Act 3 Scene 4 Performace Options Patrick Stewart

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  • 7/30/2019 Act 3 Scene 4 Performace Options Patrick Stewart

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    Dan Nolan S5mo

    Macbeth-performance

    analysis Patrick StewartVersion act 3 Scene 4

    Patrick Stewarts unique take on the character of Macbeth has won

    Goulds take on the play much critical acclaim. Goulds interpretation of

    Act three Scene four is ripe with intricate detail and great acting and

    deserves some attention.

    The banquet is set in large, spacious hall, with an intimidating Stalinesqueportrait of Macbeth draped over the far wall, which portrays the

    dictatorship that Macbeth is leading. While at this stage in the scene both

    Macbeth and Lady Macbeth are close, trying to play a welcoming host,

    and cover up Banquos death, Gould purposefully decides to portray Lady

    Macbeth in an extremely vulnerable manner. This vulnerable appearance

    helps portray Macbeths dominance in the latter half of the scene after the

    guests have left. This display of vulnerability also plays with the original

    idea of how these characters are meant to be working together.

    Throughout the scene Lady Macbeth looks terrified of her husband, whichagain reinforces the idea of a Macbeth being a dictator. When the

    murderer appears Macbeth seems to freely speak to him, shouting at him

    not caring to even to attempt to conceal what he is doing. This, once

    again is playing on the dictatorship idea, Macbeth has no need to worry

    about being heard, all the thanes are terrified of him, Gould makes them

    all looks as if they are not listening to the conversation , just getting on

    with their meal, scared of what might happen if they are caught listening.

    However it is a different story when the ghost of Banquo appears.

    Macbeth is reduced to an emotional wreck at the sight of the risen body of

    his once best friend. The actual portrayal of the ghost and the build-up to

    its appearance is pretty much unique as performances of Macbeth go.

    When Macbeth is asked to sit, he turns to his, which to his surprise, he

    finds the three witches upon he seat. It is worth mentioning here that the

    three witches were previously serving food to the guests which implies

    that they might have something to do with the appearance of the ghost,

    and that it is not simply a figment of Macbeths tormented imagination.

    But the very fact that Macbeth was asked to sit in a chair which the

    witches were seated upon begs a controversial question. Can the otherguests see the witches? Perhaps asking Macbeth to sit was implying for

  • 7/30/2019 Act 3 Scene 4 Performace Options Patrick Stewart

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    Dan Nolan S5mo

    the witches to move, or it could more complex than that, perhaps the

    witches are simply a figment of Macbeths imagination, something he

    made up to try and deal with the guilt he could well be feeling. Or it couldbe some form of an intermediate, where they are actually there, but only

    Macbeth sees them as the three witches. Whichever way you look at, the

    appearance of the witches on Macbeths stool and the rising tension in the

    music immediately tells the audience that something about to happen-

    probably for the worst.

    The entrance of the risen again Banquo is a dramatic one. Gould switches

    the lighting to a dark blue light cloaking the hall, everything is slowed

    down and the ghost moves towards Macbeth across the table, spilling

    wine, symbolising the spilling of blood. The contrast in the section

    startling- a dead man is walking across a table, causing havoc and

    knocking things over (in Macbeths eyes anyway), while the rest of the

    guests are sitting the eating and generally not even looking up. Macbeth

    stubbles backwards and falls on the floor, crying his lines in pure fear,

    directly contrasting with his portrayal earlier on as the dominant confident

    dictator. Lady Macbeths reaction to her husbands apparently

    hallucination is an awkward attempt to reassure the guests; with a false

    smile she tells them to regard him not in a vain attempt cover up her

    husbands suspicious behaviour.

    Macbeths reaction to the ghost eventually leads to Lady Macbeth sending

    their guests away, at this point; Gould portrays her as being at her tipping

    point, head in hands, she accusing Macbeth ofdisplacing the Mirthand

    almost crying dismisses the thanes. This leaves only Macbeth and his wife

    left in the room, and Gould portrays them as being very distant. Lady

    Macbeth is sat down, crying and not looking at her husband, While

    Macbeth is standing, making Lady Macbeth look much the inferior

    character. Macbeth looks relaxed, completely different from his encounter

    with the dead earlier. He stands eating soup and speaking of visiting the

    witches and of more evil to come, with a disturbing lack of care about him

    as if what he saying is really that important. In contrast, Lady Macbeth has

    started descending into her tormented state of madness. While she sits

    listening to Macbeth speak of witches and blood, you can see her rubbing

    at her hand, which is probably the start of the spot appearing that hurts

    her so much later on. Macbeths apparent lack of care at the very end

    makes it almost more sinister as he ends by saying we are yet still young

    in deedand drags the distressed Lady Macbeth off to bed. Leaving the

    audience scared of what might happen next.

  • 7/30/2019 Act 3 Scene 4 Performace Options Patrick Stewart

    3/3

    Dan Nolan S5mo