ART DRAWING - Junta de Andalucía€¦ · ART UNIT 8: TWO-DIMENSIONAL AND THREE-DIMENSIONAL SHAPES 2. SUPERIMPOSITION OF FORMS: we can suggest volume by placing some forms in front

IES FERNANDO III CENTRO BILINGÜE

ART

& DRAWING

1º DE E.S.O

PROYECTO BILINGÜE A.N.L.: ART 103

ART UNIT 8: TWO-DIMENSIONAL AND THREE-DIMENSIONAL SHAPES

UNIT 8: TWO-DIMENSIONAL AND THREE-DIMENSIONAL SHAPES

OUTLINE

ASPECTOS LINGÜÍSTICOS VOCABULARY

PRESENT SIMPLE IMPERATIVE LOS PASADOS TO BE THERE WAS THERE WERE. VERBOS REGULARES/

IRREGULARES EN PASADO AFIRMATIVA.

CONTABLES/INCONTABLES SOME/ ANY GOING TO MUST / MUSTN´T

PHONETICS

I. – TWO-DIMENSIONAL AND THREE DIMENSIONAL SHAPES 2 – SHAPES ON 2D SPACE

Plane shapes 3– THIRD DIMENSION

Chiaroscuro Superimposition of forms Different sizes of forms perspective

4– VOCABULARY

TODOS LOS SONIDOS

AGAINST BACKGROUND BAROQUE TWO-DIMENSIONAL CANVAS CAVALIER PERSPECTIVE DARKNESS DEPICT DEPTH PLAIN PERCEPTION



1. TWO-DIMENSIONAL AND THREE- DIMENSIONAL SHAPES A figure takes a fragment from the space we draw on. The space left is the background. Shapes/figures that are represented on a two-dimensional space only have two spatial dimensions: high and width but not depth. Drawings, paintings, photographs, images at the cinema are two-dimensional images. On the other hand there are figures that take a three-dimensional space. For example a pot made of clay has three spatial dimensions: hight, width and depth. Sculptures and buildings are three dimensional objects. We can walk around a 3D object to see different sights of its shape: the back, the front and the profiles.

http://images.google.es/imgres?imgurl=http://www.openart.com /uploads/images/obras/big/equipo_cronica_menina_con_abanico.jpg

http://images.google.es/imgres?imgurl=http://www.elpais.com/recorte/2007 0125elpepucul_7/LCO340/Ies/salas_exposicion_Cronicas_Reales.jpg



http://images.google.es/imgres?imgurl=http://sctresearch.org/images/meninas.jpg



2. SHAPES ON 2D SPACE -Plane shapes (when no volume is represented) Plane shapes in one colour, simplified, and with no details can be seen easily and worked out better. We find plain shapes on posters, logotypes, traffic signals etc.

http://images.google.es/imgres?imgurl=http://www.dialogica.com .ar/unr/epicom/archives/velasquez-1656-las-meninas.jpg



Sometimes it is not necessary to represent the third dimension. Even a photographer can choose to make a photo with no volume in it.

http://www.bienalcartel.org.mx/expo_siglo_XX/pages/056%20ikko% 20tanaka%201981%20%20copy.htm



-We can represent third dimension on a plain surface (paper, canvas etc) by using different techniques:

1. CHIAROSCURO: it is a procedure by which we can get a 3D sensation in objects. It consists of creating some progressive ranges of light, from lightness to darkness to get volume on a bidimensional space. So, for example with chiaroscuro we can make a circle to be seen as a sphere. It is used on paintings and drawings. As masters of this technique we have the Italian painter Caravaggio from the Baroque time. We see in his paintings a strong contrast between shade and light and how often backgrounds appear almost totally in black making this way the illuminated figures be very remarkable. Velazquez and Rivera were also very important in Spain, and Rembrandt in Holland.

http://images.google.es/imgres?imgurl=http://brandstack.com/gallery/brands/pictures/picture12438911979441.png



http://arte.observatorio.info/wp-content/uploads/2008/06/rembrandt.jpg

http://images.google.es/imgres?imgurl=http://farm3.static .flickr.com/2394/2496769019_a35a578521.jpg

http://upload.wikimedia.org/wikipedia/commons/1/12/La_Tour.jpg



2. SUPERIMPOSITION OF FORMS: we can suggest volume by placing some forms in front of another. So the ones at the front are supposed to be closer to the viewer and the ones behind farther. This technique appears often in images from Art History.

http://images.google.es/imgres?imgurl=http://upload.wikimedia.org/wikipedia /commons/thumb/d/de/Michelangelo_Caravaggio_065.jpg/99px-Michelangelo_Caravaggio_065.jpg

http://images.google.es/imgres?imgurl=http://static.picassomio.com/images/art/pm-25317-large.jpg



3. BY MAKING THE SIZE OF FORMS SHORTER: our perception is regulated by different norms. One of them tells us that the objects that are closer to us seem to be bigger than the objects that are far away, they logically appear smaller to us. And also on plain surfaces the upper space depicts the farthest space and the down space depicts the closest space. Forms with the same size will be seen smaller as they get closer to the horizon line.

http://www.kalipedia.com/kalipediamedia/ingenieria/media/200708/22/tecnologia/20070822klpingtcn_287.Ies.SCO.jpg



4. PERSPECTIVE: by using perspective in our drawings we can get a high level of realism. Perspective is a method of representation which allows us to draw 3D objects on a plain surface, so these objects get a very realistic appearance. These are different systems of representation: -Diedric system -Projections in cavalier perspective -Axonometric system -Conic system

http://images.google.es/imgres?imgurl=http://contenidos.cnice.mec.es/plastica/typo3temp/pics/0caed4278d.jpg



http://images.google.es/imgres?imgurl=http://3.bp.blogspot.com/_zN331xelo9k/ShuxmwCG-9I/AAAAAAAAABE/ZG0AMkobXrY/s320/caballera.jpg




http://images.google.es/imgres?imgurl=http://upload.wikimedia.org/wikipedia/commons/f/fb/Piazza_San_Marco_with_the_Basilica,_by_Canaletto,_1730._Fogg_Art_Museum,_Cambridge.jpg




All of these have got their particular norms but the most important thing is that you can create the sensation of depth by using them. In conic perspective, two parallel straight lines cut each other in one point located in the infinite space. This is possible because our natural system of vision.



5. VOCABULARY

ENGLISH PRONUNCIATION SPANISH Against the light adv. / ə'genst ðə laɪt/ A contraluz Background sust. /'bækgraund/ Fondo Baroque adj / noun /bə'rɒk/ Barroco Two-dimensional adj. /'tu:də'mentʃn̩əl/ Bidimensional Canvas sust. /'kænvəs/ Lienzo Catch up verb. /kætʃ/ Coger Cavalier perspective adj.sust. /kævə'lɪəʳ pər'spektɪv/ Perspectiva Caballera Darkness sust. /'dɑ:rknəs/ Oscuridad Depict verb. /dɪ'pɪkt Representar Depth sust. /depθ/ Profundidad Dimension sust. /de'mentʃən/ Dimension Height sust. /haɪt/ Altura Horizon line sust. /hə'raɪzən/ Línea del horizonte Image sust. /’ɪmɪdʒ/ Imagen Length sust. /leŋθ/ Longitud Lightness sust. /'laɪtnɪs/ Luminosidad Logotype sust. /'ləʊgəʊ/ Logotipo Method sust.. /'meθəd/ Método Placing by (to place) verb./ prep. /pleɪs/ Situando / situar Plain adj. /pleɪn/ Plano Plane sust. /pleɪn/ Plano Perception sust. /pər'sepʃən / Percepción Perspective sust. /pər'spektɪv / Perspectiva Profile sust. /'prəʊfaɪl/ Perfil Projection sust. /prə'dʒekʃən/ Proyección Range sust. /reɪndʒ/ Rango Realistic adj. /'ri:ə'lɪstɪk/ Realista Remarkable adj. /rɪ'mɑ:rkəbəl/ Destacable Sight sust. /saɪt/ Vista Silhouette sust. /'sɪlu'et/ Silueta Sphere sust. /sfɪə(r)/ Esfera Strong adj. /strɔ:ŋ/ Fuerte Traffic signals sust. /'træfɪk sɪgnḷ/ Señales de tráfico Three-dimentsional adj /'θri:də'mentʃn̩əl/ TridimensionaL Width sust. /wɪdθ/ Anchura Work out verb. /wɜ:rk aʊt/ Funcionar/ Dar resultado

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ART DRAWING - Junta de Andalucía€¦ · ART UNIT 8: TWO-DIMENSIONAL AND THREE-DIMENSIONAL SHAPES 2. SUPERIMPOSITION OF FORMS: we can suggest volume by placing some forms in front