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Education
Lycée français de Madrid. Baccalauréat sciences
- 2006
ENSA Paris-BellevilleMaster 2 exchangeProject lessons with Cyril Ros and Cyril Hanappe
2013 - 2014
CSIC - Torroja InstituteSeminar “House construction in developing countries: strategies,
2013
Escuela Técnica Superior de Arquitectura de Alcala (Madrid).Master 2Architectural degree with honors Diploma project: Social, ecological and architectural
2006 -
Work and workshops
Indra sistemas.Techical assistance in construction documentation.
January 2011 - June 2013
ENSA PB + Cyril Ros architectUrban rehabilitation project.Study of cambodian habitat and proposal of densification process.
December 2013Siem Reap, Cambodia
Collectif Quatorze.Participative projects development.Urban diagnosis.
May - June 2016 September 2014 - March 2015
ENSA PB + Cyril Hanappe architect Co-conception and co-construction of a collective building for vulnerable communities.
March 2014 - June 2014
Technical skills
Autocad
Photoshop
Illustrator
InDesign
Graphics 3D printing 3D modeling BIMMaking
Maker bot
Up!
Netfab
Wood workshop machines
Wood structuresand furniture
Autocad Revit
Rhinoceros
SketchUp
Vray
Languages Spanish
French
English
Japanese
Modern Greek
native bilingual
native bilingual
Professional working proficiency
Limited working proficiency(noken 4. B2 equivalent)
Limited working proficiency
Sonia Morales Gómez
+33 7 68 94 77 86
www.moezstudio.com
architect
I am a young architect who currently lives in Paris. I consider myself as a social person, who loves
teamwork, learning languages and traveling. I understand architecture as a multidisciplinar subject witch must gather differents profiles and act as a catalyst in its environment.
Therefore through my work experience I have been developing tools and methodologies for the development of participative
projects, considering the architect as a “mediator” of the creative process.
I believe in a socially and economically sustainable architecture, that will promote short-cycle and inclusive
economies and that will reveal the local potentialities and character of the site.
Work
5
Pink roof p.32
Comunity model p.26
Bucatariap.28
Triangles!p.34
Simultaneous house p.22
Ecosystem restoration p.6
Temporary site reactivation
p.18
Ecosystem restoration. A social catalyst The “social catalyst” respond to the problematic of a site
welcoming many actors but with no interaction between them.
Located in the neighborhood of “Les Murs à Pêches” this project
does not set a new program within the site, but only provides
a new place where to put the existing activities. By doing this,
the goal is to free up many plots witch are now underused
and to create a reference point within the walls fabric. In a
place where one of the main problematic is the segregation
of its inhabitants, the social catalyst intends to create links
between them, to mix the different kind of populations living
there (slums, associations, industrial companies...) and to
generate questioning about the particularity of the site, how
to live together and how to preserve the walls ecosystem.
The project proposes a participative strategy of
setting the building witch puts in touch the authorities
with the inhabtants. In fact the project shows more a
process than a final result. This process incorporate a
rehabilitation method for the walls witch sets and guide
the implementation of the new architecture. Thus, the
process is divided and managed by two different actors:
first the rehabilitation of the walllead by the municipalityand
then the bottom-up process in witch the different
collectivities can “connect” the new self-built architecture
7
habitantes
ci
tiz
ens empowerm
ent
!
! ! !public investm
ent
ruins
stabilisation appropiation
ephemeral interventions
appropiation
ephemeral interventionssite activation
site activation
rehabilitation walls fixedephemeral construction ephemeral construction
18
Temporary site activation How can we face, as “comunity architects” , the enclosing
of one site? How can we even try to re-activate a place
without counting with its main users and inhabitants? These
were the main problematics of this project. By talking about
“Les Murs à Pêches” we are not referring to an heritage
architecture but to its inhabitants too, setting the key of the
problem as “a dialogue between two elements considerated
very differently by the authorities”. The goal paradoxically
is to reconcile the architecture with the uses people give it.
The project reflects about a spreading action allowing
people empowerment as the same time as it proposes
rehabilitation actions for the walls. The proposition is more
an “infrastructure” or a “support” for dinamisation process,
starting from a “social lab”. This place of learning and
exchanges aims to be the first of several urban pockets
spreading progessively among the neighborhood an re-
opening the enclosed plots providing the site with public space.
The actions setted are always ephemeral understanding
that the goal is not the object itself but the dynamics it
creates. This will ensure the sucess of the whole strategy
much more than the permanence of the architectural object
19
22
SOCIAL LABORATOTY - URBAN TRANSFORMATIONSONIA MORALES / NIKOS PAPADERAKIS ENSA PB / STUDIO AATDD / 22-05-2014
RECONFIGURING THE QUARTER #1 SCALE: THE BIDONVILLE AND THE STREET IN AXONOMETRY > OPENING THE WALLS
20
SOCIAL LABORATOTY - URBAN TRANSFORMATIONSONIA MORALES / NIKOS PAPADERAKIS ENSA PB / STUDIO AATDD / 22-05-2014
RECONFIGURING THE QUARTER #1 SCALE: THE BIDONVILLE AND THE STREET IN AXONOMETRY > OPENING THE WALLS
SOCIAL LABORATOTY - URBAN TRANSFORMATIONSONIA MORALES / NIKOS PAPADERAKIS ENSA PB / STUDIO AATDD / 22-05-2014
RECONFIGURING THE QUARTER #2 SCALE: THE STREET IN AXONOMETRY 2020 > OPENING THE WALLS
URBAN POCKETS AMONG THE STREET AND CREATION OF CONNECTING CORRIDORS
SOCIAL LABORATOTY - URBAN TRANSFORMATIONSONIA MORALES / NIKOS PAPADERAKIS ENSA PB / STUDIO AATDD / 22-05-2014
RECONFIGURING THE QUARTER #3 SCALE: THE QUARTER 2020-2030 > OPENING THE WALLS
CREATION OF CONNECTING CORRIDORS / PUBLIC SPACES IN THE CENTER OF BLOCKS
TRANSFORMATION OF BIG STORES INTO ASSOCIATIONS21
Simultaneous house The “simultaneous house” project is an attempt of
introducing mixed programs in an “a priori” residential
house. The work is a reflection as much in a morpholical
way as in a functional one. It’s built as an “aller-retour”
between this two aspects, creating a dialogue between
them. The initial “box” is modeled, carved and composed
playing with the program and with the circulations. Thus,
the result is a composition of differents modules witch can
be assembled or insulate one from another, generating
a flexibility regarding the users. The working of the
functionality allows the introduction of half-public programs
within the house without affecting the privacy of the owner.
23
Making the city with its inhabitants
Things are moving around the Bel-
Air neighborhood in Montreuil.: in
10 years the ANRU and a Renewal
Urban Planning have passed by.
How could we show these changes
to its inhabitants? The Planning
Department of the Municipality
wanted a tool in order to understand
and discuss about the renewal of
Bel-Air. The model we worked in,
is a tool for visualizing and debate
the futur of the neighborhood.
The model was milled and printed
using numerical machines in
combination with more traditional
materials such as wood . The
aim was to combine and explore
differents ways of production and
to include the users in the process
of “making”. Thus, 3D impression
workshops were organised during
which teenagers could print
different elements of the model
and thus appropiate it more easiily.
27
Bucataria: a collective kitchen Bucataria represents the process of a project from the
perspective of the co-conception and co-construction with
its users. Developped with the architect Cyril Hanappe, during
3 months we worked inside a roma comunity in order to think
with them about witch were their main needs. In order to
ease the conversations, the comunity chose one “comunity
architect” wich would represent the general interest and would
be our main link with them. The program of the Bucataria
only came after several meetings in witch we started to
understand the context and the complexity of the comunity,
and finally agree on co-conceiving a collective kitchen.
This space would allow the comunity to gather on Sundays
and would be used by women to cook during week-ends.
Once the whole community agreed on one final project,
we developped the execution plans, we elaborate a
budget and finally built with them the bucataria. The
construction site lasted 2 weeks and the collective
kitchen is still operating within the settlement.
29
Pink Roof. Fixing two existing sanitary blocs. After a diagnosis of construction pathologies in two existing
sanitary blocs in a 40 people slum , the project “Pink roof”
intended not only to fix the problem from the point of
view of the construction, but also to provide some covered
space for others activies related with “washing”. Thus the
initial construction was covered with an additionnal roof
which was intended to prevent humidity damages and to
become a symbol within the site. The color of the new roof
contrast with the vegetation , indicating the washing space.
33
Triangles! Installation at “La Nuit Blanche” This installation was exhibited
during “la Nuit blanche” in Paris,
within the abandonned “Lycée
Jean Quarré”. In collaboration with
the artist Fred Le Chevalier, three
triangles modules were set in the
courtyard and served as scenery for
music and theater performances.
35