AHII-UI Style Artist Slides

8/14/2019 AHII-UI Style Artist Slides

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AHII Unit I -- Style/Artist slides forReview

This group of slides includes student slidesfrom both PRC & SCC classes so that morestyles are represented. Images have beencompressed for uniformity and ease ofopening; good for computer study, but maynot print well.

Remember, you also have StudyMateexercises and Review Slides in the LearningModule.

Bring to Test: # 2 pencil and Scantron


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Early Northern Renaissance 1400s

Musee Conde,Chantilly, France. Art Resource, New

York

The Metropolitan Museum of Art. TheCloisters, New York Purchase. 1956 (56.70)

1996Metropolitan Museum of Art, New York.

Painting: manuscripts to panels, oils on wood, printingpress - engraving (Germany)

Sculpture: painted stone or woodCharacteristics: Realistic details-Careful observation-real

world as models, humanization of figures- expressive

Subjects: Religious narrative & secular- genre, portraits,

iconography


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Renaissance in the North -1400sJan Van Eyck -Flanders

Perfected oils glazes

Light/shadow/texture, realistic rendering

Most NorRen artists: portraits, scenesoutside windows, atmosphericperspective, lots of details crowdedcompositions except portraits.


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High Renaissance-Italy 1495-1520

Technical/Aesthetic MasteryArtist-Genius: Da Vinci, Michelangelo,RaphaelOil-Wood, fresco, carved marble, cen.planRealism, pyramidal, chiaroscuroSketching-less expensive paper, Appl.

sciences-artReli ious scenes ortrait reco-roman

Da Vinci The Last Supper

Michelango-DavidDa Vinci The Fetus

Raphael Philosophy (School of Athens)

Raphael Baldassare Castiglione


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High Ren. ItalyRaffaello SantiLight tones/blue skies, pyramid

comp., clarity, union of math &

pictorial science

Typical style, less chiaroscuro

Infl. by Perugino, Da Vinci,

Brunelleshi arcades, romanarchitecture.

Julius II-Warrior Pope, Pope Leo X,Agostino Chigi

Raphael 1483-

1520

1483-1520 Umbria

Galatea, Villa Farnesina

Philosophy-School of Athens

Madonna with Child

Marriage of the Virgin


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Early RenaissanceSculpture DonatelloContrappostoIncorporated Greco-Roman Principles

Depicted Motion through Weight-Shift

Painterly Approach to Relief Sculpture:

Atmospheric Effect w/ Incised Lines

Mathmatically Rationalized Perspective

Space

1st

Renaissance Freestanding Nude MalePortraiture Revival in Equestrian Statues

How Deep is this Relief? Linear Perspective


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Early RenaissanceSculpture Italy 1400s

Nanni Di Banco

Brunelleschi**Ghiberti**

VS.

Medici Family

Humanism Strong Classical References

Competition for Baptistery Doors

Patronage: Civic Duty and Self Promotion

Artist Self Fulfillment

Revival of Greco-Roman Mythological

Themes

Separation of Sculpture from Architectural

Setting

NarrativeRealism


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Early Renaissance in Italy 1400s

Linear perspective leads to

space and depth

Better understanding of the

human body

Reliefs are painterly


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Sculpture - Donatello - ca. 1386-1486

Greco-Roman principles for statues

Contraposto; normal stance;

naturalistic

Linear perspective in reliefs


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HIGH RENAISSANCE IN

ITALY c.1495 1520

Painting: Fresco, Tempera on panel , oil on canvas, Sfumato,and contrapposto

Realistic, Chiaroscuro , linear perspective

Subjects: Humanism , Classical Mythology ,Allegorical andReligious
http://upload.wikimedia.org/wikipedia/commons/f/f2/Sandro_Botticelli_046.jpghttp://upload.wikimedia.org/wikipedia/commons/7/73/God2-Sistine_Chapel.pnghttp://upload.wikimedia.org/wikipedia/commons/5/5b/Leonardo_da_Vinci_002.jpg


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HIGH RENAISSANCE

Raffaello Sanzio (1483-1520)

Perfection and grace in paintingRenaissance Style

Fresco and oil

Soft figures and rich colors
http://upload.wikimedia.org/wikipedia/commons/5/5b/Raffaello_Sposalizio.jpghttp://upload.wikimedia.org/wikipedia/commons/2/28/Deliveranceofstpeter.jpghttp://upload.wikimedia.org/wikipedia/commons/5/5a/09julius.jpghttp://upload.wikimedia.org/wikipedia/commons/9/94/Sanzio_01.jpg


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Art History: High Renaissance

GrandiosescaleUse ofclassicalelements innew ways

Idealistic form

PsychologicallychargedProportionschanged to suitthe artist

Use offrescoOil oncanvas

Chiaroscuro, sfumato

Humanism

Blending ofclassicalthemes andmythologyinto religiousthemes

The concept of the universalman


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Art History: Michelangelo 1475-15


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Venetian Renaissance Architecture 1500-

1600s

Lots of classical

influences!

Roman templefacades

Combined

basilica plan with

classical facade

Villas

Venice under attack

San Giorgio

Maggiore

Andrea Palladio


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Andrea PalladioVenetian Renaissance Architecture

Studied ancient literature and traveled to

Rome

Author ofThe Four Books of Architecture

Palladian style very popular later in Europe

and colonial America

Villa Rotonda

Central plan

Four porches for four views

Influenced by Pantheon


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Venetian Renaissance - 1500s

Andrea Palladio (1508-1580)Wrote I quattro libri dellarchitettura

(The Four Books of Architecture).

Classical Style (Roman Antiquity, Vitruvius)Central Plan, symmetrical wings, columned

porch/faade, pediment, Ionic order, interior

harmony and balance = "Palladian styleWorks: San Giorgio Maggiore, Villa Rotunda


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emotions - color -light

Painting: Oils on canvas (Titian).

Architecture: Classical style - Villas (Palladio).Style: Art is poetic (poesia), focus on color,

and paint application (colorito).

No strong outlines - soft forms & landscapes.

Express light through color.

Subjects: Religious, pastoral (rural), & Venus scenes.


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Venetian Renaissance

Oil on canvas

Pastoral landscapes, theprovocative woman, and thedramatic portrait

Evocative use of color, softcolored light

Mythological narratives, classicaland biblical themes

Poetry


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TitianEmphasis in color,

spectacleand flesh

Imagery of marriage,beauty and love

Finished several ofBellinisand Giorgione's paintings

Strong diagonal

Movement


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Venetian Renaissance 1500-1600Painting

tempera-oil paintings

soft-colored

oil on canvaspoetic

Bellini, Giorgione, Titian

Architecture

sandstone

classical architecture(harmonious symmetry)

Palladio

San Giorgio MaggioreIl Redentore

pastoral symphonyThe tempestSan Zaccaria
http://arthistory.westvalley.edu/images/T/TITIAN/PASTORAL_CONCERT.JPG


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Titian-Paintings

Isabella d'EsteVenus of Urbino

Venus with mirror

Vibrant colors

Capturing of light

Assumption of

the virginPesoro Modonna

Meeting of Bacchus and Ariadne

religious

erotic mythological

M i (It l ) 1520
http://arthistory.westvalley.edu/images/T/TITIAN/TITIAN_VENUS_OF_URBINO.JPG


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Mannerism(Italy): c. 1520-1600

Painting: oil on wood;ambiguous, distortion,

imbalanced, emotion/bizarrethemes, clever, perspective,elongated limbsSculpture:marble/bronze;nudity, unobtainable posesArchitecture: unconventional,

eccentric,Content: Biblical, symbolic,mythology

P i i i


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Parmigianino(Painter)Elongation, ambiguous use of

space, emotion, natural/realism,elegance; oil on wood

Symbolism, religious themesEtching, chiaroscuro woodcuts;influenced Italian printmakingInfluenced by Correggio (studentof), Raphael and Michelangelo

H l R E i


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Holy Roman Empire 1500-1600Oil on wood paintings; German Landscapes;Engraving and Woodcuts

Realism and Humanism (return to classicalstyles)

Influenced by The Church and Alchemy

Prints made art affordable for all; good

teaching toolsMathematical Proportions


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HOLY ROMAN EMPIREAlbrecht Drer

1471-1528

Applied the Vitruvian Theory ofHuman proportion

More well known for woodblocks andengravings

Wrote Theories on Geometry,Fortification & Human Proportion Brought ideas from Leonardo and

other southern artists to the north
http://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAA


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Holy Roman Empire - Early 1500s

Painting: oil on wood, tempuraon linen, watercolor

Engraving, woodcut, etchings

Biblical altarpieces
http://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.albrecht-durer.org/The-Four-Horsemen-Of-The-Apocalypse-large.htmlhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAAhttp://www.google.com/imgres?imgurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf-400.jpg&imgrefurl=http://www.fineartprintsondemand.com/artists/durer/great_piece_of_turf.htm&h=400&w=310&sz=29&tbnid=5uNOfP7FRMkTkM:&tbnh=256&tbnw=198&prev=/images?q=great+piece+of+turf&hl=en&usg=__nDyGp_JEscydnUPar3ErpqczGpI=&ei=QllyS7TUMcKCnQeRr7mMCw&sa=X&oi=image_result&resnum=1&ct=image&ved=0CAcQ9QEwAA


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Albrecht Drer

-Influenced by

Italian Renaissance

-Ideal humanproportions

-naturalism

-immense texture

and tonal values
http://upload.wikimedia.org/wikipedia/commons/b/b9/D%C3%BCrer_-_Rhinoceros.jpghttp://upload.wikimedia.org/wikipedia/commons/2/29/Durer_Revelation_Four_Riders.jpg


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Age ofReformation:TheNetherlands

What tolook for:-scenes ofdaily life-portraits ofmiddle class

people-subtlereligiousreferences


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Pieter Bruegel the Elder

-Beautiful landscapes butthe focus remains on

people-shows peasants just asoften as nobility-works morals and storiesinto the paintings


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Northern Rensassaince:1500-1600

Chateau de Chambord,

Chambord France. Begun 1519.

Built for King Francis I.The Hunters in The Snow (1565)

Garden of Earthly Delights, 1505-1510. Oil on Wood.

Hieronymus Bosch

Refers to art outside of Italy,

mainly in Northern Europe andSpain.

Usage of Oils, both on wood and

canvas.

Engravings and woodcut are also

used.

Paintings are influenced by the

Church, political entities, and

social status.

Paintings often detail the elegant

garb and clothes of the day.

Landscapes are beginning to be

painted as primary focus ofartwork, not just as back drops.

Architecture is influenced

heavily by the Gothic time

period, but also have an Italian

influence.

Francis I, ca. 1525-1530. Tempera

and Oil on wood. Jean Clouet

Pieter Bruegel The
http://upload.wikimedia.org/wikipedia/commons/a/a5/Pieter_Bruegel_d._%C3%84._037.jpg


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Pieter Bruegel TheElder (1525-1569)

Northern Renaissance

Flemish Painter

Master of Landscapes

Painted with Oil

Inspired by Bosch

Often Called Peasant Bruegel

Found inspiration in Nature

Human activity remained the dominanttheme in his works.

Accepted as master of Antwerp painters

guild in 1551

Apprentice to Pieter Coecke van Aelst

The Tower of Babel (1563)

The Hunters in The Snow (1565)

Landscape with the Fall of Icarus (1558)

Netherlandish Proverbs (1559)

The Land of Cockaigne (1567)
http://upload.wikimedia.org/wikipedia/commons/a/a5/Pieter_Bruegel_d._%C3%84._037.jpg


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Netherlands 1400s to 1500s

Paintings-oils on wood, oilson canvas, oils on panel

Other types- engraving,

etching

Subjects- religious,

landscapes, portraits ,

everyday life,

Style- iconography, realism

Compositions-space, light,

color, linear perspective,


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Bruegel the Elder

Paintings- oil on wood, oil

on canvas, etchings andengravings, oil on panel

Compositions-, light,

space,, balance, depth, lineand shape

Style- iconography,

realism, imagery

Subjects- nature,

interrelationships of human

behavior, portraits,

religious themes

Documents

AHII-UI Style Artist Slides