18
MUSIC IN AFRICA Music 390 University of Kentucky

Africa Intro 2015

Embed Size (px)

DESCRIPTION

This is a Power Point used by the University of Kentucky for EthnoMusicology.

Citation preview

  • MUSIC IN AFRICA

    Music 390 University of Kentucky

  • Africa

  • Sub-Saharan West Africa

  • West African Geography

  • Regions in Africa West Africa: Includes Senegal, The Gambia, Guinea, Sierra

    Leone, Liberia, Cote DIvoire, Mali, Niger, Nigeria, Ghana, Benin, Burkina Faso, Cameroon, Chad Manding society one of the most important ethnolinguistic groups, connected

    to the 13th c Mali Empire Most important musical role of Manding society is the Jali, a griot, musician and

    oral historian. Main instruments of Manding Jali are the balo xylophone, the kora (harp lute)

    and the kontingo (plucked lute with banjo like head) Toumani Diabate a famous Jali descending from 71 generations of musicians

    North Africa: Mauritania, Morocco, Algeria, Tunisia, Libya, Egypt, Sudan

    East Africa: Eritrea, Ethiopia, Somalia, Kenya, Uganda, Tanzania, Zambia

    Central Africa: Burundi, Angola, Central African Republic, Chad, Democratic Republic of Congo (Zaire), Rwanda, Gabon

    South Africa: Angola, Zambia, Mozambique, Namibia, Botswana, Zimbabwe, South Africa

  • West African Kingdoms

    Kingdom of Ghana (700 to 1200 AD) Kingdom of Mali (1200-1500) Kingdom of Songhai (1350-1600) Benin (1300-1800), present day Nigeria Ashanti Kingdom (1700-1900) Many of these ancient states are very symbolic today and exist parallel to national governments

    Also secret societies called Poro and Sande

  • Religion

    Indigenous religions founded on belief in multiple spirits, but usually one high created god rules

    Christianity Islamic faith Non-indigenous religions inuenced by history of interactions with Arabs and Europeans with the history of colonization

    Ghana and Nigeria: Anglophone Senegal and Mali: Francophone Liberia inuenced by the US

  • Music, Dance and Social Life

    Music and Dance inextricable in thinking of many West Africans

    Arts closely tied to social and political life Life cycle events often accompanied by music and dance, art central to the ow of life

    Dierent musical categories like art, folk, popular and religious tend to ow together

    Religious example: Ku Kelee Be Li (We are all going) St. Peters Lutheran Kpelle choir

  • West African Characteristics of Performance West Africa Known for its multi-layered, polyrhythmic sounds

    Also inuences from North Africa and the Arab World, which emphasizes more single layered sounds

    Performance is like speaking ones native language Stone

    In West Africa, there are families of musicians called Jeli or griots

    Many performers rely on spiritual world

  • Musical Instruments of West Africa Rich Variety of instruments

    Harp-lute (kora), lutes, zithers Rattles Plucked llamellophones Other struck instruments Drums (hourglass, goblet-shaped, conical or cylindrical) side-blown trumpets called turu Electric instruments imported

    Instruments more than material objects (quasi human or spiritual), often group the instruments according to spirits

    Kpelle classify instruments into those that are blown (fee) and struck (yale)

  • Senegal-Gambia

    Region known for the tradition of the Jeli of the Mandinka people.

    Jeli serve as the oral historian of the people

    Play many instruments but Kora, the hybrid harp-lute, is the most distinctive

    https://www.youtube.com/watch?v=UfRUH2fKUgA

  • Kora Music Two distinct sections

    Birimintingo ourishing solo runs Kumbengo steady repeated pattern while singing praises, provides foundation and can be maintained during the birimintingo ourishes

    Melodic contour of voice is descending with a declamatory vocal style that sings praises and as it eventually falls to a sustained note

    Syllabic text setting with little melisma This is a song praising a famous Mandinka warrior, Kallafa.

  • Central Africa Central Africa: Central African Republic, Democratic

    Repuglic of the Congo (Zaire), Gabon, Angola, Burundi Pygmies or Forest people live in equatorial forest in Central

    Africa Largest group of hunter gatherers (about 250,000 to 600,000 living in the

    Congo rainforest) Many groups: Mbenga, Bono, Mbuti/Bambuti, Twa and Cwa. Mbenga: Aka, BaAka and Gyele Egalitarian and communal Society BaAka: Singing characterized by hocketing of parts to create a melody,

    yodeling, layering of ostinato patterns with others performing variations on both of the melodies. Also may include clapped and percussion parts.

    Musical roles and leadership may shift http://www.youtube.com/watch?v=cATZe_jlc9g Music appropriated by Herbie Hancock in the song Watermelon Man

  • Southern Africa

    Angola, Zambia, Mozambique, Namibia, Botswana, Zimbabwe, South Africa South African choral music called Mbube or The related form isicathamiya

    Shona Mbira Music from Zimbabwe Played during ceremonies to communicate with the spirits

    Thumb piano: Right and left hands play dierent complementary melodies or motives that are interlocked to create inner melodies

  • South Africa: Zimbabwe

    Mbira of the Shona People Plucked by the thumb and forengers Mbira Dza vadzimu music has a minimum of two parts.

    Lead part: Kushaura (higher range) Following part: Kutsinhira (lower range)

    Interlock and overlap in polyrhythmic and polyphonic patterns

    Also Hosho rattles, reinforce Kutsinhira Additional participants may also sing, solo or call and response

  • Mbira in Context? Used for entertainment, storytelling, and rituals

    Shona spirit possession ceremony called Bira most important

    Here, an ancestor is invited to appear to community through the body of spirit medium

    Mbira musicians considered ritual specialists who help facilitate possession

    Many are called to learn the instrument by an ancestral spirit

  • East Africa: Uganda

    Home of the Akadinda xylophone music Large xylophone with 17-22 bars Played with three musicians on each side of xylophone

    http://www.youtube.com/watch?v=gJzWOC--ixc

    Features a triple interlocking technique

  • Concluding Thoughts This is a very small sampling of some of the unique traditions and sounds of Africa

    Represent great diversity of instruments, rhythmic patterns, melodies, timbres, vocal styles, languages, rituals

    And yet some musical tendencies can be discerned, what are they?

    Many of these traditions evoke the integral quality of music and dance with ritual, spiritual beliefs, everyday life, community values