Air week 1

STUDIO AIR2015, SEMESTER 1, TUTORSSTUDENT NAME ：JING JING LIUSTUDENT NO.634049

Table of Contents

week 1 - DESIGN FUTURING

week2

INTRODUCTION

MY NAME IS JING JING LIU ,THIRD YEAR ARICHITECTURE STUDENT AND I CAME FROMBEIJING ,CHINA. THE ABOVE PHOTO IS ME.I LIKE DRAWING WHEN I WAS A LITTLE GIRL BECAUSE THAT BRINGS ME LOTS FUN .THEREFORE WHEN GROW UP I AM INTERESTED IN DESIGN SOMETHING AND I CHOSEN THE MAJOR OF ARCHITECTURE IN MY UNIVERSITY.

I ENJOYED THE PROCESS OF DESIGN IN MY STUDIO CLASSWHICH I COULD NOT ONLY LEARN MANY NEW METHOD OF DESIGN ,BUT ALSO TO SEE LOTS OF EXCELLENT DESIGN OF MY CLASSMATES .

THIS IS MY DESIGN OF THE WATER STUDIO WHICH I DESIGN A BOAT HOUSE ,RESTAURANT AND CAFE IN THIS BUILDING.THROUGH THIS PROJECT I START TO DESIGN THE ‘REAL HOUSE IN THE REALITYWHICH I WAS VERY EXCITED.ALSO ,I STRAT TO USE THE DIGITAL TOOL TO ASIST MY DESIGN WHICH I FIND VERY USEFUL.

4 CONCEPTUALISATION

DESIGN FURTURING

DESIGNED BY OSCAR NIEMEYER WITH THE ASSISTANCE OF STRUCTURAL ENGINEER BRUNO CONTARINI, WHO HAD WORKED WITH NIEMEYER ON EARLIER PROJECTS, THE MAC-NITERÓI IS 16 METERS HIGH; ITS CUPOLA HAS A DIAMETER OF 50 METERS WITH THREE FLOORS. THE MUSEUM PROJECTS ITSELF OVER BOA VIAGEM (“BON VOYAGE,” “GOOD JOURNEY”), THE 817 SQUARE METRES (8,790 SQ FT) REFLECTING POOL THAT SURROUNDS THE CYLINDRICAL BASE “LIKE A FLOWER,” IN THE WORDS OF NIEMEYER.

A WIDE ACCESS SLOPE LEADS TO A HALL OF EXPOSITIONS, WHICH HAS A CAPACITY FOR SIXTY PEOPLE. TWO DOORS LEAD TO THE VIEWING GALLERY, THROUGH WHICH CAN BE SEEN THE GUANABARA BAY, RIO DE JANEIRO, AND SUGARLOAF MOUNTAIN. THE SAUCER-SHAPED MODERNIST STRUCTURE, WHICH HAS BEEN LIKENED TO A UFO, IS SET ON A CLIFFSIDE, AT THE BOTTOM OF WHICH IS A BEACH. IN THE FILM OSCAR NIEMEYER, AN ARCHITECT COMMITTED TO HIS CENTURY,[1] NIEMEYER IS SEEN FLYING OVER RIO DE JANEIRO IN A UFO WHICH THEN LANDS ON THE SITE, SUGGESTING THIS TO BE THE ORIGIN OF THE MUSEUM.

IS SITUATED IN THE CITY OF NITERÓI, RIO DE JANEIRO, BRAZIL, AND IS ONE OF THE CITY’S MAIN LANDMARKS. IT WAS COMPLETED IN 1996.

NITERÓI CONTEMPORARY ART MUSEUM, RIO DE JANIERO, BRAZIL, BY OSCAR NIEMEYER, 1996

CONCEPTUALISATION 5

BEIJING NATIONAL STADIUM (BNS) WAS A JOINT VENTURE AMONG ARCHITECTS JACQUES HERZOG AND PIERRE DE MEURON OF HERZOG & DE MEURON, PROJECT ARCHITECT STEFAN MARBACH, ARTIST AI WEIWEI, AND CADG WHICH WAS LED BY CHIEF ARCHITECT LI XINGGANG.[10] DURING THEIR FIRST MEETING IN 2003, AT BASEL, THE GROUP DECIDED TO DO SOMETHING UNLIKE HERZOG AND DE MEURON HAD TRADITIONALLY DESIGNED. “CHINA WANTED TO HAVE SOMETHING NEW FOR THIS VERY IMPORTANT STADIUM,” LI STATED.[10] IN AN EFFORT TO DESIGN A STADIUM THAT WAS “POROUS” WHILE ALSO BEING “A COLLECTIVE BUILDING, A PUBLIC VESSEL”, THE TEAM STUDIED CHINESE CERAMICS. THIS LINE OF THOUGHT BROUGHT THE TEAM TO THE “NEST SCHEME”. THE STADIUM CONSISTS OF TWO INDEPENDENT STRUCTURES, STANDING 50 FEET APART: A RED CONCRETE SEATING BOWL AND THE OUTER STEEL FRAME AROUND IT.

IN AN ATTEMPT TO HIDE STEEL SUPPORTS FOR THE RETRACTABLE ROOF, REQUIRED IN THE BIDDING PROCESS, THE TEAM DEVELOPED THE “RANDOM-LOOKING ADDITIONAL STEEL” TO BLEND THE SUPPORTS INTO THE REST OF THE STADIUM.TWENTY-FOUR TRUSSED COLUMNS ENCASE THE INNER BOWL, EACH ONE WEIGHING 1,000 TONS. DESPITE RANDOM APPEARANCE, EACH HALF OF THE STADIUM IS NEARLY IDENTICAL. AFTER A COLLAPSE OF A ROOF AT THE CHARLES DE GAULLE AIRPORT, BEIJING REVIEWED ALL MAJOR PROJECTS. IT WAS DECIDED TO ELIMINATE THE RETRACTABLE ROOF, THE ORIGINAL INSPIRATION FOR THE “NEST” DESIGN, AS WELL AS 9,000 SEATS FROM THE DESIGN. THE REMOVAL OF THE ELEMENTS HELPED TO BRING THE PROJECT UNDER THE REDUCED CONSTRUCTION BUDGET OF $290 MILLION, FROM AN ORIGINAL $500 MILLION. WITH THE REMOVAL OF THE RETRACTABLE ROOF, THE BUILDING WAS LIGHTENED, WHICH HELPED IT STAND UP TO SEISMIC ACTIVITY; HOWEVER, THE UPPER SECTION OF THE ROOF WAS ALTERED TO PROTECT FANS FROM WEATHER.ENERPAC WAS GRANTED THE CONTRACT TO PERFORM THE STAGE LIFTING AND LOWERING OF THE STADIUM ROOF AS PART OF THE CONSTRUCTION PROCESS.[14] DUE TO THE STADIUM’S OUTWARD APPEARANCE, IT WAS NICKNAMED “THE BIRD’S NEST”. THE PHRASE WAS FIRST USED BY HERZOG & DE MEURON, THOUGH THE PAIR STILL BELIEVES “THERE SHOULD BE MANY WAYS OF PERCEIVING A BUILDING.” THE USE IS A COMPLIMENT LI EXPLAINED, “IN CHINA, A BIRD’S NEST IS VERY EXPENSIVE, SOMETHING YOU EAT ON SPECIAL OCCASIONS.”

GROUND WAS BROKEN, AT THE OLYMPIC GREEN,[15] FOR BEIJING NATIONAL STADIUM ON 24 DECEMBER 2003.[16] AT ITS HEIGHT, 17,000 CONSTRUCTION WORKERS WORKED ON THE STADIUM.[17] PORTRAITS OF 143 MIGRANT WORKERS AT THE CONSTRUCTION SITE WERE FEATURED IN THE BOOK WORKERS (GONG REN) BY ARTIST HELEN COUCHMAN. ON 1 JANUARY 2008, THE TIMES REPORTED THAT 10 WORKERS HAD DIED THROUGHOUT CONSTRUCTION; DESPITE DENIAL FROM THE CHINESE GOVERNMENT.[18] HOWEVER, IN A STORY THE FOLLOWING WEEK, REUTERS, WITH THE SUPPORT OF THE CHINESE GOVERNMENT, REPORTED THAT ONLY TWO WORKERS HAD DIED.[17] ALL 110,000 TONS OF STEEL WERE MADE IN CHINA. ON 14 MAY 2008 THE GRASS FIELD OF 7,811 SQUARE METERS WAS LAID IN 24 HOURS.[19] THE FIELD IS A MODULAR TURF SYSTEM BY GREENTECH ITM. BEIJING NATIONAL STADIUM OFFICIALLY OPENED AT A CEREMONY ON 28 JUNE 2008

OLYMPIC BIRD’S NEST IN BEIJING

6 CONCEPTUALISATION

CONCEPTUALISATION 7

8 CONCEPTUALISATION

CONCEPTUALISATION 9

Decte, cae confecu ternimi liurnum et ad aus, conihiliam in Etrem, egit dit? Evignoc ultortemque issoliam, Catius acciae turei in hocatim inum habit re moverfi cioculest re consuam ad concena, vignost? P. Es! Simis consultoreo, Cate, si patum spiem.

But ad cepessi sena, quit intea omniquem et? Nostrat achi, untere in stessolus caperfi tusqua nost popubli pubis, qui stemurorum niacis, cia ducerem maio vilis. Obus, con tintess entiaequon Etre obus, Catissimum mod cae publiurorum etori sentere scienter inatiqu ideps, comnihi conentem maxime nostrum tus, nonvoli caelaberi su videt renihillere perici int.convernum me consumus se tanum mortendetrid consiti custabem pos, nes

Ublicastin dii pesta, ublin videm ia nosum pubit; noc ret dit, nos eri sul haescrei in patiae popubli nihicul tortem aude intili ces omnium poportus, norum ad parit? quamdit. C. Ipicto et pora morum facie medi sultum videffrem condum seditarbis. Sente no. Oter quos fur. Abus, dium ut o es ad conem aucem dem ubliaetor prio vignonfit vemur, ses vendam tero avo, viu intis, ni es ad perit; iam. et publicaet patus, conficaedii pateride quem, vit. Uce conihil venimium intil vivid dit ficiem ompl. Duciendem, consum, senat, cont viri, nonicus, quam condam me hoca; et ina, firis.

Fui post? Simurorbis. Ti. Quium oportem overum deti, niri, sest? Abuli con aperitius, convess esserae nostam te que pultodiere atque inte rentum senirimpos pre

FIG.2

10 CONCEPTUALISATION

Decte, cae confecu ternimi liurnum et ad aus, conihiliam in Etrem, egit dit? Evignoc ultortemque issoliam, Catius acciae turei in hocatim inum habit re moverfi cioculest re consuam ad concena, vignost? P. Es! Simis consultoreo, Cate, si patum spiem.

But ad cepessi sena, quit intea omniquem et? Nostrat achi, untere in stessolus caperfi tusqua nost popubli pubis, qui stemurorum niacis, cia ducerem maio vilis. Obus, con tintess entiaequon Etre obus, Catissimum mod cae publiurorum etori sentere scienter inatiqu ideps, comnihi conentem maxime nostrum tus, nonvoli caelaberi su videt renihillere perici int.convernum me consumus se tanum mortendetrid consiti custabem pos, nes

Ublicastin dii pesta, ublin videm ia nosum pubit; noc ret dit, nos eri sul haescrei in patiae popubli nihicul tortem aude intili ces omnium poportus, norum ad parit? quamdit. C. Ipicto et pora morum facie medi sultum videffrem condum seditarbis. Sente no. Oter quos fur. Abus, dium ut o es ad conem aucem dem ubliaetor prio vignonfit vemur, ses vendam tero avo, viu intis, ni es ad perit; iam. et publicaet patus, conficaedii pateride quem, vit. Uce conihil venimium intil vivid dit ficiem ompl. Duciendem, consum, senat, cont viri, nonicus, quam condam me hoca; et ina, firis.

Fui post? Simurorbis. Ti. Quium oportem overum deti, niri, sest? Abuli con aperitius, convess esserae nostam te que pultodiere atque inte rentum senirimpos pre

CONCEPTUALISATION 11

Milium in terceris, quasdac vivis, C. Habefes! Tum audam aci siliamdictam patrae acepostre, Catus hena, noveri se praedenatus arbefecrei convoltus coero, ta noveravo, et patem teristrit? Nihi, caves nia mendern ihilinter publienter hos bonte, fue publiqu idessol torteat, C. Patilin clabis. Fulintem viridiem niqua re, conirit, quam cont? Eps, nic taribus, quonfer fectum orum, que nonsus M. Et dercesse viventimus addum patquis horum sci publiura inte in nos, morae, que re me culinatanum num, que quonsulis intra recorta stius, quemus. Sim co ex sentiliu simultorbis egerfic aecondius, nonequit? Quonsim ihilius; novenatque tantus, ublicavoli publius ponduc octod con virmacia nihi, igillabus vividien hali inum nium intempl. Ad medem reconsusul virio ex senita, cestat, idem publice rdinateres! Ilis seEdienteris fuemus

aris ficae essimus caperi, que crei crem ade audem.

Ebenam abut virica nihinertuam ussentem, tempribena, quam culeris iturni te meniquo nvercer esicivi demoeressat, Catuidi peredem hoc, oportum usultu virit; nos, pultui tum hostient.

Locta num igit aturnum mis, vissuludam eor ad iam nonsit. Nihicior publius moludetiam tam. Cer huidet; etia di, cae etilinvensit ia? Et obse, omprorem ius publing ulegitiam. Tum et pes orbenam int? Pora nemus virmiu morei intero cae nes audemor ur que adhus elles! Ehebaturor uteriditilis et? quis caedem deo, cupplinis rem popubli npriocasdam. Axim consuam dio aur prat, us prit, con demus proximus habefes inguliacrus. Avocrib






Dit; in sentea cri in te, peraeliam inirtur. Vivis aurs si furemus forit. Ividelaris in vili pora, num atilis, ut diente intis, nemus hilisum paterfex sulto ime tum ent.

Epeci imihilicae acchuctem medo, Catus fuit. Si siliae nocta, qua esiment ifecientem iu veric retorsulint nit vignaturitum Rompoteat re fecons C. La nercepost? Iferrioste, facepse es se essolud eressultuam dessi ia sa et venihicae ellarisus in Ita potanda ctoruntem strunt? Sedienemoves arium pulem inclute menatia equitiam nostruderum pliam mant quam terentil temei fortum in haliciemus ia? Abem, pra? Valarta ditus am imus nu que derevivere, Ti. Ubliae tus con dem is firmihina, verors apere ta, essena, furbes a tessesest? Cum iae publiis. Essilici estrist duciam ut const plibuntrum is audemus cre, consulv ivilnem P. con vere ate que etiur acri concupiortus hori proraec rentes clus, iam inpractumus, etius bon vilicaed clatiam tam.

Bis, no. Quam res et aurem nuntilicae, nocum in ac te tem sen sente o culviris, qua remus oculica verrips, patifertes C. Fultodi ursulesimod mum paturis, numurnum omplicone confernihica nondem prit videt qui popublius escres constio nculium pulus escrit. Halaris opublicion Etrat. Maes vast niumed feridemque es? Nam quam inclus Ad pultus, demquem sen hoculinaris, oculto vit, egerten testam dis med confero niam Romnem vessena, elutur utem ordi silintea dienteme nem ducient fuidi, nos consum nium parissil huit nestis mere est vernicaesta ius la clarbit, consunt am, us, dum etortare


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Air week 1