Andrea Palladio

Andrea Palladio

Andrea PalladioI shall deal �rst with private houses, and then with public buildings.

Andrea Palladio

MAKES AN ANALOGY BETWEEN COMMODITY(FUNCTION) AND THE HUMAN ORGANISM

Andrea Palladio

MAKES AN ANALOGY BETWEEN COMMODITY(FUNCTION) AND THE HUMAN ORGANISM

FUNCTIONAL AND AESTHETIC CONSIDER-ATIONS COMPLEMENT EACH OTHER.

Andrea Palladio

MAKES AN ANALOGY BETWEEN COMMODITY(FUNCTION) AND THE HUMAN ORGANISM

FUNCTIONAL AND AESTHETIC CONSIDER-ATIONS COMPLEMENT EACH OTHER.

But it is o�en necessary for the architect to comply with thewishes of those responsible for the expense, rather than withthat which ought to be observed.

PALLADIO WAS JUST AS INTERESTED IN THE RULES AS HE WAS INTHE STATES OF EXCEPTION.

PALLADIO WAS JUST AS INTERESTED IN THE RULES AS HE WAS INTHE STATES OF EXCEPTION.

IF ALBERTI WAS INTERESTED IN ‘CONCEPTUAL’ BEAUTY, PALLADIOWAS INTERESTED IN ‘PERCEPTUAL’ BEAUTY.

PALLADIO WAS JUST AS INTERESTED IN THE RULES AS HE WAS INTHE STATES OF EXCEPTION.

IF ALBERTI WAS INTERESTED IN ‘CONCEPTUAL’ BEAUTY, PALLADIOWAS INTERESTED IN ‘PERCEPTUAL’ BEAUTY.

IN HIS VILLAS (COUNTRY HOUSES), PALLADIO GIVES PRIMACY TOTHE CRITERION OF COMMODITY.

VENETIAN ART

GIOVANNI BELLINI, PIETA, C.1500

SANDRO BOTTICELLI, PIETA, C.1500

GIOVANNI BELLINI, ST. FRANCIS IN THE WILDERNESS, C.1480

GIORGIONE, THE TEMPEST, C.1510

GIORGIONE, THREE PHILOSOPHERS, C.1509

NATURE VS. CULTURE

NATURE VS. CULTURE

LANDSCAPE AS BOTH CONTENT AND TOPIC

NATURE VS. CULTURE

LANDSCAPE AS BOTH CONTENT AND TOPIC

NATURE AS DIRECT SOURCE

THE VILLAS

VILLA TRISSINO, C.1530-1538

VILLA EMO, 1559

VILLA ROTUNDA, 1566

VILLA MALCONTENTA, 1560