7/26/2019 Architecture as a Consdequence of Collective Perciption

1/12

1

!"#$%&'#&("' *+ * ,-.+'/('.#' -0 ,-11'#&%2' 3'"#'4&%-.!"#$" &'()*+$,

-./$0 12 3455

6 "$7 (* ,*8#9,( "8 "8"0:;$; *< =97"8 .'/,'.($*8 (*>"/#; (=' 9/?"8 '8+$/*87'8(2 "8# (/"8;0"(' 7:

'00 "; "8 *?;'/+"($*8 *< (='$/

' ,"8 "/,=$(',(9/' @$+' ?",) (* ;*,$'(: "8# *8 .0"88$8@ "../*",='; (* ,$(:

#'+'0*.7'8(2 ./'#*7$8"('0: $8 (=*;' ./*C',(; (="( >'/' ,*8;(/9,('# $8 (=' $00 /'$(8';; (=' .*;;$?0' '

7/26/2019 Architecture as a Consdequence of Collective Perciption

2/12

2

#$$(=$8 (='$/

,*8('N(D E=';' 7*7'8(; >$00 7"('/$"0$X' $8 (=' $7"@$8'# $7./';;$*8; *< (=' ,$(:D I*00"@'; *< ,$(: ;,'8'; >$00 "$7 (* $8;.$/' 8'>

*..*/(98$($'; >$(=$8 (=' ,$(:2 /',*8;(/9,($8@ (=' ;(/''( (* ,*8;$#'/ .*('8($"0; "8# .*$8(; *< #'."/(9/'D

I*00"@'; ,"8 ?' ,*8;(/9,('# ?: ,*7?$8$8@ ,*8('7.*/"/: $7"@'; *< E*/*8(* >$(= $(; =$;(*/$,"0 $7"@'/:2

$7"@'; $00 ?'

;$(9"('# (=/*9@= 7'#$" (="( '8"?0' "8 $8('/",($+' #$;,*9/;' (* (")' ;=".'2 02 (=' #$;"?$0$(: *< $(; 98',*8*7$,"0 (/"8;.*/("($*8 ;:;('72 (='

98,="8@'# ;,"/; *< .*;(A>"/ #'+'0*.7'8( \ ="+' 7"#' $( " ;$@8$$00 ?' ;$(9"('# "/*98# =$;(*/$,"0 "8# ,9//'8( ,*8(/*+'/;$"0 9/?"8 $;;9';2 >$(=

./*@/"7T;U (="( "..'"0 (* (=' #';$/'; "8#

7/26/2019 Architecture as a Consdequence of Collective Perciption

3/12

3

@/'"('/ /'@$*8 *< E*/*8(*D E=' ./*@/"7; >$00 ?',*7' ,*8,/'(' $8@ (=' ./*,';; *< $8;'/($*8 "8#

='/' (='/' $; " @'89$8'

'0'7'8( *< ;'0*/) $8 ;('.; */

7/26/2019 Architecture as a Consdequence of Collective Perciption

4/12

4

/"8@' *< ;9/$(= (='$/ *>8 $8#$+$#9"0 7*($+'; ?"0"8,'# ?: (=' /"8@' *< *..*/(98$(: (="( (=' 9/?"8

0"8#;,".' ,"8 ./*+$#'D

E=';' .'/;.',($+'; /'+'"0 (="( 8* ;$8@0' *.$8$*8 ,"8 /';*0+' ;*,$'(:2 8*/ #';$@8 "8 '8+$/*87'8(

(="( $; 7'"8$8@=$,= "/' /'0'8(0';;0: $8 =$,= >'

$8 ."/( #'=*00: *8 ,*8('N( "8# =*> >' /','$+' (='

,*8('N(9"0 $7.",( *< *9/ ;9//*98#$8@;D Z' $(= "/,=$(',(9/' "8# (=' ?9$0( '8+$/*87'8(D &=:;$,"00: >' ;="/'

(=' 0$8); ?'(>''8 (=';' ?9??0'; "; >' 7*+'

7/26/2019 Architecture as a Consdequence of Collective Perciption

5/12

5

(=/*9@= +"/:$8@ #$;,*9/;';D g$;,*9/;' '8"?0'; 9; (* 8'/;=$. T./$+"(' ;.",'U2 (=' #>'00$8@ */ ;(*/'$(=

0*,"0 "8# >$#';./'"# #$;,*9/;'D E=';' >$00 (")' ;=".' "; "8 "(('7.( (* "##/';; ,*8('7.*/"/: #'8;$(:

"8# '8+$/*87'8("0 $;;9'; $8 E*/*8(*D

]',*8#0:2 (=' 9/?"8 ;,"0' T.9?0$, ;.",'U ,"8 ?' $8+';($@"('# "; " 1-1#('(="( ,*//';.*8#; ";

,*8('N( */ ,*8#$($*8$8@ (* (=' '00$8@; "; >'00 "; (='

;.',$"0)"?$0$(: "8# (=' +"/$*9; 8''#; *=$,= $; " ./*.*;"0 ;(/'(,='# ",/*;; (=' ,$(: "; " /';90( "8# ' >$00 (=' #>'00$8@2 ;(*/'$00 ?',*7' $7.'/"($+' (* ;(9#:

7'(=*#; "8# ."(('/8; *< (/"8;.*/("($*8D

7/26/2019 Architecture as a Consdequence of Collective Perciption

6/12

6

E=' /';90( *< (=$; 'N.0*/"($*8 >$00 #'.'8# @/'"(0: *8 (=' '+'/2 $( >$00 '8,*7.";; "8 "/,=$(',(9/"0 ./*C',( (="( $009;(/"('; " H/'A"../*",=Q =$,= (=' "/,=$(',(9/"0 "/($$(= " ":2 ;(*..'# $8 ."/( ?: F"8' F",*?;U2 (=' 7*/'

/','8( '/'8,'D 344cD !-/-('- 46/&:549 & "+4'-/?D E*/*8(*G i8$+'/;$(: *< E*/*8(* &/';;2 T.D51UD

7/26/2019 Architecture as a Consdequence of Collective Perciption

7/12

7

"8# (=' ./*C',( 6 ./*.*;' >$00 "(('7.( (* ';("?0$;= H7*7'8(;Q */ "/,=$(',(9/'; >$(=$8 (=' @".; *< (=';'

=*( ;.*(;D

6 >*90# 0$)' (* 0**) "( ]."#$8" -+'89' "; " .*$8( *< ;$@8$*90# ="+' ;.0$( (=' ,$(:2 ,"9;' ;'@/'@"($*8 "8#

#';(/*: 7"8: =*7'; "8# 0*,"0 ?9;$8';;';2 "8# $8 (9/8 #'+";("(' 0*,"0 ,90(9/'D

E=' #',*8;(/9,($*8 *< ]."#$8" /'+'"0; 79,= "?*9( E*/*8(*2 $< >' *?;'/+' "8# "8"0:X' +"/$*9;

."/(; *< (=' ;(/''( "8# (='$/ /'0"($*8;=$.; (* (=' ,$(:D I*8,'8(/"($8@ *8 (=' #*>8(*>8 .*/($*8 *< (='

;(/''(2 ]."#$8" 7*+'; ":;P 7'/@$8@ 0"8'; "8# *+'/='"# =$@=>":2 "8# '8#; "( (=' ="/?*9/D E='/' $; "

8*("?0' #$;,*88',( $(= /';.',( (* 0":'/; *< =$;(*/: "8# 7'7*/: (="( ,/'"(' " 7"(/$N *< #$

7/26/2019 Architecture as a Consdequence of Collective Perciption

8/12

8

,$(: ?9( 7'/'0: $0097$8"(' "8 'N.'/$'8,' "8 'N.'/$'8,' *< #$+'/;$(:DQc_*:'/ */) *< "/(2 (=' ,$(: "; " ."8*/"7"2

"8# (=' ,$(: "; " ;.',(",0'D -00 *< (=';' 7*#'0; ('8# (*>"/#; 8*($*8; *< '7'/@'8,' (* @"$8 @/*98#; "8#

/',*8,$0' >$(= ,*00',($+' $7"@$8"($*8;D _*:'/ 8*($*8; *< (=' ,$(: /'+'"0 *..*/(98$($'; (* '8+$;$*8

(=' "/($ ,"8 (=';' H7*7'8(;G ?' $8;'/('# >$(=$8 ,*7798$($';2 $8 (=' .9?0$, ':'2 $8 */#'/ (*

@'8'/"(' =$,= >$00 ?'@$8 "; " ;'/$'; *< $7"@';

T1-1#('4@D E=' $8$($"0 $7"@'; >$00 ?' #'+'0*.'# ?: " ;'( *< )8*>8 ;)$00; \ "7"0@"7"('# #/">$8@;2

7*#'0;2 .=*(*@/".=: "8# &=*(*;=*.D `"('/2 "; (='

7/26/2019 Architecture as a Consdequence of Collective Perciption

9/12

9

'0"?*/"(' *8 7: 7'(=*#2 .'/=".; @"$8$8@ (=' ;)$00; (* ,/'"(' 8'> 7*#'; *< $00 0$)'0: '+*0+' "0*8@ >$(= (=' #';$@8 ./*,';;D

,-.#1(+%-.7 E-(" +(?$'*;%.>

68 ,*8,09;$*82 (=' "$7 *< 7: ./*C',( $; ,*00',( "8# @"(='/ "8 98#'/;("8#$8@ *< ,*00',($+'

.'/,'.($*8;2 ?*(= 0*,"0 "8# ,*77*82 (* " 790($A;,"0'# $8+';($@"($*8 *< " E*/*8(* ;$('2 #'"0$8@ >$(=

;*,$"02 ',*0*@$,"0 "8# ',*8*7$,

7/26/2019 Architecture as a Consdequence of Collective Perciption

10/12

10

F%+& -0 :-("#'+7

_'';0':2 &=$0$.2 &"*0" &*0'((*2 "8# I"(='/$8' W*08"/D 344jDA"8(M 68 aD -D _'"9/'@"/# m ]D _*#:Ah'8#/*( T^#;DU2 !"#

7/26/2019 Architecture as a Consdequence of Collective Perciption

11/12

11

a*;;$2 -0#*2 "8# &'('/ ^$;'87"8D 5Sj3D !"# &/2"+'#2'

7/26/2019 Architecture as a Consdequence of Collective Perciption

12/12

12

-&&^!g6q -D ]&-g6!-