Architecture Portfolio 2015

M A D E L I N E T O T H

Solomon Cordwell Buenz, Chicago, ILArchitecture Intern, August-December 2013 - Construction Documents through 95% completion for a High Rise Residential Tower in Austin, Texas - Schematic Design and Unit Marketing Plans for High Rises

Anderson Architects, New York, NYArchitecture Intern, January-May 2013 - Schematic plans and design development drawing set for a flagship retail store in London - Developed fixture designs for the retail store - Site documentation and field measuring - Construction details for residential projects

Panzica Building Corporation, South Bend, INArchitecture Intern, June-August 2011, May-August 2012 - Developed schematic designs, interior and material details - Developed master plans, floor plans and elevations - Processed submittals and bids - Design-Build firm experience

RELATED EXPERIENCEUniversity of Cincinnati Teaching Assistant, Spring 2015 - Furniture Design - Research and coordinate millwork projects - Review and grade student designsTeaching Assistant, Fall 2014 - Communication Skills III - Instruct 16 students in hand-drawing and digital techniques - Review and critique student work

Elkus Manfredi Architects, Boston, MAArchitecture Intern, May-August 2014 - Schematic design for residential renovation projects for Harvard University - Construction documents and administration including an extensive submittal review for a residential project

M M

EDUCATIONUniversity of Cincinnati, Cincinnati, OHMaster of Architecture, May 2015

Ball State University, Muncie, INBachelor of Arts in Architecture, May 2012GPA: 3.75 (Dean’s List), Cum Laude - Honors College - Study Abroad: Australia Center, Lennox, New South Wales, Spring 2012 Semester

CONTACTMadeline Toth371 Probasco Street, Cincinnati, OH 4522017812 Ashford Hills Ct., Granger, IN 46530

[email protected] 574.292.3203

MADELINE J. TOTH

LEADERSHIPTreasurer, Graduate Student Governance AssociationFall 2014-Current - Advocate for students in the architecture graduate program - Apply for grants to benefit the group

Treasurer, American Institute of Architecture StudentsSpring-Fall 2011 - Grant writing to bring principals in for lectures from nationally recognized firms - AIAS Conference Participation - Quad, Cincinnati, OH, October 2011 - Grassroots Leadership, Washington D.C., July 2011 - Forum, Toronto, December 2010

Vice President of Scholarship, Panhellenic CouncilJanuary-December 2010 - Developed and implemented programming for Scholarship, overseeing a community of 1,000+ women - Conducted Roundtable discussions and presented to groups

Honors College Peer MentorFall 2011 - Leader and mentor of an 8-week, 10 person class for freshman in the Honors College.

OTHER EXPERIENCEGirl Scouts of Northeast Texas, Denison, TXMay-July 2010 - Waterfront Director, Lifeguard, Sailing Instructor - Counselor at Camp Rocky Point on Lake

M A D E L I N E T O T H M A D E L I N E T O T H

HONORS + AWARDSFulbright Scholar FinalistTeaching Assistantship, Bulgaria, Spring 2012

Graduate AssistantshipFurniture/Millwork, Spring 2015Communication Skills III, Fall 2014, Environmental Systems 3, Summer 2013

Presidential ScholarshipBall State University, 1/2 Tuition for 4 Years

NCMA New Block Design Competition, Competition WinnerCripe Architects+Engineers, September 2011

Best and Brightest-CAP Class of 2012Cripe Architects+Engineers, September 2011

Cripe Design Competition, Competition WinnerPlaced 1st in Ball State’s Third Year Design Competition, Cash Prize, December 2011

SKILLSTechnical + Visual AutoCAD, REVIT, Rhino, V-Ray, SketchUp; Adobe: Photoshop, Illustrator, InDesign; Hand Rendering; Office: Excel, Outlook, Powerpoint

FabricationHand Modeling, Laser Cutting, 3D Printing

PersonalFocused, Team-Player, Listener, Personable

studios

w

i

a

immersion

CRANBROOK FABRICATIONSMALL FORMAT GROCERY “THRIVE” RECREATION CENTER“SUSTAINABLE LABORATORYJULIA CARSON CENTERTOWNHOUSEBRAND CHARACTER, COMMUNITY CENTER

studio6

142024283034

5254

RETAIL: FOSSIL FLAGSHIP STOREELKUS MANFREDI ARCHITECTSRESIDENTIAL HIGH RISEWHARF: ON THE RIVER

HAITI BLOCKecoREHAB

38424446

4850

work

immersion

art + designINSTALLATION: HUMANDRAWING + PHOTOGRAPHY

studioCRANBROOK FABRICATION

6

The comprehensive studio set out to join the practical with the poetic through research, practical technologies, and multiple-scale design strategies. The project was to design a fabrication lab for design students and researches, with studios, housing, and a gallery space at Cranbrook Academy of Art in Bloomfield Hills, Michigan. My design intent was to place the functions across the site, separating the public from the pri-vate, and in doing so, creating outdoor spaces usable to students or visitors for exhibitions. The project was approached by a series of studies, from model building to studies of spatial and material qualities.

UC Comprehensive StudioFall 2012 I Professor Jeff Tilman

Fabrication Lab

88

Site Plan

Site Plan

10

Above is a study of materiality and spatial quality of the circulation spaces above and below, connecting the library and studio space to the fabrication lab. The connection of the exterior to interior was important.

Material and Spatial Collage

6” CONCRETE SLAB ON GRADE

2” EXTRUDED POLYSTYRENE INSULATION

6-MIL POLYETHYLENE MOISTURE BARRIER

6” GRAVEL

MTL PIPES 12” O.C.

10” RIGID INSULATION6” CONCRETE SLAB

W-FLANGE BEAMOPEN-WEB STL. JOIST @ 6’ O.C.

ALUM. MULLIONS

LIMESTONE CLADDING

DOUBLE GLAZINGWITH 3/4” AIR GAP

SPANDREL GLASS

CORTEN DOOR

16” DUCT

3” PRECAST LIGHTWEIGHT- AGGREGATE SLABS

EPDM ROOFING MEMBRANE2” GRAVEL

ALUM. BASE FLASHING

REINFORCED STL. REBAR

FABRIC FILTER3/4” SYNTHETIC DRAINAGE MAT

STABLE, DENSE SOIL BASE

1/16” BITUMINOUS COATING

CONCRETE FOOTING4” PERFORATED PIPE

12

Studio: StudentsStudio [Existing] Art Gallery

Bioswales

Art Gallery Studio: Artist in Residence Museum [Existing]

Site Section-Elevation

1 2 35 64

interactive

1 2 35 64

TP HO A specialty<<< user

studioSMALL FORMAT GROCERY

14

For a small format to be viable, it must go beyond a small grocery store. Key anchors such as a bakery and pharmacy bring additional customers into the store. Click+collect is a quick, satisfying service for the on-the-go user. Unexpected delights such prepped ingredients, a sampling center, and a play area encourage loyalty from customers and keeps them coming back. These programmatic features reach out to all types of users - the child [play area], a young teen walking in the neighborhood [bakery pick-up window], trendy adult [bulk goods], a busy parent [click+collect and “pick your plate”], and an older woman [pharmacy]. This small format will serve the needs of people living and/or working in the area.

Concept Collage

UC Elective StudioSpring 2014 I Professor Michael Zaretsky

1 2 35 64

interactive

1 2 35 64

TP HO A specialty<<< user

2 Trip Missions Parti

LINGER QUICK


LINGER QUICK


16

Grocery Interior

18

Prototype Plan

Pick Your Kit Pharmacy Bakery Click & Collect Lockers

Bulk Goods

Protype ‘Front’ Elevation

Protype ‘Side’ Elevation

natural light

circulation

massing

solid:void

structure

Circulation Diagram

Structural Diagram

Natural Light Diagram

Massing Diagram

Solid : Void Diagram

20

“THRIVE” RECREATION CENTER

Camp Washington is a place that thrived and survived on industry, supported by the highway net-work that surrounds, roads that pass though, and a rail yard that connects the industries to outside the neighborhood. The program and location of the Recreation Center recognizes the volume of peo-ple who circulate through and around the site, calling them to come into the site, stay a while, and enjoy a space that creates dynamic views into the rail yard and across Camp Washington. The Cen-ter creates a reason for people, both near (in the neighborhood) and far (tri-state area), to come to enjoy Camp Washington. Once a place to pass through, it becomes a destination, a place to thrive.

ProgramClimbing WallsFitness Gym + StudiosEquipment RentalVelodrome TrackJuice Bar

studio UC Design StudioSummer 2013 I With SHP Design

Site Section

Veledrome Track

22

Concept Sketch

Site PlanCamp Washington Recreation Center

and Land Bridge

The Marine Research and Education Center is on a 96-acre site, on Salt River Bay along the north coast of St. Croix. The 60,000-square foot campus will support research and education programs for university level and younger students. The project develops integrated design and engineering strategies that address the off-grid utility infrastructures, employing sustainable design strategies. The goal is to minimize natural resource consumption while enhancing social and economic benefits, addressed through my goals to Organize, Energize, and Acclimatize.

Design Competition Merit Award for the Sustainable Laboratory (1st Place)//Cripe Architects + Engineers, December 2011

SUSTAINABLE LABORATORY

24

1st Place I Design Competition, December 2012studio BSU 4rd Year StudioFall 2011 I Professor Robert Fisher

Site Plan Salt River Bay, St. Croix

Design Competition Merit Award for the Sustainable Laboratory (1st Place)//Cripe Architects + Engineers, December 2011

Museum

Laboratory Unit Section

Presentation Hall Classroom Laboratory Units

ORGANIZE: The labs, classrooms, housing, and support spaces are centered on a common area of green space for recreation and a ‘street’ for movement and activities. The design is modular, allowing for easy assembly and versatility among functions. ENERGIZE: Labs and classrooms are supported by social spaces adjacent to the area. Outdoorspaces are designed to promote collaboration among researchers and students alike. The lab opens up into the other lab through a dividing glass door, promoting idea sharing. ACCLIMATIZE: The site ad-dresses the need of freshwater, energy, and waste management. To utilize the year-round warm climate, there is a community garden. Arbor structures provide ample shading.

26

Resource Efficiency

Water Collection+ Collect, Store, Distribute

Maximize Wind Energy+ Turbines, Venturi Effect

Energy Use

Daylighting+ Filter Light Via Louvres

Single Loaded Corridors+ Natural Ventilation

Incr

ease

Dec

reas

e

JULIA CARSON COMMUNITY CENTER

28

studio BSU 3rd Year StudioSpring 2011 I Professor Olon Dotson

JULIA CARSON COMMUNITY CENTER

The Julia Carson Community Center is located in the Mapleton-Fall Creek Neighborhood of Indianapolis, Indiana. The 57,000 GSF multipurpose facility is in honor of the late U.S. Representative, Julia Carson. Her mission was to have a fa-cility that represents an inclusive society, commitment to community, and love of family. Community Center strives to engage the people and allow them once again to live in a place of beauty, trust, and hope, in the community and themselves.

Amplitheatre

TheatreBioswales Cafe GymLibraryGalleryOfficeMain Hall

Berm

TOWNHOUSE

30

The Santa Fe Townhouse is designed through the manipulation of modular units. Included is a living area, kitchen, bathroom, dining, and workspace. The structure is flat plate concrete with adobe walls, designed for the southwest climate of New Mexico. The house is placed as near to the street as possible, allowing for a private garden in the rear, enclosed by an 8’ high wall. With privacy as a necessity and townhouses on either side, ventilation and light are key to the placement of spaces, both interior and exterior. Terraces allow for an extension of space that is desirable in this environment.

studio BSU 2nd Year StudioSpring 2010 I Professor Dan Woodfin

32

34

I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors. My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’.

BRAND CHARACTERstudio UC Thesis Studio l In Process

Fall 2014 I Professor John Hancock, Advisor Edson Cabalfin

Proctor and Gamble

“Touching Lives, Improving Life”

“Everday Life Better”

Logo/Icon

Box of Boxes

Engage Human Senses

Program Mix/Community Services

Circle/ Blue/ Water

Part/ Whole, Open/ Closed

Materials/ Variety

Voids/ MovementSite/ Context

Aperture/ Patterning/ Scale

I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors.

My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’.

1. Specifically, Proctor and Gamble, as a house of many brands, I had the concept of “box of boxes”, revealed primarily as part:whole and open:closed. As a large company, powerful in its size, product selection, and in the market, it focuses on making “Touching Lives, Improving Life” and “Everyday Life Better.” 2. “Touching Lives, Improvig Life addresses the human individual’s senses, emotions, and intellect through materials. 3. “Everyday Life Better” is expressed through the program mix and community services, addressed through a design strategy of voids/movement, site/context.4. The circle motif and the color blue are used because of its known association with the brand, in apertures, patterning, and scale.

Through a manipulation of voids, openness, materials, circulation, the circle, and color blue, this community service center provides a community flex space and coffee shop combined with the following services: coin laundry, dry cleaning, shave shop, fitness center, spa, and community garden selected in part by location and lack of these services in the site vicinity and to align with the products and character of Proctor and Gamble.

Brand Branded Environments Experience Realms Branding Strategies

Phenomenology 7 Senses Character

Project Goals

Brand Identity ProcessBRAND IDENTITY PROCESS:Alina Wheeler

1. Conducting Research

2. Clarifying Strategy

3. Designing Identity

4. Creating Touchpoints

5. Managing Assets

Concept Sketch

BRAND CHARACTER

MASS ON SITE PROGRAM PARTI

COMMUNITYCENTER

SERVICES CARVE/ OPEN/ EXPOSE

EXTERIOR EXTERIOR VS.INTERIOR

PERFORATE AND STEPTO FIT IN CONTEXT

Program Diagram

Parti Diagram

36

Ground Floor PlanSite Analysis: Over-the-Rhine Cincinnati, Ohio

Ramp Program Experience

Meeting Room

Community Flex Space

Community Garden

CoffeeShop

Storage

Dry Cleaning

Coin Laundry

FITNESS CENTER

COIN LAUNDRY

PROGRAMS REVEALED IN SPACE DIAGRAM

SPA

SHAVE SHOP

HISTORYEXHIBIT

Courtyard Exterior View

model-11

ANDERSON ARCHITECTS work

Anderson Architects is a multi-disciplinary firm that design public spaces and special facilities to furniture and fixtures. There is a focus in creating a “place” and working with honest materials to express the identity of the client and their brand. From schematic design to design development, I contributed to the design of a flagship retail store in London, helping to realize the brand and express the identity of the company through spatial planning, plans, storefront design, fixture design, and material selection.

&derson

38

Fossil, LondonNovember 2013

Co-op I New York, New YorkSpring 2013 I Advisor Matt Greer

Store Interior

&derson

Fossil, LondonNovember 2013

This design of this retail project evolved from looking at the history of the brand and understanding how the company wanted to project their image to the world. With anderson architects, I came to understand the dialogue between the plan layout and the fixture design. The fixtures informed the layout and the spatial organization suggested the fixture design.

Fixture Design:Window Display Unit

40

Fixture Design:Window Display Unit

Harvard University Housing

SOLDIERS FIELD PARK DraftJune 10, 2014

Proposed Entry Improvements Concept

MASTER PLAN UPDATE

Main Entry - Building 2 Management Office

2

1

34

Metal Clad Canopy, Staggered Panels

Zinc Signage Panels, Textured


SOLDIERS FIELD PARKchapter 4facility +

infrastructure

PB

DraftJune 10, 2014


MASTER PLAN UPDATE

Typical Primary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)

2

1

34



SOLDIERS FIELD PARK DraftJune 10, 2014


MASTER PLAN UPDATE

2

1

34

Typical Secondary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)

Metal Clad Canopy, Staggered Panels


ELKUS MANFREDI ARCHITECTS work

42

Elkus Mandfredi Architects is a large firm with its office in Boston, Massachusettes. I worked in SketchUp, InDe-sign, Revit, and CAD. I worked on schematic design for residential renovation projects for Harvard University, including entry design and material selection. For another residential project, I worked on construction docu-ments and construction administration including an extensive submittal review. Responsibilities included rcps, electrical coordination and hvac coordination, and fixture review. I also had the opportunity to write a memorandum, work with an architecture photographer for a space, work on signage for a University.

Proposed Entry ImprovementsSoldier’s Field Park, University HousingCambridge, Massachusettes

Co-op I Boston, MassachusettesSummer 2014 I Advisor Emily Paparella

A B C D E

6'

13

12

11

10

BB

CC

DD

EE

GG

HH

LL

FF

JJ

KK

J K

L

13E

12E

10E

11E

9.5E

MM'

11.4

11.6

FF.4

GG.4

BB.2

11.3E

11.7E

10.7E

87.5

B.4 B.6 C.5A.1

7.4

12' - 2"

GWB

FITNESS113

BIKESTORAGE

114

NSTAR116

DRY PIPEROOM/

STORAGE112

STAIR N11-SN1

SWITCHGEAR117

NORTHBUILDING

TRASHROOM

118

ELEVATORCONTROL

ROOM119

MAINTENANCE122

SERVICECORRIDOR

121

11' - 10"

GWB

11' - 0 1/2"

GWB

11' - 0 1/2"

GWB

LR-1

LR-1

NO CEILING

NO CEILING

3" OF SPRAYEDINSULATION IN HATCHED

AREAS AS INDICATED

LOADING120

LR-1

LR-1

LR-1

LR-1

LR-1

LR-1

LR-1LR-1

NO CEILING

NO CEILING

NO CEILING

NO CEILING

NOCEILING

NO CEILINGNO CEILING

LR-1

WS-6

WS-6

WS-6

TENANT C159

TENANT D160

GARAGERAMP

154

CORRIDOR104

3" OF SPRAYEDINSULATION IN HATCHED

AREAS AS INDICATED

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

WS-6

7'

7.3

WS-6

WS-6

LR-1

LR-1

LR-1

LR-1

WS-6

WS-6

10.1

BB.5

11.5

GAMEROOM

110

16'-10 7/8"

12'-0"

7'-8"

4'-4"

13'-6"

10'-6"

10'-6"

9'-2"

4'-4"

24'-0"

24'-0"

12'-1 3/4"

5'-10 1/4"

6'-0"

160'-10 7/8"

14'-0

"

11'-7

"

2'-3

"

4'-7

"

11'-7

"

13'-9

"

3"

58'-0

"

14'-0

"11

'-7"

14'-0

"6'

-10"

3'-4

7/8

"8'

-2 1

/8"

14'-0

"

72'-0

"

15'-0" 26'-0" 34'-0" 11'-8"

86'-8"

30'-0"

30'-0"

60'-0"

9

8.6

K.2

DD.7

B.9

LOUNGE111

IT/AVCLOSET

141

P-4

P-4

P-4

P-4

P-4

P-4

P-4

P-4

P-4P-4

P-4

P-4

P-4

P-4

P-4

P-4

P-4

P-4

LR-1

LR-1

FP-1

FP-1

FP-1

FP-1

FP-1

PROJECTED BAYSABOVE

LINEAR DIFFUSERS- SEE MECHANICAL

RETUR AIR GRILLES- SEE MECHANICAL

LT-XLT-X

LT-X

LR-1

LR-1LR-1

LR-1LR-1 LR-1

LR-1

LT-X

LT-X

LR-1

LR-1

LR-1

LR-1LR-1

LR-1LR-1

LR-1

LR-1

LT-X

LR-1

LR-1

LR-1

LR-1LR-1

LT-XLR-1

LR-1LR-1

5'-6"

LR-1

XC

10' - 0"

GWB

XA

XA

XB

EQ

EQ

EQ

EQ

EQ

EQ

EQ

4'-9

"

4'-6

"

10'-0

"

10'-0

"

10'-0

"

10'-0

"

10'-0

"

EQ

EQ

7'-2

"

7'-2

"

EQ

EQ

EQ

EQEQ

EQ

EQ

T-1

EQ

EQ

2'-5

"

3'-6"

3'-6"

6'-10"

4'-6"5'-1

1"6'

-0"

6'-0

"5'

-4"

4'-0

"

5'-4

"

3'-0

"3'

-0"

2'-0

"2'

-0"

5'-4

"

5'-6"

5'-6"

5'-6"

EQ

EQ

EQ2'

-5"

3'-9

"4'

-11"

4'-6

"4'

-0"

LR-1

4'-9

"

EQEQ

T-1

T-12'

-0"

NO CEILING

19

3'-6"

3'-6"

11' - 0 1/2"

GWB

LC-5

LC-5

LC-5

LC-5

NO CEILING

8'-0

"

8'-0

"

20'-0

"

LC-5

LC-5

LC-5

8'-0"

6'-0"LC-5

7'-0

"

13'-0

"

13'-0

"

LC-5

LC-5

LC-5

LC-5

LC-5

NO CEILING

EQ

EQ

LC-5

WS-6

WS-6

WS-6

WS-6

EQ

12'-0"

12'-0"

12'-0"

EQ

EQ

EQ

LC-5

LC-5

LC-5

LC-5

4'-0

"

LC-5

EQEQ

EQEQ

EQEQ

EQEQ

EQEQ

4'-6"

EQ

EQ

4'-6"

8'-0"

6'-0"

6'-0"

8'-0"

EQ

EQ

18'-0

"

EQEQ

EQEQ

EQEQ

EQ EQ

P-4

20'-0"

20'-0"

20'-0"

4'-9"

EQEQ

TYP.

LR-1

19

19

19

19

19

EQEQ

EQEQ

19

EQ

EQ

19

EQEQ

6'-6"

8"3'-0

"

EQEQ

5'-6"

4'-1

0 5/

8"

3'-0"

2'-6"

EQEQ

2'-0"2'-0"

7'-7

3/8

"

10'-0

"

2'-0

"

EQEQ

1'-7

"

SCALE:

C

201

4, E

LKU

S |

MA

NFR

ED

I AR

CH

ITE

CTS

DRAWING NUMBER:

DRAWING NAME:

REVISIONS:

DATE:

PROJECT NUMBER:

ELKUS | MANFREDIARCHITECTS

BOSTON MASSACHUSETTS 02210

[ tel] 617-426-1300

[address] 300 A STREET

OwnerSamuels & Associates

333 Newbury StreetBoston, MA 02115617.247.3434

Geotechnical EngineerMcPhail Associates, Inc.

2269 Massachusetts AvenueCambridge, MA 02140617.868.1420

Civil EngineerVanasse Hangen Brustlin, Inc.

99 High StreetBoston, MA 02110617.728.7777

Landscape Architect - Ground PlaneReed Hilderbrand

471 Mount Auburn StreetWatertown, MA 02472617.923.2422

Structural EngineerMcNamera Salvia, Inc.

160 Federal StreetBoston, MA 02110617.737.0040

MEP EngineerCosentini Associates

Building 200, 2nd Floor

Cambridge, MA 02139617.494.9090

One Kendall Square, SuiteB2204

Keith LeBlanc LandscapeArchitecture, Inc. - Green Roof

535 Albany Street No. 5ABoston, MA 02118617.426.6475

CONSTRUCTION DOCUMENTS

Allston, Massachusetts

7/31

/201

4 11

:02:

43 A

M

1/8" = 1'-0"

A609

NORTH BUILDINGFIRST FLOORENLARGEDREFLECTED CEILINGPLAN

MARCH 24, 2014

11030

Barry's Corner

SCALE: 1/8" = 1'-0" 002

Level 1 N1 RCP1

19 CCD-025 7-22-201422 CCD-026 7-21-2014

ELKUS MANFREDI ARCHITECTS Barry’s Corner, Residential Allston, Massachusettes

SOLOMON CORDWELL BUENZ work

44 LEGENDCEILING HEIGHTS

UNDERSIDE OF SLAB (VARIES)

SUSPENDED GYPSUM DRYWALLCEILING 8'-10"



TYPICAL FLOOR TO CEILING HEIGHT 9'-6"

SUSPENDED GYPSUM DRYWALLCEILING 7'-61/2"



FIXTURE LEGEND

LIGHT SCONCE IN CORRIDOR

CEILING FAN

LIGHT TRACK 4'-0"

DOWNLIGHT RECESSED CAN6" INCANDESCENT - 120 V

RETURN AIR GRILLE14" X 24"

BATHROOM EXHAUST FAN12" X 12"

ACCESS PANELCLOSET CEILING TYP. 30" X 30"

ACCESS PANELABOVE TUB TYP. 3'-0" X 4'-0"

SURFACE MOUNT FIXTUREIN ELEVATOR LOBBY

GENERAL NOTES

THE INFORMATION SHOWN ON THISSHEET IS APPROPRIATE FOR ALL OF THEUNITS IN THE PROJECT IDENTIFIED BYTHIS UNIT “TYPE”. FOR ALL CONDITIONSRELATIVE TO A PARTICULAR FLOOR’SSTRUCTURAL OR MECHANICALUNIQUENESS, REFER TO THE A2 AND A7SERIES DRAWINGS. TO LOCATE SIMILARUNIT "TYPES" THROUGHOUT THEPROJECT, REFER TO THE UNIT MATRIXON SHEET A0.20. REFER TO SHEETA6.95 AND A6.96 FOR UNIT RELATEDCASEWORK AND MILLWORK DETAILSAND SHEET A8.40 FOR ALL UNITSCHEDULES.

DOOR NUMBER TYPE

DOOR

R1A

DOOR SCHEDULE - RESIDENTIAL UNITS

A

1. DOORS APPLICABLE TO ALL TYPES OF RESIDENTIAL UNITS ARE INCLUDED IN THIS SCHEDULE2. SEE A8.20 FOR DOOR TYPES AND A8.25 FOR TYPICAL DOOR DETAILS3. PROVIDE PRE-FINISHED SATIN NICKLE HINGES4. PROVIDE 1" UNDERCUT FOR ALL INTERIOR UNIT DOORS5. DOOR NUMBER R3B AND R3C - NOT USED

R2A

R2C

R3A

R3E

R4A

R4B

R4C

R4D

R4E

R4F

R4G

R4H

R4I

R4J

R4L

R5A

R5B

MATERIAL

FRAME

HM

R5C

R5D

R5F

A1

B1

L

B1

B1

B1

L

L

D

C

D

C

C

WIDTH

3' - 0"

2' - 10"

3' - 0"

2' - 10"

2' - 6"

2' - 0"

1' - 6"

4' - 6"

3' - 0"

1' - 0"

4' - 0"

5' - 0"

5' - 8"

6' - 0"

5' - 0"

2' - 6"

2' - 10"

4' - 0"

2' - 8"

3' - 0"

2' - 10"

HEIGHT

7' - 2"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

6' - 8"

THICKNESS

1 3/4"

1 3/8"

2"

2"

2"

MATERIAL

SCWD

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

HC

SCWD

HC

HC

HC

FINISH

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

WD

JAMB

J1

HEAD FINISH

H1

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

J2 H2

SILL HARDWARE FIRE RATING LOCATION

UNIT ENTRY

BEDROOM

BEDROOM

BATHROOM

BATHROOM

CLOSET

LAUNDRY

LAUNDRY

LAUNDRY

UTILITY /MECH ROOM

LAUNDRY

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

CLOSET

COMMENTS

GENERAL NOTES FOR UNIT DOORS:

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/8"

1 3/4"

1 3/8"

1 3/8"

1 3/8"

WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H









A1

B1

A1

A1

A1

A1

A1

RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS

R3D 3' - 0" 6' - 8" HC WD J2 H2 BATHROOM1 3/8"A1

R1B A 3' - 0" 8' - 0" 1 3/4" SCWD HM J1 H1

STAINED

STAINED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PT-12

PT-12

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

PAINTED

UNIT ENTRY RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS

7

7

A A

B B

A.2 A.2

8

8

1' -

8"

1'-9" 5'-0" 5'-0" 1'-9"

2'-4" 13'-6" 4'-4"11' - 0"

5'-4

"

4'-8

"

1'-8

"

A.9 A.9

R2A R3A

R5A

R4A

R1A

2

1

6120

4

1

11

LIVING ROOM/DINING ROOM

BEDROOM

KITCHEN

CL

BATH W/D

CL


BEDROOM

ENTRY

CL

BATH W/D

CL

3'-1

1/8

"6'

-4 7

/8"

2'-1

1/4

"1'

-2 3

/4"

5'-5 7/8" 5'-0 1/8" 3'-6 1/4" 3'-7" 2'-2 1/2" 6'-10 3/8"

15'-2

1/4

"

8.4

8.4

7.4

7.4

A6.732

11

1

5

1

20

11

1

61

5

3'-5 1/2" 1'-3"

R4F

2R3S

1R2S

2R3S

A6.602

SIM

30

30

35

SIM

1'-3

"6

3/4"

7'-1

1 7/

8"

55A55A55A

55A

1'-2 7/8"6 1/4"

1'-2 1/4"

1'-3

"

2"

2'-6 5/8" 2'-9 3/4" 1"

7/8"2'-1 1/2"

UNIT A71 BEDROOM

1'-6

"4'

-0"

2'-1

1 3/

4"1

3/4"

3'-0

"

1" 5'-0" 1"

7

7

A A

B B

A.2 A.2

8

8

A.9 A.9

8.4

8.4

7.4

7.4

U-VCT-01 U-WF-01

U-CPT-01 U-WF-01

U-WF-01 U-TIL-01

2"

ACCENT WALL COLOR

ACCENT WALLCOLOR

ACCENT WALL COLOR

A A

B B

A.2 A.2

8

8

A.9 A.9

CEILING HT.8' - 0"

CEILING HT.8' - 4"

CEILING HT.8' - 10"CEILING HT.

8' - 4"

4'-4 7/8"

EQ

2'-8"

2'-4

"4'

-5"

1'-4

"1'

-4"

8"

8"

1'-8"

2'-1

5/8

"

4'-1 1/4"

4'-6

"2'

-2"

UNIT A71 BEDROOM

8.4

8.4

7.4

7.4

8"

2'-0 3/8" 2'-0 3/8"

ACCESSPANEL


BEDROOM

ENTRY

CL

BATH W/D

CL

CRCRCSCS

CS

Drawn By:

Checked By:

Project Number:

Sheet Number:

© 2013 Solomon Cordwell Buenz

UNIT A7CONSOLIDATEDPLANS ANDSCHEDULES

Austin, Texas

GREEN WATER

Mixed-use Development

U-A7Author

Checker

2011041

NO. DATE DESCRIPTION

11.21.2013 FINAL GMP/CONSOLIDATED UNITPLANS

1 12.18.2013 CONSOLIDATED UNIT PLANS UPDATE

SCALE: 1/4" = 1'-0"1 UNIT A7 FLOOR PLAN

SCALE: 1/4" = 1'-0"2 UNIT A7a FINISH PLAN

SCALE: 1/4" = 1'-0"3 UNIT A7 REFLECTED CEILING PLAN

Solomon Cordwell Buenz is a multi-disciplinary firm that specializes in residential high-rises and education. It is a large firm, with offices in Chicago and San Francisco. This was my first introduction to a large firm, with over one-hundred sixty people in the Chicago office. I worked primarily in Revit, with some work in CAD. This co-op experience exposed me to residential high-rise design. My responsibilities included plans, unit plans, interior elevations, rcps, and door schedule coordination, primarily on the Green Water project in Austin, Texas. Some time was spent in producing marketing plans for a new high rise in Chicago. As a member of the Green Water project team, I worked with up to 10 people at times, coordinating the project to the 95% CD set. I learned how to coordinate with a project team, in the context of a large project.

Co-op I Chicago, IllinoisSpring 2013 I Advisor James Young

SOLOMON CORDWELL BUENZ Green Water, High Rise Residential Austin, Texas

PANZICAwork

46

Construction Begins,Spring 2014

Internship I South Bend, Indiana Summer 2011 + 2012 I Advisor Philip Panzica

Waterfront Development Schematic Design

At Panzica, a small Design-Build Firm, I devloped schematic designs, interior, and material details. I processed submittals and bids, developed client relations through meetings and presentations. I worked on the development of master plan and space planning for the Wharf project, situated on the St. Joe River in South Bend, Indiana. The condos are for families and couples interested in living downtown, away from the suburbs and into the city. As developer, architect, and builder, Panzica’s hope is to provide a place to live, activating the river walk and promoting an urban lifestyle. The hope is to enrich the city, support local businesses and engage with the people, culture, and place of South Bend.

Site Concept Sketch

Site Concept Sketches

immersion

The Haiti Block was developed for the New Block Design Competition. Our team won 1st Place at the local level for Indiana in December 2011. We refined the block design . The project received 3rd Place at the National Concrete Masonry Association, awarded in Traverse City, Michigan.Group Members: Colin Marshall, Kevin Snyder, Madeline Toth, Caleb Wild

HAITI BLOCK1st Place I ICMA , December 2011

48

BSU Elective SeminarFall 2011 I Professor Tony Costello

As part of an elective course, the Haiti Block was inspired by the need of the Haitian people and the real -world implications of a new block design. The objective is to design an original concrete block that has aesthetic qualities, cost-efficient production, and high strength and stability.

Throughout the many iterations, the final design was informed by the challenges facing Haiti and their reconstruction efforts. It is in the basic form of the block, with the interlocking keys that drives the success of the block. From a basic 8” x 8” x 16” block, the form was derived. The interlock-ing keys of the block allow the block to overcome the two most critical issues of structural failure in unit masonry: shear and diagonal cracking.

1st Place I ICMA , December 2011

Photograph: Physical Model of Haiti Block Formwork Mold

Construction Diagram

ecoREHABimmersion

50

BSU ecoREHAB Summer ProgramSummer 2011 I Professor Jonathan Spodek

Working for ecoREHAB was a dynamic learning experience that not only gave me the comfort of handling power tools, hanging drywall, mixing mortar, and working in the wood shop, but gave me the opportunity to get involved in the community. By working in the neighborhood, I gained a deeper understanding of the Muncie community, met local specialists in historic preservation, and toured a local building undergoing restoration. ecoREHAB has 4 goals: 1. Rehabilitate existing houses 2. Immersive learning experience 3. Establish a design assistance center 4. Offer training programs to communities.

Promotional Exhibit //Soup Kitchen Benefit, July 2009

HUMAN: AN INSTALLATION art + design

52

Each year, first years are assigned an installation project. My partners, Michael Bramer and Claire Thomison, and I wanted to create an intervention that activated space through play of light and a human-like figure. To create a play on light, we used colored stones. Through careful manipulation of chicken wire, metal duct, silverware from every thrift store in the area, wire, and a light bulb, the three of us created a human silverware man. This title and many others have emerged across CAP. He was kept as a permanent installation outside the Architecture Library for 3 years. Maintenance moved “him” and we discovered him in a closet off of the main hallway. We kidnapped human and now he rests as a piece of art in my partner, Claire Thomison’s, home.

BSU 1st Year StudioSpring 2009 I Professor Paul Folger

Promotional Exhibit //Soup Kitchen Benefit, July 2009

HUMAN: AN INSTALLATION

54

DRAWING + PHOTOGRAPHY

Sketch, Exeter Library, Louis Kahn

DRAWING + PHOTOGRAPHY

[email protected]

574.292.3203

371 Probasco Street Cincinnati, OH 45220