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DRAMA Analyzing the Elements of Drama “Charley’s Aunt”.- Brandon Thomas It is submitted to fulfill Drama assignment in a group Lecturer: Eri Rahmawati, M.A. Submitted by: Adisty Rizkya Ziqrillah 2223120796 Astrid Aulia Rahma 2223121034 Chairani Nufus 2223121389 Dessy Kurniawati 2223121293 Frasasti Wahyu Nuraeni 2223121527 Ghina Nuha Mufidah 2223121649 Ida Farida 2223120816 Isnaeni 2223121586 Ririn Marini 2223120947 Rizqi Abdurrahman W.K. 2223121633

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Page 1: Analyzing Charley's Aunt

DRAMA

Analyzing the Elements of Drama “Charley’s Aunt”.- Brandon Thomas

It is submitted to fulfill Drama assignment in a group

Lecturer: Eri Rahmawati, M.A.

Submitted by:

Adisty Rizkya Ziqrillah 2223120796

Astrid Aulia Rahma 2223121034

Chairani Nufus 2223121389

Dessy Kurniawati 2223121293

Frasasti Wahyu Nuraeni 2223121527

Ghina Nuha Mufidah 2223121649

Ida Farida 2223120816

Isnaeni 2223121586

Ririn Marini 2223120947

Rizqi Abdurrahman W.K. 2223121633

Trizza Rizjkita Suci 2223121463

Widyani Solihat 2223121165

ENGLISH DEPARTMENT

TEACHERS TRAINING AND EDUCATION FACULTY

SULTAN AGENG TIRTAYASA UNIVERSITY

2015

Page 2: Analyzing Charley's Aunt

Analyzing the Elements of Drama “Charley’s Aunt”.- Brandon Thomas

I. Literary Elements1. Script

A script is the written words and directions of a play.

The example script of charley’s aunt:

(Exit BRASSETT, L.U.E., quickly. Enter CHARLEY, L.I.E., with letter, comes

C. CHARLES WYKEHAM is about twenty, good-looking, medium height, fair,

Saxon type, charming and though shy is not awkward. Rowing type, wears white

flannels,' blazer and muffler, cheap watch in breast pocket of blazer with short

chain hanging out. For later entrance with telegram--has changed blazer for a

lounge suit coat, removed muffler and wears a collar and tie.)

2. Plot Exposition

Charley Wykeham, an undergraduate of St. Hilda's College, Oxford,

learns at a fortunate time that he is to have a luncheon visitor--Donna

Lucia Alvarez, an English-born aunt who has been supporting him, an

orphan, in college. Charley has never seen this aunt, since she had gone to

Brazil before his birth and later had married, on his deathbed, a millionaire

Brazilian whose secretary she was.

The time is fortunate because Amy Spettigue, the girl Charley loves, is

about to leave for Scotland, and the aunt's presence will permit him to

invite Amy to his rooms; here he hopes to win her hand in marriage. He

also has invited Kitty Verdun, ward of Amy's testy uncle. Kitty is loved by

Charley's friend, Jack Chesney. Charley and Jack decide that a good sixth

at luncheon would be Lord Fancourt Babberly, called Babbs, a jolly little

undergraduate with a penchant for amateur theatricals.

Climax

Now the situation becomes really complicated: there appears the real

Donna Lucia, a lovely woman in her early forties, smartly dressed and

with an excellent sense of humor. She is accompanied by Ela Delahay,

Babbs' lost dream girl, whom she has formally adopted since bringing her

from Monte Carlo. She has shrewdly invested the money Babbs lost to

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Ela's father, and now Ela is quite independent, hoping to meet Babbs some

day to repay him.

Arriving at Jack's rooms, they find there only Sir Francis. Donna Lucia

recognizes in him the young lieutenant with whom she was deeply in love

a score of years ago. Sir Francis, thrilled to find her again, tells them that

his son is helping to entertain Charley's aunt, Donna Lucia. The

mischievous and curious Donna Lucia resolves to masquerade as Mrs.

Beverley-Smythe (the name of a friend whose card she finds in her bag).

She wishes to learn more of her nephew as well as to observe the reaction

of Sir Francis in his ignorance of her identity as the rich Donna Lucia.

Amy and Kitty have consented to be the brides of the young men, and,

with Jack and Charley, appeal to Babbs to get old Spettigue's consent.

Babbs is doing his best when Donna Lucia appears to meet him. Babbs

pleasantly announces himself as "Charley's aunt from Brazil, where the

nuts come from." Donna Lucia has a gay time torturing him with

recollections of the dead husband, Dom Pedro, whom she claims to

remember well. Spettigue then invites the whole party to his own home.

Babbs is refusing when Ela appears, and he, in an appalled realization of

his costume recognizes her. She thinks she knows his voice, and is

disappointed to find that it emerges from an old lady. Babbs faints.

At Spettigue's, Babbs is in further misery as his host resumes his suit;

the thought of Ela discovering his identity is a constant dread, and Donna

Lucia continues her teasing. At length Babbs hints that he may accept

Spettigue, although he declares himself not "an ordinary woman," if

Spettigue will permit the girls to marry the men of their choice. While

Spettigue goes to write a letter of consent, Babbs encounters further

difficulties: Donna Lucia catches him smoking a cigar, and Ela confides in

him her love of the young man who befriended her father.

Page 4: Analyzing Charley's Aunt

ResolutionDonna Lucia, meanwhile, has tested Sir Francis who declares himself

willing to give up the rich aunt to live with Mrs. Beverley-Smythe in a

cottage. They return from this private conversation in time to hear

Spettigue announce his engagement to Babbs (who has left the room), and

give his permission for the wedding of his niece and ward. Charley,

unwilling to win Amy by fraud, reveals the masquerade, as Babbs returns

in masculine evening dress. Spettigue, furious, declares that he will contest

the written permission given in the letter to the girls, but "Mrs. Beverley-

Smythe," observing that it is addressed to Donna Lucia, seizes it and

discloses her true identity. She promises, through her influence, to

compensate Spettigue and all the lovers are united.

3. Characters and Characterizations Jack Chesney

Jack is a nice, young Oxford student who loves Kitty. He and Charley are

both stereotypes of the well-meaning, slightly ineffectual, upper-middle-

class Oxford student of the Victorian era. Jack’s father arrives and informs

him that their financial situation will be limited in the near future because

of debt. Jack decides that his father should marry Charley’s rich aunt.

Charley Wykeham

Charley is an orphan whose Oxford education has been paid for by his

mysterious Brazilian aunt. He has never met her, but she is coming for

lunch just in time to chaperone his date with Amy, whom he intends to

marry. Charley is a nice, young man, intent on doing the socially correct

thing. When the aunt is late for lunch, Charley is desperate for a

chaperone, so he and Jack convince their friend Babbs (who conveniently

shows up in drag) to stand in.

Lord Fancourt "Babbs" Babberley

Babbs is Jack and Charley’s friend at school. He is a theatrical sort, loud

and funny, and prone to showing up in drag. The young men decide to

invite him to their lunch. When Charley’s aunt is late, the whole luncheon

is in jeopardy, but Babbs shows up on his way to a play rehearsal, clad in

an old woman’s prim and proper clothing. Charley and Jack convince him

to stand in for Aunt Lucia, which he does admirably, so much so that both

Page 5: Analyzing Charley's Aunt

Jack’s father and Amy’s uncle want to propose to him. Babbs is also in

love, but the young woman he loves has disappeared. Fortunately, she

shows up with Aunt Lucia, and she and Babbs are happily reunited, but

only after he faints at the prospect of her finding him in an old lady’s

clothing.

Kitty Verdun

Kitty is the ward of Amy’s uncle. She and Jack are in love, but her

guardian is very protective of her. She behaves properly at all times. She

accepts Jack’s proposal.

Amy Spettigue

Amy loves Charley, but she is a very proper young lady, and she can’t

come to Charley’s rooms without a chaperone. She is about to go away to

Scotland, which prompts Charley’s desperate search for an older woman to

join them at lunch. Fortunately, the situation is resolved, and Amy accepts

Charley’s marriage proposal.

Donna Lucia D'Alvarez

Donna Lucia is Charle’s aunt, a very elegant, beautiful woman in her

forties. She was the secretary to a very wealthy man in Brazil, whom she

married on his deathbed. She now holds his fortune, and she has paid for

Charley’s education. She is coming to lunch, but she has been delayed.

When she arrives, she finds an impersonator, in the form of Babbs,

chaperoning the lunch. Donna Lucia pretends to be Mrs. Beverley-Smythe

so that she won’t disrupt the hilarious proceedings. She delights in

torturing Babbs by asking him questions about her life in Brazil. She meets

Jack’s father and realizes that he is the young naval officer she was in love

with many years ago. They resume their romance.

Colonel sir Francis Chensey

The Colonel is Jack’s father. He surprises Jack by showing up at lunch and

telling his son that they are in reduced financial straits due to debt. Jack

hatches a plan, which his father agrees to, in which the Colonel will court

and marry Charley’s wealthy aunt. When the Colonel meets Donna Lucia

as played by Babbs, he is not at all attracted to her, but he gamely pursues

her. When the real Donna Lucia shows up, he realizes she is the woman he

loved many years ago, and the two are happily reunited.

Page 6: Analyzing Charley's Aunt

Stephen spettigue

Uncle Stephen is Amy’s uncle and Kitty’s guardian. He is prissy and

fastidious, and he insists that the young women adhere strictly to his rules

including no lunches with young men without a chaperone present. He is

suspicious that something is afoot at the luncheon, but when he realizes

that the old woman is Charley’s rich aunt, he is immediately drawn to her.

He courts Babbs furiously, and when he finds out he has been deceived, he

nearly withdraws his permission for the girls to marry. Donna Lucia

soothes his ruffled feathers, and he relents, allowing everyone to pair up

successfully.

Ela Delahay

Ela is the young woman Babbs fell in love with while he was cruising the

Mediterranean. She disappeared, and he thinks she is lost to him, but she

has become a ward of Donna Lucia’s, and she and Babbs are happily

reunited.

Brassett

A waiter at Oxford.

4. Story OrganizationAt the beginning, it was seen that this drama show comedy drama because

there are some things that are really beyond logic one when it turns charley's

wealthy aunt who was unable to attend and one of their friends babbs, disguised as

a charley's aunt. In real life, of course all of it will be very weird but in the play's it

packaged as attractive as possible so that the audience forget the strangeness of it

and felt comforted by the role played by all the characters in the drama. then

conflicts posed in the beginning is still very light, it also makes the audience

interested and ask wondering about the sequel.

In the middle of this drama, the play tells how the conflict heats up. there are

some new conflicts that arise. For example, when Donna Lucia d'Alvadorez came

intend to england he met with his adopted niece (Miss Ela Delahay, an orphan) he

left his father with a lot of money, so she can be independent with it. When

charley's aunt met Miss Ela, she told her that she likes someone, but she did not

dare to admit, sir francis. suddenly Donna Lucia met with Sir Francis, and she

knew him. Donna Lucia wanted to say hello, but she knows that there is someone

Page 7: Analyzing Charley's Aunt

else impersonate as her. So, she introduced himself to Sir Francis as others, that

being a poor widow. She introduces herself as Mrs. Beverly-Smythe. At other

times, it was the greedy, spettigue recognize him. Then spettigue throw a party so

he could talk privately with Donna Lucia. But it turns out hurt Babbs because the

woman he loves, Ela Delahay Babbs, tries to escape but she is caught by

Spettigue. In this section, the conflict still making confusion for the audience. The

play appears several conflicts which still unclear so that increasingly make the

audience more curious about the rest of the story.

At the end of this all, conflicts will be revealed truth. Like the lie of Bobbs that

disguised as Donna Lucia, then that Donna Lucia is not the aunt of Charley, and

also Donna Lucia recognizes the true her identity. In this section all will meet

clarity, no more lies. The young couples can marry and Babbs confesses his

feelings to Ela, Ela also admits her feelings for Babbs and all ends happily.

5. Setting Time

MorningSCENE. Interior of Jack Chesney's Rooms, St. Olde's College,

Oxford.Morning.

Explanation: It explains that it happened in the morning

Afternoon

The dialogue:

BRASSETT. Yes, sir?

JACK. Lunch for five.

BRASSETT.For how many, sir?

JACK. For sive.(Going to him.)

BRASSETT.For five, sir?(Laughs quietly.)

JACK (laughing). Oh, all right, Brassett; lunch for five at one o'clock.

(Goes down L.)

Explanation: Lunch happened in afternoon at one o’clock.

EveningThe dialogue:

Page 8: Analyzing Charley's Aunt

(BRASSETT re-enters R. with cigars, cigar-cutters, matches on salver;

he places them on table up R.C. and exits R. with salver.)

SPETTIGUE (C., aside). I must make an opportunity to see her alone.

(Aloud.) It's a sweet evening. Perhaps some of you may care to enjoy a

cigar in the garden.

JACK. No, thank you, sir.

Explanation: SPETTIGUE said, “It’s a sweet evening”.

Place Railway station (Amy and Kitty arrive to meet Jack and Charley, but

Donna Lucia has not arrived yet, and so the girls leave to go shopping

until she shows up. Annoyed, Jack orders Charley to go to the railway

station to wait for Donna Lucia).

Jack Chesney's Rooms, St. Olde's College, Oxford.

The dialogue:

JACK (Aloud.) What are you doing, Brassett? Confound it all, what do

you want?

BRASSETT. I merely wish to say, sir, that I have laid out a few things

which –

JACK.- All right, thank you, get out and leave me alone.

BRASSETT. Which I thought you wouldn't care to-

JACK (in despair). Take 'em--keep 'em! Take every blessed rag I've

got

... only go away!

(BRASSETT goes to door L.U.E.)

Explanation: We can know the place is in Jack’s room from that dialogue.

In the garden

The dialogue:

JACK. Hang letter-writing! We'll give a luncheon party for your aunt,

tea afterwards in the garden.

CHARLEY.In the garden?

JACK. Yes, I'll get leave.

Explanation: They will go outside and the place is in the garden.

Drawing room, SPETTIGUE'S house.

The dialogue:

Page 9: Analyzing Charley's Aunt

LORD FANCOURT (drawing hand away--slaps SPETTIGUE'S hand

with it). Why--are you going to take lessons?

(SPETTIGUE goes behind settee down L., and talks to DONNA

LUCIA and ELA.)

(Aside to JACK.) What's he looking at me like that for, like a boiled

owl?

JACK (taking SIR FRANCIS'S L. arm and bringing him down c.) Dad,

I'm glad you know about Kitty now, she's a splendid girl, isn't she?

(KITTY crosses to LORD FANCOURT.)

SIR FRANCIS. I like her very much, I must say, Jack.

JACK. You've taken a load off my mind, dad. I thought I was quite

without means.

SIR FRANCIS. Not altogether, my boy. And you've thought this

matter well over?

JACK. Night and day, dad, ever since I first met her.

Explanation: The setting place of the dialogue shows that it is in drawing

room, SPETTIGUE’s house.

6. DialogueDialogue is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. In Charley’s Aunt Drama, there are some dialogues between Jack and Brassett, for example, in act I. BRASSETT. I beg pardon, sir, but would you mind--?

JACK. Yes, very much; go away, I'm busy.

BRASSETT. Yes, sir, but--

JACK. I'm busy with the most important affair; get out!

BRASSETT (raising book or two off table, and hesitating). Yes, sir.

7. Monologue, Soliloquy, and Aside

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Besides the dialogue, this drama also contains the soliloquy, that is a special

form of monologue, where no other person is present on stage beside the speaker.

This soliloquy can be seen in the first act I.

JACK. I can't! I can't get into the vein. (Flings down pen.) I don't know

what to say--don't know how to begin. I wish to goodness I'd spoken to

her at the dance the other evening, (rises, to C.) when she told me they

were all going away for the summer; instead, I've gone and left

everything till the very last minute, and now I'm regularly nonplussed.

By George! I know what I'll do. I'll make an exercise of it. I'll write

it out a dozen different ways, and send the one I think looks the best.

(Goes back to table and sits, takes up pen.) So come on, Jack, here we

are, in love with the dearest girl on earth--tackle her like a man, and

tell her so, or they'll be off north, you'll be gone down, and have lost

your chance for ever. She's my fate, and I'm hanged if I shan't be hers!

So here goes. (Writing.) "My Darling "! (Stops.) Rather strong, perhaps,

to begin with. (Tears up paper, places on L. of writing-table, begins

again.) "My Dear Miss Verdun" (Stops again.) No, too formal--and not a

bit what I really feel. (Tears that up.) "My Dear" Hang it, why not?

(Writes boldly.) "My Dear Kitty "! That's grand!

Then, in case of a monologue, other characters can be present on stage, either

overhearing the speech of the person talking or even being directly addressed by

him or her. The main point is that one person holds the floor for a lengthy period

of time. This drama also presents the monologue.

In the first act in this Charley’s Aunt also presents an aside, that is spoken away

from other characters, and a character either speaks aside to himself, secretively to

(an) other character(s) or to the audience. For example of Charley’s Aunt is shown

in the first act:

JACK (aside). Just as I'd made such a good start, too! (At letter again.) "My Dear

Kitty".

8. Conflict

Page 11: Analyzing Charley's Aunt

Conflict arises when Charley’s aunt does not show up in time to chaperone the

couples, it can be proven in the paragraph below:

Charley's aunt telegraphs that she will be detained for several days. The girls

will shortly be returning--what to do? Babbs drops in, garbed and bewigged for

rehearsal in a show where he plays the role of a Victorian old lady in a long black-

satin dress. The desperate Jack and Charley draft him, willy-nilly, to impersonate

Charley's aunt during the time the girls are there. The girls come back, and Babbs,

beginning to enjoy his role, puts his arm about Amy's waist as they chat in

feminine fashion.

There is consternation among the group, however, when Amy's uncle,

Spettigue, is reported approaching. Babbs, as Charley's aunt, is left alone to get rid

of him. He lies cleverly enough to achieve Spettigue's departure, and then Sir

Francis comes in, dressed for courting, to present another problem. Sir Francis is

hardly attracted by the odd-looking old lady, but he is gallantly doing his best

when the suspicious Spettigue returns, demanding that the girls leave at once.

When he is told that the old lady is the fabulously rich Donna Lucia, he quickly

changes his tune and becomes an ardent and rival suitor.

II. Technical Elements

1. Scenery

There is some scenery that used on this Drama to provide the beautiful, to make

the audience feel the drama itself, and to communicate the environment.

There is fine period detail, a curtained set with boldly chequered stage-cloth,

decked out with tall white lamp-stands behind which characters lurk to overhear

confidences. With admirable economy, there is much doubling. Matthew

Townshend convincingly portrays a knowing and soldierly Brassett, and with

rapid costume change, moves with speed from irascible and love-struck Spettigue

to urbane Sir Francis Chesney. The two free standing doorways, some chairs and

the 8 portraits of Queen Victoria are what adorn the dorm room set. (The one with

a moustache painted on it is hysterical.) The garden set consists of green felt

placed upon the stage and a lawn type of green scrim with Queen Victoria

outlined on it while the drawing room consists of the chairs arranged in a different

way. (Picture attached)

Page 12: Analyzing Charley's Aunt

(The Scenery of Charley’s Aunt Drama)

2. Costume

Jack Chesney: Light-coloured lounge suit and college tie, leander pink and white

diagonal stripes.

Brasset: Dark trousers and short dark grey alpaca coat, white collar and dark tie.

Charles Wykeham: White flannels,' blazer and muffler, cheap watch in breast

pocket of blazer with short chain hanging out. Second costume :blazer for a

lounge suit coat, removed muffler and wears a collar and tie.

Sir Francis Chesney: Brown lounge suit, bowler hat and carries gloves and

Malacca walking-stick.

Stephen Spettigue: Small short side whiskers a la Sir Edward Clarke. Dressed in

a frock-coat, grey cloth waistcoat, wearing top-hat, and carrying furled umbrella,

and gloves.

Lord Fancourt: Frock coat, silk hat, stick and carries gloves, and a deep cerise-

red carnation. Second costume: shirt sleeves waistcoat and trousers, but still

wearing wig, bonnet and mittens.

Donna Lucia: Afternoon summer dress and coat to match,hat and gloves.

Ela Delahay: Summer dress and hat and carries purse-bag and gloves.

Page 13: Analyzing Charley's Aunt

Jack Chesney Lord Fancourt Babberlay Sir Francis Chesney

Brenan Kitty and Amy Donna Lucia and Ella

Sir Francis and Charley’s aunt

3. Props

3 Tables 2 Vases an Arm chair a bench

2 Handy fans 2 Kinds of flowers a Piano a Chaise Lounge

4 Champagne bottles 2Carpets Pen Papers

4 Glasses a Teapot set 2 plates a Magazine

Page 14: Analyzing Charley's Aunt

Book cases Sweater Antimacassar 2 Single chairs

a Tray with 3 tumblers a Tablecloth 2 purse bags Boxing gloves

6 dining-room chairs Writing-table Books Envelope

Table cover in dark material Single Stick one bottle of claret

Clock and photographs of chorus girls Pipes Tobacco jars

One square decanter half full of whisky one glass jug of water Cupboard

Antique furniture large Gladstone bag Well-worn comfortable chairs

4. Sound and Music

The Eton Boating song by A.D.E.W orchestra plays first 16 bars with gradual

crescendo.

A musical with music and lyrics by Frank Loesser and book by George Abbott.

Musical Numbers

Act 1

Overture – Orchestra

The Years Before Us – Male Chorus

Better Get Out of Here – Charley, Jack, Kitty, Amy

The New Ashmolean Marching Society and Students’ Conservatory Band

– Ensemble

My Darling, My Darling – Jack, Kitty

Make A Miracle – Charley, Amy

Serenade with Asides – Spettigue

Lovelier than Ever – Donna Lucia, Sir Francis, Ensemble

The Woman in His Room – Amy

Pernambuco – Ensemble

Page 15: Analyzing Charley's Aunt

Act 2

Where’s Charley? – Jack, Reggie, Patricia, Ensemble

Once In Love with Amy – Charley

The Gossips – Patricia, Female Chorus

At The Red Rose Catillion – Jack, Kitty, Ensemble

Finale - Company

III. Performance Elements

1. Acting and Make up

- Acting

This theater was performed with the good acting from each actors and actresses.

They were very animates the characters. Especially, the characters of Fancourt

Babberley. The actor who performed as Fancourt Babbarley was performing two

different characters, man and woman. In the first, he had to perform as a man,

Fancour Babbarley, but then he had to pretend as a woman, Donna Lucia

Alvadorez (Charley’s Aunt).

- Make up

For characters’ make up, they used simple and appropriated make up depended on

each character.

2. Speaking

Speaking is vocal expression, projection, speaking style and diction.

3. Non-verbal Expression

Gestures and Facial Expression

The gesture and facial expression of them were clear. They show their

expression clearly. If they feel afraid, they show it clearly. If they feel

annoyed, they also show it clearly.

References

Page 16: Analyzing Charley's Aunt

Anonymous.2009. [Online].Available at: stageagent.com/shows/play/1950/charleys-

aunt. Accessed on April 14, 2015 at 4 PM.

Benchtheatre. 2011. [Online] Available at : http://www.benchtheatre.org.uk/play00s/charleysaunt.php. Accessed on April 14, 2015 at 08.11 PM.

Allreaders.com. [Online] Available at : http://allreaders.com/book-review-summary/charleys-aunt-27766. Accessed on April 14, 2015 at 07.45 PM.

Stageagent. Charley’s Aunt. [Online] Available at : http://stageagent.com/shows/play/1950/charleys-aunt. Accessed on April 14, 2015 at 07.17 AM.

Balaly Players Theatre Company.2012.Charley’s Aunt Production. [Online].Available

at:http://www.balalyplayers.com/bp_productions.html?bp_y2012d-charleys_aunt.html.

Accessed on April 13, 2015 at 7 PM.

Darby, Hamish.2013. A Project Gutenberg Australia.[Online].Available

at:http://gutenberg.net.au/ebooks13/1300571.txt. Accessed on April 14, 2015 at 11:09 AM.

Lethbridge, Stefanie and Jarmila Mildorf. 2014. Basics Of English Studies: An

Introductory Course For Students Of Literary Studies In English. English Departments Of

The Universities Of Tübingen, Stuttgart And Freiburg.

TheatreHiatory.com.2006.Charley’s Aunt: A synopsis of the play by Brandon Thomas.

[Online]. Available at: http://www.theatrehistory.com/british/charleys_aunt.html. Access on

April 14, 2015 at 08:05 AM.

Wikipedia. [Online] Available at: http://en.wikipedia.org/wiki/Charley's_Aunt#Act_I

Accessed on April 15, 2015 at 2 PM.