2
Analogie III. String Trio - 1958*; I presagi [The Forebodings] (for 10 instruments: 9 brass and percussion) - 1958; Tre canti popolari (for four-voice mixed choir) - 1958; Tre canti sacri (for eight-voice mixed choir) - 1958*; Kya (for Bb clarinet solo, and seven instruments) - 1959*; Quattro pezzi su una nota sola [Four pieces each on a single note] (for chamber orchestra) - 1959* Third period Ho "Four Songs" (for soprano voice) - 1960; Wo-Ma (for bass voice) - 1960; Hurqualia "A Different Realm" (for large orchestra, with amplified instruments) - 1960*; String Quartet No. 2 - 1961*; Aion "Four Episodes in one Day of Brahma" (for orchestra) - 1961*; Taiagaru "Five Invocations" (for soprano voice) - 1962; Lilitu (for female voice solo) - 1962; Riti "Ritual March" (version for Achilles, for four percussionists) - 1962; (version for Alexander, for tuba, double bass, contrabassoon, electric organ & percussion) - 1962; (version for Carl the Great, for cello and 2 percussionists) - 1967; Khoom "Seven episodes of an unwritten tale of love and death in a distant land" (for soprano voice, horn, string quartet & percussion) - 1962*; 20 Canti del Capricorno (for soprano) - 1962–72*; Suite No. 8 "Bot-Ba: Evocation of Tibet with its monasteries on high mountain summits: Tibetan rituals, prayers and dances" (for piano) - 1952*; Quattro Illustrazioni "Four illustrations of the metamorphoses of Vishnu" (for piano) - 1953*; Cinque incantesimi (for piano) - 1953*; Suite No. 9 "Ttai: A succession of episodes which alternatively express time - or more precisely, time in motion and man as symbolized by cathedrals or monasteries, with the sound of the sacred 'Om'" (for piano) - 1953*; Piccola suite (for flute and clarinet) - 1953; Suite No. 10 "Ka: The word 'ka' has many meanings, but the principal one is 'essence'" (for piano) - 1954*; Pwyll (for flute) - 1954*; Three studies (for Eb clarinet) - 1954; Preghiera per un'ombra (for Bb clarinet) - 1954; Divertimento No. 2 (for violin) - 1954; Yamaon (for bass voice and alto sax, baritone sax, contrabassoon, double bass, percussion) - 1954–58;

Analogie III

Embed Size (px)

DESCRIPTION

Analogie III

Citation preview

Page 1: Analogie III

Analogie III.

• String Trio - 1958*;

• I presagi [The Forebodings] (for 10 instruments: 9 brass and percussion) - 1958;

• Tre canti popolari (for four-voice mixed choir) - 1958;

• Tre canti sacri (for eight-voice mixed choir) - 1958*;

• Kya (for Bb clarinet solo, and seven instruments) - 1959*;

• Quattro pezzi su una nota sola [Four pieces each on a single note] (for chamber orchestra) - 1959*

Third period

• Ho "Four Songs" (for soprano voice) - 1960;

• Wo-Ma (for bass voice) - 1960;

• Hurqualia "A Different Realm" (for large orchestra, with amplified instruments) - 1960*;

• String Quartet No. 2 - 1961*;

• Aion "Four Episodes in one Day of Brahma" (for orchestra) - 1961*;

• Taiagaru "Five Invocations" (for soprano voice) - 1962;

• Lilitu (for female voice solo) - 1962;

• Riti "Ritual March" (version for Achilles, for four percussionists) - 1962;

• (version for Alexander, for tuba, double bass, contrabassoon, electric organ & percussion) - 1962;

• (version for Carl the Great, for cello and 2 percussionists) - 1967;

• Khoom "Seven episodes of an unwritten tale of love and death in a distant land" (for soprano voice, horn, string

quartet & percussion) - 1962*;

• 20 Canti del Capricorno (for soprano) - 1962–72*;

• Suite No. 8 "Bot-Ba: Evocation of Tibet with its monasteries on high mountain summits: Tibetan rituals, prayers and

dances" (for piano) - 1952*;

• Quattro Illustrazioni "Four illustrations of the metamorphoses of Vishnu" (for piano) - 1953*;

• Cinque incantesimi (for piano) - 1953*;

• Suite No. 9 "Ttai: A succession of episodes which alternatively express time - or more precisely, time in motion and

man as symbolized by cathedrals or monasteries, with the sound of the sacred 'Om'" (for piano) - 1953*;

• Piccola suite (for flute and clarinet) - 1953;

• Suite No. 10 "Ka: The word 'ka' has many meanings, but the principal one is 'essence'" (for piano) - 1954*;

• Pwyll (for flute) - 1954*;

• Three studies (for Eb clarinet) - 1954;

• Preghiera per un'ombra (for Bb clarinet) - 1954;

• Divertimento No. 2 (for violin) - 1954;

• Yamaon (for bass voice and alto sax, baritone sax, contrabassoon, double bass, percussion) - 1954–58;

Page 2: Analogie III

• Action Music (for piano) - 1955;

• Divertimento No. 3 (for violin) - 1955*;

• Divertimento No. 4 (for violin) - 1955;

• Coelocanth (for viola) - 1955*;

• Hyxos (for alto flute in G, 2 gongs and cow-bell) - 1955;

• Suite No. 11 (for piano) - 1956;

• Four Pieces (for trumpet) - 1956*;

• Three Pieces (for saxophone or bass trombone) - 1956*;

• Four Pieces (for horn in F) - 1956;

• Ixor (for reed; Bb clarinet, oboe) - 1956*;

• Divertimento No. 5 (for violin) - 1956;

• Three Studies (for viola) - 1956;

• Three Pieces (for trombone) - 1957*;

• Trilogy "Triphon, Dithome, Ygghur" (for cello) - 1957–61/65*;

• Rucke di guck (for piccolo and oboe) - 1957;