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    rt of

    OLIVI WILMORE

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    WIFE When she was 20 years old, shy WIFE met HUSBAND at a summer festival. Intimidated by the mass Crowds of Tokyo, herself being from a smaller rural town, she nds it hard to meet and connect with people. She instantly falls In love with HUSBAND, him

    being the rst person to take an interest in her. They marry young and she becomes a housewife, giving up on her studies, the original reason she moved toTokyo. He is her everything.

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    HUSB NDCharismatic and energetic, HUSBAND isused to getting things his way. At the ageof 24 he sees WIFE at a summer festival.He senses her inner turmoil and isexcited by the prospect of showing herhow to live and love. When he is forced toget a proper job and nancial issues kickin he is angry he can not easily x hisproblems as quick as he used to, Althougha caring husband, He cannot help but feela sense of superiority over his timid wife

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    GHOST Husband

    Even in the afterlife, HUSBAND thinks hecan control his WIFE, trying to get her tofollow him into the afterlife

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    ENVIRONMENT RT

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    ENVIRONMENT RT

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    ENVIRONMENT RT

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    Prop art

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    SCRIPTEXT. TOKYO ROLLER RINK PARK - EVENING ESTABLASHING SHOT: View of some kind of summertime fayre, with ROLLERRINK in centre, blossom trees all around MEDIUM SHOT: MOTHER leaning against roller rink rail LOOKS RIGHT MEDIUM SHOT: FATHER smiles widely and hands drink MEDIUM SHOT: large GRIN crawls across MOTHER's face

    WIDE SHOT -PAN LEFT: Camera follows MOTHER and FATHER as then run paststalls, drink spilling as they run

    WIDE SHOT: MOTHER and FATHER run towards camera and veer LEFT intophoto booth INT. PHOTOBOOTH

    PHOTO BOOTH LENS:MOTHER and FATHER pose for 4 silly photos, ScreenBLACKOUT for split second each time- STILL of photo shown EXT. TOKYO ROOF - NIGHT

    MEDIUM SHOT: MOTHER and FATHER lying on roof, hands behind heads EXTREME WIDE SHOT - PAN UP: Tokyo skyline panning up to night sky full ofstars, two are shining brighter than the others. FATHER's hand points up and

    point at the two stars in turn

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    SCRIPTMEDIUM SHOT: MOTHER and FATHER laying next to each other, FATHERpoints at MOTHER and himself in turn. They kiss EXT. NEWLY BOUGHT HOUSE - DAY

    WIDE SHOT- PAN LEFT: MOTHER and FATHER stood out NEWLY BOUGHTHOUSE, FATHER shakes keys and both grin. Their gures are shadows on thehouse behind. As the shot PANS we see just the shadows of MOTHER huggingFATHER dramatically, kicking one leg in the air

    INT. PHOTOBOOTH

    FIRST STILL: MOTHER and FATHER big grins SECOND STILL:FATHER taps MOTHER on opposite shoulder to where he is sat,MOTHER's head is turned opposite way as if to see who's tapping her THIRD STILL: FATHER opens up small box with proposal ring inside, MOTHER's

    head still turned the other way FOURTH STILL: MOTHER sees ring, hands clasped round mouth FIFTH STILL: MOTHER and FATHER happy embrace EXT. KITCHEN

    MEDIUM SHOT: MOTHER hands FATHER brown paper lunch bag with "Good

    Luck!" written on it

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    SCRIPTMEDIUM SHOT: FATHER (who is in a SUIT holding a BRIEFCASE) happilyaccepts bag and runs towards door MEDIUM SHOT: FATHER opens door enthusiastically after rst day of work

    SAME SHOT REPEATS 4 TIMES EACH TIME FATHER LOOKS MORE AND MORE DESHEVELLED AND STRESSED

    MEDIUM SHOT: MOTHER smiling happily at FATHER's return SAME SHOT REPEATS 4 TIMES EACH TIME MOTHER

    LOOKS MORE AND MORE SHOCKED AND UPSET. ALSO IN BACKGROUNDMORE BILLS CAN BE SEEN ON THE NOTICE BOARD INT. FATHER's OFFICE

    PAN SHOT: MOTHER's back in foreground looking into ofce, FATHER sat indarkened ofce behind, head in hand on desk, PAN to reveal more of FATHER

    CLOSE UP: FATHER's desk covered in paper, empty bottles in background,FATHER hits st on desk MEDIUM SHOT: MOTHER reaches hand towards FATHER, FATHER turns roundangrily and throws bottle towards MOTHER CLOSE UP: BOTTLE explodes against wall EXT. AOKIGAHARA FOREST

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    SCRIPT WIDE SHOT CRAB: View of the Aokigahara forest. FATHER stumbling through

    trees in distance getting closer to camera. He is holding some rope which is winding through the trees. MEDIUM SHOT: Shot focuses on teary eyed, angry looking FATHER, who isholding rope as he walks, Forest can be seen moving in the background as if heis walking. CLOSE UP SHOT: FATHER's hand drop the end of the rope

    CLOSE UP SHOT: FATHER is looking up. ZOOM OUT to reveal tall tree withhanging rope

    EXT. TOKYO ROLLER RINK PARK - NIGHT -It is Winter, dark and rainy- Pathetic fallacy-

    WIDE SHOT: MOTHER walks slowly alone passed closed stalls. No one is on the

    ice rink. Same angle as previous shot where FATHER and MOTHER runtogether MEDIUM SHOT: MOTHER walks sadly round corner towards photo booth, againsame shot as previous PHOTOBOOTH SHOT: MOTHER stares solemnly towards camera, FATHER'sghost comes through side of the booth and kisses MOTHER on cheek. She does

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    SCRIPTnot move. GHOSTLY HANDS come from the door of the booth and handsGHOSTLY ROPE to MOTHER. MOTHER takes hold of rope and follows it out of

    the booth

    EXT. AOKIGAHARA FOREST

    WIDE SHOT CRAB: View of the Aokigahara forest. MOTHER stumbling throughtrees the same as FATHER in previous scene holding the ghostly rope MEDIUM SHOT: Same teary eyed shot as FATHER

    CLOSE UP SHOT: MOTHER looks up at tall tree. ZOOM OUT to reveal FATHER'sghost perched atop branch with GHOSTLY HANGING ROPE. FATHER's ghostlyarms extend and places GHOSTLY ROPE around MOTHER's neck CLOSE UP SHOT: MOTHER side prole. Looking up at tree, GHOSTLY ROPE isslowly lifting her up. MOTHER closes her eyes and shakes her head and theGHOSTLY ROPE dissolves

    WIDE SHOT: MOTHER runs in opposite direction through forest. PAN's unpwardto night sky

    PAN SHOT: PAN down to CLOSE UP of calm MOTHER knelt on oor with a line ofCANDLES. MOTHER is slowly burning one of the PHOTO BOOTH PHOTOS.ZOOMS OUT to AIRIAL SHOT of forest, line of candles leading out of the forest.

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS

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    STORYBO RDS