross166....Paul Pierlott

168....Eric Smith

170....Bill McAllen

172....Nick Nacca

174....Jeff Downie

175....Craig Brown

176....David Hagen

177....Mike Wasserman

178....Jackson Hill

180....Denton Rbt. Tillman

182....Olof Wahlund184....John Still

186....Donna Callighan

188....David Underwood

190....Max Hilaire

192....Don Carlson

194....Peter Treiber

196....David Lee Thompson

198....Arthur Levy

200....Ric Peterson

202....Thaine Manske

204....Phillip Spears206....George H.H. Huey

208....Gabe Palmer

210....Craig Stocks

212....Thomas R. Fletcher

213....Fred Lee Emmert

214....John Gregory

216....Tom Jelen

217....Bernard Friel

218....Carl R. Battreall

219....Russ Bishop220....Sid Hoeltzell

222....Paul Wiles

223....Jim Yuskavitch

224....Yiorgos Konstantinidis

226....Stephen G. Weaver

227....Vida Ward

228....Frederick Charles

230....Lewis Kemper

232....Kevin Laubacher

234....John De Mello

235....Margaret Lord236....Michael Hart

238....Jeffrey R Klug

240....Noel Greene

242....Bart Harris

244....Michael Snively

246....Michael E. Haritan

248....Alastair Orpen Finlay

250....Vickie Lancaster

252....David Halpern

253....GALLERIES,CENTERS,

and DEALERS


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A famous photographer was once asked why he practicedphotography. His somewhat enigmatic answer was to seewhat things look like when photographed.

This is more than a glib response. For many photogra-phers it lies at the center of their personal quest forself-expression through photography. When I have acamera in my hand the world shifts. I am no longer justpassing though. I am an active participant. Colors aremore distinct, reality more sharply etched. I am more

aware of both the immediate environment and theactions of people around me.

It also makes me a voyeur. Being able to isolate andvisually dissect my surroundings removes me from being

a participant and turns me into an observer. This createsa cognitive dissonance. On one hand, being a part of,while on the other, being removed from. Maybe this liesat the center of what it means to be a photographer; tolive in a no-mans-land where the moment is constantlyslipping past, and yet where we have the power to fix it

forever, a time as well as place.

Do we photograph for ourselves, or for others? Ifyou were the last person left on earth, would youpractice photography?

The Art of Seeing


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Don't answer too quickly. Yes, most photographers seekrecognition. We need an audience. The feedback wereceive becomes part of our raison d'etre. Just the factour images exist out in the world in more than just one

copy somehow enhances their reality and provides a formof permanence to the art that we have created. But nowremove that audience, as desirable as it might be. Doesour work still have purpose? Would we still do it?

The answer to this will vary with the individual. For some,

knowing that our work has reached a wider audience thanjust friends and family provides satisfaction. For others,exposure to a wide audience is intended to lead to eithercommercial or artistic recognition and success.

For many photographers though, it may simply be enoughto see what things look like when photographed. But thesharing of these images with othersdiscovering howothers might respond to what we have captured andshown themprovides a satisfaction that cannot bedenied. There is still magic in photography, the sharing

as well as the doing.

Michael ReichmannJanuary, 2008


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Stuart Westmorland

ICELAND HANDSTANDS. A serendipitous moment in an exotic location6


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PREGNANT GRACE & BEAUTY. A study of light, motion, grace, and beauty 7

Mill Creek, WA 425.225.5733

www.stuartwestmorland.com


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Linda Bartlett

PADDY AND PAUDIE, IRELAND8

"After thousands of miles traveled and countlessimages taken, I am still fascinated by the people


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I have met. In their faces and expressionseveryuntouched wrinkle and lineis the truest beauty.

MAIRE KAVANAGH, IRELAND 9

Washington, DC202.362.4777


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Jeff Carter

THE DROVER'S WIFE. Selenium-toned silver gelatin print10

Since the late 1940s I have traveled Australia wide, record-ing in words and pictures the lives of working class people


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a self-inspired, one-man FSA-type projectresulting in an archive of some 100,000 images.

TIME OUT. Selenium-toned silver gelatin print 11

Gerringong, Australia 61.02.42.342.489www.jeffcarterphotos.com


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Paul B. Goode

DENISE TEPER IN MY STUDIO12

A portrait session is a telepathicdance between the photographer


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and model. An emotional bond isformed that can never be broken.

AMITY HALL: PALISADES PARK, NJ 13

New York, NY 212.874.0713

www.paulbgoode.com


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Lucille Khornak

SISTERLY LOVE. An unposed moment captures a momentary spat14

New York, NY 212.593.0933www.lucillekhornak.com


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Doug Beasley

SARA. Trade River, Wisconsin. 2007 15

St. Paul, MN 651.644.1400www.douglasbeasley.com


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Jamie Rector

THE WRITER16

Los Angeles, CA 562.587.0979www.jamierector.com


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Scott E. Sawyer

STORM WALK, ARIZONA. Exploring nature with human perspective 17

Flagstaff, AZ 928.226.0404www.illuminatedvisions.com


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Mark Francis Gamba

WOULDNT YOU RATHER HAVE AN ARTICHOKE? Archival gicle18

This is part of an ongoing projectexploring the emotional relationship

Mil ki OR 503 353 9111


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people have with foodthe depth and intensity whichoften supersedes the sexual, particularly among women."

WHOS MOMMYS LITTLE CHICKEN? Archival gicle 19

Milwaukie, OR 503.353.9111www.markgamba.com

"M k i b t tti t


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Barbara White

MONKS AT ATTENTION, BURMA. Color pigment print20

"My work is about getting toknow a Third World area well,

d fi di th b t th t li Laguna Beach CA 949 494 2479


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and finding the beauty that livesthere in the midst of hardship."

DOGON BABIES TOUCHING, MALI. Color pigment print 21

Laguna Beach, CA 949.494.2479

www.barbarawhitephoto.com

J h F Hill "I work to reveal the beauty in the world


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John F. Hill

RITUAL BEAUTY. Pigment on archival paper22

I work to reveal the beauty in the worldaround us. By showing what might not be

seen and by sharing visions from across the Easton, CT 203.545.6069


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seen, and by sharing visions from across theworld, photographic art enriches our lives."

BOUNTY OF THE MONSOON. Pigment on archival paper 23

,

www.johnfhill.com

Sara Jorde


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Sara Jorde

POTALA AT SUNRISE. Lhasa, Tibet24

Minneapolis, MN 612.338.6923


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WOMAN SELLING BARLEY. Ganden Monastery, Tibet 25

www.jorde.com

Gerry McIntyre "Both these images were


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Gerry McIntyre

JUAN PEREZ. An organic farmer near Salinas practices sustainable agriculture26

gtaken in early 2007 while

working on the project Steps Sacramento, CA 916.640.8888


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to a Healthier Salinas."

JULIA OROSCO. A church volunteer takes blood pressure readings 27

www.gmpdg.com

Mark Maziarz


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Mark Maziarz

LAUREN28

Park City, UT 435.649.0002

i l


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CHRISTOPHER 29

www.maziarzpeople.com

Matt Lit The decisive moment is the key to my work, whethercapturing it with a Holga toy camera or the latest digital


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Matt Lit

OUR FATHERS - FESTIVAL Santa Fe Plaza, New Mexico. Holga series30

capturing it with a Holga toy camera or the latest digital

equipment. The Holga adds a dream-like glimpse of ourchildhoods a refreshing memory in our fast paced lives

Dillon, CO 970.262.2006www litfoto com


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childhoodsa refreshing memory in our fast-paced lives.

OUR FATHERS - COORS FIELD. Denver, Colorado. Holga series 31

www.litfoto.com

Thomas M. Barwick


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STACY. Digital capture32

Seattle, WA 206.285.4380

www.barwickphoto.com


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AUSTIN. Digital capture 33

www.barwickphoto.com

Robert Hall Lehi, UT 801.673.4510www.roberthall.com


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34 SENSE OF SELF. Images of feminine self-perception from the Mill Series

Rusty Leffel Mission Hills, KS 913.362.9727www.artistsregister.com


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35MAGICAL BUS, BROOKLYN. Street photography

John Welsh Jenkintown, PA 610.357.9076www.johnwelshphotography.com


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36 DANCING WITH FIRE. Fire performer in Philadelphia

Scott Markewitz Salt Lake City, UT 801.583.0606www.scottmarkewitz.com


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37HAND PLANT, BRITISH COLUMBIA. Pushing the boundaries of athletic expression

Janet Century The challenge is to capture what lies beneaththe surface while photographing only the surface.


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EMBRACE. Silver gelatin print38

Form, light, and composition all define the chosen moment.I am moved to capture the connection that binds us all.

Cleveland, OH 216.721.4501www.janetcentury.com


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DUDE. Silver gelatin print 39

Peter Miller One of my on-going projectsis documenting rural American


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HILARY AND ALAN'S MAPLE. Toned gicle print40

icons. These images first appearedin my book, Vermont People.

Waterbury, VT 802.244.5339www.petermillerphotography.com


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WILL AND ROWENA. Gicle print 41

Laura Dwight New York, NY [email protected]


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42 STARTING WITHA. Lifespan development photography

John Dean Baltimore, MD 410.243.8357www.johndeanphoto.com


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43KEY HAN, FOUNDER AND CEO, DDMOTION. People on location

Ric Moore "I like to invite people intomy indulgence of symmetry,


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NEXT MOVE. Portrait of Jo in the Marble Trianon, Versailles44

beauty, and the feeling ofall the time in the world."

Dallas, TX 214.358.4701

www.ricmoore.com


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THE ART OF FENCING. Twilight on the beach at Cannes 45

Woods Wheatcroft Light is my catalyst. If it'sthere, I use what I see. If it's


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CALIFORNIA NIGHT #346

absent, I create what I needfor an inspiring image.

Sandpoint, ID 208.255.9412

www.woodswheatcroft.com


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FISHING DOCK, BAJA, CALIFORNIA #1 47

Bill Sumner When photographing inVermont last fall, I realized


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LEAVES48

that what is behind thingsoften matters most.

Miami, FL 305.994.3241

www.billsumner.com


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POND 49

Gary Wilson Like many photographers, I enjoy theexploration of the seen world through


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ENVELOPED CITY50

infrared photography, where it can becomea visually transformed and serene world.

Portland, OR 503.236.3205

www.garywilsonphoto.com


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REFLECTED 51

Bill Pielsticker Lodi, WI 608.592.4718www.pielstickerphotos.com


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PLUNGE POOL. Intimate landscapes, fresh perspectives52

Paul A. Teolis Toronto, Ontario, Canada 416.346.0149www.fieldandscreen.com


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PENGUIN GRAFFITI. Deception Island, Antarctica 53

Thomas Wiewandt "I blend art and science, focusing onextraordinary light, graphic design,


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ANTICIPATION. Floracollection54

the surprising, and the sensuous. My websitefeatures a searchable image library.

Tucson, AZ 520.743.4551www.wildhorizons.com


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SHOWDOWN. Weathercollection 55

David E. Durbak Ft. Lauderdale, FL [email protected]


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56 SPIDER MUM. Triptych

Dana Grover San Jose, CA [email protected]


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57ROSES IN THE RAIN

John Snyder "Looking for extraordinary light, composition,and 'moment' anywhere in the worldthe


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GARDENS OF THE PALACE. Versailles, France58

elements of surprise and chance thatcan only be captured photographically."

Moscow, IDwww.johnsnyderphoto.com


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SUNBURST. Western New York 59

Harold Davis


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ALONE I STAND. Post-processed digital photo60

Berkeley, CA 510.528.9977

www.digitalfieldguide.com


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YOSEMITE DREAMS. Post-processed digital photo 61

Frank Rapp "These images are from abody of work shot with a 4x5


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LONE SAILBOAT. Inkjet print62

film pinhole camera, digitallyoutput on watercolor paper.

Dover, MA 617.542.4462

www.frankrapp.com


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AQUINNAH TWILIGHT. Inkjet print 63

Jack Ramsdale


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INTO THE WISSAHICKON64

Philadelphia, PA 215.236.8840

[email protected]


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MIGRATION 65

Peter B. Steele


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BEDFORD OAK. Silver gelatin print66

Lafayette, CO 303.870.1819

www.steelephoto.com


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CRACKED WILLOW ICE. Silver gelatin print 67

Niobe Burden Drawn to the dramatic times of daylight, I seek uniqueperspectives that may not be readily apparent in a scene.


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TAHOE VOLCANIC SANDS. Limited edition archival digital print68

My visual interpretations are meant to be simple, emotionalimages that convey a feeling of calmness and serenity.

Lake Tahoe, CA 530.583.9000www.niobeburden.com


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MYSTIC WATERS. Limited edition archival digital print 69

Clark James Mishler Anchorage, AK 907.279.8847www.mishlerphotos.com


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70 YOUNG HUNTER WITH SKIN BOAT

Lyn Smith Dubois, WY 307.455.2204www.photographydesigns.com


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71SHOT UP RUSTY CAR. Found color patterns of an old car rusting in the salt air

Kevin Barry


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SUNGLOW FISHING PIER AT SUNRISE. Daytona Beach, Florida72

West Park, FL 954.987.9564www.agpix.com/kevinbarry


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SUNRISE REFLECTIONS IN A FLORIDA MARSH 73

Greg DeBr


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HARVEST MOON74

Miami Lakes, FL 305.826.1099www.gsdebreimaging.com


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POWERHOUSE FALL 75

Debra Maddox Mill Valley, CA 415.383.4065www.debramaddoxfineart.com


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MERMAID WITH KOI. Surreal juxtapositions blur lines between painting & photography76

Sara Shoemaker Lind San Francisco, CA 310.617.5334www.sarashoemakerlind.com


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77PEPPERS, SAN FRANCISCO. Glorious natural colors can always surprise the senses

Treve Johnson Berkeley, CA 510.841.0905www.treve.com


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KILLARNEY NATIONAL PARK78

Don Johnston Lively, Ontario, Canada 705.692.3901www.donjohnstonphotos.com


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HUSHED SNOWFALL, ONTARIO 79

Kathleen Norris Cook "As a landscape photographer, my libraryof imagery includes panoramas, aerials,


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WINTER DAWN. Pemaquid Lighthouse, Maine80

travel, and the environment as it applies toadvertising, books, calendars, and fine art."

Ouray, CO 970.325.0700www.kathleennorriscook.com


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DAWN. Le Mont St. Michel, France 81

Gary Crabbe "Offering images that highlight magical moments whenlight and landscape combine to reveal the depth of


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STORMY SPRING SUNSET AT BRIONES82

nature's beauty, and that promote the awe-inspiringdesire to connect ourselves with something larger."

Pleasant Hill, CA 925.288.1461www.enlightphoto.com


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SANDSTONE AND REFLECTION, COYOTE BUTTES 83

Joseph Holmes "I look for the quintessential faces of NorthAmerica's natural places, in the hope of helping


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HILLS. San Benito County, California 198684

to create a sustainable future for us all. My workis available in fine print form and for publication."

Kensington, CA 510.526.4145www.josephholmes.com


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MAPLES AND BIRCHES. White Mountains, New Hampshire 1985 85

Tom Kirkendall "Hand-crafted silvergelatin landscape


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OAK TREE. Los Padres National Forest86

images that let youcatch your breath."

Edmonds, WA 425.775.3569

www.kirkendall-spring.com


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OAK FOREST. Los Osos Oak Reserve 87

Scott McGee "The true and lasting value of Nature lies inits ability to inspire and revitalize the soul.


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AFTER THE STORM, CLEARING STORM. Juneau icefield, Alaska88

Through photography, I hope to inspire others toseek the value and wonder of nature all around us."

Anchorage, AK 907.338.4705

www.alaskaphotos.biz


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PURPLE MOUNTAIN MAJESTY, CRESCENT MOON AT SUNSET. Juneau icefield, Alaska 89

Mari Minegishi Through capturing fugacious yet evocativemoments in nature, I discover the subject


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GATHERING. Tasmania, Australia 2007. Digital media90

of my photography. A journey intothe unnoticed, hidden, unspoken.

Vancouver, BC, Canada 604.715.4605www.marifotografia.com


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UNVEILED. Tasmania, Australia 2007. Digital media 91

Nevada Wier "I am interested in ethnic groups that inhabit themore remote regions within countries. I have no


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CHINDWIN RIVER FOG92

desire to mythologize their cultures, but to celebratethe individual spirit of people within their traditions."

Santa Fe, NM 505.982.0877

www.nevadawier.com


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Myanmar 2005. Diptych 93

Bernard Wolf "I love photographing tree and plant life at night and theeffect created during long exposures under available light.


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NOCTURNAL BOTANICA 1. Lightjet print on Fuji crystal archive paper94

No supplemental lighting or filters were added, definingan unusual vision of nature in an urban environment."

Santa Monica, CA 310.399.6803

www.bernardwolf.com


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NOCTURNAL BOTANICA 2. Lightjet print on Fuji crystal archive paper 95

Joel Salcido "My photography depicts a Spain of soulful traditions thatinclude fiestas and brave bulls; both visually poetic and elegant.


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TAURUS. Archival pigment print on rag paper96

These images were meant to be painted but instead becamephotos. May Spain remain forever odd, precarious, and precious."

Austin, TX 512.291.9961www.joelsalcido.com


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TORO OBSCURO. Archival pigment print on rag paper 97

Paul Swen "My main goal as an artist is tocommunicate with the audience by


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OUR HANDS. Adolescent Western Lowland gorilla, Gabon98

sharing brief moments in time that standas symbols for our shared experiences.

Houston, TX 713.667.4448www.paulswen.com


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SILVER BACK ALPHA MALE. Western Lowland gorilla, Gabon 99

Janet Horton Issaquah, WA 425.313.3060www.agpix.com/janethorton


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MALE PILEATED WOODPECKER, WASHINGTON100

Susanne WeissenbergerHalf Moon Bay, CA 650.773.2847

www.whitemountainphotography.com


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PROUD PEACOCK. Colors of Nature: Blue 101

Steven Barger "My images showcase the beauty found innature, from striking landscapes such as


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FIERY SKY. Kokerboom tree at sunset, Namibia102

the mosaic color of an African sunset tothe graceful ballet of eagles in flight."

Cincinnati, OH 513.460.6091www.bargernaturephotography.com


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AERIAL BALLET. Bald eagles in flight, Homer, Alaska 103

Deborah Whitney Prince "Sharing moments and adeep connection to nature


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SPIRIT DANCER. Monument Valley. Transparency print104

often brings out a sense of etherealpower only a lens can reveal."

Santa Rosa, CA 707.528.9057www.dwprincephoto.com


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FLEETING TRANSFORMATION. Northern California. Digital media 105

Shoshannah White Portland, ME 207.332.6048www.shoshannahwhite.com


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MOTH. Photographic print on watercolor paper, encaustic, wax, and oil paint106

William B. Folsom McLean, VA 571.213.8696www.wfolsom.com


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GRAY HAIRSTREAK. Sun on my wings, sun at my feet 107

Dan Neuberger "Santorini is so breathtakingly beautifuleven a chimpanzee could come up with


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SANTORINI CAT108

great images. I thought I had diedand gone to paradise. Perhaps I had!"

Rochester, NY 585.482.1976www.imagecityphotographygallery.com


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SANTORINI TERRACE 109

Doug Landreth I have always loved the patina ofaging and so I meticulously composite


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NO LIFEGUARD ON DUTY. Digital pigment print110

photographs of textures with scenes or objectsto create a more expressionistic collage.

Seattle, WA 206.343.7118www.douglandreth.com


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BLUE ULYSSES. Digital pigment print 111

Charles Hedgcock Tucson, AZ 520.325.4241www.charleshedgcock.com


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CENTIPEDE. Finding jewel-like, sculptural beauty in nature112

Ken &Lois Wilder Southbury, CT 203.267.1090www.wilderimagesonline.com


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TULIP QUINTET. Harbinger of Spring in black and white harmony 113

Tom Kumpf "Our world is full of constantly changingimages. Because of this, I see, the shutter


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BURREN PONY. County Clare, Ireland. Silver gelatin print114

clicks, and something of strength, beauty,truth, and understanding is created."

Boulder, CO 303.926.0378www.tomkumpf.com


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CUBA SI. Havana, Cuba. Silver gelatin print 115

Kim Kauffman "My photo collages are inspired by my love ofgardening and associated reverence for the


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MANTRA. Photo collage from multiple scans of original objects116

natural world. They study forms nature repeats acrossall living things and we humans mimic in our designs."

Lansing, MI 517.321.2815www.synecdochestudio.com


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NATIVE DANCER. Photo collage from multiple scans of original objects 117

Larry Hamill Laying tiles, one at atime digitally, offers a way


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MY EYE118

of seeing via one of theoldest art formsmosaic.

Columbus, OH 614.444.2798www.larryhamill.com


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HORNBILL 119

Douglas J. Hoffman Kihei, HI 808.879.0260www.douglasjhoffman.com


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ENLIGHTENMENT. Black and white portraits reflect the beauty and mystery of the sea120

Gregory Wrenn Smith Bluffton, SC 843.757.6557www.imediasmith.com


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PEOPLE WATCHING IN A MAY RIVER MARSH. Pictures with storiesnaturally 121

Brandon Cole


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PARROTFISH122

Spokane Valley, WA 509.535.3489www.brandoncole.com


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HUMPBACK WHALE BREACHING 123

Cary Cleaver My images capture a moment in time, anintersection of form and light. Applying oil


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VIEW FROM MONT ST. MICHEL. Silver gelatin print124

colors by hand imbues a mood andinvites the viewer into the photograph.

Atlanta, GA 770.949.5351www.carycleaver.com


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VIEW FROM MONT ST. MICHEL. Hand-colored silver gelatin print 125

Clive Champion "These recent images are from the seriesThe Botanical Palace. They were inspired by


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MID-DAY FOUNTAIN. Parque del Retiro, Madrid126

the elegance of 18th and 19th century gardensand garden architecture in the UK and Spain."

Toronto, ON, Canada 416.532.7304www.championphoto.com


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PASSAGE TO PARAGUAY. Parque del Retiro, Madrid 127

David Lubarsky New York, NY 212.505.1720www.davidlubarsky.com


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128 STORMY COMMUTE, FAIRFIELD, CT. Digitally-enhanced cell phone camera image

Melissa Ireland Cerrillos, NM [email protected]


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129RELIGIOUS NATURE

Wilton S. Tifft


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FOG AND CHAIR. Ellis Island registry room130

East Smithfield, PA 570.596.4940www.tifft.com


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STAIRWELL. University of Chernivtsi-Ukraine 131

Drake Sorey


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MINOT FOOD. Minot, North Dakota132

McLean, VA 703.534.7575www.drakesorey.com


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OLD TRUCK. New Mexico 133

Mary Heller New York, NY 212.737.6039www.maryheller.com


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134 BULGARIAN COURTYARD. An expression of loneliness and mystery

Anne Howson San Francisco, CA [email protected]


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135WENDY'S MEADOW. Looking towards what is possible

Mark Schafer


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MALIBU PIER. California136

New York, NY 212.691.9034www.markschafer.com


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30 ROCKEFELLER CENTER. New York 137

Donna R. Strathy I prefer to find images, not contrive themphotographing what is significant to me in


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LUNCH IN VERONA, ITALY138

the real world. Discovering and distilling meaningfulmoments in life directs my photographic approach.

Seattle, WA 206.366.8151www.strathyphoto.com


139/256

A STREET IN FLORENCE, ITALY 139

Frank DiMarco Portland, OR 503.358.8119www.dimarcogallery.com


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140 COFFEE IN THE RAIN

Elisabeth Flynn-Chapman Richmond, VA [email protected]


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141PATTERNS IN WOOD AND STONE. The ordinary as an aesthetic abstraction 141

Mike McMullen My images are the product of light, film,and traditional darkroom techniques. What


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CLASSIC MEETS MODERN. Nelson-Atkins Museum, Kansas City, Missouri142

the camera sees is refined to convey the uniquetextures, shapes, and shadows of the subject.

Shawnee Mission, KS 816.582.3506www.mikemcmullenphoto.com


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WIND AND WHEAT. Montezuma, Kansas 143

Marc Longwood "Color, shape, texture, form, scale, light...I seek out these elements of art, scattered


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SILLAS DE GUGGENHEIM. Bilbao, Spain 2006. Digital media144

secretly about in daily life, such that Imight see into the trees within the forest."

Sacramento, CA 916.635.0652www.longwoodpro.com


145/256

CASA DE ZORRO. Anza Borrego, California 2006. Digital media 145

Mike Kear "My fine art urban landscapes have an emphasis on structureand form, often playing with scale and humor, enabling the


146/256

MAN MO TEMPLE, HONG KONG. Inkjet print on aluminum. 7' x 7146

viewer to experience the subject from a new perspective.I undertake large-scale international commissions." London, UK 44(0)7753.930.678www.mikekear.com


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EMPIRE STATE THROUGH THE MANHATTAN BRIDGE. Inkjet print on aluminum. 7' x 7 147

Susan G. Hammond Hackettstown, NJ 908.852.4204www.susanghammond.com


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148 TYLER'S HEAD. A head created with bricks, sits stoically in the cement landscape148

Kevin Galvin South Wellfleet, MA 508.349.6001www.kevingalvin.com


149/256

149QUIET NIGHT. The Latin Quarter, Paris. Found images from Europe

Richard J. Levy, AIA, APA I am a fine art, award-winning,architectural photographer. I create


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MERV GRIFFIN THEATER (now Schwabs), circa 1936. Hollywood, California150

images of structural, historic form found in the land-scape for corporate fine art and commercial use.

Los Angeles, CA 213.250.0100

www.archphotodesign.com


151/256

HOTEL PADRE, circa 1963. Red Mountain, California 151

Sheridan Vincent It is my pleasure to capture an image,manage it to print, and ultimately produce


152/256

SYMMETRIC ANGLES. Kodak Endura Metallic print152

a desirable print to share what I saw. Whata wonderful time to be a photographer! Rochester, NY 585.472.2005www.sheridanvincentphotography.com


153/256

REFLECTED ANGLES. Kodak Endura Metallic print 153

Brad Feinknopf "My work deals with how a piece ofarchitecture evolves and changes, both


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BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING154

interiors and exteriors, throughout differenttimes of day, weather, and even season."

Columbus, OH 614.225.0414

www.feinknopf.com


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BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING 155

John Peters


156/256

CREAM156

Buffalo, NY

716.961.0857


157/256

ICE CREAM 157

Mike Fizer "As an aviation specialist over the lasttwenty years, I never stop appreciating


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EMBRAER ERJ 145 OVER SOUTHERN CALIFORNIA158

the combination of grace and power of aircraft,nor how function influences aesthetics."

Wichita, KS 316.832.1022

http://mikefizer.com


159/256

BOMBARDIER LEARJET 60 OVER THE SALTON SEA, CALIFORNIA 159

Park Street "I create art to match my clients need,with twenty years of experience providing


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WATERSTREET 1160

imagination to corporate, advertising,and architectural clients."

Austin, TX 512.477.3572

www.parkstreets.com


161/256

WATERSTREET 2 161

Michael Spain-Smith


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UNTITLED162

New York, NY 917.494.1500Miami, FL 251.840.4500


www.michaelspainsmith.com


163/256

UNTITLED 163

Ken Ross I offer travel andlocation photography,


164/256

TRIBAL CHIEF. Eastern Highlands, Papua, New Guinea164

with stock images fromeighty-seven countries.

Scottsdale, AZ 602.319.2974

kenrossphotography.com


165/256

BLUE CROSS. Black Day, New Mexico 165

Paul Pierlott"Factories panoramic: pipes, valves, wires, huge roomsof iron mysteries, the unseeable made seen. Bacteria on


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MELISSA166

a pin, E. coli on a seed, portraits and events to recall.Yet we still see the soft smile and the ragweed wall."


[email protected]


167/256

RAGWEED WALL 167

Eric Smith Photographs of real life are moments gone assoon as they happen. A compelling image is when


168/256

SPONGE BOB. New York 2006168

all of the elements come into balance and onesresponse to the image is immediate and visceral.

Huntington Wood, MI 248.705.1035

www.ericsmithphotography.com


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MACYS PARADE. New York 2006 169

Bill McAllen"I enjoy shooting environmentalportraits. I am producing a book


170/256

FRED RASMUSSEN AT GREEN MOUNT CEMETERY170

featuring citizens of Baltimore intheir favorite spaces and places."

Baltimore, MD 410.499.4131

www.mcallenphotography.com


171/256

DUFF GOLDMAN AT MOUNT VERNON SQUARE 171

Nick Nacca"For me its all about the light. Blending,shaping, and sculpting with light is at the


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OIL & GLASS172

center of my process, creating imagesthat stand out in a world of clutter.

San Diego, CA 619.280.9900

www.naccaphoto.com


173/256

PEZ AUDIENCE 173

Jeff DownieCleveland, OH 216.426.9090

www.kpphoto.com


174/256

GREEN BUCKET174

Craig BrownCleveland, OH 216.426.9090

www.kpphoto.com


175/256

NYMPHAEACEAE 175

David HagenCleveland, OH 216.426.9090

www.kpphoto.com


176/256

TOMATO176

Mike WassermanCleveland, OH 216.426.9090

www.kpphoto.com


177/256

SMALL ARCTIC, BLUFF 177

Jackson Hill These photographs are from a

post-Katrina series taken entirely


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TWO DREAMS: THE SECRET OF LIFE178

and literally from images

revealed in two dreams.

New Orleans, LA 504.524.0200

www.southernlights.com


179/256

THE DEATH OF PHOTOGRAPHY 179

Denton Robertson Tillman


180/256

THE PAINTER180

New York, NY 212.255.2977

www.dennytillman.com


181/256

RIVA'S BRUSHES 181

Olof Wahlund


182/256

FERNS. Pigment print182

New York, NY 212.929.9067

www.olofwahlund.com


183/256

ROCKSCAPE ONE. Pigment print 183

John Still"I use digital and analog capture and

compositing in my still-life works to


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EASY AS. Digital multiple exposure184

explore and connect themes of time,

motion, perception, and synchronicity."

Newton, MA 617.527.9911

www.johnstill.com


185/256

DREAMS TAKE FLIGHT. Digital photo composite 185

Donna CallighanSeries of work includes Foggy

Florals, Seeds, Trees, Weeds,


186/256

BUBBLES #273186

S.O.S., and Earth Balls. I am currently

working on The Language of Trees.

Stamford, CT 203.348.7997

www.donna-terra.com


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FROM WHICH WE GROW 187

David UnderwoodMy composite photographs expand the

language of single-frame photography,


188/256

CACTUS, WINDOWS, AND DOORS. Composite stapled color and silver gelatin photograph188

exploring varied possibilities of deconstruction, recon-

struction, content, editing, printing, and presentation.

Jefferson City TN 865.471.3572

www.underwoodartworks.com


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PLEASE KEEP OFF LAWNS. Composite stapled color and silver gelatin photograph 189

Max Hilaire My photography

encompasses fine


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CIRCLES190

art, architecture, still-life,

and global images.

New York, NY 212.953.1986

www.maxhilaire.com


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BLUE WALL 191

Don Carlson


192/256

HEADS UP. Digital photograph192

Richmond, CA 510.410.7833

www.rudedesigns.com


193/256

CHAIN LINKED. Digital photograph 193

Peter Treiber"The art of steel-making is dramatic and

beautiful, but it is also hot, dirty, and


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FLAME CUTTING, PRESS FORGE #2194

extremely dangerous. It was twenty-four years

of magic as I photographed this art in action."

Bethlehem, PA 610.867.3303

www.ptphoto.com


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CASTING IN IRON FOUNDRY 195

David Lee Thompson"I work with a variety of imaging

processes to create emotionally


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MOON FLIGHT. Digital capture with Adobe processing196

evocative and moving images

of the heart, mind, and soul."

Tampa, FL 813.902.9816

[email protected]


197/256

INTO THE FUTURE. Digital capture with Adobe processing 197

Arthur Levy


198/256

ASPEN FIREWORKS. Vivid, natural colors of an explosion of falls beauty198

Boulder, CO 303.443.8473

[email protected]


199/256

HOT DAY. First light of a hot summer day 199

Ric Peterson


200/256

HULL #1200

Seattle, WA 206.334.5308

www.ricpeterson.com


201/256

TASHA 201

Thaine Manske

"I search for artistic ways to create images

that evoke strong emotions, incorporating


202/256

CATTLE ROUNDUP202

the subtle interaction of color, texture, and

movement with the simplicity of good design."

Houston, TX 713.988.0615

www.thainemanske.com


203/256

1945 SINGER SEWING MACHINE 203

Phillip Spears

"This work is inspired by my affinity

for the beauty, scale, and achievement


204/256

COGEN 1204

inherent in the industrial

and man-made landscape."

Fayetteville, GA 678.481.8842

www.phillipspears.com


205/256

HERREKNECHT 1 205

George H.H. Huey


206/256

WATER AND SANDSTONE. Zion National Park, Utah206

Prescott, AZ 928.445.6800

www.georgehhhuey.com


207/256

LAVA DETAIL. Hawaii Volcanoes National Park, the Big Island 207

Gabe Palmer

My vision is to reduce a scene or an object to its basic,

graphic form; the play of line, color, or shape. I do not


208/256

GRACE. Part of a continuing series exploring plants and flowers208

take many variations, or many pictures, but spend most

of my time just observing before I record an image.

Pownal, VT 800.872.1410

www.palmerkane.com


209/256

SILENT PRAYER. Part of a continuing series exploring plants and flowers 209

Craig Stocks

I began my professional

career in the 1970s in the


210/256

MOON FLOWER. Digital capture and post-processing210

world of film, but the digital world

has set my creativity free.

Delavan, IL 309.244.9684

www.craigstocksarts.com


211/256

JEKYLL ISLAND SUNRISE. Digital capture, minimal post-processing 211

Thomas R. Fletcher

Cowen, WV 304.226.5435

www.proseandphotos.com


212/256

SOLITUDE. Misty spring woodland, West Virginia212

Fred Lee Emmert

Santa Ana, CA 714.435.1700

www.airviews.com


213/256

FOGGY WIG ROCK. Nature creates art, but timing is everything 213

John Gregory

"Landscape is about capturing light, shadow,

and color that evokes the feelings of wonder,


214/256

TREE IN MEADOW. Great Smoky Mountains 2007. Digital214

awe, and serenity. Color and texture explodes from an

emerging sunrise and fades into the subtleties of dusk."

Libertyville, IL 847.650.5421

www.johngregoryimages.com


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RIPPLED HORIZON AT SUNSET. Great Smoky Mountains 2007. Digital 215

Tom Jelen Village of Lakewood, IL 847.287.7936www.tomjelenvirtuals.com


216/256

216 MACKINAC ISLAND FLOWER GARDEN

Bernard Friel Mendota Heights, MN 651.454.3655www.wampy.com


217/256

217RED BARN MINNESOTA. Winters contrasts

Carl R. Battreall Anchorage, AK 907.646.1075www.battreallphoto.com


218/256

218 GLOWING ICE AND STREAM. Byron Glacier, Alaska

Russ Bishop Ventura, CA 805.647.8056www.russbishop.com


219/256

219MONO LAKE, CALIFORNIA. Natural imagery with a sense of detail and drama 219

Sid Hoeltzell "Film transitioned, capturesturn digital, the eye remains


220/256

KOKI BEACH SUNRISE, MAUI. Archival gicle limited edition220

the same...always sharp, hungry, andnever satisfied until it is ink on paper."

Miami, FL 305.573.0175

www.sidhoeltzellphoto.com


221/256

LEAF #064. MAUI ZEN SERIES. Archival gicle limited edition 221

Paul Wiles Eugene, OR 541.342.7304www.paulwilesphotography.com


222/256

222 WILD & SCENIC PORTION OF THE MCKENZIE RIVER, OREGON

Jim Yuskavitch Sisters, OR 541.549.8914www.agpix.com/jimyuskavitch


223/256

223DAWN, KLAMATH MARSH, CALIFORNIA

Yiorgos Konstantinidis "My inspiration comes from mystruggle to communicate with


224/256

AUTUMN CREEK. Mount Pieria, Greece. Limited edition print224

Mother Nature; witnessing all she has to offer,hidden under a leaf, a rock, or a fierce sky."

Thessaloniki, Greece 0030.6972776466www.standinlight.com


225/256

KERKINI LAKE. Greece. Limited edition print 225

Stephen G. Weaver Colorado Springs, CO 719.389.6954www.earthsystemsimaging.com


226/256

WILLOWS AND ASPEN, WYOMING226

Vida Ward Portland, OR 503.231.7622www.pixelpoint-artistry.com/ward


227/256

SHELTER FROM THE STORM. Remarkable Rocks, Kangaroo Island, Australia 227

Frederick Charles Exploring every nuance of weather,documenting the splendor of change,


228/256

THE SEASONS PROJECT: A YEAR IN THE LIFE OF AN ORCHARD228

standing witness to the power of the earths naturalcycle; I was humbled before the sublime.

Dobbs Ferry, NY 914.674.4044

www.fcharles.com


229/256

One year, one camera position, forty-seven days of photography 229

Lewis Kemper There is nothing better then when light, color,form, and nature all come together. I try to find


230/256

ERODED HILLS, DEATH VALLEY NATIONAL PARK. Ultrachrome pigment print230

the extraordinary in the world aroundus and to share it with my audience.

Sacramento, CA 916.974.7200

www.lewiskemper.com


231/256

GHOST TREES, YELLOWSTONE NATIONAL PARK. Ultrachrome pigment print 231

Kevin Laubacher "The serendipity of the moment has alwaysbeen my mantra. At times by placing


232/256

PARKING LOT SENTINEL232

together these singular impulses I can tell a broaderstory and tap into the deeper feelings of the viewer."


www.kevinlaubacher.com


233/256

FOREST SENTINELS 233

John De Mello Honolulu, HI 808.521.3560www.johndemello.com


234/256

234 HALONA BEACH. East O`ahu, Hawai`i

Margaret Lord San Rafael, CA [email protected]


235/256

235MAISON GARDEN, LOUISIANA. Polaroid transfer

Michael Hart


236/256

EMERGENCE236


237/256

Jeffrey R. Klug My photographyis like nature


238/256

MOON AT POINT LOBOS238

always and neverthe same.

Hubertus, WI 262.628.1255

www.klugsphotoworld.com


239/256

LEAF ON ALGERS FALLS 239

Noel Greene "I always try to capture the other sideof the image. These types of images


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GRAND CANAL, VENICE240

only present themselves for a mere secondand in my view can never be recaptured." [email protected]

Ferney-Voltaire, France 0033.67.7179842


241/256

REFLECTIONS AT LA FENICE OPERA HOUSE, VENICE 241

Bart Harris "For the first forty of my more than fiftyyears in photography, I referred to myself as


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MICHIGAN AVENUE, #1242

a photographer. With the advent of Photoshop and digitalphotography, I finally consider myself an artist.

Chicago, IL 773.975.0070

www.bartharris.com


243/256

MILLENNIUM PARK, #1 243

Michael Snively "Light is my muse, the photographmy poem, creating an expression of


244/256

TIDAL PASSAGE. Archival carbon pigment print244

timelessness and beauty. These imagesare from the Forgotten Dreamsseries."

Littleton, CO 303.520.7329

www.intimatemuse.com


245/256

REST IN PEACE. Archival carbon pigment print 245

Michael E. Haritan This series pays homage to the similarityand beauty of the landscape and


246/256

PETERS LAKE PARK. McMurray, Pennsylvania, 2007246

bodyscape. As nature adorns itself forus, so does the human but for itself.

Pittsburgh, PA 724.941.2002

[email protected]


247/256

NAVEL ADORNMENT. 2007 247

Alastair Orpen Finlay "My observation of my photography is aform of satirea comment on a period


248/256

WORLD FINANCIAL CENTER. New York, New York248

of time. Time is a consequence. It can demean and loveconsecutively. By which we are humbled in the end."

New York, NY 212.252.9667

www.alastairfinlay.com


249/256

DISPOSABLE. Houston Street, New York, New York 249

Vickie Lancaster


250/256

FISHING BOAT. Vancouver, British Columbia250


www.vickielancaster.com


251/256

MOUNT HOOD AT CHRISTMAS 251

David Halpern Tulsa, OK 918.742.8978www.davidhalpern.com


252/256

252 BEARS TOOTH CAVERN. Antelope Canyon, Arizona 2007

GALLERIES, CENTERS,and DEALERS

Afterimage Gallery

2800 Routh Street #141

Dallas, TX 75201

Alan Klotz Gallery511 W. 25th Street #701

New York, NY 10001

Andrew Smith Gallery203 W. San Francisco Street

Santa Fe, NM 87501

Ansel Adams GalleryVillage Mall, Box 455

Yosemite N. Park, CA 95389

Ariel Meyerowitz Gallery

4720 Center Blvd. #2005

Long Island City, NY 11109

Art Source L.A.

2801 Ocean Park Blvd

Camera Obscura Gallery

1309 Bannock StreetDenver, CO 80206

Camerawork Gallery

515 Center Street

Scranton, PA 18503

Candace Dwan Gallery27 Katonah Avenue

Katonah, NY 10536

Catherine Edelman Gallery300 W. Superior, 2nd Fl

Chicago, IL 60610

Ctr. for Fine Art Photography201 S. College Avenue

Fort Collins, CO 80524

Charles Hartman Fine Art

2625 NE 26th Avenue

Portland, OR 97212

Charles Cowles Gallery

537 W 24th Street

David Gallery

5797 Washington Blvd.Culver City, CA 90232

Deborah Bell Photographs

511 W. 25th Street #703

New York, NY 10001

DSA Fine ArtsP.O. Box 1120

Beacon, NY 15208

Edwynn Houk Gallery745 Fifth Avenue

New York, NY 10151

Etherton Gallery135 S. 6th Avenue

Tucson, AZ 85701

Fahey/Klein Gallery

148 N. La Brea Avenue

Los Angeles, CA 90036

Fay Gold Gallery

764 Miami Circle


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2801 Ocean Park Blvd.Santa Monica, CA 90405

Atlanta Photography Group75 Bennett Street, NW, B-1Atlanta, GA 30309

Barry Singer Gallery7 Western Avenue

Petaluma, CA 94952

Bonni Benrubi Gallery41 E. 57th Street

New York, NY 10022

537 W. 24th StreetNew York, NY 10011

Charles Isaacs Photographs

25 W. 54th Street #5CNew York, NY 10019

Charles Schwartz Ltd.21 E. 90th Street

New York, NY 10128

Cichon Photography Gallery

133 Bent Street

Taos, NM 87571

764 Miami CircleAtlanta, GA 30324

Flatfile Gallery

217 North CarpenterChicago, IL 60607

FL Msm. of Photographic Arts

200 N. Tampa Street

Tampa, FL 33602

Fraenkel Gallery49 Geary Street

San Francisco, CA 94108

G. Gibson Gallery

300 S. Washington StreetSeattle, WA 98104

Gallery 19/21

9 Little Harbor Road

Guilford, CT 06437

Gallery for Fine Photography241 Chartres Street

New Orleans, LA 70130

Gallery Luisotti2525 Michigan Avenue A-2

Santa Monica, CA 90404

Gallery Sink2301 W. 30th Street

Denver, CO 80211

Gary Edwards Gallery

1711 Connecticut Ave. N.W.

Washington, DC 20009

Gerald Peters Gallery

2913 Fairmont

Howard Greenberg Gallery

41 E. 57th StreetNew York, NY 10022

Howard Schickler Fine Art

P.O. Box 49227

Sarasota, FL 34230

Illustrated Light Gallery1 Old Town Square #103


Iris Gallery of Fine Photoghy.47 Railroad Street

Great Barrington, MA 01230

J.J. Brookings Gallery330 Commercial Street

San Jose, CA 95112

Jan Kesner Gallery

164 N. La Brea Avenue


Janet Borden Gallery

560 Broadway #601

John Stevenson Gallery

338 W. 23rd StreetNew York, NY 10011

Joseph Bellows Gallery

7661 Girard Avenue

La Jolla, CA 92037

Kathleen Ewing Gallery1609 Connecticut Ave. #200


Keith de Lellis Gallery47 E. 68th Street

New York, NY 10021

Laurence Miller Gallery20 W. 57th Street

New York, NY 10019

Lee Marks Fine Art

2208 E. 350 North

Shelbyville, IN 46176

Lewis Lehr, Inc.

444 E. 86th Street


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Dallas, TX 75201

Gitterman Gallery

170 E. 75th StreetNew York, NY 10021

Hans P. Kraus Jr., Inc.962 Park Avenue

New York, NY 10028

Hasted Hunt Gallery529 W. 20th Street, 3rd Fl

New York, NY 10011

yNew York, NY 10012

Janet Lehr Inc.

891 Park AvenueNew York, NY 10021

Joel Soroka Gallery400 E. Hyman Avenue

Aspen, CO 81611

John Cleary Gallery2635 Colquitt

Houston, TX 77098

New York, NY 10028

Lisa Sette Gallery

4142 N. Marshall WayScottsdale, AZ 85251

Michael Dawson Gallery535 N. Larchmont Blvd.


Michael Shapiro Photographs49 Geary Street #208


Monroe Gallery of Photoghy.

112 Don GasparSanta Fe, NM 87501

Msm. of Contemp. Photoghy.

600 S. Michigan Avenue

Chicago, IL 60605

Msm. of Photographic Arts1649 El Prado

San Diego, CA 92101

Newspace Ctr for Photoghy.1632 S.E. 10th Avenue

Portland, OR 97214

Open Shutter Gallery755 E. Second Avenue

Durango, CO 81301

Ordover Gallery

1788 El Prado

San Diego, CA 92101

Pace/MacGill Gallery

32 E. 57th Street, 9th Fl

Photogenesis Gallery

100 E. San Francisco StreetSanta Fe, NM 87501

Photographs Do Not Bend

1202 Dragon Street #103

Dallas, TX 75207

Prakapas Gallery1 Northgate 6B

Bronxville, NY 10708

Ralls Collection, Inc.1516 31st Street N.W.


Robert Klein Gallery38 Newbury Street, 4th Fl

Boston, MA, 02116

Robert Koch Gallery

49 Geary Street, 5th Fl


Robert Mann Gallery

210 Eleventh Avenue, 10th Fl

Santa Fe Photoghy. Center

P.O. Box 2483Santa Fe, NM 87504

Scheinbaum Russek Ltd.

369 Montezuma #345

Santa Fe, NM 87501

Scott Nichols Gallery49 Geary Street #415


Silver Eye Photography Ctr.

1015 East Carson Street

Pittsburgh, PA 15203

Silverstein Photography535 W. 24th Street

New York, NY 10011

Society for Cont. Photoghy.520 Avenida Cesar Chavez

Kansas City, MO 64108

SOHO Photo

15 White Street


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New York, NY 10022

Patricia Laligant

150 W. 28th Street #1702New York, NY 10001

Paul Kopeikin Gallery6041 Wilshire Blvd.


Peter Fetterman Gallery2525 Michigan Ave. A-7


New York, NY 10001

Robert Miller Gallery

524 W. 26th StreetNew York, NY 10001

Rose Gallery2525 Michigan Ave. G-5


Sandra Berler Gallery7002 Connecticut Avenue

Chevy Chase, MD 20815

New York, NY 10013

Southeast Msm. of PhotoghyP.O. Box 2811Daytona Beach, FL 32120

Staley-Wise Gallery560 Broadway, 3rd Fl

New York, NY 10012

Stellar Gallery40982 Highway 41, Suite 1

Oakhurst, CA 63644

Stephen Daiter Gallery

311 W. Superior Street #404Chicago, IL 60610

Stephen L. Clark Gallery

1101 W. 6th Street

Austin, TX 78703

Steven Kasher Gallery521 W. 23rd Street, 2nd Fl

New York, NY 10011

TARTT/Washington1711 Connecticut Avenue

NW, Washington, DC 20009

The Collected Image806 Monroe Street

Evanston, IL 60202

The Illustrated Light Gallery

# 1 Old Town Square #103


Throckmorton Fine Art

145 E. 57th Street, 3rd Fl

Vintage Works, Ltd.

258 Inverness CircleChalfont, PA 18914

Wach Gallery

31860 Walker Road

Avon Lake, OH 44012

Watermark Photography3503 Lake Street

Houston, TX 77098

Weinstein Gallery908 W. 46th Street

Minneapolis, MN 55419

Wessel + O'Connor Fine Art111 Front Street #200

Brooklyn, NY 11201

Weston Gallery, Inc.

P.O. Box 655

Carmel, CA 93921

William Floyd Photographs

16 E. 77th Street

ARTof Seeing

A working toolfor American

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Art of Seeing

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The publication


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New York, NY 10022

Van Deusen Photography

6951 Tomahawk RoadPrairie Village, KS 66208

Vernacular Photography4718 Springfield Avenue

Philadelphia, PA 19143

Verve Gallery of Photography

219 East Marcy Street

Santa Fe, NM 87501

New York, NY 10021

Yancey Richard Gallery

535 W. 22nd StreetNew York, NY 10011

Yossi Milo Gallery525 W. 25th Street

New York, NY 10001

Zabriskie Gallery41 E. 57th Street, 4th Fl

New York, NY 10022

The publication

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Documents

Art of Seeing