Art in New York

Eighties

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled, No. 15, 1978.

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled Film Series, 1977-80.

Cindy Sherman, Untitled Film Series, 1977-80, No. 50, 1979.

Cindy Sherman, Untitled Film Series, 1977-80No.14, 1978.

Cindy Sherman, Untitled Film Series, 1977-80, No. 10, 1977.

Sherrie Levine, After Edward Weston, 1981.

Sherrie Levine, After Walker Evans, 1981.

Barbara Kruger, Your Body Is a Battleground, 1989, photographic silkscreen on vinyl, 111“ X 13”.

Barbara Kruger, I Shop Therefore I Am, 1990, photographic silkscreen on vinyl, 111" X 113“.

Barbara Kruger, Untitled, 1981, Your Gaze Hits the Side of My Face.

Barbara Kruger, Money Can Buy You LoveBarbara Kruger, It is a small world,

but not if you have to clean it

Barbara Kruger, It is a small world, but not if you have to clean it, Mesh banner, 8th Avenue, on the Hilton Times Square Hotel.

Jenny Holzer, Abuse of Power Comes as No Surprise, from the series Truisms, 1980’s.

Jenny Holzer, Abuse of Power Comes as No Surprise.

Jenny Holzer, Abuse of Power Comes as No Surprise, from the series Truisms, 1980’s.

Jenny Holzer, Abuse of Power Comes as No Surprise, from the series Truisms, 1980’s.

Jenny Holzer, Protect Me From What I Want.

Jenny Holzer, Truisms, 1977-79.

Truisms

Jenny Holzer, 1982.

Jenny Holzer, Housing is a Human Right, 1989, Times Square.

Jenny Holzer, Murder Has its Sexual Side.

Jenny Holzer, Money Creates Taste, Las Vegas, Caesar's Palace, 1986.

Lawewnce Weiner, Blue Moon Over, 2001, 5:14 minute, color, silent (digital drawing and text fragments-animated sequences).

Richard Prince, Spiritual America, Brooke Shields, 1983.

Richard Prince, Untitled / Cowboy, 1989.

Richard Prince, Untitled / Cowboy, 1989.

Richard Prince, Untitled / Cowboy, 1989.

Jeff Koons, Two Balls 50/50 Tank, 1985.

Jeff Koons, New Wet/Dry Double Decker, 1980. Plexiglas, fluorescent light and vacuum cleaners, 124” X 28” X 28”.

Jeff Koons, Michael Jackson and Bubbles, porcelain ceramic blend, 42” X 70 ½” X 32 ½”,

1988, numbered 3/3.

Jeff Koons, Rabbit, stainless steel casting of an inflatable rabbit holding a carrot , 1986.

Jeff Koons, String of Puppies,1998, Wood painted sculpture.

Art Rogers Photograph, Puppies, 1980. Jeff Koons, String of Puppies, Wood painted sculpture, 1998.

Jeff Koons, Made in Heaven, Billboard poster, 1989, Jeff Koons and Cicciolina.

Jeff Koons, Made in Heaven, Billboard poster, 1989, Jeff Koons and Cicciolina.

Jeff Koons. Balloon Dog (Blue), 1994-2000, and Tulips, 1995-2004.

Jeff Koons. Puppy, Topiary/papier mache, 1992-1995.

Jeff Koons. Sacred Heart, Red/Gold, 1994-2000.

Allan Mc Collum, Surrogate Paintings, 1978-80.

Allan Mc Collum, Surrogate Paintings, 1978-80, acrylics and enamel on wood, sizes vary.

Allan McCollum, Drawings, 1988-90. Installation at John Weber Gallery, New York, 1990. Over 2,00 framed drawings, pencil on museum board, various

sizes.

David Hammons, Blizzard Balls Sale, 1983, performance / installation, New York City.

Andres Serrano, Piss Christ, 1987, photograph of plastic Crucifix in the artist’s urine.

Jean-Michel Basquiat, Charles the First, 1982, screenprint, 61" X 48“.

Jean-Michel Basquiat, Boy and Dog in a Johnnypump, 1982. Acrylic, oil paintstick, and spray paint on canvas, 7’ 10 ½” X 13’ 9 ½”.

Jean-Michel Basquiat, Portrait of the Artist as a Young Derelict, 1982. Acrylic, oil, and oil painstick on wood, 6’ 8 5/16” X 6’ 10 1/16”.

Anselm Kiefer, Nigredo, 1984.

Anselm Kiefer, Your Golden Hair, Margarete, 1981.

Anselm Kiefer, Nuremberg, 1982.

Gerhard Richter, October 18, 1977, (1988)- Series of 15 paintings - MoMA

Gerhard Richter, Jugendbildnis (Youth Portrait), 72.5 cm X 62 cm, 1988, studio photograph of Ulrick Meinhoff, before she went underground.

Gerhard Richter, Festnahme 1 (Arrest 1), 92 cm X 126.5 cm, 1988 Meins surrounding to an armored car whose gun is trained on him, while he is trying

to prove that he is unarmed.

Gerhard Richter, Festnahme 2 (Arrest 2), 92 cm X 126.5 cm, 1988.

Arrest of Andreas Baader, Jan-Carl Raspe, and Holger Meins in Frankfurt on June 1, 1972.

Gerhard Richter, Gundrun Ensslin passing in front of a camera in the way to her cell.

Gerhard Richter, Gegenüberstellung 2 (Confrontation 2), 112 cm X 102 cm, 1988.

Gerhard Richter, Gegenüberstellung 1 (Confrontation 1), 112 cm X 102 cm, 1988.

Gerhard Richter, Gegenüberstellung 2 (Confrontation 2), 112 cm X 102 cm, 1988.

The dead body of Gudrun Ensslin found in her cell , Oct. 18, 1977.

Gerhard Richter, Erhängte (Hanged), 201 cm X 140 cm, 1988.

Andreas Baader's book line corner of his quarter in Stammheim.

Zelle (Cell), 201 cm X 140 cm, 1988.

Andreas Baader's phonograph taken after his death. Where Baader kept the gun that he smuggled to kill himself. Left on the phonograph is side two of Eric Clapton's "There's One in Every

Crowd."

Gerhard Richter, Plattenspieler (Record Player), 62 cm X 83 cm, 1988.

Gerhard Richter, Erschossener 1 (Man Shot Down 1), 100.5 cm X 140.5 cm, 1988, Forensic image of Baader dead on the floor of his cell.

Gerhard Richter, Erschossener 2 (Man Shot Down 2), 100.5 cm X 140.5 cm, 1988.

Gerhard Richter, Tote 1 (Dead 1), 62 cm X 73 cm, 1988, hanged Meinhoff with the ligature still around her neck.

Gerhard Richter, Tote 2 (Dead 2), 62 cm X 62 cm, 1988.

Gerhard Richter, Tote 3 (Dead 3), 35 cm X 40 cm, 1988.

Funeral of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in a Stuttgart cemetery a week after their deaths in Stammheim prison in 1977.

Ensslin's father had struggled to find a cemetery that would allow him to bury his daughter. Manfred Rommel, the popular mayor of Stuttgart (and son of

war hero Irwin Rommel), unilaterally decided that the terrorists must be allowed to be buried in a Stuttgart cemetery. "After death, all enmity must

cease," said Rommel.

Gerhard Richter, Beerdigung (Funeral), 200 cm X 320 cm, 1988, three coffins buried in a common grave in a cemetery in the outskirts of Stuttgart..

Maya Lin, Vietnam War Memorial, 1981-84, 2 polished black granite walls, each 246' long, Washington, D.C.

Maya Lin, Vietnam War Memorial, 1981-84, detail, 2 polished black granite walls, each 246' long, Washington, D.C.