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General Index

abandoned cadence, 129, 132, 143–44, 364, 373–74, 421, 431, 457

abandoned cadential progression, 143–44, 373, 407, 458, 618

A–B–A´. See small ternaryabridged refrain, 644, 655accompaniment, 87, 134, 197, 279, 312,

315–16, 363, 366, 422, 476, 481, 558, 575–76, 673, 676, 690

accompanimental overlap, 315–16, 326, 382

adjustment, 279–80, 475, 478, 488–89, 494, 498, 539, 567, 574, 609–10, 692

in A´ section, 198, 201, 215, 217, 226aesthetic eff ect, 47, 60, 93, 268, 374, 440,

442, 552, 555, 576, 628, 653,sentence vs. period, 93, 286–87

aft er-the-end, 135, 151, 519, 538, 584 (see also postcadential function)

Alberti bass, 315–16, 422, 451alternating variations. See double varia-

tions formalternative main theme, 685–86, 693antecedent, 73–74, 76, 79, 107, 246, 325,

658 (see also compound antecedent)modulating, 90, 245, 325with perfect authentic cadence, 90sentential, 88–89, 172

antecedent + cadential, 100–101, 106, 108, 111, 175–76, 248

antecedent + continuation, 100–101, 105, 111, 166–67, 174, 176, 216, 619

antecedent-consequent functionality, 179, 309, 319, 364, 618, 646, 682

A section, minuet, 609, 613A section, small ternary, 195, 205, 339,

578, 581, 650modulating, 205, 215–16, 223, 226–27,

575–76modulating vs. nonmodulating, 206nonmodulating, 214

A´ section, minuet, 609–10, 624, 629A´ section, small ternary, 195–96, 197,

199, 205, 214, 338, 340, 342, 575, 577–78

asymmetrical grouping structure, 140, 180, 210, 212, 289, 291, 359

and tight-knit/loose continuum, 205, 267, 309, 311

augmented-sixth chord, 2, 7, 10, 24, 58, 274, 283, 329, 394, 433, 460, 622

authentic cadence, 56, 58, 86, 92, 129, 131, 133, 141–43, 179, 309, 318, 339, 364, 420–21, 431, 457, 477, 645 (see also early authentic cadence; imperfect authentic cadence; perfect authentic cadence)

authentic cadential progression, 4–6, 14–18

Baroque, 431, 504, 556, 595, 607–8, 645, 672–73, 682, 692

basic idea, 47, 112–13, 329additional repetition of, 114, 138, 359boundaries of, 39vs. cadential idea, 36as characteristic, 38–39expanded, 126extended, 137, 219in hybrids, stated once, 111in period, 74, 76, 109, 171as repeated 1-m. motive, 39, 88–89, 107,

115, 289, 328in sentence, 34, 36, 38sequential restatement, 44–46size of, 38

Beethoven, Ludwig van, 281, 400, 429, 431, 444, 451, 477–79, 494, 540, 555–56, 566–67, 569, 571, 607, 644, 692, 695

coda, dynamic curve of, 541dominant arrival, 458false recapitulation, 659, 664

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