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Anthony Burgess’ Clockwork Orang

Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

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Page 1: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Anthony Burgess’ Clockwork Orange

Page 2: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

What was Burgess Looking At? Contextual Influences

Page 3: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

The Ludovico Method, Behaviorism & B.F. Skinner

- Beethoven’s Name- B.F.’s Behavior Mod:

From Animals to Humans- Pavlov & Beyond- Contingencies of

Reinforcement - Nazi Mind Control

Page 4: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

How Autobiographical is Clockwork Orange?

-F. Alexander- Who is He?-Title-Wife-Is He Alex?

-Connection to the Narrator

-Travels in Russia (USSR)-Teenage Gang

Page 5: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Burgess and “Nadsat”

-First Draft of the Novel

-Burgess’ Fascination with Slang

-Leningrad, Russia

-Glossary Published

-”Like”

-Mixture of Cockney, Russian

Page 6: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

The Clockwork Aesthetic

Page 7: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

-Light & Dark:time Of Day & “Classes”

-Alex

-Cleanliness

-Surreality, Blurring Of Realities

-Identification

-Color Significance,E.g. Red

Page 8: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Domestic StabilityAlex’s Identity-Failed Family Structure

-Betrayal by Family

-Empty Dinner

-Inner and Outer Worlds

-An Invented Persona

Page 9: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences
Page 10: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Culture and Music

-Classical Music

-Complexity Linked With

Alex’s Mental State

-Alex’s Progression

-Timeless Nature of

Classical Music

-Modern Youth Subculture

Page 11: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Violence

Page 12: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Societal Critique of Violence

-Moral Ambiguity of Violence-Youth/Gang Culture-The State-Tenticles of the State

-Critical Reception of Book & FilmAnd the Types of Violence Depicted

-Language & Divisions of Violence

-Cyclical Nature of Violence

-Narrator, Reliability, Point of View

Page 13: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences
Page 14: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

“What’s It Going To Be Then, Eh?”

Page 15: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences
Page 16: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Rehabilitation, Violence and Religion

-“Bog”, God

-Prison, Chaplain

-Conditioning Program

-Release From Confinement

-UnansweredQuestions

Page 17: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

The Last Chapter

-W.W. Norton & Eric Swenson

“[M]erely a suggestion Made for conceptual Reasons.” (Eric Swenson)

-Stanley Kubrick

-The Numerology of Burgess-Shakespeare

Page 18: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Is This Book Still Relevant?

Page 19: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

So…..What Did You Guys Think?1.) Does the nadsat help or inhibit your reading orUnderstanding of the book?2.) Can we trust our narrator? Can you sympathize withHim?3.) Do you think that Alex will actually reform his violentWays at the end of the novel? Why or why not?4.) If you had the choice, would you have included the Final chapter in the book? In the film?5.)Is Alex the victim of the modern age or is he just a Teenage thug?6.) Do you believe that criminals can be rehabilitated?How did this impact your reading?

Page 20: Anthony Burgess’ Clockwork Orange. What was Burgess Looking At? Contextual Influences

Bibliography

Beehler, Rodger. “Containing Violence.” Ethics 92.4 (1982): 647-660.

Evans, Robert O. “Nadsat: The Argot and Its Implications in Anthony Burgess’ A Clockwork Orange.” Journal of Modern Literature 1.3(1971): 406-410.

Farber, Stephen. “The Old Ultra-Violence.” The Hudson Review 25.2(1972): 287-294.

Fraser, John. Violence in the Arts. London: Cambridge University Press, 1974.

Gleber, Anke. The Art of Taking a Walk. Princeton: Princeton University Press, 1999.

Howlett & Mengham, eds. The Violent Muse: Violence and the ArtisticImagination. Manchester: Manchester University Press, 1994.