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2/1/2016 1 Postcards from America ---------------------------------------------------------------------- Course Introduction Part 2 - Landscapes Prof. Anthony Grande Hunter College-CUNY ©AFG 2016 2 LANDSCAPE An underlying theme of the course is landscape development and analysis. What is “landscape”? How is it defined in geography? How is it created? How does viewing a landscape impart or convey anything to a person? Landscape Categories Defined 3 MANICURE ART GENRE A LOOK SCENERY Formal Definitions (N.) Scenery terrain countryside representation of land (rural scene) panorama setting general situation or quality (as a political or economic landscape) (V.) Redesign make land look better plan out reshape (Adj.) 1. Art Form type of drawing, painting, or photography (scenery) 2. Alignment horizontal orientation (long side down) 4 ORIG.: An English word dating from the Middle Ages denoting a “place shaped by people.” 5 LANDSCAPE ANALYSIS 101 “Geography is a science of observation.” C. Sauer “It is a matter of learning to see.” J.B. Jackson “Landscape is an historical document that tells a story.” P. Lewis You need to develop and cultivate the habit of using your eyes and asking fundamental, non- judgmental questions about what is around you. But no snap aesthetic judgments. What is that? Why is it there? Why does it look that way? Who or what created it? How does it work? LANDSCAPE in GEOGRAPHY A unit of visual space: the look! Landscapes are not simple, static features but a complex random arrangement of components. Landscapes are the product of location, place and time - created by natural processes and/or the works of people. Landscapes are dynamic - formed by a series of events, both natural and human, and changing over time naturally and/or by human impact. 6

An underlying theme is landscape development and …...methodology to get the story behind the scenery 1. Visual Observation (note what is there) 2. Reading the Landscape (get clues)

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Page 1: An underlying theme is landscape development and …...methodology to get the story behind the scenery 1. Visual Observation (note what is there) 2. Reading the Landscape (get clues)

2/1/2016

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Postcards from America----------------------------------------------------------------------

Course IntroductionPart 2 - Landscapes

Prof. Anthony GrandeHunter College-CUNY

©AFG 2016

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LANDSCAPE

An underlying theme of the course is landscape development and analysis.

What is “landscape”?

How is it defined in geography?

How is it created?

How does viewing a landscape impart or convey anything to a person?

Landscape Categories Defined

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MANICURE

ART GENRE

A LOOK

SCENERY

Formal Definitions

(N.) Scenery terrain

countryside

representation of land (rural scene)

panorama

setting

general situation or quality (as a political or

economic landscape)

(V.) Redesign• make land look better

• plan out

• reshape

(Adj.) 1. Art Form type of drawing, painting, or photography (scenery)

2. Alignment horizontal orientation (long side down)

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ORIG.: An English word dating from the Middle Ages denoting a “place shaped by people.”

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LANDSCAPE ANALYSIS 101

“Geography is a science of observation.” C. Sauer “It is a matter of learning to see.” J.B. Jackson “Landscape is an historical document that tells a story.” P. Lewis

You need to develop and cultivate the habit of using your eyes and asking fundamental, non-judgmental questions about what is around you.

But no snap aesthetic judgments.

What is that? Why is it there? Why does it look that way?

Who or what created it? How does it work?

LANDSCAPE in GEOGRAPHY

A unit of visual space: the look! Landscapes are not simple, static features

but a complex random arrangement of components.

Landscapes are the product of location,place and time - created by natural processes and/or the works of people.

Landscapes are dynamic - formed by a series of events, both natural and human, and changingover time naturally and/or by human impact.

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Historical Ecology

Ecosystems: cyclical and static

Landscapes: dynamic and historical

While the ecosystem con-cept views the environment as always trying to return to a state of equilibrium, the landscape concept con-siders "landscape transfor-mation" to be a process of evolution.

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Landscapes do not return to a state of equilibrium. Results in a composite of successive disturb-ances over time.

• Studies the links between nature and human culture over time, using the term “landscape” instead of “ecosystem” (geograph-ers, historians, ecologists and anthro-pologists follow this methodology)

• Historical ecologists recognize that landscapes undergo con-tinuous alteration (natural and

human) and these modifications are part of its history.

Historical Ecology

Historical ecology challenges the notion of a pristine landscape especially with regard to native cultures.– It is a practical framework of

concepts and methods for studying the past and future of the relationship between people and their environment.

Historical ecology uses the rich sources of data at the “landscape” scale, where human activity and cognition interact with bio-physical systems, and where archaeological, historical, ethnographic, environment-al, and other records are plentiful.

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The San Francisco Estuary Institute (SFEI) has pioneered the use of historical ecology to track linked biophysical and anthropogenic changes in wetlands. US National Park Service (NPS) uses historical ecology to manage and interpret the national park system, which must respond to the contradictory needs of many users.

Changing Landscapes: Napa, CA

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“Future Landscapes Viewed from the Past,” Science Times, The New York Times, 1/26/16From 2015 San Francisco Estuary Institute report first published in 2012,

1858 1942 2009 1858

LANDSCAPE in GEOGRAPHY

Conveys messages (some real; some perceived)about a place; create associations.

Influences decision-making about a place’s value by what a person sees or perceives.

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Studying Landscape in Geography:methodology to get the story behind the scenery

1. Visual Observation (note what is there)

2. Reading the Landscape (get clues)

3. Human-Environment Interaction (determine the affect on human perception and curiosity)

4. People Factor (look for decision-making influences)

5. Look for changes over time: observe, document, study (scientific investigation of evolving settings)

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Studying Landscape in Geography:methodology to get the story behind the scenery

6. Human Imprint (dealing with lasting changes and impact; role of technology and “modernization”)

7. Landscape Appreciation (scenery, travel, exploration, painting, descriptive literature, photography, tourism)

8. Landscape Preservation (maintaining variety; discouraging sameness; ALSO protecting habitat, open space and scenery; limiting human encroachment)

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Overlapping Physical/Cultural Themesin Regional Landscape Development

1. Natural Processes  (geologic/atmospheric) 

2. Natural cycles (seasonal/ecological) 

3. Environmental Factors (biome/eco‐system development) 

4. Resources (people factor: need/want/avail‐ability/use/ dependence)

5. Environmental Impact (change)

1. Mobility (spread)

2. Urbanization/Industrial‐ization (concentrations of people and their works)

3. High Income/High Consumption (ability to facilitate change)

4. Political Complexity (role of all levels of government)

5. Cultural Diversity (imprints of cultural heritage)

6. Wealth/Poverty (appearances)

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Conzen Book: Making of the American Landscape

1. It focuses on cultural geography of N. America.2. Chapters look at the influence of cultural groups.3. Also looks at the uniqueness of landscapes

created by human activity.4. There are chapters on the effect of civil society

(monuments), private wealth (estates and country clubs), the automobile (road network) and consumer needs (malls,

resorts, theme parks, etc.) on the visual landscape.5. The last chapter deals with the ideal landscape.

An American Utopia? Where is all this leading? Vanilla? Cookie-cutter? Generic?

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Additional required books for graduate students focus on either landscape development or historical geography.

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GEOGRAPHIC AXIOM

The quality of location

changes with time.

As we study the historical geography (and

sequence of events) in the US and Canada, it will become evident how true this statement is.

Additional Course Goals

Convey a sense of “the look and feel” of the United States and Canada;

Learn the locations of important demographic, cultural and physical phenomena that characterize the two countries;

Understand why the above happen and how they interact to produce unique landscapes and conditions;

Appreciate the major human and environmental trends affecting our study area; and (hopefully)

Increase your interest in getting out of NYC and “seeing” the various regions of the US & Canada.

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LANDSCAPE

Landscapes can be either physical (natural) or cultural (man-made).

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Coast of Oregon Skyline of Chicago

1857 Map of Hunter College

Area

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Perris, W. Maps of the City of New York. 1857Plate 118: Map bounded by East 67th Street, Third Avenue, East 62nd Street, Fifth Avenue.Perris, William -- CartographerPerris & Browne -- Publisher

NW Hamilton Square Park, the

future site of New York Normal College created

in 1870 by Thomas Hunter

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Landscapes can be changed by the civil works of people: New York Normal College, now Hunter College-CUNY, on Park Avenue in New York City.

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1874Park Ave side

CurrentPark Ave side

1920

Visual perception of 1874 building vs. present-day building?

CurrentLexington Ave side

FARM LANDSCAPESLandscapes conveymessages about a place.People make decisions about the place’s usefulness.

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Farmland on the South Dakota prairie

Elk ranch in Utah

Vineyards in Finger Lake region of NYS

FARM LANDSCAPES

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Farm on the plains of Saskatchewan

Irrigated cotton farm in the Arizona desert

Farm in the hills of Ohio

LANDSCAPES and PERCEPTION

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Civil Society Landscape: Gateway Arch-Jefferson National Expansion Memorial along the Mississippi River at St. Louis, MO

LANDSCAPES and PERCEPTION

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But rivers can rise and threaten areas next to them.

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LANDSCAPES and PERCEPTION

Rivers can overflow their banks and flood areas. Economic activities can close or move, leaving vacate build-ings because of the flood danger.

Seeing vacant buildings – a landscape of abandonment and possible danger – may lead us to create an opinion of the area that is not favorable.

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ECOLOGICAL SUCCESSION

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Landscapes can change naturally or by human action.

Colorado Plateau and Colorado River from Dead Horse Point State Park, Utah

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Glen Canyon Dam and Lake Powellon the Colorado Plateau, Utah

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Drop in lake’s level due to drought.

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Old West Ghost Towns

ParklandLandscape

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Central Park in NYC.“Uptown Manhattan” was once farmland, then area of estates, now it has an artificial open space (a landscaped park) sur-rounded by dense urbanization

Grand Teton National Park, Wyoming

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This national park preserves the natural landscape of the mountains and valleys of Wyoming at Jackson Hole.

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Park City, Utah

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Landscape of skiing activities was once a landscape of silver mines.

Saguaro National Park, Arizona

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Natural desert landscape.

Shenandoah National Park, VA

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Preservation of old rounded mountains in the densely populated mid-Atlantic region.

Stowe, VT

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SKI TRAILS on STOWE MT.

What makes this a “typical” New England landscape?

Baltimore: Urban Landscapes

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Downtown redevelopment Abandoned

housing

Camden Yards and Inner Harbor

Automobile LandscapeLos Angeles, CA

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L.A. Smog

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Landscapes of Recreation andHeavy Industry: Gary, Indiana

Post-industrial Landscape, Detroit

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Revitalized downtown Detroit, an oasis in an area of shrinking population and abandoned neighbor-hoods and now urban farms.

NEXT CLASS

PHYSICAL GEOGRAPHY

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