ARSENAL DE VENECIA.pdf

8/13/2019 ARSENAL DE VENECIA.pdf

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ARSENALE

1. Marino Auriti p. 2 45. Jos De Gruyter e H. Thys p.12. J. D. !"#hai "$e#ere p.% 4&. Ji''ie Duhra' p.2%. Ro(erto )uo*hi p.4 4. Santuario +i Ro'itu,,o4. Lin -ue p.& 4. Lin+a /re*ni Na*0er p.45. )hristopher i00ia's p. 4. 3hy00is Ga0e'(o p.5&. u#se0 Ars0an p. 5. Nor(ert Ghiso0an+ p.. Nei0 6e0ou7a p.1 51. er8ant Giani#ian e A. R. Lu99hi p.. Ste7an 6erta0an p.12 52. Ro(ert Go(er p.. )a'i00e Henrot p.14 5%. Haitian 8oo+oo 6anners p.11.Danie0 Hesi+en9e p.1& 54. Duane Hanson p.411.Hans Josephsohn : p.1 55. Her(ert List p.512.E0iot 3orter p. 1 5&. 3au0 M9)arhty p.1%.E+ouar+ Spe0terini p.21 5. 3ierre Mo0inier p.14.3atri9# 8an )a9#en(er*h p.2% 5. John "utter(ri+*e p.115.J. M. Gus'ao e 3. 3ai8a p.24 5. 3ano Dra;in*s1&.E+ At#ins p.2& &. )aro0 Ra'a p.21.3hy00i+a 6ar0o; p.2 &1. )har0es Ray p.&1.Jessi9a Ja9#son Hut9hins p.2 &2. Hans S9harer p.1.


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MARINO AURITI

Il Palazzo Enciclopedico

153ri'a parte9ipa,ione

Nato a Guar+ia*re0e ne0 11B 'orto ne0 1 a 3hi0a+e0phiaArsena0eB 9or+erie n.1E0isa(etta

6"GRA/A6orn in ta0y in 11B Auriti 9a'e to the Cnite+ States so'eti'e (et;een 12% an+ the 1%s +ue topro(0e's ;ith 7as9is'. He ;or#e+ as an auto:(o+y 'e9hani9B (ut ar9hite9ture ;as his *reat 0o8e. He +ie+in 1. He ;as not an artist e8en i7 he 9opie+ so'e paintin*s su9h as the 3re:Raphae0ites. He starte+ tothin# a(out the pro$e9t 7or the 3a0a9e on0y a7ter his retire'ent in 15.The En9y90ope+i9 3a0a9e that he (ui0t in his ;or#shop ;as on0y a 'o+e0B one step a0on* the ;ay to;ar+ an

a9tua0 (ui0+in*.This (ui0+in* is an entire0y ne; 9on9ept in 'useu'sB +esi*ne+ to ho0+ a00 the ;or#s o7 'an in ;hate8er7ie0+B +is9o8eries 'a+e an+ those ;hi9h 'ay 7o00o;B ;rote Marino Auriti o7 his *oa0s 7or his IlEncyclopedico Palazzo del MondoB e8erythin* 7ro' the ;hee0 to the sate00ite.hi0e AuritiFs 9on9ept is sin*u0arB the ar9hite9tura0 p0an 7or the Palazzois rather 90assi9a0. t is 9o'prise+ o7se8en tiers o7 a 0athe:turne+ s#ys9raperB 'a+e o7 'ie+ ;oo+sB 'eta0B p0asti9 in90u+in* hair 9o'(sIB an+9e00u0oi+B an+ toppe+ (y a te0e8ision antennae. A 'any:pa*e+ 'ission state'ent a99o'panies the pa0a9eB;hi9h is patente+B eposin* Auriti as a 'an ;ho ha+ the +rea's o7 an ar9hite9t an+ the sou0 o7 aphi0osopher. He a9uire+ a patentB (ui0t a pyra'i+:shape+ 8itrine 7or his 'o+e0B ehi(ite+ it t;i9e in astore7ront an+ in a (an# 0o((yIB an+ re9ei8e+ so'e press a(out it.

LA>"R" ES3"ST"This 'o+e0 too# a(out three years to (ui0+ an+ is on a s9a0e o7 1K2B ;hi9h 'eans that i7 it ;ere a9tua00y(ui0tB the pa0a9e ;ou0+ stan+ 1%& stories an+ 2B%22 7eetB ;hi9h ;ou0+ ha8e 'a+e it the ta00est (ui0+in* inthe ;or0+ at the ti'e Auriti i'a*ine+ it. The artist ;ante+ the Palazzo(ui0t on the Ma00 in ashin*tonB D.).The s9u0ptureB ho;e8erB ;as instea+ store+ in a ;arehouse 7or se8era0 +e9a+es.Le 7inestre sono 'o0to pi99o0e e +i 9e00u0oi+eB 0e su++i8isioni +e00e 7inestre sono 7atte 9on 9riniB 0o s9he0etro +i a99iaio e 9e'entoB 0a 7or'a roton+a a8re((e per'esso 0a 'i*0iore +istri(u,ione +e00a 0u9e. LFe+i7i9io ha24 in*ressiB 12& statue in (ron,o +i s9rittoriB s9ien,iati e artisti +e0 passatoB presente e 7uturo eB su00apia,,aB 22 9o0onne +ori9he 9on a0tre statue +i s9rittoriB s9ien,iatiB artisti. A+ o*ni an*o0o a8re((ero +o8utoesser9i 0a(oratori a 9upo0aB sor'ontata +a statue +i 7i*ure a00e*ori9he 9he rappresentano 9ias9una 0euattro sta*ioni.

Auriti s9ri8e pare99hie 0ettere a (an9he e 7inan,iatori 9he a8re((ero potuto essere interessati a0 pro*ettoBper uesto i0 'o+e00o 8iene an9he esposto in una (an9a in 6roa+ Street a 3hi0a+e0phia ne0 15.Dopo 0a 'orte +i Auriti nessuno sape8a 9osa 7arne +e0 'o+e00o uin+i 7u s'ontato e 'esso in un *ara*e.=uan+o an9he 0a 'o*0ie +i Auriti +i8enta an,ianaB +e9i+e +i 9er9are ua09uno 9he 7osse interessato a+ospitare i0 'o+e00inoB 9he 7ina0'ente tro8a posto ne0 /o0# Art Museu' a Ne; or#B +o8e stato espostoper 0a pri'a 8o0ta ne0 2&.

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J.D. OKHAI OJEIKERE

Hairstyles

3hoto*raphy

3ri'a parte9ipa,ione

Nato ne0 1% a "$o'u E'aiB Ni*eriaArsena0eB n. 1

6ar(ara

6"GRA/AJ.D. "#hai "$ei#ere (orn 1%I is a Ni*erian photo*rapher. J.D. !"#hai "$ei#ereB a0so #no;n as "$o'u E'aiB;as (orn in 1% in a rura0 South estern Ni*eria 8i00a*e. He 9urrent0y ;or#s an+ 0i8es in "R" ES3"ST"n 1& he (e*an one o7 his 0ar*est 9urations ;here he +o9u'ente+ 8arious aspe9ts o7 Ni*erian hairsty0esthrou*h the era o7 post:9o0onia0 transitionB a pro$e9t that s;e00e+ o8er +e9a+es to en9o'pass o8er 7i8ethousan+ photo*raphs.The 'ost pro'inent su(set o7 this 9o00e9tion o7 i'a*es is a seriesB ;hi9h spannin*

near0y 4 yearsB 9aptures the e0a(orate hairsty0es an+ hea+ ;rappin*s o7 Ni*erian ;o'en. These e0a(orate+esi*ns 9an ta#e +ays or e8en ;ee#s to 9o'p0ete. "$ei#eire pursue+ this pro$e9t in+epen+ant0yB +ri8en (yhis o;n +e+i9ation. The i'a*es 7or' a typo0o*i9a0 antho0o*y not si'p0y o7 the 9han*in* ;hi's o7 7ashionB(ut a0so o7 the in+i8i+ua0 9han*es that atten+ the trans7or'ation o7 Ni*eria as it *re; into a ne; era o7autono'y an+ se07:+eter'ination.

ALTR LA>"R15 "$ei#ereFs 7irst so0o ehi(ition in Ni*eria as ;e00 as an ehi(ition in S;it,er0an+ 7irst ;or# sho;n

outsi+e o7 his ho'e 9ountryI

25 Hairsty0esK J.D. !"#hai "$ei#ereB 60a77er Ga00eryB Art Museu' o7 the Cni8ersity o7 HoustonB TeasB CSA.

21 J.D. !"#hai "$ei#ereK Hairsty0es 1& 1B Ma'9o Mus@e +Fart 'o+erne et 9onte'porainIB

Gene8aB S;it,er0an+.

2 J.D. !"#hai "$ei#ereB /on+ation )artier pour 0Fart 9onte'porainB 3arisB /ran9e

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ROBERTO CUOGHI

Belinda, 2013

/erroB po0iuretanoB 9a09are +o0o'iti9oB po0io0oB iso9inatoB 9era'i9aB 6u0pren *a08ani,,ato

Arsena0eB n. 2

1% Mo+enaB ta0ia3resente in 6ienna0e ne0 2 ne0 Giar+ino +i )ar0o S9arpa 9on i0 0a8oro Mei Gui.

+oia

6"GRA/ARo(erto )uo*hi sare((e i0 per7etto prota*onista per un Horror. Ri70ettete9i. Ha tutte 0e 9aratteristi9he peressere uno +i uei 'ostri 9he tur(a8ano i nostri so*ni +i ra*a,,ini a+o0es9enti ne*0i anni "ttantaB +a /re++yener+ 1% a t +i Stephen


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LIN XUE

#enza titolo $rotolo n% 2&, 1''()1''*Inciostro su carta, 1(2 + (- cm

#enza titolo, 2012

#erie di 12 opere, inciostro su carta, * + -* cm $ciascuna&Arsena0eB n. 2Nato a /u$ianB )ina ne0 1& B 8i8e e 0a8ora a Hon*


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CHRISTPOHER WILLIAMS.n/ola to ietnam, 1'*'

2* stampe alla /elatina dar/ento, 3 + 2* cm $ciascuna&Arsena0eB n.2

Nato a Los An*e0es ne0 15&

Laura

6"GRA/AHa stu+iato a0 )a0i7ornia nstitute o7 the arts in sie'e a+ a0tri artisti 9on9ettua0i +e00a est )oast6a0+essarriB Hue(0erI. Da0 2 inse*na 7oto*ra7ia a00a "R" ES3"ST"i00ia's ha 9o'piuto 8ari 0a8ori in9entrati su ar9hi8i e 9o00e,ioni 'usea0iB tra 9ui .n/ola to ietnam, un set+i 2 7oto*ra7ie 9he +o9u'enta 0a are )o00e9tion +e0 Har8ar+ 6otani9a0 Museu'. Si tratta +i ripro+u,ioni(otani9he rea0isti9he in 8etro rea0i,,ate tra i0 1 e i0 1%& +i Leopo0+ e Ru+o07 60as9h#a 9on 0o s9opo +iren+ere +isponi(i0e 'ateria0e non +eperi(i0e +a +estinare a00o stu+io s9ienti7i9o. =ue00o 9he ren+einteressante uesto pro*etto 0a s9e0ta +i 90assi7i9are 0e piante in (ase a 9riteri po0iti9i piuttosto 9hese9on+o 0a tra+i,iona0e tassono'ia s9ienti7i9a. 0 prin9ipa0e 9riterioB in7atti 0e*ato ai paesi +i pro8enien,a

+ei 7iori ripro+ottiB paesi per 0o pi 9on un passato 9o0onia0e e nei ua0i si erano 8eri7i9ate spari,ioni e9ri'ini po0iti9i ne0 14. Si puU 7a9i0'ente pensareB ino0treB i0 9o0onia0is'o 9o'e s7on+o +i 'o0teesp0ora,ioni a tito0o s9ienti7i9o.Attra8erso 0a 'essa in +is9ussione +e00Wori*ina0e prin9ipio or+inatore 0Wartista re0ati8i,,a o*ni siste'atassono'i9o 9he si ri8e0a so**etti8o e piuttosto ar(itrario."pera *i esposta ne0 1 a0 Mo'a ne00a 'ostra e Museum as Muse

LA>"R" 3CF /AM"S"Tito0oKBody ype 4 #eatin/5 )dr sedan ) to ( persons% En/ine ype5 16(2 7ei/t5 13'- l8s% Price5 91'(,00 :#;

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pre,,oI e ri70ette su0 8a0ore +e00Wi''a*ine 9o'e e0e'ento 9hia8e ne00Wotti9a +e0 'er9ato 'a an9he 9o'estru'ento i+eo0o*i9o.

httpK8ision7ie0+.(0o*spot.it2119hristopher:;i00ia's.ht'0httpK;;;.+a8i+,;irner.9o'artists9hristopher:

;i00ia's(io*raphyhttpKen.;i#ipe+ia.or*;i#i)hristopher[i00ia's[artistI


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YUKSEL ARSLAN

Artures 1&% \ 23i*'entsB earthB pen9i0 an+ in# on paper

Arsena0e n. %

6orn in 1%%B stan(u0. Li8es an+ ;or#s in 3aris)hiara

6"GRA/A]#se0 Ars0an ;as (orn in stan(u0 in 1%%. He starte+ paintin* his en8iron'entK 70o;ersB *0assesB stonesB(ri9#sB 9oa0s an+ soap pie9es in his 9hi0+hoo+. He stu+ie+ Art History at stan(u0 Cni8ersity (ut +is9ontinue+his stu+y to pra9ti9e paintin* on his o;n ti'e. Ars0an ha+ his 7irst so0o ehi(ition at the Maya Ga00ery in155. He 'o8e+ to 3aris in 1&1B ;here he pro+u9e+ the Ho'un9u0us:9u9us:pa0usB 30anus:pha00us:'i9ro9o9us series. He #ept ;or#in* on his Artune series unti0 1& usin* the an9ient 'etho+s o79o'(inin* ra; pi*'ents ;ith earthB oi0B his (0oo+B urineB sa0i8aB an+ natura0 +yein*. n 1& he ;ent toTur#ey an+ ha+ his ehi(itions in An#ara an+ stan(u0. n the sa'e year he (e*an paintin* the series o7

)apita0 1&I ha8in* (een inspire+ (y the ;ritin*s o7


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NEIL BELOUFA

empins"i ) 2>i+eoB 14W

Arsena0eB n. %

Nato a 3ari*i ne0 15B 8i8e e 0a8ora tra /ran9ia e Stati CnitiNon ha esposto ne00e pre9e+enti e+i,ionia'ina

6"GRA/ALWartista possie+e una +oppia 9itta+inan,a 7ran9ese e+ a0*erinaB 'a ne*0i u0ti'i anni ha 0a8orato soprattuttone*0i Stati Cniti. Ha a9uisito unWappro7on+ita 7or'a,ione a99a+e'i9a stu+ian+o a00W^9o0e Nationa0eSup@rieure +es 6eau:Arts e a00W^9o0e Nationa0e Sup@rieure +es Arts D@9orati7s +i 3ari*i 'a an9he a0)a0i7ornia nstitute o7 Arts +i >a0en9ia CSAI e a0 )ooper Cnion +i Ne; or#. Le sue opere 9o'paiono spessonon so0tanto ne00Wa'(ito +i 'ostre +i arte 9onte'poranea 'a an9he in 7esti8a0 9ine'ato*ra7i9iB 9o'eue00o +i Lon+raB +i Rotter+a' e per7ino a0 Toronto nternationa0 /i0' /esti8a0. 6e0ou7a ha an9he ri9e8uto

nu'erosi ri9onos9i'enti e pre'i +i ri0ie8oB tra i ua0iB ne0 211 a 3ari*iB 0WAu+i Ta0ent A;ar+. La sua arte8erte soprattutto su0 te'a +e0 rapporto tra rea0t e 7in,ioneB o88ero su00a 'anipo0a,ione +ei 0in*ua**i e +ei9ontesti pro+otta +a s9u0tureB 8i+eo e+ insta00a,ioni. La sua 'o+a0it rappresentati8a pre+i0etta ue00a+e00Winter8istaB in 9ui 8en*ono so0ita'ente 9oin8o0ti sia attori pro7essionisti sia +i0ettantiB ne00Wesp0ora,ione +ite'i eni*'ati9iB ua0i a+ ese'pio 0a 8ita etra:terrestreB i0 terroris'oB i0 na,iona0is'oB i0 7uturo +e00Wu'anitet9.

LA>"R" ES3"ST"empins"i un 8i+eo *irato tra i0 Ma0i e *0i Stati CnitiB +i notteB a00a peri7eria +i 6a'a#o 9apita0e +e0 Ma0iIBtra a(itanti +e0 0uo*o i00u'inati +a 0u9i a0 neon. LWopera non pre8e+e una s9ene**iatura 8era e propria 'a sis8i0uppa su00a (ase +i un *io9o +i ruo0o presta(i0ito e+ ins9enato +a00e persone inter8istate 9heB 9on

atte**ia'ento stu+iata'ente serio e rea0isti9oB +es9ri8ono s9enari 7antas9ienti7i9i e 7uturi(i0i uti0i,,an+o i0te'po 8er(a0e presenteB 9o'e se 8ia**i interspa,ia0iB rapporti sessua0i te0epati9iB 9ase 'o(i0i 9he sispostano +a un 9ontinente a00Wa0tro e 'a99hine par0anti 7a9essero e77etti8a'ente parte +e00a 0orouoti+ianit. persona**iB o88ero i *io8ani uo'ini inter8istatiB 9he par0ano ri8o0*en+osi +iretta'ente a00ate0e9a'era e 'uniti +i 0u9i 70uores9entiB 7anno spesso ri7eri'ento a 7eno'eni ua0i 0a te0epatia o 0a 8e0o9it+e00a 0u9eB interpreta(i0i 9o'e unWa00usione ironi9a a0 'on+o +ei 'e+ia 9onte'poranei. Cno +i 0orora99onta a++irittura +i essere 0Wuni9o essere u'ano sopra88issutoB +i essere 9ir9on+ato so0tanto +a 'u99hee +i a8ere per7ino una 'o*0ie:'u99a. La narra,ioneB 9he si +ipana in 'o+o 8o0uta'ente non 0ineareBpre8e+e an9he a0tre ri70essioni +ei prota*onisti ri*uar+o a0 'on+o +e00a te9no0o*iaB sia rea0e siai''a*inariaB e perse*ue 0Wintento +i sus9itare irrita,ione e strania'ento ne00o spettatore o99i+enta0eBso00e9itan+o0o a+ un ripensa'ento 9riti9o +i a(itu+ini e sti0i +i 8ita 9he 8en*ono a(itua0'ente +ati pers9ontati. n7atti 0Wu0ti'a s9ena +e0 8i+eoB a'(ientata su un ponteB i0 Martyrs 6ri+*e 9he attra8ersa i0 7iu'eNi*er 9on*iun*en+o 9entro e peri7eria +e00a 9apita0e 6a'a#oB rappresenta una sorta +i 9o00e*a'entosi'(o0i9o tra 7in,ione e rea0tB 'a an9he 0a 9ontrapposi,ione tra +ue 9ontesti esisten,ia0i pro7on+a'ente+i8ersiB o88ero i0 tra77i9o ur(anoB *0i hote0 e i0 0usso +a un 0ato eB +a00Wa0troB 0a 8ita a*reste e (i,,arra +ipersone e+ ani'a0i 9he se'(rano tota0'ente i*nari +i 9iU 9he a99a+e a0 +i 0 +e0 ponte.)onte'poranea'ente 6e0ou7a ironi,,a su00Wi9ono*ra7ia stereotipata +e00a rea0t a7ri9ana i''a*inata +a*0io99i+enta0iB sostituen+o a+ essa unWat'os7era +e0 tutto surrea0e e 8o0uta'ente in 9ontrasto 9on 0easpettati8e +e00o spettatore. Le inua+ratureB a'(ientate in una *iun*0a notturna 9on una rou0otte7atis9ente e 0e ,an,are 9he s8o0a,,ano ne0 (a*0iore +e00e 0u9i e0ettri9heB in+u*iano in7atti non so0tanto sui8o0ti +e*0i inter8istati 'a an9he su un ri70ettore 9o00o9ato su unWe0e8ata torre +i 'eta00o 9heB a +istan,aB+o'ina 0a s9ena. =uestWu0ti'a i''a*ine 9i 9onsente +unue +i i+enti7i9are empins"i 9on una 9ostru,ione7isi9a 9he ha 0Waura inuietante e panotti9a +i una sorta +i Gran+e /rate00oB in parte i+enti7i9a(i0e 9on0Wo(ietti8o +e00a stessa 8i+eo9a'era.


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LA>"R" 3CF /AM"S"Peoples passion, liAestyle, 8eautiAul !ine, /i/antic /lass to!ers, all surrounded 8y !ater 211I un 8i+eo9he ini,ia0'ente appare 9o'e una ra99o0ta +i inter8iste 9he 6e0ou7a a8re((e rea0i,,ato ri8o0*en+osi aise+i9enti a(itanti +i un 9o'p0esso resi+en,ia0e appena 9ostruito in una 9itt nor+a'eri9ana +a0 no'ei'pre9isato. 0 7i0'ato 'ostra a'pi apparta'enti situati ai piani a0ti +i e+i7i9i 9he si a77a99iano su prati

in9onta'inati e sentieri tortuosi 9he e8o9ano una sorta +i para+iso 'e+io:(or*hese 7atto +i so0eB 9i90isti eappassionati +i $o**in*. Tutti i persona**i inter8istati se'(rano 9os in9on+i,ionata'ente entusiasti ne0+e9antare i pre*i +e0 0uo*o +a insinuare i0 +u((io +i essere *0i attori retri(uiti +i uno spot pu((0i9itario.Su99essi8a'ente si s9opre 9he 0e persone in uestione sono state in rea0t a88i9inate +a 6e0ou7a +urante unso**iorno a >an9ou8er e 9heB in ue00Wo99asioneB 0Wartista a8e8a se'p0i9e'ente 9hiesto 0oro +i +es9ri8ere un9ontesto i+ea0e ne0 ua0e a8re((ero 8o0uto 8i8ereB 9on 0Wuni9a in+i9a,ione +i esi(ire un tono a00e*ro +urante0a re*istra,ione.

E6httpK;;;.nei0(e0ou7a.9o'httpK9(:p0ayer.9o'en[EN4%5i#7

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STEFAN BERTALAN

Ma+!ells ;emon, 1'-)1'* >ili di cotone 8ianco e nero in cornice di le/no: #enza titolo #nails and #pirals,

1'- Matita su carta: #enza titolo dalla serie #nails and #pirals, 1'- Pennarello, matita e penna a sAera su

carta ) #enza titolo dalla serie #nails and #pirals, 1'- Matita su carta

#enza titolo dalla serie #nails and #pirals, 1'- Pennarello e penna a sAera su carta: #enza titolo dalla serie#nails and #pirals, 1'-* Gesso rosso e matita su carta: #enza titolo dalla serie #nails and #pirals, 1'-*

Gesso rosso e matita su carta: #unAlo!er, 1'-'


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#unAlo!er tratto +a0 pro*etto Ho 8issuto 1% *iorni 9on un *iraso0e +e0 1 9he 9onsiste ne00Wa8erosser8atoB +o9u'entato e stu+iato per 0Wintero 9i90o +e00a sua 8ita una pianta +i *iraso0e. 0 pro*etto +i8entUun pretesto per 'e+itare pi in *enera0e su00Wesisten,a u'ana e +e00Wuni8ersoB an9he +a un punto +i 8istae9o0o*i9oB o0tre 9he 7i0oso7i9o. A00a sua 9on90usione e((e 0uo*o una per7or'an9e ne00a *a00eria


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CAMILLE HENROT

Leone dar/ento 2013

Grosse >ati/ueB 21%>i+eoinsta00a,ione a 9o0oriB sonoroI

Arsena0eB n. %Nata a 3ari*i ne0 1B 8i8e e 0a8ora tra 3ari*i e Ne; or#Non ha esposto ne00e pre9e+enti e+i,ioni

a'ina

6"GRA/ALWartista pari*ina 8in9itri9e +e0 Leone +War*ento +e00a 55esi'a E..A.B si +ip0o'ata a00a ^9o0e Nationa0eSup@rieure +es Arts D@9orati7s. Ne0 21 era stata se0e,ionata per i0 3ri Mar9e0 Du9ha'p e ne0 212 a8e8aparte9ipato a00a Trienna0e +e0 3a0ais +e To#yo +i 3ari*iB o0tre a+ a8er esposto in 8arie a0tre se+i presti*ioseB9o'e i0 )entre 3o'pi+ouB 0WEspa9e )u0ture0 Louis >uitton +i 3ari*iB 'a an9he a Seou0B 6rue00esB Rio +eJaneiroB Gine8ra et9. 6en9h@ sua 'a+re sia unWartista 9he rea0i,,a in9isioniB 0a 7a'i*0ia +e00a Henrot

anno8era ne0 proprio a0(ero *enea0o*i9o nu'erosi s9ien,iatiB tra i ua0i un nonno ento'o0o*o 9he ha +atoi0 suo no'e a+ un 9o0eotteroIB un antenato arte7i9e +e0 0atte in po08ere e+ un a0tro i+eatore +e0 pro9esso +i+issa0a'ento +e00Wa9ua. La sua opera inte*ra +is9ip0ine +i8erseB superan+o 0e parti,ioni *erar9hi9he tipi9he+e00a storia +e00Warte e+ in90u+en+o s9u0tureB +ise*niB in9isioniB 7oto*ra7ie e soprattutto 7i0'B o0tre a 'usi9a e0etteratura tra i suoi pre7eriti


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90assi7i9a,ione 9orrispon+eB 9ias9una +i esse non sia a0tro 9he unWespressione +e00a so**etti8itB e +unueunWese'p0i7i9a,ione +i uanto sia 8aria e 'o0tep0i9e 0Wu'anit.

LA>"R" 3CF /AM"S"anuatuB presso 0Wiso0a +i 3ente9osteB per assistere +a0 8i8o a+ un rito ins9enato+a*0i in+i*eni a+ uso e 9onsu'o +ei turistiB 'a ori*inaria'ente 9on9epito 9o'e si'(o0o +i passa**io +a00a*io8ine,,a a00Wet a+u0taK 0Weui8a0ente +e0 9osi++etto (un*ee $u'pin* o99i+enta0eB o88ero i0 sa0to +ei*io8ani ne0 8uotoB 9on i pie+i 0e*ati +a 0iane. Ta0e 7eno'enoB 9he rin8ia ai 'e99anis'i +i tras0a,ione e'i'etis'o presenti in tutte 0e 9u0tureB ui in+a*ato attra8erso una 9hia8e +i 0ettura antropo0o*i9a.3era0tro in uesto 9asoB per una 9uriosa in8ersione +e*0i a(itua0i per9orsi +i 9o0oni,,a,ione si'(o0i9aB sono*0i o99i+enta0i 9heB ri7a9en+osi a00a prati9a neo,e0an+ese +e0 sa0to 9on 0We0asti9oB 9opiano i )ar*o +e00aMe0anesia.

E6httpK;;;.9a'i00ehenrot.7r7r;or#httpK;;;.+o'us;e(.ititarte21%&49a'i00e[henrot.ht'0httpKo(session.nou8e0o(s.9o'pop:0i7e21%&%."6S1&9a'i00e:henrot:0a:9o00e9tionneuse.ht'0


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1&

DANIEL HESIDENCE

:ntitledMariti'e Sprin*IB 212

"i0 on 9an8as

Arsena0e n. %

6orn in 15B A#ronB "hio. Li8es an+ ;or#s in Ne; or#

6"GRA3H

Hesi+en9e ;as (orn in 15 in A#ronB "hio an+ 0i8es an+ ;or#s in Lon* s0an+ )ityB Ne; or#. He re9ei8e+ a

6/A 7ro' the Cni8ersity o7 Ta'paB /L in 1 an+ a M/A 7ro' Hunter )o00e*e in 21. Re9ent ehi(itions

in90u+eK DWA'e0io Terras Ga00eryB Ne; or# 21IX Le Ta(0eau at )hei' Q Rea+B Ne; or#B NX R"SE

LACGHTER inter Ho0i+ayB 9urate+ (y Da8i+ A0t'e$+ at An+rea Rosen Ga00eryB Ne; or#B NX )a8e 3aintin*K

nsta00'ent 1B or*ani,e+ (y 6o( Ni9#as at Gresha'Fs GhostB Ne; or#B NX an+ 1 3e+estrians at

/eature n9.B Ne; or#B N. He has he0+ so0o ehi(itions atB "R" ES3"ST"

CNTTLED MARTME S3RNGI

A99eptin* that the sin*u0ar 'asterpie9e is no 0on*er possi(0e nor e8en so'ethin* to stri8e 7orB Danie0

Hesi+en9e *i8es a00 o7 his ;or#s ;ithin a *i8en series the sa'e tit0e. Danie0 Hesi+en9e approa9hes his

pra9ti9e as a phi0osophi9a0 tota0ity. Situatin* hi'se07 as the in8entor o7 an e8er:epan+in* uni8erseB

Hesi+en9eFs in+i8i+ua0 pie9es pro8i+e 'ere *0i'pses into a 9reati8e in7inite. )o'posin* his ;or# in

!8o0u'esFB Hesi+en9eFs paintin*s +o9u'ent a se07:prope00e+ e8o0ution. Ea9h 9an8as is +istin9t yetinter9onne9te+B ho0+in* its o;n p0a9e in his !9os'o0o*i9a0F ti'e:0ine. Cntit0e+ is in+i9ati8e o7 Hesi+en9eFs

strea' o7 9ons9iousness pro9ess. . Rather than +e7inin* an i'a*eB Hesi+en9e uses the 'a00ea(0e ua0ities o7

paint to portray an e'otiona0 an+ psy9ho0o*i9a0 state. Distant an+ +rea':0i#eB the intri9a9ies o7 sentient

*esture 7or' a physi9a0 representation o7 the intan*i(i0ity an+ i'per'anen9e o7 thou*ht.

E'(ra9in* paintin* as an un0i'ite+ 7or' o7 epressionB Danie0 Hesi+en9eFs ;or#s +es9ri(e a 'eans o7 su(:

0an*ua*e 9o''uni9ationB so'ethin* pri'a0 an+ e'oti8e that e9ee+s 0in*uisti9 stru9ture. Hesi+en9eFs sty0e

ran*es 7ro' 7i*uration to a(stra9tionB (ut his su($e9t 'atter is a0;ays ;hat 0ies (eyon+ the sur7a9e. Danie0

Hesi+en9e +es9ri(es his ;or# as a pro9ess o7 +e9o+in* 9ons9iousness. or#in* 7ro' a 'e'ory (an# o78isua0 in7or'ation his pra9ti9e is (ase+ on an intuiti8e ne*otiation o7 i'a*ination throu*h tan*i(0e 'e+iaB

narratin* the s0ui9es o7 thou*ht throu*h spontaneous an+ un'e+iate+ painter0y response. "7ten ;or#in*

on se8era0 9an8ases si'u0taneous0yB ea9h i'a*e 7ee+s into an+ pro*resses 7ro' a 9ontinuous +ia0o*ue.

Li#e Ri9hterB Hesi+en9e is (oth a stu+ent an+ a 'aster o7 te9hniue. Eperi'ents ;ith paint app0i9ation are

e8i+ent throu*hout. 3aint is 0ai+ onto the 9an8as not on0y 8ia 0on*B strea#y (rushstro#esB (ut a0so usin* non:

(rush i'p0e'ents that 0ea8e tra9#bor pattern0i#e 'ar#sB or 90u'ps. Su++en shi7ts in the thi9#ness an+

teture o7 the paint 9an (e thri00in*B 0i#e the 8erti*inous 7ee0in* pro+u9e+ (y a su++en 0a9# o7 7o9us in 7i0'.

6ut the ;or#s *o (eyon+ s#i00e+ ee9ution. Their 9ontent 7ee0s +eep an+ trueX this is te9hniue ha8in*

7oun+ its purpose.


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CNTTLED ACTCMN 6C//AL"I

Autu'n 6u77a0o is a series o7 siteen paintin*s that Hesi+en9e pro+u9e+ as a sin*0e 8o0u'e throu*h a

7o9use+ an+ in8esti*ati8e perio+ o7 paintin*. Ea9h ;or# e'(o+ies its o;n s9a0e an+ presen9eB 7ro' s'a00

pi9tures o7 a(stra9te+ 7i*ures to 8ast at'ospheri9 0an+s9apes as 0ar*e as 12 1%2 in9hes. The (rush;or#B

so'eti'es 7ren,ie+ an+ other ti'es 9ontro00e+B sho;9ases a 9o'p0e ran*e o7 'ar# 'a#in* that 9o+es

ea9h paintin* ;ith uniue pun9tuationB pro'ptin* a 8a9i00atin* 70o; o7 8isua0 +ata. The tit0e Autu'n 6u77a0o

hints (oth to the ;or#Fs 9hro'ati9 hues o7 pre+o'inant0y rust an+ (ro;n ;ith (ursts o7 *reenB turuoiseB

an+ 'au8eB an+ a0so to the A'eri9an (isonB the 0ar*est etant 0an+ ani'a0 in+i*enous to the North

A'eri9an 9ontinent an+ the 9arrier o7 'any si*ns nati8e an+ 'o+ernB +eso0ate an+ triu'phant.

E6

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httpK;;;.saat9hi:*a00ery.9o.u#artists+anie0[hesi+en9e.ht'

httpK;;;.artina'eri9a'a*a,ine.9o're8ie;s+anie0:hesi+en9e


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HANS JOSEPHSOHN


19/138

1

ELIOT PORTER

Birds in >li/t

1Sta'pe 'ontate in astu99io a 7or'a +i 9on9hi*0ia

Arsena0eB n.%11 innet#aB CSA : 1 Santa /eB CSA+oia

6"GRA/A/oto*ra7o a'atoria0e +a00a sua in7an,iaB ha 7oto*ra7ato 0a Great Spru9e Hea+ s0an+ +a00a ua0e era 0a sua7a'i*0ia. Si 0aureato in in*e*neria 9hi'i9a e 'e+i9ina e ha 0a8orato 9o'e ri9er9atore in 9hi'i9a ne00aCni8ersit +i Har8ar+. >erso 1% ha 9onos9iuto Anse0 A+a's e A07re+ Stie*0it,. Ne0 1%B Stie*0it, ha'ostrato i0 0a8oro +i 3orter ne00a sua *a00eria +i Ne; or#B 9on un su99esso 9os *ran+e 9he ha +e9iso +is'ettere i0 0a8oro +i ri9er9a e si +e+i9ato a00a 7oto*ra7ia a te'po 9o'p0eto.Ne*0i anni 4B ha ini,iato a 0a8orare in 9o0ore 9on i0 nuo8o pro9esso East'an


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=ueste sono +e00e i''a*ini 'era8i*0iose. Tutte 7urono presse ne0 'on+o se08a**io +e00a natura. A09une sia88i9inano +i pi a pitture 7antasti9he +i u99e00iB +o8uto a0 0oro *ran+e i'pattoB 3orter era ossessionato 9oni0 'i9ros9opi9o e 9on 0Wuni8ersa0e si'u0tanea'enteB 0e i+ee +e0 9aso e +e00Win7init.

E6httpK;;;.9arter'useu'.or*9o00e9tionsporterin+e.php


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EDUARD SPELTERINI

Series o7 photo*raphsB 1% \ 1223i*'ent in#$et print

Arsena0e n. %

6orn in 152B To**en(ur*B S;it,er0an+. Die+ in 1%1B >c9#0a(ru9#B Austria)hiara

6"GRA3H6orn on June 2B 152 in a re'ote 0itt0e S;iss 8i00a*e to an inn#eeper an+ (eer (re;er 7atherB E+uar+Spe0terini ;as an un0i#e0y 9an+i+ate 7or a 9areer as a pioneer (a00oonist an+ a+8enturer. Nothin* in his ear0y(io*raphy su**este+ he ;ou0+ *o out to (e9o'e a +is9o8ererB shootin* photos ;ith a 9a'era ;ei*htin*approi'ate0y 4 to & #i0os to 1%2 poun+sI +urin* (a00oon $ourneys. A ta0ent 7or the arts ha+ (eenpresent 7ro' Spe0teriniFs ear0y years onB thou*h. He ;as (0esse+ ;ith a (eauti7u0 8oi9eB ;hi9h 0e+ hi' to

stu+y opera in Mi0an an+ 3aris. The short sin*in* 9areer ;as interrupte+ (y a se8ere 9ase o7 tu(er9u0osis.

t ;as near a hea0th resort in southern /ran9e ;hen he entere+ the (a00oon (as#et 7or the 7irst ti'e. hi0stin Marsei00es he sa; his 7irst (a00oon. A passen*er (e9a'e ner8ous (e9ause o7 the apparent0y 0ess thani+ea0 ;eather 9on+itions an+ re7use+ his p0a9eB o77erin* the youn* 'an an unepe9te+ opportunity 7or his7irst (a00oon 70i*ht. "r so the story *oesB (e9ause Spe0teriniFs ear0y (io*raphy is a9tua00y ;rappe+ in +i'0i*ht. n 7a9tB Spe0teriniB a0thou*h soun+in* +istin9ti8e0y ta0ianB is a 7antasy na'e E+uar+ Spe0teriniB neeS9h;ei,er *a8e hi'se07B possi(0y a7ter rea+in* a ne;spaper arti90e on Maria Spe0teriniB a 'ysteriousti*htrope ;a0#er ;ho ;as the 7irst ;o'an to 9ross Ni*eria /a00s on a ti*htrope ;ith eyes (oun+B han+s9u77e+B an+ pea9h (as#ets tie+ to her 7eetB ;earin* a tra+itiona0 ta0ian +ress.Spe0terini ;as so i'presse+ (y the 70i*ht that he 0e7t his stu+ies at the )onser8atoriu' an+ hurrie+ to enro0

at the 3aris A8iation A9a+e'yB the WA9a+@'ie +es a@rostatiersW. n 1 he ua0i7ie+ as an Aeronaut. Hethen ;ent on to a9uire 'any years o7 eperien9e in the air. n 1 he 9o''issione+ 9onstru9tion o7 hiso;n (a00oon an+ (e*an to ta#e passen*ers re*u0ar0y ;ith hi' on his 70i*hts. He tra8e00e+ ;i+e0y throu*houtEurope an+ 'a+e as9ents 7ro' p0a9es su9h as the >ienna 3rater an+ Lon+onFs Hy+e 3ar#. Mi0itarya9a+e'ies an+ ;ar s9hoo0s 9o'pe00e+ hi' to 'ana*e instru9tion 9ourses in a8iation. "8er the net 7e;years the 9aptain o7 aeronauti9s 'a+e 5 70i*hts an+ 9arrie+ a tota0 o7 12% passen*ers. These in90u+e+a'on*st others Tea9hersB ArtistsB )oun9i00orsB Genera0sB Du#es an+ Du9hessesB 9aptains o7 n+ustry an+3u(0ishers.

LA>"R" ES3"ST"n 1% he (e*an ta#in* pi9tures 7ro' his (a00oon (as#et an+ thus (e9a'e a pioneer o7 a0pine aeria0photo*raphy. His photo*raphs 7ro' the (a00oon a00o;e+ peop0e an i'pression o7 the ;or0+ 7ro' a (ir+s:eye 8ie; 7or the 7irst ti'e. He he0+ 'any 'a*i9 0antern presentations an+ (e9a'e 8ery popu0ar as a resu0t.His "8er the )0ou+s 9o00e9tion 9ause+ a sensation ;here8er it ;as seen. He 'a+e o8er & su9hpresentations in 7our +i77erent 0an*ua*es. To*ether ;ith his presentations he a0so (e9a'e 7a'ous a(o8e a00e0se 7or his pioneerin* 70i*hts a9ross the 9entra0 A0ps in a *as (a00oon. He ;as the 7irst to un+erta#e this ris#ya+8enture ;ith a (a00oon. His 70i*hts a0so ha+ a s9ienti7i9 purposeK 3hysi9iansB 6io0o*istsB Do9tors o7Me+i9ine an+ Geo*raphers a0so ha+ *reat interest in the opportunities 7or resear9h presente+ (y this ne;'etho+ o7 transport. "ne o7 these ;as /er+inan+ Gra7 8on ?eppe0inB ;ho 7irst 9a'e up ;ith the i+ea o7 asteera(0e airship. Spe0terini 'a+e his 0ast (a00oon 70i*ht in 12&. His se07:9on7i+en9e an+ 9oura*e a00o;e+hi' to a0so 'aster 9riti9a0 situations. n 12& he ;as 'a+e an honorary 'e'(er o7 the Aero )0u( o7S;it,er0an+. n spite o7 his 7a'eB ;on o8er 'any yearsB he 0i8e+ the 0ast years o7 his 0i7e in re0ati8e po8ertyto*ether ;ith the 7aith7u0 9oup0e ;ho ha+ ser8e+ hi' 7or 'any years an+ a(out % hens in the to;n o7?ip7B near >c9#0a(ru9#B Austria. Spe0terini passe+ a;ay on 1&th June 1%1 in >c9#0a(ru9# AustriaI.


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E6

httpK;;;.*or+on(ennett212.9hrea+:ne;site'sen:e+uar+:spe0terini:(io*raphy.ht'0httpK;;;.s;issin7o.9hitaso9ietaLaerostiere[7oto*ra7o.ht'0O9i+P12&42

httpK;;;.aeino.9o'(oo#se+uar+:spe0terini:the:#in*:o7:(a00oonin*21211


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2%

PATRICK VAN CAECKENBERGH

;ise/ni di vecci al8eriB 21%

te9ni9a 'ista

Arsena0eB n.%

Nato a Aa0st 6e0*ioI ne0 1& B 8i8e e 0a8ora a Sint:era

6"GRA/A

Nato ne0 1& in 6e0*io. LWartista noto per 0a sua sin*o0are s9e0ta +i 8itaK ue00a +i passare 0a propria

esisten,a i0 pi possi(i0e 0ontano +a0 'on+o 9o'e un 'o+erno ere'ita. La8ora 9on +ise*noB s9u0tura e+

insta00a,ioni. Spesso i suoi 0a8ori 9onsistono ne0 9reareB attra8erso 0a te9ni9a +e0 9o00a*e e 0Wuti0i,,o +i o**etti

9o'uniB sin*o0ari i''a*ini appartenenti a+ un 'on+o i''a*inario.

Ha esposto in i'portanti 'usei esB )entre 3o'pi+ouB 14IB 'ani7esta,ioni 'ani7esta 1I e *a00erie.

LA>"R" ES3"ST"

Dra;in*s o7 o0+ trees. La serieB ini,iata ne0 21B si (asa su 7oto*ra7ie +i anti9hi a0(eri e+ o88ia'ente

in70uen,ata +a00a 8ita appartata e so0itaria +e00Wartista 9he 8i8e ne00a 9a'pa*na (e0*a. =uesti +ise*ni possono

a pri'a 8ista se'(rare stu+i s9ienti7i9i +i 8arie spe9ie +Wa0(eri in uanto estre'a'ente +etta*0iati 'aB a+

uno s*uar+o pi attentoB si nota 9o'e ne0 0a8oro +i >an )ae9#en(er*h siano stati a**iunti pi99o0i +etta*0i

surrea0i es. porte e 7inestreI 9he +i9hiarano 0Wappartenen,a +i ue00e i''a*ini a0 'on+o +e00a 7antasia. "*ni

a0(ero assu'e 9os una propria i+entitB uasi 7osse un persona**io +i una 7a8o0a. >i si puU 0e**ere una

9riti9a a00a presunta 8eri+i9it +e00e 90assi7i9a,ioni s9ienti7i9he +e0 'on+o.

LA>"R" 3CF /AM"S"

Esp0i9ati8a +e00Wesisten,a +e00Wartista 0Wopera Li8in* 6o 1IB per 0a ua0e >an )ae9#en(er*h 9ostru una

s9ato0a 7atta +i 0e*no e tesuto 9he pote8a essere s'ontata e spostata e 8isse a00Winterno +i essa per uattro

anni.

E6

httpKen.;i#ipe+ia.or*;i#i3atri9#[>an[)ae9#en(er*h


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24

JOAO MARIA GUSMAO E PEDRO PAIVA

/i0' in 1& '' a 9o0ori e 'utiB 2&:21%Esposto ne0 2 a0 pa+i*0ione +e0 3orto*a00o

1 Lis(onaB 1 Lis(onaB 8i8ono e 0a8orano a Lis(ona

Arsena0eB n. 4E0isa(etta

6"GRA/A0 pri'o i'portante pro*etto 9o00etti8oB Ma*neti9 E770u8iu'B ha 8isto 0a 0u9e in +ue partiB ne0 24 e ne02& : una serie +i 8enti+ue 0a8ori ispirati a+ un episo+io +e LWuo'o 9he ri+e +i >i9tor Hu*o : 'entreA(isso0o*yK 7or a transitory s9ien9e o7 the in+is9erni(0e : 8enti+ue 7i0' e s9u0ture +i 8etroB osso e (ron,o :ini,iato ne0 2&B stato s8i0uppato attra8erso 9inue resi+en,e interna,iona0i in An*o0aB )i0eB Ar*entinaB6ra,i0e e Maro99o. 7i0'B +i 9ui un i'portante sa**io a Mani7estaB sono narrati8e in9on90u+enti 9he spesso ri9or+anosti0isti9a'ente 0e pe00i9o0e +i+atti9he +a 0a(oratorio +i s9ien,e. )o0pis9e 0a s9rupo0osa e0isione +i o*ni

9onnota,ione te'pora0e e 0Win+eter'ina,ione +ei 0uo*hi nei 7i0'K interni spo*0i +i o*ni suppe00etti0eB9a'pa*ne e +eserti. La s9e0ta sti0isti9a +e0 1& '' a0trettanto ese'p0areB 0e i''a*ini ana0o*i9he sonoue00e +e00a pro8a s9ienti7i9aB 0Wi''a*ine pro+otta +a00a 9a'era os9ura B sa08o a+u0tera,ioni 9hi'i9heB8eritiera.

LA>"R" ES3"ST"Danie0 3au0 S9hre(erB sti'atissi'o 'a*istratoB arri8ato a00a 'e,,a etB si era *ua+a*natoB ne0 *iu*no +e01%B 0a presti*iosa no'ina a presi+ente +e00a 9orte +Wappe00o +i Dres+a. ne0 +or'i8e*0ia +i uno +ei *iorni9he pre9e+e8ano 0Wassun,ione +e00Wi'portante in9ari9oB 7orse per 0o stressB e((e i0 pensiero 9he +o8esseessere +a88ero 'o0to (e00o essere una +onna 9he so**ia9e a00a 9opu0a. Da ue0 'o'ento in poiB 0a sua'ente 7u rapita in un 8orti9e +e0irante 9he 9oin8o0*e8a +iB astriB +e'iur*hiB 9o'p0ottiB 9atastro7i 9os'i9he

e ri8o0*i'enti po0iti9i. A0 9entro +i tutto era 0a 9on8in,ione +i tro8arsi ne0 (e0 'e,,o +i una 'eta'or7osi7isi9aB pro8o9ata +a Dio stessoB 9he tra'ite 0Win8io +i ra**i una sorta +i siste'a 9onnetti8o neura0eIB 0oa8re((ero tras7or'ato in una +onna. nter+ettoB S9hre(er si +i7ese *ra,ie a0 suo sorpren+ente 0i(ro +i'e'orieB 'appa +e00Win9re+i(i0e ar9hitettura +i nessi 9he struttura8a i0 suo 8ane**ia'entoB re+atto in'aniera tanto autore8o0e +a *ua+a*nar*0i 0a reinte*ra,ione a0'eno per ua09he te'poI. 0 testo +iS9hre(er una +e00e nu'erosi 7onti : 0etterarieB 7i0oso7i9heB s9ienti7i9he e paras9ienti7i9he : +e00e stra(i0ianti9ostru,ioni poeti9o 7i0oso7i9heB se9on+o 0a 0oro stessa +e7ini,ioneB +e*0i artisti porto*hesi. +u((io 9he i+ue artisti inse*uono tena9e'enteB ue00o ne00a 8a0i+it +e0 0o*os +e00a 7i0oso7ia o99i+enta0eB ne0 8a0ore+e00Wor+ine e +e00a sta(i0it +i una situa,ioneGus'of3ai8aB Entropi9 8ision an+ 'eteoris' inA(isso0o*yK hori,on o7 e8entsB 9ata0o*oB 2I. G0i artisti osser8ano 9he tutto esiste se'pre in 9erti aspettiin+is9erni(i0iB tutte 0e 9oseB an9he 0e pi (ana0iB sono in rea0tB uin+iB estre'a'ente 'isteriose. 9ata0o*hi +i Gus'of3ai8a sono +e*0i i'pressionanti repertori +i ri70essioni e 9ita,ioni s9ienti7i9he e7i0oso7i9he : +a*0i ato'isti pre:so9rati9i a Niet,s9heB +a00o spiritis'o 9oniu*ato 9o0 )ristianesi'o +i A00an


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2&

ED ATKINS

e tric" 8rainB 212>i+eo

Arsena0eB n. 5

Nato in C< ne0 12>era

6"GRA/AEW nato ne0 12 ne0 Re*no CnitoB si 7or'ato presso 0a S0a+e S9hoo0 o7 /ine Art a Lon+ra. Ha re9ente'enteesposto a00a Tate 6ritain 211I. Sue persona0i si sono tenute in 'o0te i'portanti *a00erie es. sa(e00a6orto0o,,i Ga0erieI.

LA>"R" ES3"ST"Kthe Tri9# 6rain 212I a+apts a ree0 o7 7i0' shot in An+r@ 6retonFs 3arisian house (e7ore its 9ontents ;ere9ontro8ersia00y au9tione+ o77 in 2%. At#ins inserte+ a series o7 his o;n 9o'puter:(u77e+ seuen9es into

the 9a'eraFs s0o; pan throu*h 6retonFs 9o00e9tion o7 eoti9 9uriosities tri(a0 7etish o($e9tsB Surrea0istpaintin*sB spoo#y 'as#s an+ o8er0ai+ an o(s9ureB opaue 8oi9e:o8er ri++0e+ ;ith pseu+o:'ysti9is' an+ar9ane 8o9a(u0ary.At#insFs 8i+eo The Tri9# 6rain 212I is (ui0t aroun+ ar9hi8a0 7oota*e o7 An+r@ 6retonFs persona0'i9ro9os'bthe poetFs 8o0u'inous 9o00e9tion o7 rare (oo#sB paintin*sB an+ tri(a0 arti7a9ts. ith the tit0eFssu**estion o7 7ree asso9iati8e thin#in*B the ;or# is a #in+ o7 surrea0isti9 7u*ueB ;hi9h proposes that theo($e9ts a99u'u0ate+ o8er a 0i7eti'e (e9o'e a #in+ o7 9orpse a7ter the 9o00e9torFs +eath. This see'sparti9u0ar0y appropriate in 6retonFs 9aseK his 9o00e9tion ;as 0e7t 8irtua00y untou9he+ 7or 'ore than three+e9a+es (e7ore (ein* au9tione+ o77 in a 'assi8e an+ 9ontro8ersia0 sa0e. n 0i*ht o7 thisB The Tri9# 6rainpresents a 'u''i7i9ation o7 6retonFs 9orpseB ;hi9h sur8i8esB un9anni0yB e8en a7ter its +is'e'(er'ent.

LA>"R" 3CF /AM"S"


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PHILLYDA BARLOW

untitled5 an/in/lumpcoal8lac", 2012: 3o0istiro0oB rete 'eta00i9aB po0iuretano espansoB 9e'entoB sa((iaB8erni9eB 3>AB 22& 1& 1&% 9'

untitled5 an/in/lump, 2, 2012: 3o0istiro0oB rete 'eta00i9aB po0iuretano espansoB 9e'entoB tessutoB

intona9o 0e*anteB 8erni9eB sa((iaB 21& 1% 1% 9'untitled5 an/in/8loc", 2012: 3o0istiro0oB po0iuretano espansoB pitturaB 8erni9eB 9e'entoB po08ereB 3>AB

sa((iaB te0aB 22 2& 1&5 9'untitled5 8ro"en8loc", 2012: 3o0istiro0oB rete 'eta00i9aB 9e'entoB pitturaB 125 1% 125 9'

Arsena0eB n. 5Nata a Ne;9ast0e upon TyneB G6 ne0 144 B 8i8e e 0a8ora a Lon+ra

Laura6"GRA/A3hy00i+a 6ar0o; ha stu+iato a00a )he0sea )o00e*e o7 Art e S0a+e S9hoo0 o7 /ine Art +o8e ha ini,iato poi a+inse*nare. Tra i suoi stu+enti 9i sono no'i noti ua0i Ta9ita DeanB Ra9he0 iterea+ e Dou*0as Gor+on. Da02 ha s'esso +i inse*nare per +e+i9arsi es90usi8a'ente a0 suo 0a8oro +i artista. Ne0 211 0e stato

asse*nato i0 tito0o +i Roya0 A9a+e'i9ian. 3er +e9enni 0a sua atti8it artisti9a si 9on9entrata su opere +ipi99o0o 7or'atoB in*ran+itesi 9on i0 passare +e*0i anniBe rea0i,,ate 9on 'ateria0i a (asso 9osto ua0ipo0istiro0oB 0e*noB 'ateria0i +i s9arto 9he 8anno ri9ontestua0i,,ati per 9reare asse'(0a**i tri+i'ensiona0iastratti e apparente'ente insta(i0iB 9on 9ro'ie sinteti9he 7orti. An9he i suoi +ise*ni ri9hia'ano i 'ateria0i*re,,i e 0e 7or'e +e00e sue s9u0tureB pur non a8en+o un ruo0o preparatorio per ueste u0ti'e. LWartista+es9ri8e 0e sue opere 9o'e (rutte 9opie +i ua09osa +i 7isi9o o e'o,iona0e 9on 9ui si re0a,ionata inpassato. La 'e'oria 'an9he8o0e e inesatta +i uesti in9ontri sta a00a (ase +e00e sue s9u0ture a'(i*ue.LWinter8ento su0 'ateria0e inerte uasi (ruta0e. n7attiB se9on+o 0a 6ar0o;B 0a s9u0tura +e8e essere o*ni8o0ta +istrutta per 8enire +i 8o0ta in 8o0ta rein8entataB +istru,ione 9he 0ei 'ette in atto an9he rea0'entero'pen+o e ri9o00o9an+o pe,,i +e00e sue s9u0ture.LWartista a77er'a 9he 0e sue opere sono una 9o00e,ione +i atti 9he a+ un 9erto punto a9uistano un

si*ni7i9ato a posterioriI.

LA>"R" ES3"ST"0 0a8oro +e00a 6ar0o; risente +i una 7renesia 9reati8aB a 8o0te non pro*ra''ataB 9he +eri8a +a0 9ontatto+iretto 9on i0 'ateria0e +a 'ane**iare. 0 pro*ettua0e in9ontra i0 9asua0e 9ostituito +ai 'ateria0i e +a*0i spa,i+a pren+ere in 9onsi+era,ione. Le opere sono site spe9i7i9B 9reate 9on 0Wi+ea +i 'o+i7i9are i0 rapporto 9he i08isitatore ha 9on 0o spa,io. La 7rui,ione +e00Wopera non +o8re((e 7er'arsi a00o s*uar+o 'a 9oin8o0*ere i0'o8i'ento +e00a persona 9he +e8e 7are i 9onti 9on *0i osta9o0i 7rapposti a0 suo passa**io. La pre9arietapparente +e00e opereB in uesto 9aso in9o'(enti e appese a0 so77itto 9o'e se 7ossero un paesa**iosospesoBentra in tensione 9on 0a 0oro 'onu'enta0itB 0a 0oro po'posit istitu,iona0e +i o**etti ri:si*ni7i9ati.

LA>"R" 3CF /AM"S"Ne00a 'ostra StreetB 21B 0Wartista propone o**etti ra99o0ti per stra+a B ri9ontestua0i,,ati e ri'ane**iatiB+ipinti in 'o+o +a +i8entare prota*onisti in8e9e +i ri'anere 'ar*ina0i ne0 8issuto uoti+iano +e00a 9ittK sitratta +i se*na0eti9aB tu(i +i p0asti9aB (annerB tutti o**etti +i un paesa**io ur(ano a0tri'enti anoni'o. Lastra+a un 0uo*o a0ta'ente 9ontro00ato e re*o0ato per 0a prote,ione +i 9hi 8i transita. =uesto porta 0Wartistaa +o'an+arsi +i 9hi sia 0o spa,io +e00a stra+a e ne sottrae *0i o**etti 9on un atto 9he 0ei stessa +e7inis9eteatra0e per ins9enar0i in *a00eria.

E6httpK;;;.hauser;irth.9o'artists5phy00i+a:(ar0o;(io*raphyhttpKen.;i#ipe+ia.or*;i#i3hy00i+a[6ar0o;httpK;;;.*uar+ian.9o.u#artan++esi*n2'ay&artist:;ee#:phy00i+a:(ar0o;


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JESSICA JACKSON HUTCHINS

?ondamoo, 2011613GessoB 9o00a*eB pennare00o a9ri0i9oB tessutoB 9era'i9as'a0tataB 1%& 5 9'

Lascau+, 212

3o0tronaB 9era'i9a s'a0tataB 1 5 11% 9'erni9eB tessutoB 9o00a*e e 9era'i9he s'a0tate su +i8ano in pe00eB 2 % 9'Arsena0eB n. 5

Nato a )hi9a*o ne0 11 B 8i8e e 0a8ora a 6er0inoLaura

6"GRA/A"r7ana +i 'a+reB ha a8uto unWa+o0es9en,a pro(0e'ati9a in9ana0an+o 0a sua intensit e'oti8a ne00Warte.Ha stu+iato a00a Art S9hoo0 +i )hi9a*oB prin9ipa0'ente pittura 'a non senten+osi a suo a*io 9on 0Wi''a*ineeroi9a +e00Wartista pittore e 9on 0a per9e,ione 9he si ha +e00Wopera +Warte appesa a00e pareti. 3re7eris9e

in8e9eB in uesti pri'i anni +i atti8itB 0a 9rea,ione +i parti +e0 9orpo 9he aiutassero si'(o0i9a'entepersone 9he so77ri8anoB per ese'pio una 0in*ua per Sy+ 6arrett o un 9uore per 6ryan i00son +ei 6ea9h6oys. Ha superato una +ipen+en,a +a00Weroina e ha sposato i0 9antante Stephen Ma0#'us +a0 ua0e ha a8uto+ue (a'(ine. La sua arteB a 8o0te 90assi7i9ata 9o'e 7e''inistaB in rea0t un pro9esso 9he reinte*ra ne*0io**etti 9reati 0We'o,ione +e00a 8ita uoti+iana. Re9uperan+o pe,,i +i arre+a'ento 9he portano i se*ni+e00Wusura e 8estiti +is'essi +a00a sua 7a'i*0ia 0Wartista 9rea +e00e entit 9he 9o'uni9ano 0a sua 8isionepersona0e +e0 'on+o. G0i o**etti ra99ontano 0e nostre storieB +i9e 0Wartista. n e77etti una 8o0ta 9reati0Wattri(u,ione +i senso in ua09he 'o+o 8iene +e0e*ata. Sono *0i osser8atori a 9a'(iare 9iU 9he osser8ano.0 8a0ore eti9o +e00e opere 'o0to i'portante per 0a Hut9hinsB ne0 senso +e00Wi'perati8o 9he 0Wespressione+e((a essere eti9a Le8inas e Mauri9e 60an9hotI. La8ora 'o0to su0 9on9ento +i rete e 9ontin*en,a.Nonostante 0e sue opere non a((iano 7or'e i''e+iata'ente antropo'or7eB ri9or+ano 0a 7isi9it u'ana

attra8erso 0a 0oro 7ra*i0it e 0a 0oro 9o00o9a,ione su +i8ani e 'o(i0i +is'essiB 'a an9he per 8ia +ei se*ni +iue00Wusura 9he 9e 0i ren+e 9os 8i9ini a00a nostra esperien,a.3ar0a +e00e sue s9u0ture in ter'ini 0in*uisti9i i pie+ista00i sono 9o'e +e00e preposi,ioniI 'a a suo a88iso i+ipinti hanno +i pi un ana0o*ia 9on testi esp0i9ati8i 'entre 0e s9u0ture sono pi 7attua0i.JJH a'a 0Warte stranaB ne0 senso +i pro7on+a'ente 9aratteri,,ata e +i77i9i0'ente 9onos9i(i0e 7ino in 7on+oun poW 9o'e 0e sue 0etture +e00Wa+o0es9en,aB Mo(y Di9# e 0WC0isseI. 0 risu0tato +e8e essere unWopera 9he haun si*ni7i9ato 'a 9onte'poranea'ente s7u**e 9ostante'ente a00Wattri(u,ione +i si*ni7i9ato.Ha pu((0i9ato i0 sa**io )on8i8iu' insie'e a Tho'as /isher ne0 21

LA>"R" ES3"ST"Le tre opere esposte in9orporano 'o(i0io usatoB 9era'i9heB 8estiti in un insie'e su**esti8o 9he ri9hia'a

nei tito0i a77init 9on 0a storia +e00Warte +a Las9au a )arpa99ioI 'a 9he hanno a00o stesso te'po unWaria7a'i0iare per 8ia +e00Wusura e +e00Wi'pronta persona0e. Le 7or'e in 9era'i9a sono 8a*a'ente (io'or7e e sia+a*iano 9o'e personi7i9a,ioni +i atti 'enta0i ne00o spa,io 9asa0in*o su**erito +ai 'o(i0i.

LA>"R" 3CF /AM"S"Cn ese'pio +e0 0a8oro +e00a Hut9hins potre((e essere )ou9h 7or a 0on* ti'eB +e0 2B un +i8ano ri9operto9on *iorna0i 9he riportano noti,ie +i "(a'a su0 ua0e ha a+a*iato a09uni 8asi +i 9era'i9a. LWartista 8uo0eriportare 0Watten,ione su00Wat'os7era +i speran,a e e99ita,ione intorno a00e e0e,ioni +i "(a'a

E6httpK;;;.;'a*a,ine.9o'art+esi*n212$essi9a:hut9hins:artisthttpK(o'(site.9o'issues112arti90es%52%


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KAN XUAN

Millet Mounds

Materia0eArsena0eB n. 5

Nato a AnWhuiB )ina ne0 11 B 8i8e e 0a8ora tra A'ster+a' e 3e9hinoLaura

6"GRA/A


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LA>"R" 3CF /AM"S"Loo#in*B 0oo#in*B 0oo#in* 7or...B 21 un 7i0'ato +o8e un ra*netto 9a''ina per 1% ore su0 9orpo +i unuo'o e una +onna nu+iB esp0oran+o o*ni super7i9ie e ori7i,io. 0 risu0tato a0 te'po stesso +istur(ante e0u+i9o. La 9oppia non se'(ra per nu00a in7asti+ita e sorri+eB 9rean+o un senso +i in*enuitB 0e**ere,,a 'aan9he triste,,a

E6httpK'us9reen.uts.e+u.au


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STEVE MCQUEEN

=nce :pon a ime 2002

11 colour slides

Arsena0e

Ste8en Ro+ney Ste8e M9=ueen )6E (orn 1&I is a Lon+on:(orn artist an+ 7i0''a#erB Sin9e 1M9=ueen has 'a+e his ho'e in A'ster+a'.6ar(ara

6"GRA/AM9=ueen ;as (orn in Lon+onB Cnite+ "R" ES3"ST""n9e Cpon a Ti'e. The i'a*es pro$e9te+ on s9reen 9o'e 7ro' the t;o >oya*er Go0+en Re9or+s 7ro' (oth>oya*er sate00itesB ori*ina00y 0aun9he+ in 1B an+ sti00 hurt0in* throu*h spa9e. These i'a*esB 9o'(ine+;ith the soun+s o7 the ;or0+ internationa0 'usi9B *reetin*s 7ro' aroun+ the ;or0+ in a nu'(er o70an*ua*esB rain 7a00in*B 0ips #issin*B et9.I ;ere 'eant to 9o''uni9ate the entirety o7 our 9i8i0i,ation to aninte00i*ent etraterrestria0 ra9e.M9=ueenB ho;e8erB opts out o7 the ori*ina0 au+io re9or+in*s that NASA in90u+e+ on the spa9e9ra7tsB

rep0a9in* the' ;ith *0osso0a0iaB (etter #no;n as spea#in* in ton*ues.The i'a*es 9hosen (y )ar0 Sa*an an+ his NASA appointe+ 9o''ittee 9ontinue to 9o''uni9ate the rationa0Bor+ere+ hu'an so9iety they inten+e+ in the 1Fs. 6ut the $utaposition o7 the non:sensi9a0 0an*ua*e thatis *0osso0a0iaB pro8i+es a 9ritiue o7 this 8ie; o7 hu'anity.Hu'ans are not as they appear on the Go0+en Re9or+. As 'any ha8e pointe+ outB so'e o7 the 'ost+e7initi8e i'a*es o7 our spe9iesB su9h as ;arB hateB an+ +iseaseB are 'issin*. ith a 9oarse 'i o7 soun+s7ro' the hu'an 'outhB M9=ueen sho;s 'an#in+ as the spe9ies o7 pri'ates ;e are./urther'oreB 'u9h 0i#e the *a00ery:*oersB etraterrestria0 0i7e ;ou0+ 7in+ +i77i9u0ties un+erstan+in* the au+iothat they hear+B i7 they in+ee+ 9ou0+ hear at a00. Thus M9=ueen +es9ri(es the ar(itrary nature o7 our0an*ua*es an+ syste's o7 representation. An+B perhaps 'ore i'portant0yB he hints at the ar(itrary nature o7our eisten9e itse07.

LA>"R" 3CF /AM"S" DA 3"RTARE )"ME ESEM3"#ameis a 211 6ritish +ra'a 7i0' 9o:;ritten an+ +ire9te+ (y Ste8e M9=ueenB starrin* Mi9hae0 /ass(en+eran+ )arey Mu00i*an. 6ran+on Mi9hae0 /ass(en+erI is a su99ess7u0 an+ han+so'e thirty:so'ethin*a+8ertisin* ee9uti8e 0i8in* an+ ;or#in* in Ne; or#. Distan9e+ 7ro' his sister an+ see'in*0y ;ithout any90ose 7rien+sB he stru**0es ;ith a se9ret seua0 a++i9tion.The 7i0' *rosse+ 1 'i00ion (y the en+ o7 its ;or0+;i+e theatri9a0 run. t is an approa9ha(0eun9o'pro'isin* +ra'a that 7ies its *a,e on the uses an+ a(uses o7 the hu'an (o+yB as Mi9hae0/ass(en+er strips hi'se07 +o;nB in e8ery ;ay an a9tor 9anB 7or M9=ueenWs ri*orous (ut hu'aneinterro*ation.

6ENNAL 3ASSATEM9=ueen represente+ 6ritain at the 2 >eni9e 6ienna0e ;ith Giardini7i0'I.


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MATTHEW MONAHAN

epaestus, si/t unseen, role call oA 8onesB 21%Arsena0e n. 5

6orn in 12B Eure#aB )A

Li8es an+ ;or#s in Los An*e0esE0isa(etta

LA>"R" ES3"ST"Matthe; MonahanFs ;or# presents a 7uturisti9 ar9haeo0o*y. Dra;in* 7ro' a ;i+e ran*e o7 in70uen9esB 7ro'Mo+ernist art to an9ient tote'sB MonahanFs !arte7a9tsF are (oth 7a'i0iar an+ stran*e. /i0terin* histori9a0'ytho0o*ies throu*h his o;n persona0 syste' o7 re7eren9eB a0tere+ 7urther throu*h the eperien9e o7'a#in*B MonahanFs ;or# a00u+es to a 9onte'porary spiritua0ityB ;here (eauty an+ (ruta0ity 9oa0es9e as8irtua0 'onu'ents. n Ri#erFs s0an+B Monahan a+orns his 8itrine ;ith han+:9ra7te+ !re0i9sF. Non+es9ript an+90un#yB their p0ausi(0e 7un9tion is se9on+ary to their 'ateria0ityK ;aB paperB an+ p0aster ta#e on (ar(ari97or'sB their te'pora0 'e+ia hu'orous0y su**estin* ti'e0essness.

Monahan in8ents a para00e0 ;or0+ ;here the artist is 9reator an+ 9on$urer o7 ni*ht'arish 7antasySty0isti9a00y +ra;in* 7ro' )onstru9ti8ist artists su9h as Nau' Ga(o an+ Antoine 3e8snerB MonahanFsa(stra9te+ asse'(0a*es 9apture a 0ost spirit o7 i+eo0o*i9a0 inno9en9eX presente+ in 9onte'porary 9ontetBthey a0so a00u+e to its 9orruption.He in9orporates the i+ea o7 the tra+itiona0 p0inth as a +e8i9e that (oth 7ra'es the 7i*ure as an i9on.His startin* point is the 7a9eB he starte+ ;ith 9on9eptua0 art an+ then 0ater he +e9i+e+ to try ;ith 7a9es. !tFs0i#e ta#in* an a(stra9t 9on9ept an+ *i8e it a 7a9e a (o+y an+ so'e or*ans insi+eF.The 8ie;er *ets a sense o7 'inera0 7o0+e+ into the 'u0tip0e 7aja+es an+ e8ery ;or# is 9o'pose+ (y oneresistant 'ateria0 p0us one po0ishe+ sur7a9eB a 9ontrast ;hi9h +ra'atises the i'a*e in or+er to 9reatehar'a'ent an+ har+ s#in.)o0ours 9o'e 7or' the 'ateria0s an+ earth pi*'entsB use+ at +i77erent te'peraturesB so'e are 7use+ so

they 9han*e 9o0our.No 7oun+ o($e9tB he +oes e8erythin* hi'se07B no te9hno0o*yB thin*s ha8e to (e pro+u9e+ (y the artisthi'se07. !No use o7 photo*raphyB no pro$e9tionsB no 'anneuinsB no 0i8e 'o+e0sB no (o+y 9astsB no rea+y:'a+esB no 7a(ri9ators an+ no sour9e 'ateria0. a' pretty +o*'ati9 a(out thisF.Re70e9tion o7 his o;n (o+y as he sees itK it 9an (e that the 7i*ures +onFt ha8e a har'B heFs 0e7t han+e+ soo7ten the ri*ht ar' is 'issin*.! +i+ 'a#e one trip that year to Ti(et an+ Nepa0;hi9h ha+ a hu*e i'pa9t on 'e (e9ause s9u0pture is rea00yuse+ there to house spiritsB an+ there is a 7rea#y #in+ o7 i+o0atry. The pe+esta0s are 'y 9on9ession tothe rea0 ;or0+. They are 0i#e a 'i++0e'anB a +ea0erB to stop the ;or# 7ro' *ettin* steppe+ on. thou*htthat 'a#in* thin*s (i**er ;ou0+ 'a#e pe+esta0s o(so0eteB (ut a9tua00y 0i#e the propriety an+ a0ienationthey 9reate.F

E6httpK;;;.saat9hi:*a00ery.9o.u#artists'atthe;['onahan.ht'httpK;;;.youtu(e.9o';at9hO8P*yyM-*"+M


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DANH VO

Hoan/ Ly curc, Thai 6inh 3ro8in9eB >ietna'21%

Le*noB a99iaioB pietra

.rsenale, n% (15 6a Ra:>kn* TauB >ietna'+oia

6"GRA/A6orn in >ietna' in 15B Dahn >o es9ape+ ;ith his 7a'i0y in 1B atte'ptin* to rea9h A'eri9a on a (oat(ui0t (y his 7ather. 6ut 9han9e inter8ene+ an+ the 7a'i0y ;as pi9#e+ up (y a Danish 7ishin* 8esse0 an+ soon(e9a'e 9iti,ens o7 that 9ountry. t is in part >oFs history as a re7u*ee that has *i8en hi' a pro7oun+un+erstan+in* o7 the i'portan9e o7 +o9u'entsB ;hi9h the artist has +es9ri(e+ as eui8a0ent to aper7or'an9eB sin9e throu*h paper an+ institutions our so9iety has a0rea+y +eter'ine+ our 'o8e'ents an+a9tions.

He has ehi(ite+ in the ;ho0e ;or0+. He is the ;inner o7 the 212 Hu*o 6oss 3ri,e. His ;or# has (eenehi(ite+ at the a0#er Art )enter in Minneapo0isBthe Art nstitute o7 )hi9a*o the So0o'on R. Gu**enhei'Museu' in Ne; or#B the Mus@e +Wart 'o+erne +e 0a >i00e +e 3arisB "R" ES3"ST"Throu*h per7or'an9e:(ase+ ;or#s inspire+ (y his 0i7e eperien9es an+ histori9a00y ri9h rea+y'a+e o($e9tsBartist Danh >o interro*ates the 9onstru9tion o7 inherite+ 9u0tura0 8a0uesB 9on70i9tsB an+ +isp0a9e'ent. henhe ;as a 9hi0+B >oWs 7a'i0y 70e+ >ietna' an+ sett0e+ in Den'ar#. His ;or# +ra;s on persona0 an+ histori9a0

art 7a9ts that +ire9t0y an+ in+ire9t0y tou9h on this eperien9e to ea'ine ho; su9h ite's are +isperse+a9ross (or+ers or sy'(o0i,e transnationa0 'o8e'ents.

E6 D R/ERMENT"httpK;;;.'arian*oo+'an.9o'artists+anh:8httpK;;;.'useion.itOpP1%%55


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JACUB JULIAN ZIOLKOWSKI

Doycemann, 2012

Bestiary, 2013

Emmama, 2013

Genesis, 2013Genesis)in/ers, 2013

e Man !o Lau/s, 2013

e #leep oA ?eason, 2013

"0io su ta8o0aB o0io su te0aB +i'ensioni 8arieArsena0eB n.5

Nato a ?a'os9B 3o0onia ne0 1. >i8e e 0a8ora a )ra9o8ia0aria Si9ari

6"GRA/A0 9arattere inuieto e po9o in90ine a00e 9on8en,ioni so9ia0i +e00Fartista *0i 8a0so pi 8o0te 0Fespu0sione +a00apresti*iosa A99a+e'ia +i (e00e arti Jan Mate$#o +i )ra9o8ia +o8eB tutta8iaB si +ip0o'ato ne0 25. Ne0 25espone a00a sua pri'a 'ostra persona0e a >ienna. Ne0 2 8iene in90uso ne00a 0ista +ei 5 artisti 9he hannopreso parte a00a pri'a e+i,ione +e0 pro*etto The Generationa0K oun*er than Jesus Ne; Museu'B NIB9uratoB tra *0i a0triB +a00o stesso Massi'i0iano Gioni. Ne0 21 parte9ipa a00a 6ienna0e +i G;an*$u +irettoreartisti9oK GioniI.

LA>"R" ES3"ST"Le opere +i ?io0#o;s#i rappresentano una 9os'o0o*ia persona0e 7atta +i in7inite e 8erti*inose pro0i7era,ioni+i o99hiB or*ani sessua0iB 9orpi e (ran+e00i +i 9arne 9he 9reano un 'a*'a anato'i9o 'u0ti7or'e e+ in

9ontinua espansione. G0i inuietanti paesa**i 'enta0i 9reati +a00Fartista sono ri99hi +i 9ita,ioni 0etterarie e+i9ono*ra7i9he +a 6os9h a 6a9onB +a 6or*es a Joy9eI reinterpretate se9on+o 0a persona0e 8isione +e00Fautore9heB +e7or'an+o e p0as'an+o *0i e0e'enti +e0 'ito +e00a 9rea,ioneB *enera un 'on+o in 9ui os9eni +etta*0ianato'i9i si s9hiu+ono su (u0(i o9u0ari 9he sputano sper'a e+ in7ettano super7i9i in 9ui 7i0ia,ioni +i o99hiB+ita e nasi assor(ono 8o0uttuosi 70ui+i or*ani9i. Le 8isioni +i ?io0#o;s#i si 7anno portatri9i +i una 7or,a9reati8a spesso turpe e 'a0ataB per7etta 'eta7ora +e00Fera 9onte'poranea in 9ui 0e ossessioni per i +etta*0ianato'i9i si 'o0tip0i9ano a00Fin7inito 7ino a 9u0'inare in un 8orti9e (ru0i9ante +i 9orpi s'e'(rati.

E6httpK;;;.;'a*a,ine.9o'art+esi*n21$a#u([$u0ian[,io0#o;s#i


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ROBERT CRUMB

e Boo" oA Genesis Illustrated, 23enna e in9hiostro su 9arta

Arsena0eB n. &

Nato a /i0a+e07ia ne0 14%B 8i8e e 0a8ora in /ran9ia0aria

6"GRA/ANe0 1&5 si tras7eris9e a San /ransis9o e si a88i9ina a00a s9ena under/round +i 9ui +i8enta uno +e*0iesponenti +i spi99o *ra,ie a00e sue stris9e +i8enute un si'(o0o +e00a 9ontro9u0tura +i ue*0i anni. /a9i0itatone0 9o'pito +a00a s9operta +e00FLSDB )ru'( in8entU a09uni tra i persona**i pi 7a'osi +e00a storia +ei9o'i9sB 9o'e Mr. Natura0 *uru eroto'ane 9on *ra8i pro(0e'i +i +ipen+en,a +a sostan,e stupe7a9entiI e/rit, the )at *atta99io ran+a*io 9on un +e(o0e per 0e +onne e 0a 8ita sre*o0ataI. Autore +i a09une tra 0e9opertine +e*0i a0(u' 9he hanno se*nato 0a storia +e0 ro9# psi9he+e0i9oB 9o'e


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SINICHI SAWADA

Sen,a tito0o JanusI, 22:25 : Sen,a tito0o >o0to 9hio+atoIB 2:2 : Sen,a tito0o /i*ura 9on 9inue

8o0ti e uattro 9ornaIB 2:2 : Sen,a tito0o >aso roton+o 9on +ue testeIB 2:2

Sen,a tito0o Retti0eIB 2:2 : Sen,a tito0o >aso pie*ato 9on +ue testeIB 2:2 : Sen,a tito0 :

/i*ura 9on uattro 8o0ti e uattro 9ornaIB 2:2 : Sen,a tito0o Tote' 9on se+i9i 7a99eIB 2&:2Sen,a tito0o Die9i paia +i o99hi e un+i9i 9ornaIB 2&:2 : Sen,a tito0o Tote' 9on uattro 7a99e e

uattor+i9i 9ornaIB 2&:2 : Sen,a tito0o Tote' 9on sei 7a99eIB 2&:2 : Sen,a tito0o Ri99io 9on

uattro 7a99eIB 2&:2 : Sen,a tito0o Ri99io nano 9on sei 7a99eIB 2&:2 : Sen,a tito0o /i*ura 9on

uattro 8o0tiB uattro ore99hie e sette 9ornaIB 2&:2

Sen,a tito0o n.4B 212 : Sen,a tito0o n.&B 212 : Sen,a tito0o n.B 212 : Sen,a tito0o n.1B 212 : Sen,a tito0o

n.11B 212 : Sen,a tito0o n. 1%B 212 : Sen,a tito0o n. 2&B 21:211 : Sen,a tito0o n.2B 21:211

Sen,a tito0o n. %B 21:211 : Sen,a tito0o n.4B 21:211 : Sen,a tito0o n.45B 2 : Sen,a tito0o n.4B

21:211

Terra9ottaB +i'ensioni 8arie

Arsena0eB n. &

Nato a "tsu GiapponeI ne0 1

0aria

6"GRA/A

nternato in un ospe+a0e per persone a77ette +a ritar+i 'enta0iB Sa;a+a 9o'in9iU a 0a8orare ne00a

panetteria +e00o stesso ospe+a0e. Ne0 21B +opo a8er 7reuentato un 0a(oratorio artisti9oB si appassiona

a00a s9u0tura e+ ini,ia a rea0i,,are 7i*ure +i 9reta 9he rappresentano esseri i''a*inari.

LA>"R" ES3"ST"

0 (estiario 9reato +a Sa;a+a 9o'posto +a strani esseri +ai 'o0ti 8o0ti ri9operti +i a9u0ei 9he se'(rano

8o0er prote**er0i +a00e insi+ie +e0 'on+o esterno. Le sue 'a*i9he e 'ostruose 9reature se'(rano *0i i+o0i

+i una 'ito0o*ia persona0e e rie8o9ano a00a 'e'oria anti9he statue tri(a0i e 7i*ure tote'i9he. Dopo a8er

+ato 7or'a a00e sue 8isioniB Sa;a+a 9uo9e 0e sue 9reature in una 7orna9e s9a8ata ne00a terra e 0a 9ui

te'peratura 8aria(i0e poi9h@ 8iene a99esa so0o +ue 8o0te a00FannoIB 9iU 7a s 9he 0e s7u'ature +i 9o0ore

+e00e statue siano +i8erse a se9on+a +e0 9a0ore +e00a 7ia''a.

E6

httpK;;;.art(rut.9hen21415sa;a+a::shini9hi


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ROSSELLA BISCOTTI

La pri/ione della Giudecca, 2013 $realizzata per la (( I%.%E%&

nsta00a,ione sonora f 9o'postArsena0eB n. ne00a 9artina

Nata a Mo07etta 6ariI ne0 1 B 8i8e e 0a8ora a Rotter+a'>era

6"GRA/ANata a Mo07etta 6ariI.Ne0 2 stata se0e,ionata per i0 )orso Superiore +i Arte >isi8a 9he o*ni anno sis8o0*e presso 0a /on+a,ione Ratti +i )o'o. Ha parte9ipato a +i8erse 'ostre 9o00etti8e in ta0ia e a00FesteroB tra9uiK ;oppiavN, una piccola rasse/na di videoarteB 3a0a,,o +e00e 3apesseB SienaB a 9ura +i M. Tone00iB 22IX IIIMostra d.rt #onor y isualB )on8ent +e Sant. Au*ustB 6ar9e00onaB Spa*naB 22IX ?eactionB Eit ArtB6roa+;ayB NB a 9ura i J. Hane0 e 6. MartiB 22I. Re9ente'ente i0 suo 0a8oro in:pro*ress i0 pro9esso stato esposto a0 MA-- +i Ro'a 211IB a Do9u'enta 1% 212I e a E:/0uB N 21%I.

LA>"R" ES3"ST"LWista00a,ione presenta un 'onta**io +e0 'ateria0e sonoro ra99o0to +a00Wartista +urante un perio+o +i0a(oratorio tenutosi presso 0a pri*ione 7e''ini0e su00Wiso0a +e00a Giu+e99a >ene,iaI. 3er no8e 'esi 0a6is9otti ha in9ontratoB +ue 8o0te 0a setti'anaB 0e +etenute +isposte a parte9ipare a0 pro*etto. Duranteuesti in9ontri 0e +etenute si sono ra99ontate i propri so*ni 0Wau+io +e00WoperaI. LWinsta00a,ione a terra 8uo0erappresentare 0e 7or'e ar9hitettoni9he pi spesso presenti nei so*ni 9on+i8isiK 9orri+oi 9hiusiB stan,ean*uste... 0Winsta00a,ione stessa 8uo0e a8ere i0 ruo0o +i (arriera e 9ostrin*ere 0o spettatore a passar9i ne0'e,,oB per 'isurare 9o0 proprio 9orpo ta0i spa,i an*usti. LWinsta00a,ione 9ostruita 9on ri7iuti or*ani9i i0pro*ra''a +i ri9i90a**io stato a88iato ne00a pri*ione ne0 perio+o in 9ui 6is9otti era presenteI. Si tratta +iunWopera 9he in+a*a i0 ruo0o +e00Wistitu,ione 9ar9eraria e+ in *enera0e 0Win70uen,a 9he 0e istitu,ioni hannosu00Wi''a*inario u'ano.

LWartista 0o +e7inis9eK i0 'io u0ti'o 0a8oro in ta0ia e per 0Wta0ia.

LA>"R" 3CF /AM"S"0 9ar9ere +i S. Ste7ano 211IB 8i+eo:+o9u'entario e insta00a,ione.La 6is9otti a77ronta per 0a pri'a 8o0ta 0a te'ati9a 9ar9eraria in uesto 0a8oro. 0 8i+eo +o9u'enta 0a 8isita9he 0Wartista ha 9o'piuto presso 0a pri*ione +i S. Ste7ano struttura panotti9a 9ostruita ne0 12 e+ in uso7ino a0 1&B 9o00o9ata su unWiso0a +e0 tirrenoX i0 pri'o 9ar9ere a+ essere pro*ettato per 9ontenerees90usi8a'ente er*asto0aniI. LWartista 9hie+e a Ni9o0a >a0entino s9rittore e+ er*asto0ano 9on+annato per i7atti +i terroris'o rosso +e*0i anni WI +i a99o'pa*nar0aB 0a 8isita si 9on90u+e ne0 9i'itero +e*0i er*asto0aniBun 0uo*o a((an+onato 9aratteri,,ato +a +e9ine +i 9ro9i sen,a no'eB +o8e o*ni anno unWasso9ia,ioneor*ani,,a una 'ani7esta,ione 9ontro 0Wer*asto0o 9hia'ata porta un 7iore per 0Wa(o0i,ione +e00Wer*asto0oX6is9otti +e9i+e +i ri0an9iare 0We8ento e 0Wanno su99essi8o 'o0te persone si presentano.Durante 0a 8isita 6is9otti e suoi 9o00a(oratori rea0i,,ano +ei (assori0ie8i +i a09une ,one +e0 9ar9ereB ottenuti(atten+o una sotti0e 0astra +i 'eta00o 9o0 'arte00oX ta0i s9u0ture saranno poi parte inte*rante+e00Wesposi,ione e inten+onoB ne00e inten,ioni +e00WartistaB per'ettere a0 7ruitore +i 'isurare 0o spa,io9ostritti8o +e0 9ar9ere attra8erso i0 proprio 9orpo.A0 ter'ine +e0 pro*etto 0a 9o00a(ora,ione tra 6is9otti e >a0entino 9ontinua e i +ue 9o'in9iano a s9ri8ersi0ettere in 9ui si ra99ontano i so*ni 9he hanno 7atto +opo 0a 8isita a0 )ar9ere +i S. Ste7ano. Da ui 0Wartistapren+e 0Wi+ea per 0a rea0i,,a,ione +e00Wopera presentata a00a 55l E..A.

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ARTHUR BISPO DO ROSARIO

*%03 ) BotOes para palet, so8retudo pereline, sedia e catene, carriola, carrousel, Bollitore e

orinatoio6a/one in attesa, .uto in attesa,


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'a+eness. Sin9e 2 his o8er ;or#s are at the Museu 6ispo +o Rosmrio Arte )onte'poranea in Rio +eJaneiro that is +e+i9ate+ to the artistWs entire 9o00e9tion.

He 9o'p0ete+ o8er art;or#s ran*in* 7ro' s9u0pturesB han+:e'(roi+ere+ (anners an+ *ar'entsBsho;9asin* the 8ariety an+ 9reati8ity o7 Arthur 6ispo +o Rosario.

He ;as 9o'p0ete0y 7as9inate+ 7or the reappropriation o7 o($e9ts su9h as (uttonsB (ott0esB paperB 9ar+ an+9ut0eryB ;hi9h he 'anipu0ate+ to 9reate e0a(orate s9u0ptura0 pie9es. The +i8ersity o7 'ateria0sB ;hi9hso'eti'es 7or' a s'a00:s9a0e (ut 9o0our7u0 pat9h;or#B (ut ;hi9h 9an a0so (e as 0ar*e as (0an#etsB ha8eso'ethin* in 9o''on ;ith the arte po8era.H&! $r() *+&'+ +" !$* $! $ !,&r&(-$# -r/"0 r$(+"r (+$/ (+" ,r1-'( 2 ,-r" 'r"$(&3&(0) ,r3"1 ( %" +&!!$#3$(&/.Har+0y art in the purest senseB +o RosmrioFs re9on7i*ure+ WtrashW ;or#s appear as so7t o($e9ts an+ +e9orati8e(annersB 9o'pose+ as auto(io*raphi9a0 e'(0e's. Cn0i#e the so0itary 9on7ine'ent that Ger'an


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0a 'a**ior parte +ei suoi +ise*niB penso in parti9o0are a00a 0ettura +ei se*ni +i8iniB su00a 9o0aB su00Faran9iaB sui7rutti in *enera0eB per 0ui una s9rittura +i8inaB non 7a a0tro 9he osser8ar0aB ri8e0ar0a e tras'etter0aB ua09he8o0ta uesti se*ni sono +iretta'ente 0e**i(i0i e 0ui 0i interpretaB 0i 9o''enta. =uan+o in8e9e sonoin+e9i7ra(i0i 9e 0i ren+e 9osB pre9isan+o +unue 9he sono se*ni +i8ini e 9he 0Fuo'o ta08o0ta pi99o0a 9osaper preten+ere +i a8ere una 0ettura inte00i*i(i0e +ei 'essa**i +i8ini.

Traspose i *ero*0i7i9i su 9arton9ini +a s9he+ario inte*ran+oB ne00a tras9ri,ione 7oneti9a e ne00a 7or'a +i o*ni0etteraB +ise*ni ispirati a 9ostu'i e tra+i,ioni.6oua(r@ 9ontinuo a pro+urre 9entinaia +i +ise*niB arti9o0an+o 0e proprie esperien,e e osser8a,ioniattra8erso 0a sua esteti9a spiritua0e an9or9he u'anisti9aB i'pie*an+o 'ateria0i po8eri 9o'e paste00i e'atite 9o0orateB su 9arta o 9arton9ino 7or'ato 9arto0ina. La serie aperta 9ui +ie+e ini,io ne*0i anni SettantaB"R" 3Z /AM"S"Lo s9he+ario (@t@

TT"L E ANN DE LA>"R G 3RESENTAT N 6ENNALE 3ASSATE1% Tr@sor +e >oya*e

E6httpK#yoart*a00ery.(0o*spot.it2117re+eri9:(ru0y:(oua(re:9o0ui:9he:non.ht'0httpK;;;.'issioni:a7ri9ane.or*arti9o0i%[[6ru0y[6oua(re[piu[9he[un[artista

6 Jean Pigozzi (born 1952) is a businessman, art collector, philanthropist and photographer. Pigozzi has over the last twentyyears assembled the worlds largest collection of contemporary African art.


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PAPA IBRA TALL

"R" ES3"ST"


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AURELIEN FROMENT

Si+eo HD sonoroIArsena0eB N.

Nato a An*ers ne0 1&B 8i8e e 0a8ora tra Du(0ino e 3ari*iNon ha 'ai esposto ne00e pre9e+enti e+i,ioni +e00a 6ienna0e +i >ene,iaa'ina

6"GRA/AHa 9on+otto i propri stu+i artisti9i tra RennesB Nantes e Man9hesterB o88ero ha stu+iato a00F^9o0e R@*iona0e+es 6eau:Artes +i Rennes e +i Nantes +o8e si +ip0o'ato ne0 2I 'a an9he a00a Metropo0itanCni8ersity +i Man9hester. Ne0 21 ha esposto a00a 6ienna0e +i G;an*$u e ne0 211 a ue00a +i Lione. Ha a0suo atti8o un 7ittissi'o 9arnet +i esposi,ioniB sia persona0i sia 9o00etti8eB para00e0a'ente a00e ua0i s8o0*ean9he unFintensa atti8it pu((0i9isti9a s9ri8en+o 0i(ri e sa**i +i arte e+ presente in nu'erose i'portanti9o00e,ioniB 9o'e ue00a +e0 )entre 3o'pi+ou +i 3ari*i o i0 Mo'a +i San /ran9is9o. Y stato pre'iato a

6ar9e00ona e a Mu0house. 0 te'a prin9ipa0e +e00a sua arte 0Fesp0ora,ione poeti9a +e0 potere se'anti9o+e00e i''a*ini e +e00a rea,ione +e0 pu((0i9o +inan,i a+ esseB non9h@ i 7eno'eni +e00a 'e'oria e+e00Fappren+i'ento e i 9on7ini tra 7i9tion e +o9u'entario. A ta0i s9opi e*0i uti0i,,a una 'o0tep0i9it +istru'enti espressi8iB +a00Finsta00a,ione a00a 7oto*ra7iaB +a00a s9u0tura a0 8i+eoB traen+o ispira,ione soprattutto+a0 9ine'a e +a0 'o+o in 9ui i0 si*ni7i9ato +e00e i''a*ini 'uta uan+o se ne a0terano i0 'onta**io o 0aseuen,a 0ineareK non un 9aso 9he a*0i esor+i /ro'ent a((ia 0a8orato 9o'e proie,ionista in un 9ine'a7ran9ese.

LA>"R" ES3"ST"0 8i+eo proposto a00a 6ienna0e 21%B o88ero )a'i00oFs +eaB stato *irato a0 Teatro "0i'pi9o +i >i9en,aB0uo*o 9he per ra*ioni sia stori9he sia ar9hitettoni9he si presta per7etta'ente a+ in9arnare i0 9osi++etto

teatro +e00a 'e'oria o teatro +e00a sapien,a +i Giu0io )a'i00o De0'inio. )ostui era un 7i0oso7o e+u'anista 8ene,iano +e0 !5 14:1544I noto per a8er 9on9epito i0 pro*etto utopi9o +i un teatro rea0i,,atosotto 7or'a +i e+i7i9io 0i*neoB 9on 0o spettatore a0 9entro +e0 pa09o e *0i attori intorno 9io ri(a0tan+otota0'ente 0a prospetti8a tra+i,iona0eI e+ un siste'a +i asso9ia,ioni 'ne'oni9he per i''a*ini ta0e +apoter ar9hi8iare tutto 0o s9i(i0e u'anoB pre9orren+o 9os i0 9on9etto +i en9i90ope+ia. Cn teatro 9os9on9epito a8re((e an9he +o8uto rappresentare 0For+ine +e00a 8erit eterna e 0Fi''a*ine +e0 9os'o.LFattri9e teatra0e +e0 8i+eo +i /ro'ent re9ita o88ia'ente a 'e'oriaI 0Fintero testo +e00a storia +e00a'ne'ote9ni9aB +a0 0iri9o *re9o Si'oni+e +i )eo 9o'une'ente a++itato 9o'e i0 9osi++etto in8entore+e00a 'e'oriaI 7ino ai 'eto+i sette9entes9hi +i Gre*or 8on /eina*0e so77er'an+osiB appuntoB su ue00i +iGiu0io )a'i00o. )ostui e0a(ora 0a sua i+ea a partire +a00e intui,ioni +i )i9erone e =uinti0ianoB 9he 9o'ete9ni9a +i appren+i'ento +e00e ora,ioni su**eri8ano +i 8isua0i,,arne i 9ontenuti attri(uen+o a 9ias9unastan,a +e00a 'e'oria unFi''a*ine. La 7i*ura +i Giu0io )a'i00o 9o'unue 'o0to 9ontro8ersaK e*0iin9ontrU a Mi0ano i0 so8rano /ran9es9o 9he +i8enne suo 'e9enateB 'a 7e9e an9he 0a 9onos9en,a +i Eras'o+a Rotter+a'B 9he 0o +e7in un (u77one e 0o prese in *iro +i9hiaran+o 9he non sape8a i0 0atino. Ma 0Futopiaen9i90ope+i9a +i Giu0io )a'i00oB esatta'ente 9o'e ue00a +i AuritiB era +estinata a non essere rea0i,,ataBpoi9h@ non risu0ta 9he un prototipo +e0 teatro in uestione sia 'ai stato 9ostruito. )iononostante uestestrate*ie 'ne'oni9he possono essere 9on9epiteB proprio in 8irt +ei ra99or+i tra i''a*ini e spa,i 7isi9iB9o'e +e00e 8ere e proprie ar9hitetture i''a*inarie ispirate a0 tentati8o +i i''a*a,,inare ne00a 'enteu'ana tutto 0o s9i(i0eK una sorta +i 'e'oria i00i'itata 9heB a ri*oreB stata rea0i,,ata so0tanto attra8erso i(ytes +i*ita0i e 0o spa,io +e00a Rete. Si ritiene 9he ta0e opera +i /ro'ent possa rappresentare 0Fi+ea0eestensione +i una pre9e+ente operaB o88ero una serie +i per7or'an9e a8enti a+ o**etto proprio a0'e'oria La 9hi77re 0a 0ettreB 2I.

LA>"R" 3CF /AM"S"


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CnFopera in+u((ia'ente 'o0to rappresentati8a +e00Farte +i /ro'entB stretta'ente 9onnessa ai te'i +iue00a esposta a00a 6ienna0e +e0 21%B un 8i+eo +e0 2B Th@gtre +e po9heB in 9ui 9F un i00usionista 9hesu uno s7on+o nero +isponeB estraen+o0e +a0 9i0in+roB una serie +i i''a*ini +i 8ario *enere opere +FarteBi''a*ini +i uo'ini 9he prati9ano sportB s9enari natura0iB i00ustra,ioni anato'i9he et9.I. LFopera rie9he**ia0Fesi(i,ione +i un 'a*o +e*0i anni F%B ta0 Arthur L0oy+B +i8enuto 7a'osoB 9on 0Fappe00ati8o +i Hu'an )ar+

n+eB per 0a sua 9apa9it +i estrarre +a00a tas9a o0tre 15 9arte per intrattenere i0 pu((0i9o. Ne0 8i+eo i0prota*onista tira 7uori 0e i''a*iniB 9he *0i 70uttuano intorno e 8en*ono +isposte in *ruppiB 9rean+o9onnessioni e+ asso9ia,ioni nonostante 0Fapparente 9asua0it ini,ia0e +e00a seuen,a. Ta0e operarappresenta an9he una 9ita,ione +e0 0a8oro +i A(y ar(ur*B 9he ne0 suo at0ante Mne'osyne ra**ruppUB9on ana0o*hi 9riteri asso9iati8iB i''a*ini +i +i8ersissi'a pro8enien,a attestanti 0a sopra88i8en,a +i anti9hipattern i9ono*ra7i9i attra8erso 0e 8arie epo9he.

E6httpK;;;.'ar9e00ea0i.9o'artistesoeu8res11aure0ien:7ro'enthttpK;;;.'oti8e*a00ery.n0Opa*e[i+P14&httpK;;;.+o'us;e(.ititnoti,ie21112aure0ien:7ro'ent:a:'i0ano.ht'0


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TAMAR GUIMARAES E KASPER AKHOJ

sen,a tito0oO : 21%Arsena0eB N.

E0isa(etta

6"GRA/ATa'ar Gui'ares ;as (orn in (. 1&I6e0o Hori,onteB 6ra,i0. She 0i8es an+ ;or#s in )openha*enBDen'ar#.Her ;or# is resear9h (ase+B o7ten 'a#in* use o7 7oun+ 'ateria0 su9h as 7oun+ i'a*esB o($e9ts an++o9u'ents re0ate+ to 7a'ous as ;e00 as un#no;n 9hara9ters. This 'ateria0 is then 'anipu0ate+Bre9o'(ine+B restru9ture+B reena9te+ an+ presente+ as 9ase stu+iesB *eneratin* asso9iati8e narrati8ethrea+s in +o9u'entary or se'i:+o9u'entary 7i0'sB re9or+in*s an+ insta00ations. This ;or#in* 'etho+ is a'eans (y ;hi9h Gui'ares in8esti*ates so9ia0 an+ po0iti9a0 stru9tures.


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LA>"R" ES3"ST"

>i+eo +o8e una 'e+iu' ri9ostruis9e 'enta0'ente 0a 'appa +e00e !9itt transitorieF (asate su00a +es9ri,ione+i /ran9is9o )gn+i+o -a8ier. A77er'U +i posse+ere i0 _+ono +i par0are 9on *0i spiriti` +opo a8er 8isto 0ospirito +i sua 'a+re. Durante tutta 0a sua atti8it +i 'e+iu' s9risse pi +i 4 0i(ri sostenen+o +i a8ereusato 0a psi9o*ra7iaB o88ero 0a s9rittura sotto 0a *ui+a +i uno spirito 9he inten+e 0as9iare un 'essa**ios9ritto o an9he un intero 'anos9ritto.

La sua *ui+a spiritua0eB +i9e8aB era EmmanuelB uno spirito 9he a0 te'po +e*0i anti9hi ro'ani sare((e statoi0 Senatore 3u(0io Lentu0oB rein9arnatosi su99essi8a'ente in Spa*na 9on i0 no'e +i 3a+re Da'iano e in3orto*a00o. Ha 7on+ato 0a 9itt +i San 3ao0o.

G0i s9ritti +i -a8ier sono 9onsi+erati +ai se*ua9i +e00o spiritis'o (rasi0iano e 'on+ia0e 9o'e 7on+a'enta0iper inte*rare 0a +ottrina spiritistaB soprattutto nei suoi aspetti prati9i.

E6httpK;;;.e:70u.9o'announ9e'entsta'ar:*ui'araess:the:;or#:o7:the:spirit:para+ehttpK9entre7ortheaestheti9re8o0ution.(0o*spot.it21119anoas:7i0':(y:ta'ar:*ui'araes.ht'0httpK;;;.7ortes8i0a9a.9o'.(r9t:pu(0i9ars14%.p+7httpK;;;.+o'us;e(.itenart211219on8ersation:;ith:#asper:a#h:$.ht'0


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MATT MULLICAN

:ntitled $Learnin/ Arom tat Persons 7or", ?oom 1, 4 (&B 25)o00a*e su 9artaB 'ontato su 0en,uo0a +i 9otoneB 12 f12 f 12 partiK

22 224 9' 9ias9unaB +i'ensioni tota0i 8arieI

Le % stan,e apparten*ono a % Ga00erie/on+a,ioni +i8erse:ntitled $Models oA te ietna':era +ra7tB he ;as a0'ost 2 ;hen he *ra+uate+ 7ro' hi*h s9hoo0. 6y that ti'e he ha+ a0rea+y(ou*ht a Rapi+o*raph pen an+ ha+ 7i00e+ note(oo# a7ter note(oo#.6e7ore *ra+uatin* he ;on a 1B 9o00e*e s9ho0arship throu*h a s9hoo0 art 9o'petition ;ith his note(oo#san+ 0ar*e:s9a0e +ra;in*s.He entere+ the )a0i7ornia nstitute o7 the Arts in >a0en9iaB ;here he enro00e+ in John 6a0+essariFs 3ost:Stu+io Art 9ourse.Mu00i9an re9ei8e+ his 6/A 7ro' )a0Arts in 14.Mu00i9anWs ;or# has (een ehi(ite+ nationa00y an+ internationa00y sin9e the ear0y 1s at 8enues in90u+in*The Metropo0itan Museu' o7 Art Ne; or#B Haus Der isua0 ArtB Ne; or# a'on*stse8era0 others.Mu00i9an is represente+ (y Tra9y i00ia'sB LTD.B ManhattanB an+ Mai %& Ga0erieB ?uri9h.

STLE AND )ARA)HTERST)SKHis ;or# is 9on9erne+ ;ith syste's o7 #no;0e+*eB 'eanin*B 0an*ua*eB an+ si*ni7i9ation. Mu00i9an a0so;or#s ;ith the re0ationship (et;een per9eption an+ rea0ityB (et;een the a(i0ity to see so'ethin* an+ thea(i0ity to represent it.E8erythin* +o has to +o ;ith the ;or0+ an+ ho; it is interprete+./or +e9a+esB he has (een 9o00e9tin* e8erythin* he 9an 7in+B su9h as ne;spaper 9uttin*sB 70a*s an+ (oo#'at9hesB to 'ention on0y a 7e; o7 his pre7erre+ 7in+sB an+ inte*ratin* the' in see'in*0y or+ere+ syste's.


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He 'a#es in8entories o7 the 7oun+ o($e9tsB an+ ar9hi8es an+ 9ate*orises the' a99or+in* to en9y90opae+i9syste's.

The (asi9 7un+a'enta0s o7 his syste' o7 or+er 9onsist o7 7i8e areas that +e7ine the +i77erent 7or's o7per9eption.

Mu00i9an in8ents syste's o7 si*ns an+ tries to sho; ho; they ;or#. /or this he has +e8e0ope+ pi9to*ra's the (est:#no;n one is G0en the 'at9hsti9# 'an :B sy'(o0sB 9o0ours an+ stru9turesB 7o00o;in* a Tra77i9 Si*nsty0e. He 9o'(ines these ;i+e0y +i77erin* si*ns an+ 7or's o7 portraya0 +ia*ra''ati9a00y to 7or' a hi*h0y9o'p0e persona0 0an*ua*e syste'B ;hi9h he +o8etai0s ;ith a 9are7u00y 9oor+inate+ 9o0our syste'. A00 this ispart o7 his persona0 'o+e0 o7 a 9os'o0o*y.This 9o0or:9o+e+ syste' o7 *raphi9B si'p0i7ie+ pi9to*ra's 9o8ere+ e8ery aspe9t o7 eperien9eK (irthB 0i7eB+eathB hea8enB he00B ;or0+B si*nB an+ so on. So'e o7 the pi9to*ra's ;ere 'ar#e+ MCLL)AN at the top toin+i9ate that this 9os'o0o*y ;as Matt Mu00i9anFs 9os'o0o*yB an+ his a0oneK

1: The 7irst 0e8e0B the 0o;estB 9on9erns the physi9a0 ;or0+B the natura00y e8o08e+ an+ is in+i9ate+ (y the *reen9o0or.

2: The se9on+ 0e8e0 9on9erns the ;or0+ o7 hu'an (ein*s an+ their so9ia0 or*ani,ationsB +e7ine+ (y the 9o0or(0ue.%: The thir+ 0e8e0B ye00o;B pertains to the artisti9 9reati8ityX

4: The 7ourth 0e8e0B (0a9# an+ ;hite instea+ a00u+es to the a(stra9tion o7 0an*ua*e5: The 7i7th 0e8e0B the 0astB re+B attests pure spiritua0 8a0ues. This ;as 9reate+ in its entirety (y t;e08e 7i*ures in

14B an+ stan+s at the ape o7 the path that is 'eant to represent Mu00i9an in a00 his ;or#. t 9onsists o7 a;ho0e syste' o7 si*ns that spea# o7 e0e8ation 7ro' the states to the 'ore su(0i'ate+ 'ateria0 eisten9eBan+ ;hi9h is i+enti7ie+ in an in9rease in the re0ati8ity o7 the o($e9t to the uni8ersa0ity o7 the 9on9ept.

LA>"R" ES3"ST"n 12 Mu00i9an hire+ a pro7essiona0 hypnotist to *ui+e a9tors throu*h s9enarios in ;hi9h they ;ere toeperien9e a00 the sta*es o7 a 0i7eB 7ro' (irth to +eath. Au+ien9es respon+e+ poor0y to these per7or'an9esB

Mu00i9an sai+B (e9ause they 7e0t he ;as su($e9tin* the a9tors to unne9essary psy9ho0o*i9a0 painB that he ;as(ein* a 7as9ist. Mu00i9anB not ;antin* to upset his au+ien9esB 9orre9te+ this pro(0e' (y 'a#in* hi'se07the su($e9t o7 the hypnoti9 in+u9tion.Learnin* 7ro' That 3ersonFs or# is an ehi(ition Mu00i9an 'a+e at the Lu+;i* Museu' in )o0o*ne in25.That ;or# *re; out o7 a series o7 su9h per7or'an9es. n a typi9a0 pie9eB the artist is hypnoti,e+ an+ *i8en anopen pro'pt su9h as Goo+ 'ornin*dIB a7ter ;hi9h he (e*ins his eperien9e asB in the artistFs ;or+sB That3erson. That 3erson has a 9hi0+0i#e +e'eanor an+ his 8oi9e is +istin9t0y +i77erent 7ro' Mu00i9anFsbitFshi*her an+ ;hinyB an+ 7eatures a 0ot o7 ;hee,in* an+ s'a9#in*. That 3erson a0so +oes a 0ot o7 ro9#in* an+pa9in*B an+ o(sessi8e *runtin* an+ 'oanin*. That 3erson rese'(0es so'eone su77erin* 7ro' 'enta0i00nessbor at 0east 'enta0 i00ness as it is typi9a00y portraye+ in 7i0's an+ T> sho;s.6ut ;hat That 3erson pri'ari0y +oes is 'a#e +ra;in*sb0ots an+ 0ots o7 the'. So'eti'es theyFre s'a00 an+inti'ateX other ti'es theyFre hu*eB 'ounte+ on (e+ sheets or 'a+e +ire9t0y on the ;a00. TheyFre 'ost0y9a00i*raphi9. That 3ersonFs 9os'o0o*y is 'u9h 0i*hter than Mu00i9anFsbhis art;or# ep0ores TruthB 6eautyBLo8eB an+ or#b(ut itFs a0so 7u00 o7 senti'enta0 re7eren9es to pop an+ +o'esti9 9u0tureK 9o00a*es o7star0ets an+ 3ottery 6arn interiorsB tets ta#en 7ro' Star(u9#s pa9#a*in*.t a0so +isp0ays an o(session ;ith nu'(erin* an+ or+erB an+ ;ith +es9ri(in* the 9orre9t ;ay to parti9ipatein so9iety.That 3erson has a +istin9ti8e han+B (oth in s9ript an+ in +ra;in*B that is uite +i77erent 7ro' the (0o9#y0etterin* an+ si'p0i7ie+B har+:e+*e+ shapes that Mu00i9an e'p0oye+ in his ear0ier i9on ;or#s. tFs ro(ust an+70o;eryB an+ has (een +es9ri(e+ as psy9he+e0i9. n so'e 9asesB itFs near0y 7e'inine in its s;oops an+ 9ur8esan+ (u0(ous en+in*s to 0etters an+ nu'(ersB an+ itFs tota00y se07:a(sor(e+ in the $oy o7 7or'in* its9hara9ters. hen That 3erson is ;ritin* +o;n re9ipes or the 0yri9s to 0o8e son*sB his s9ript is pare+ +o;n a(itX ea9h 0etter rea9hes the sa'e hei*ht an+ ;i+thB an+ ;or+s +ire9t0y a(out one anotherB 'a#in* the tet


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+i77i9u0t to +e9ipher. t re9a00s 9hi0+renFs 7irst atte'pts at ;ritin* an+ e8o#es an inno9entB nai8e ;i00 to9o''uni9ate. That 3erson isB in Mu00i9anFs ;or+sB an outsi+er +yin* to (e9o'e an insi+er.A(out the state o7 tran9eK3eop0e o7ten as# 'e i7 a' tota00y out o7 9ons9ien9e an+ the ans;er is noB a' not tota00y out o79ons9ien9e. ou ha8e a #in+ o7 hyper:9ons9iousness as ;e00 .

)uriosityKG0ennIMatt Mu00i9an ;as a0;ays intereste+ in the (i* uestions o7 artb0i7eB +eathB representationB 9ons9iousness.Mu00i9an spent a 0ot o7 ti'e in the s per7or'in* eperi'ents ;ith a sti9# 7i*ure na'e+ G0ennI. n the+ra;in* o7 a stu+io he 'a+e to pro8i+e hi'se07 ;ith a post:stu+io stu+ioIB he set a(out pro8in* thatG0ennI ;as rea0 an+ 9ou0+ 7ee0 pain. He 'a+e hun+re+s o7 +ra;in*s to ep0ore G0ennIFs 8ita0ityK 'a#in*G0ennI pri9# hi'se07 on the 7in*erB 7or ea'p0eB an+ +e'onstratin* the +i77eren9e (et;een 0i7e an+ +eath(y +ra;in* a +ea+ sti9# 7i*ure in the roo' ;ith G0ennIB ;ho ;as er*oI a0i8e. As 7urther e8i+en9e o7G0ennIFs autono'yB Mu00i9an 90ai'e+ not to #no; i7 his na'e ;as spe00e+ ;ith a sin*0e or +ou(0e nI.

E6httpK;;;.tate.or*.u#9ontet:9o''ent8i+eoper7or'an9e:'att:'u00i9an 8i+eo inter8ie; an+ea'p0e o7 a per7or'an9e as at PersonIhttpK;;;.youtu(e.9o';at9hO8P"8n'/


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MICHAEL SCHMIDT

=pere senza titolo della serie SLe8ensmittelT, 200)2010/oto*ra7ie ):print 54 2 9ias9unaI

Arsena0eB n.

Nato ne0 145 a 6er0inoB +o8e tuttora 8i8e e 0a8oraNon ha esposto ne00e pre9e+enti e+i,ioni +e00a 6ienna0ea'ina

6"GRA/AMi9hae0 S9h'i+tB (er0ineseB or'ai 9onsi+erato uno +ei 'assi'i 7oto*ra7i te+es9hi 8i8enti. Si ini,ia0'ente a99ostato a00Farte 7oto*ra7i9a in ua0it +i auto+i+attaB poi9h@ 0a sua pro7essione ori*inariaBintrapresa per 8o0ont +ei *enitoriB era ue00a +i a*ente +e00a po0i,ia +i 6er0ino "8est. A00Fet +i 2 anniin9o'in9ia in7atti a 7oto*ra7are ossessi8a'ente 0uo*hi e persone +e00a 9apita0e te+es9a +o9u'entan+one 0enu'erose tras7or'a,ioni so9ia0i e po0iti9he e 7a9en+oneB per o0tre trentFanniB i0 te'a prin9ipa0e +e0 proprio0a8oroB per 0o pi 9aratteri,,ato +a i''a*ini 9upe e in (ian9o e neroB rispetto a00e ua0i 0e 7oto +i

Le(ens'itte0 rappresentano una no8it e+ unFe99e,ione. A partire +a0 1 ha parte9ipato a 'o0tepresti*iose esposi,ioniB non so0o in Ger'ania 'a an9he a Ne; or#B Lon+raB To#ioB Ro'aB Mi0anoB 6rue00ese a0tro8e. Tre anni 7a a09uni suoi 0a8ori +e00a serie /rauen sono stati uti0i,,ati 9o'e poster per 0a sesta6ienna0e +FArte )onte'poranea +i 6er0ino +e0 21.

LA>"R" ES3"ST"Le8ensmittel i0 risu0tato +i un 0a8oro +i ri9er9a 9he S9h'i+t ha 9on+otto per 4 anni 2&:21IB in *iroper 'a9e00erieB super'er9atiB a00e8a'enti et9.B a0 7ine +i i00ustrare 0a situa,ione attua0e +e00Fin+ustriaa0i'entare +e0 nostro 9ontinenteB ua0e e'er*e nei nu'erosi 0uo*hi 8isitatiB ua0i a+ ese'pio *0ia00e8a'enti itti9i in Nor8e*iaB i pani7i9i in+ustria0i in Ger'aniaB o 0e a,ien+e a+i(ite a00a tras7or'a,ione +e00e'e0e in ta0ia. LFappro99io +e00Fautore non pre8e+e 0a ri9er9a +i +etta*0i s9io99anti 'a 9aratteri,,ato a0

9ontrario +a una 9erta atten,ione +o9u'entaria e 9riti9o:so9ia0eB se((ene e*0i 7a99ia espressa'enteatten,ione a non ren+ere ri9onos9i(i0e i0 0uo*o +i pro+u,ione +i o*ni sin*o0o pro+otto 7oto*ra7ato. S9h'i+tsi 0i'ita inso''a a 9onstatare 9o'e *0i esseri u'aniB *0i ani'a0i e 0a natura siano s7ruttati a 'oF +i pe+ine+e0 9o0ossa0e in*rana**io +e00a pro+u,ione +i 'assa +ei paesi in+ustria0i,,atiB i 9ui i 9onsu'atori sonospettatori a0 te'po stesso 9onsape8o0i e+ i'potenti. Si 8a +a00a 'e0a 8er+e a0 9a'po +i rapeB +a00a'a''e00a *on7ia +i una 'u99a 9he sta per essere 'unta a00a 9onta+ina +i spa00e pie*ata a0 'o'ento +e00ara99o0taB +a00o sua00ore +e00a 8e+uta +i una 7a((ri9a a0 7rutteto intra8isto +ietro un re9into +i 7i0o spinato.La su99essione e 0Fa99u'u0o +i i''a*ini inerenti a0 'e+esi'o so**etto rappresenta ino0tre un te'aspe9i7i9o +e00a poeti9a +i S9h'i+t poi9h@B 9o'e e*0i stesso a77er'aB in 7oto*ra7ia 1 f 1 P %B 9io 0aper9e,ione so**etti8a +e00e i''a*ini si 'o+i7i9a e si arri99his9e sensi(i0'ente +ato 9he sostiene 0Fautore =uan+o +ue i''a*ini sono *iustapposte 0Funa a99anto a00Fa0traB esse 9reano una 9o'(ina,ioneBs8i0uppano un ar*o'ento ta0e per 9ui +a esse e'er*e una ter,a i''a*ine. Di 9onse*uen,aB inLe8ensmittel i0 tutto netta'ente superiore a00a so''a +e00e sin*o0e partiB 9io 0a seuen,a +e*0i s9atti ha0e 9aratteristi9he +i un 9i90o in 9ui o*ni i''a*ine arri99his9e i0 te'a 9entra0e s8i0uppan+one un aspettoparti9o0are e 9oor+inan+osi a00e a0tre in 'o+o +a arti9o0are un +is9orso 9o'p0esso. A ta0 7ine an9he a09uniespe+ientiB 9o'e a+ ese'pio 0a *iustapposi,ione +i 7oto i+enti9he 9aratteri,,ate +a 'o+i7i9he 'ini'eBsono 7un,iona0i a0 per9orso unitario +i 9ui sopra e sensi(i0i,,ano 0o spettatore su a09uni +etta*0i. Se9on+oa09uni 9riti9i 0Fu0teriore pre*io +e0 0a8oro +i S9h'i+t 9onsiste poi ne0 rius9ire a 'ostrare uno s*uar+oe'pati9o per7ino +inan,i a00Fi''a*ine +i un 9i(o tota0'ente +epri8ato +e00a sua 7un,iona0it e +e00e sueprero*ati8e tipi9he. La serie 7oto*ra7i9a stata an9he ra99o0ta in un 0i(ro insi*nito +e0 Gour'an+ or0+)oo#(oo# A;ar+ 21%.

LA>"R" 3CF /AM"S"Ne00Fintera pro+u,ione artisti9a +i S9h'i+t 0Fopera 9onsi+erata pi a'(i,iosa e+ in9isi8a 0a tri0o*ia su00a9itt +i 6er0inoB i0 9ui u0ti'o 9apito0oB o88ero i0 pro*etto :@)I) 11:14I ana0i,,a 0a storia +e00a


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Ger'ania +e00a se9on+a 'et +e0 No8e9ento. La serie 7oto*ra7i9a in90u+e i''a*ini +i 8ario *enereB +airitratti +i *io8ani 9onte'poranei a00e 7oto +i pa*ine +i *iorna0i e +i 8e99hi +o9u'enti 9he e8o9ano *0i spettri+e0 9o'unis'o e +e0 na,i7as9is'oB in una su99essione e'oti8a'ente 'o0to pre*nante in 9ui e'er*ono isi'(o0is'i e 0Fi9ono*ra7ia +ei siste'i po0iti9iB 0e 0oro propa*an+e e i 'o+e00i +i u'anit 9he essi pro*ettano.0 tito0o :n)i)ty +eri8a proprio +a00Fintento +i esp0orare 0FunitB o88ero 0o stretto rapporto tra in+i8i+uo e

statoB e8i+en,ian+one +is9repan,e e 9orre0a,ioniB 9on unFa'pie,,a e+ una pro7on+it +i introspe,ionepsi9o0o*i9a ta0i +a a8er in+otto i 9riti9i a 9onsi+erare uestFopera +i S9h'i+t 9o'e una sorta +i i+ea0e9o'p0eta'ento +ei Ritratti +e0 8entesi'o se9o0o +i Au*ust San+er.

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PAWEL ALTHAMER

.lmec6201130aster an+ p0asti9

Arsena0eB N.

6ar(ara

6"GRA/A3a;e A0tha'er (orn 1&I is a 9onte'porary 3o0ish s9u0ptorB 9o00a(orati8e artistB an+ 9reator o7insta00ations an+ 8i+eo art. He stu+ie+ at the arsa; A9a+e'y o7 /ine Arts (et;een 1:1%B earnin* a+e*ree in s9u0pture un+er 3ro7 Gr,e*or, an Go*h 6iannua0 A;ar+B 7oun+e+ (y the 6roere)harita(0e.

LA>"R" ES3"ST"ALME)H. /or the 55th >eni9e 6ienna0eB A0tha'er has insta00e+ a ne; iteration o7 .lmec, his 2119o''ission 7or the Deuts9he Gu**enhei'. Li#e the pre8ious insta00ationB this ne; pie9e is pro+u9e+ in9o00a(oration ;ith A0'e9hB the s'a00:s9a0e p0asti9s 'anu7a9turer 7oun+e+ (y A0tha'erWs 7ather. HereBho;e8erB A0tha'er has 9onstru9te+ 0i7e si,e s9u0ptures o7 0o9a0 >enetiansB 9astin* their han+s an+ 7a9es inp0aster (e7ore $oinin* the' to (o+ies that are 9o'pose+ o7 etru+e+ ri((ons o7 ;hite p0asti9. Hu++0e+to*ether 0i#e a her+ o7 0ost sou0sB the 7inishe+ statues present a *host0y portrait o7 the 9ityB an+ (rin* to'in+ A0tha'erWs astute assertion.t is a 'a$or a9hie8e'ent to rea0i,e that the (o+y is on0y a 8ehi90e 7or the sou0n his art 3o0ish artist 3a;e0 A0tha'er 9o'(ines the 8isua0 eperien9e ;ith su**esti8e so9ia00y:'in+e+

'essa*es. His artisti9 pra9ti9e is (ase+ on a parti9ipati8e approa9h to artB 7oun+e+ on the (e0ie7 that art 9ani'part 9han*e. Sin9e A0tha'erFs 7o9us is on the 9o''uni9ati8e an+ 9o''unity:7or'in* po;er o7 artB so'eo7 his ;or#s 0ea8e har+0y any 'ateria0 tra9eB (ase+ on the 0i8e s9u0ptura0 an+ per7or'ati8e tra+itions.

So'e ;or#sKMany o7 A0tha'erWs pro$e9ts 'ie+ rea0ity ;ith artB 'a#in* art part o7 rea0ity or usin* it as a pretet 7ora9tion. That ;as the 9ase in 2 ;hen the artist as#e+ the resi+ents o7 a 0ar*e to;er (0o9# in arsa;Ws6r+no +istri9t to turn the 0i*hts in ea9h apart'ent either on or o77 so that they 7or'e+ the pattern o7nu'(ers 2 6r+no 2IB turnin* a happenin* into a sort o7 0o9a0 9o''unity e8ent.A0tha'er ;as part o7 the so:9a00e+


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2% : ron* Ga00eryB Ne; or#X neu*errie's9hnei+erB 6er0inX So *enannte e00en un+ An+ere3haeno'ene +es Geistes : in9ent : 6onne7anten'useu'B Maastri9ht25 : 3a;e A0tha'er ,a9h9a : Ga0eria ?a9htaB arsa;2& : Au )entre 3o'pi+ou : Espa9e %15B )entre 3o'pi+ouB 3aris

2 : "ne o7 Many : /on+a,ione Ni9o0a Trussar+iB Mi0anX 60a9# Mar#et : neu*errie's9hnei+erB 6er0in

This is 3a;e0 A0tha'erWs 7irst parti9ipation at the >eni9e 6ienna0e.

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ENRICO BAJ

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Enri9o 6a$ espri'e i0 suo i'pe*no 9i8i0e 9ontro o*ni tipo +i a**ressi8it eB attra8erso *enera0i e parate'i0itariB i9one +e00Wantiautoritaris'o e +e00a +enun9ia sar9asti9a +e0 potereB 'ette a00a (er0ina persona**iB9ini9i e arro*antiB resi 'a**ior'ente ana9ronisti9i e ri+i9o0i +a00e +e9ora,ioni 9he ostentanoK 'e+a*0ieB9o99ar+e e a0tre pre,iosit +e0 *enere.Ne*0i anni Settanta Enri9o 6a$ 0a8oraB tra 0Wa0troB a tre *ran+i opereB 7unera0i +e00Fanar9hi9o 3ine00i 12IB

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3ARTE)3A?"N 3RE)EDENT

- %2. Esposi,ione nterna,iona0e +FArte 1&4- 4&. Esposi,ione nterna,iona0e +WArte 15B >ene,ia e 0a 6ienna0eK i per9orsi +e0 *usto : Dipinti e s9u0ture

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MIROSLAW BALKA

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ARSENAL DE VENECIA.pdf