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Antigone - 2000 years later / Production Notes

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Antigone - 2000 years later Production Notes Scene MESS 2015

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ANTIGONE2000 Years Later

Directed by: Lenka UdovičkiCast: Maja Izetbegović, Dženana Džanić, Rade Šerbedžija, Ermin Bravo, Damir Urban

Katarina Bistrović-Darvaš, Jelena Lopatić, Vedad SuljagićChorus: Students from the Academy of Performing Arts in Sarajevo, the Department of Acting,

and students from the University of Rijeka, Acting and Media StudiesDarja Badnjević, Marko Braić, Mak Čengić, Mirjana Đan, Nika Ivančić,

Lovro Ivanković, Aleš Kranjec, Anđela Kusić, Emir Mulalić, Dina Mušanović, Nikola Nedić, Maja Ožegović, Mirta Polanović, Dino Sarija, Tena Antonija Torjanac

Based on Translation by: Svetlana SlapšakDramaturgy: Željka Udovičić-Pleština

Costume Design: Bjanka Adžić Ursulov Stage Design: Mirna Ler

Composer: Nigel OsborneMusic and Sound Design: Davor Rocco

Choreography: Ivana KalcStage Movement: Mladen VasaryLight Design: Andrej HajdinjakVideo Design: Martino Šesnić

Graphic Design: FabrikaHair and Make-up: Marija-Maca Bingula

Correpetition: Valnea ŽauharAssistant Director: Aleksandar Švabić

Assistant Composer: Ruaraidh OsborneAssistant Costume Designer: Manuela Paladin Šabanović

Photography: Kristijan VučkovićProduction: Ulysses Theater, Scene MESSCoproduction: National Theater Sarajevo

In Cooperation with: Academy of Performing Arts Sarajevo

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ANTIGONE – 2000 YEARS LATER

This play is a theatrical exploration of an ancient mythical story written by Sophocles, in which he described the distressful period of the birth of the European civilization and victory over barbarism. In a politically and critically relevant way, he thus left a permanent mark on the dramatic writing we know today. At the same time, it is a story that is applicable to our society; it makes us stop, look around and see ourselves, examine our own values as well as our own time of unrest through interpretation of the myth as well as through dramatic documentary interventions that open up a space for discussion about existence of this subject throughout millennia. Naturally, we have to speak about our time, start a dialogue by raising issues that affect us and our surroundings, about the people’s tendency to always passionately bow down to the winning side, but also about the only too familiar thirst for power and wars, about the history which not only defines, but also controls our present. That is why the justice-seeking individual in conflict with the corrupt political system is abandoned by everyone: the government, citizens, even the bureaucratic apparatus. Justice does not use justice; the real truth is not welcome.

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Antigone - 2000 Years Later6

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LENKA UDOVIČKI

Lenka Udovički is a theater director and artist whose career includes collaboration with world renowned artists and cultural institutions. She graduated from the Faculty of Dramatic Arts in Belgrade. In 1994 she joined Vanessa Redgrave, Corin Redgrave, Kiki Markham and Ekkehart Schall as co-founder of the Moving Theater Company. She directed History’s Rhyme for English National Opera Studio in London’s Limelight club and The Tempest by William Shakespeare in Shakespeare’s Globe Theater with Vanessa Redgrave, and the premiere of the opera A Better Place by Martin Butler for the English National Opera. For Opera Circus she directed the premiere of the sevdah opera Differences in Demolition by Nigel Osborne and Shoreline (in co-production with the Scottish Ballet and the Hebrides Ensemble). For the UCLA Live festival in 2009 she directed Medea with Annette Bening in the title role. Worked as an external lecturer at the California Institute of the Arts and UCLA in Los Angeles. For Ulysses Theater directed a number of performances in the past 15 years, and in 2012 became the artistic director of the Ulysses Theater. Notable Brijuni projects are the theatrical blockbuster King Lear, Medea, Marat/Sade, Core Sample, Hamlet, Drunken Night in 1918, Romeo and Juliet in ‘68, Storm, Cabaret Brecht - Rise of Arturo Ui, Deceased, Shakespeare in the Kremlin and Antigone - 2000 years later. Since 2012 she has been an assistant professor of acting at the School of Acting and Media at the University of Rijeka.

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CONTACT DETAILSFor more information or to book Antigone - 2000 Years Later contact: Aida Mujković (Executive Producer)Email: [email protected]: +387 61 515 933Office: +387 33 200 392 Mirna Ler (Technical Director)Email: [email protected]: +387 61 225 798Office: +387 33 200 392

ANTIgONE - 2000 YEARS LATERDuration: 100 minutesPeople on stage: 8 actors + 15 students / choir members Company on the road: 32 (8 actors, 15 students / choir members, 5 technicians, 1 stage manager, 1 executive producer, 1 director, 1 technical director)Arrival: two days before the performance Set up: 12 hours Typology of scene: ambient scene-small hall /store / abandoned object Stage dimensions: min 12m (W) x 12m (L) / 7m high.

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COMPLETE THEATER PERFORMANCELINK: https://vimeo.com/147364371PASSWORD: festivalmess12345

COMPLETE TECHNICAL RIDER UPON REQUEST Contact: Aida Mujković (Executive Producer)Email: [email protected]: +387 61 515 933Office: +387 33 200 392 Mirna Ler (Technical Director)Email: [email protected]: +387 61 225 798Office: +387 33 200 392

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the development of theater in BiH.

When Scene MESS was first established, it was a utopian idea. A new theater in Sarajevo. Only a year later, Scene MESS has its monthly repertoire, currently ten plays in it, and new projects scheduled for 2016. It has chosen co-production as its mode of operation, since it allows for a creative exchange between countries and theatrical companies, but also advances culture. Only in 2015, Scene MESS worked with the Zagreb Youth Theater, BITEF Theater from Belgrade, Croatian National Theater from Mostar, National Theater of Republika Srpska from Banja Luka, Bosnian National Theater from Zenica, Heartefact Fund from Belgrade, Budva Theater City, Ulysses Theater from Brijuni, Sarajevo War Theater, Kamerni teatar ‘55 from Sarajevo, Croatian National Theater from Rijeka. Their plays have won numerous awards at BiH theater festivals, both regional and international.

Scene MESS has staged plays in numerous venues throughout BiH, thanks to the hospitality of our colleagues from BiH theater houses. Scene MESS, likewise, plans to return the favor, thus creating a meeting point between regional and international collaborations – a place that exudes diversity and praises otherness.

SCENE MESS

Scene MESS is the production department of the MESS International Theater Festival. Following numerous productions and co-productions between 1993 and 2014, MESS is now formally participating in theatrical programming, in addition to its festival activities. As a theatrical company, MESS has produced and co-produced 75 plays. It has collaborated with 59 theater houses and companies from 12 different countries. In addition, it staged plays together with the Yugoslav Drama Theater and BITEF from Belgrade, Montenegrin National Theater and Budva Theater City, &TD Theater from Zagreb, Croatian National Theater Ivan noble Zajc from Rijeka, Zagreb Youth Theater, Ex Ponto Theater from Ljubljana and Small Drama Theater of Bitola. MESS has also collaborated with some of the most renowned international theater companies, such as Glob Theater Bordeaux, Corte Sconta from Milan, De Brakke Gron from Amsterdam, and Schaubuehne am Lehniner Platz from Berlin. 336 actors and 43 directors took part in these productions and co-productions.

Scene MESS is indented as a place of artistic freedom. It is a place where artists can explore new forms, question and deconstruct literary classics, write texts and host pre-premieres, make their own projects. It is perhaps, above all, a space where they can take risks, because deep inside we believe there is no progress in art without risk taking and venturing into uncharted territories. The results of which can be unpredictable and different, but never uninteresting or superficial.

Scene MESS aims at creating an environment in which artistic teams working on plays can be put together based on the individual sensibilities of their members. Scene MESS does not have a permanent ensemble. It does not have its team of authors either. Each play puts together a new team which allows for a greater fluidity, dynamics and innovativeness, and, at the same time, fosters

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PRODUCTIONS

• THE FLOUR IN OUR VEINSProduction: Sarajevo War Theater / Scene MESS Director: Boris Liješević

• ANTIgONE – 2000 YEARS LATERProduction: Ulysses Theater / Scene MESS / National Theater SarajevoDirector: Lenka Udovički

• THE HENProduction: Scene MESS / Sarajevo War Theater Director: Selma Spahić

• THIS gRAVE IS TOO SMALL FOR MEProduction: Heartefact Fund / Chamber Theater ‘55 / Scene MESS / Ulysses Theater / Testament filmS Director: Dino Mustafić

• THE CONCERT OF BIRDSProduction: Chamber Theater ‘55 / Scene MESSDirector: Aleš Kurt

• MISTER PILLOWProduction: Youth Theater Sarajevo / Scene MESSDirector: Luca Cortina

• THE SECRET OF RASPBERRY JAMProduction: Sarajevo War Theater / Scene MESS / Fondation Karim ZaimovićDirector: Selma Spahić

• IT WAS A BEAUTIFUL AND SUNNY DAYProduction: Sarajevo War Theater / Scene MESSDirector: Tanja Miletić Oručević

• gHOSTSProduction: The Heartefact Fund / Budva Theater City / Scene MESS / BITEF TheaterDirector: Andrej Nosov

• WHAT IS EUROPE?Production: Scene MESS Director: Andras Urban

Adress: Maršala Tita 54/I Tel: +387 33 20 03 92Fax: +387 33 21 19 72Email: [email protected]: www.mess.ba

Direction: Dajana Gurda, Lejla Hasanbegović, Ira Isović,

Belma Jusufović, Mirna Ler, Aida Mujković, Dino Mustafić, Bojan Mustur, Selma Spahić,

Mirsada Škrijelj

Premiere “Antigone - 2000 Years Later” 15. August 2015

Brijuni Islands, Croatia Design: Bojan Mustur

Photography: Velija Hasanbegović

PUBLIC INSTITUTION MES - INTERNATIONAL THEATER FESTIVAL - SCENE MESS

Contact: Aida Mujković (Executive Producer)

Email: [email protected]: +387 61 515 933Office: +387 33 200 392