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Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces Americans to think certain things/ways, right?

Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces

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Page 1: Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces

Analyzing The Lion KingThrough a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces Americans to think certain things/ways, right?

Page 2: Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces

Lion King under a Marxist and Feminist Lens

Page 3: Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces

Lion King voices Three hyenas = three

subjugated populations: Whoopi Goldberg as

Shenzi, Black woman Cheech Marin as

Banzai, Hispanic man Jim Cummings is the

voice of Ed, the “insane man”

Page 4: Analyzing The Lion King Through a Marxist lens and a Feminist lens, we can be enlightened and critical of a major film of our childhood—a film that conditions/forces

James Earl Jones is Mufasa, though… Mufasa is supposed to be the

white, big, strong, studly, cool, jock-like, brawn-over-brains, capitalistic leader.

A critic would “get around” Jones’s blackness by saying that “Jones sounds ‘white’ though” according to what American society has deemed “white-sounding.” This is said often about President Obama. (white = smart)