Eclectic, Enlightening and Elegant: AJI's 3 concert series and NY's Lincoln Center concert highlight new season

AmJazzInTMFall 2012 Volume 23

Clay JenkinsBilly Harper

Nat HentoffLee Konitz

THE GOALS OF AJI To advance and promote jazz music throughout the world. To maintain a repertory jazz orchestra to perform new and archival jazz music.

To educate and expose the public to jazz by live performances and panel discussions. To physically house, archive and preserve jazz music: compositions, scores, arrangements, recordings, artwork, photographs, films and other jazz works. To seek and attract donations of jazz works with an emphasis on original compositions, scores, arrangements and recordings. To make jazz works available for research, study and education. To support charitable endeavors that promote and advance jazz music.

Board of Directors

Mark A. Masters, President Pete Carlson

Scott EllsworthGary Foster

Stephanie OKeefeAlan P. Schultz

Ronald Teeples (1935-2008)Audree Coke Kenton (1922-2012)

Advisory Board

Andrew CyrilleRay DrummondScott EvansReed GratzTim Hagans

John LaPorta (1920-2004)Gene Lees (1928-2010)

Kirsten Edkins,Director of Community Outreach

The American Jazz Institute is a tax-exempt non-profit organization pursuant to I.R.C. Section 501(c)(3). Contributions to The AJI are tax deductible. Please see inside for member benefits or contact us: PO Box 5716, Pasadena, CA 91117 Phone: 626-798-3127 and 626-497-5359 E-mail: AmJazzIn@aol.com Website: www.amjazzin.orgContinued on next page

Palm Desert businessman Pete Carlson, owner of Pete Carlsons Golf & Tennis in Palm Desert, is presenting a series of seven not-to-be-missed jazz concerts. Mr. Carlsons very deep commitment to the desert community as well as to local student musicians is evident in this third season of Pete Carlsons Jazz for Jazz Lovers concert series and in his continuing sponsorship of the Vickys "Jazz Supper Club" concert series.

Eclectic: presenting 7 major all-star concert events in the 2012-13 season of Pete Carlson's "Jazz for Jazz Lovers"

We have lots of big news to share with you in this issue! Our upcoming 2012-13 concert season in Southern California's desert communities is off to an early start on October 17 with the first of seven talent-loaded and innovative ensemble and small group concerts in Pete Carlson's continuing "Jazz for Jazz Lovers" series. See below for details, and see inside for details on the upcoming new Living Desert series and the fifth season of the popular Vicky's "Jazz Supper Club" series. In January, AJI is going east for a special performance by The Andrew Cyrille 21st Century Big Band Unlimited, with arranger Mark Masters, at New York's renowned Lincoln Center. See page 5. There's more! Just released and earning high praise from the critics is AJI's newest CD, Ellington Saxophone Encounters. See pages 6 and 7.

October 17, 2012, 7:00 PMELLINGTON SAXOPHONE ENCOUNTERSMark Masters Ensemble featuring Gary Smulyan$25, students free

There's no better way to kick off the "Jazz for Jazz Lovers" concert season than with this special CD release event for AJI's recording of Ellington Saxophone Encounters by the Mark Masters Ensemble featuring Gary Smulyan with Gary Foster, Don Shelton, Pete Christlieb, Gene Cipriano, Joe La Barbera, Bill Cunliffe and Putter Smith. This is the same roster of outstanding artists that came together in January to record the Mark Masters arrangements of compositions by Ellington's legendary saxophonists Johnny Hodges, Jimmy Hamilton, Paul Gonsalves, Harry Carney and Ben Webster. (See pages 6 and 7.)

The American Jazz Institute Newsletter

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Anna Mjll

Joe La Barbera

Gary Foster

Tim Hagans

Clay Jenkins

Cecilia Coleman

October 18, 2012, 7:00 PMANNA MJLL SINGS THE MUSIC OF PEPPER ADAMSfeaturing The Gary Smulyan Quartet$20, students freeGary Smulyan's quartet and vocalist Anna Mjll will be playing (and singing) the music of legendary baritone saxophonist Pepper Adams. Park Frederick "Pepper" Adams III (19301986), considered his generation's standard bearer on the baritone saxophone, was a composer of great talent. This aspect of his career was often overlooked due to the fact that Adams is widely considered the jazz world's pre-eminent be-bop practitioner on the baritone. Just as Adams was for his generation, Gary is considered the premier improviser of his generation. Anna is considered a treasure in Southern California for her ability to convey an intimacy and the ability to swing while crafting her performance.

March 23, 7:00 PMTHE JAZZ SOUL OF FRANKIE LAINEGary Smulyan and Mark Masters Ensemble$25, students freeAJI will celebrate Frankie Laine's 100th birthday (1913-2007) with a reprise of Gary Smulyan's hit 2009 CD of the same title that brought to light the famed singer's gifts as a fine jazz-influenced composer. Arrangements of Laine's compositions for Gary and the nine-piece ensemble -- among them, High Noon, Baby, Baby All the Time, That Lucky Old Sun, Torchin' and We'll Be Together Again -- are by Mark Masters.

April 12, 7:00 PMTHE MUSIC OF LEE MORGAN featuring Tim Hagans and Clay Jenkins$25, students freeTim Hagans and Clay Jenkins are two of the most sought after improvising trumpet artists on the current jazz scene. In this rare appearance together, they will pay tribute to iconic hard bop trumpeter Lee Morgan (1938-1972), one of the stars of his generation. A small ensemble will join Tim and Clay.

April 19, 7:00 PMTHE ART OF THE BOSSA NOVA: Gary Foster plays Clare Fischer$25, students freeAJI's tribute to the music of multi-Grammy Award winning jazz and pop composer, arranger, pianist and bandleader Clare Fischer (1928-2012) is in good hands with his friend Gary Foster. A lyrical improviser whose creativity knows no boundaries, Gary, accompanied by a small ensemble, will play the alto saxophone as well as flutes in this program of Fischer compositions arranged by Mark Masters.

February 22, 7:00 PMTHE CECILIA COLEMAN TRIO$20, students freeCecilia Coleman is one of the most gifted musicians of her generation. Primarily known as a pianist of great imagination and melodic beauty, and widely recognized for her working trios and quintets, she is also a wonderful composer who periodically leads her own big band in New York City. Her latest CD, Oh Boy! -- as in "exciting!" -- is the critically acclaimed debut recording of her big band.

January 18, 2013, 7:00 PMTHE JOE LA BARBERA QUINTET$20, students freeJoe La Barbera is regarded as one of the most talented drummers of the last 40 years. In recent years, he has become a startlingly original composer. In years to come, a number of his compositions will become standards in the jazz community of improvisors. Joe's music on the quintet's new recording, Silver Streams, will be performed at this concert. About the quintet, he says: For the past 20 years, this quintet has given me the most rewarding musical experiences of my life. All this time together creates an atmosphere of relaxed interplay that results in some great music.

All concerts are at Pete Carlson's Golf & Tennis, 73741 Highway 111 in Palm Desert.

Tickets may be purchased in advance at Pete Carlson's store or by calling the store at 760-568-3263. Tickets may also be purchased at the door the evening of the concert, if limited seats are available.

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December 9, 2012THE DUKE ELLINGTON SONGBOOKfeaturing vocalist ANNA MJLL with the AJI Big Bandarranged and conducted by Mark MastersGifted singer Anna Mjoll's current musical project is her unique interpretations of Duke Ellington's most memorable songs. Anna's beautiful voice and her great sense of swing put her in a class where very few singers belong.

January 6, 2013TRIBUTE TO GEORGE SHEARINGA quintet of master musicians, led by Charlie Shoemake on vibes and featuring Joe Bagg on piano, will bring back the magical sounds of legendary jazz pianist and composer George Shearing (1919-2011).

January 27, 2013VOCALIST MICHAEL DEESWith his ultra-smooth vocals and an easy-going persona, Michael Dees is a consummate singer in the classic tradition. For this performance, Michael will be accompanied by a piano trio.

February 10, 2013VOCALIST SUE RANEYSue Raney has the remarkable gift of being able to interpret jazz and popular lyrics with such understanding that she makes them sound fresh even if the words are familiar. For this performance, Sue will be accompanied by the Tom Ranier Trio.

March 3, 2013VOCALIST AMANDA KINGAmanda King is a classic chanteuse who performs little known gems from the 1930s and 40s, as well as jazz standards and popular songs from The Great American Songbook. For this performance, Amanda will be accompanied by a piano trio.

March 24, 2013FRANKIE LAINE 100th BIRTHDAY CELEBRATIONfeaturing vocalists Michael Dees, Sue Raney and Cat ConnerFrankie Laine (1913-2007) was one of a handful of major performers who demonstrated the appeal that it takes to outlast the always-changing trends in the entertainment business. Three all-star singers, accompanied by pianist Tom Ranier, will pay tribute to this icon of American popular music.

The American Jazz Institute is partnering with The Living Desert, Palm Desert's world-renowned zoo and botanical garden, to present an enlightening series of concerts for the 2012-2013 season in the desert communities of Southern California. For six memorable performances, AJI has assembled a lineup of master musicians and world-class vocalists to celebrate The Great American Songbook and to honor Duke Ellington, George Shearing and Frankie Laine. A special bonus: in AJI's continuing commitment to jazz education in the desert communities, two high school jazz small groups will be featured prior to two of the concerts. Extraordinary jazz, extraordinary venue ... enlightening!

2 concerts each day, at 3:00 pm and 5:00 pm.

Single performance tickets: $35 members of The Living Desert, $45 non-members6-concert season tickets: $180 members of The Living Desert, $210 non-members

Concerts sell out early. Tickets not sold at the door, may be purchased any day prior to event.For tickets and information, call 760-346-5694 ext 2102 or email jazzoo@livingdesert.org.

The Living Desert is located at 47900 Portola Avenue in Palm Desert.

Anna Mjll

Michael Dees Sue Raney

Joe Bagg

Amanda King Cat Connor

Charlie Shoemake

Mark Masters

Enlightening: the inaugural season of Living Desert concerts

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Vickys is located at 45-100 Club Drive in Indian Wells.

Your evening starts at 5:30 in the Supper Club Lounge with no-host cocktails, followed by a special 3-course dinner and show. $75 per person, including dinner, tax, tip and entertainment. Purchase 3 concerts and save $25, or save $50 on all 6.

Seating is limited. Advance reservations only. Please call 760-345-9770 for reservations and information.

Sponsored by:Pete Carlsons Golf & Tennis, Desert Lexus, Palm Springs Life and Travel Host

Hosted by The American Jazz Institute

The fifth season of AJIs "Jazz Supper Club" concerts is coming to Vickys of Santa Fe Restaurant in Indian Wells. Once again, audiences are in for six memorable evenings in an intimate and elegant supper club setting: an outstanding 3-course dinner and world-class jazz vocalists and instrumentalists in concert, up close and personal. It doesnt get any better! Youll be supporting AJIs important jazz education and community outreach program. Net proceeds go toward our Find Your Own Voice SM mentoring clinics in Coachella Valley junior high and high schools. Please make your reservations soon. There were sell-outs last season and, with this line-up, there will be again.

January 14, 2013: JACKIE RYAN and her TrioJazz Times says that Jackie Ryan ... is one of the outstanding jazz vocalists of her generation and, quite possibly, of all time ... rivaling the dexterous sass of Sarah Vaughan, the instinctive smarts of Carmen McRae and the scintillating verve of Diana Krall. Critic Don Heckman calls Doozy, her latest CD ... a stunningly diverse collection of irresistibly compelling performances.

December 17, 2012: JOHN PROULX TRIOJohn Proulx returns to Vickys for another unforgettable evening. John is a Grammy-winning composer

with a swinging piano style and a smooth, mellow voice recalling the young Chet Baker. John's latest CD, Baker's Dozen (Remembering Chet Baker), is an acclaimed tribute to the late artist.

... overflowing with fresh zeal and sparkling energy ... simply a joy to hear. -- Jazz Times

February 4: GINA ECKSTINE and her TrioGina Eckstine performs all styles of music beautifully and her powerful presence and unique voice

are truly captivating. Eckstine, whose father was Billy Eckstine, has the spunk, the spirit and the soul of her family's patriarch. At her best, she delivers a song with the same intense ability to tell

a musical story. -- Don Heckman, The International Review

March 11: ANNA MJLL and her TrioJazz diva Anna Mjll returns to Vicky's for a much-in-demand encore. Anna evokes Peggy Lee

and Astrud Gilberto, and at times especially Blossom Dearie, but owns her own smoky, sultry and highly personal interpretations. A native of Iceland, Anna's style makes for an inimitable

and charming delivery of song.

February 18: GENE CIPRIANO & CAT CONNOR TRIOWoodwind legend Gene "Cip" Cipriano joins renowned vocalist Cat Connor for a very special evening. Gene, one of LA's most recorded musicians for over 50 years, has worked with everyone from Frank Sinatra to Miles Davis. Cat, a long and happy presence in the LA jazz scene, has a voice that is strong, rich, sultry -- and swinging. A terrific pairing!

April 8: JANIS MANN and her TrioAt once both a striking song stylist and a fearless improviser, Janis Mann is an exciting and engaging performer who can sweep you away with her captivating sound. She is a true jazz singer in the manner of Carmen McRae, Betty Carter, Shirley Horn and Sarah Vaughn, yet with a sound all her own. Janis Mann continues to generate some of the best vocal music anywhere. -- Cadence Magazine

Barbara Porter Photography

Elegant: the 2012-13 season of "Jazz Supper Club" concerts

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AJI goes to New York's Lincoln Center On January 17, 2013, THE ANDREW CYRILLE 21st CENTURY BIG BAND UNLIMITED will make its New York debut at famed Lincoln Center. The ensemble, made up of many of New York's finest musicians, will be performing music composed by drummer Andrew Cyrille. Andrew has long been considered the pre-eminent drummer in the "free" jazz world. Coming up at a time when John Coltrane was the focus of the avant garde, Andrew quietly made a name for himself as a gifted drummer who could interact with improvising musicians in a way that few others could. His ability to anticipate as well as pre-

determine a musical direction within another player's solo moved him to the forefront of improvised music. While working in many different musical configurations, Andrew has never worked in a large ensemble featuring his own compositions. Andrew's music has been arranged for the big band by Mark Masters. Musicians featured in the ensemble will include Billy Harper, Clay Jenkins, Cecil Bridgewater, Gary Foster, Stephanie O'Keefe, Putter Smith, Art Baron, Craig Harris, Alex Harding and Bruce Williams.

The Andrew Cyrille 21st Century Big Band Unlimited made its West Coast debut in January of 2012 at The Performing Arts Center at Palm Desert High School as part of the AJI's mentoring program for Coachella Valley music students. Several local high school ensembles were represented. In addition to an evening concert that featured the 21st Century Big Band Unlimited, there were individual master classes, an open rehearsal with Andrew's band that the students were able to observe first hand, and an improvisation clinic featuring Putter Smith on bass, Clay Jenkins on trumpet

and Andrew on drums. Several students were invited to join the clinic and played with the professionals. In March of 2012, The Andrew Cyrille 21st Century Big Band Unlimited performed at the Atlas Theatre in Washington, DC. Joining the band for the Washington performance was Mark Masters to conduct his arrangements of Andrew's compositions. An excellent ensemble, assembled by saxophonist Brad Linde, performed the music with great intensity and featured a number of stellar soloists.

The American Jazz Institute's community outreach program, the"Find Your Own VoiceSM" Jazz Mentoring Program, will be entering its fourth year in 2013. To date, the AJI has given nearly $20,000 in scholarships to Coachella Valley music students and students from The Gerald R. Ford Boys & Girls Club of La Quinta. During this past year, saxophonist Kirsten Edkins has taken over all of the instruction with the students. A talented musician and gifted improvisor, Kirsten is the ideal musician to be mentoring the young musicians in the desert schools. Kirsten is very active in the Los Angeles jazz scene as an improvisor as well as having a busy schedule as a teacher and playing for television. The AJI looks forward to continuing our relationship with Kirsten and expanding the mentoring program. Kirsten will perform in the saxophone section of the AJI Big Band at the December 9, 2012 Living Desert concert, "The Duke Ellington Songbook" featuring vocalist Anna Mjoll.

AJI's "Find Your Own VoiceSM " Jazz Mentoring Program enters its fourth year of supporting desert community music students

Kirsten Edkins

THE ANDREW CYRILLE 21st CENTURY BIG BAND UNLIMITED with AJI's Mark Masters conducting his arrangements

of Andrew Cyrille's compositions

Phot

o by

Lar

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For three nights in January 2012, The American Jazz Institute brought together eight truly all-star musicians to interpret compositions by saxophonists who had populated the Duke Ellington Orchestra's saxophone section at various times during Ellington's long and celebrated career as a band leader. Playing music written by Johnny Hodges, Paul Gonsalves, Jimmy Hamilton, Ben Webster and Harry Carney, the ensemble -- made up of five saxes, piano, bass and drums -- swung from the downbeat until the last cut off. Pete Christlieb was featured on Ben Webster's Love's Away as well as on The Peaches Are Better Down The Road with Gene Cipriano. Gary Smulyan's feature was Harry Carney's lovely ballad We're In Love Again. Gary Foster was heard on Jimmy Hamilton's Ultra Blue as well as on Hamilton's Get Ready. On Get Ready, Don Shelton plays clarinet and starts the track with three beautiful choruses of the blues. Joe La Barbera (drums), Tom Warrington (bass) and Bill Cunliffe (piano) all solo throughout the program. The ensemble debuted at The University of La Verne in La Verne, California on January 13 and moved to Palm Desert for their second concert. The next day, Sunday, January 15, the group moved again to Los Angeles to record the project at Talley Sherwood's studio. The recording was released in August as ELLINGTON SAXOPHONE ENCOUNTERS on Capri Records 74118-2.

Remembering "THE ELLINGTON SAXOPHONE ENCOUNTERS" concerts and recording session

The saxophones, L to R: Pete Christlieb, Don Shelton, Gary Foster, Gene Cipriano and Gary Smulyan

The band, L to R, back row: Tom Warrington, Mark Masters, Pete Christlieb, Joe La Barbera and Gene Cipriano; front row:

Gary Smulyan, Don Shelton, Bill Cunliffe and Gary Foster

Session photos by Catherine Connor

The recording session in Los Angeles:

The concerts in La Verne and Palm Desert:

Photo by Larry Redman

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AJI and Capri Records presentThe Mark Masters Ensemble

featuring Gary Smulyan

ELLINGTON SAXOPHONE ENCOUNTERSArranged and Conducted by Mark Masters

Baritone saxophone Gary SmulyanAlto saxophone Gary Foster. Don SheltonTenor saxophone Pete Christlieb, Gene CiprianoPiano Bill CunliffeBass Tom WarringtonDrums Joe La Barbera

From the CD insertAmong things composer, arranger and bandleader Mark Masters and baritone saxophonist Gary Smulyan agree on is their mutual love for the work of Duke Elllington. Their productive partnership flourishes at The American Jazz Institute, headed by Masters. Planning an Ellington project, they decided that rather than produce yet another in the string of Ellington tribute albums, they would concentrate on music by some of the major figures who populated the Ellington saxophone section. Smulyan is one of the premier baritone saxophonists of the post-bop era. Like all players of his instrument, he developed in the wake of Harry Carney, the stalwart who for decades anchored Ellington's reeds and established the big horn's place in jazz. Johnny Hodges, Jimmy Hamilton, Paul Gonsalves and Ben Webster are the other Ellington saxophonists whose compositions Masters and Smulyan explore here. Masters' ensemble includes five of the most respected reed players alive, all eager to interpret works of those who preceded them among the elite of their profession. -- Doug Ramsey

To order ELLINGTON SAXOPHONE ENCOUNTERS direct from AJI, see page 9.

From the early reviews ... Smulyan is heavily featured in the Harry Carney role, bringing a feeling of modernity to the veteran anchorman's work. "We're in Love Again" is a particularly sumptuous rendition and, surprisingly, Hodges' "Jeeps Blues" is also a baritone feature -- it works beautifully. Christlieb is a monster of a tenor player covering both Webster and Gonsalves with authority and originality as does Cipriano who comes across as having a definite affinity to Gonsalves, particularly on "Peaches." Foster blows cool sounding alto that blends well and Shelton's clarinet echoes Jimmy Hamilton without cloning. The saxes may have got the gold medals but listen to Bill Cunliffe's piano -- like Duke -- an inspiration throughout. And of course the whole thing couldn't have worked without Mark Masters' arrangements and his, pardon the pun, masterly direction of the ensemble. ... although it is barely August, I think this will be well in the running for my record of the year. -- Lance Liddle, bebopspokenhere.blogspot.com

... This group was organized and led by Mark Masters, who also did the arrangements, which give a nod to Duke without ever attempting to emulate or recreate him, settings which allow this bevy of capable soloists to shine. ... But the real star of the show, and the only non-West Coaster on the date is New Yorker Gary Smulyan on baritone sax. ... Arguably the top modern baritonist in jazz today, Smulyan completely owns a contemporary melodic vocabulary enhanced by a flawless technique but offset by possessing a full and glowing tone that embraces the listener in its warmth and burnished quality. A super disc from start to finish, "Elllington Saxophone Encounters" evokes the best of Ellington and Smulyan in a unique and successful collaboration. -- Frank Griffith, londonjazz.blogspot.com

Arranger Mark Masters and baritone saxophonist Gary Smulyan have an empathy that makes magic. It was evident on Smulyan's High Noon CD, and here's that spark again on "Ellington Saxophone Encounters" in which Masters has assembled a section of wonderful sax players ... This is an Ellington tribute like no other. Masters mainly uses his own voicing of the sax section rather than just cloning Ellington's sound ... Twelve passionate tracks filled with sculptured solos including Cunliffe who often drops in a sly reference to Ellingtonia. With Smulyan playing on fully charged batteries, this is another contender for my CD of the year. -- Don Albert, Artslink.co.za

The source material in the musical world of Ellingtonia is seemingly limitless. "Ellington Saxophone Encounters" is a wonderfully conceived and executed album ... Masters has assembled a first class gathering of reed masters ... and has created a stimulating journey through twelve pieces written by various players who held down chairs in the reed section of the Duke Ellington Orchestra. ... most of the pieces, many of which were introduced in small group sessions led by the composers, are not ones that have a wide familiarity with the general jazz audience. That is part of what makes this album so special; the chance to hear some mostly overlooked but wonderful pieces. In addition, the charts by Masters and the playing by this stellar band is constantly exhilarating. While Smulyan is the most prominent voice, Shelton, Foster, Christlieb and Cipriano each give us some tastes of their special talents. Kudos go out to Masters and his cohorts for bringing this music into the spotlight. -- Joe Lang, Jersey Jazz

The idea was to take compositions by five of Ellington's major sax players -- Johnny Hodges, Paul Gonsalves, Ben Webster, Jimmy Hamilton and Harry Carney -- and arrange them for a sax section comprising five of today's leading players. The result, to put it mildly, is sensational!

Gary Smulyan

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Remembering "EVERYTHING YOU DID: The Mark Masters Ensemble Plays the Music of Walter Becker and Donald Fagen"

The American Jazz Institute has added Pete Carlson, Alan Schultz, Stephanie O'Keefe and Scott Ellsworth to the Board of Directors. Pete Carlson, the long-time owner of Pete Carlson's Golf & Tennis in Palm Desert, is totally committed to presenting jazz concerts in the desert as well as raising money for jazz education, both of which are AJI missions. Pete and his wife Edna are both generous with their time and anxious to serve the desert communities. Alan Schultz is a former on-air radio personality and has spent the better part of his career in radio. Schultz brings his radio expertise to AJI and has created and operates AJI's internet radio site. Both Mr. Carlson and Mr. Schultz are on the air Sunday nights on KJJZ 102.3 FM on Pete Carlson's "Jazz for Jazz Lovers" broadcast from Palm Springs to the desert

communities and streamed online wherever you are. Stephanie O'Keefe is a professional musician who has worked with everyone from Frank Sinatra to the Los Angeles Philharmonic to Placido Domingo. She also contracts musicians for recording sessions, film and television. Stephanie plays a large role in shaping AJI's identity, and directs the REAL MUSIC COMES FROM MUSICIANSSM educational awareness program. Scott Ellsworth has a long history in radio, having been on the air for many years. He is probably most known for his legendary show, "Scott's Place," that was on the air on KFI in Los Angeles. Scott's experience in radio and his long- time associations with musicians is a big plus for AJI. They join Mark Masters, President, and Gary Foster on the AJI Board. We welcome their contributions to advancing the goals of our organization.

On Thursday April 26, the American Jazz Institute presented its most recent project, EVERYTHING YOU DID: The Mark Masters Ensemble Plays the Music of Walter Becker and Donald Fagen at the University of La Verne, in La Verne, California. Since the early 1970s, Walter Becker and Donald Fagen have been the creative force behind the group Steely Dan. This project, conceived by arranger and composer Mark Masters, explores the reconfiguration of Becker and Fagen's music into a setting where singular jazz soloists are able to improvise over ever-changing ensemble colors. The concert featured Billy Harper (tenor saxophone), Tim Hagans (trumpet), Gary Smulyan (baritone saxophone) and Peter Erskine (drums). These soloists were accompanied by an ensemble that included Don Shelton, John Mitchell, Gene Cipriano and Brian Williams (woodwinds), Les Lovitt and Louis Fasman (trumpet), Les Benedict, Dave Ryan and Ryan Dragon (trombone), Stephanie O'Keefe (French horn), Brad Dutz (vibes) and Hamilton Price (bass). The following day, on Friday, April 27, The Mark Masters Ensemble spent the day at Talley Sherwood's TriTone Studio in Glendale recording EVERYTHING YOU DID. In addition to several well known compositions by Becker and Fagen, the bulk of the music comes from their early recordings. In addition to Harper, Hagans, Erskine and Smulyan, Sonny Simmons and alto saxophonist Oliver Lake both soloed, with Simmons being featured on English horn. Orchestral soloists included the legendary Gene Cipriano (English horn), Stephanie O'Keefe, Brad Dutz, John Mitchell (bassoon), Ryan Dragon (trombone) and Hamilton Price (bass). Vocalist Anna Mjll sang lyrics on one track and used her voice as an ensemble member on another as well as carrying on the Ellingtonian tradition of using her voice as an instrument on a wordless melodic line on yet another track. Anna's contributions to the recording, in addition to all the other soloists, created a memorable recorded document of so many gifted musicians together for one day.

AJI appoints four new Board members

In rehearsal: Mark Masters with Tim Hagans and Billy Harper

In concert: Tim Hagans and Billy Harper, backed by Peter Erskine (drums)

and Hamilton Price (bass)

Photos by Larry Redman

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AJI Record StoreORDER BY MAIL OR ONLINE AT www.amjazzin.org.

BETTER YET ... take your choice of our current CDs or Lee Tanners The Jazz Image book when you become an AJI Member! (See page 10.)

Real Music Comes from Musicians SM T-shirtIn response to the increasing use of electronically generated music, this great new

T-shirt proudly says it all. High quality, all cotton, black with light gray lettering front only. $20 each, $10 tax deductible. With your order, please enclose a

separate sheet specifying short or long sleeves and sizes S to 3XL.

PLEASE PRINT

Farewell Walter Dewey Redman The Mark Masters EnsembleThe music of the late saxophone giant, arranged by Mark Masters and meant to be recorded by Redman himself, is performed as a loving memorial by an all-star ensemble featuring Oliver Lake, Tim Hagans, Peter Erskine and Dave Carpenter.Perfect Circularity: The Gary Foster/Putter Smith Duo (Exclusive for AJI Members)Woodwind and bass masters Gary Foster and Putter Smith showcase their long and amazing musical association. This is the inaugural disc in a limited-release series for AJI members documenting important jazz collaborations.Wish Me Well: Reflections on Gary McFarland The Mark Masters EnsembleGary McFarland, the too-long-neglected composer and arranger of the 60s, receives deserved recognition of his brilliant and unique style in these arrangements by Mark Masters for an all-star ensemble featuring Steve Kuhn, Tim Hagans, Gary Smulyan, Gary Foster, Darek Oles, Dave Woodley and Joe La Barbera.Exploration Grachan Moncur III OctetThe preeminent post-bop/free-bop jazz trombonist of the early 60s returns in a brilliant performance of his own compositions arranged by Mark Masters for a stellar octet of Tim Hagans, Gary Bartz, Billy Harper, Andrew Cyrille, Ray Drummond, Dave Woodley, Gary Smulyan and John Clark.Porgy & Bess...Redefined! The Mark Masters EnsembleThe most famous of all folk operas receives a newly definitive presentation in these adventurous arrangements by Mark Masters, performed by an ensemble of superb musicians featuring Billy Harper, Tim Hagans, Gary Smulyan, Dave Woodley, Ray Drummond, Joe La Barbera and Cecilia Coleman.One Day with Lee Lee Konitz with The Mark Masters EnsembleThe elder statesman of the alto in a memorable performance of his own compositions arranged by Mark Masters. Featuring Bill Perkins in a final recording, Gary Foster, Jack Montrose, Dave Woodley, Bob Enevoldsen, Steve Huffsteter, Ron Stout, Cecilia Coleman, Putter Smith and Kendall Kay.The Clifford Brown Project The Mark Masters Ensemble featuring Tim HagansA critically-acclaimed tribute to the legendary trumpet player, with Browns solos played by a stellar trumpet quartet supporting the improvisations of Tim Hagans. Arranged by Mark Masters and Jack Montrose. Featuring Montrose, Gary Smulyan, Dave Woodley, Cecilia Coleman, Putter Smith and Joe La Barbera.The Jazz Image: Masters of Jazz Photography by Lee TannerFrom renowned photographer Tanner, an unprecedented collection of over 150 stunning duotone photos by famed jazz photographers of legendary artists from Louis to Miles, on stage and behind the scenes. Introduction by Nat Hentoff. Hardcover, 176 pages, 10 x 12.

Ellington Saxophone Encounters ___ x $14.00 _______ Farewell Walter Dewey Redman ___ x $14.00 _______ Perfect Circularity (members only) ___ x $14.00 _______ Wish Me Well ___ x $14.00 _______ Exploration ___ x $14.00 _______ Porgy & Bess...Redefined! ___ x $14.00 _______ One Day with Lee ___ x $14.00 _______ The Clifford Brown Project ___ x $14.00 _______ The Jazz Image (book) ___ x $40.00 _______ Real Music T-shirt (see above) ___ x $20.00 _______

Total of all items _______

Sales Tax: Add 9.75% for CA addresses _______

Shipping: Add $1.50 for each CD & T-shirt _______ Add $4.10 for Tanner book

Name _____________________________ Address ________________________________ Phone __________________

City ______________________ State ____ Zip _________ E-Mail _____________________ Fax __________________

Please make your personal check payable to The American Jazz Institute.Mail to The American Jazz Institute, PO Box 5716, Pasadena, CA 91117

NEW! Ellington Saxophone Encounters The Mark Masters EnsembleBaritone saxophonist Gary Smulyan is featured on Mark Masters-arranged compositions by Ellington's legendary sax players Johnny Hodges, Jimmy Hamilton, Paul Gonsalves, Harry Carney and Ben Webster. Lending stellar support are Gary Foster, Don Shelton, Pete Christlieb, Gene Cipriano, Joe La Barbera, Bill Cunliffe and Tom Warrington.

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Supporting, preserving and creating jazz is what The American Jazz Institute is all about. Since 2002, we have presented such varied concert programs as Celebrating Mingus, Sketches of Spain, Porgy and Bess...Redefined!, Jelly Roll Blues, Ellington Reunion Project, The Music of Chico O'Farrill, An Evening with Dewey Redman, Andrew Cyrille Plays Monk, The Music of Ornette Coleman, The Music of Lee Morgan, The Music of Tadd Dameron, The Jazz Soul of Frankie Laine and The Ellington Saxophone Project. During the past ten years, we have recorded seven critically acclaimed CDs: The Clifford Brown Project, One Day with Lee, Porgy and Bess...Redefined!, Exploration, Wish Me Well, Farewell Walter Dewey Redman and our newest, Ellington Saxophone Encounters. Essential to our mission, we have also recorded over fifty individual oral histories of major jazz artists as well as an extensive collection of group histories, including The Ellington Legacy and The Singers Unlimited. To continue pursuing our mission, we invite the support of those who share our commitment to this music. Your tax deductible membership or contribution in any amount will be deeply appreciated by The American Jazz Institute and the artists that perform for you.

The American Jazz Institute is a non-profit organization that is solely dedicated to the enrichment and enhancement of the appreciation of jazz music. AJI seeks to preserve this national treasure as well as expand upon it by spotlighting Americas great jazz composers, arrangers and musicians -- both the firmly established and the newly discovered, and from traditional to avant garde.

Join AJI and take your choice of these gemsFull descriptions are on page 9 at the AJI Record Store

Name ______________________________ Address ________________________________ Phone __________________

City _______________________ State ____ Zip _________ E-Mail _____________________ Fax __________________

New Renewal Annual membership: Platinum Circle ($100) Artistry Circle ($75) Patron ($50) Member ($25)

Platinum Circle, choose 3 CDs or Lee Tanner book; Artistry Circle, choose 2 CDs; Patron, choose 1 CD: The Clifford Brown Project One Day with Lee Exploration Porgy & Bess...Redefined!

Wish Me Well Perfect Circularity Farewell Walter Dewey Redman The Jazz Image (book)

Please make your personal check payable to The American Jazz Institute.Mail to The American Jazz Institute, PO Box 5716, Pasadena, CA 91117

For further information, phone the AJI office at 626-798-3127

PLEASE PRINT

AJI Membership

Member

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Souvenir AJI coffee mug

AmJazzIn newsletter: AJI news and schedules of upcoming concerts and special events

Patron

$50 Annual Membership

Choice of 1 AJI CD

AmJazzIn newsletter: AJI news and schedules of upcoming concerts and special events

Artistry Circle

$75 Annual Membership

Choice of 2 AJI CDs

AmJazzIn newsletter: AJI news and schedules of upcoming concerts and special events

Platinum Circle

$100 Annual Membership

Choice of 3 AJI CDs or The Jazz Image book

AmJazzIn newsletter: AJI news and schedules of upcoming concerts and special events

Farewell Walter Dewey Redman The Mark Masters Ensemble

Perfect Circularity: The Gary Foster/Putter Smith Duo

Wish Me Well: Reflections on Gary McFarland The Mark Masters Ensemble

Exploration Grachan Moncur III Octet

Porgy & Bess...Redefined! The Mark Masters Ensemble

One Day with Lee Lee Konitz with The Mark Masters Ensemble

The Clifford Brown Project The Mark Masters Ensemble featuring Tim Hagans

The Jazz Image: Masters of Jazz Photography by Lee Tanner

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Memorable moments from AJIs 2012 concert seasonSpecial thanks to Pete Carlsons Golf & Tennis and to Vickys Restaurant

for their generous support of our jazz education and community outreach programs.

Thanks to Larry Redman for the photos on this page and credited elsewhere, and to Terry Lewis for his photos in numerous newsletters over the years. The AmJazzIn newsletter is designed and edited by Scott Evans.

ROGER KELLAWAY

JON WEBER DENISE DONATELLI JOHN PROULX WITH JENNIFER LEITHAM & DAVE TULL

ANNA MJLL

DOLORES SCOZZESI

JOHN BOLIVAR QUARTET

RICKEY WOODARD QUARTET TOM SCOTT QUARTET AND THE MUSIC OF TADD DAMERON TIM HAGANS

BILL CUNLIFFE TRIO

ANDREW CYRILLE BIG BAND FRANK CAPP NONET

Appearing in Pete Carlson's "Jazz for Jazz Lovers" concert series

Appearing in the "Jazz Supper Club" concert series at Vicky's

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AJI moved into our new Palm Desert office in late 2011 and our extensive archives and research materials are now easily accessible to students, educators and the public. The office is also used by our Director of Community Outreach, Kirsten Edkins, for her meetings and for teaching AJI's scholarship students. Our extensive lending library of jazz-related books, LPs and CDs is available to students and our large music library of printed arrangements is available to band directors throughout the Coachella Valley. In the near future, our collection of priceless recorded oral histories by jazz luminaries will be available for research by jazz educators.

The American Jazz Institute has expanded its archives with the addition of materials donated by Al Adolph. Mr. Adolph has been a long-time member of the Board of Directors of the famed Monterey Jazz Festival in Monterey, California. His donation includes art work related to the festival as well as LPs and tape recordings from the

festival's 55-year history. Memorabilia and artifacts from an institution such as the MJF need to be preserved and shared with members of the public who have an interest in the rich history of jazz music and its renowned performing artists. We are grateful to Mr. Adolph for choosing AJI as the repository for his collection.

AJI welcomes Monterey Jazz Festival collection to our archives

AJI's new office and archives are open for visitors and researchers

AJI Director Alan Schultz

We are located at 74818 Velie Way, Suite 2, Palm Desert, CA 92260; phone 760-610-2586. Please call ahead to schedule your visit.

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Audree Coke Kenton died peacefully March 20, 2012 in Los Alamitos, California, surrounded by family, two weeks after a diagnosis of colon cancer. She was an exceptional professional woman, strong and capable, who lived on her own terms. She had been a devoted wife to three exceptional men, all of whom predeceased her. She had a keen intelligence and easy sense of humor. Audree Maxine Willsey was born in the town of Griffin, Saskatchewan, Canada, July 24, 1922. The family ... moved in 1933 to Santa Ana, California ... After graduating high school at age 16, she attended Santa Ana Junior College, majoring in journalism. She was editor of the college newspaper and interned at the Orange County Register newspaper ... Audree met James "Jimmy" Lyons ... in Santa Ana. As the Second World War began, he was drafted into the Army and they drove from California to New York in 1942, stopping (to get married) in Yuma, Arizona. ... Stationed in New Jersey, Private Jimmy Lyons ... worked as an announcer for the Army on Armed Forces Radio and Audree worked until 1951 for the Army Signal Corps Photographic Center in Long Island City, New York, writing scripts for training and indoctrination films for the government ... Jimmy later founded The Monterey Jazz Festival ... In 1944, Audree returned to California and lived in the Hollywood Hills ... She was Editor-in-Chief until 1949 for the Western Family Magazine ... Audree relocated to Honolulu to run the Public Relations for the Tuberculosis Association in 1952 ... She married James Hamilton Coke of Maui in 1956 ... Jim worked at the Honolulu Advertiser ... From 1953-1956, Audree worked at the Editor-in-Chief for Your Guide to Hawaii and as Public Relations Director for the Tuberculosis Association, State of Hawaii. Audree was President of the Public Relations Society of America from 1962-1963 ... As her parents retired, Audree returned to California in 1965 and moved into the new community

of Irvine, near the University. There she wrote the in-flight magazine for a regional airline. She was President in 1967 of the Orange County chapter of Theta Sigma Phi, an honorary professional club for women in journalism, including women from media, advertising, public relations, free-lance writing and publication editing ... In 1969, she was voted President of Women in Communications of Orange County. She was invited to join the ranks of Whos Who of American Women beginning in 1967. In 1972, Audree joined Stan Kenton's Creative World Records and contributed her considerable skills in public relations as Kenton forged a new direction for his orchestra. Audree was instrumental in creating meaningful relationships with fans, promoters and other music industry individuals that helped foster a unique atmosphere around an appearance by Stan Kenton's Orchestra. Audree was present in 1941 at Kenton's first performance in Balboa, California (and) at the band's final performance in San Francisco in 1978. Audree married Stanley Newcombe Kenton in August 1975 ... In 1975, she returned to the Hollywood Hills, living in a contemporary home perched just below the Hollywood sign, at the top of Beachwood Canyon, with a breathtaking view of downtown, Malibu and Catalina. She lived there for 25 years, filling the house with friends and family, parties and celebrations. Always immersed in the world of literacy, she collaborated on several books, including the memoir Stan Kenton: Artistry In Rhythm in 1980 with William F. Lee and Woody Herman, Chronicles of the Herds (with William D. Clancy in 1995) ... Audree was a lovely person, who embraced the philosophy of stoicism and was very "matter of fact" regarding the ups and downs of the human condition. ... In her own words, "This longevity is rather surprising when you consider the number of smoke-filled jazz clubs, cigarettes and vodka martinis in my history!"

The American Jazz Institute is saddened by the passing of Audree Coke Kenton. She was a strong supporter of this organization and served as an important and valued member of our Board of Directors from the very beginning. We will miss her. The following tribute is excerpted from the obituary written by her daughter, Cynthia Adams.

Audree Coke KentonJuly 24, 1922 -- March 20, 2012

The reviewers have their say about AJIs current CDs

The Mark Masters Ensemble featuring Oliver Lake Capri 74089-2

The Mark Masters Ensemble Capri 74078-2

Grachan Moncur III Octet Capri 74068-2

This album was supposed to be a collaboration between Dewey Redman and Mark Masters. But it became a tribute album when Redman died on September 2, 2006, four weeks before this recording was made. The project went forward, with Oliver Lake on alto saxophone filling Redmans vacant chair. The other featured soloist is trumpeter Tim Hagans. ... Masters achievement is to capture Redmans impulsive creative spirit in arrangements for big band. Tight, fierce Redman anthems like I-Pimp, Thren and Deweys Tune are projected onto a larger screen and given new weight and scale ... Oliver Lakes alto saxophone cuts through the surrounding ensemble fabric like a serrated knife. His volatility, edginess and eccentric lyricism are his own, and are brilliantly appropriate to honor the Redman aesthetic ... It is safe to assume that Dewey Redman would have loved this record -- Thomas Conrad, Jazz Times

... Peppery and moody, invigorating and thoughtful -- that was Dewey Redman, and thats this album. -- Kirk Silsbee, Downbeat

Its hard to believe that Dewey Redman isnt still around when listening to the Mark Masters Ensemble set, Farewell Walter Dewey Redman. Masters and the group -- especially alto saxophonist Oliver Lake -- capture the soul and sound of the unsung tenor titan on this marvelously inspired recording. Masters arrangements allow the freedom for solos that are creative in the extreme, from Lake especially, and also from trumpeter Tim Hagans, trombonist Dave Woodley and multiple reedman Gary Foster ... Farewell to Walter Dewey Redman, with its beautiful sixteen-piece ensemble harmonies -- Ellington comes to mind at times -- and inspired and adventurous soloing, is jazz at its finest. -- Dan McClenaghan, allaboutjazz.com

Farewell Walter Dewey Redman is not so much a recording that says good bye, Dewey but a musical experience made memorable by Masters group and the special guests like Hagans, Peter Erskine, the recently departed Dave Carpenter and of course, Redmans clone for this project, the incomparable Oliver Lake, that make this album a must for jazz audiences and aficionados alike. -- Edward Blanco, eJazzNews

... In creating Wish Me Well, Masters took on the task of overhauling McFarlands compositions and arrangements for his own brass-heavy band. This is no mean feat, as McFarland typically used small groupings of strings and flutes and tended towards gossamer-light textures. Bringing Steve Kuhn and Gary Smulyan in as featured soloists was a stroke of genius. Kuhns solo on Tree Tops, the opening track, is simply breathtaking -- for my money one of the years musical highlights. Kuhns playing elsewhere is similarly elegant and inspired -- as on the opening to Garys Waltz. Smulyan, who appeared in an earlier Masters-led McFarland tribute concert, contributes blazing solos on almost every track. ... Wish Me Well is one of those rare tribute CDs that successfully captures the essence of its subject and functions as a definitive artistic statement by the musicians who created it. This is a must-have disc, and a superb work of art from one of Americas finest jazz ensembles. -- Dave Wayne, JazzReview

Mark Masters presented a concert of McFarlands music featuring baritone saxophonist Gary Smulyan in 2002 and arranged 11 of his works for this release, featuring Smulyan, pianist Steve Kuhn (who worked with McFarland ), multi-reed player Gary Foster and trumpeter Tim Hagans, among others. Three of the pieces were written for Gerry Mulligan and the Concert Jazz Band: the breezy, lighthearted Weep and the upbeat Kitch (featuring Foster on alto sax), along with the Duke Ellington-influenced Chuggin which showcases Smulyan. Perhaps the most striking work is Garys Waltz, a melancholy work recorded on numerous occasions by Bill Evans during the last few years of his life. But after Kuhns opening piano solo, Masters transforms this piece into a rich tapestry for the ensemble, gradually increasing its tempo and discarding its somber mood, spotlighting Hagans outstanding trumpet solo. The perfect balance of Masters charts and the intimate sound captured by engineer Talley Sherwood combine to make this an essential CD. Perhaps Mark Masters thoughtful exploration of Gary McFarlands compositions will stir additional interest in the late vibraphonists work, which has been unjustly neglected. -- Ken Dryden, All Music Guide

Trombonist and composer Grachan Moncur III made a memorable impact forty years ago with his challenging compositions and austere improvising style. He then maintained a very low profile for decades, teaching, recording only rarely ... Now hes made a welcome return to recording with the absolutely stunning CD Exploration. ... These performances, arranged in brilliant, even startling fashion by Mark Masters, dont look back. The voicings, riffs and interludes devised by Masters, along with the absence of a chordal instrument, give Exploration a sound that looks forward, as Moncur always does. The arrangements are played with crackling intensity by this sterling octet, and the improvisations follow suit. Suffice it to say that every solo is impressive ... Hearty congratulations are due all around, to Moncur, to the sidemen, to Masters, to everyone involved with the project. Exploration is a great record. -- Marc Meyers, allaboutjazz.com

... Its an impressive line-up that features tenorist Billy Harper, Gary Bartz on alto and trumpeter Tim Hagans among the horns, plus the excellent rhythm section of Ray Drummond and Andrew Cyrille. Masters empathy with Moncurs breezy, bluesy writing is obvious, and the use of French Horn (John Clark, naturally) and baritone (Gary Smulyan) allows for vibrant, broad strokes of color. Occasional Monk-ish twists or boppish ensemble lines alternate with pushy riffing or graceful parallel harmonies... But what of the leader? The glories of Moncurs 60s output saw him venerated ... as the most vital trombonist in the emergent avant garde. Even then, Moncur was principally a melodic player inspired by J.J. Johnson and steeped in bop language, and that influence still shines through. Economical, funky and lyrical all at once, Moncur doesnt waste a note throughout. All in all, this is a fine record. Bristling with intelligence, good humor and swing, Moncurs music stands the test of time ... Nice to see him back. -- Peter Marsh, BBC

... Grachan Moncur III has been out of the limelight for decades ... Exploration is a fine and fitting welcome back. -- Dan McClenaghan, allaboutjazz.com

Farewell Walter Dewey Redman

ExplorationWish Me Well: Reflections on Gary McFarland

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See The AJI Record Store for descriptions of all of our critically-acclaimed CDs. Order by mail or online at www.amjazzin.org. Better yet, join AJI and choose up to 3 current releases at no cost.

The Mark Masters Ensemble Capri 74069-2

Lee Konitz with The Mark Masters Ensemble Capri 74064-2

The Mark Masters Ensemble featuring Tim Hagans Capri 74059-2

... Masters honors the composer and those who have worked wonders with the opera throughout the Twentieth Century by setting the stage for his soloists and turning them loose. Tim Hagans and Billy Harper in particular step up to the bar and release their personal feelings on the music without distraction. The orchestra supports them confidently and adds cohesive interplay. The music has been arranged to suit George Gershwin's original plans. ... History parades before your eyes and ears as Masters powerful ensemble recalls timeless themes such as It Aint Necessarily So, A Woman is a Sometime Thing, and Summertime with originality and allegiance. ... Highly recommended, Mark Masters latest project honors this timeless jazz opera and its composer through musical excellence and a strikingly creative spirit. -- Jim Santella, allaboutjazz.com

Well, they said it couldnt be done, but he did it. Arranger Mark Masters has breathed new and refreshing life into Gershwins Porgy & Bess. Just when you thought Miles may have had the last word back in 61, Masters adds a touch of Mingus, a sprig of Kenton, and songs that youve heard a thousand times sound new and enticing. As with any stage production, it sure helps to have the right cast, and Masters has a dandy. Supported by trombones and French horn, Billy Harper tears his tenor through Summertime. Trombonist Dave Woodley evokes images of Jimmie Knepper with Mingus during the torrential rhythmic shifts. Gary Smulyan coaxes visceral emotions out of his baritone as he pleads through I Loves You, Porgy, always backed up by flute and muted trumpets. Tim Hagans soars over delicate chordings on A Woman Is a Sometime Thing. But the real tour-de-force is an unforgettable It Aint Necessarily So, with Hagans swaggering over the propulsive rhythm provided by Joe La Barbera. ... Big band fans and Gershwin fans alike should definitely dig around for this one. -- George Harris, allaboutjazz.com

... How often can one go to the well before it comes up dry? In the case of Mark Masters new take, the answer is: at least once more. ... rather than revisiting existing arrangements, Masters returned to the source: the original vocal scores. The result is a fresh look at an almost iconic work. -- John Kelman, allaboutjazz.com

... composer/arranger Mark Masters has provided a treasure trove of old and new Konitz called One Day with Lee featuring a prominent supporting cast that includes Gary Foster, Bill Perkins and Jack Montrose in the sax section of an all-star Mark Masters Ensemble. Masters CD is a fascinating concept: Konitz contributes new solos over orchestrated versions of his old solos going back to the early 50s. Konitzs unaccompanied alto solo on All the Things You Are leads to the 14-piece band playing the altoists old Thingin ... For 317 East 32nd Street, Masters orchestrates a 1953 line, and after the altoman solos -- before and after Masters additions -- Foster and Konitz exchange fours. And so the inspired concept goes throughout the album, along with solo bon-bons from trombonist Bob Enevoldsen, bassist Putter Smith, pianist Cecilia Coleman, trombonist Les Benedict and trumpeter Ron Stout. -- Harvey Siders, Jazz Times

... these are vibrant charts that literally jump off the page. Masters has clearly done his homework ... Everyone solos with confidence and a clear understanding of the material, but the star of the show is, of course, Konitz himself. With a tone that is warmer and at times grittier than in his youth, he just seems to get better and better ... With exceptional arrangements of classic material, a big band to die for, and a captivating guest soloist, what more can one ask? -- John Kelman, allaboutjazz.com

Having heard The Clifford Brown Project and now One Day with Lee ... I can hardly wait to hear what the Mark Masters Jazz Ensemble and its sponsor, the American Jazz Institute, plan to do next. If these arent two of the finest big-band albums of the past year, they surely belong on anyones Top Ten list. While Konitz plays marvelously in any framework, he seems especially invigorated and at ease when surrounded, as he is here, by a large group of blue-chip musicians who breathe new life into five of his elaborate compositions, another by mentor Lennie Tristano and one of Lees signature themes, the standard Lover Man ... The highlights are almost too many to mention but must include the wonderful charts by Masters, exemplary work by the ensemble ... almost everyone in the band is given one or more chances to shine, and no one comes up less than sparkling. -- Jack Bowers, allaboutjazz.com

This warm and energetic tribute to the late trumpet virtuoso Clifford Brown (who died tragically in 1956 at the age of 26, having single-handedly changed the way jazz trumpet was heard and understood in the United States) is ... a celebration of musical genius and creativity that looks backward while taking the music forward. Bandleader Mark Masters achieves the latter by taking such classic and beloved Brown compositions as Joy Spring, Sandu and Bones for Jones and arranging them for a large ensemble that includes no fewer than five trumpets, four of which perform newly harmonized arrangements of Browns own solos from his early-50s recordings. The effect is both lushly beautiful and, on tracks like the upbeat Sweet Clifford and Joy Spring, electrifyingly intense. Highly recommended. -- Rick Anderson, All Music Guide

The main event: Masters arrangements of Browns solos for a trumpet choir consisting of Marc Lewis, Ron Stout, Kye Palmer and Ron King. Lewis transcribed the solos, and Masters tucks them into burning arrangements for an 11-piece band. In a sense, Clifford Brown is a soloist along with trumpeter Tim Hagans, baritone saxophonist Gary Smulyan and trombonist Dave Woodley. An added attraction: Jack Montrose, whose arrangements of Joy Spring, Daahoud and Bones for Jones originally appeared on The Clifford Brown Ensemble Featuring Zoot Sims and are reissued here. Montrose is also in excellent form on tenor sax on Sweet Clifford, LaRue, Sandu and Bones for Jones. ... The band swings furiously in its own right, but what lingers is the inimitable, songlike quality of these classic trumpet solos, breaking out of unison into opulent four-part harmony at just the right moments. -- David Adler, Jazz Times

... Mark Masters has created a fond tribute to a wonderful musician. He has been aided in no small way by fellow arranger Jack Montrose, who was responsible for three of the arrangements revived here which also appeared on one of Browns original recordings in 1954. Together with members of the ensemble, they keep the spirit of that music alive. Trumpeter Tim Hagans is the featured artist among a wealth of excellent soloists... -- Paul Donnelly, ejazznews.com

Porgy & Bess ...Redefined!

The Clifford Brown Project

One Day with Lee

October 2012 through April 2013 promises to offer the most highlight-filled season yet of AJI concerts in Southern Californias desert communities. Heres just a sampling of our ambitious lineup of great jazz vocalists and internationally renowned jazz

instrumentalists. The details fill much of this issue. Come join us for these sure-to-be memorable evenings.

2012 The American Jazz Institute

AmJazzInTMThe American Jazz Institute

PO Box 5716Pasadena, CA 91117

DATED MATERIAL ADDRESS CORRECTION REQUESTED

Featured in this issue:19 new AJI concerts in 2012-13 season (pages 1 thru 4)AJI goes to NY's Lincoln Center for major concert (page 5)AJI releases new CD: Ellington Saxophone Encounters (page 7)

As an incentive to join AJI or renew your annual membership, we have a very appealing bonus: your choice of AJIs critically acclaimed CDs and Lee Tanners spectacular book, The Jazz Image. Your support is important, appreciated and tax deductible.

AJI needs you See page 10

Gary Smulyan & Mark Masters Ensemble October 17, 2012

Anna Mjll & AJI Big Band December 9, 2012

John Proulx Trio December 17, 2012

Season 3 of "Jazz for Jazz Lovers" features Gary Smulyan in 3 concerts, plus Joe La Barbera, Tim Hagans, Clay Jenkins, Gary Foster and all-star supporting artists.

AJI and The Living Desert present a new series honoring Duke Ellington, George Shearing and Frankie Laine, plus Michael Dees, Sue Raney and Amanda King.

Season 5 of "Jazz Supper Club" head-lines acclaimed jazz vocalists John Proulx, Jackie Ryan, Gina Eckstine, Cat Connor, Anna Mjoll and Janis Mann.