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-Interest in iron and glass and new ways to construct
-Nature as a source of ornament -Whiplash, long organic lines -Design unity/total design --Flourishes especially in Brussels,
Paris, and Barcelona
Hotel Tassel
• 1893-4 • Private home for a
well-known scientist • Meshing classical with
modern materials: stone and iron (type)
• Use of large areas of glass
• Stasis versus motion
"The house built by Gaudi on the Paseig de Gracia is made of
the tranquil waters of a lake. This is not a question of deceptive metaphors or
fairytales, etc.... this house exists... It is a real building and
the true sculpture of the reflections of twilight clouds in
the water, which was made possible by recourse to a huge
and insane multicolored mosaic, shimmering with pointillistic iridescence from which the
forms of water emerge, water that has spread and is
spreading, forms of stagnant water; forms of shimmering
water, forms of wind-sprayed water" Salvadore Dali, 1933
• “There are no straight lines in nature.” • Stone, not concrete • Geomorphic • Nationalism: the long heritage of Spanish
architecture: Spanish Gothic, Baroque but also Moorish, and North African
• Ability as an engineer
Barcelona, Sagrada Familia, 1883ff. arch. A. Gaudi
Section Amiens Cathedral, from: "Discourses", (1858-1872), Arch.: Eugène Emmanuelle Viollet-le-Duc